Giclee Fine Art Print

The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Cauldron Artwork Giclee Limited Edition Print on 300gsm Museum Natural Fine Art Paper by Pop Culture Graffiti Artist Adam Caldwell. AP Artist Proof 2013 Signed & Marked AP Artwork Size 12x16

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Asstronaut 333 Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. The "Asstronaut 333" is transcending from another dimension, the third Asstronaut installment is a very limited edition of 33. Each Asstronaut comes with a holographic helmet, Hand Painted/Embellished by the artist, each print is unique on its own. "Asstronaut 333” 2021 20 inches x 25 inches Acrylic, Glaze, Giclée on Etching Rag Hand-Embellished, Signed, Numbered & Branded Minor Creases to Center of Image, Does Not Affect Image When Framed.

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Frida La Muerte Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Brian Viveros. 2013 Signed & Numbered Limited Edition of 100 Giclee Artwork 16x20 Frida La Muerte Frida Death Cultural Synthesis in "Frida La Muerte" Brian Viveros, an urban graffiti modern artist known for his distinctive fusion of Street Pop Art and Graffiti Artwork, has made a profound impact with his limited edition giclee prints. Among his acclaimed works is the "Frida La Muerte" print, a piece that stands out not only for its visual potency but also for its cultural significance. This artwork is part of a limited edition series, signed and numbered by Viveros, emphasizing its value and collectibility within the art market. In "Frida La Muerte," Viveros pays homage to Frida Kahlo, one of the most iconic figures in art history, while infusing the piece with his characteristic edginess. The print features an evocative portrait of a figure reminiscent of Kahlo, adorned with a crown of roses and a Calavera, or skull makeup, traditionally associated with the Mexican Dia de los Muertos. Combining these elements creates a powerful visual narrative that bridges the realms of life and death, a theme often explored by Kahlo in her work. The Limited Edition Giclee Print The technique used in producing this limited edition print is giclee, which involves spraying microscopic dots of pigment-based ink onto high-quality paper or canvas. This method is renowned for producing vibrant colors, sharp details, and durability, rivaling traditional silver-halide and gelatin printing processes. Measuring 16x20 inches, "Frida La Muerte" is a print of a size that allows for intimate viewing yet is large enough to make an impactful statement on any wall it adorns. Artistic Significance and Collectibility With a limited edition of only 100 prints, "Frida La Muerte" holds an exclusive appeal. Collectors and admirers of Viveros's work are often drawn to the scarcity and the artist's personal touch—each print directly connects to his creative vision. The exclusivity of these prints elevates their status from mere reproductions to coveted artifacts within the art community. Viveros's Impact on Modern Street Pop Art Viveros's influence on the landscape of modern Street Pop Art and Graffiti Artwork is undeniable. His works, including "Frida La Muerte," are characterized by their bold imagery, intricate detail, and thematic depth. These qualities have garnered him a dedicated following and sparked conversations about the evolution of street art and its place in the broader context of contemporary art. "Frida La Muerte" by Brian Viveros encapsulates the essence of Street Pop Art and Graffiti Artwork, blending cultural iconography with modern artistic techniques to create something unique. The limited edition nature of the print adds to its allure, making it a sought-after piece for collectors and enthusiasts of Viveros's work. As an artist, Viveros continues to push the boundaries of street art, challenging perceptions and inspiring a new generation of artists and art lovers alike.

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Cicuta Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Conrad Roset.

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1942 AP Artist Proof Giclee Print by Brian Viveros Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. AP Artist Proof 2017 Signed & Marked AP Limited Edition Artwork Size 14x20 The Significance of Limited Edition Prints in Street Pop Art and Graffiti Artwork Within the expansive domain of modern art, Street Pop Art and Graffiti Artwork have emerged as powerful currents, blending the visceral force of street-level expression with the allure of pop culture. The practice of releasing limited edition prints has become a vital aspect of this art movement, bridging the gap between the exclusivity of original art pieces and the broader audience that craves ownership of such works. A standout piece in this category is the "1942 AP Artist Proof Giclee Print" by the acclaimed artist Brian Viveros, known for his unique fusion of themes and styles. Brian Viveros and the Allure of the '1942 AP Artist Proof Giclee Print' Brian Viveros has carved out a distinctive niche within pop and street art spheres. His work is marked by raw power and delicate beauty, predominantly featuring female figures that exude strength and sensuality. The "1942 AP Artist Proof Giclee Print" exemplifies Viveros' artistry, intertwining elements of surrealism and symbolism with a distinct pop art sensibility. The rarity of Artist Proof prints adds a layer of exclusivity and desirability, as these are limited runs typically held back for the artist's collection or use, often highly prized by collectors. The Artistic and Cultural Context of Viveros' Work Limited edition prints like Viveros' "1942" offer a compelling narrative through their visual composition. Including the year "1942" in the artwork invites interpretation, carrying historical weight and potential symbolic significance. The choice of fine art paper as the substrate for this 14x20 print underscores the commitment to quality, ensuring that the work's vibrant hues and elaborate details endure. Blurring Boundaries: Street Art's Evolution into the Fine Art Pantheon The emergence of street art as a recognized form of fine art is one of the defining trends of contemporary artistic expression. Artists like Viveros have been instrumental in this shift, as their works embody the merging of street art's spontaneity and subversive edge with the precision and refinement traditionally associated with high art. The "1942 AP Artist Proof Giclee Print" is a testament to this cultural evolution, standing as both a piece of art history and a vibrant example of the dynamism present in today's art scene. In the hands of artists like Viveros, limited edition prints become more than mere reproductions; they are singular statements and historical artifacts. They capture the essence of Street Pop Art and Graffiti Artwork, representing their ongoing ability to engage, provoke, and inspire a diverse audience. Viveros' "1942 AP Artist Proof Giclee Print" is not only a representation of artistic fusion but also a piece that continues to resonate with and challenge contemporary viewers.

