Original Artwork

Purchase Quiccs xSneakerHereos- Jumpman Original One of a Kind Acrylic Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 QUICCS x SneakerHereos - Jumpman by Eric Pagsanjan Created Exclusively for NBA All-Star Weekend Pop-Up Acrylic on Stretched Canvas Panel Size: 18" x 24" x .75" "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes. Few shoes in the 30-plus-year history of the Air Jordan line are as infamous as the black and red Air Jordan 1. The sneaker—known as the 'Banned' Jordan 1—has been perennially important, from the mythology around its genesis to the fervor its retros inspire. Here's how it all happened. The story goes that Michael Jordan was fined $5,000 by the NBA every time he wore the shoes during their debut in 1984 because they broke the league's uniform rules. Nike capitalized on this, creating an ad campaign that played on that forbidden fruit quality..." -Eric Pagsanjan

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Purchase Air Yeezy 2- Red October Original One of a Kind Acrylic Paint Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 Signed Acrylic on Stretched Canvas Panel Size: 24" x 18" x 0.75" Nike Air Jordan x Adidas Yeezy "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes.’" -Eric Pagsanjan

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Purchase Vampire USA Company of Thieves Original Painting Spray Paint, Acrylic and Mixed Media On Wood Panel by Ben Frost Graffiti Atreet Artist Modern Pop Art. 2013 Signed Original Spray Paint & Acrylic Wood Cradled Ready To Hang Painting Artwork Size 24x32 Ben Frost, a celebrated Australian artist, is widely known for his daring intersection of pop art, street art, and graffiti. His audacious approach to art transcends traditional parameters, blending vivid palettes, satirical commentaries, and commercial iconography to challenge societal norms and consumer culture. Frost's art is often characterized by a stark interplay between high art and low brow culture, effectively blurring the boundaries that typically separate fine art from street art. He daringly uses common consumer items like pharmaceutical packaging, fast-food wrappers, and product logos, in his pieces, repurposing them as canvases to critique our obsession with consumption and the societal implications it brings. This innovative approach of Frost's has become a trademark of his work, as he visually expresses his views on the power of advertising, the role of pharmaceuticals in our society, and the increasing commodification of everything around us. Frost's art has garnered global recognition, appearing in streets, galleries, and installations worldwide, ranging from his native Australia to cultural hubs like London, Tokyo, and New York. Despite the diversity of his platforms, his rebellious spirit and signature style remain consistent, making his work instantly recognizable. His vivid, provocative pieces have become a cornerstone in the pop and street art movements, reinforcing his reputation as one of the most important contemporary voices in these genres. His role in pop and graffiti art continues to inspire a generation of artists, both on the streets and in the studios, challenging and redefining the boundaries of what is considered 'art'.

