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Ceci N'est Pas Une Spongebob PP Archival Print by Shark Toof Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 24x18 Archival Pigment Fine Art. "Ceci N'est Pas Une Spongebob, This Is Not A Spongebob" Decoding "Ceci N'est Pas Une SpongeBob" by Shark Toof "Ceci N'est Pas Une SpongeBob" is a provocative piece by the renowned street pop artist Shark Toof, challenging the boundaries of pop culture iconography within the context of modern street art. The artwork is a Printer's Proof (PP) archival print from 2019, meticulously signed and marked by the artist, denoting its status as a rare collector's item. Printed on 310gsm Museum Fine Art Paper, this piece exemplifies the high-quality medium Shark Toof employs to ensure durability and depth of color, crucial for the archival pigment fine art that this work represents. A Fusion of Street Art and Pop Culture This piece is a testament to the collision of street pop art and graffiti artwork with mainstream pop culture symbols. Shark Toof takes the universally recognized figure of SpongeBob SquarePants and distorts it, presenting an image that both acknowledges and subverts the original character. The title itself, a nod to René Magritte's "The Treachery of Images," prompts viewers to question the nature of representation and reality in art. Shark Toof's work suggests that the image of SpongeBob we see is not the character itself but a representation skewed by the artist's perspective and the cultural context in which it is viewed. Shark Toof's Artistic Commentary In "Ceci N'est Pas Une SpongeBob," Shark Toof is not simply replicating a beloved character; he is initiating a dialogue about the saturation of media icons in society and the consumption of these images. The distortion and decomposition of SpongeBob's features invite the audience to reflect on how mass media shapes and sometimes distorts our perceptions. This work captures the spirit of street pop art by using graffiti artwork's spontaneous and rebellious essence to comment on and criticize phenomena. The layered textures and vibrant colors reveal the complex relationship between commercial imagery and artistic expression. The art piece explores the tension between street art's ephemeral nature and fine art prints' enduring quality. Shark Toof bridges two seemingly disparate worlds by choosing SpongeBob, an icon from an animated children's show, and placing it in the sophisticated realm of limited edition prints. This juxtaposition challenges the viewer's understanding of what constitutes 'legitimate' art, questioning the hierarchies within the art world. Through "Ceci N'est Pas Une SpongeBob," Shark Toof contributes to the discourse on the value and significance of street pop art and graffiti artwork in contemporary culture. By recontextualizing a figure from the lexicon of popular media, he endows it with new meaning and elevates it within the art canon. This artwork is a visual spectacle with an intellectual engagement, prompting conversations about the nature of art, media's influence, and street art's power to transform and transcend ordinary objects and characters into extraordinary pieces of cultural commentary.

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The Triumphant Warrior Artwork Limited Edition Giclee Print on Fine Art Paper by Modern Artist Buff Monster. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 24x24 "The Triumphant Warrior" is a testament to Buff Monster's distinctive style within pop and street art, brought to life through a limited edition giclee print on fine art paper. This 2012 piece is set against a stark and stylized landscape, featuring a one-eyed pink character reminiscent of soft-serve ice cream, triumphantly standing over a vanquished dragon. The print measures 24x24 inches and is part of a limited edition series, with only 50 signed and numbered pieces, adding to its value and collectability. Buff Monster's work is often characterized by its bright, vibrant colors and whimsical themes. It draws heavily from various cultural influences, including Japanese Kawaii—a style emphasizing cuteness, graffiti art, and classic American cartoon imagery. In "The Triumphant Warrior," these elements are on full display; the pink hue of the central character pops against the muted background, drawing the eye directly to the subject. The scene humorously subverts the classic trope of a brave knight slaying a dragon by replacing the knight with a playful, almost childlike creature wielding a spear with a cherry on top. This artwork not only captures Buff Monster's iconic use of the color pink but also incorporates his recurring eye motif, which together provide a signature look that is instantly recognizable. Giclée printing technology ensures that each detail, from the glossy shine of the creature's head to the intricate patterns on the fallen dragon, is reproduced with high fidelity. The fine art paper serves as an ideal canvas, ensuring that each print retains the visual impact of the original work. By releasing "The Triumphant Warrior" as a limited edition, Buff Monster creates a sense of urgency and exclusivity around the artwork, principles often seen in street art, where the impermanent nature of the medium is part of its charm. Collectors of this piece not only obtain a slice of Buff Monster's world but also engage with the dialogue between street art's transient nature and the enduring form of fine art prints. This piece encapsulates the playful defiance at the heart of Buff Monster's artistic expression, embodying a triumphant spirit that is both whimsical and heroic in its own right.

