Spray Paint

704 artworks


  • The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    Kaws- Brian Donnelly The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

    $29,999.00

  • Sale -33% Chalino Sanchez Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Chalino Sanchez Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas

    Chalino Sanchez Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas 4-Color Screen Print Spray Paint on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Stencil Spray Paint Hand Deckled HPM Embellished Limited Edition of TBD Unique Artwork Size 20.5x26.5 El Rey del Corrido Original Colorway. Ernesto Yerena Montejano's Tribute to a Musical Legend Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is a striking piece of pop street art that pays homage to the late Mexican singer-songwriter Chalino Sanchez, El Rey del Corrido. This artwork is a unique blend of Montejano's signature style and the spirit of Sanchez's music, a genre deeply rooted in the narrative tradition of corridos, which are ballads that tell stories of passion, struggle, and resistance. Created in 2022, the piece showcases the rich interplay between visual art and music, symbolizing cultural identity and remembrance through its vibrant 4-color screen print and spray paint on hand-deckled fine art paper. Capturing the Essence of Chalino Sanchez in Street Pop Art Montejano's artwork captures the essence of Chalino Sanchez with a visual language that resonates in street pop art and graffiti. The use of bold colors and the hand-deckled edges of the paper give the work a raw and authentic feel, echoing the gritty reality of Sanchez's lyrics and life story. The limited edition, signed and numbered by the artist, reflects the intimate connection between the art and its subject. It offers unique cultural memorabilia to art and music enthusiasts alike. Street Art Techniques and Pop Art Sensibilities The techniques employed in creating "Chalino Sanchez Original Colorway HPM" are characteristic of street art's spontaneity and pop art's penchant for bold imagery. Montejano's use of stencil spray paint adds a layer of texture and depth, making each print in the series a one-of-a-kind piece. The spray paint, a tool often associated with the rebellious nature of graffiti, contrasts with the controlled process of silkscreen printing, resulting in a piece that is both planned and improvised, meticulous and expressive. Ernesto Yerena Montejano's Artistic Contribution Montejano's work stands out in contemporary art for combining street art techniques with cultural storytelling. His pieces often reflect social and political themes, focusing on Chicano and indigenous experiences. In "Chalino Sanchez Original Colorway HPM," Montejano continues this tradition, using the visual medium to celebrate and explore the complexities of Mexican-American identity and the cultural crossover embodied by Chalino Sanchez. Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is more than a piece of art—it is a visual ode to an iconic figure whose music continues to inspire and resonate with people across borders. Through his skillful blend of street pop art and graffiti techniques, Montejano creates artwork that carries the legacy of Chalino Sanchez into visual culture, ensuring that the stories and the spirit of the corridos are etched into the collective memory of both art and music communities.

    $771.00$517.00

  • Sale -33% Carhartt Orange Spray Paint Can Artwork by Montana MTN

    Montana MTN Carhartt Orange Spray Paint Can Artwork by Montana MTN

    Carhartt- Orange Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN 2008 Spray Paint Can Limited Edition Carhartt Clothing Brand Cross Over with Montana MTN Spray Paint Cans The Carhartt-Orange Limited Edition spray paint can represents a unique intersection between street culture and commercial branding, a collaboration between the renowned workwear brand Carhartt and the iconic graffiti paint producer Montana MTN. Released in 2008, this limited edition spray paint can symbolizes a crossover that encapsulates the essence of street pop art and graffiti artwork, blending practical utility with artistic expression. The collaboration is an homage to the shared history of street art and the Carhartt brand, which has been embraced by various urban subcultures over the years. Montana MTN, famous for its high-quality spray paints favored by graffiti artists worldwide, provides the perfect canvas for this union. The Carhartt-Orange color itself is a vibrant testament to the brand's recognizable palette, a hue that stands out on any surface and has become synonymous with the durability and ruggedness associated with Carhartt's clothing line. The design of the can is a collector's item, featuring splatters of the iconic Carhartt orange color against a sleek black background, reflecting the energy and dynamism of graffiti art. This piece is not only a tool for creating street art but also an artifact that captures a moment in time when two influential brands came together to celebrate and elevate the art of the streets. Limited edition items like the Carhartt-Orange spray paint can are a testament to the cultural resonance of street pop art and graffiti. They showcase how the practical tools of street artistry can themselves be transformed into collectible works of art, blurring the lines between function and aesthetics. This crossover highlights the evolving relationship between street culture and commercial brands, offering a narrative that extends beyond the art to include fashion, identity, and the power of collaboration in the modern creative landscape.

    $242.00$162.00

  • Sale -33% Squidron Trooper Silkscreen Print by Flying Fortress

    Flying Fortress Squidron Trooper Silkscreen Print by Flying Fortress

    Squidron Trooper Hand-Pulled 9-Color Silkscreen Print on 300gsm Conqueror Cotton Paper by Pop Graffiti Artist Flying Fortress Rare Street Art Limited Edition Artwork. 2020 Signed & Numbered Limited Edition of 33 Size 15.8x11.8

    $322.00$216.00

  • Big Gang- Big Poppa Art Toy by Ron English x Cereso Monky Big Gang- Big Poppa Art Toy by Ron English x Cereso Monky

    Ron English Big Gang- Big Poppa Art Toy by Ron English x Cereso Monky

    Big Gang- Big Poppa Hand Painted Original Unique Cereso Monky Artwork on Ron English Can't You See Vinyl Art Toy. 2021 Signed by Cereso Monky One of a Kind Original Ron English Biggie Sculpture Artwork Size 5x8.5 Custom Painted Figure by Cereso Monky. 1 of 1. Mixed Media, Acrylic, Spray Paint

    $1,134.00

  • Sale -33% Sexphyllum Classicum #14 - Sprayed Paint Art Collection

    Canlove Sexphyllum Classicum #14 Original Recycled Spray Paint Can Sculpture by Canlove