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Secret Heart AP Artist Giclee Print by Sarah Joncas Pop Street Artwork Limited Edition Print on Museo Portfolio Rag Paper Graffiti Pop Street Artist. AP Artist Proof 2015 Signed & Marked AP Limited Edition of 50 Artwork Size 16x20

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Speaking in Tongues Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2019 Signed & Numbered 16x20 Edition of 20

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100% Angel- Large Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Bei Badgirl. Gallery quality archival luxury giclee print on Canson Infinity Rag Photographique 210gsm, with artist's signature. Large: 16" x 22.5" (41 x 56.5cm)

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Day of the Dead Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Leslie Ditto. 2011 1st Printing of 75

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Playbot 1 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. Signed limited run for Sneaker Con 2021

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Action Jackson Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Ron English. Ron English's tribute to artist Jackson Pollock Ron English’s tribute to artist Jackson Pollock was a customized 12″ tall (1/6th Scale) action figure in Clutter Magazine’s (In)Action Figure Show, entitled “Action Jackson”. Entitled “Action Jackson,” this amazing piece is signed by English on the back. Ron has created an extremely limited 12″ x 16″ Giclée print based on the 1/6th scale figure. Signed and numbered by English, only 10 numbered copies of this print were made.

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The Beatles Mystery of Love AP Giclee Print by Serge Gay Jr Archival Pigment Fine Art Limited Edition Print on Fine Art Paper Pop Artist Modern Artwork. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 16x16 John Lennon, Paul McCartney, George Harrison, Ringo Starr of the mUsic Group The Beatles

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Safe Passage- HPM Limited Edition Hand-Embellished Giclee Prints on Fine Art Paper by Urban Artist Craww. 2014 Signed & Numbered 11x17 HPM Edition of 10 Embellished Unique Limited Print Number 1 of 10

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Fever Break Artist Proof AP Giclee Print by Sarah JoncasArtwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. AP Artist Proof 2018 Signed & Marked AP Limited Edition Artwork Size 16x20 Fever Break by Sarah Joncas: A Captivating Fusion of Street Art and Portraiture The Artistry of Sarah Joncas in Fever Break Sarah Joncas's "Fever Break" is a testament to the evocative power of contemporary portraiture infused with the ethos of Street Pop Art and graffiti Artwork. This Artist Proof (AP) giclee print, released in 2018, showcases Joncas's skillful blend of realism with elements of the surreal. Signed and marked as an AP, the limited edition print measures 16x20 inches and presents a narrative as compelling as it is aesthetically rich. The artwork engages with the tradition of fine art paper prints, ensuring the delicate balance between color and detail that Joncas is known for is meticulously preserved. Symbolism and Emotional Depth in Fever Break "Fever Break" is imbued with an intimacy characteristic of Joncas's work, where the subject's direct gaze and the intertwining floral elements create a dialogue with the viewer. The piece is laden with symbolism; the flowers and their state of wilt or bloom may be interpreted as metaphors for the subject's inner emotional landscape. This interplay of figure and flora offers a depth transcending the image's already striking visual appeal. Cultural Resonance in Joncas's Work Joncas's artwork, particularly in "Fever Break," resonates culturally by drawing upon themes common in Street Pop Art and graffiti Artwork – such as identity, emotion, and human experience – while presenting them within classical portraiture. This work deftly bridges disparate artistic traditions, appealing to a broad spectrum of art enthusiasts and collectors alike. The limited edition nature of the print further enhances its desirability, promising exclusivity alongside its inherent artistic value. Technique and Medium in Fever Break The giclee printing technique employed by Joncas in "Fever Break" is a nod to her reverence for traditional artistic mediums and her embrace of modern techniques. Giclee printing, known for producing high-quality, long-lasting prints, complements Joncas's nuanced palette and intricate linework. The fine art paper chosen for this print acts as the perfect substrate for the high-fidelity reproduction of her original painting, promising that each print conveys the same emotional and visual impact as the original work. Legacy of Fever Break in Pop and Street Art The legacy of "Fever Break" within pop and street art lies in its unique position at the intersection of street-inspired artistry and intimate portraiture. With its dynamic power and exquisite detail, Sarah Joncas's work pushes the boundaries of how street art can be interpreted and appreciated. Her limited edition prints, especially an Artist Proof such as "Fever Break," are not only pieces of art but also cultural artifacts that signify a moment in the ever-evolving narrative of Street Pop Art and graffiti Artwork.

