Original Artwork

MTA Subway Map- Lime Green Purple Original One of a Kind Mixed Media Acrylic Spray Paint Painting Artwork on Reclaimed NYC Paper Subway Map by Popular Street Graffiti Artist ARTIST. Lime green-purple MTA subway map Hand-made original one-of-a-kind Painted NYC subway map. 22x33inches The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Trick Trucks HPM Unique Silkscreen Print by Jay Kaes x El Pez Mixed Media Hand-Pulled 5-Color on 300gsm Cotton Somerset Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed Unique Original One-of-a-Kind Silkscreen HPM Embellished Mix Media Artwork Size 27.5x19.7 Print "22 Years Smiling With Friends" The Trick Trucks HPM Unique Silkscreen Print is an exceptional mixed media piece by the acclaimed artists Jay Kaes and El Pez, created in the year 2023. The print, which measures 27.5x19.7, showcases an amalgamation of their distinct styles and is an embodiment of the thriving Pop and Street Art culture. This art piece is carefully hand-pulled, utilizing a 5-color silkscreen process on a 300gsm Cotton Somerset Fine Art Paper, noted for its superior texture and durability. This one-of-a-kind artwork is the epitome of the mixed media technique, featuring an incredible blend of textures and hues that capture the dynamism of street art. It is a unique exploration of pop culture motifs, expressed through the vivid palette characteristic of Jay Kaes and El Pez's works. Their artistry shines through every intricate detail of this limited-edition print, which is both signed and embellished by the artists themselves, accentuating its exclusivity. Jay Kaes and El Pez, both revered figures in the global art scene, have produced this exquisite piece as a testament to their creative ingenuity. Jay Kaes, a Spanish street artist, is known for his striking, often provocative, graffiti art that challenges societal norms. El Pez, on the other hand, is recognized for his playful and vibrant murals, which often feature his signature 'Happy Fish' characters. Their collaborative effort has resulted in a bold and captivating artwork that speaks volumes about the diverse forms and potential of street art. The Trick Trucks HPM Unique Silkscreen Print, with its fusion of pop and street art elements, not only exemplifies the prowess of its creators but also offers a refreshing and insightful look at contemporary art. The vibrancy and intricacy of this limited-edition piece make it a sought-after collector's item, a testament to the enduring influence of Pop and Street Art culture.

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Lady Shiva Original One of a Kind Mixed Media Paint & Markers Painting Artwork on Hand Deckled Handmade Art Paper by Popular Street Graffiti Artist Lady Pink. 2019 illustration paint markers, on handmade paper. 6 x 18 inches in size. Signed & Dated

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Lagos Original Street Sign Spray Painting by Atomik Mixed Media Modern Graffiti Paint Pop Art on Real Metal Ready To Hang. 2023 Signed Original Painting on Reclaimed Metal City Road Construction Sign Artwork Size 36x36 of Spray Painted Smiling Atomik Orange In the vibrant world of modern graffiti and pop art, Atomik emerges as a unique voice, creating pieces that resonate deeply with art aficionados and street art enthusiasts alike. His 2023 artwork, titled "Lagos," is a prime example of his genius. Made on a reclaimed metal city road construction sign, this piece is not just a painting but a marriage of art and urban elements. Measuring 36x36 inches, "Lagos" is an ode to the urban environment from which Atomik draws inspiration. The centerpiece, the spray-painted smiling Atomik Orange, is instantly recognizable and evokes a sense of familiarity, bridging the gap between the street and the art gallery. The backdrop, a real metal city road construction sign, adds layers of authenticity and rawness to the piece. Its weathered appearance, marked with signs of wear and age, tells a story of its own, setting a contrasting stage for the vibrant and playful Atomik Orange. This painting does more than just showcase Atomik's technical prowess with a spray can. It challenges the boundaries of traditional art forms, blurring the lines between graffiti, pop art, and found object art. By choosing a reclaimed metal sign as his canvas, Atomik comments on the transient nature of urban life and the ever-evolving face of cities. For those who appreciate art that speaks to contemporary issues while staying rooted in traditional techniques, "Lagos" is a testament to Atomik's ability to capture the zeitgeist of modern urban culture. It's not just a piece of art; it's a conversation starter, a narrative, and a reflection of the times we live in.

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Prescient Original Modern Pop Art Gold Leaf & Graphite Pencil Drawing on Cradled Wood by Artist Craww. Signed 2014 Gold Leaf Mixed Media Pencil Drawing on Cradled Wood 12x16

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Processed and Enriched Original Painting Oil on Found Art Canvas by Dave Pollot Graffiti Street Artist Modern Pop Art. ‘Processed and Enriched’-Original oil on found art by Dave Pollot- Background is a framed painting on canvas- Signed in oil by Artist-Includes signed Measures 17.5 x 24″ including frame

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Abstraction Pollock Red Green Original One of a Kind Oil Painting Artwork on Vellum Paper by Post Modern Artist Samuel Kamen. 20th Century 12.25x14.5 Signed Original

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Mini Abstract Shadowbox 05_5a Original Spray Paint Acrylic Painting by Saber One of a Kind Artwork on Paper Framed by Street Art Pop Artist. 2022 Signed Mixed Media Spray Paint Acrylic Colored Pencil Original Painting Size 7x5. Each box is hand sanded. Each piece is signed and titled, Each shadowbox comes ready to hang "These are little gems! This series was particularly interesting when my son shined a black light on them. I stumbled upon these shadow boxes, which inspired me to work on different series. The pieces are leftover paper tears from handpainted multiples from my past. I save the painted paper scraps that I like. Each one is an original piece, and I enjoyed spending time working with each miniature painting." -Saber

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King Squid Face Original One of a Kind Ink Pen Drawing Artwork on Thick Paper by Urban Street Artist Nikola Milosevic- Ghost. 2022 Signed by Tag Original Ink Drawing Size 12.5x10.5

