Print Fine Art

184 artworks


  • The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    Kaws- Brian Donnelly The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

    $29,999.00

  • Super K Mario Blotter Paper Archival Print by Ben Frost

    Ben Frost Super K Mario Blotter Paper Archival Print by Ben Frost

    Super K Mario Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 100 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Super Mario Special K Video Game Limited blotter editions are hand-perforated by Zane Kesey. "Super K Mario Blotter Paper" is a provocative work of art by Ben Frost, a notable figure for juxtaposing pop art iconography with subversive contexts. This limited edition archival pigment print, released on April 19, 2023, swiftly stands out in pop, street, and graffiti art, stirring dialogue about culture and consumerism. Limited to 100, each piece is meticulously signed and numbered, affirming its uniqueness and collectible status. Frost's creation is a dynamic 7.5 x 7.5 inches print crafted on perforated blotter paper, which traditionally is associated with the distribution of LSD, a usage that the artwork cleverly alludes to without endorsing. The piece showcases the famed video game character Super Mario, depicted in vibrant colors, entwined with the word "KETAMINE" and associated pharmaceutical verbiage. This visual blend delivers a potent statement on the recreational drug culture while playing with the commercialization of beloved childhood figures. The 'Super Mario Special K' title fuses the name of the iconic Nintendo character with a slang term for ketamine, further pushing the boundaries of artistic expression and social commentary. Each blotter is hand-perforated by Zane Kesey, lending an element of handcrafted authenticity to the work and providing a tactile connection to the counterculture Kesey's father, Ken Kesey, was a part of. This process not only exemplifies the artist's attention to detail but also embeds each piece with a sense of personal touch and historical reverence. Ben Frost's art is not for the faint of heart; it confronts the viewer with nostalgia and shock, prompting a re-examination of the icons that populate our collective consciousness. The "Super K Mario Blotter Paper" is a testament to his ability to subvert mainstream symbols and present them back to society with a fresh, if not jarring, perspective. Collectors and admirers of this limited edition work receive more than a piece of art; they acquire a statement, a conversation starter, and a bold critique of the intersections between pop culture, art, and the pharmaceutical industry.

    $454.00

  • Sale -33% The Hot Race Giclee Print by Victo Ngai

    Victo Ngai The Hot Race Giclee Print by Victo Ngai

    The Hot Race Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

    $290.00$194.00

  • Sale -33% King Kong Giclee Print by Victo Ngai

    Victo Ngai King Kong Giclee Print by Victo Ngai

    Utopia Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. SOI55 Gold Medal. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

    $290.00$194.00

  • Sale -33% Struck Down Archival Print by Jed Henry

    Jed Henry Struck Down Archival Print by Jed Henry

    Struck Down Archival Pigment Fine Art Limited Edition Print on Hand Made Japanese Paper by Artist Jed Henry. 2022 Signed Limited Edition 12x17 Hand Deckled "If I am struck down, Then the increase of my power will become unstoppable."

    $129.00$86.00

  • Trinity Mao PP Giclee Print by David Foox

    David Foox Trinity Mao PP Giclee Print by David Foox

    Trinity Mao Limited Edition Giclee Print on 330gsm archival cotton paper by David Foox counter-culture street artist art. PP Printers Proof 2011 Signed & Marked PP Limited Edition Artwork Size 5.5x12.5 "The three-headed Mao represents the mental dictatorship of the different faculties of human perception. The two third eyes on the left and right represent both the left (logic and reason) and the right (creativity and emotionality) as well as the negative and positive effects of the duality of the pineal gland i.e. the mind's ability to endow inanimate objects or ideas with spiritual value. The third and center Mao head represents the objective self and the pineal gland is represented by the tetragrametron which signifies the god consciousness, and the infinite unchanging laws of mathematics, chemistry, and physics. The rabbit represents the animalistic forces of nature that embue the constellations with life, and the pyramid represents the human urge to transform matter into a perfect form." - by Liam McMullan on behalf of artist David Foox (FOOX)

    $229.00

  • Sale -33% The Hunters Quarry Archival Print by Jed Henry

    Jed Henry The Hunters Quarry Archival Print by Jed Henry

    The Hunters Quarry Archival Pigment Fine Art Limited Edition Print on Hand-Made Japanese Paper by Artist Jed Henry. 2022 Signed Limited Edition 12x17 Hand Deckled "I've crossed the galaxy, and crossed again, I've seen strange things, and seen strange things again, But I've never seen a singular Force, My life is mine"

    $129.00$86.00

  • Sale -33% The Safe Keepers Giclee Print by Victo Ngai

    Victo Ngai The Safe Keepers Giclee Print by Victo Ngai

    Utopia Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

    $290.00$194.00

  • Sale -33% Ultra Trisauras vs. Ōkami Alpha Silkscreen Print by Robert Wilson IV

    Robert Wilson IV Ultra Trisauras vs. Ōkami Alpha Silkscreen Print by Robert Wilson IV

    Ultra Trisauras vs. Ōkami Alpha Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Artist Robert Wilson IV. 2012 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 This print was produced initially for the STRANGE BEASTS show at Gallery Guzu. Print measures 18x24 inches and is signed and numbered by the artist in an edition of 75.

    $153.00$103.00

  • Hello Kitties AP Archival Print by Matthew Grabelsky

    Matthew Grabelsky Hello Kitties AP Archival Print by Matthew Grabelsky

    Hello Kitties AP Archival Pigment Fine Art Limited Edition Print on 300gsm Signa Smooth Paper by Artist Matthew Grabelsky, Street Pop Art Graffiti Legend. AP Artist Proof 2021 Signed & Marked AP 30x35.5 Limited Edition of Mother Cat With Hello Kitty Stylized Kittens In Humanized Form on Subway On Large Format Print. Diving into the eclectic world of contemporary art, one is often met with audacious blends of reality and imagination. Such is the allure of "Hello Kitties" by Matthew Grabelsky. This fine art piece seamlessly marries the urban aesthetic of street art with the playful nostalgia of pop culture, delivering a whimsical tableau set against the backdrop of a subway carriage. Grabelsky, a recognized name in the street pop art graffiti circuit, showcases his flair for infusing everyday scenes with elements of the fantastical. The artwork, crafted meticulously using archival pigment on 300gsm Signa Smooth Paper, spans a generous 30x35.5 canvas. The central figure, a poised mother cat with arresting blue eyes, anchors the composition. Yet, it's her companions – three kittens styled in Hello Kitty attire – that inject a sense of playful irreverence into the scene. These characters, dressed in vivid pink tracksuits, exude an air of childlike innocence, a stark contrast to the mundane setting of the subway. Their humanized form, juxtaposed with feline features, challenges the viewer's perception of reality, urging them to delve deeper into the realm of imagination. Released as an Artist Proof in 2021, "Hello Kitties" stands as a testament to Grabelsky's unique artistic vision. Each print is signed and marked AP, elevating its value and exclusivity. The artwork invites onlookers to suspend disbelief and embrace the extraordinary, all while reminiscing about a beloved pop culture icon. It's a celebration of the surreal, set amidst the ordinary, exemplifying the transformative power of art.

