Abstract Abstraction

15 artworks


  • Sale -33% Trip Blotter Paper Archival Print by Raws

    Raws Trip Blotter Paper Archival Print by Raws

    Trip Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Raws pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $406.00$272.00

  • Sale -33% Fractle Fractle Blotter Paper Archival Print by HoxxoH- Douglas Hoekzema

    HoxxoH- Douglas Hoekzema Fractle Fractle Blotter Paper Archival Print by HoxxoH- Douglas Hoekzema

    Fractle Fractle Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by HoxxoH pop culture LSD artwork. "The pieces I selected for this release were created last year and they were created with spray paint. I thought they were trippy and perfect for this project.The first time I took psychedelics was at Lollapalooza in 1996. If I had to offer some advice to anyone about them I would give the same advice that I got to start out with micro dosing, slowly increase and be in nature." - Hoxxoh

    $406.00$272.00

  • Sale -33% Untitled Simulator Interface III Blotter Paper Archival Print by J Demsky

    J Demsky Untitled Simulator Interface III Blotter Paper Archival Print by J Demsky

    Untitled Simulator Interface III Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

    $406.00$272.00

  • Sale -33% Untitled Simulator Interface II Blotter Paper Archival Print by J Demsky

    J Demsky Untitled Simulator Interface II Blotter Paper Archival Print by J Demsky

    Untitled Simulator Interface II Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

    $406.00$272.00

  • Sale -33% Untitled Simulator Interface IV Blotter Paper Archival Print by J Demsky

    J Demsky Untitled Simulator Interface IV Blotter Paper Archival Print by J Demsky

    Untitled Simulator Interface IV Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

    $406.00$272.00

  • Sale -33% Untitled Simulator Interface I Blotter Paper Archival Print by J Demsky

    J Demsky Untitled Simulator Interface I Blotter Paper Archival Print by J Demsky

    Untitled Simulator Interface I Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

    $406.00$272.00

  • AZ373 Trippin Pink Blotter Paper Archival Print by Add Fuel

    Add Fuel AZ373 Trippin Pink Blotter Paper Archival Print by Add Fuel

    AZ373- Trippin Pink Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Add Fuel pop culture LSD artwork. 2021 Signed & Numbered Limited Edition of 150 Blotter Artwork Size 7.5x7.5. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. The AZ373-Trippin Pink Blotter Paper represents a fascinating fusion of subcultural edge and high artistry within Street Pop Art and Graffiti Artwork. This limited edition piece, a work by the artist Add Fuel, exemplifies the ongoing intersection of art and counterculture, particularly within the sphere of psychedelia. Released in 2021, each print in the limited series of 150 is a testament to the meticulous craftsmanship and cultural relevance that Add Fuel brings to the table. Crafted with archival pigment print on perforated blotter paper, a material historically linked with the distribution of LSD, this artwork encapsulates a period where drug culture heavily influenced visual art, music, and lifestyle. The 7.5x7.5 inch artwork size is manageable for collectors and intimate enough to draw viewers into its complex design. The intricate patterns and vibrant pink hues are reminiscent of traditional ceramic tile aesthetics, reimagined through a contemporary lens to challenge perceptions of what street art can encapsulate. The personal touch is evident as each blotter edition is hand-perforated by Zane Kesey, further adding to the uniqueness of each piece. Kesey's involvement connects the artwork to a broader narrative, considering his father, Ken Kesey, was a figurehead of psychedelic culture. This lineage authenticates the artwork, bridging past and present ideologies. As a collectible, the AZ373-Trippin Pink Blotter Paper is not just a visual delight but also a historical artifact. It stands as a bold statement in the collector's world, where art meets subversive history, and each numbered piece carries the artist's signature, sealing its status as a genuine piece of Street Pop Art. Collectors and enthusiasts of Graffiti Artwork are often drawn to such pieces that not only add aesthetic value to their collection but also carry a narrative of cultural shift and artistic evolution.

    $422.00

  • Sale -33% Vortex Portal Blotter Paper Archival Print by HoxxoH- Douglas Hoekzema

    HoxxoH- Douglas Hoekzema Vortex Portal Blotter Paper Archival Print by HoxxoH- Douglas Hoekzema

    Vortex Portal Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by HoxxoH pop culture LSD artwork. "The pieces I selected for this release were created last year and they were created with spray paint. I thought they were trippy and perfect for this project.The first time I took psychedelics was at Lollapalooza in 1996. If I had to offer some advice to anyone about them I would give the same advice that I got to start out with micro dosing, slowly increase and be in nature." - Hoxxoh

    $406.00$272.00

  • Sale -33% New Dawn Blotter Paper Archival Pigment Print by Ricky Watts

    Ricky Watts New Dawn Blotter Paper Archival Pigment Print by Ricky Watts

    New Dawn Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ricky Watts pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $406.00$272.00

  • Sale -33% Desert Rain Dance Blotter Paper Archival Pigment Print by Ricky Watts