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Heath Ledger Joker Construction Zone Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal NYC New York Construction Zone No Trespassing Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Reclaimed NYC New York Construction Zone No Trespassing Sign Painting Original Artwork Size 24x24 Batman Villian Played by Heath Ledger in the Movie as Joker Looking at the Viewer. RD Tag in Rust Red. RD-357's Heath Ledger Joker: A Fusion of Street Pop Art and Iconography The Heath Ledger Joker Construction Zone original street sign painting by RD-357, also known as Real Deal, encapsulates the essence of street pop art through its provocative use of public signage repurposed for artistic expression. Created in 2012, this mixed media acrylic and spray paint artwork transforms a New York City construction zone 'No Trespassing' sign into a canvas, depicting the iconic Batman villain played by Heath Ledger in a way that both challenges and captivates the viewer. Contextualizing RD-357's Artistic Approach RD-357, an artist whose real name remains elusive in the true spirit of street art anonymity, is known for his gritty interpretations of pop culture figures on unconventional canvases. This particular artwork measures 24x24 inches and is a testament to street art's versatility, pushing beyond traditional boundaries. RD-357 draws upon the anarchic spirit of the Joker, using a symbol of law and order – a construction sign – to present an image of chaos and rebellion. The irony is palpable; the sign, which once stood as a warning against unauthorized entry, now invites viewers to engage with the art in a personal, almost aggressive manner. Symbolism and Impact in RD-357's Joker Artwork This piece is not just a portrait; it is a statement. By choosing Heath Ledger's Joker, RD-357 taps into the collective consciousness of a society fascinated by the anti-hero archetype. Ledger's portrayal of the Joker was posthumously celebrated, and his death in 2008 left a cultural imprint that RD-357 leverages in this artwork. The juxtaposition of the Joker’s figure against the backdrop of a New York construction sign speaks volumes about the chaotic undercurrents within the perceived order of urban life. The use of mixed media, with acrylic and spray paint, highlights street art's raw, visceral nature, while also paying homage to the vibrancy of pop art. The viewer is confronted with the Joker's gaze, which, coupled with the bright warning colors of the construction sign, creates an unsettling yet magnetic presence. This interaction compels the audience to contemplate the layers of meaning behind the piece – from transforming public property into a medium for personal expression to the dialogue between art and spectator that challenges societal norms and the very definition of public space. In conclusion, RD-357's Heath Ledger Joker on a New York City construction sign is an outstanding example of how street pop art can merge cultural iconography with subversive messaging. Through this piece, the artist immortalizes a beloved film character and raises questions about authority, ownership, and the role of art in public discourse. The artwork remains a one-of-a-kind testament to the power of graffiti art to redefine spaces and provoke thought long after the paint has dried.

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Longear Tiger P-40 Mixed Media Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art for sale. 2014 Signed Framed Original Mixed Media Painting Drawing Artwork Size 17x16 This piece includes a 1/2 Inch Black Metal Frame float mounted with 2 Inch matte, UV-Glass, foam core backing and ready to hang hardware. "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Sexphyllum Classicum #03 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Thanks Tagged Cardboard Original Spray Paint Hand Drawing on Cardboard With Tape by Modern Street Artist Lyric One. 2021 Large Drawing Tag Signed 24x36 Artwork

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Stand Alone Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 18x18 School Zone Street Sign. Chris RWK's Stand Alone: A New Dimension of Street Sign Art In the vibrant landscape of modern pop art and graffiti artwork, Chris RWK (real name Chris Roberts), an artist from New York, presents a compelling twist on the genre with his creation "Stand Alone." This piece, a signed original mixed media painting completed in 2022, defies conventional street art norms by utilizing an actual 18x18 school zone street sign as its canvas. The artwork's foundation in the natural and practical – a metal sign designed to impart rules – becomes a statement of artistic rebellion and creative liberation. The Fusion of Mediums in Chris RWK's Work "Stand Alone" is an innovative meld of acrylic and spray paint, mediums that have long been staples in the street artist's toolkit. By applying them to a metal street sign, Chris RWK bridges the gap between the everyday street objects we often overlook and the expressive potential they hold. His robot-like character, a recurring motif in his work, is depicted with a simplicity that speaks to childhood innocence, juxtaposed against the backdrop of an adult world filled with regulations and restrictions. The duality of this piece – the playful imagery against the stern, directive nature of a street sign – invites contemplation on the push and pull between the structured world we navigate and the imaginative freedom we often yearn for. This tension is at the heart of street pop art, where the mundane is transformed into the extraordinary. Embracing the Ordinary: The Iconography of Chris RWK In "Stand Alone," the ordinary is embraced and celebrated. Chris RWK elevates an ordinary street sign to a piece of art that can communicate complex emotions and ideas. The robot figure, often interpreted as a stand-in for the human experience, is portrayed alongside a heart symbol – a universal expression of love and connection. This simple yet profound imagery speaks to the artist's ability to find depth in simplicity, a hallmark of his broader body of work. The use of real-world objects in art is not new, but Chris RWK recontextualizes this approach within the framework of street pop art, inviting the viewer to see the potential for art in all things. Once a directive object, the street sign becomes a canvas for reflection, a medium through which the artist can connect with the audience on a personal level. Chris RWK's "Stand Alone" is a standout piece within the domain of graffiti artwork and modern pop art. It captures the essence of street art's transformative power, turning a mundane object into a source of artistic expression and commentary. As viewers encounter this piece, they are reminded that art is not confined to galleries or murals on building walls – it can emerge from the most unexpected places, offering new perspectives on the familiar fixtures of our everyday lives.

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5oz the Real OG #1 Original Canbot Canz Original Hand Painted One of a Kind Spray Paint on Resin Art Toy Collectible Artwork by Pop Culture Artist Czee13. 2022 Signed Spray Paint Original Hand Painting on Canbot Canz 5oz Resin-cast crushed can design by Czee13. Cast in solid resin and hand-painted by Czee13. One-of-one.

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Flower Bouquet 87 Original Oil Painting by Peter Keil, is one-of-a-kind artwork on a Masonite Panel by The Wild Man of Berlin,  a famous contemporary artist. 1987 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of Flower Vase Bouquet. Peter Keil's "Flower Bouquet '87": A Celebration of Color and Form "Flower Bouquet '87," a remarkable original oil painting by Peter Keil, showcases the signature style of the artist known affectionately as "The Wild Man of Berlin." Created in 1987 and boldly signed, this 24x24 inch painting on a Masonite panel captures Keil's work's vibrancy and dynamic energy. Known for his thick application of paint, Keil's artistry in this piece displays the potential for texture and dimension within the medium of oil paint. Over time, some of this textural paint has flaked, which is common in Keil's work, lending a historical quality to the painting that chronicles its journey through time. The artwork features a vase of flowers, a classic still-life subject, which Keil reinterprets with his unique blend of expressionism and street art flair. In "Flower Bouquet '87," the traditional theme of the still life is revitalized through Keil's lens, which introduces the exuberant aesthetic of Street Pop Art and graffiti Artwork. The painting eschews subtlety in favor of bold, direct presentation, with flowers rendered in a style that borders the abstract. The whimsical shapes and exaggerated colors speak to the influence of pop art, while the freeform line work and vivid hues echo the raw appeal of graffiti. The artwork serves as a bridge, merging the historically distinct worlds of fine art and urban street art, and invites viewers to engage with the work on a visceral level. The Artistic Merit of Keil's Approach Keil's "Flower Bouquet '87" artistic merit lies in its unabashed celebration of color and form. Keil's work defies the constraints of traditional still-life painting, breathing new life into the genre with his innovative approach. Using Masonite as a substrate reinforces Keil's preference for sturdy, reliable materials that can support his vigorous application of oil paint. The Masonite's smooth surface is the perfect canvas for the thick, sculptural layers of paint, which add depth and complexity to the composition. Furthermore, Keil's painting is a testament to the enduring nature of art. The presence of paint flaking reveals the effects of time yet also highlights the intrinsic beauty found in the natural aging of artwork. This aspect of Keil's work is particularly resonant with the ethos of street and pop art, which often embrace the concept of impermanence and the beauty inherent in decay. "Flower Bouquet '87" does not just depict a scene; it tells a story of its existence through its evolving state. Keil's Legacy in the Fusion of Art Genres "Flower Bouquet '87" is emblematic of Peter Keil's legacy in the fusion of art genres. His approach to the still life reflects a more significant trend in contemporary art of breaking down barriers between high and low culture, between the gallery and the street. Keil's work challenges preconceived notions of fine art, pushing the boundaries of expression and medium. With its energetic brushstrokes and striking palette, this painting is a powerful example of Keil's influence on modern art, particularly within Street Pop Art and graffiti Artwork. Keil's contribution to contemporary art is significant in his stylistic choices and his philosophy towards the creation and consumption of art. He democratizes art by bringing the sensibilities of street art into the gallery space, making it accessible and relatable to a broad audience. "Flower Bouquet '87," as a representation of Keil's oeuvre, underscores the artist's ability to capture the viewer's imagination and to convey emotion through the vibrant language of paint. "Flower Bouquet"'87" stands as a '87" statement to Peter Keil's profound and positive contribution to art. Its textured surface, vibrant colors, and dynamic presence offer a fresh perspective on the still-life genre while honoring the traditions of Street Pop Art and graffiti Artwork. Keil's painting continues to enchant and engage audiences; it reaffirms the artist's place as a significant figure in contemporary art, whose work transcends time and continues to inspire dialogue and passion for the arts.