    Sexphyllum Classicum #14 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

    $194.00$130.00

  • Remio Study 04 Original Acrylic Spray Paint Painting by Remio

    Remio Remio Study 04 Original Acrylic Spray Paint Painting by Remio

    Remio Study- 04 Original One of a Kind Mixed-Media Spray Paint, Acrylic Painting Artwork on Fine Art Paper by Popular Street Graffiti Artist Remio. Mixed Media on Fine Art Paper Size: 54 x 50 Inches Release: January 31, 2020 Run of: 1 Massive

    $3,527.00

  • Sale -33% Virgencita Norteña Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Virgencita Norteña Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas

    Virgencita Norteña Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas 4-Color Screen Print Spray Paint on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Stencil Spray Paint Hand Deckled HPM Embellished Limited Edition of TBD Unique Artwork Size 20.5x26.5 Virgin Mary Song Music Original Colorway

    $771.00$517.00

  • Sale -33% Signal Lost, It's all Good Big Poppa Art Toy by Ron English x Dead St Signal Lost, It's all Good Big Poppa Art Toy by Ron English x Dead St

    Ron English Signal Lost, It's all Good Big Poppa Art Toy by Ron English x Dead St

    Signal Lost, It's all Good- Big Poppa Hand Painted Original Unique Dead St Artwork on Ron English Can't You See Vinyl Art Toy. Custom Painted Figure by Dead St. 1 of 1. Mixed Media, Acrylic, Spray Paint

    $771.00$517.00

  • Joker Brand- Green Pink Original Spray Paint Acrylic Painting by Ben Frost Joker Brand- Green Pink Original Spray Paint Acrylic Painting by Ben Frost

    Ben Frost Joker Brand- Green Pink Original Spray Paint Acrylic Painting by Ben Frost

    Joker Brand- Green Pink Original One of a Kind Mixed Media Acrylic & Spray Paint Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Ben Frost. 2022 ‘Joker Brand’ - Acrylic and spray paint on board - Green/Pink variant 60cm x 60cm (23.5 x 23.5 inches) Signed, titled and dated on the reverse

    $6,242.00

  • Sidewalk Closed Original Mixed Media Street Sign Painting by Sonic Bad

    Sonic Bad Sidewalk Closed Original Mixed Media Street Sign Painting by Sonic Bad

    Sidewalk Closed Original Mixed Media Graffiti Artist Modern Pop Art on Real Metal Street Sign by Sonic Bad. 2012 Signed Original Spray Paint & Metal Street Sign Artwork Size 24x18 Depicting 2 1970s-80s Stylized Beat Boys, NYC Graffiti Tags & Bubble Letters on Street Closed Sign Sonic Bad's Ode to the Streets: The 'Sidewalk Closed' Series The 'Sidewalk Closed' artwork by Sonic Bad, an original piece created in 2012, infuses the rebellious spirit of 1970s and 80s street culture into a medium that is emblematic of urban restriction: a real metal street sign. This mixed media work, signed by the artist, is a striking example of how street pop art and graffiti can repurpose public regulatory objects into canvases that challenge and reinterpret their original intent. Reclaiming Urban Symbols in Street Art Sonic Bad's choice of canvas—a metal street sign—turns an everyday symbol of control into a representation of creative liberation. The artwork, sized at 24x18 inches, is vibrant with color and life, presenting a stark contrast to the sign's mundane purpose of demarcating boundaries. By painting over it, Sonic Bad claims the object for art, much like graffiti artists claim walls for their tags and murals. The piece itself is a dynamic collage of NYC graffiti tags and bubble letters, styles deeply rooted in the history of street art. It showcases two stylized beat boys, figures that resonate with the hip-hop culture that was burgeoning on the streets of New York City during the 70s and 80s. These characters are not only representations of a specific era but also symbols of the energy and rhythm of street life. The Visual Language of Graffiti and Its Evolution Sonic Bad's work serves as a visual lexicon of graffiti's evolution, encapsulating the transition from tagging—often a raw, text-based expression of identity—to more complex and stylized works. The 'Sidewalk Closed' series is particularly evocative of this shift, highlighting the movement from simple letterforms to elaborate and colorful representations that are as much about the artistry of the line as they are about the message. The aerosol paint, a medium synonymous with graffiti, brings authenticity to the piece, its drips and opacity echoing the textures of street art seen in the wild. The metal sign, once reflective and directive, becomes muted and textured under layers of paint, a metaphor for the way street art can change the nature and conversation around public spaces and objects. Sonic Bad and the Living History of Street Art Sonic Bad's 'Sidewalk Closed' is more than a singular work; it is part of the living history of street pop art and graffiti artwork. It reflects a time when street culture began to permeate every aspect of urban life, from the music that played out of boomboxes to the art that adorned the walls and sidewalks of the city. This piece is a celebration of that era, a nod to the roots of street art, and a statement on its enduring influence. The artist, by merging nostalgia with contemporary expression, invites onlookers to explore the depth and breadth of street art. Through this work, Sonic Bad not only pays homage to the pioneers of the genre but also places himself within the continuum of artists who have utilized the street as their gallery. His legacy lies in his ability to transform the ordinary into the extraordinary, ensuring that the spirit of the streets remains vibrant and visible.