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Purchase Venus Unique #13 Original HPM 6-Color Hand-Pulled Silkscreen Print on hand-torn archival paper by Mr. Brainwash- Thierry Guetta x Rubik's Graffiti Street Artist Modern Pop Art. 2021 HPM Signed & Numbered Hand Painted Original Unique One of a Kind Deckled Artwork Size 16x16. Custom Frame & Mat. Each print is signed plus numbered 1/1 by the Artist, with a thumbprint on the back and printed on hand-torn archival paper. Art history gets a Rubik's remix in the latest edition print release from Mr.Brainwash. The Intersection of Classical Imagery and Contemporary Street Pop Art in Mr. Brainwash’s Venus Unique #13 Thierry Guetta, artistically known as Mr. Brainwash, has been a transformative force in modern art, bridging the gap between street art's rebellious energy and pop art's iconic imagery. His work, Venus Unique #13, is a testament to this fusion, embodying the spontaneous creativity of Graffiti Street Artists Modern Pop Art. Released in 2021, this hand-pulled silkscreen print is part of an original series that infuses the classic depiction of Venus with a burst of contemporary life, underscored by the vibrant disruption of a Rubik's cube pattern. Venus Unique #13 is a symbolic piece within Mr. Brainwash's oeuvre. It is a 6-color silkscreen print, underscored by the Artist's hand-painted embellishments on hand-torn archival paper, which gives it an organic and tactile feel. The artwork is encased in a custom frame and mat, enhancing its visual appeal and preserving its condition. This particular print is marked 1/1, signaling its status as a unique work within the series. It is further authenticated by Mr. Brainwash's signature and thumbprint on the reverse, hallmarking its originality. Capturing Art Historical References with a Modern Twist Mr. Brainwash's penchant for juxtaposing classic art historical references with modern elements is evident in Venus Unique #13. The artwork reimagines the Roman goddess Venus, an enduring symbol of beauty and love, through the lens of modern-day iconography and urban artistry. By overlaying the serene and timeless figure of Venus with the chaotic, colorful patterns of a Rubik's cube, Mr. Brainwash creates a dialogue between the past and the present, between enduring ideals and contemporary challenges. The use of the Rubik's cube is remarkably evocative, as it is a pop culture icon and a metaphor for complexity and the human endeavor to solve puzzles. It suggests that the interpretation of beauty and art is itself a complex puzzle, a challenge that evolves with time and perspective. Mr. Brainwash cleverly employs the cube's colors and forms to fracture and reinterpret the classical imagery, giving it a new context and relevance in today's visual language of Street Pop Art and Graffiti Artwork. The Signature Style and Cultural Commentary of Mr. Brainwash Mr. Brainwash's signature style is characterized by his bold use of color, eclectic iconography, and seamless blending of various artistic techniques. Venus Unique #13 is imbued with this signature approach, showcasing a harmonious blend of spray-painted graffiti with refined silkscreen printing. The piece is as much a celebration of the Artist's technical skill as it is of his conceptual ingenuity. By integrating elements like comic strips, street signs, and pop culture ephemera into the backdrop of Venus, Mr. Brainwash comments on the inundation of media and advertising in our daily lives. His artwork becomes a canvas where modern-day consumerism and the timeless quest for meaning and beauty intersect. Including such diverse and seemingly disparate elements is a nod to the complex visual landscapes we navigate, suggesting that art and beauty can be found in the most unexpected places. Collectability and Influence in Contemporary Art The collectability of Mr. Brainwash's work, particularly pieces like Venus Unique #13, is significant. As a unique, one-of-a-kind piece with the Artist's direct involvement, it holds aesthetic value and a high degree of collectible appeal. The artwork's size, 16x16 inches, makes it a versatile piece for collectors, suitable for various spaces and settings. These qualities make Mr. Brainwash's work highly sought after by enthusiasts of Street Pop Art and Graffiti Artwork. Venus Unique #13 is more than just a visual statement; it reflects the current era where art history receives a contemporary remix. Mr. Brainwash's approach to art challenges viewers to see beyond the surface and appreciate each piece's layers of meaning and craftsmanship. In doing so, he has cemented his place within the modern art movement, inspiring both admiration and critical thought about the role and interpretation of art in contemporary society.

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Purchase Cup & Brushes Original Ceramic Hand Painted Sculpture by Joshua Vides Shattered Dreams Series Artwork by Graffiti Street Artist. 2023 Signed Original Hand-Made Sculpture One of A Kind Ceramic & Acrylic Paint Artwork Size XXX BMW Car Logo on Tall Slim Cup with Paintbrushes in It That Have Been Used With Colorful Paint Statue. Joshua Vides, a renowned name in the street and graffiti art scene, has taken a divergent turn in his creative journey with the unveiling of his latest series titled "Shattered Dreams." This exhibition, which took place in Los Angeles, California, from August 18 to 25, 2023, marked Vides' inaugural venture into an exclusively ceramic-centric realm. A significant piece from this collection, the "Cup & Brushes," serves as a testament to the artist's boundless versatility and keen eye for merging contemporary concepts with traditional mediums. At first glance, the "Cup & Brushes" sculpture is more than a mere ceramic creation; it's a tangible narrative of the artist's transformative journey. Hand-molded and meticulously painted by Vides in his studio, this particular sculpture captivates viewers with its emblematic portrayal of the BMW car logo on a statuesque, slim cup. Nestled within the cup are paintbrushes, each vividly stained with remnants of colorful paint, illustrating the fusion of utility and artistry. The juxtaposition of the revered automotive emblem with the rudimentary tools of a painter not only reiterates the theme of shattered expectations but also challenges the conventions of pop art. Vides' dedication to handcrafting each piece in the "Shattered Dreams" series accentuates the personal touch and authenticity infused in every artwork. This transition from his graffiti roots to ceramics, while retaining the essence of street art, showcases the evolution of an artist who isn’t afraid to shatter boundaries while dreaming big.