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Hercules Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12

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To Love And To Hold Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 11x16 White Haired Woman with Lilly Flowers. The Alluring Fusion of Florals and Portraiture in "To Love And To Hold" by Bec Winnel "To Love And To Hold," a giclee print by the Australian artist Bec Winnel, presents a compelling blend of portraiture and nature, a common theme within the domain of Street Pop Art and Graffiti Artwork, yet expressed here with a unique finesse. Limited to a collection of 25 signed and numbered editions, the artwork, sized at 11x16 inches, features a white-haired woman with lily flowers, a juxtaposition that evokes themes of purity, beauty, and the delicacy of human emotions. Bec Winnel's Artistic Narrative in Street Pop Art Bec Winnel's contribution to the contemporary art scene is marked by her ethereal and almost otherworldly representations of women, often coupled with elements from nature. "To Love And To Hold" is no exception. Winnel's precise and tender touch breathes life into the paper, creating a texture and depth that might be found in the murals and textures of Street Pop Art and Graffiti Artwork. This print invites the viewer into a narrative woven from the subject's penetrating gaze and the vibrant life of the lily flowers. The interplay between the subject and the lilies in "To Love And To Hold" is significant. Lilies are often associated with devotion, purity, renewal, and rebirth. By juxtaposing these flowers with the woman's gaze, Winnel may suggest a story of enduring love, a moment of contemplation, or a cycle of growth and change. The limited edition nature of the print deepens its value, turning it into a collectible piece that holds not just aesthetic value but also an emotional narrative that resonates with the viewer. Technique and Expression in Winnel's Limited Edition Prints The technique employed by Winnel in her giclee prints ensures that every subtle detail of her original artwork is captured, from the soft hues of the woman's hair to the intricate details of the lily flowers. Giclee printing, known for its high-quality reproduction capabilities, is particularly suited to Winnel's style, which often features soft gradients and delicate shadings that would be lost in lower-quality print methods. "To Love And To Hold" reflects the same attention to detail and expression often found in Street Pop Art and Graffiti Artwork. While the latter is typically found in urban settings and is characterized by its public display and often bold messages, Winnel's print brings the essence of this artistic expression into a personal and contemplative space. The piece does not shout from a wall but whispers from a frame, allowing for a deeper and more intimate connection with the art. The Lasting Impact of "To Love And To Hold" The lasting impact of "To Love And To Hold" within the broader context of street pop art and graffiti artwork is a testament to the versatility and range of the movement. While Street Pop Art is often associated with urban landscapes and the social and political commentary inherent in graffiti, Winnel's print showcases how the principles of this movement can be translated into different mediums and settings. Her work is a reminder that Street Pop Art is not confined by space or scale but is defined by its ability to touch, engage, and convey meaning. In the hands of those who own a piece of this limited edition print, "To Love And To Hold" continues to be more than just a work of art. It is a portal to a story, an emotion, and a piece of the artist's soul. It is a reminder of the beauty that can be found in stillness, the strength in vulnerability, and the profound connection between humanity and the natural world. As such, Bec Winnel's work is an enduring piece within the ever-evolving narrative of Street Pop Art and Graffiti Artwork, bridging the gap between the intimate and the universal, the private collection and the public spectacle.

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Loose Lines Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Charmaine Olivia. 2014 Signed & Numbered Limited Edition of 350 Artwork Size 8.5x11

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Unholy Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque.