    $2,000.00

  • Sale -33% Dirty Snow- Gold Vinyl Art Toy by Prime x Strangecat Dirty Snow- Gold Vinyl Art Toy by Prime x Strangecat

    Prime Dirty Snow- Gold Vinyl Art Toy by Prime x Strangecat

    Dirty Snow- Gold Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Prime. 2021 Displayed With Box, Dirty Snow Gold vinyl art toy bust by Prime x Strangecat Toys features a mono + gold design. The new Dirty Snow is ready for spring with a daring pose and chipper graffiti bird. The Gold edition follows the OG colorway. An edition of 100, Dirty Snow Gold vinyl art toy bust (10″)

    $270.00$181.00

  • MTA Subway Sign Elevator to Mezzanine Original Street Sign Graffiti Painting by Cope2- Fernando Carlo

    Cope2- Fernando Carlo MTA Subway Sign Elevator to Mezzanine Original Street Sign Graffiti Painting by Cope2- Fernando Carlo

    MTA Subway Sign- Elevator to Mezzanine Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Original authentic MTA subway sign this is an authentic 14x51inches metal subway sign spray-painted by cope2 . Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

    $3,135.00

  • On a Heartbeat Original Street Sign Painting by Chris RWK On a Heartbeat Original Street Sign Painting by Chris RWK

    Chris RWK- Robots Will Kill On a Heartbeat Original Street Sign Painting by Chris RWK

    On a Heartbeat Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 30x30 Street Stop Sign Immersed in various mediums, Chris began to store the images brought forward though these everyday experiences in what he refers to as a “mental journal”. This journal was a haven of his thoughts that he could refer back to whenever necessary.

    $4,165.00

  • Sale -33% LA River Giclee Print by Saber

    Saber LA River Giclee Print by Saber

    LA River Artwork Giclee Limited Edition Print on Pearl Fine Art Paper by Pop Culture Graffiti Artist Saber. 2019 Signed & Numbered Limited Edition of 100 Pearlescence Paper 27x19.25 Los Angeles has always been a hub for creativity, diversity, and innovation. Among its most influential and audacious forms of expression is street art, notably graffiti, which has made its indelible mark on the city's sprawling urban landscapes. A testament to this vibrant culture is the LA River Artwork Giclee print, an exceptional piece crafted by the renowned pop culture graffiti artist Saber. Hailing from Los Angeles, Saber has been an integral force in graffiti art, pushing boundaries and setting new standards for the genre. His dynamic and intricate designs encapsulate the energy, complexity, and authenticity of the urban environment. The LA River Artwork is a shining example of his prowess and unique aesthetic. This limited edition piece is a testament to the dedication and precision Saber pours into his art, capturing the transformative nature of graffiti as it breathes life and narrative into mundane city structures. Crafted in 2019, this giclee print boasts impeccable quality and detail. Limited to just 100 copies, each print has been meticulously signed and numbered by Saber, underscoring its exclusivity and value as a collector's item. The choice of pearlescence paper measuring 27x19.25 inches augments the vibrancy of the artwork, giving it a shimmering finish that adds depth and dimension. The medium, often favored in fine art reproductions, ensures longevity, clarity, and an immersive visual experience for the viewer. Graffiti art, often dismissed in its nascent stages as mere vandalism, has evolved to be recognized as a genuine form of artistic expression, with Saber at its forefront. The LA River Artwork is a testament to the genre's transformation and its ever-evolving relationship with pop culture. This piece is not just an artwork; it's a narrative, a piece of Los Angeles's soul, immortalized in color and form by one of its most iconic artists.

    $490.00$328.00

  • Sale -33% Loss Prevention Silkscreen Print by Sever

    Sever Loss Prevention Silkscreen Print by Sever

    Loss Prevention Limited Edition 14-Color Screen Print on Hand-Deckled 240lb Coventry Rag Paper qby Sever Graffiti Street Artist Modern Pop Art. "The print we’ve put together for this is based on that original piece and was finished just recently in the summer of 2014.I think it’s a fairly straightforward concept. Zorro, a Californian with an identity crisis takes delight in publicly humiliating the authorities and inspiring the people while leaving his mark along the way. I've substituted some borrowed Rustoleum for his trusty sword in this updated view of this historical figure." - Sever

    $204.00$137.00

  • Sale -33% SECHOR train #2 - Sprayed Paint Art Collection

    Sechor SECHOR Train #2 Graffiti Sculpture by Sechor

    SECHOR train #2 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist Sechor. 2021 Signed, 7x2 inches, Custom painted Vintage ho scale train with acrylic paint.

    $364.00$244.00

  • Protect the eARTh HPM 2 Hand-Embellished Silkscreen Print by Hijack

    Hijack Protect the eARTh HPM 2 Hand-Embellished Silkscreen Print by Hijack

    Protect the eARTh HPM 2 Hand-Embellished Limited Edition 11-Color Silkscreen & Acrylic Paint on Fine Art Paper by Artist Hijack Graffiti Street Pop Artwork. 2022 Signed 1 of 1 Unique HPM Hand Embellished Limited Edition of 10 One of a Kind Silkscreens Artwork Size 22.5x30 Custom Framed Silkscreen of Man With Broken Umbrella Walking By Graffiti Wall. A striking manifestation of contemporary street art, "Protect the eARTh HPM 2" by Hijack offers viewers a penetrating gaze into environmental consciousness, seamlessly woven into urban settings. The piece, crafted in 2022, showcases not only the artist's commitment to highlighting pressing global issues but also his refined expertise in blending different artistic mediums. At the heart of this artwork is a lone figure, attempting to navigate an urban expanse with a vivid, broken blue umbrella as his shield. The umbrella, fragmented yet distinctly prominent in its hue, symbolizes Earth's endurance amidst the adversities thrust upon it. The deep blue, reminiscent of the planet's boundless oceans and skies, stands in stark juxtaposition against the monochromatic city background. This backdrop, depicting a graffiti-laden wall, offers a raw depiction of urban decay, further accentuated by the figure's shadowy presence. Amid the chaotic jumble of spray paint and scribbles, certain inscriptions like "Protect eARTh" and "I LOVE EARTH" boldly emerge, acting as poignant reminders of the work's central theme. With "Protect the eARTh HPM 2", Hijack embarks on a quest to bridge the seemingly disparate worlds of urban decay and environmental conservation. This 1 of 1 unique hand-embellished edition, limited to just ten silkscreens, spans a canvas measuring 22.5x30 inches, inviting viewers to pause, reflect, and reconsider their relationship with the environment. Every brushstroke and silkscreen imprint echoes Hijack's signature style, culminating in a piece that is as thought-provoking as it is visually arresting.