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Purchase Tropical Tiburón Limited Run Multiple on Laser Cut Acrylic Panel ready to hang by Alex Yanes Graffiti Street Artist Modern Pop Art. 2021 Limited Edition of 100 Artwork Size 12x21.3 Custom cut acrylic including 3 velcro strips for easy wall mounting Produced in partnership with Print House USA Alex Yanes, a renowned name in the realms of graffiti, street art, and modern pop art, presents "Tropical Tiburón," a captivating artwork that seamlessly fuses vibrancy with intricate craftsmanship. Released in 2021, this piece stands out not just for its aesthetic allure but also its innovative execution on laser-cut acrylic panels. Sized at 12x21.3 inches, "Tropical Tiburón" showcases the artist's exceptional ability to breathe life into static materials, transforming them into dynamic visual narratives. As a Limited Edition offering, only 100 of these artworks grace the art world, amplifying its exclusivity and allure for collectors and enthusiasts alike. This masterpiece doesn't just stop at visual appeal; it incorporates functional ease as well. The inclusion of three velcro strips ensures that the artwork can effortlessly adorn any wall, making the process of displaying this beauty as seamless as its design. This feature underscores the artist's consideration for the end-user, a thoughtful touch that melds functionality with art. The collaboration with Print House USA for this production further accentuates its credibility and ensures its place among high-caliber art pieces. Within the broader context of pop and street art, "Tropical Tiburón" stands as a testament to the evolution of the genre. It reflects a move beyond traditional canvases and mediums, embracing modern techniques and materials. Through this piece, Alex Yanes not only showcases his artistic prowess but also nudges the boundaries of what street and pop art can encompass, inviting viewers to reimagine and redefine the genre's potential.

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Quinqueflor Mordida #09 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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I Will Love You Until The End Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed Limited Edition of HPM 5 Hand Embleshed Artwork Size 24x36 Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation in confronting re-imaginings of our current dystopian society. Self-­confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us to create new and pertinent interpretations that are as confronting as they are humorous. Denial and Frost formed an instant friendship after meeting in Canada in 2011 and have been creating engaging street and gallery work ever since. "Company of Thieves" sees their collaboration push further, with large and small-scale works referencing Pop Art, Graffiti, and the corporate world they rebel against. In the world of Denial, memory is essential because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Purchase Double-Sided Exit Sign Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Purchase Hollow Breath Original One of a Kind Charcoal & Acrylic Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Craww. Signed 2013 Original Painting 23.5x31.5

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Purchase The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens  of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010 Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered  2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered  2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered  This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated  This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag  Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered  This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-CroJarvis'shin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM SticPowers'et 2006  Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a cotton candy, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills:  The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Purchase Keep Moving Original Street Sign Spray Painting by Chris RWK- Robots Will Kill Mixed Media Modern Graffiti Paint Pop Art on Real Metal Ready To Hang. 2023 Signed Original Mixed Media Spray Paint Acrylic Painting on Reclaimed No Standing Anytime Metal City Sign Size 18x12 "Keep Moving Original Street Sign Spray Painting" is a work of art by Chris RWK (ChrisRWK), a well-known New York City-based street artist and a founding member of the collective "Robots Will Kill" (RWK). The artwork features a unique blend of street robot art and traditional hearts painting. The original street sign is used as a canvas for Chris RWK's spray paint art, conveying his distinctive style that often combines graffiti, stencil work, and character-driven illustrations. In "Keep Moving," the artist communicates a message of perseverance and resilience in the face of obstacles, encouraging viewers to keep moving forward in life. "Keep Moving" is characteristic of Chris RWK's robot heart work, which often includes commentary on contemporary issues and emotions. His creations are thought-provoking and visually striking, gaining recognition and admiration from street art enthusiasts and the general public. As a part of the Robots Will Kill collective, Chris RWK's work is a testament to the power of collaboration and community in street art. Like many of Chris RWK's works, this piece can be enjoyed by people from all walks of life due to its accessible, relatable, and eye-catching nature.