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Rubik Country Life Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 431 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-3. Enhance your space with the "Rubik Rubikcubism Metal Giclee Prints" by the distinguished Invader, a set of four color-drenched, ready-to-hang masterpieces. This acclaimed selection from Invader's Rubik's Cube series transforms playful nostalgia into high art. Each limited edition print is masterfully Diasec-mounted, offering a superior giclée finish on a precision-cut aluminum composite panel. These substantial art pieces measure an impactful 100 x 100 cm and have a notable weight of 13.5kg, ideal for creating a modern and engaging atmosphere. Dive into the world of street pop art with these prints that celebrate Invader's innovative fusion of classic gaming and cutting-edge artistry. Capturing the Essence of Nostalgia: Invader's Rubik Country Life Series The "Rubik Country Life Rubikcubism Metal Giclee Print" by Invader is a modern tribute to the idyllic pastoral scenes, reimagined through the pixelated lens of Rubik's Cubes, bringing a unique fusion of nostalgia and contemporary art to the fore. As a leading figure in the graffiti pop street art movement, Invader's work continues to challenge and redefine the boundaries of art and technology. His 2023 signed and numbered limited edition of 431 pieces, each measuring 100cm by 100cm, represents a bold statement in the art community, marrying the playful simplicity of the Rubik's Cube with the complexity of fine art. Each print in the "Rubik Country Life" series is an intricate composition of Diasec-mounted Giclée on a laser-cut aluminum composite panel weighing 13.5kg. The choice of material speaks to the durability and longevity of the artwork, ensuring that the vibrant mosaics of rural life endure as a lasting piece of cultural expression. These ready-to-hang prints showcase Invader's artistic skill and encapsulate his vision of bringing street pop art and graffiti artwork into a new realm of recognition and appreciation. Invader's Artistic Journey and the Innovation of Rubikcubism Invader's artistic journey is marked by his innovative approach to street pop art, which he has aptly named "Rubikcubism." This technique involves using the iconic Rubik's Cube to create elaborate mosaics that, from a distance, merge into recognizable images. With the "Rubik Country Life" series, Invader weaves a visual narrative that resonates with the tranquility and beauty of rural landscapes, transformed into a grid of colored squares that captivate and intrigue the viewer. The artist's signature method is a technical feat and a conceptual bridge connecting the tactile engagement of solving a Rubik's Cube with the visual experience of appreciating a work of art. Each cube is a pixel, a single component in a larger image that collectively presents a cohesive and striking depiction of country life. This approach pays homage to the early days of digital art and the historical genre of landscape painting, reinterpreted through a modern-day prism. The Cultural Significance of Invader's Limited Edition Prints The limited edition nature of the "Rubik Country Life" series elevates these prints beyond mere artistic creations; they become cultural artifacts. Each signed and numbered piece signifies its place in the lineage of street pop art, marking Invader's impact on the art world. Collectors and enthusiasts of Invader's work can own a segment of this historical narrative, as each print becomes a testament to the evolving landscape of street art. Invader's prints are important for their visual impact and their role in the discourse of street art's place within the art historical canon. The "Rubik Country Life" series and its counterparts demonstrate the potential for street art to transcend its temporary nature and to be celebrated and preserved as high art. This reflects the shifting perceptions surrounding graffiti and street pop art, with Invader at the forefront of this transformation. The "Rubik Country Life Rubikcubism Metal Giclee Print" series is a vibrant example of how street pop art intersects with traditional art forms to create something entirely new and profoundly impactful. Invader's work, with its distinctive aesthetic and cultural resonance, continues to inspire and challenge viewers, cementing his status as an innovator and a pivotal figure in contemporary art.

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Felt Carousel Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 12x16 Stylized Fashion Clown Young Woman Crying. The Visual Poetry of "Felt Carousel" by Bec Winnel "Felt Carousel," a Giclee print by the renowned Australian artist Bec Winnel, is a stunning visual narrative that embodies the essence of Street Pop Art and Graffiti Artwork. Released in 2012, this limited edition artwork is a treasure trove of emotional depth, signed and numbered to ensure exclusivity for art collectors. Only 50 pieces exist worldwide, each measuring 12x16 inches and printed on fine art paper, a testament to the enduring allure of tactile, physical art in an increasingly digital world. Embracing Vulnerability in Street Pop Art The subject of "Felt Carousel" is a young woman, styled as a fashion clown, with a single tear marking her visage. This image diverges from the often vibrant and aggressive tones associated with graffiti art, offering a moment of vulnerability and introspection. Winnel masterfully blends the whimsy of a carousel, traditionally a symbol of childhood innocence, with the complex emotional state of the woman, creating a layered piece that invites contemplation. The contrast of the woman's tearful expression against the light-hearted motif of the carousel hat suggests a narrative of complexity within simplicity. This approach is emblematic of Street Pop Art's evolution, capable of expressing societal commentary and the profound personal struggles and joys that define the human experience. Contemplating the Subtleties of Street Art and Expression Bec Winnel's "Felt Carousel" print is a poignant reminder that Street Pop Art is not monolithic; it is a diverse and dynamic expression that transcends traditional boundaries. The choice of a Giclee print for this work underscores the importance of quality and longevity in art, ensuring that the delicate nuances of Winnel's pastel palette and the emotional gravity of the piece are preserved over time. In the broader context, "Felt Carousel" contributes to the narrative that Street Pop Art and Graffiti Artwork are not confined to public displays on urban walls but are also at home in private collections, which can be reflected upon in personal spaces. With its interplay of innocence and sorrow, this print demonstrates the genre's capacity to delve deep into the psyche, proving that street art can be as contemplative and stirring as any classical portrait. A Testament to the Enduring Spirit of Artistic Expression Finally, "Felt Carousel" is a testament to Bec Winnel's ability to evoke emotion and tell a story through her art. The fashion clown motif and the subject's genuine feeling craft a unique narrative open to interpretation yet universally understood. As one of the limited 50 owners of this print, collectors are invited to engage in a silent dialogue with the artwork, contemplating the myriad emotions that it elicits. Bec Winnel, through her sensitive and evocative portrayal of the human condition, continues to make an indelible mark on the world of contemporary art. "Felt Carousel" is not just a print; it is a piece of Winnel's soul, shared with the world, and a reminder that true artistry lies in the ability to elicit feeling and thought through the silent language of imagery.

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Vacancy Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Meagan Magpie Rodgers. 80 signed and numbered 12”x20” giclee prints on fine art paper.