    $980.00

  • Mao Money 8 AP Giclee Print by David Foox

    David Foox Mao Money 8 AP Giclee Print by David Foox

    Mao Money 8 Limited Edition Giclee Print on 330gsm archival cotton paper by David Foox counter-culture street artist art. AP Artist Proof 2013 Signed & Marked AP Limited Edition Artwork Size 5.5x12.5. Mao Money 8 is part of a series of ongoing series of currency that FOOX has been creating over the years. This print is double the size of previous currency prints FOOX has released. (they are typically the dimensions of an American bill). During the 2011 New York Comic Con.

    $375.00

  • POM & Me Lithograph Print by Takashi Murakami TM/KK

    Takashi Murakami TM/KK POM & Me Lithograph Print by Takashi Murakami TM/KK

    POM & Me Offset Lithograph Print Limited Edition Artwork on Round Smooth Wove Paper by Pop Urban Artist Takashi Murakami TM/KK. 2013 Signed & Numbered Limited Edition of 300 Round Cut Artwork Size 19.75x19.75 (Round) Takashi Murakami (b. 1962) POM & Me, 2013 Offset lithograph in colors on smooth wove paper 19-5/8 inches (49.8 cm) diameter (sheet) Ed. 300 Signed and numbered in ink lower right Published by Kaikai Kiki Co. Ltd., Tokyo "POM & Me" is a lithograph print by the renowned Japanese artist Takashi Murakami. Known for his unique style that blends traditional Japanese art with contemporary pop culture, Murakami has gained international acclaim for his work. His signature "Superflat" style is characterized by bold, vibrant colors and flattened, two-dimensional imagery. The "POM & Me" print is one of many artworks that Murakami has created over the years, often featuring his iconic characters and motifs. This particular piece includes recurring elements from Murakami's body of work, such as his famous flowers, himself and his dog Pom. As an artist, Murakami has worked in various media, from painting and sculpture to fashion and commercial products. His work has been exhibited in major galleries and museums worldwide, and he has collaborated with well-known brands and celebrities.

    $2,706.00

  • Sale -33% Alice HPM Archival Print by Kevin Ledo

    Kevin Ledo Alice HPM Archival Print by Kevin Ledo

    Alice Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Entrada Paper by Kevin Ledo Graffiti Street Artist Modern Pop Art. Hand-Embellished Archival Pigment Print on 290gsm Moab Fine Art Paper Size: 18 x 18 Inches Release: July 05, 2021

    $270.00$181.00

  • Terror Claws MOTU Giclee Print by Madsaki

    Madsaki Terror Claws MOTU Giclee Print by Madsaki

    Terror Claws Pop Street Artwork Limited Edition Giclee Print on Hand Deckled Fine Art Paper by Urban Graffiti Modern Artist Madsaki x MOTU. 2022 Limited Edition 19.3x24.75 Renowned Contemporary Artist Madsaki holds a special place in his heart for Masters of the Universe. When he first moved to America, the OG cartoon helped him to learn English while the ‘80s animation helped fuel his artistic imagination. This art print (based on his signature acrylic and aerosol on canvas style) features the Masters in action with his signature colors and flair. Action scene featuring Skeletor and his Terror Claws against He-Man

    $518.00

  • Doraemon Sitting Up Every Day is a Struggle Nobita Lithograph Print by Takashi Murakami TM/KK

    Takashi Murakami TM/KK Doraemon Sitting Up Every Day is a Struggle Nobita Lithograph Print by Takashi Murakami TM/KK

    Doraemon Sitting Up- Every Day is a Struggle Nobita Lithograph Print Limited Edition Artwork on Smooth Wove Art Paper by Artists Fujiko F Fujio x Takashi Murakami TM/KK. 2019 Signed & Numbered Limited Edition of 300 Lithograph Artwork Size 22.64x25.75 Takashi Murakami X Fujiko F. Fujio Doraemon Sitting Up: "Every Day is a Struggle, Nobita", 2019 Offset lithograph in colors on smooth wove paper 25-3/4 x 22-5/8 inches (65.4 x 57.5 cm) (sheet) Ed. 300 Signed and numbered in ink along lower edge Published by Kaikai Kiki Co. Ltd., Tokyo

    $1,230.00

  • Sale -33% Solitary Child 1 Archival Print by Hikari Shimoda

    Hikari Shimoda Solitary Child 1 Archival Print by Hikari Shimoda

    Solitary Child 1 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Hikari Shimoda Graffiti Street Artist Modern Pop Art. "Solitary Child is a series of works, focused on my original theme of the inevitability of the Apocalypse. In this series, I am offering a new savior for humankind- she is a magical girl (Solitary Child #1) and a little boy hero (Solitary Child #3). In the world of my paintings, humanity has perished, as seen in the collage background, where there is an expressed chaos throughout. In these images, my saviors have come upon the dying human race. After the death of man, the world has found some relief from the turmoil that he has brought upon it. Meanwhile, mankind selfishly dreams of newfound happiness in his afterlife. In the mythology of my work, as humanity is destroyed, only one figure remains and that is the Messiah represented as a child. The magical girl was the first to be left alone after humanity was destroyed, left to deal with the despair and damage he left behind. Her eyes are shining and sparkling, but her stare is blank. In contrast, my hero’s eyes are closed ever so gently. To him, everything in the world is very chaotic and overwhelming. He feels all of its happiness, despair, hope, sadness, everything… in such a state, even the world’s savior must shut his eyes to it." - Hikari Shimoda

    $336.00$225.00

  • Sale -33% Godzilla Silkscreen Print by Marie Bergeron

    Marie Bergeron Godzilla Silkscreen Print by Marie Bergeron

    Godzilla Limited Edition 2-Color Silkscreen Print on Fine Art Paper by Marie Bergeron counter-culture street artist art.