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Aki Sharks #2 Original Marker Hand Drawing on Canvas by modern trending street art artist Akinori Oishi. 2014 Signed Original Marker Drawing on Unstretched Canvas Artwork Size 11x13.25 Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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Marilyn Manson- Rakugaki 3 122 Original Colored Pencil Hand Drawing on Paper by Pop Culture Artist Albert Reyes. 2021 Signed Original Colored pencil on paper. Artwork measures 8.5 x 11 inches.

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Fence Piece Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Drawing 04/2021 14x17 in, Bristol Paper

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Multi Tags Series 8465 Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2023 Signed on Back Original Multi Tags Series Acrylic & Spray Paint Painting Size 52x34 Original canvas from SEEN, Multi Tags Series, 2023. The actual painting size is 34" x 52" (86,3 x 132 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 30" x 48" (61 x 122 cm) // UN- stretched size is 34" x 52" (86,3 x 132 cm). Multi Tags Series 8465 is an original graffiti painting by legendary street artist Seen UA, whose real name is Richard "Richie" Mirando. A pivotal figure in the graffiti and street art movement, Seen UA rose to prominence in the 1970s and 1980s. Originally from the Bronx, New York, Seen UA began his artistic career by tagging subway trains and quickly gained recognition for his unique style and skillful lettering. In the Multi Tags Series, Seen UA showcases a variety of graffiti styles, techniques, and forms, creating a visually captivating composition. As the title suggests, the painting features multiple tags, a signature element of graffiti art. These tags often represent the artist's street name or the name of their crew. The work showcases Seen UA's distinct talent for incorporating bold, vibrant colors and intricate designs, blending them harmoniously in a dynamic and energetic composition. Through this piece, the artist continues to push the boundaries of graffiti art, demonstrating its legitimacy as a powerful form of artistic expression. UA's artwork has been exhibited in galleries and museums worldwide, and his influence on the graffiti and street art scene is undeniable. Collectors and enthusiasts alike appreciate the cultural and historical significance of his works, as they represent the origins and development of this vibrant art movement.

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Nude Blonde Woman 93 Original Oil on Cloth Painting by Peter Keil One of a Kind Artwork on 3d Raised Hand Sewen Custom Made Canvas Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1993 Signed by Peter Keil & Dated Oil Painting on Ready to Hang Hand Sewn Raised Stuffed Cloth Panel Canvas Original Artwork Size 24x30. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of a Nude Blond Woman Highly Stylized with Arms Holding Hair Up Behind Her Head. Exploring the Expressive Vivacity in Peter Keil's "Nude Blonde Woman 93" "Nude Blonde Woman 93" is a striking original oil-on-cloth painting by Peter Keil, renowned as The Wild Man of Berlin for his expressive and dynamic artistry. This 1993 piece, signed and dated by the artist, presents an unorthodox canvas, a 3D-raised, hand-sewn custom-made panel that adds a unique tactile dimension to the artwork. The size of the original piece, measuring 24x30 inches, offers a generous view of Keil's raw and uninhibited portrayal of the human form. Here, Keil captures the essence of a nude blonde woman, highly stylized and in a pose that exudes both strength and fluidity, her arms elegantly lifting her hair behind her head. Peter Keil's approach to painting is characterized by his vigorous application of thick paint, a technique that contributes to his work's textural richness and depth. Over time, some of Keil's art may show signs of paint flaking, a natural occurrence that reflects the passage of time and the organic qualities of the materials he engages with. These perceived imperfections are, in fact, integral to the artwork's character, embodying the very nature of Keil's spontaneous and emotional creative process. Reimagining Figurative Art Through the Lens of Street Pop and Graffiti In "Nude Blonde Woman 93," Keil reimagines figurative art with an aesthetic that intersects with the spontaneity and audacity often found in street pop art and graffiti. Keil's bold use of color and form aligns with the visual language of these movements, which are not confined by the traditional boundaries of fine art. His depictions go beyond mere representation to evoke emotional states and narratives reminiscent of the impactful imagery that characterizes street art and graffiti. The artwork serves as a visual experience and a physical one, with the raised canvas inviting viewers to engage with the painting beyond the pictorial plane. This method of presentation is emblematic of Keil's desire to push the limits of conventional art display and to create a more immersive experience for the observer. Collecting a piece like "Nude Blonde Woman 93" is akin to owning a moment in the vibrant history of contemporary art. Keil's paintings are highly sought after for their expressive power and their place within the narrative of art's evolution, particularly in the context of street pop art and graffiti. His works testify to an artist's capacity to capture the complexity of human expression through bold strokes and a fearless approach to color. Peter Keil's original oil painting "Nude Blonde Woman 93" celebrates human form and expression, encapsulating the uninhibited spirit of street pop art and graffiti within the framework of fine art. Keil's work continues to inspire and challenge, securing his reputation as a significant contemporary artist who captures the zeitgeist of his era through each vivid brushstroke.

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Untitled Canvas I Original of a Kind Mixed Media Acrylic & Spray Painting Artwork on Gallery Wrapped Canvas by Popular Street Graffiti Artist Crash- John Matos. 2022 Signed Original Spray Paint & Acrylic Painting Size 12x12 The Visual Language of Crash in "Untitled Canvas I" "Untitled Canvas I," an original piece by the renowned graffiti artist John Matos, alias Crash, is a striking example of street pop art and graffiti artwork's capacity to capture the visual lexicon of urban life. This 12x12 inch mixed media acrylic and spray paint painting on gallery-wrapped canvas, created in 2022, is a testament to Crash's enduring influence on the graffiti art scene. As a signed original, it exemplifies the unique blend of meticulous skill and spontaneous expression that defines his body of work. Crash's Exploration of Form and Color The artwork presents a symphony of vibrant colors and abstract forms, each element meticulously layered to create a harmonious composition. Crash's use of spray paint is evident in the soft, atmospheric backgrounds and sharp, angular lines, which give the piece its characteristic graffiti texture and depth. Acrylics add richness and solidity to the forms, highlighting the artist's versatility and range. "Untitled Canvas I" is a vibrant dance of color and shape that speaks to the dynamic energy of the streets from which Crash hails. Intersection of Street Art and Pop Art in Crash's Work "Untitled Canvas I" symbolizes Crash's ability to merge street art's rawness with pop art's bold imagery. This piece, with its compelling use of pop culture motifs and street art techniques, reflects a profound understanding of both genres. Matos's work's fusion of these styles has been pivotal in elevating graffiti art from the streets to the gallery, bridging the gap between disparate artistic realms. John Matos' Contribution to Contemporary Art Through works like "Untitled Canvas I," John Matos has solidified his place as a pioneer in street pop art and graffiti. His contributions have helped to dismantle the barriers between high art and street culture, enabling a dialogue that has enriched the contemporary art discourse. Like many of his creations, this piece is not merely an artifact but a living part of the vibrant and continually evolving narrative of street art. In essence, "Untitled Canvas I" by Crash is more than a piece of art; it is a narrative, a statement, and a celebration of the culture that has shaped John Matos as an artist. It is a vibrant testament to the power of street pop art and graffiti to communicate, challenge, and captivate.