    $10,000.00

  • Sale -33% - Notorios B.I.G. - HPM Acrylic Silkscreen Print by Bobby Hill - Notorios B.I.G. - HPM Acrylic Silkscreen Print by Bobby Hill

    Bobby Hill - Notorios B.I.G. - HPM Acrylic Silkscreen Print by Bobby Hill

    - Notorios B.I.G. - Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

    $153.00$103.00

  • The Eternal Infancy of Art HPM Embellished Print by Ron English

    Ron English The Eternal Infancy of Art HPM Embellished Print by Ron English

    The Eternal Infancy of Art Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Ron English.

    $1,545.00

  • Love is the Answer Cyan Spray Paint Can Sculpture by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta Love is the Answer Cyan Spray Paint Can Sculpture by Mr Brainwash- Thierry Guetta

    Love is the Answer- Cyan Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

    $400.00

  • Stand Alone Original Street Sign Painting by Chris RWK

    Chris RWK- Robots Will Kill Stand Alone Original Street Sign Painting by Chris RWK

    Stand Alone Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 18x18 School Zone Street Sign. Chris RWK's Stand Alone: A New Dimension of Street Sign Art In the vibrant landscape of modern pop art and graffiti artwork, Chris RWK (real name Chris Roberts), an artist from New York, presents a compelling twist on the genre with his creation "Stand Alone." This piece, a signed original mixed media painting completed in 2022, defies conventional street art norms by utilizing an actual 18x18 school zone street sign as its canvas. The artwork's foundation in the natural and practical – a metal sign designed to impart rules – becomes a statement of artistic rebellion and creative liberation. The Fusion of Mediums in Chris RWK's Work "Stand Alone" is an innovative meld of acrylic and spray paint, mediums that have long been staples in the street artist's toolkit. By applying them to a metal street sign, Chris RWK bridges the gap between the everyday street objects we often overlook and the expressive potential they hold. His robot-like character, a recurring motif in his work, is depicted with a simplicity that speaks to childhood innocence, juxtaposed against the backdrop of an adult world filled with regulations and restrictions. The duality of this piece – the playful imagery against the stern, directive nature of a street sign – invites contemplation on the push and pull between the structured world we navigate and the imaginative freedom we often yearn for. This tension is at the heart of street pop art, where the mundane is transformed into the extraordinary. Embracing the Ordinary: The Iconography of Chris RWK In "Stand Alone," the ordinary is embraced and celebrated. Chris RWK elevates an ordinary street sign to a piece of art that can communicate complex emotions and ideas. The robot figure, often interpreted as a stand-in for the human experience, is portrayed alongside a heart symbol – a universal expression of love and connection. This simple yet profound imagery speaks to the artist's ability to find depth in simplicity, a hallmark of his broader body of work. The use of real-world objects in art is not new, but Chris RWK recontextualizes this approach within the framework of street pop art, inviting the viewer to see the potential for art in all things. Once a directive object, the street sign becomes a canvas for reflection, a medium through which the artist can connect with the audience on a personal level. Chris RWK's "Stand Alone" is a standout piece within the domain of graffiti artwork and modern pop art. It captures the essence of street art's transformative power, turning a mundane object into a source of artistic expression and commentary. As viewers encounter this piece, they are reminded that art is not confined to galleries or murals on building walls – it can emerge from the most unexpected places, offering new perspectives on the familiar fixtures of our everyday lives.

    $2,500.00

  • Vampire USA Original Spray Paint Acrylic Painting by Ben Frost

    Ben Frost Vampire USA Original Spray Paint Acrylic Painting by Ben Frost

    Vampire USA Company of Thieves Original Painting Spray Paint, Acrylic and Mixed Media On Wood Panel by Ben Frost Graffiti Street Artist Modern Pop Art. 2013 Signed Original Spray Paint & Acrylic Wood Cradled Ready To Hang Painting Artwork Size 24x32 Vampire USA by Ben Frost: A Bold Intersection of Culture and Critique Ben Frost's "Vampire USA" from the "Company of Thieves" series is a vivid example of modern pop art's seamless fusion with street sensibilities. The striking spray paint, acrylic, and mixed media composition on a wood panel embody the rebellious spirit that fuels much of contemporary street pop art and graffiti artwork. Created in 2013, this signed original artwork measures 24x32 inches and is cradled and ready to hang, offering a stark commentary on American culture through street art aesthetics. Australian artist Ben Frost is known for his visually arresting work that often repurposes the iconography of consumerism and popular culture to create new, challenging narratives. "Vampire USA" exemplifies Frost's approach, utilizing familiar symbols and subverting them to critique American society. The vampire motif layered over the stars and stripes of the American flag creates an immediate and unsettling juxtaposition. The vampire, traditionally a symbol of parasitism and predation, becomes an allegory for the darker aspects of the American dream, suggesting a nation that feeds off others or perhaps even itself. The intensity of the artwork is heightened by Frost's choice of medium and technique. The raw, visceral quality of spray paint, often associated with the underground graffiti scene, clashes with the precision of acrylics to create an anarchic and meticulous piece. This duality reflects the complex nature of American culture, where order and chaos often coexist. Decoding the Symbolism in "Vampire USA" In "Vampire USA," the flag is not just a backdrop but an integral part of the narrative. The stars and stripes become the vampire's skin, the fabric of its being, suggesting that the entity and the nation are inseparable. The use of red, white, and blue – colors that evoke feelings of patriotism – is transformed into a visual scream that challenges the viewer to reassess their understanding of national identity and values. The choice to paint on wood panels also contributes to the artwork's impact. The organic texture of wood grounds the piece in a tactile reality, in contrast to graffiti's ethereal and often ephemeral nature. It is a statement of permanence, an assertion that the questions and issues raised by the painting will not simply vanish with the morning light. "Vampire USA" is a powerful piece of street pop art that embodies the genre's ability to reflect and critique society. Ben Frost's work captures contemporary culture's zeitgeist, using the streets' language to engage with deeper themes of identity, consumption, and the American psyche. As the artwork hangs poised for display, it serves as a bold reminder of art's potential to confront, unsettle, and inspire dialogue.