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The North Wind and the Sun Surreal Artwork Limited Edition Giclee Print on 100% Cotton Rag Fine Art Paper by Popular Artist Naoto Hattori. 2014 Signed & Hand-Numbered Limited Edition of 50 Artwork Size 16x20 Original Printing

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Monk Artwork Giclee Limited Edition Print on Cold-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Caia Koopman. "I really enjoyed the opportunity to express my concern for rapidly disappearing and critically endangered species in my painting "Monk" for PangeaSeed. My painting portrays the critically endangered Hawaiian Monk seal while the female character symbolizes the souls of a shrinking population and seals past. I believe strongly that we humans, all living things, and even the planet itself are intrinsically connected." -Caia Koopman Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Transitions Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Nimit Malavia.

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Sensation Artwork Giclee Limited Edition Surreal Print on 100% Cotton Rag Fine Art Paper by Pop Culture Graffiti Artist Naoto Hattori.

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Wilting Flowers Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Meagan Magpie Rodgers. 100 signed and numbered 11”x14” giclee prints on fine art paper.

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Playbot 2 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. Signed limited run for Sneaker Con 2021

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After Dark Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. Inspired by Haruki Murakami's novel - "After Dark". Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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Florid Cosmos Hand Cut Collage Giclee Limited Edition Artwork Print on 315gsm Etching Cotten Rag Paper by Pop Culture Graffiti Artist Handiedan. Art print giclée 315 gsm Etching Cotton Rag 16.5" x 21” / 42 x 53.5 cm Signed & Numbered Hot Wax Seal Stamped Edition: 33 2021

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You Have A Sexy Mouth Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2019 Signed & Numbered 16x20 Edition of 10

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Dismal Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x12

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Goddess In Us Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Handiedan. 2020 Signed & Numbered Limited edition of 55 giclée signed and numbered print by the artist. "Creating these multi-layered mixed media collages gives me the opportunity to explore the complex layers of life and energy. I always hope for a beautiful interaction with the viewer's eye and heart." -Handiedan

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Candy Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 11.75x16.25 Colorful Tattooed Young Blond Woman in Thought. Exploring the Fusion of Femininity and Street Pop Art in Bec Winnel's Candy Giclee Print Bec Winnel is a name that resonates deeply in contemporary art, particularly within Street Pop Art and Graffiti Artwork. This Australian artist has become known for her meticulous and delicate approach to portraiture that marries traditional drawing with contemporary themes and street art sensibilities. One of Winnel's standout pieces is the 'Candy Giclee Print,' a limited edition artwork that showcases her unique blend of these artistic styles. Limited to 25 prints, each piece is hand-signed and numbered by the artist, making it a coveted item for collectors and enthusiasts of Street Pop Art. The Allure of Limited Edition Art The 'Candy Giclee Print' measures 11.75x16.25 inches, a size that is intimate yet commanding. The choice of fine art paper as a medium for this print adds to the allure, providing a tactile quality that elevates the viewing experience. Limited edition prints such as this offer a sense of exclusivity and investment, promising that only a select few can own a piece of this visual narrative. The rarity of the edition often incites a deeper appreciation and a connection with the artwork, further intensified by the artist's personal touch in her signature. Symbolism and Style in Candy Giclee Print The artwork is an evocative portrayal of a young blond woman tattooed and lost in thought. The colors are vibrant, with the tattoo patterns reminiscent of graffiti art. This melding of styles is particularly effective in conveying the personality and inner life of the subject. The tattoos, which could be perceived as a form of street art, adorn her skin like a canvas, suggesting a personal and exposed story. The subject's expression is pensive, inviting viewers to contemplate her thoughts and emotions and the cultural implications of tattoos as a form of self-expression and identity. Impact of Street Pop Art and Graffiti Artwork Street Pop Art and Graffiti Artwork have long been at the forefront of challenging traditional boundaries in the art world. They bring the vibrancy of street culture into the typically more refined gallery spaces. In the case of Bec Winnel's 'Candy Giclee Print,' there is a fusion of the delicate and the bold, the private and the public, the controlled and the free. It stands as a testament to the power of street-inspired art to infiltrate and enrich the mainstream art narrative while retaining its edge and authenticity. In the broader context of art history, pieces like 'Candy Giclee Print' are important cultural artifacts that reflect the times and social attitudes. They also underscore the significance of street art in contemporary dialogues about art and its place in society. Winnel's, with its intricate detail and emotional depth, exemplifies how the medium of street art can be as potent and profound as any traditional art form, capable of conveying complex themes and resonating on a deeply personal level with viewers. Through her work, Bec Winnel contributes to the growing recognition of Street Pop Art as a legitimate and essential form of artistic expression. Her pieces do not just hang on the walls of those who purchase them; they hang in the collective consciousness of a society increasingly acknowledging the blurred lines between high art and street art, between the gallery and the alleyway. Winnel's 'Candy Giclee Print' is not just a beautiful piece of art; it is a piece of cultural dialogue, a slice of contemporary life, and a reflection of the evolving landscape of art and expression.