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Pray Original Acrylic Painting by Vandul One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Original Hand Painted Acrylic Original Painting Size 14x14 Vandul's art has evolved over the years, with his pieces taking on a life of their own, often tackling themes of identity, consumerism, and the human experience. His work has captured the attention of collectors, enthusiasts, and fellow artists alike, solidifying his position as a leading figure in the world of urban art. As a tireless advocate for self-expression and artistic freedom, Vandul continues to inspire and challenge those who encounter his work, shaping the landscape of contemporary street art and beyond.

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Bubbles PNB RAW 8675 Orange Original Graffiti Painting by Seen UA One of a Kind Spray Paint & Acrylic Painting Artwork on Untretched Canvas. 2023 Signed Original Orange Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023, Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8675 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. Seen UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering, post no bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8675, Seen UA masterfully incorporates an array of bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes, while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Tribute to Murakami #1 Original Watercolor Painting by Adam Lister One of a Kind Artwork on 140lb Cold-Press Watercolor Fine Art Paper by Street Art Pop Artist. 2023 Signed Date & Title on Back Watercolor Original Painting Size 8.5x8.5 Adam Lister's Watercolor Ode to Murakami "Adam Lister's Tribute to Murakami #1" is a vibrant homage to the intricate dance of color and form seen in the works of Takashi Murakami, one of the most celebrated figures in contemporary art. Lister, with this original watercolor painting on 140lb cold-press watercolor fine art paper, delves into the realm of pop art through a street art lens, offering a unique and compelling interpretation that captures the playful essence and graphic boldness associated with Murakami's style. Dated and signed in 2023, the artwork, sized at a precise 8.5x8.5 inches, presents a meticulous arrangement of hues and shapes, revealing Lister's mastery over the medium and his ability to translate complex visual languages into his distinct voice. Lister's work exemplifies the principles of Street Pop Art & Graffiti Artwork through its accessible imagery, clear lines, and the profound depth of its apparent simplicity. The piece resonates with the vibrancy of street art and the keen sensibility of pop art, capturing the observer's imagination with its playful geometry and familiar yet fresh aesthetic. Each color block within the piece is meticulously placed, contributing to an overall harmony. At the same time, the apparent influence of digital pixelation and 8-bit graphics nods to the modern era's intersection with traditional techniques. The Intersection of Digital and Traditional in Modern Art The painting serves as a reflection on the intersection of digital and traditional media in modern art. Lister's choice to employ watercolor, a medium often associated with more classical art forms, in depicting a decidedly modern and pop-culture-oriented subject is a conscious celebration of the versatility and enduring relevance of traditional artistic methods in the digital age. This blending of old and new is at the heart of Lister's approach, which frequently involves reimagining iconic images from popular culture through the lens of his geometric abstraction. In "Tribute to Murakami #1," Lister plays with the concept of pixelation, where each square serves as a reminder of the digital screens that dominate contemporary life. However, using watercolors, he breathes life into the pixels, transforming them into a fluid and dynamic arrangement that seems to pulsate with organic energy. This deliberate juxtaposition elevates the piece beyond mere replication, allowing Lister to explore themes of technology, art history, and visual perception within a unified work. Collectibility and Cultural Significance of Lister's Work The collectibility and cultural significance of Adam Lister's "Tribute to Murakami #1" are intrinsic to its creation. As a signed, one-of-a-kind piece, it occupies a unique place in the art market, appealing to collectors who value the originality and thoughtfulness of Lister's vision. The fact that the title and date are inscribed on the back further authenticates the work, ensuring that it is recognized and valued as a genuine Lister creation. Lister's work, particularly this piece, contributes to the ongoing dialogue between street art and the broader art world. It encapsulates the essence of Street Pop Art & Graffiti Artwork, which often seeks to break down barriers between 'high' and 'low' culture, questioning the hierarchies that traditionally govern art valuation. In "Tribute to Murakami #1," Lister respects a figure known for doing precisely that while establishing his place within the contemporary art narrative. In essence, "Tribute to Murakami #1" by Adam Lister celebrates the convergence of street art sensibilities with pop culture references rendered through watercolor. This piece is a testament to the evolving nature of art in the public domain, the continual blurring of lines between different movements, and how contemporary artists like Lister reshape the landscape of visual culture. Through works like this, Lister not only honors the legacy of icons like Murakami but also carves out his niche within the vibrant tapestry of modern art.

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Digital Pistachio Ice Cream Original Spray Paint Art Can by Buff Monster Sculpture Artwork by Iconic Pop Culture Modern Artist. 2018 Signed Original Spray Paint Mixed Media Spray Paint Can Painting Artwork Size 3x8 Creative Expression on Unconventional Mediums "Pistachio Ice Cream" by Buff Monster is a vibrant original spray paint art on a can, embodying the playfulness and innovation that marks the artist's contribution to the modern pop culture and street art movement. Created in 2018, this signed original mixed media artwork measures 3x8 inches and is a standout example of how everyday objects can be transformed into works of art. Buff Monster's work is instantly recognizable for its bright, bold colors and motifs that draw inspiration from various sources, including Japanese culture, heavy metal music, and classic ice cream flavors. "Pistachio Ice Cream" is no exception. It features the artist's iconic melty motifs, a signature synonymous with his name. The spray paint can, an instrument often associated with graffiti and street art, serves as the canvas for this piece, further blurring the lines between the tool and the resulting artwork. This playful juxtaposition highlights Buff Monster's ability to see the potential for beauty in the mundane and to repurpose it with a sense of irreverence and joy. Buff Monster's Impact on Street Pop Art & Graffiti Artwork Buff Monster is a pivotal figure in the Street Pop Art and graffiti Artwork genre, consistently pushing the boundaries of how art can be experienced and where it can be found. His work extends beyond the traditional spaces allocated for art, encouraging viewers to see creativity in unexpected places. "Pistachio Ice Cream" is a sculptural piece that captures the essence of street art's spontaneity and pop art's accessibility, creating a direct, intimate, engaging dialogue with the audience. In the landscape of contemporary art, "Pistachio Ice Cream" and similar works by Buff Monster represent a movement that is not afraid to challenge the status quo and to reinvent spaces and objects as platforms for artistic expression. His creations celebrate the street art ethos, embodying the spirit of freedom and the joy of creation. The artwork's size and medium make it a unique collector's item, a tangible piece of the vibrant energy that Buff Monster brings to the art world.

