African American

6 artworks


  • Sale -33% Sugar Times Archival Print by David MacDowell

    David MacDowell Sugar Times Archival Print by David MacDowell

    Sugar Times Limited Edition Archival Pigment Fine Art Prints on 300gms Fine Art Paper by Graffiti Street Art and Pop Culture Artist David MacDowell. Based on the famous African American TV shows Whats Happening and Good Times. DAVE MACDOWELL – Titled “Sugar Times” Print. Archival Pigment Print on the 300gms art paper. Paper size measures 24x20″ Stamped By Artist Seal. David MacDowell’s work deftly combines satire, irreverence, and seething wit. A self-taught artist, MacDowell combines cultural references with the magnetism of the “dark hook”, creating unexpected plays on pop that inject the familiar with blistering hyperboles.

    $209.00$140.00

  • Sale -33% ABSDUNK Archival Print by Abstrk

    Abstrk ABSDUNK Archival Print by Abstrk

    ABSDUNK Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist ABSTRK, Street Pop Art Graffiti Renown. 2023 Signed & Numbered #23 of 23 Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 24 x 18 Inches Release: February 17, 2022 Edition of: 23

    $322.00$216.00

  • Many Faces Untitled HPM Archival Print by Abstrk

    Abstrk Many Faces Untitled HPM Archival Print by Abstrk

    Many Faces- Untitled HPM Limited Edition Hand-Embellished HPM Archival Pigment Prints on Fine Art Paper by Urban Graffiti Artist Abstrk. 2022 Signed & Numbered HPM Hand-Embellished Unique Limited Edition of 15 Artwork Size 24x24

    $438.00

  • Sale -33% LET ME IN Silkscreen Print by Shane Lewis

    Shane Lewis LET ME IN Silkscreen Print by Shane Lewis

    LET ME IN Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shane Lewis Rare Street Art Famous Pop Artwork Artist. 2021 Silkscreen print 24 x 9 inches Limited Edition of 50 Inspired by Eric Andre Unsigned

    $58.00$39.00

  • Black or White Face 92 Original Oil Painting by Peter Keil

    Peter Keil Black or White Face 92 Original Oil Painting by Peter Keil

    Black or White Face 92 Original Oil Painting by Peter Keil: One-of-a-kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1992 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work—painting of Black & White Face with Hat. Delving into "Black or White Face '92" by Peter Keil "Black or White Face '92" is an original oil painting on Masonite panel by Peter Keil, known as "The Wild Man of Berlin," a moniker that reflects his fierce and untamed approach to art. This artwork, created in 1992 and signed by the artist, measures 24x24 inches and is emblematic of Keil's bold and expressive style. The painting showcases a face rendered in stark black and white, adorned with a colorful hat that contrasts the composition. Keil's use of thick paint is evident here, a technique that gives the work its rich texture and depth, and over time, has led to some paint flaking, a characteristic that imparts an authentic patina to his pieces. The dichotomy of black and white in the painting resonates with the themes often explored in Street Pop Art and graffiti Artwork, where contrast is used to convey complex messages and evoke strong visual impact. Keil's depiction goes beyond the literal to hint at the dualities present within human nature and society. With its vibrant hues, the hat stands as a symbol of individuality and creativity, central to Keil's artistic philosophy and the spirit of street and pop art movements. Exploring the Significance of Keil's Technique and Medium In "Black or White Face '92," Peter Keil's technique and choice of medium speak volumes about his connection to the raw and immediate qualities associated with street art. His application of oil paint on Masonite panels, often in thick, impasto layers, creates a tactile surface that invites viewers to experience the artwork beyond its visual appeal. This sensory quality bridges the gap between the viewer and the artwork, making it more accessible and engaging, much like graffiti art that adorns urban landscapes. The Masonite panel itself, a departure from traditional canvas, underscores Keil's affinity with the street art genre, which favors unconventional materials and surfaces. The durability and solidity of Masonite also reflect the lasting impact of Keil's work, mirroring the permanence of graffiti art that becomes an integral part of the urban environment. This synergy between medium and message is a hallmark of Keil's art. It is a testament to his role as a pioneer in integrating the essence of street art into acceptable art practices. Keil's Artistic Legacy in Modern Art As exemplified by "Black or White Face '92," Peter Keil's artistic legacy is characterized by a vivid portrayal of human subjects and an unrestrained use of color and form. His works are a testament to the influence of street culture on contemporary art, demonstrating how the spontaneous and unfiltered expressions found in Street Pop Art and graffiti Artwork can be translated into the language of fine art. Keil's paintings are not mere representations but powerful expressions of emotion and identity infused with the artist's experiences and observations. Furthermore, the flaking of paint in Keil's work adds a dimension of time and history to his paintings, suggesting a narrative that extends beyond the moment of creation. This aspect of his work is particularly poignant in the context of street art, where the environment and the passage of time play crucial roles in shaping the artwork's life. Through his bold explorations and authentic expressions, Keil has left an indelible mark on modern art, inspiring artists and art enthusiasts to embrace the unconventional and appreciate the beauty inherent in the imperfections of the artistic process. "Black or White Face '92" is not just a significant piece within Peter Keil's body of work; it is a vibrant chapter in the story of street pop art and graffiti Art. It encapsulates Keil's artistry's energy, diversity, and creativity while reflecting the broader trends and transformations within contemporary art. As this piece continues to captivate viewers with its compelling imagery and rich textures, it serves as a reminder of Keil's enduring impact on the art world and his mastery of bringing the street into the gallery.