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Bonnie Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 10.75x16.5 Pink Haired Woman Close Up in Repose. Bonnie: A Tranquil Portrait by Bec Winnel The limited edition "Bonnie" giclee print by Australian artist Bec Winnel is an exquisite addition to the world of Street Pop Art and Graffiti Artwork despite its seemingly contrasting, serene, and delicate presentation. Released in 2014, this collection was limited to 25 signed and numbered editions, featuring a white-haired woman in a size of 10.75x16.5 inches. The artwork represents a departure from the traditional urban and vibrant settings of street art, inviting viewers to a moment of calm and introspection. Artistic Expression Beyond Urban Canvases Winnel's "Bonnie" brings the spirit of Street Pop Art into the realm of fine art paper, providing a more intimate and detailed look into the subject matter than what is usually afforded by the broad strokes of graffiti. The intricate details in the woman's white hair and the subtle interplay of light and shadow on her features display Winnel's use of pencil and pastel to create textures and depths as impactful as any large-scale mural. In "Bonnie," the subject's gaze is not confrontational but inviting, reflecting an inner peace and stillness that is often sought but not frequently depicted in street art's bustling, dynamic world. Like much of Street Pop Art, this piece communicates powerful emotions and narratives without words, proving that art can connect with the viewer on multiple levels, regardless of the setting or style. Street Pop Art in the Lens of Giclee Printing The use of giclee printing in "Bonnie" ensures that the nuanced gradations of color and delicate line work are preserved, mirroring the precision that can be found in street artists' spray paint and stencils. Giclee prints, known for their high fidelity to the original artworks, allow the intricate details of Winnel's technique to be fully experienced. This method of reproduction aligns with the ethos of Street Pop Art by making high-quality art accessible and by breaking down the barriers between the public and the private in the world of art. Winnel's decision to limit "Bonnie" to a series of 25 ensures that each piece remains unique and valued, much like the ephemeral nature of street art, which may only exist in its original location for a brief moment before being painted over or removed. The owners of "Bonnie" thus become custodians of a moment in time, a piece of art that captures the transient beauty of life. The Enduring Appeal of Winnel's "Bonnie" The enduring appeal of "Bonnie" lies in its timeless quality and the universal emotions it evokes. This piece by Bec Winnel is a testament to the breadth and diversity of Street Pop Art and Graffiti Artwork. This genre is not limited to loud messages and bold visuals but also encompasses the quiet and contemplative. Winnel's work invites us to see the potential of street art to transcend its traditional boundaries and to be appreciated in diverse contexts and formats. As "Bonnie" graces the walls of private collections, it continues to speak volumes about the power of Street Pop Art to adapt and find resonance in various environments. It bridges the often misunderstood world of street art and those who seek to find beauty and meaning in every form of artistic expression. Through works like "Bonnie," Bec Winnel contributes to the rich and evolving dialogue of what it means to create art in the modern world, ensuring that the narrative of Street Pop Art is as varied and profound as the human experience itself.

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Grace Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 11.75x16.5 Stylized Tribal Geometric Tattooed Young Woman in Thought. Grace Giclee Print: A Confluence of Introspection and Street Pop Art The 'Grace Giclee Print' by Bec Winnel is a remarkable testament to the artist's ability to convey deep introspection through Street Pop Art and Graffiti Artwork. This limited edition print, restricted to a count of only 25, captures the essence of contemporary art's dialogue with traditional forms of expression. Each print, measuring 11.75x16.25 inches, is meticulously signed and numbered by Winnel, asserting its authenticity and value in the art market. Bec Winnel's Artistic Journey and Signature Style Bec Winnel, an Australian artist, has steadily etched her name into the global art scene with her distinctive approach to Street Pop Art. The 'Grace Giclee Print' exemplifies Winnel's signature style, often featuring young women adorned with stylized tattoos with tribal and geometric aesthetics. Similar to graffiti, these tattoos act as symbolic armor, representing resilience and vulnerability. They serve as a visual bridge between the subject's inner world and the outer reality, a theme prevalent in Winnel's body of work. Her ability to encapsulate complex emotional states through such imagery makes her work resonate with a diverse audience. Understanding the Essence of Street Pop Art and Graffiti Artwork The 'Grace Giclee Print' is not merely an object of beauty but a narrative piece that speaks volumes about the intricacies of human expression. Winnel's work is a canvas where the personal and the universal meet, much like the ethos of Street Pop Art and Graffiti Artwork. These art forms, traditionally seen on public platforms, are recontextualized in Winnel's work to explore the private contemplations of the individual. This juxtaposition invites viewers to reflect on the interplay between public exhibitionism and private introspection, a dynamic central to understanding street art's influence on contemporary culture. The Cultural Significance of Limited Edition Artworks Limited edition prints such as 'Grace Giclee Print' hold a special place in the art world due to their exclusivity and the connection they forge between the artist and the collector. The scarcity of such artworks elevates their desirability and, by extension, their potential as cultural artifacts. Winnel's choice to limit the print run to 25 pieces adds an element of urgency and prestige to the acquisition of 'Grace,' making each print a cherished possession for those fortunate enough to own one. Beyond their aesthetic appeal, limited edition prints like this one symbolize the ongoing evolution of street art as they continue to permeate the more formal realms of art collection and critique. The 'Grace Giclee Print' by Bec Winnel is a compelling representation of the fusion between traditional portraiture and Street Pop Art's raw, expressive power. Winnel's dedication to her craft and ability to distill complex emotions into her artwork ensure that her pieces are visually stunning and intellectually and emotionally stimulating. The limited edition nature of 'Grace' adds to its mystique, promising to hold a place of honor in the annals of contemporary Street Pop Art and Graffiti Artwork.