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Worlds Collide Part II Original Oil Mixed Media Reclaimed Painting by Dave Pollot is One-of-a-Kind Artwork by Street Art Pop Artist. 2023 Signed Oil Painting on Vintage Reclaimed Upcycled Painting Diptych Original Artwork Size 12x9 (UFO) & 17.5x15.5 (Beach) of a UFO Laser Blasting a Seagul Bird On The Beach Intersection of Modernity and Tradition in "Worlds Collide Part II" "Worlds Collide Part II" is a striking representation of Street Pop Art and graffiti Artwork, reflecting a seamless blend of traditional artistic methods with the contemporary edge of pop culture. The artist behind this compelling piece has employed oil painting, a classic medium, and infused it with modern thematic elements, presenting a narrative that bridges the ordinary with the otherworldly. The diptych format, hinged together to form a single story, roots the work in historical art traditions, while the subject matter – a UFO engaging with a seagull on a beach – introduces a narrative that is unapologetically current and provocative. This original mixed-media artwork encapsulates the vivacity of street art by utilizing reclaimed and upcycled canvases. Repurposing these materials not only gives them a new lease on life but also pays homage to the ethos of street art, which often sees beauty in the overlooked and discarded. Combining the UFO and beach scenes provokes the viewer to contemplate the juxtapositions within our world – blending the familiar with the very unfamiliar. The artist's signature, marked in 2023, signals the creation of a piece deeply embedded in the present. This one-of-a-kind artwork, measuring 12x9 inches for the 'UFO' panel and 17.5x15.5 inches for the 'Beach' panel, captures the essence of pop art's interaction with the audience. It does not merely portray a scene but also calls into question the boundaries of reality and fiction, urging a reflection on our environment and the unexpected events that could unfold within it. The Narrative of Artistic Transformation in Reclaimed Art Through "Worlds Collide Part II," the artist exemplifies the transformative power of art. By breathing new life into vintage canvases, the artwork becomes a narrative of reinvention and the cyclical nature of art itself. The choice of a reclaimed painting as the medium is a statement about the potential for transformation – a core principle within Street Pop Art and graffiti Artwork. It is a visual and conceptual rebirth, where the past and the present amalgamate to create something entirely new and thought-provoking. The beach scene, typically a symbol of tranquility and nature's beauty, is disrupted by the fantastical invasion of a UFO, which starkly contrasts the serene backdrop. This decision illustrates the pop artist's flair for integrating science fiction elements into everyday settings, creating a space where different worlds can interact unexpectedly. The result is an art piece that is a testament to the imagination and the artist's power to challenge our perceptions of the normal and the known. In creating "Worlds Collide Part II," the artist presents an alternate reality and challenges the viewer to consider the impact of such an event. The artwork becomes a portal to a story much larger than the canvas it occupies, inviting us to ponder the endless possibilities that exist beyond our own experiences. Embracing the Ethos of Street Pop and Graffiti Art "Worlds Collide Part II" vividly embodies the principles of Street Pop Art and graffiti Artwork. The art piece itself is a confluence of historical techniques and modern cultural expressions, symbolizing art's fluidity and ever-evolving nature. By combining disparate elements – a traditional beach landscape and a symbol of futuristic technology – the artwork mirrors the essence of street art and pop art: the merging of various aspects of culture to create both reflective and forward-looking. The artist's innovative approach to the subject matter and medium underscores a broader cultural commentary inherent in street art. It speaks to a world where boundaries are constantly being redrawn and redefined, where art is not confined to galleries but is a part of the living urban landscape. Thus, The painting becomes more than just a visual experience; it is a conversation with the viewer, a dynamic interaction central to the street and pop art experience. Worlds Collide Part II is not just an art piece but a cultural artifact that encapsulates the zeitgeist of our time. It reflects the ever-changing nature of art, the unexpectedness of life, and the beauty that arises when different worlds come together. Through this piece, the artist invites us to witness the creative potential of combining the traditional with the unconventional, the real with the imagined.

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Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.

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AAVEI-2 Original Mixed Media Spray Paint, Found Object Painting Sculpture Artwork by graffiti street artist modern pop artist Eddie Colla x D Young V. 2014 Signed by D Young V and Eddie Colla Original Mixed Media Spray Paint Acrylic Painting on Reclaimed Items & Wood Artwork Size 55x42 Large Mixed Media Painting on Wood With Reclaimed Toy Gun and 3x Vintage Spray Paint Cans. AAVEI-2 Collaboration with D Young V and Eddie Colla 55 x 42 x 15 inches Mixed Media on Wood, Spray Cans, Plastic Gun 2014

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NYC MTA MAP 1st Element 1965 Original One of a Kind Marker on Subway Train Map Painting Artwork by Popular Street Graffiti Artist Cornbread- Darryl McCray. Artist: Darryl "Cornbread" McCray Description: Changed The World 196, Marker on OG NYC MTA map Paper: NYC MTA Map Size: 23" x 32" (Inches) Edition Size -1 Hand-signed & Numbered by Artist

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Memories of Rape Murder One of a Kind Original Mixed Media Painting Artwork on Vintage 1963 New York Mirror Newspaper on Canvas by Popular Street Graffiti Artist Christabel Christo. Signed 2010 12x15.5 Memories of Rape Murder Painting by Christabel Christo

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Abstract Cubism 1 Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. Custom Framed 31.5x22.5. Abstract Cubism 1 by RD-357 Painting- This original artist's stretched canvas mixed media spray paint graffiti painting features the RD tag with cubsitic colors in the background. Awesome rare original canvas art by prolific street artist Real Deal RD357.