    $600.00

  • Ascension Worn Wraps Swatch HPM Archival Print by Robert Mars Ascension Worn Wraps Swatch HPM Archival Print by Robert Mars

    Robert Mars Ascension Worn Wraps Swatch HPM Archival Print by Robert Mars

    Ascension- Worn Wraps Swatch Art Archival Pigment Print with Authentic Hand Worn Muhammad Ali Hand Wrap Glove Swatch Artwork by street pop culture artist Robert Mars. Ascension Muhammad Ali archival pigment print with authentic fabric swatch taken from Muhammad Ali's original training-worn hand wraps printed on Hahnemühle 310gsm William Turner matte fine art paper, hand deckled 18 x 24 inches Hand-signed and numbered by artist Robert Mars. Accompanied by a copy of the original signed letter of provenance, April 4, 2012, from Daria Muhammad, daughter of Wali Muhammad, long-time assistant trainer, and cornerman of Ali from by JG Autographs.

    $489.00

African American

African American culture and identity. In graffiti art, African Americans are often depicted as powerful and heroic figures, while in pop art they are portrayed in a more humorous and ironic way. In graffiti art, African American culture is often celebrated through the use of bold colors and imagery. Graffiti artists have used their art to promote social justice and racial equality, often depicting African American leaders like Martin Luther King Jr. and Malcolm X as symbols of strength and resilience. Additionally, graffiti art has been used to highlight the challenges faced by African Americans, such as police brutality and systemic racism. Many graffiti artists use their art to draw attention to these issues and call for change. In pop art, African Americans are often portrayed in a more satirical and humorous way. Pop artists like Andy Warhol and Roy Lichtenstein used African American cultural references, such as images of black athletes and musicians, as a way to comment on popular culture and consumerism. However, some pop artists also used their art to critique the ways in which African Americans were portrayed in mainstream media, challenging negative stereotypes and promoting positive images of black culture. In addition to celebrating African American culture and identity, graffiti art has also been used to address social issues that disproportionately affect the black community. For example, some graffiti artists have used their art to call attention to the school-to-prison pipeline, which refers to the practice of funneling students, particularly students of color, out of the public school system and into the criminal justice system. Graffiti art has also been used to address issues such as gentrification, poverty, and access to healthcare. Pop art has also been used to address social issues affecting the black community. Pop artists like Keith Haring and Jean-Michel Basquiat used their art to critique the racial inequality and social injustice they saw around them. Basquiat, in particular, used his art to highlight the ways in which black culture had been appropriated by white artists and popular culture. Both graffiti art and pop art have also been used as a way for African American artists to claim their place in the art world. Historically, black artists have faced barriers to entry in the art world, with many struggling to find representation and recognition for their work. Graffiti art and pop art have provided alternative avenues for African American artists to express themselves and gain visibility. In recent years, African American artists have continued to use graffiti art and pop art as a way to explore and express their identities and experiences. This has led to a vibrant and diverse body of work that continues to challenge and inspire audiences around the world.

© 2024 Sprayed Paint Art Collection,

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