Rap & Hip-Hop Music

4 artworks


  • Sale -33% Yo Yo Radio 2016 Silkscreen Print by Skewville

    Skewville Yo Yo Radio 2016 Silkscreen Print by Skewville

    Yo Yo- Tar Paper Limited Edition Metallic Silkscreen Ink on Hand Cut Organic Roofing Asphalt Felt by Graffiti Street Artist Skewville 2016 Hand Signed & Numbered Limited Edition of 80 Artwork Extra Thick Tar Paper Size 24x16 " A while ago we got an opportunity to paint a building that looked like a giant radio. So we painted a giant radio on it. Since then I wanted to pay a long over-due homage to this building in Bushwick, Brooklyn that no longer exists. The original mural was just flat black with metallic silver spray paint, so when I decided to finally make a print I felt like it had to have that same feel. So the only way I know how to get that really thick metallic look is to silkscreen print it with good ol' plastisol on tar paper." - Ad Deville of Skewville

    $304.00$204.00

  • DJ Qbert Archival Print by Ben Frost x Denial- Daniel Bombardier

    Ben Frost DJ Qbert Archival Print by Ben Frost x Denial- Daniel Bombardier

    DJ Qbert Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Ben Frost, Denial, DJ Qbert Graffiti Street Artist Modern Pop Art. Canadian artist Denial and Australian-born Ben Frost have joined forces in a bold exhibition of new work that explores the boundaries of appropriation, in confronting re-imaginings of our current dystopian society. "Company of Thieves" at Inner State Gallery in Detroit with special guest DJ Qbert. These self-confessed ‘visual thieves have a long history of stealing and subverting the cultural icons that the advertising and consumerist world has thrust upon us, creating new and pertinent interpretations that are as confronting as they are humorous. This collaboration with DJ Qbert carries on with this theme as all 3 artists join together as a Company of Thieves, sampling and remixing to create something entirely new. Ben Frost is utilizing imagery familiar to western culture in order to make a statement about the culture itself on the basis of consumerism, modern icons, big corporations, etc. Animation characters, pop icons, brand logos, and many more are transformed into vibrant artworks and find their place in galleries. With this in mind, and in the case of Ben Frost, it is futile to try to identify a clear borderline between low and high art. In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Over the years street artists have managed to establish themselves as respected creators and some of them have even gained international fame, transforming graffiti from a fringe art, aiming sometimes to mark street gangs’ territory, into big business.

    $529.00

  • Sale -33% Lyric Bomb 5x8 Archival Print by Fil Fury

    Fil Fury Lyric Bomb 5x8 Archival Print by Fil Fury

    Lyric Bomb- 5x8 Limited Edition Archival Pigment Prints on .30mm Satin Silver Aluminum by Fil Fury Graffiti Street Artist Modern Pop Art. "I’m obsessed by bold graphic form, objects that you can hold in your hand that have a symmetrical design language to them. The hand grenade is such a hit to your conscience. It's beautiful to look at but represents such horror.The first-hand grenade was invented and manufactured in a factory in my hometown of Birmingham. This Brummie wanted to drop a remix on it. I wanted to reclaim these objects and put my own positive spin on them." - Fil Fury

    $129.00$86.00

  • Sale -33% Cut The Record MF Doom Archival Print by Tavar Zawacki- Above

    Tavar Zawacki- Above Cut The Record MF Doom Archival Print by Tavar Zawacki- Above

    Cut The Record- MF Doom Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Tavar Zawacki- ABOVE Graffiti Street Artist Modern Pop Art. "The 'Cut The Record' series was made solely for this release and was part of my most recent exhibition Remix. This was a very personal series for me, as I selected 10 of my favorite musicians to portray and Remix. All of the 10 musicians I selected to make for this series are personal favorites of mine. Music I actually listen to on a day-to-day basis. For my exhibition, I kinda tweaked the meaning of Remix to fit the swapping and sampling of different, but similar pieces of woodcuts I had made on the pieces. With the 10 musicians, I selected for the 'Cut The Record series each have either had their music remixed and or remix music themselves. -Above

    $406.00$272.00

Rap & Hip Hop

The streets have long been a canvas for expression, a realm where the voices of the marginalized find visual form. Rap and hip hop, emerging from the bustling corners of urban America, have carved an indelible mark not only through sound but also through visual art. Graffiti, with its vibrant tags and elaborate murals, became a visual synonym for hip-hop culture. It is this culture that has etched its narrative into the walls of cities worldwide, echoing the beats and rhymes of a genre that speaks to the core of societal experiences and struggles. Hip hop's essence, originating in the 1970s, was a powerful concoction of rhythmic beats, spoken word, and an indomitable spirit that challenged the status quo. As this culture flourished, it birthed a visual language mirrored its bold and aggressive music. Artists such as Fab 5 Freddy and Lee Quiñones transported the lyrical flow from the mic to the wall, using graffiti to encapsulate the brashness and social commentary inherent in hip-hop. Pop art, with its penchant for merging high and low cultural imagery, found a kindred spirit in hip-hop's raw and uncensored portrayal of urban life.

The visual stylings of hip hop, encompassing graffiti and street art, have transcended their initial underground standings to influence mainstream pop art. Renowned artists like Jean-Michel Basquiat and Keith Haring, with roots in street art, transitioned to gallery spaces, bringing the unapologetic and stark narratives of hip hop. Their works, characterized by an unabashedly bold aesthetic, narratives of resistance, and sociopolitical commentary, became the bridge between street culture and the polished art world. This fusion, indicative of hip hop's influence, showcased the power of street-inspired artistry to convey complex messages and resonate with a diverse audience. Modern pop artists continue to draw inspiration from hip-hop's vast palette of expressions. Shepard Fairey's work, for example, is replete with the ethos of hip hop culture, utilizing the language of the streets to engage in broader political and social discourse. His iconic "Obey" campaign and presidential portraits testify to hip-hop's influence on his approach to art. Such artwork does not merely reflect hip-hop culture; it actively participates in the ongoing dialogue around issues central to the genre, such as identity, power, and justice.

The digital age's expansiveness has also marked the evolution of hip-hop's visual representation. Street art and graffiti are no longer confined to urban walls but have found a new home in the digital world, where their reach and impact are amplified. Artists and collectives use social media to display their hip-hop-influenced works, making them accessible globally and instantaneously. This digital proliferation has facilitated a unique intersection of hip-hop and contemporary pop art, where traditional techniques of spray paint and stencil meet the innovative realms of digital art and NFTs, further demonstrating hip-hop's versatile influence. In essence, the narrative of rap and hip hop is a continuing saga of cultural transformation, where its influence on visual art forms remains a compelling testament to its power. Graffiti, once dismissed as mere vandalism, now adorns the corridors of fine art, and pop art continually evolves through the aesthetics and themes of hip-hop culture. This synergy speaks volumes about the enduring impact of hip-hop, affirming its role as a cultural catalyst and a voice for those who wish to paint their truths onto the canvas of the world.

© 2024 Sprayed Paint Art Collection,

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