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It's A Spaceship Silkscreen by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Toy Story Cartoon Movie Tribute, 4th Unreal Estate show

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Tropic-Ana 16-Color Hand-Pulled Limited Edition Silkscreen Print on 330gsm Orange Plike Paper by Tim Conlon Rare Street Art Famous Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 24x24 Orange Tropicana Logo Close-Up of Rail Car, Truck or Shipping Container. Tim Conlon, celebrated for his profound impact on the street and pop art realms, brings forth "Tropic-Ana," an exquisite 16-color hand-pulled silkscreen print. The artwork, impressively produced on 330gsm Orange Plike paper, radiates with vibrant colors and intricate detailing that Conlon is renowned for. Measuring 24 x 24 inches, it's a creation that's impossible to overlook. With a limited edition release of only 75 pieces, each deckled-edge print is directly signed by the artist himself, adding an intimate touch of authenticity for collectors and enthusiasts alike. At the heart of this piece is its connection to Conlon's much-acclaimed "Blank Canvas" series. Specifically, it draws inspiration from his original painting, "Blank Canvas #115 - TPIX." This series is emblematic of Conlon's expertise in weaving together elements of spray paint, intricate typography, abstract painting techniques, and tromp l'oeil. Through "Tropic-Ana," Conlon offers viewers a close-up, almost magnified, perspective of the freight train painting culture, a niche yet deeply expressive sub-domain of street art. Conlon's innovative approach to meshing traditional painterly styles with the raw energy of graffiti art makes "Tropic-Ana" not just a print but a storytelling canvas. This collaboration with BEYOND THE STREETS further cements the artwork's significance, with the print edition bearing the organization's distinct embossing, signaling its approval and association with one of the modern art world's most influential entities. "Tropic-Ana" stands not just as a testament to Conlon's artistic prowess but also as a celebration of the street and pop art movement's evolution and dynamism. Signed Tim Conlon Tropic-Ana, 2022 16-Color Screen Print on Orange Plike 330 gsm Deckled Edge 24 x 24 in( 61 x 61 cm) Edition of 75 Direct Signature by the artist Embossed by BEYOND THE STREETS Based on his original painting Blank Canvas #115 - TPIX, from his prolific and ever-expanding Blank Canvas series, BEYOND THE STREETS is thrilled to present a rare print edition from iconic painter and graffiti writer Tim Conlon. Combining spray paint, typography, painterly abstraction, and tromp l'oeil to create these large-scale, close-up paintings, Conlon presents a literal "peek" into freight train painting art and culture.