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Purchase MTA Subway Sign- Elevator to Mezzanine Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Original authentic  MTA subway sign this is an authentic 14x51inches  metal subway sign spray-painted by cope2 . Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York.  Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Purchase Remio Study- 04 Original One of a Kind Mixed-Media Spray Paint, Acrylic Painting Artwork on Fine Art Paper by Popular Street Graffiti Artist Remio. Mixed Media on Fine Art Paper Size:    54 x 50 Inches Release:    January 31, 2020 Run of:    1 Massive

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Purchase Joker Brand- Green Pink Original One of a Kind Mixed Media Acrylic & Spray Paint Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Ben Frost. 2022 ‘Joker Brand’ - Acrylic and spray paint on board - Green/Pink variant 60cm x 60cm (23.5 x 23.5 inches) Signed, titled and dated on the reverse

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Purchase Collateral Damage Original Painting Mixed-Media Spray Paint, Acrylic on Heavy Paper by Risk Graffiti Street Artist Modern Pop Art. Collateral Damage, 2018 - Own a Risk original! Original (spray paint, acrylic on heavy paper) Size: 22x30 Inches Date Made: 2018 Original work – Each unique, one of a kind, hand-signed.

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Purchase Abstraction Drip Wide Brown Blood Original One of a Kind Oil Painting Artwork on Vellum Paper by Post Modern Artist Samuel Kamen. 20th Century 20.5x9 Signed Original

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Purchase Chekers Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Wood Panel by Popular Street Graffiti Artist Sechor. 2019 Signed Mix Media on 16x30 on Unstretched Canvas

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Purchase 2 7 Avenue Line OTboys- Silver Sign Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York.  Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Purchase Spraycan Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Signed Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Signed, Titled & Dated on Back, Tagged On Front Rek & NSA. Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Box Has Artist-Made Paint Marks. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Purchase Man In The Mirro Original Permanent Marker USPS Box End Drawing Art on Cardboard by Graffiti Artist DrNuse69 Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 7.5x4.5 Marker Tagged on USPS Priority Mailing Box End.

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Purchase What Drones? Limited Edition Hand-Embellished Spray Paint, Acrylic, Stencil, Mixed Media On Cradled Wood Panel by Denial Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered Limited Edition of HPM Stencil 5 Artwork Size 48x30 Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. Self-­confessed ‘visual thieves’, both artists have had a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, to create new and pertinent interpretations that are as confronting as they are humorous. Denial and Frost formed an instant friendship since their meeting in Canada in 2011 and have been creating engaging street and gallery work ever since. "Company of Thieves" sees their collaboration push further, with large and small-scale works that reference Pop Art, Graffiti, and the corporate world they rebel against. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Purchase Untitled Canvas III Original One of a Kind Mixed Media Acrylic & Spray Painting Artwork on Gallery Wrapped Canvas by Popular Street Graffiti Artist Crash- John Matos. 2022 Signed Original Spray Paint & Acrylic Painting Size 12x12 John Matos' "Untitled Canvas III": A Symphony of Color and Form "Untitled Canvas III," an original mixed media piece by the renowned street graffiti artist Crash, whose real name is John Matos, exemplifies his role as a critical figure in the evolution of street pop and graffiti art. Known for his vibrant use of acrylic and spray paint, Crash continues to capture the dynamic energy of urban life on gallery-wrapped canvases. This piece, completed in 2022, is a 12x12 inch square canvas that vibrates with the intensity and controlled chaos Crash is celebrated for. Crash's Mastery in Street Pop Art and Graffiti In "Untitled Canvas III," Crash's expertise in manipulating acrylics and spray paints to create textured, layered works is evident. The piece features an array of geometric shapes and vivid colors that interlock and overlap, making a sense of depth and movement. His signature bold lines and sharp angles reflect the influence of graffiti art while incorporating various forms and colors, which is reminiscent of the pop art movement. Each element in this artwork is carefully crafted to maintain a visual balance, echoing the rhythm and beat of street life. A Closer Look at "Untitled Canvas III" Crash's "Untitled Canvas III" showcases his artistic skills and his ability to communicate through visual language. When viewed in totality, The seemingly abstract forms suggest a narrative left to the viewer's interpretation. This enigmatic quality is a hallmark of Crash's work, inviting audiences to delve into the painting and discover personal connections with the imagery. The piece's size adds an intimate dimension, allowing for a unique interaction between the artwork and its beholder. The Influence of Crash's Work on Contemporary Art John Matos' impact on the art world through his persona Crash has been profound, particularly in the street pop art and graffiti art scenes. "Untitled Canvas III" is a testament to his enduring relevance and innovation as an artist. His work has been instrumental in challenging traditional boundaries and perceptions of fine art, bringing the authentic voice of the streets into the refined atmosphere of galleries. As a signed original, this piece holds a special allure, offering collectors a tangible connection to the energy and spirit of contemporary urban art. In summary, Crash's "Untitled Canvas III" vibrant represents street pop art and graffiti artwork. It encapsulates the essence of Matos' artistic journey, showcasing his distinctive style that has both defined and transcended the genres he works within. The piece stands as a colorful narrative of urban life and a significant addition to the discourse of modern art.