    $242.00$162.00

  • Power Sword Giclee Print by Madsaki

    Madsaki Power Sword Giclee Print by Madsaki

    Power Sword Pop Street Artwork Limited Edition Giclee Print on Hand Deckled Fine Art Paper by Urban Graffiti Modern Artist Madsaki x MOTU. 2022 Limited Edition 19.3x24.75 Renowned Contemporary Artist Madsaki holds a special place in his heart for Masters of the Universe. When he first moved to America, the OG cartoon helped him to learn English while the ‘80s animation helped fuel his artistic imagination. This art print (based on his signature acrylic and aerosol on canvas style) features the Masters in action with his signature colors and flair. Action scene featuring He-Man and Man-At-Arms against Skeletor and Beast-Man

    $518.00

  • Dokidoki Donpen Archival Silkscreen Print by Aya Takano

    Aya Takano Dokidoki Donpen Archival Silkscreen Print by Aya Takano

    Dokidoki Donpen Archival Pigment Print & 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Aya Takano x TM/KK Rare Street Art Famous Pop Artwork Artist. 2020 Signed Archival Pigment Print + Silkscreen 14 4/5 × 18 9/10 in 37.6 × 48.1 cm Edition of 50 TM/KK

    $3,332.00

  • Storyteller AP Silkscreen Print by Raid71

    Raid71 Storyteller AP Silkscreen Print by Raid71

    Storyteller AP Silkscreen Print by Raid71 Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2023 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 The "Storyteller AP" silkscreen print by Raid71, the moniker of British artist Chris Thornley, is a rich, evocative tribute to the legendary Japanese animator Hayao Miyazaki, a towering figure in the world of animation. This work, infused with a deep admiration for Miyazaki, emerges as a unique confluence of pop art, street art, and graffiti art, embodying elements that are quintessential to each of these genres, thereby capturing the essence of their dynamism. The print encapsulates the magical realism and intricate artistry characteristic of Miyazaki's films. By employing silkscreen printing, a popular method in the pop art movement famously used by artists like Andy Warhol, Raid71 is able to imbue the artwork with vivid colours and bold shapes, capturing the exuberant visual style typical of Miyazaki's fantastical worlds. Simultaneously, Raid71's print exhibits an aesthetic that is reminiscent of street art and graffiti. The organic forms and somewhat edgy, wild feel of the design mirrors the raw energy found in street murals or urban spray-can masterpieces. A hint of subversiveness is introduced, much like street art and graffiti often serve as counter-culture expressions or socio-political commentary. The "Storyteller AP" by Raid71 is thus not just an homage to Miyazaki, but also a celebration of these artistic genres. It mirrors the world-building capabilities of pop art, the raw energy of street art, and the disruptive potency of graffiti, all while maintaining a unique identity. This intertwining of styles generates a captivating visual narrative, positioning Raid71 as a modern-day storyteller, translating the magic of Miyazaki's oeuvre into a new medium.

    $220.00

  • Cosmos Offset Lithograph Print by Takashi Murakami TM/KK Cosmos Offset Lithograph Print by Takashi Murakami TM/KK

    Takashi Murakami TM/KK Cosmos Offset Lithograph Print by Takashi Murakami TM/KK

    Cosmos Offset Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Custom Framed Satin Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2000 Signed & Numbered Limited Edition of 300 Artwork Size 23.5x23.5 Framed 32x32 Takashi Murakami (b. 1962) Cosmos, 2000 Offset lithograph in colors on smooth wove paper 23-3/8 x 23-3/8 inches (59.4 x 59.4 cm) (sheet) Ed. 125/300 Signed and numbered in ink lower right Published by Kaikai Kiki Co. Ltd., Tokyo Print Grade: 10/10 Matted and framed under acrylic. No apparent condition issues. Not examined out of frame. Framed Dimensions 32 X 32 Inches The "Cosmos" offset lithograph print by Takashi Murakami, created in collaboration with Kaikai Kiki in 2001, is a fine example of the Japanese artist's unique and influential work. Murakami is known for his signature "Superflat" style, which is characterized by a blend of Japanese pop culture, traditional art, and Ms Flower flowers.. In the "Cosmos" print, Murakami explores the concept of the universe, with vibrant colors, bold lines, and intricate patterns. The artwork is populated by his iconic Ms FLowerand motifs, such as smiling flowers and vines, which are deeply rooted in Japanese manga, anime, and the otaku subculture. As an offset lithograph print, the piece is created using a printing technique that involves transferring an inked image from a plate to a rubber blanket and then onto the final printing surface, usually paper. This process allows for high-quality reproductions of the original artwork, making it more accessible to a wider audience. The "Cosmos" print is a sought-after piece by collectors and fans of Takashi Murakami's work. It showcases the artist's incredible ability to merge traditional and contemporary elements, creating a visually striking representation of the universe that is uniquely his own.

    $5,205.00

  • Octo Girl AP Silkscreen Print by Joe King

    Joe King Octo Girl AP Silkscreen Print by Joe King

    Octo Girl Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

    $136.00

  • Kim Jong’s Supreme Barber AP Giclee Print by Marwan Shahin

    Marwan Shahin Kim Jong’s Supreme Barber AP Giclee Print by Marwan Shahin

    Kim Jong’s Supreme Barber AP Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. AP Artist Proof Marwan Shahin's "Kim Jong’s Supreme Barber" an iconic standout from Black Pop series, Debuting in 2015, Releasing 20 Artist Proof Prints from the archives and produced by Shahin Studios Only 20 Available, "Kim Jong’s Supreme Barber” 2015 20 inches x 27 inches Giclée on Photographique Rag Signed, Numbered, Embossed and Branded

    $422.00

  • Revolution Girl Silkscreen Print by WK Interact x Shepard Fairey- OBEY

    Shepard Fairey- OBEY Revolution Girl Silkscreen Print by WK Interact x Shepard Fairey- OBEY

    Revolution Girl Silkscreen Print by WK Interact x Shepard Fairey- OBEY Hand-Pulled 1-Color on Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2007 Signed by WK Interact & Shepard Fairey- OBEY Limited Edition of 250 Artwork Size 18x24 Silkscreen Print. No Obey/WK Revolution Girl Prints Were Numbered in This Edition, and Half of WK Did not Sign; Both Artists Signed This Artwork. Small Crease to the Lower Right Facing Corner. "Revolution Girl" is a compelling collaboration between Shepard Fairey, the founder of OBEY, and WK Interact, an artist known for his dynamic street art. This one-color silkscreen print, produced in 2007, exemplifies a confluence of two distinctive styles that have shaped the visual vocabulary of street art and pop culture. Measuring 18x24 inches and printed on Speckletone fine art paper, the piece is part of a limited edition series with only 250. Significantly, this print is dual-signed by both artists, a rarity given that not all prints from this series were signed by WK Interact, and none were numbered, adding a layer of exclusivity to this artwork. The image is a stark, high-contrast depiction that conveys a sense of urgency and defiance, characteristic of Fairey's work, blended with the kinetic energy of WK Interact's approach to street art. The piece features a figure that is an assertive and revolutionary instance, capturing the ethos of protest and empowerment. This artwork speaks to the heart of street art’s purpose—to challenge norms and inspire change through visual disruption. The presence of a small crease on the lower right-facing corner of the print is a testament to its journey and authenticity, a nod to the often impermanent and rugged life of street art. By merging their distinct artistic signatures, Fairey and WK Interact create a narrative that is both a political and aesthetic statement, resonating with the core of pop art’s intent to blur the boundaries between 'high' art and 'low' culture. "Revolution Girl" stands not just as a work of art but as a cultural artifact that encapsulates the spirit of its era, where art became a loudspeaker for social and political discourse. This print is a testament to the influence of street art in the contemporary art scene, marking its evolution from the fringes to a recognized and vital form of artistic expression that engages public consciousness.