    Ricky Watts Desert Rain Dance Blotter Paper Archival Pigment Print by Ricky Watts

    Desert Rain Dance Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ricky Watts pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $406.00$272.00

  • AZ373 Trippin Blue Blotter Paper Archival Print by Add Fuel

    Add Fuel AZ373 Trippin Blue Blotter Paper Archival Print by Add Fuel

    AZ373- Trippin Blue Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Add Fuel pop culture LSD artwork. 2021 Signed & Numbered Limited Edition of 150 Blotter Artwork Size 7.5x7.5. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. The AZ373-Trippin Blue Blotter Paper represents a fascinating fusion of subcultural edge and high artistry within Street Pop Art and Graffiti Artwork. This limited edition piece, a work by the artist Add Fuel, exemplifies the ongoing intersection of art and counterculture, particularly within the sphere of psychedelia. Released in 2021, each print in the limited series of 150 is a testament to the meticulous craftsmanship and cultural relevance that Add Fuel brings to the table. Crafted with archival pigment print on perforated blotter paper, a material historically linked with the distribution of LSD, this artwork encapsulates a period where drug culture heavily influenced visual art, music, and lifestyle. The 7.5x7.5 inch artwork size is manageable for collectors and intimate enough to draw viewers into its complex design. The intricate patterns and vibrant Blue hues are reminiscent of traditional ceramic tile aesthetics, reimagined through a contemporary lens to challenge perceptions of what street art can encapsulate. The personal touch is evident as each blotter edition is hand-perforated by Zane Kesey, further adding to the uniqueness of each piece. Kesey's involvement connects the artwork to a broader narrative, considering his father, Ken Kesey, was a figurehead of psychedelic culture. This lineage authenticates the artwork, bridging past and present ideologies. As a collectible, the AZ373-Trippin Blue Blotter Paper is not just a visual delight but also a historical artifact. It stands as a bold statement in the collector's world, where art meets subversive history, and each numbered piece carries the artist's signature, sealing its status as a genuine piece of Street Pop Art. Collectors and enthusiasts of Graffiti Artwork are often drawn to such pieces that not only add aesthetic value to their collection but also carry a narrative of cultural shift and artistic evolution.

    $422.00

  • Sale -33% No Gravity Blotter Paper Archival Print by Angel Toren

    Angel Toren No Gravity Blotter Paper Archival Print by Angel Toren

    No Gravity Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Angel Toren pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $406.00$272.00

  • Sale -33% Confusion Blotter Paper Archival Print by Raws

    Raws Confusion Blotter Paper Archival Print by Raws

    Confusion Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Raws pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $406.00$272.00

  • Sale -33% Mental Milkshake Blotter Paper Archival Print by Jayson Atienza

    Jayson Atienza Mental Milkshake Blotter Paper Archival Print by Jayson Atienza

    Mental Milkshake Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Jayson Atienza pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $406.00$272.00

  • AZ373 Trippin Green Blotter Paper Archival Print by Add Fuel

    Add Fuel AZ373 Trippin Green Blotter Paper Archival Print by Add Fuel

    AZ373- Trippin Green Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Add Fuel pop culture LSD artwork. 2021 Signed & Numbered Limited Edition of 150 Blotter Artwork Size 7.5x7.5. Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. The AZ373-Trippin Green Blotter Paper represents a fascinating fusion of subcultural edge and high artistry within Street Pop Art and Graffiti Artwork. This limited edition piece, a work by the artist Add Fuel, exemplifies the ongoing intersection of art and counterculture, particularly within the sphere of psychedelia. Released in 2021, each print in the limited series of 150 is a testament to the meticulous craftsmanship and cultural relevance that Add Fuel brings to the table. Crafted with archival pigment print on perforated blotter paper, a material historically linked with the distribution of LSD, this artwork encapsulates a period where drug culture heavily influenced visual art, music, and lifestyle. The 7.5x7.5 inch artwork size is manageable for collectors and intimate enough to draw viewers into its complex design. The intricate patterns and vibrant Green hues are reminiscent of traditional ceramic tile aesthetics, reimagined through a contemporary lens to challenge perceptions of what street art can encapsulate. The personal touch is evident as each blotter edition is hand-perforated by Zane Kesey, further adding to the uniqueness of each piece. Kesey's involvement connects the artwork to a broader narrative, considering his father, Ken Kesey, was a figurehead of psychedelic culture. This lineage authenticates the artwork, bridging past and present ideologies. As a collectible, the AZ373-Trippin Green Blotter Paper is not just a visual delight but also a historical artifact. It stands as a bold statement in the collector's world, where art meets subversive history, and each numbered piece carries the artist's signature, sealing its status as a genuine piece of Street Pop Art. Collectors and enthusiasts of Graffiti Artwork are often drawn to such pieces that not only add aesthetic value to their collection but also carry a narrative of cultural shift and artistic evolution.