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Spraycan Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Signed Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Signed, Titled & Dated on Back, Tagged On Front Rek & NSA. Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Box Has Artist-Made Paint Marks. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Childs Face 84 Original One of a Kind Oil Mixed Media Painting Artwork on Cardboard by Popular Modern Impressionist Artist Peter Keil. 1984 Signed 12x16 Original Peter Keil Painting of a large child boy's face. Some paint chipped on the cheek, as is common with Peter Keil originals. Peter Keil's Child's Face '84: A Fusion of Expressionism and Street Pop Art The "Child's Face '84" by Peter Keil stands as a vibrant example of how modern impressionist techniques can intersect with the ethos of Street Pop Art and Graffiti Artwork. Measuring 12x16 inches, this original oil mixed media painting on cardboard brings forth the distinct style of Keil, often recognized for his spontaneous, bold approach to modern art. The painting, which presents a giant boy's face, encapsulates the innocence and expressiveness associated with children, rendered through the lens of Keil's vivid, impressionistic style. Characteristic of Peter Keil's original works, this piece exhibits some paint chipping on the cheek, a natural consequence of the artist's heavy impasto technique and the delicate nature of cardboard as a medium. The chips do not detract from the artwork's impact; instead, they add to the piece's narrative, reflecting the passage of time and the tactile history of Keil's artistic process. This textural element, common in Keil's originals, underscores the raw, unfiltered emotion he seeks to capture in his subjects. Interpreting Keil's Artistic Language in Child's Face '84 Interpreting Keil's "Child's Face '84" requires an appreciation of his artistic language, which merges the abstracted forms of impressionism with street art's vibrant colors and emotional immediacy. Keil's portrayal goes beyond simply representing a child's features; it explores character and emotion conveyed through exaggerated forms and a rich color palette. The large, luminous eyes dominate the composition, serving as windows to the child's soul and echoing the depth of human experience that Keil aims to explore through his art. The choice of cardboard as a substrate for this piece mainly tells of Keil's intention to bridge the gap between conventional fine art and the more accessible, everyday materials often used in Street Pop Art and Graffiti Artwork. This unconventional choice reflects a democratization of art, a key theme in street art, where the emphasis is on making art available and relatable to a broad audience. By utilizing cardboard, Keil challenges traditional art norms and aligns himself with a form of artistic expression grounded in the realities of urban life. The Lasting Influence of Keil's Approach to Portraiture The lasting influence of Peter Keil's approach to portraiture is evident in "Child's Face '84." His work, often categorized under the umbrella of modern impressionism, resonates with a broader range of art forms, including Street Pop Art and Graffiti Artwork. Keil's contribution to these genres lies in his ability to infuse traditional portrait painting with a sense of immediacy and street-wise rawness often found in urban art. This painting, with its bold contours and striking colors, is a testament to Keil's innovative spirit and impact on contemporary art. Furthermore, the painting's vibrant quality, a defining characteristic of Keil's work, underscores the expressive potential of Street Pop Art and Graffiti Artwork. "Child's Face '84" exemplifies how these genres can convey complex emotional narratives, challenging the perception that street art is solely concerned with public commentary or social critique. Keil's portrait is a celebration of individuality and the human spirit, encapsulated within the gaze of a child and articulated through the medium of paint. Peter Keil's "Child's Face '84" is a significant piece that captures the intersection of modern impressionism with the dynamic world of Street Pop Art and Graffiti Artwork. The painting's spontaneous execution, vibrant colors, and textural nuances contribute to its enduring appeal and status as a meaningful representation of Keil's artistic vision. As a piece that bears the marks of its creation, it continues to engage and inspire, offering a window into the depth and diversity of Keil's oeuvre.

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Subways Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Signed Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Signed/Tagged On Front Rekone. Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Box Has Artist-Made Paint Marks. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Abstraction Drip Wide Brown Blood Original One of a Kind Oil Painting Artwork on Vellum Paper by Post Modern Artist Samuel Kamen. 20th Century 20.5x9 Signed Original

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Polikarpov-Gill Mixed Media Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art. 2014 Signed Framed Original Mixed Media Painting Drawing Artwork Size 14x11.5 This piece includes a 1/2 Inch Black Metal Frame float mounted with 2 Inch matte, UV-Glass, foam core backing and ready to hang hardware. "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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Goonie 030 Original Watercolor Art Painting on Framed Fine Art Paper by Surreal Artist Naoto Hattori. 2013 Signed Original One-of-a-Kind Watercolor Painting Framed Artwork Frame Size 8.5x8.5 Image Size 3x3 Custom Framed & Matted By Artist. The Singular Essence of Naoto Hattori's Goonie 030 In the vast landscape of contemporary art, there lies a particular niche where the surreal and the concrete converge. Here, the creations of Naoto Hattori resonate with a peculiar vibrancy, a kind of street pop art that blurs the lines between the urban graffiti art movement and the fantastical realms of the imagination. The 'Goonie 030' original watercolor art painting is a quintessential embodiment of this confluence. The work, created in 2013, is an original signed piece by Hattori, celebrated for its one-of-a-kind presence in the art community. The 'Goonie 030' piece explores the intimate interplay between the medium of watercolor and the surreal artistic impulses that characterize Hattori's oeuvre. The framed artwork, with an image size of 3x3 inches, is a window into a world that defies the ordinary, encapsulating a moment of creative genius in a compact space. The frame size of 8.5x8.5 inches houses the art in a manner that draws the eye inward, focusing the viewer's attention on the intricate details of the painting. Custom framed and matted by the artist himself, 'Goonie 030' is presented in a way that enhances its visual impact. The choice to personally frame the work suggests a level of intimacy and care that Hattori imparts to his pieces. This act of framing is not merely a practical measure but a continuation of the creative process, ensuring that the presentation complements the artwork's thematic content and aesthetic value. Naoto Hattori's Vision in Watercolor Naoto Hattori's work often transcends the conventional boundaries of street pop art and graffiti artwork, and 'Goonie 030' is no exception. The watercolor medium allows fluidity and softness that contrasts with graffiti art's often bold and stark lines. Yet, this very dichotomy elevates the piece, allowing it to speak the language of street art through a whisper rather than a shout. The subtle tonal gradations and the gentle pooling of hues in 'Goonie 030' demonstrate Hattori's deft hand and ability to convey depth and emotion within a confined space. While distinctively surreal, the subject of 'Goonie 030' maintains a passionate connection with the viewer that is frequently sought after in street pop art. The character depicted in the painting, with its endearing yet enigmatic features, serves as a conduit for personal interpretation, much like the transient and often interpretative nature of graffiti art murals adoring city walls. This piece, therefore, becomes a kind of visual poetry, a small stanza in the larger narrative of Hattori's artistic expression. Street Pop Art and the Intimate Scale The trend within street pop art and graffiti artwork has often leaned towards grandiosity in scale, with large murals and installations dominating the scene. However, 'Goonie 030' challenges this trend through its diminutive size, proving that impactful art is open to more than large canvases. In its compact form, this original watercolor painting invites a closer, more personal interaction, akin to reading a novel as opposed to viewing a billboard. In this intimate engagement, the viewer can truly appreciate the meticulous skill and delicate nuances that Hattori has woven into the work. The framing and matting performed by the artist serve to honor the personal scale of the piece, creating a boundary that distinguishes the artwork from the vastness of its surroundings. In a way, this echoes the ethos of street art, which often seeks to carve out a space for individual expression within the public sphere. 'Goonie 030', though housed within the private confines of a collector's domain, carries the spirit of street art in its very essence. The creation of 'Goonie 030' is a testament to Naoto Hattori's versatility as an artist capable of easily traversing the realms of street pop art, graffiti artwork, and surrealism. Through thl watercolor painting, Hattori invites viewers to reflect on the potential of small spaces to hold vast worlds within them. The work stands as a singular statement in the canon of contemporary art. This piece encapsulates the beauty and complexity of Hattori's vision, rendered with the grace and precision that only watercolor can afford.