    $1,250.00

  • Paradise UltraGiclée Print by Arkiv Vilmansa

    Arkiv Vilmansa Paradise UltraGiclée Print by Arkiv Vilmansa

    Paradise UltraGiclée Print by Arkiv Vilmansa Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2023 Limited Edition of TBD Artwork Size 25.59x22 Bape 30th Anniversary Collection Vibrant and lively, the works of Arkiv Vilmansa, a contemporary artist from Indonesia, channel the essence of cartoons in their bold and two-dimensional style. Vilmansa's training as an architect has given him a structured and critical approach to his art, which he combines with raw and unrestrained expression to create truly one-of-a-kind pieces. By using a formula that he has developed to control his paintings' surfaces and textures, Vilmansa explores the world of non-figurative art and cartoon character depictions, infusing them with organic shapes and canvas forms. His inspirations stem from creative industry trailblazers like NIGO and Takashi Murakami, whose influence can be seen in Vilmansa's use of lines, colors, and shapes.

    $605.00

  • Sale -33% A Galaxy Far, Far Away 18x24 Giclee Print by Shishidomia

    Shishidomia A Galaxy Far, Far Away 18x24 Giclee Print by Shishidomia

    A Galaxy Far, Far Away- 18x24 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Shishidomia. 2022 Limited Edition of 250 18x24 Japan Print Exploring the Artistry of Shishidomia: "A Galaxy Far, Far Away" The canvas of the urban landscape is often splashed with vibrant hues and forms that tell a story beyond the conventional gallery walls. In this pulsating environment, Street Pop Art & Graffiti Artwork finds its true resonance, capturing the essence of contemporary urban life with a spray can and a brush. At the heart of this creative explosion is the work of Shishidomia, an artist whose unique style has come to be defined by the bold strokes and cultural amalgamations that characterize his limited-edition prints. The 2022 limited edition of 250 18x24 Japan Print by Shishidomia is a testament to the innovative spirit of Street Pop Art & Graffiti Artwork. It is a piece that encapsulates a timeless and ephemeral narrative within its borders. Through a fine art giclee print, Shishidomia presents "A Galaxy Far, Far Away," not merely as a distant realm but as an intimate dance of color, tradition, and modernity. The Cultural Fusion in Modern Graffiti Art Shishidomia's work is a confluence of past and present, a dynamic juxtaposition that speaks volumes of his Japanese heritage and a keen eye for contemporary aesthetics. The "A Galaxy Far, Far Away" print showcases a figure drawn in a style reminiscent of traditional Japanese art, immersed in admiring a sneaker. This is not just any sneaker but one that represents the zenith of modern fashion and consumer culture, suggesting a deep connection between the artist's roots and the global influences that shape our desires today. The background, a sleek display of sneakers, each resting on its pedestal, elevates the footwear to a status of high art, reminiscent of artifacts in a museum. This clever interplay of traditional iconography and modern consumerism is a hallmark of Street Pop Art & Graffiti Artwork, inviting viewers to contemplate the intricate relationships between art, culture, and commerce. Shishidomia: A Modern Maestro of Urban Graffiti The artist's identity behind "A Galaxy Far, Far Away" is just as intriguing as the artwork. Shishidomia, whose real name remains a valuable piece of the enigma, hails from Japan. The artist's anonymity magnifies the focus on the art itself, allowing the viewers to draw connections and interpretations without the preconceived notions often accompanying celebrities in the art world. Shishidomia's work is characterized by its fearless dialogue with the viewer, a visual conversation that challenges perceptions and urges a reevaluation of what is considered high and low art. By choosing to work in limited editions, the artist elevates the exclusivity of Street Pop Art & Graffiti Artwork while also making a statement about the transient nature of street art, which is often fleeting, replaced, or painted over in the ever-changing cityscape. The art of Shishidomia, particularly the 2022 limited edition print "A Galaxy Far, Far Away," is a vibrant narrative woven into the fabric of urban artistry. It speaks to the heart of what makes Street Pop Art & Graffiti Artwork so compelling: the ability to transform the ordinary into the extraordinary, to find beauty in the every day, and to express the multifaceted experiences of modern life through color, form, and texture.

    $125.00$84.00

  • Sale -33% Timeless Hello Kitty Giclee Print by Joe Ledbetter

    Joe Ledbetter Timeless Hello Kitty Giclee Print by Joe Ledbetter

    Timeless Hello Kitty Pop Street Artwork Limited Edition Giclee Print on Somerset Velvet Paper by Modern Artist Joe Ledbetter. 2014 LA Hello Kitty Con exclusive print. 16" x 20" Giclee print on Somerset Velvet paper. Signed, numbered, and watermarked de-bossed for authenticity. Limited edition of 75.

    $250.00$168.00

  • Gojira vs The Smoke Monster AP Silkscreen Print by Tim Doyle

    Tim Doyle Gojira vs The Smoke Monster AP Silkscreen Print by Tim Doyle

    Gojira vs The Smoke Monster- AP Artist Proof Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100lb Cougar Brand Natural Fine Art Paper by Pop Artist Tim Doyle. AP Artist Proof 2013 Signed & Marked AP Artwork Size 18x24 4-color hand-printed silkscreen print. Measures 18x24 inches and is signed by the artist. Printed on 100lb Cougar Brand Natural Fine Art Paper.

    $363.00

  • Sale -33% The Gang Is Here Charlie Akira Giclee Print by Raid71

    Raid71 The Gang Is Here Charlie Akira Giclee Print by Raid71

    The Gang Is Here Charlie- Akira Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Artist Raid71. 2022 Signed Limited Edition of 210 Artwork Size 5x5 Print

    $129.00$86.00

  • Japanese School Girl Flag HPM Archival Wood Cradled Print by Eddie Colla Japanese School Girl Flag HPM Archival Wood Cradled Print by Eddie Colla

    Eddie Colla Japanese School Girl Flag HPM Archival Wood Cradled Print by Eddie Colla

    Japanese School Girl Flag Limited Run Hand-Distressed Multiple HPM on Wood Cradled Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2012 10x10 Signed Numbered on Verso Edition of 20

    $438.00

  • Sale -33% Clans of the Pony Rebellion Blossom Silkscreen Print by Jacob Borshard

    Jacob Borshard Clans of the Pony Rebellion Blossom Silkscreen Print by Jacob Borshard

    Clans of the Pony Rebellion: Blossom Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jacob Borshard Graffiti Street Artist Modern Pop Art. Number 1 of 50

    $194.00$130.00

  • Sale -33% Starwars- Empire Strikes Back Giclee Print by Victo Ngai

    Victo Ngai Starwars- Empire Strikes Back Giclee Print by Victo Ngai

    Starwars- Empire Strikes Back Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. SOI55 Gold Medal. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

    $388.00$260.00

  • Seppuku Giclee Print by Luke Chueh

    Luke Chueh Seppuku Giclee Print by Luke Chueh

    Seppuku Artwork Giclee Limited Edition Print on 300gsm Matt Fine Art Paper by Pop Culture Graffiti Artist Luke Chueh. Print was released in 2014 during Luke's visit to Singapore. Signed and numbered edition of 75 12" x 16" Printed on 300gsm matt fine art paper

