Gig Posters

6 artworks


  • OBEY x Stereo Skateboards Silkscreen Print by Shepard Fairey x MFG- Matt Goldman

    Shepard Fairey- OBEY OBEY x Stereo Skateboards Silkscreen Print by Shepard Fairey x MFG- Matt Goldman

    OBEY x Stereo Skateboards Music Club Event Limited Edition Gig Metallic Ink Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. This is an original commemorative poster Shepard Fairey & MFG- Matt Goldman designed for the release party of Shepard's new board series with Stereo Skateboard at Dance Right. 18 x 24 inches Screen Print Black, and Metallic Gold Cream Speckletone Paper Limited Edition of 300 Signed and Numbered by Shepard Fairey & MFG- Matt Goldman Released 2009

    $421.00

  • Spoon at El Cid 2009 Silkscreen Print by MFG- Matt Goldman

    MFG- Matt Goldman Spoon at El Cid 2009 Silkscreen Print by MFG- Matt Goldman

    Spoon at El Cid- 2009 Music Limited Edition Metallic Gold ink Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman Max Goldman for Spoon and Deep Sea Diver. 18 x 24 inches Hand Silk-Screen Print Red, Black Cream Speckletone Paper Limited Edition of 100 Printed by Nick Bowers / OBEY Signed and Numbered by MFG- Matt Goldman Released 2010 . This limited edition Spoon poster was designed by Matt Goldman for the January 18th secret show at El Cid. Celebrating the release of their seventh album, Transference, Spoon decided to do a pop-up show in a tiny venue for their fans. The poster features custom typography and original photography. Little known fact: the date on the poster is wrong (should be 2010) but nobody, to this day, has ever noticed or said anything about it... The posters were only available at the show the night of the event and we're selling the remaining copies here on the Dance Right store. The poster was printed in Obey Giant Art's printing facilities.

    $129.00

  • Blue Snaggletooth B&W The Elbow Room 2009 Silkscreen Print by Jeremy Wheeler

    Jeremy Wheeler Blue Snaggletooth B&W The Elbow Room 2009 Silkscreen Print by Jeremy Wheeler

    Blue Snaggletooth B&W- The Elbow Room 2009 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Stoner Rick Night Event. Light creasing on the left lower corner. September 25th, 2009 Featuring Blue Snaggletooth, The Cranks, Black Irish, DJ Wheeler.

    $99.00

  • 1919 Pelican Tombs Pennsylvania 2009 Silkscreen Print by Justin Anville

    Justin Anville 1919 Pelican Tombs Pennsylvania 2009 Silkscreen Print by Justin Anville

    1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.

    $238.00

  • Dirty South Dance Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Dirty South Dance Silkscreen Print by Shepard Fairey- OBEY

    Dirty South Dance Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2007 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 A few faint scratches to black areas. Shepard Fairey (b. 1970) Dirty South Dance, 2007 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Dirty South Dance Silkscreen Print is a piece of artwork created by Shepard Fairey, the American contemporary street artist, graphic designer, and activist best known for his "OBEY Giant" and Barack Obama "HOPE" campaigns. Fairey's artwork is often characterized by its bold and thought-provoking imagery, combining elements of graffiti, pop art, and political activism. The Dirty South Dance Silkscreen Print is part of Fairey's OBEY series, which is derived from the "OBEY Giant" sticker campaign he started in 1989. The series aims to promote critical thinking and question societal norms, government control, and the influence of media and advertising on our lives. The Dirty South Dance print may feature Fairey's signature style, including bold colors, striking design elements, and a mix of typography and imagery. The piece may focus on the "Dirty South" music scene, which refers to a subgenre of hip-hop that originated in the southern United States, particularly in cities like Atlanta, Houston, and New Orleans. The artwork may attempt to capture the spirit of the music, its artists, and the culture surrounding it while also incorporating Fairey's sociopolitical messages. As a silkscreen print, the Dirty South Dance artwork would have been created using a stencil-based printmaking technique in which ink is pushed through a mesh screen to transfer the design onto paper or canvas. This process allows for the production of multiple copies, each considered an original print, and is a popular method for creating street art and posters. Collectors and fans of Shepard Fairey's work may be interested in acquiring the Dirty South Dance Silkscreen Print for its unique design and strong cultural commentary.

    $820.00

  • Jane's Addiction Lollapalooza Chicago 2009 Silkscreen Print by MFG- Matt Goldman

    MFG- Matt Goldman Jane's Addiction Lollapalooza Chicago 2009 Silkscreen Print by MFG- Matt Goldman

    Jane's Addiction- Lollapalooza Chicago 2009 Music Limited Edition Metallic Gold ink Gig Poster 2-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Max Goldman for Band Jane's Addiction. AP Artist Prioof. Grant Park, Chicago, IL August 09, 2009. This poster was commissioned by Jane's Addiction for their headlining appearance at this year's Lollapalooza Festival at Grant Park in Chicago. The poster was hand-printed in Obey Giant Art's printing facilities in a strict edition of 110 plus a handful of artist proofs. Cream french speckletone paper uncoated black and metallic copper signed and numbered by MFG- Matt Goldman .

    $257.00

Gig Posters - Sprayed Paint Art Collection

Gig posters and graffiti street art are both popular visual art forms that are closely tied to music and urban culture. While they share some similarities, they also have distinct characteristics that set them apart. Gig Posters: Purpose: Gig posters are designed to promote live music events, concerts, and festivals. They typically include the names of the performing artists, the venue, date, and time of the event. Design: Gig posters often feature eye-catching illustrations or photographs that represent the musical act or the event's theme. They may also incorporate typography and graphic design elements to create a visually appealing layout. Medium: Gig posters are usually printed on paper or other materials suitable for indoor or outdoor display. They may be mass-produced and distributed in a variety of ways, such as being posted on walls, handed out as flyers, or sold as limited edition prints. Legality: Gig posters are legal and often commissioned by promoters, bands, or venues to advertise events. Graffiti Street Art: Purpose: Graffiti street art is a form of urban expression that can serve various purposes, such as beautifying public spaces, conveying social or political messages, or simply showcasing the artist's skills and creativity. Design: Graffiti street art varies widely in style, technique, and subject matter. It can include anything from simple tags (stylized signatures) to intricate murals covering entire walls. Some graffiti artists specialize in specific styles, such as stencils, paste-ups, or 3D installations. Medium: Graffiti street art is typically created using spray paint, markers, or other materials that can be applied to outdoor surfaces like walls, sidewalks, and train cars. The artwork can be temporary or long-lasting, depending on the materials used and the location. Legality: Graffiti street art is often considered illegal or unsanctioned, especially when created without the property owner's permission. However, there are also designated areas and projects where graffiti street art is encouraged and celebrated. Both gig posters and graffiti street art reflect the energy and creativity of urban culture, often drawing inspiration from music, politics, and social issues. Although they serve different purposes and utilize different mediums, they share a common goal of captivating audiences and expressing the artist's vision. Gig posters are generally viewed and created with the mindset that they are products of mass consumption. As a result, they hold a special place in pop culture, as they reflect society’s and artists’ ideas about beauty, politics and essentially every aspect of public life. Whether it promotes a band, a movie, an artist or a concert, a good gig poster should be, above all, 2 things: eye-catching and informative. Thus, even though the key aim of gig posters is publicity, often they end up retained us collectible memorabilia.  Street artists, naturally, don’t hesitate to experiment with gig posters art as well, resulting in some emblematic heritage pieces with a strong a sense of identity and community

© 2024 Sprayed Paint Art Collection,

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