    $12,500.00

  • Rise Above Original Spray Paint Painting by D*Face- Dean Stockton x Shepard Fairey Rise Above Original Spray Paint Painting by D*Face- Dean Stockton x Shepard Fairey

    D*Face- Dean Stockton Rise Above Original Spray Paint Painting by D*Face- Dean Stockton x Shepard Fairey

    Rise Above Original One of a Kind Collage, Spray Paint & Silkscreen Painting Artwork on Fine Art Paper by Graffiti Artist Legends D*Face x Shepard Fairey. 2021 Signed bottom back right by both artists' original collage with archived screenshots and spray paint. Framed in beech-stained black. 21 1/4 x 18 7/8 in 54 x 48 cm Riot D*Face Ruined My Day The Collaborative Essence of D*Face and Shepard Fairey The artwork titled 'Rise Above' is a profound testament to the synergy between two titans of street pop art and graffiti artwork, DFace and Shepard Fairey. This original collage, composed of archived screenprints and spray paint on fine art paper, is a powerful expression of the socio-political commentary that both artists are renowned for. Signed by both DFace and Shepard Fairey in 2021, the piece is framed in beech-stained black, measuring 21 1/4 x 18 7/8 inches (54 x 48 cm), and carries the unmistakable spirit of rebellion and resistance that defines the work of both artists. The collaboration between D*Face and Shepard Fairey for 'Rise Above' is a landmark moment in street art history. Both artists have individually contributed significantly to the evolution of graffiti and street pop art, and their partnership in this piece is a dialogue between two distinct voices that share common thematic interests. The artwork's title, 'Rise Above,' encapsulates the essence of the artists' shared ethos—a call to transcend the status quo and challenge societal norms through art. 'Rise Above' is a masterful blend of techniques, with each layer of collage, spray paint, and silkscreen adding depth and texture to the piece. Archived screenprints are a nod to the artists' past works, creating a sense of continuity and legacy within their oeuvre. The spray paint element introduces a raw, visceral quality reminiscent of their work on the streets, while the silkscreen process adds precision and complexity. This combination of methods results in a piece rich in visual and conceptual density. Iconography and Message in 'Rise Above' The iconography used in 'Rise Above' is laden with meaning. The piece features a portrait characteristic of DFace's style, reminiscent of the comic book aesthetics and skeletal motifs he frequently employs. This figure holds a sign bearing the phrase "DFace Ruined My Day," a self-referential statement that plays with the artist's name and reputation for disrupting the norm. Shepard Fairey's influence is evident in the bold typographic elements and propaganda-style imagery that challenge viewers to question authority and power structures. The socio-political impact of 'Rise Above' is both timely and timeless. By blending their signature styles, D*Face and Shepard Fairey have created a piece that speaks to current socio-political issues while remaining relevant to future generations. The artwork's call to 'Rise Above' is a universal message of empowerment, urging viewers to engage with the world around them critically. The collaboration between these two artists serves as a reminder of the potent role that art can play in provoking thought and inspiring change. The Legacy of 'Rise Above' in Street Art 'Rise Above' contributes to the legacy of street art by showcasing the potential of collaboration within the genre. The partnership between D*Face and Shepard Fairey exemplifies how artists can come together to amplify their message and impact. As both artists have been pivotal in bringing street art into the mainstream consciousness, this piece also reflects the maturation of street art as a recognized form of fine art capable of conveying complex narratives and evoking strong emotional responses. 'Rise Above' is a striking piece of art that embodies the rebellious spirit of street pop art and graffiti artwork. The collaboration between D*Face and Shepard Fairey is a testament to the power of art to communicate, challenge, and inspire. The piece's layered complexity, both in technique and symbolism, offers a rich visual experience and a poignant message that resonates with the core values of street art. As 'Rise Above' continues to be appreciated by art enthusiasts and collectors, it is a significant contribution to contemporary art discourse, reminding us of the transformative power of artistic collaboration.

    $8,331.00

  • Until Debt Do Us Part HPM Wood Stencil Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Until Debt Do Us Part HPM Wood Stencil Print by Denial- Daniel Bombardier

    Until Debt Do Us Part Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition Artwork Size 24x24 "Me and my friend and cousin made these over a 2-week stint in my studio. I have been really focusing on more tactile and animated shapes as my canvases. It has been really interesting working on nonrectangular canvases." - Denial Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