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Purchase Psychedelic Spiral- 01 Original Hand-Painted Multiple Spray Paint, Ink Mixed Media on Laser Cut Wood Panel ready to hang by Tavar Zawacki (Above) Graffiti Street Artist Modern Pop Art. "The Psychedelic series were made in conjunction with my recent solo exhibition Remix. All of the Psychedelic series was designed with an emphasis on a sharp visual contrast. It's similar to 'Op-art' (Optical Art) which makes your eyes trip out. It's an effect that alters your perception as if you were on Psychedelic drugs. Some of the Psychedelic designs I made were featured in Remix, and some of them I created specifically for this series. This particular 'Sunset Strip' design I made with more complexity for my solo exhibition Remix. The Remix exhibition was about interchanging and swapping different cut patterns of the same design, in different colors to achieve the final piece. The Psychedelic series achieves a similar effect but in a more basic style of blocking out colors and allowing the negative space to reveal itself." - Above

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Purchase Abstraction Pollock Red Green Original One of a Kind Oil Painting Artwork on Vellum Paper by Post Modern Artist Samuel Kamen. 20th Century 12.25x14.5 Signed Original

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Purchase 1987 Original One of a Kind Mixed Media Spray Paint & Reclaimed Items Painting Artwork on Reused Wood by Popular Street Graffiti Artist Eddie Colla. 2019 Signed Original Mixed Media Spray Paint Acrylic Painting With Reclaimed Elements Artwork Size 34x34 "1987"  34 x 34 inches (86 x 86cm)  Mixed media on wood  2019  Signed and titled on the back

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Purchase Snoop Dogg Trying to Make Peace Going Home 56 Original Acrylic Painting by Kozyndan One of a Kind Artwork on Black Fine Art Paper by Street Art Pop Artist. 2016 Signed Acrylic Original Painting Size 10.75x6.75 "Snoop Dogg Trying to Make Peace Going Home 6" is an original acrylic painting by the contemporary artist duo, Kozyndan. The duo consists of husband and wife team Kozue and Dan Kitchens, who are known for their playful and imaginative art that often incorporates pop culture icons, animals, and surreal landscapes. In this particular artwork, Kozyndan has chosen to portray the legendary rapper and entertainer Snoop Dogg in a vibrant and thought-provoking piece. The painting features Snoop Dogg walking through a black landscape filled with cop elements and police peace. The composition conveys a sense of peace and harmony, with the iconic musician making his way through this dreamlike world. This artwork highlights Snoop Dogg's journey as an artist and public figure, as well as his efforts to promote peace and understanding in the world. The painting's vibrant colors and intricate details encourage the viewer to contemplate Snoop's path and the broader impact of his career. Kozyndan's signature style, blending pop culture references and whimsical elements, creates a visually captivating piece that is both entertaining and thought-provoking. As an original acrylic painting, "Snoop Dogg Trying to Make Peace Going Home 6" is a unique and valuable addition to any art collection, appealing to fans of Snoop Dogg, contemporary art enthusiasts, and collectors of Kozyndan's work.