    $346.00

  • Sale -33% Money Horse Giclee Print by Victo Ngai

    Victo Ngai Money Horse Giclee Print by Victo Ngai

    Money Horse Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

    $290.00$194.00

  • Rings of Saturn in Blue- Embellished #2 HPM Hand-Embellished Giclee - Sprayed Paint Art Collection

    Handiedan Rings of Saturn in Blue Embellished #2 HPM Giclee Print by Handiedan

    Rings of Saturn in Blue- Embellished #2 Artwork HPM Giclee Limited Edition Print on 315gsm Etching Cotton Rag Paper by Pop Culture Artist Handiedan. 2022 Signed & Numbered Limited Edition HPM Print 5 Unique Artwork Size 16.5x22 Art print giclée With Hand-Embellishments With Augmented Reality 315 gsm Etching Cotton Rag 16.5" x 22” / 42 x 56 cm (paper and image size) Signed & Numbered Logo Embossed Hot Wax Seal Stamped Edition: 5 2022 AR Augmented Reality: https://vimeo.com/729243634 Uses the Artivive App

    $946.00

  • Sale -33% My Heart Belongs To Hawaii Lahaina Silkscreen Print by OG Slick

    OG Slick My Heart Belongs To Hawaii Lahaina Silkscreen Print by OG Slick

    My Heart Belongs To Hawaii Lahaina Silkscreen Print by OG Slick Hand-Pulled on 298gsm Classic Crest Solar White Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 225 Artwork Size 38x12 Silkscreen Print of OG Slick Gloved Hands Twisting Signs About The 2023 Maui Hawaii Fires. Reads "Lahaina Is Not For Sale" The world of contemporary art often finds its muse in the gritty realities and socio-political events of the world, and this is abundantly evident in the "My Heart Belongs To Hawaii Lahaina" silkscreen print crafted by the renowned artist OG Slick. Famous for his mastery of pop, street, and graffiti art, OG Slick's pieces often encapsulate a fusion of cultures, street aesthetics, and significant events. This limited edition print, hand-pulled on 298gsm Classic Crest Solar White Fine Art Paper, is a testament to OG Slick's commitment to quality and unparalleled craftsmanship. With an artwork size of 38x12, this piece makes a bold statement in content and form. At the heart of this artwork lies the depiction of OG Slick's signature gloved hands, which are intricately twisting signs. But what makes this piece all the more poignant is its reflection on the devastating 2023 Maui Hawaii Fires. The tragedy, which affected countless lives and marred the islands' natural beauty, becomes the central theme, allowing the audience to delve deep into the emotions and complexities associated with such events. The name "My Heart Belongs To Hawaii Lahaina" resonates with an outpouring of grief, love, and an undying bond to the land that has faced such despair. What makes OG Slick's work particularly stand out is his artistic talent and ability to capture the essence of an event or emotion, rendering it into a visual treat that engages, evokes, and often educates. This silkscreen print is not merely a representation of a tragic event; it's a homage to the resilience and beauty of Hawaii, a region that has repeatedly showcased its ability to rise from adversity. Through this artwork, OG Slick contributes to the annals of pop and street art, creating not just a piece of art but a legacy intertwined with history.

    $384.00$257.00

  • Sale -33% Catbus Glow Silkscreen Print by Tim Doyle

    Tim Doyle Catbus Glow Silkscreen Print by Tim Doyle

    UnReal Estate- Catbus- Glow Followed Limited Edition Glow In The Dark 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Cat, Bus, Car, Animal, House, Balloon, Sky, Stars, Night, Childen, Glow in the Dark, Tree,My Neighbor Totoro, Anime, Asian, Japan, Totoro, UnReal Estate, TV, Building

    $253.00$170.00

  • Sale -33% Seppuku Serigraph Print by ABCNT

    ABCNT Seppuku Serigraph Print by ABCNT

    Seppuku Limited Edition Hand-Embellished 6-Color Serigraph on 130lbs Mohawk Fine Art Paper by Abcnt Graffiti Street Artist Modern Pop Art. "I wanted to portray dead cops, but keeping with the tradition of non-violent resistance. So the problem solving was trying to figure out how I would communicate that dilemma.I don't condone violence against police, but I'm okay with self-inflicted violence by police for the sake of honor."- ABCNT

    $282.00$189.00

  • Sale -33% The New Standard Giclee Print by Victo Ngai

    Victo Ngai The New Standard Giclee Print by Victo Ngai

    The New Standard Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 20. Signed and numbered. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

    $388.00$260.00

  • Sale -33% Rita Gold Hand Cut HPM Giclee Print by Kevin Stanton

    Kevin Stanton Rita Gold Hand Cut HPM Giclee Print by Kevin Stanton

    Rita Gold Hand Cut HPM Spray Paint Giclee Print by Kevin Stanton Artwork Limited Edition Print on Layered Glitter Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2013 Signed & Numbered Spray Paint Glitter Paper Hand Cut Embellished Limited Edition of 4 Artwork Size 11.75x15.75 HPM Giclee Print. Gold Paper Collage of THE Woman Amara Karan From India & Movie The Darjeeling Limited Stylized Look. Kevin Stanton's "Rita Gold": A Harmony of Tradition and Innovation Kevin Stanton's "Rita Gold" stands as a profound expression of creativity and cultural homage within the modern art scene, particularly within the genres of Street Pop Art and Graffiti Artwork. This piece is a hand-cut HPM (hand-painted multiple) Giclee print. This limited edition fuses traditional paper-cutting techniques with the contemporary flair of spray paint and the luxury of a gold paper collage. Released in 2013, "Rita Gold" is an exclusive series with only four signed and numbered prints. Each piece measures 11.75x15.75 inches and is presented on layered glitter fine art paper, further hand-embellished by the artist. The work reflects Stanton's intricate paper-cutting skills, a foundational aspect of his artistic journey that shapes his systematic approach to composition—prioritizing the form and silhouette before the detail of line. Capturing Cultural Essence Through Cut-Paper Artistry "Rita Gold" is a celebration of Indian aesthetics, depicted through the stylized portrayal of a woman whose gaze and posture exude a sense of contemplative serenity. Stanton's use of gold paper collage works with hand-embellishments to elevate the artwork, infusing it with a tactile depth that cannot be replicated by digital means alone. The contrast between the reflective gold elements and the matte textures of the spray-painted background creates a dynamic visual experience that draws the viewer into a deeper engagement with the piece. The artwork's layered composition is a nod to the complexity of Indian culture and its rich tapestry of symbols, colors, and historical references. Stanton's work delves into storytelling through visual cues, where each cut and hue is a deliberate choice meant to convey meaning and provoke thought. Blending Fine Art with Street Art Sensibilities Street pop art and graffiti artwork are often characterized by their public accessibility and vibrant immediacy, qualities that Kevin Stanton skillfully incorporates into "Rita Gold." By choosing to work on a small scale and with a limited edition series, Stanton bridges the typically vast and open-ended world of street art with the exclusivity and intimacy of fine art. This piece embodies the versatility and adaptability of street art influences when placed in the hands of an artist who respects the medium's history while pushing its boundaries. The hand-cut elements and spray paint application are reminiscent of the graffiti artist's stencil and can technique, yet the final product is more delicate and refined. Kevin Stanton: An Artist of Precision and Passion Kevin Stanton's commitment to his craft is evident in the meticulous execution and thoughtful presentation of "Rita Gold." His dedication to blending traditional art forms with modern techniques makes his work stand out in a crowded field of contemporary artists. The limited nature of this print series speaks to his artwork's exclusivity and bespoke quality, ensuring that each piece is not merely a visual spectacle but also a collector's item. Stanton's "Rita Gold" is more than a print; it is a testament to the power of art to transcend cultural barriers and to resonate with a universal audience. The print remains a captivating piece within Stanton's oeuvre, capturing the essence of street pop art and graffiti artwork through a unique lens that is both innovative and respectful of its diverse influences.