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Like Candy Limited Edition Archival Pigment Print Transfer on Laser Cut Archival Foam Core Board by Modern Pop Street Graffiti Artist Leon Keer. PP Printers Proof 2019 Marked PP Archival Pigment Print Transfer on Laser Cut Archival Foam Core Board Size: 24 x 18.625 x .25 Inches Release: June 18, 2019- Slight knick to upper left-facing corner, barely visible. "I created this painting to talk about the over-prescription of pain management drugs and false assumption about the effectiveness of medicine, caused a worldwide abuse of and addiction to painkillers such as Vicodin." - Leon Keer. Interpreting Leon Keer's Message Leon Keer's "Like Candy" is a provocative piece of Street Pop Art and graffiti Artwork, symbolic of the genre's power to comment on social issues. Created in 2019 and marked as a Printers Proof (PP), this archival pigment print transfer on laser-cut archival foam core board is a stark reminder of the darker side of medication in modern society. Sized at 24 x 18.625 x .25 inches and released on June 18, 2019, it's noteworthy for a slight imperfection: a barely visible nick to the upper left-facing corner, which, rather than detracting, adds a layer of authenticity to the work. Keer's creation is more than a visual treat; it's a critical commentary on the healthcare industry's frivolous distribution of potent medications. By juxtaposing the addictive nature of painkillers like Vicodin against the innocent imagery of candy, Keer draws a parallel to the deceptive allure of these drugs. The artwork's title, "Like Candy," underscores the ease with which such medications can be obtained and consumed, often with little thought to the consequences. Keer explicitly mentions his intent to spotlight the over-prescription of pain management drugs and the mistaken beliefs surrounding their effectiveness, which has fueled a global crisis of abuse and addiction. Artistic Expression and Social Commentary Keer's methodology incorporates traditional elements of street art with modern techniques, resulting in a piece that is both aesthetically pleasing and deeply thought-provoking. His choice of medium—archival pigment print transfer on laser-cut archival foam core board—reflects a contemporary edge, aligning with the innovative spirit of street and pop art. The three-dimensional aspect of the laser-cut foam adds depth to the piece, further emphasizing the layers of meaning behind the façade of pharmaceutical consumption. The artwork, while visually aligned with the playful nature of street art, carries a sad message that resonates with a broad audience, transcending the boundaries of conventional graffiti artwork. The Impact of "Like Candy" In Street Pop Art and graffiti Artwork, Leon Keer's "Like Candy" is a powerful conversation starter. It's an artwork that doesn't just sit quietly on the wall; it challenges viewers to reconsider their perceptions of medicine. It acts as a mirror to society's often casual treatment of prescription drugs, contrasting the colorful, child-like appeal of candy with the severe implications of medication misuse. Keer's art reflects his mastery of the pop art aesthetic and demonstrates the potential of street art to effect change and provoke discussion about pressing societal issues. Reflection on the Pharmaceutical Industry Keer's artwork is a scathing critique of the pharmaceutical industry's role in the epidemic of drug dependency. Keer cleverly subverts our expectations by transferring the image of gummy candies, which are typically associated with sweetness and pleasure, onto a medium that suggests prescription medication. The artwork raises questions about the responsibility of drug companies in the opioid crisis and the ease with which powerful drugs are marketed and distributed. "Like Candy" is a poignant reminder that what may be sold as a panacea can sometimes become a peril, a statement that echoes through the halls of modern Street Pop Art and graffiti Artwork. "Like Candy" is a testament to Leon Keer's artistic skill and his commitment to using art as a means of social commentary. With its thoughtful construction and impactful message, it remains a significant piece within contemporary art discourse. As with many great works of Street Pop Art and graffiti Artwork, it bridges the gap between aesthetic appeal and social consciousness, proving that art can be beautiful and a bearer of important messages. This piece stands out as a poignant reflection on an issue affecting millions worldwide, ensuring its relevance for years.

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Wax Museum with a Pulse Pulp Fiction Silkscreen Print by Tim Doyle Hand-Pulled 8-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed & Numbered Limited Edition of 175 Artwork Size 24x18 Pulp Fiction Movie Tribute, 4th Unreal Estate show

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French Arrogance Silkscreen Print by 123Klan Hand-Pulled 3-Color on 80lb Speckletone True White Fine Art Paper Limited Edition Pop Street Art Artwork. 2016 Signed & Numbered Limited Edition of 75 Artwork Size 24x36 Silkscreen Print "French Arrogance" is a silkscreen print created by 123Klan, a French street art collective founded in 1992 by Scien and Klor. The collective is known for its fusion of graffiti, graphic design, and illustration in their artwork. They often create unique and bold pieces that draw inspiration from various influences such as hip-hop, punk, and pop culture. "French Arrogance" showcases 123Klan's style and attitude, incorporating elements of French culture and the street art scene. The print likely features strong colors, stylized text, and various symbols or icons related to the theme.

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