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Purchase Detroit Tag Series- 6 Original Painting Aerosol & Krink Marker on Cradled Wood Panel by Cope2 Graffiti Street Artist Modern Pop Art. Aerosol & Krink on Cradled Wood Panel Size: 20 x 12 x 1.5 Inches Release: November 16, 2010 Run of: 1 “I’ve always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I’ve been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It’s what made me Cope2. But me, I like to change it up and show all my different styles. So with this show, I’m able to show my evolution of style and how I’ve progressed. “Versatile” shows where I came from and what I’m doing now,” -Cope2 During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Purchase Star-Spangled Illusion Original Painting Spray Paint, Aerosol & Acrylic on Reclaimed Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 18x20.75 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

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Purchase Titanium, Grease & Leather Original Painting Acrylic & Canvas in Custom Frame by Ron Zakrin Graffiti Street Artist Modern Pop Art. 2015 Signed Original Painting 22x33 Ron Zakrin has been an ever-present creative force in Detroit since the mid-nineties when he emerged on to the underground electronic music set with paintings that provided a visual counterpart to the Detroit sound that was taking the world by storm. Since those early days Ron's work has expanded in scope and scale; no longer strictly focused on man and his relationship with technology, Zakrin probes the veins of society and explores the nature of man, love, and loss. Zakrin lives in Detroit Michigan, where he was born and works daily.

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Purchase Enjoy Mixed Media On Cradled Wood Panel Original Painting by Denial Graffiti Street Artist Modern Pop Art. Ready To hang. "Recently this piece was not allowed into a show I had wanted it to be in. In Dubai, they have strict rules on obscenity and vulgarity. I had been wanting to paint this piece for a long time and was looking for just the right image to use as a base in it. I finally found it amongst the bowels of the internet. This painting is a visualization of an amazing Bill Hicks joke from his stand-up routine. In his stand up Bill goes into great detail about the evils of advertising when left unchallenged and unchecked. He imagines and describes an ad in the not-so-distant future that one day may exist. This painting is of that ad. Bill Hicks was a fucking genius and I only hope I did his work the justice it deserves. He was so inspirational in forming my current mindset, a true artist and rebel. I take inspiration from different artists in different ways. I like to visualize things like songs or speech or comedy and play with the different elements I come up with. I have a very playful mind." - Denial Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Purchase Memento Mori White HPM Hand Embellished Art Acrylic & Spray Paint on Shaped Wood Painting Artwork by Street Pop Modern Artist  Ben Frost. AP Artist Proof 2021 Signed Marked HPM Hand Embellished AP & Titled Ben Frost Memento Mori (White), HPM Acrylic and Spray Paint on Shaped Wood Artwork Size 7-7/8 x 6-1/8 inches (20.1 x 15.5 cm)   Ben Frost's "Memento Mori (White) HPM" presents a compelling convergence of street art sensibility with the classical theme of life's transient nature. This hand-embellished artist proof is a telling example of Frost's acumen in merging the edginess of modern pop art with profound historical motifs. The work is meticulously crafted using acrylic and spray paint on shaped wood, which reflects the artist's penchant for non-traditional surfaces reminiscent of urban textures and forms. Sized at 7-7/8 x 6-1/8 inches, the piece packs a visual punch, asserting its presence through bold coloration and dynamic composition. The central image of the skull, a time-honored emblem of mortality, is rendered with an arresting palette and cartoon-like exaggeration, mirroring the exaggerated realities often portrayed in pop culture. Frost's application of the memento mori theme through this lens highlights the contrast between the playful aspects of pop art and the sobering reminder of mortality that the image traditionally conveys. This juxtaposition is further enhanced by the lively eyes, which seem to animate the inanimate, lending a sense of vitality to the symbol of death. Frost's signature on this work, along with the designation 'HPM' (hand-painted multiple), marks it as a unique variant within a series, emphasizing the artist's direct engagement with each piece. Hand embellishment is significant, as it infuses the artwork with a layer of individuality, distinguishing it from the mass-produced feel that pop art sometimes implies. By doing so, Frost not only nods to the historical practice of artists touching each piece within an edition but also comments on the production and reproduction of images in our media-saturated society. "Memento Mori (White) HPM" stands as a testament to Ben Frost's ability to navigate and reinterpret the cross-sections of pop art and street art. Through his artwork, Frost not only invokes contemplation of our mortality but also critiques how contemporary culture packages and commercializes every aspect of human experience, including death. The artwork is a dialogue between the past and the present, a hand-embellished musing on what it means to be alive in a world where the iconography of death is as stylized and vibrant as the world of the living.