    $150.00$101.00

  • Sale -33% Patricia Silver Hand Cut HPM Giclee Print by Kevin Stanton

    Kevin Stanton Patricia Silver Hand Cut HPM Giclee Print by Kevin Stanton

    Patricia Silver Hand Cut HPM Spray Paint Giclee Print by Kevin Stanton Artwork Limited Edition Print on Layered Glitter Fine Art Paper Hand Embellished Print Graffiti Pop Street Artist. 2013 Signed & Numbered Spray Paint Glitter Paper Hand Cut Embellished Limited Edition of 4 Artwork Size 11.75x15.75 HPM Giclee Print. Silver Paper Collage of a Woman Anjelica Huston Stylized from the Movie The Darjeeling Limited. Kevin Stanton's "Patricia Silver": A Tribute in Hand-Cut Precision The artwork "Patricia Silver" by Kevin Stanton is a limited edition print that showcases the artist's deft hand at combining traditional cut-paper artistry with modern techniques like spray painting, creating pieces firmly rooted in Street Pop Art and Graffiti Artwork. The 2013 piece, signed and numbered, is a rare collection with only four editions, each sized at 11.75x15.75 inches and meticulously crafted on layered glitter fine art paper. This hand-embellished HPM (hand-painted multiple) Giclee print presents a silver paper collage of a woman, offering a stylized depiction inspired by Anjelica Huston's character from Wes Anderson's film "The Darjeeling Limited." Artistic Fusion: Street Aesthetics and Cinematic Influence Stanton's work in "Patricia Silver" captures the essence of character and narrative through the interplay of light, shadow, and texture. The piece resonates with the ethos of street art, where everyday visuals are transformed into striking, memorable icons. The likeness to Anjelica Huston is symbolic and evocative of the character's depth, mirroring how street art often encapsulates complex stories within simple yet powerful imagery. The choice of silver paper invokes a sense of the ethereal, contrasting with the bold solidity of spray paint—two mediums that evoke the duality often found in street art between the fleeting and the permanent. Stanton's meticulous hand-cutting technique further adds a layer of complexity, demonstrating the same care and attention to detail that street artists apply to their large-scale murals. Celebrating Character: An Intersection of Art Forms The confluence of street art sensibilities and cinematic inspiration in "Patricia Silver" represents a broader trend in contemporary art where cross-medium influences are increasingly prevalent. Stanton's translation of a film character into a hand-cut artwork speaks to the permeability of artistic disciplines. It celebrates character and personality, much like graffiti artwork, often as an homage or a socio-political statement within the public space. In this artwork, the character of Patricia from "The Darjeeling Limited" is not just commemorated but reimagined through Stanton's unique artistic lens. The depiction is a testament to the artist's ability to distill the essence of a subject into a visual form that is both accessible and profound, similar to how iconic figures are rendered in pop culture murals and street art installations. Kevin Stanton: A Contemporary Visionary of Cut-Paper Art Kevin Stanton stands as a visionary in the modern art world, where traditional techniques are revived through a contemporary lens. "Patricia Silver" is a testament to his innovative approach to art-making, where the old and the new are seamlessly woven into a singular, cohesive narrative. His limited edition prints are not just artworks; they are stories told through paper and paint, meant to engage and resonate with an audience as powerfully as any street-side masterpiece. "Patricia Silver" remains an integral part of Stanton's artistic journey, exemplifying his dedication to craft and ability to communicate visually. In the same way that street art has evolved to become a respected and critical part of the art dialogue, Stanton's work continues to challenge and redefine what is possible within the traditional scope of cut-paper artistry, bridging it with the vibrant spirit of Street Pop Art and Graffiti Artwork.

    $175.00$117.00

  • Sale -33% The Old Sage Archival Print by Jed Henry

    Jed Henry The Old Sage Archival Print by Jed Henry

    The Old Sage Archival Pigment Fine Art Limited Edition Print on Hand-Made Japanese Paper by Artist Jed Henry. 2022 Signed Limited Edition 12x17 Hand Deckled "If you choose the quick and easy path, you will become an agent of evil"

    $129.00$86.00

  • Sale -33% Breatharian Giclee Print by Victo Ngai

    Victo Ngai Breatharian Giclee Print by Victo Ngai

    Breatharian Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Callan Wink's short story "Breatharian" artwork was in the New Yorker magazine. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