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Shadow Original Acrylic Painting by Richard Hambleton One of a Kind Artwork on Fine Art Paper by Street Art Pop Artist. 1983 Unsigned with COA From Robert Murphy Acrylic & Masking Tape Painting Original Artwork Size 33x76 Frame 37.75x80 Richard Hambleton's "Shadow": A Street Art Phenomenon The legacy of Richard Hambleton, a pioneering figure in the street pop art and graffiti artwork movement, is deeply enshrined in the "Shadow Original Acrylic Painting," a powerful example of his innovative spirit. Known for his stark, shadowy figures that seem to leap off urban surfaces, Hambleton's work has shaped the course of street art and significantly impacted the larger contemporary art scene. His 1983 "Shadow" is a testament to this influence, rendered in acrylic and masking tape on art paper, its paper size stretching to approximately 76 by 33 inches. The larger frame size of 80 by 37.75 inches provides an almost life-size experience, asserting a formidable presence reminiscent of the figures that Hambleton famously painted in alleyways and building sides. The fact that this particular piece is unsigned only adds to the mystique that Hambleton cultivated throughout his career. Provenance is crucial for artworks of such caliber, and this piece's authenticity is backed by a hand-written Certificate of Authenticity (COA) from Robert Murphy and another COA from Dirtypilot, grounding it firmly in its historical context. Robert Murphy and the Provenance of a Masterpiece Robert Murphy, a close friend of Richard Hambleton and an ardent supporter, plays a crucial role in the story of "Shadow." As the most prominent collector of Hambleton's works, Murphy's connection to the art is not merely that of a collector but also that of a confidant and advocate. His relationship with the artist grants the artwork an additional layer of depth, highlighting the personal connections and friendships that often underlie and, indeed, define the street art community. This relationship is immortalized in the feature film "Shadowman," where both Hambleton and Murphy feature, providing a cinematic glimpse into the artist's life and works. Such a connection enriches the narrative of the "Shadow," situating it within a fabric of personal histories that span beyond visual art. It serves as a poignant reminder that the value of street pop art extends beyond the physical work and into the realm of personal and communal histories. Legacy of Hambleton and His "Shadows" in Street Pop Art Within the pantheon of street pop art, Richard Hambleton's contributions stand out for their haunting simplicity and emotional depth. Born in Canada and having passed away in 2017, Hambleton's legacy continues through pieces such as "Shadow," which encapsulate his distinctive approach to street art. His shadow figures, which first appeared in the 1980s, brought a new level of critical engagement to graffiti, transforming it from an act of rebellion into a form of profound artistic expression. "Shadow Original Acrylic Painting" is an original piece from one of the seminal figures in street pop art and a witness to the era in which it was created. The early 1980s saw a dynamic growth in graffiti artwork, evolving from vandalism to a respected medium of socio-political discourse and artistic exploration. Hambleton's work cuts through this moment in history, offering a spectral yet profound critique of society and the self, asking the observer to confront the shadows that linger within urban life and themselves. The story of Richard Hambleton's "Shadow" is a narrative woven from threads of creative genius, personal bonds, and the shifting ethos of street art. This piece remains a vibrant component of Hambleton's oeuvre, a silent yet eloquent sentinel testament to the power of street pop art and graffiti artwork in shaping urban landscapes and discourse.

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Hula Bunny Original Marker Drawing by Joe Ledbetter on Card Stock Paper, Modern Street Pop Artwork. 2006 Signed Original Magic Marker Drawing Size 6x10 of a Bunny Rabbit Hula Girl. "Hula Bunny," an original marker drawing by Joe Ledbetter, presents a whimsical fusion of street art sensibilities and pop art aesthetics. Created in 2006, this piece features a charming bunny rabbit depicted as a hula girl, a playful subject matter characteristic of Ledbetter's signature style. The 6x10-inch artwork is a testament to the artist's ability to blend cartoon-like figures with a mature, street-influenced art form. Crafted with magic marker on card stock paper, "Hula Bunny" is imbued with spontaneity and fluidity, often found in street pop art. Ledbetter's lines are confident and animated, bringing the character to life with a few simple strokes. The artwork's bold black outlines and the absence of color draw attention to the form and movement suggested by the hula dancer's pose. Signed by the artist, this original piece captures the playful spirit of pop art, with its roots in commercial and popular imagery. Ledbetter often explores themes that resonate with a broad audience, and "Hula Bunny" is no exception. It reflects a joyful and carefree narrative, a departure from the conventional graffiti art associated with urban environments. This original drawing holds its own in modern street pop artwork, showcasing Ledbetter's creative range. His work bridges the gap between street art's raw expressiveness and pop art's accessible imagery. "Hula Bunny" is not just a piece of art; it is a slice of the culture from which it originates, offering a lighthearted take on the artist's surroundings and experiences. Collectors and admirers of Ledbetter's work appreciate his unique take on street pop art, where each piece often serves as a commentary on contemporary life. "Hula Bunny," with its charm and simplicity, continues to captivate viewers, remaining a delightful example of how traditional techniques can produce endearing and enduring art.

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Night Bear's Original Kind Acrylic Painting Artwork on Fine Art Paper by Popular Street Graffiti Artist Nicole Gustafsson. 2014 Custom Framed & Matted Signed Original Image 3x3 Frame 8.5x8.5 Night Bear: A Glimpse into the Whimsical World of Nicole Gustafsson The Artistic Journey of Night Bear Nicole Gustafsson's "Night Bear," an original acrylic painting on fine art paper, emerges as a unique piece in street pop and graffiti art genres. Created in 2014, this artwork diverges from the urban grittiness typically associated with street art, inviting the viewer into a more whimsical and storybook-like world. Framed and matted at 8.5 by 8.5 inches with the actual image measuring 3x3 inches, the piece is a treasure trove of intimate craftsmanship. It stands out as an original signed work, bearing the distinct aesthetic that Gustafsson is celebrated for— a fusion of enchanting landscapes and engaging characters that tell a story beyond their contained canvas. The Whimsy of Street Pop Art in Gustafsson's Work In "Night Bear," we witness the convergence of street art's accessibility and pop art's mass appeal with a narrative quality that is deeply personal and illustrative. Gustafsson's work is characterized by her ability to craft vibrant and serene scenes, encapsulating moments that seem to be taken from a dream or a far-off fantasy land. Unlike the often transgressive nature of graffiti, her work leans toward the enchanting and the magical, making it an endearing anomaly in the street pop-art landscape. With its delicate portrayal of a bear and its ghostly companion, this piece conjures a sense of companionship and wonder, themes that resonate with viewers across different backgrounds. The Signature Style of Nicole Gustafsson Nicole Gustafsson's style is a breath of fresh air in street pop art and graffiti artwork, where bold lines and loud messages often dominate. Her approach is subtle yet impactful, drawing in the observer with intricate details and a soft color palette that can turn a small 3x3 image into a portal to another realm. The "Night Bear" is a testament to her skillful brushwork and ability to create depth and texture with acrylics, which lends a tactile quality to the visual narrative. Each stroke is intentional, contributing to the overall harmony of the artwork. Reflection on "Night Bear" and Its Place in Street Pop Art "Night Bear" may seem like a departure from the edgy roots of street pop art and graffiti, but it is a reminder of the spectrum this art form can encompass. Gustafsson's piece offers a playful and poignant narrative, highlighting the versatility of street pop art to adapt and embrace different storytelling methods. This artwork does not shout from the rooftops but instead whispers a tale that draws viewers in, asking them to pause and reflect. It's a quiet yet powerful statement in the bustling world of street art, proving that the genre is not monolithic but rather a mosaic of various artistic expressions.