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Purchase Abstract A4 Original Spray Paint Acrylic Painting by Askew One Artwork on Canvas by Street Art Pop Artist. 2013 Signed, Dated & Titled On Back Acrylic Original Painting on Flat Canvas Size 20x20

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Purchase Release Original Oil Painting on Board Ornately Framed by Surreal Artist Naoto Hattori. 2011 Signed & Dated On Verso Original One of a Kind Oil Painting Framed Artwork Frame Size 9.5x13.75 Image Size 3x3 Ornate Guilded Gold Custom Frame By Artist. Release Original Oil Painting by Naoto Hattori

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Purchase Mace Ave Deck Fine Art Original One of a Kind Spray Paint Painting on Natural Skateboard Deck by Street Artwork Graffiti Artist Cope2. Paint on Natural Skate Deck Size:    7.25 x 29.375 Inches Release:    November 29, 2021 Run of:    1 Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York.  Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Purchase Consistency- 5 Original Painting Spray Paint, Acrylic, Mixed Media on Cradled Wood Panel by Cope2 Graffiti Street Artist Modern Pop Art. In recent years Cope2 has been commissioned by Time Magazine, Converse, Adidas among others. His work has even crossed into the virtual realm with appearances in video games such as Mark Eckos: Getting up and Rockstar Games: Grand Theft Auto IV. During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Purchase Snoopy Bad INC Original Mixed Media Graffiti Artist Modern Pop Art on Real Metal Street Sign by Sonic Bad. 2015 Signed Original Spray Paint Mixed Media on Tin Metal Security Sign. Sonic BAD INC Snoopy Bad INC Artwork Size 14x10 Depicting Peanuts Red Barron Snoopy & Woodstock Bomber Stylistic Graffiti Holding Pistol Gun with Security Camera and Snowman. "Snoopy Bad INC" stands as a striking representation of modern pop art, capturing the essence of urban culture and rebellion. Crafted by the gifted hands of Sonic Bad, this artwork merges traditional pop culture icons with the gritty, raw energy of street art, culminating in an arresting visual narrative that challenges the observer to reflect on the complexities of modern life. Dated 2015, this piece is an original spray paint mixed media artwork rendered meticulously on a tin metal security sign. The choice of substrate is itself symbolic, as the once authoritative metal sign, meant to assert control and surveillance, is now transformed into a canvas of artistic expression and defiance. It's a nod to the transformative power of art, and its ability to reclaim and repurpose. Central to the artwork is the iconic figure of Snoopy, reconceptualized here as the Red Barron Bomber, an avatar of resistance. The character holds a pistol, possibly suggesting a challenge to authority or perhaps underscoring the idea of survival in an increasingly surveilled society. To his side, a security camera and a snowman are portrayed, elements that bring in layers of meaning – from societal watchfulness to the fleeting nature of life and art. Sonic BAD INC's decision to incorporate these elements reiterates the tensions of modern living, where innocence and nostalgia meet the hard edges of reality. In the grand tapestry of street, graffiti, and pop art, "Snoopy Bad INC" by Sonic Bad serves as a reminder of the power of art to both mirror and critique the world it inhabits. Through his unique lens, Sonic Bad beckons viewers to embark on a journey of introspection and discovery, all while celebrating the indomitable spirit of creativity.

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Purchase Praxis Of Confusion- Red Original Painting Acrylic & Cut Wood Assemblage by Kwest Graffiti Street Artist Modern Pop Art. Kwest was born and raised in Toronto, Canada starting his art career as a graffiti artist in the early 1990s. For over twenty years he has been active in developing a unique and complex style of lettering that he can call his own, a fluid and tight mechanical typography that appears to be born of the very structures he chose to paint them on. His primary canvas has been freight trains and he has painted well over 5000 individual works of art, relinquishing any hold on them as soon as they are completed, destined to travel the vast web of rails that crisscross North America. It is thru his solitary practice of working rapidly in an outdoor environment that Kwest has fine-tuned his visual language and similarly gained recognition and respect from his peers.