    $2,094.00

  • Train 34 HO Graffiti Train Art Toy Sculpture by LushSux

    LushSux Train 34 HO Graffiti Train Art Toy Sculpture by LushSux

    Train 34 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. The Fusion of Model Trains and Street Art in LushSux's "Train 34" In the eclectic domain of street pop art and graffiti artwork, "Train 34" stands out as a testament to LushSux's innovative approach to the genre. This piece, a marriage of a classic HO scale model train box-car with the raw vibrancy of graffiti art, showcases the artist's signature style. Created in 2014, the original acrylic work is not confined to a traditional canvas; it explores form and space, blurring the lines between sculpture and painting. LushSux, an artist from Australia, is known for his often controversial and boundary-pushing works in public spaces. However, in "Train 34," he redirects his creative expression to the controlled confines of a model train, an object often associated with precision and collectibility, now transformed into a moving canvas that conveys the rebellious spirit of street art. LushSux: Bringing Graffiti into Unconventional Spaces LushSux's decision to tag a model train car symbolizes the ingenuity inherent in street art culture. LushSux challenges the expectations of where street art can exist and what it can adorn by choosing an HO-scale train, a beloved item among model train enthusiasts. The work features a graffiti tag or throw-up painting, a style characterized by quick execution and often used by graffiti artists to mark territory. Yet, when applied to a model train, the artwork transcends territorial claims and enters the realm of collectible art. The size of the piece, 14x3, is modest, yet it commands attention with its bright colors and bold design, echoing the larger-than-life presence of LushSux's full-scale works. Significance of "Train 34" in Contemporary Art Collectibles "Train 34" represents a convergence of subculture and hobbyist culture, reflecting the increasing acceptance and celebration of graffiti art within mainstream collectibles. This piece, hand-painted and signed by LushSux, is a one-off creation that captures the essence of street pop art—transient by nature yet immortalized through the permanence of model craftsmanship. The work's unique blend of a traditional pastime with the urban art form makes it a standout addition to the oeuvre of LushSux, whose reputation as both a male model and self-described "international graffiti asshole" underscores his multifaceted identity as an artist. Through works like "Train 34," LushSux continues to push the boundaries of street art, inviting us to reconsider the contexts in which art can be appreciated and challenging the preconceived notions of what constitutes a canvas.  

    $1,250.00

  • Sale -33% Cool Down Sunset HPM Spray Paint Stencil Multiple by Praxis

    Praxis Cool Down Sunset HPM Spray Paint Stencil Multiple by Praxis

    Cool Down Sunset HPM Spray Paint Stencil Multiple by Praxis Hand Painted Acrylic on Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Mixed Media Stencil Acrylic & Spray Paint HPM Embellished Limited Edition of XXX Artwork Size 23.4x16.5

    $268.00$180.00

  • Sale -33% Minnie Period 12 Original Stencil Painting by Jeff Gillette

    Jeff Gillette Minnie Period 12 Original Stencil Painting by Jeff Gillette

    Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.

    $719.00$482.00

  • Sale -33% Billie is Beautiful Magenta Spray Paint Can Sculpture by Mr Brainwash- Thierry Guetta

    Mr Brainwash Billie is Beautiful Magenta Spray Paint Can Sculpture by Mr Brainwash- Thierry Guetta

    Billie is Beautiful- Magenta Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

    $316.00$212.00

  • Sale -33% Cool Down HPM Spray Paint Stencil Multiple by Praxis

    Praxis Cool Down HPM Spray Paint Stencil Multiple by Praxis

    Cool Down HPM Spray Paint Stencil Multiple by Praxis Hand Painted Acrylic on Fine Art Paper Limited Edition Pop Street Art Artwork. 2021 Signed & Numbered Mixed Media Stencil Acrylic & Spray Paint HPM Embellished Limited Edition of XXX Artwork Size 23.4x16.5

    $268.00$180.00

  • Sale -33% Flatiron Building NYC HPM Acrylic Silkscreen Print by Bobby Hill Flatiron Building NYC HPM Acrylic Silkscreen Print by Bobby Hill

    Bobby Hill Flatiron Building NYC HPM Acrylic Silkscreen Print by Bobby Hill

    Flatiron Building NYC Limited Edition Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. Each piece is unique and colors, painting, spray paintings made by hand by the artist are random, vary, and you may not receive the exact pictured item! "I use photographic images as the basis for the art, but I would sometimes draw directly on the acetate before I burn the screens to bring out parts of the images I felt were important. Each piece for this run was individually screen printed and hand-painted using a variety of acrylic and other mediums. Take notice of the colors rather than the image, even though that might be difficult to do sometimes. The colors represent what's going on in my life at any given moment." - Bobby Hill

    $153.00$103.00

  • Sale -33% Bronx Meets Queens Set Shoe Tossing Wood Silkscreen Print by L'Amour Supreme

    L'Amour Supreme Bronx Meets Queens Set Shoe Tossing Wood Silkscreen Print by L'Amour Supreme

    Bronx Meets Queens Set of 2 Original One of a Kind Mixed Media Spray Paint Air Brush Acrylic Painting Artwork on Wood Shoe Cut Out by Graffiti Artist L'mour Supreme. 2022 Signed One Pair (Two wooden shoes total) of customed Skewville Wooden shoes by Artist L’Amour Supreme. Each Shoe measures 11″ x 5.5″ x 0.5″. Bronx Meets Queens Set Shoe Tossing Wood Silkscreen Print by Skewville

    $518.00$347.00

  • Sale -33% The Legend Of HPM Silkscreen Print by Cornbread- Darryl McCray

    Cornbread- Darryl McCray The Legend Of HPM Silkscreen Print by Cornbread- Darryl McCray

    The Legend Of Limited Edition Hand-Embellished HPM 2-Color Silkscreen Print on Fine Art Paper by Cornbread- Darryl McCray Graffiti Street Artist Modern Pop Art. 36x24 Signed/Tagged Basketball Hoop Print 2021 Limited Edition of 100