    $422.00

Abstract Abstraction Graffiti Street Pop Artwork

Abstract Abstraction in Street Pop Art & Graffiti Artwork

Abstract abstraction, a concept often perceived as redundant, is a significant and vibrant facet of street pop art and graffiti artwork. This artistic approach transcends the conventional boundaries of abstract art by pushing the limits of form, color, and composition to create pieces that defy easy categorization or interpretation. In street pop art and graffiti, abstract abstraction becomes a tool for artists to communicate complex ideas and emotions, often rooted in social, political, or personal contexts. Abstract street graffiti art is a form of urban art typically featuring bold and expressive designs, shapes, and colors intended to convey emotion, movement, and energy. Unlike traditional graffiti, which often consists of simple tags or stylized lettering, abstract street graffiti art is typically characterized by its emphasis on abstract shapes and patterns and its use of color and texture to create a dynamic and visually engaging composition. One of the defining features of abstract street graffiti art is its ability to transform an otherwise mundane urban landscape into a vibrant and exciting space. By using the walls, buildings, and other city surfaces as their canvas, graffiti artists can create large-scale works of art that can be viewed and appreciated by anyone who passes by.
In some cases, these works of art can even become landmarks or cultural touchstones within the communities where they are located. Another important aspect of abstract street graffiti art is its ability to convey powerful messages or ideas through visual imagery. Whether it's a statement about social justice, a celebration of diversity and inclusivity, or simply an expression of personal creativity and self-expression, abstract street graffiti art has the power to communicate complex ideas and emotions in a way that is accessible and engaging to a wide range of audiences. Despite its many virtues, abstract street graffiti art is still often viewed with suspicion or even outright hostility by some members of the general public.
In many cases, this is due to a perceived association with vandalism and criminal activity or simply a lack of understanding or appreciation for the cultural and artistic value of this unique and dynamic urban art form. Despite these challenges, abstract street graffiti art continues to thrive and evolve as artists worldwide push the boundaries of what is possible with this exciting and dynamic medium. Whether you see it as a bold act of rebellion or a powerful form of artistic expression, there is no denying the impact that abstract street graffiti art has had on our cities and our culture, and its influence is sure to be felt for many years.

Evolution and Characteristics in Street Art

A gradual shift from the traditional graffiti styles of the 1970s and 1980s marks the evolution of abstract abstraction in street pop art and graffiti artwork. Early graffiti, predominantly in New York and other urban centers, focused on lettering and figurative elements. However, as the art form matured and spread globally, artists began experimenting with abstract forms, color palettes, and spatial arrangements. Pioneers in this movement, like Futura (real name: Leonard Hilton McGurr, United States), transcended conventional graffiti styles, employing spray cans to create sprawling, abstract compositions that were groundbreaking at the time. These artists challenged the norms of both street art and the broader art world. They rejected the idea that graffiti must be about words or recognizable images, instead emphasizing emotional expression and individual creativity. The result was a dynamic and unpredictable form of art that could adapt to any surface or environment and spoke to a diverse, urban audience.

Notable Contributions and Artists

In discussing abstract abstraction in street art and graffiti, it's essential to highlight key figures who have shaped its trajectory. One such artist is Jean-Michel Basquiat (real name: Jean-Michel Basquiat, United States, 1960–1988). Although primarily known for his work in the neo-expressionist movement, Basquiat ventured into abstract graffiti under SAMO. His work in the streets of New York blended text and imagery in a way that blurred the lines between figurative and abstract art, setting a precedent for future generations of graffiti artists. Artists like Banksy (real name unknown, United Kingdom) have also contributed significantly to the field in Europe. While Banksy's work is more symbolic and political, the abstract elements in his compositions – the play with shadows and the distortion of forms – align with the principles of abstract abstraction. Banksy's art, often riddled with irony and dark humor, utilizes abstraction as an aesthetic choice and a means of commenting on societal issues.

Impact and Future Directions

The impact of abstract abstraction in street pop art and graffiti artwork extends beyond the art world. It has influenced graphic design, fashion, and advertising, demonstrating its vast reach and versatility. This art style challenges viewers to engage with the work more intuitively and emotionally, often leaving interpretation open to the individual's experience and perspective. As for the future, the trajectory of abstract abstraction in street art and graffiti seems poised for continual evolution. With digital technology and new mediums, artists have more tools to explore and express their visions. The rise of augmented reality (AR) and virtual reality (VR) offers new platforms for street artists to experiment with space and form in previously unimaginable ways.
Moreover, the growing acceptance of street art and graffiti in the mainstream world suggests that abstract abstraction will continue gaining prominence and respect. Museums and galleries increasingly showcase street art, acknowledging its cultural significance and artistic merit. This recognition paves the way for new artists to explore abstract abstraction, pushing the boundaries of street art and how it can communicate with a global audience. Abstract abstraction in street pop art and graffiti artwork represents a dynamic and evolving field that defies easy categorization and continues to challenge and inspire artists and audiences alike. Its significance lies in its aesthetic appeal and its ability to communicate complex ideas and emotions, making it a vital component of contemporary art.

© 2024 Sprayed Paint Art Collection,

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