    $290.00$194.00

  • Happiness Overdose Azul Mariano_P Offset Lithograph Print by Madsaki

    Madsaki Happiness Overdose Azul Mariano_P Offset Lithograph Print by Madsaki

    Happiness Overdose Azul Mariano_P Offset Lithograph Print by Madsaki Print on Wove Fine Art Paper Limited Edition Hand-Pulled Street Pop Artwork Graffiti. 2020 Signed & Numbered Limited Edition of 100 Offset Lithograph Artwork Print Size 19.75x19.75 Smiley Face With Bloody Nose in Blue. Kaikai Kiki Co. Ltd, Tokyo. Blending Iconography with Contemporary Critique "Happiness Overdose Azul Mariano_P" is a captivating example of Madsaki's work, exemplifying the essence of Street Pop Art and graffiti Artwork through its graphic simplicity and poignant symbolism. This 2020 offset lithograph print on wove fine art paper, signed and numbered as a limited edition of only 100, showcases a unique blend of street art's rawness with the mass appeal of pop art. The artwork, measuring 19.75x19.75 inches, presents a stylized smiley face with a blue hue and a notable addition: a bloody nose. This visual twist plays with the universally recognized symbol of happiness, the smiley face, subverting it to convey a more profound, more complex message. Madsaki's choice to depict the smiley with a bloody nose might be interpreted as a commentary on the excesses of contemporary society, where the pursuit of happiness can sometimes lead to self-destructive behaviors. The use of a singular bold color, Azul Mariano, lends the piece a striking visual presence, with the blue acting as both a backdrop and a critical element of the artwork. The color choice may invoke various emotional responses, from calmness to melancholy, further enriching the artwork's interpretive layers. Artistic Expression in Street Pop Art & Graffiti Artwork Madsaki's "Happiness Overdose Azul Mariano_P" is a testament to the power of Street Pop Art and graffiti Artwork to communicate complex ideas through seemingly simple imagery. The expressive capacity of the work is amplified by its minimalist approach, where the absence of intricate details forces the viewer to confront the unsettling juxtaposition of the smiley's cheerful connotations with the graphic indication of distress. As with much of Street Pop Art and graffiti Artwork, there's an inherent accessibility in Madsaki's lithograph. The smiley face, a pervasive icon of modern digital communication, becomes a canvas for social commentary, allowing the artwork to resonate with a diverse audience. The limited-edition nature of "Happiness Overdose Azul Mariano_P" elevates it from a piece of street art to a sought-after collectible, bridging the gap between graffiti's ephemeral nature and fine art's permanence. In conclusion, the piece serves as a work of art and a cultural critique, encapsulating the dualities in pursuing happiness in the modern age. The choice to produce a limited run of prints ensures that each piece remains a unique and valuable addition to contemporary art discourse. Madsaki's "Happiness Overdose Azul Mariano_P" stands as a compelling intersection of pop iconography and street art sensibility, a visual exploration of the highs and lows of the human condition.

    $2,500.00

  • Revolution in our Time Silkscreen Print by Edward Nachtrieb x Shepard Fairey- OBEY

    Shepard Fairey- OBEY Revolution in our Time Silkscreen Print by Edward Nachtrieb x Shepard Fairey- OBEY

    Revolution in our Time Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb Shepard Fairey's "Revolution in Our Time" silkscreen print is a compelling narrative connecting past and present struggles for democracy and human rights. This piece, released in 2020, commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the state's celebrations with the unyielding spirit of protest in Hong Kong. Fairey's collaboration with photographer Ed Nachtrieb is particularly significant, as it draws on images captured during the 1989 Tiananmen Square protests, thereby linking historical acts of resistance to contemporary movements. The artwork is a hand-pulled, 5-color print on cream speckletone fine art paper. With its size of 18x24 inches, the piece commands attention, demanding consideration not just as a visual expression but as a statement of solidarity. The edition is limited to 550 signed and numbered prints, making each a tangible artifact of political artistry. Fairey's design is charged with symbols of peace and resilience, as evidenced by the dove and the raised hand, iconic gestures of defiance and hope. Fairey is known for his stance that street protests are a crucial mechanism for social change, and this belief is visually encoded in the print. His art is not passive; it is an active participant in the dialogue around civil liberties and the collective voice of the people. "Revolution in Our Time" does more than commemorate an event; it propels the message of protest into the future, encouraging a reflection on the nature of authority and the power of the people's will. This limited edition print captures the essence of Shepard Fairey's approach to art as a form of rebellion and communication. It speaks to a universal yearning for freedom and justice, transcending borders and historical moments to unite viewers in a common cause. The work stands as a beacon to civic engagement's enduring relevance and visual art's impact in mobilizing and inspiring change within societies.

    $588.00

  • Peaceful Warrior 2021 Giclee Print by Risk Rock

    Risk Rock Peaceful Warrior 2021 Giclee Print by Risk Rock

    Peaceful Warrior- 2021 Buddha Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Risk Rock. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 18x22.5 "Peaceful Warrior" - 2021 Gicleé on Coventry Rag, Archival Paper Edition of 25 22.5x18 Inches

    $580.00

  • Sale -33% The House that Hanuman Built 16x20 Archival Print by Pooch

    Pooch The House that Hanuman Built 16x20 Archival Print by Pooch

    The House that Hanuman Built 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

    $153.00$103.00

  • Mighty Vibras Offset Lithograph Print on Wood by J Balvin x Matt Gondek

    Matt Gondek Mighty Vibras Offset Lithograph Print on Wood by J Balvin x Matt Gondek

    Mighty Vibras Offset Lithograph Print on Wood Panel by J Balvin x Matt Gondek with Tote Bag Limited Edition Graffiti Street Pop Artwork. 2018 Signed & Numbered Limited Edition of 300 Artwork Size 14x23 Tattooed Up Astro Boy with Chanel Glasses. Bag Has Minor Spot Staining in Upper Area. Artwork Perfect to Near Perfect. J Balvin x Matt Gondek Cultural Synthesis in Street Pop Art The "Mighty Vibras" offset lithograph print on a wood panel is a dynamic fusion of music, street culture, and contemporary art. A collaborative piece by Colombian reggaeton superstar J Balvin and Los Angeles-based artist Matt Gondek, this artwork captures the essence of Street Pop Art and graffiti Artwork. Released in 2018, the limited edition of 300 signed and numbered pieces reflects the global influence of urban art forms and the increasingly porous boundaries between art, music, and fashion. The "Mighty Vibras" piece vividly portrays a tattooed-up Astro Boy, complete with Chanel glasses, a symbol of luxury infused with urban grit. This character, an icon of Japanese manga, is reimagined through the lens of street culture and high fashion, signifying the interconnected nature of global pop culture. Gondek's deconstructive style, known for taking apart characters and piecing them back together, is evident in the artwork's fragmented features, which are visually arresting and thematically resonant. J Balvin's influence on the piece brings a cross-cultural element that is palpable in the artwork's bold colors and the inclusion of the word "Familia" tattooed across the character's chest, a nod to the themes of kinship and belonging that pervade Balvin's music. The size of the artwork, at 14x23 inches, makes it a statement piece that stands out in any setting, from a casual living room to a high-end gallery. Intersection of Art and Merchandise Accompanying the print is a tote bag featuring the same design, highlighting the growing trend of art becoming wearable and usable in daily life. This approach to art merchandise expands the artwork's reach beyond the traditional confines of the art world, allowing it to become a part of the consumer's everyday experience. The tote bag is a mobile canvas, spreading the visual impact of the "Mighty Vibras" artwork to a broader audience. The synthesis of J Balvin's musical heritage and Matt Gondek's artistry in "Mighty Vibras" exemplifies the potential of collaboration across different creative industries. It also illustrates the power of street art to transcend its origins, infiltrating mainstream culture and fashion and becoming an emblem of contemporary lifestyle. "Mighty Vibras" is more than just an artwork; it is a cultural artifact that encapsulates the spirit of the times. It stands as a testament to the creative synergy between J Balvin and Matt Gondek, blending street art's raw energy with pop culture's gloss and, in doing so, creating a new visual language that speaks to a diverse, global audience. The limited edition nature of the piece, along with its associated merchandise, cements its status as a collectible item that holds both artistic and cultural value.