    $406.00$272.00

  • Sale -33% Freedom For Humanity Chrome Serigraph Print by Mear One

    Mear One Freedom For Humanity Chrome Serigraph Print by Mear One

    Freedom For Humanity- Chrome Limited Edition Serigraph Print with Chrome Foil on Hand-Deckled 290gsm Coventry Rag Fine Art Paper by Mear One Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 20 Artwork Size 20x27 "This piece, 'Freedom For Humanity,' symbolizes the attitude we should be taking regarding our rights as human beings. It's a play on George Orwell's 'Newspeak' from his novel 1984, where he combines and condenses words to create a new language. Language is so important for understanding what it means to be truly free. Yet, it is constantly being eroded, redefined, and replaced to suit the corporations and superficial consumer pop-culture trends for profit. People need translation out of our current language based on greed towards a more meaningful and insightful existence, using language based on our humanity, sharing, and cooperation. I want to inspire critical thought on the implementation of 'Newspeak' in our current Orwellian, media-blitzed reality." - Mear One. Dissecting' Freedom For Humanity' by Mear One Mear One has established himself as a consequential artist in street pop art and graffiti artwork, with "Freedom For Humanity" being one of his most compelling works. This Chrome Limited Edition Serigraph Print is more than a mere aesthetic indulgence; it is a testament to the artist's impassioned plea for linguistic and intellectual freedom. Limited to a series of just twenty signed and numbered pieces, the 2016 artwork, sized 20x27 inches, is printed on hand-deckled 290gsm Coventry Rag Fine Art Paper. This choice underscores the premium quality and the exclusiveness of the print. The Semantic Revolution Embodied in Art Mear One's creation is an interplay of visual and verbal languages, a critical response to the perversion of words in our contemporary society. This piece reflects not just Orwell's concept of 'Newspeak' but a broader commentary on the state of language and its role in human freedom. The artist's use of chromatic intensity and stark contrasts on the fine art paper is an eye-catching element of modern pop art and serves as a metaphor for the clarity and vibrancy that should accompany human communication. The central figure, a striking representation of defiance, holds a sign that boldly demands "Freedom for Humanity," symbolizing the fight against the manipulation of language by corporate and political forces. Mear One's message is clear: the erosion of language and the commodification of words for profit and power threaten the very fabric of our society. The artist seeks to inspire a reevaluation of how language is wielded and perceived in the modern age. His work implores us to transcend a lexicon rooted in greed and forge one grounded in our collective humanity. The message is a rallying cry for cooperation, sharing, and a reassessment of our values as a civilization. Embracing a New Lexicon for Human Empowerment The artwork bridges street art's raw expressiveness and the sophisticated discourse on human liberties. "Freedom For Humanity" is not merely Mear One's call to action; it is an invitation to introspect on the corporatization of our language and, by extension, our thoughts and freedoms. Through his serigraph, Mear One channels the power of Street Pop Art and graffiti Artwork to ignite conversation and drive change. The piece doesn't just hang on a wall; it stands on the front lines of cultural discourse, challenging the viewer to break free from the Orwellian shackles of modern-day 'Newspeak.' Ultimately, "Freedom For Humanity" is a symbolic manifesto in art form. It is a reminder of the potency of words and the significance of their liberation. Mear One has contributed a visually stunning piece to the realm of Street Pop Art and graffiti Artwork and embedded a profound message of liberation and unity within it. His work stands as a beacon for those who seek to understand the true meaning of freedom in a world where language is continually at risk of being co-opted by those in power.

    $771.00$517.00

  • Venus Unique 13 Unique Original Silkscreen by Mr Brainwash- Thierry Guetta x Rubiks

    Mr Brainwash- Thierry Guetta Venus Unique 13 Unique Original Silkscreen by Mr Brainwash- Thierry Guetta x Rubiks

    Venus Unique #13 Unique Original HPM 6-Color Hand-Pulled Silkscreen Print on hand-torn archival paper by Mr. Brainwash- Thierry Guetta x Rubik's Graffiti Street Artist Modern Pop Art. 2021 HPM Signed & Numbered Hand Painted Original Unique One of a Kind Deckled Artwork Size 16x16. Custom Frame & Mat. Each print is signed plus numbered 1/1 by the Artist, with a thumbprint on the back and printed on hand-torn archival paper. Art history gets a Rubik's remix in the latest edition print release from Mr.Brainwash. The Intersection of Classical Imagery and Contemporary Street Pop Art in Mr. Brainwash’s Venus Unique #13 Thierry Guetta, artistically known as Mr. Brainwash, has been a transformative force in modern art, bridging the gap between street art's rebellious energy and pop art's iconic imagery. His work, Venus Unique #13, is a testament to this fusion, embodying the spontaneous creativity of Graffiti Street Artists Modern Pop Art. Released in 2021, this hand-pulled silkscreen print is part of an original series that infuses the classic depiction of Venus with a burst of contemporary life, underscored by the vibrant disruption of a Rubik's cube pattern. Venus Unique #13 is a symbolic piece within Mr. Brainwash's oeuvre. It is a 6-color silkscreen print, underscored by the Artist's hand-painted embellishments on hand-torn archival paper, which gives it an organic and tactile feel. The artwork is encased in a custom frame and mat, enhancing its visual appeal and preserving its condition. This particular print is marked 1/1, signaling its status as a unique work within the series. It is further authenticated by Mr. Brainwash's signature and thumbprint on the reverse, hallmarking its originality. Capturing Art Historical References with a Modern Twist Mr. Brainwash's penchant for juxtaposing classic art historical references with modern elements is evident in Venus Unique #13. The artwork reimagines the Roman goddess Venus, an enduring symbol of beauty and love, through the lens of modern-day iconography and urban artistry. By overlaying the serene and timeless figure of Venus with the chaotic, colorful patterns of a Rubik's cube, Mr. Brainwash creates a dialogue between the past and the present, between enduring ideals and contemporary challenges. The use of the Rubik's cube is remarkably evocative, as it is a pop culture icon and a metaphor for complexity and the human endeavor to solve puzzles. It suggests that the interpretation of beauty and art is itself a complex puzzle, a challenge that evolves with time and perspective. Mr. Brainwash cleverly employs the cube's colors and forms to fracture and reinterpret the classical imagery, giving it a new context and relevance in today's visual language of Street Pop Art and Graffiti Artwork. The Signature Style and Cultural Commentary of Mr. Brainwash Mr. Brainwash's signature style is characterized by his bold use of color, eclectic iconography, and seamless blending of various artistic techniques. Venus Unique #13 is imbued with this signature approach, showcasing a harmonious blend of spray-painted graffiti with refined silkscreen printing. The piece is as much a celebration of the Artist's technical skill as it is of his conceptual ingenuity. By integrating elements like comic strips, street signs, and pop culture ephemera into the backdrop of Venus, Mr. Brainwash comments on the inundation of media and advertising in our daily lives. His artwork becomes a canvas where modern-day consumerism and the timeless quest for meaning and beauty intersect. Including such diverse and seemingly disparate elements is a nod to the complex visual landscapes we navigate, suggesting that art and beauty can be found in the most unexpected places. Collectability and Influence in Contemporary Art The collectability of Mr. Brainwash's work, particularly pieces like Venus Unique #13, is significant. As a unique, one-of-a-kind piece with the Artist's direct involvement, it holds aesthetic value and a high degree of collectible appeal. The artwork's size, 16x16 inches, makes it a versatile piece for collectors, suitable for various spaces and settings. These qualities make Mr. Brainwash's work highly sought after by enthusiasts of Street Pop Art and Graffiti Artwork. Venus Unique #13 is more than just a visual statement; it reflects the current era where art history receives a contemporary remix. Mr. Brainwash's approach to art challenges viewers to see beyond the surface and appreciate each piece's layers of meaning and craftsmanship. In doing so, he has cemented his place within the modern art movement, inspiring both admiration and critical thought about the role and interpretation of art in contemporary society.