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Abstract Abstraction Green Original One of a Kind Oil Painting Artwork on Cardboard by Post Modern Artist Samuel Kamen. 20th Century 10.5x14 Signed Original

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Cup & Brushes Original Ceramic Hand Painted Sculpture by Joshua Vides Shattered Dreams Series Artwork by Graffiti Street Artist. 2023 Signed Original Hand-Made Sculpture One of A Kind Ceramic & Acrylic Paint Artwork Size XXX BMW Car Logo on Tall Slim Cup with Paintbrushes in It That Have Been Used With Colorful Paint Statue. Joshua Vides, a renowned name in the street and graffiti art scene, has taken a divergent turn in his creative journey with the unveiling of his latest series titled "Shattered Dreams." This exhibition, which took place in Los Angeles, California, from August 18 to 25, 2023, marked Vides' inaugural venture into an exclusively ceramic-centric realm. A significant piece from this collection, the "Cup & Brushes," serves as a testament to the artist's boundless versatility and keen eye for merging contemporary concepts with traditional mediums. At first glance, the "Cup & Brushes" sculpture is more than a mere ceramic creation; it's a tangible narrative of the artist's transformative journey. Hand-molded and meticulously painted by Vides in his studio, this particular sculpture captivates viewers with its emblematic portrayal of the BMW car logo on a statuesque, slim cup. Nestled within the cup are paintbrushes, each vividly stained with remnants of colorful paint, illustrating the fusion of utility and artistry. The juxtaposition of the revered automotive emblem with the rudimentary tools of a painter not only reiterates the theme of shattered expectations but also challenges the conventions of pop art. Vides' dedication to handcrafting each piece in the "Shattered Dreams" series accentuates the personal touch and authenticity infused in every artwork. This transition from his graffiti roots to ceramics, while retaining the essence of street art, showcases the evolution of an artist who isn’t afraid to shatter boundaries while dreaming big.

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Mini Abstract Shadowbox 01_1a Original Spray Paint Acrylic Painting by Saber One of a Kind Artwork on Paper Framed by Street Art Pop Artist. 2022 Signed Mixed Media Spray Paint Acrylic Colored Pencil Original Painting Size 7x5. Each box is hand sanded. Each piece is signed and titled, Each shadowbox comes ready to hang "These are little gems! This series was particularly interesting when my son shined a black light on them. I stumbled upon these shadow boxes, which inspired me to work on different series. The pieces are leftover paper tears from handpainted multiples from my past. I save the painted paper scraps that I like. Each one is an original piece, and I enjoyed spending time working with each miniature painting." -Saber

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Friend Face 92 Pink Blue Original Oil Painting by Peter Keil One of a Kind Artwork on Masonite Panel by The Wild Man of Berlin,  a Famous Contemporary Artist. 1992 Signed by Peter Keil & Dated Oil Painting on Masonite Panel Original Artwork Size 24x24. All of Peter Keil's Art Used Thick Paint & Some Paint Flaking May Be Present Due to the Age and Nature of His Work. Painting of an Elonged Face Split by Pink & Blue Color. Mild Soiling Throughout. Exploring the Vivid Expressionism of Peter Keil's "Friend Face 92 Pink Blue" The original oil painting "Friend Face 92 Pink Blue" by Peter Keil profoundly embodies the vitality and expressive power of street pop art and graffiti artwork. Known as The Wild Man of Berlin, Peter Keil is a famous contemporary artist whose work pulsates with the raw energy and color-rich vibrancy synonymous with the Neo-Expressionist movement. This 1992 piece, signed and dated by the artist, is an original oil painting on a Masonite panel, measuring 24x24 inches, and it showcases Keil's distinctive approach to form and hue. Keil's artistry is characterized by its bold, impasto application of paint, where thick layers are applied to create a textural surface that is tactile and visually compelling. Over time, some paint flaking may be present in his work, which is not a sign of deterioration but rather an indication of the artwork's dynamic history and the natural evolution of the materials used. "Friend Face 92 Pink Blue" features an elongated face split by contrasting pink and blue swathes, a dichotomy that evokes a sense of duality and emotional depth within the figure's visage. The Cultural Resonance of Peter Keil's Artistic Legacy The unique allure of Peter Keil's artwork lies in its ability to connect with the observer on an instinctual level. His paintings transcend the need for traditional representation, instead opting to convey emotion through the expressive manipulation of color and form. The "Friend Face 92 Pink Blue" is a testament to this, where the interplay of warm and cool tones articulates a complex psychological landscape. This work is a prime example of how Keil's paintings engage with the viewer, inviting them into a world where the visceral and the visual collide. Keil's contributions to street pop art and graffiti are marked by his disregard for convention and his celebration of individuality. The spontaneous and often aggressive brushwork reflects the spirit of graffiti art, while the use of bold colors and abstract forms is reminiscent of pop art's influence. As such, "Friend Face 92 Pink Blue" is a work of personal expression and a dialogue with the movements that have shaped the trajectory of contemporary art. Collectors of Keil's work are often drawn to the uninhibited freedom and the palpable sense of life that his paintings exude. Owning a piece like "Friend Face 92 Pink Blue" means engaging with an artwork that is alive with the artist's signature vigor and evolves as time progresses. It is an invitation to witness the interplay of destruction and creation, where the flaking paint and the enduring vibrancy of the colors tell the story of an artwork's journey through time. Peter Keil's "Friend Face 92 Pink Blue" is a vibrant, one-of-a-kind artwork that captures the essence of Neo-Expressionism and reflects the artist's status as a pivotal figure in the world of street pop art and graffiti artwork. With its striking colors and expressive force, this painting is a powerful example of Keil's enduring artistic vision and influence on contemporary art.

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Sheer Art Attack Ink Drawing on Fine Art Paper by Derek Hess graffiti street artist modern original art. 2014 Signed Framed Original Ink Drawing Artwork Size 15x17 "My first batch was done in 2010/2011 and showed during the World's Largest Crappie Festival in Water Valley Mississippi, that was awesome. All are were made using pen, ink, and acrylic. My father was a B-26 pilot and my dad helped instill the interest in the subject. Two of the pieces feature a rock bass morphed with a B-26. These are completely different from what I normally do, whatever 'normal' means. Anyway, these were just a lot of fun to do. Whereas some of the intense pieces that I do I feel I have to do, as to purge it from my system, which works half the time (I tend to carry that stuff with me). I wanted to do these for fun and are a great distraction." - Derek Hess

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New $100 Bill Drizzle Original One of a Kind Oil Painting on Canvas by Steve Kaufman SAK modern pop artist. 1998 SAK Signed Canvas Original One Hundred Dollar Bill. STEVE KAUFMAN. For sale: "100 dollar bill" is a painting with the originality of the artist, this is a RARE work of art - TOTALLY by the late great assistant of Andy Warhol - STEVE KAUFMAN! They are rare and highly collectible. Absolutely beautiful! Size: 23.8 x 14.3 inches.

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Bubbles PNB RAW 8670 White Original Graffiti Painting by Seen UA, One-of-a-kind Spray Paint and Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original White Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023. Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8670 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering and bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8670, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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