    $1,129.00

Print Fine Art Graffiti Street Pop Artwork

Print Art in the Context of Street Pop Art and Graffiti Artwork

Concerning Street Pop Art and Graffiti Artwork, print art represents a dynamic and influential medium that has played a crucial role in the dissemination and evolution of these art forms. Historically, printmaking has been a vital tool for artists to reproduce their work efficiently and accessibly, allowing them to reach a broader audience. In street and pop art, print art encompasses various techniques, including screen printing, stencil printing, and lithography, each offering unique possibilities for artistic expression and mass distribution. This medium has enabled artists to challenge traditional notions of art, bringing their work from the streets to the galleries and vice versa.  

 

Evolution and Techniques of Print Fine Art in Street and Pop Art

The evolution of print art within the street and pop art genres is marked by its adoption by iconic artists like Andy Warhol and Keith Haring, who utilized screen printing techniques to create vibrant, high-impact images. This approach allowed for the repetition of bold graphics and bright colors, typical of pop art aesthetics. In street art, printmaking techniques, especially stenciling, became instrumental for artists like Banksy and Shepard Fairey. Stencils allowed for quick, reproducible designs that could be executed rapidly in public spaces. These techniques not only facilitated a more efficient way of producing art but also contributed to the signature styles of these artists, making their work instantly recognizable. The journey of print art within street and pop art has been one of innovation, adaptation, and significant influence. Iconic figures like Andy Warhol and Keith Haring played pivotal roles in this evolution. Warhol, a leading figure in the pop art movement, revolutionized the concept of art production through his use of screen printing. His technique, characterized by the repetition of photographic images and the use of bold, vivid colors, challenged traditional notions of originality and artistic genius. This approach was perfectly aligned with the pop art movement's ethos, which sought to blur the lines between 'high' art and 'low' cultural imagery, often derived from mass media and consumer culture. Keith Haring, another seminal artist, leveraged print art to create dynamic, high-energy works that were accessible and relatable. His art, often filled with simple yet impactful imagery, was rooted in the street culture of New York City. Haring's use of bold lines and bright colors became synonymous with the visual language of the 1980s and left a lasting imprint on the pop art landscape. His work also exemplified the democratizing power of print art, as he often produced prints of his work to make it more accessible to a broader audience.

Print Art's Impact on Accessibility and Distribution

One of the most significant impacts of print art in Street Pop Art and Graffiti Artwork is its role in democratizing art. By enabling mass production, print art has allowed street and pop artists to distribute their work widely, challenging the exclusivity of traditional art forms and galleries. This accessibility has been essential in shaping public perception of street and pop art, transforming them from subcultural expressions to respected and sought-after art forms. Furthermore, the affordability of prints has made it possible for a broader audience to own and engage with art, breaking down barriers between the artists and the public. Print art has served as a vehicle for mass communication and cultural critique in street and pop art. The ability to produce multiple copies of a single image has allowed artists to reach a wider audience, spreading their visual messages far and wide. This aspect of print art aligns well with the ethos of street and pop art, which often comment on consumerism, political issues, and societal norms. The replication of images in print art echoes the mass-produced nature of consumer goods and media imagery that these art movements often critique.

Print Fine Art Contemporary Trends and Future Directions

Print art stands at the crossroads of tradition and innovation in the current artistic milieu. Digital technology has ushered in a new era for printmaking, allowing artists to infuse time-honored techniques with cutting-edge processes. This fusion has created hybrid works that blur the lines between analog and digital, handcrafted and machine-produced, tangible and virtual. Such innovations reflect the fluid nature of Street Pop Art and Graffiti Artwork, where staying static is not an option, and evolution is the norm. Artists entrenched in street pop art and graffiti are redefining the scope of print art by incorporating elements of 3D modeling, digital collage, and algorithmic design. The textures, colors, and forms that were once exclusive to the digital realm are now being translated into physical prints, expanding the artists' visual vocabulary and offering new experiences to the audience. As these digital techniques become more sophisticated, the ability to manipulate images and create complex layers has resulted in prints that are not only artworks but also technical marvels. Integrating augmented reality (AR) and virtual reality (VR) with traditional print art is another frontier being explored. AR-enabled prints can transform static images into interactive experiences, engaging viewers in a multisensory journey.

Similarly, VR can take the essence of a print and expand it into an immersive environment, allowing the audience to step into a world crafted by the artist. These developments are expanding the canvas for artists and redefining the relationship between the artwork and the viewer. Environmental sustainability is also shaping the future of print art. As the world becomes more ecologically conscious, artists are seeking ways to reduce the environmental impact of their work. This has led to exploring eco-friendly inks, recycled materials, and alternative energies in creating prints. The street pop art and graffiti scenes, which have always had a dialogue with the urban environment, are now extending this conversation to the planet's wellbeing, making art that speaks to societal issues and treads lightly on the earth. The democratization of art through digital platforms has significantly impacted print art. Social media and online galleries have made it easier for artists to showcase their work and for collectors to discover and acquire new pieces. This accessibility breaks down the barriers between artists and audiences, fostering a global community of creators and enthusiasts. The ease of sharing and selling prints online not only boosts the visibility of artists but also contributes to the cultural and economic vitality of the art market.

Looking forward, print art is poised to embrace even more radical transformations. Biotechnology and materials science advances could lead to living prints that change over time, grow, or even respond to their environment. Exploring space and celestial bodies as new canvases for art is another realm that printmaking could venture into. The ethos of street pop art and graffiti, with their roots in challenging the status quo and pushing boundaries, aligns perfectly with these forward-thinking prospects. In the grand tapestry of Street Pop Art and Graffiti Artwork, print art continues to be a thread that weaves the past and future together. It stands as a testament to the resilience and adaptability of these art forms, evolving to meet the moment while never losing sight of their foundational principles. As technology progresses and society changes, print art will undoubtedly remain at the forefront of artistic innovation, capturing the imagination of artists and audiences alike for generations to come. 

The Enduring Legacy of Print Art in Modern Art Movements

The enduring legacy of print art in Street Pop Art and Graffiti Artwork lies in its ability to amplify the artist's voice and reach a diverse audience. Its influence extends beyond art creation to social and political activism, where prints have often been used for communication and protest. As artists continue to explore and reinvent printmaking techniques, the medium remains a vital component of these vibrant and ever-evolving art forms. Print art, with its rich history and innovative future, continues to be a testament to the power of art to transcend boundaries and connect people across different cultures and backgrounds. Print art's continued evolution and adaptation within street and pop art underscore its significance in these genres. As new technologies and materials emerge, artists find innovative ways to incorporate printmaking into their work, pushing the boundaries of what can be achieved visually and conceptually. Digital printing, for example, has opened up new possibilities for complexity, precision, and experimentation in color and form. The journey of print art in street and pop art is a testament to these artistic movements' dynamic and ever-changing nature. From Warhol's screen prints to Banksy's stenciled walls, print art has been instrumental in defining the visual and conceptual landscape of street and pop art. It continues to be a vital medium for artists to express their visions, engage with audiences, and comment on the world around them.

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