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Rode Vlinder in Vuur Artwork Giclee Limited Edition Print on 315 gsm Etching Cotton Rag Paper by Pop Culture Graffiti Artist Handiedan. Art print giclée 315 gsm Etching Cotton Rag 16.5" x 20.5” / 42 x 52 cm (image and paper size) Signed & Numbered Logo Embossed Edition: 77 2020 AR Augmented Reality: https://vimeo.com/416245862 Uses the Artivive App

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Celine Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 12x13 Pale Woman with Flower in Her Hair. The Ethereal Beauty of Celine by Bec Winnel The giclee print titled "Celine" by the Australian artist Bec Winnel is a masterpiece that sits at the intersection of traditional portraiture and Street Pop Art, a limited edition offering that comprises only 25 signed and numbered pieces. This artwork, measuring 11.5x13 inches, captures the viewer's gaze with the delicate depiction of a pale woman adorned with a flower in her hair, a motif ripe with symbolism and quiet introspection. Bec Winnel's approach in "Celine" is one of intimate portraiture. The subject's pale visage and the soft pink tones of her hair offer a stark yet gentle contrast to the bold and often brash world of Street Pop Art and Graffiti Artwork. The flower, a timeless symbol of nature's fleeting beauty, is rendered with such care that it seems to whisper stories of life's transient nature. The artwork, though rooted in the techniques of fine art, communicates the essence of street art through its emotional impact and accessibility. The use of giclee printing ensures that each nuance of Winnel's delicate pencil and pastel work is captured with precision, allowing the fine gradations of color and detail to shine through. This form of high-quality reproduction democratizes art, aligning with the Street Pop Art ethos of making art available to a wider audience beyond the confines of galleries and exclusive collections. Bec Winnel and the Contemporary Art Scene Bec Winnel, while perhaps not as widely recognized as some street artists, has earned a respected place within the contemporary art scene for her distinct blend of realism and fantasy. Her work often features women in moments of deep contemplation, surrounded by elements of the natural world that serve to underline their connection to the environment and to the cycles of life and death. This connection resonates with the thematic preoccupations of Street Pop Art, where the dialogue between the urban landscape and nature is frequently explored. "Celine" represents a poetic pause in the hustle of the street art world, inviting viewers to reflect on the softer side of humanity. The limited edition nature of the print adds a layer of exclusivity, yet Winnel's artistry bridges the gap between the elite art world and the democratic nature of street art. By creating a fine art paper version of her work, she extends an invitation to a broader audience to engage with her art in their own spaces. The allure of "Celine" lies in its ability to evoke a sense of ethereal beauty and vulnerability, characteristics that are often overshadowed in the bustling, dynamic spaces where Street Pop Art and Graffiti Artwork typically reside. The print holds a mirror to the quieter, more reflective aspects of human experience, much like a mural tucked away in a quiet corner of a busy city street might do. The enduring impact of "Celine" is its subtle challenge to the viewer: to slow down, to appreciate the beauty in stillness, and to consider the depth of the human experience. Winnel's choice to portray a woman in a moment of vulnerability is a powerful statement within the broader context of Street Pop Art, often dominated by louder, more aggressive themes. As "Celine" finds its home with collectors and art enthusiasts, it continues to weave its narrative, one that is as relevant today as it was in 2014. It stands as a testament to the possibilities of cross-pollination between the worlds of fine art and street art, a testament to the power of beauty and vulnerability in an often harsh and unforgiving world. Through her art, Bec Winnel contributes to the evolving story of Street Pop Art and Graffiti Artwork, ensuring that the narrative remains as diverse and multifaceted as the human experience itself.