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Purchase Mme Roland in the Prison of Pelage Original One of a Kind Mixed Media & Oil Painting Artwork on Canvas by Modern Pop Dystopian Artist Adam Caldwell. 2022 Signed 11x14 Oil Mixed Media on Canvas Original Painting

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Purchase Peace Fingers Geometric Setup Original Stencil Painting by Shepard Fairey x Ernesto Yerena Montejano One of a Kind Artwork on Cotton Rag Paper by Street Art Pop Artist. 2022 Signed Spray Paint Stencil Original Painting Size 20.5x26.5 Ernesto Yerena Montejano- Hecho Con Ganas x Shepard Fairey- Obey Hand Spray Painted with Stencils on 100% Cotton Rag Paper Setup Sheet 1 of 1 Signed by Shepard Fairey in 2021 Comes with a Certificate of Authenticity Hecho Con Ganas publishing chop in lower left corner. first to make sure all the stencil This piece is one of a kind. I painted this separations where working correctly. This piece is super clean with solid paint colors. Meaning there is NO collage stencils no acrylic medium embossing that the final VSE edition had in it. 26.5x20.5 inches

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Purchase Abstract Abstraction Green Original One of a Kind Oil Painting Artwork on Cardboard by Post Modern Artist Samuel Kamen. 20th Century 10.5x14 Signed Original

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Purchase In Bloom I Original Painting Aerosol, Acrylic, Screenprint & Reclaimed Posters on Wood by ARTIST graffiti street Meggs modern pop art. 2012 Signed Original Mixed Media Spray Paint Acrylic Reclaimed Items Painting Framed Artwork Size 17.5x17.5 Framed Australian artist David “Meggs” Hooke for his solo exhibition Spoiled Rotten. The exhibition of over 40 new paintings and multiples explores the wondrous decay of social morality stemming from modern society’s obsession with pop culture and overindulgent materialism, and continues Meggs’ perpetual fascination with dualism and finding beauty in tragedy.“Detroit is a city of duality more so than many other cities I have been to. I sought to incorporate this by using objects and surfaces that imply decay, in what I consider to be a beautiful way. Old wooden materials and signs with layers of paint tell a story of their own. Although the colors and textures are aesthetically beautiful, I think it’s about giving these materials a new life, a second purpose.” - Meggs

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Purchase Black Beard Original One of a Kind Colored Pencil Painting Artwork on Tinted Fine Art Paper by Popular Street Graffiti Artist Brandon Sopinsky. 2013 Black Beard Original Colored Pencil Drawing by Brandon Sopinsky

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Purchase On a Heartbeat Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 30x30 Street Stop Sign Immersed in various mediums, Chris began to store the images brought forward though these everyday experiences in what he refers to as a “mental journal”. This journal was a haven of his thoughts that he could refer back to whenever necessary.

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Purchase Turk Street AP 01 Original Painting Spray Paint Aerosol on Coventry Rag Fine Art Paper by Apexer Graffiti Street Artist Modern Pop Art. "When I paint on the street I like to have fun. I'm always trying new ideas out that turn into more ideas. In this painting, I wanted to have two drastically different fill-in styles. So the top half is a classic fill of mine and in the bottom half, I play with the idea of different color chrome effects. It was a fun piece to paint in the heart of San Francisco. This piece is all part of my artistic vocabulary. This particular one says apex and I was painting in the super burner style, but I was really trying to push the ideas of color and style." - Apexer

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Purchase Abstract A3 Original Spray Paint Acrylic Painting by Askew One Artwork on Canvas by Street Art Pop Artist. 2013 Signed, Dated & Titled On Back Acrylic Original Painting on Flat Canvas Size 20x20

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Purchase Untitled Scroll 1 Original Acrylic Painting on Poylab Metal & Plastic Machine by Detour- Thomas Evans One of a Kind Artwork by Street Art Pop Artist. 2023 Signed Acrylic Poylab Metal Plastic on Roller Printing Machine Original Painting Size 12x12

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Purchase Abstract Cubism 1 Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. Custom Framed 31.5x22.5. Abstract Cubism 1 by RD-357 Painting- This original artist's stretched canvas mixed media spray paint graffiti painting features the RD tag with cubsitic colors in the background. Awesome rare original canvas art by prolific street artist Real Deal RD357.

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