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Tyler Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 10.5x16 Blue/White Haired Young Woman Close Up on Face. Reflective Intimacy in "Tyler" by Bec Winnel The "Tyler" giclee print by Bec Winnel, a celebrated Australian artist, is a striking testament to the confluence of Street Pop Art and portraiture on fine art paper. This 2014 signed and numbered limited edition of 25, sized at 10.5x16 inches, offers a mesmerizing close-up of a young woman with blue and white hair. This subject blends contemporary aesthetics with classic finesse. Winnel's work, particularly the "Tyler" print, diverges from the common perceptions of Street Pop Art and Graffiti Artwork, often associated with bold lines and vibrant colors splashed across public spaces. Instead, Winnel brings the essence of this movement into a more nuanced realm, where the subtlety of expression and the depth of gaze speak volumes. The subject's blue and white hair, often seen as a symbol of individuality in modern pop culture, contrasts with her timeless facial features, creating a piece that transcends eras and styles. The choice of giclee printing allows for an extraordinary level of detail, capturing the soft transitions of tone and the delicate textures that characterize Winnel's style. This method of art is synonymous with the highest quality in today's printmaking technology, much like the precision required in creating impactful street art. The limited availability of "Tyler" further emphasizes its value, echoing the often transient nature of street art that, once created, may only exist briefly before it is transformed or erased. While Bec Winnel may not wield a spray can on an alley wall, her artwork like "Tyler" carries the spirit of Street Pop Art into personal spaces, proving that the essence of this genre can manifest beyond concrete and brick. Her work encapsulates the introspective humanity that street artists often seek to express through their public works. The limited edition "Tyler" bridges the gap between the public art typically associated with street and graffiti artists and the private, contemplative experience of engaging with fine art.

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Outside Of Space And Time Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2021 Signed & Numbered 11x14 Edition of 20 Artwork Size 11x14

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Playtoy Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Bei Badgirl. Gallery quality archival luxury giclee print on Canson Infinity Rag Photographique 210gsm, with artist's signature. Large: 16" x 22.5" (41 x 56.5cm)

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Muse #564 Artwork Giclee Limited Edition Print on 330 G/M2 Paper by Pop Culture Graffiti Artist Conrad Roset.

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After The Storm Giclee Fine Art Limited Edition Print on Fine Art Paper by Modern Pop Artist Alexis Price. 2019 Signed & Numbered 24x30 Edition of 20

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Breathe Out Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Charmaine Olivia. 2013 Signed & Numbered Limited Edition of 350 Artwork Size TBD

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Gravity AP Giclee Print by James Bullough Artwork Limited Edition Print on 300gsm Smooth Fine Art Paper Graffiti Pop Street Artist. AP Artist Proof 2022 Signed & Marked AP Limited Edition Artwork Size 20x30 Exploring the Essence of James Bullough's 'Gravity AP Giclee Print' The 'Gravity AP Giclee Print' by James Bullough is a testament to the seamless integration of delicate art sensibilities with the raw energy of street art. This limited edition print, produced on 300gsm smooth fine art paper, showcases Bullough's commitment to quality and his dedication to the craft of creating Street Pop Art and graffiti Artwork. The artwork size, a substantial 20x30 inches, allows the viewer to fully engage with the intricacies and nuances of Bullough's technique. Artistic Features and Significance James Bullough's 'Gravity AP Giclee Print' is a visual narrative that captures the fluidity and motion inherent in our physical world. The subject, depicted with a remarkable level of detail, exudes a sense of movement that is both dynamic and arresting. Using a fragmented style, a signature motif in Bullough's work, adds a layer of complexity, inviting viewers to consider the interplay of form and space. This print is exceptional as an Artist Proof (AP), marked and signed by Bullough in 2022. This distinguishes the piece as a part of a select group of prints, valued for their closeness to the original work and often sought after by collectors. The Interplay of Realism and Abstraction In 'Gravity AP Giclee Print,' Bullough continues to explore the juxtaposition of realism with abstract elements. The subject's hyper-realistic representation contrasts with the conceptual background, creating a striking visual tension. This contrast is further heightened by the bold color choices and the use of geometric shapes that propel the fragmented form forward. Bullough's expertise in rendering the human form is evident, as is his ability to disrupt the conventional portrayal with unexpected and thought-provoking twists. The Influence of Street Art on Bullough's Work The influence of graffiti and street art is palpable in the 'Gravity AP Giclee Print.' Bullough's background in street art informs his approach, as he brings the spontaneity and authenticity of graffiti culture to the piece. The print does not just represent an image; it embodies the spirit of street art, characterized by its accessibility, engagement with the urban landscape, and challenge to traditional art norms. This piece exemplifies how street art can transition from public spaces to the more private realms of personal collections while retaining its inherent vibrancy and immediacy. The Cultural Impact of 'Gravity AP Giclee Print' The 'Gravity AP Giclee Print' is a powerful example of how Street Pop Art and graffiti Artwork can transcend their origins to become a part of the broader conversation within the art world. As a limited edition print by James Bullough, it encapsulates the artist's vision and skill, and its availability to collectors allows for a broader appreciation of the art form. The piece is a cultural artifact that speaks to the enduring influence of street art and its capacity to challenge and redefine artistic boundaries. Through works like this, Bullough contributes to the ongoing dialogue about the value and place of street art in contemporary society.

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Muse #587 Artwork Giclee Limited Edition Print on 330 G/M2 Paper by Pop Culture Graffiti Artist Conrad Roset. Signed 2014

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Spirit Fox Artwork Giclee Limited Edition Print on 340gsm Cold Pressed Cotton Paper by Pop Artist Mandy Tsung. 2013 Signed & Numbered Limited Edition of 50 Artwork Size 13x19 #50 of 50 June 7th 2013

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Little Mermaid Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 10x30

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