    $15,000.00

  • Collateral Damage Original Spray Paint Mixed Media Painting by Risk Rock

    Risk Rock Collateral Damage Original Spray Paint Mixed Media Painting by Risk Rock

    Collateral Damage Original Painting Mixed-Media Spray Paint, Acrylic on Heavy Paper by Risk Graffiti Street Artist Modern Pop Art. Collateral Damage, 2018 - Own a Risk original! Original (spray paint, acrylic on heavy paper) Size: 22x30 Inches Date Made: 2018 Original work – Each unique, one of a kind, hand-signed.

    $2,546.00

  • Sale -33% MTA Throwie Skateboard Deck by Cope2- Fernando Carlo

    Cope2- Fernando Carlo MTA Throwie Skateboard Deck by Cope2- Fernando Carlo

    MTA Throwie Deck Limited Edition Archival Pigment Print Transfer Skateboard Deck Art by Street Pop Culture Artist Cope2. Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: July 22, 2020 Run of: 75 The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

    $414.00$277.00

  • Love is the Answer Unique HPM Spray Paint Silkscreen by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta Love is the Answer Unique HPM Spray Paint Silkscreen by Mr Brainwash- Thierry Guetta

    Love is the Answer Unique Original HPM Spray Paint Silkscreen Print by Mr. Brainwash- Thierry Guetta Mixed Media Screen Print on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed with COA Spray Paint, Acrylic Paint Mixed Media Unique HPM Embellished Original Artwork Size 16x21. Famous Theoretical Physicist Albert Einstein Holding a Sign Reading "Love is the Answer" with Tons of Colorful Spray Paint & Paint Hand-Embellished. Love is the Answer: A Portrayal of Genius in Street Pop Art In the eclectic and vibrant contemporary art world, "Love is the Answer" emerges as a profound statement piece crafted by the renowned street artist Mr. Brainwash, known off the canvas as Thierry Guetta. This mixed media screen print on deckled fine art paper is a limited edition piece that seamlessly melds the realms of pop and street art with the iconic image of Albert Einstein. Crafted in 2015, "Love is the Answer" is a unique original hand-painted multiple (HPM) with a silkscreen print foundation, over which Mr. Brainwash has applied spray paint and acrylic paint by hand. This hand-embellishment process ensures that each piece within the series is a one-of-a-kind work of art imbued with its individuality and character. The artwork dimensions are a substantial 16x21 inches, giving the piece a presence that captivates the viewer and invites contemplation. The subject of the artwork is the famous theoretical physicist Albert Einstein, who is depicted holding a sign that reads "Love is the Answer." This message, combined with the visual cacophony of vibrant spray paint, creates a juxtaposition that is at once striking and thought-provoking. The image of Einstein, synonymous with intelligence and insight, coupled with a simplistic yet universal message about love, prompts a dialogue about the complexities of the human condition and the simplicity of its resolution through love. Signature Style of Mr. Brainwash Mr. Brainwash is pivotal in bringing the street art aesthetic into the gallery space. His work often incorporates figures of historical and cultural significance, placing them within a contemporary context that is both accessible and critically engaging. In "Love is the Answer," the artist's signature style is evident: a base of monochromatic tones accentuated with explosions of color, symbolizing the chaos and vibrancy of life. Like much of Mr. Brainwash's work, this piece is more than a simple depiction; it is an interactive experience. The splatters and drips of paint do not merely adorn the paper; they disrupt and engage with the image of Einstein, suggesting that even amidst the calculated precision of science, there is room for the spontaneity and passion of art. Love is the Answer Unique HPM  Cultural Impact and Collectibility As a collectible artwork, "Love is the Answer" holds a special allure. Mr. Brainwash signs it, and it comes with a Certificate of Authenticity, which adds to its desirability as a piece of art history. The mixed media elements and the limited edition nature of the work make it a sought-after item for collectors and enthusiasts of street pop art and graffiti artwork. The cultural impact of the piece is significant as well. It represents a bridge between various forms of expression, from the cerebral world of theoretical physics to the dynamic realm of street art. By placing Einstein in such a colorful and unexpected context, Mr. Brainwash invites viewers to reconsider the figure as a scientist and a messenger of peace and love. Mr. Brainwash's "Love is the Answer" is a powerful example of how street pop art and graffiti can transcend the streets and enter the pantheon of high art. The piece does more than depict a famous figure; it imbues the image with new meaning and relevance. It is a declaration that amidst the complexities and challenges of life, the simplest of truths can resonate the loudest. For collectors and admirers, owning "Love is the Answer" is not just an investment in a piece of art but an endorsement of its message and the conversation it continues to inspire.

    $15,000.00

  • Van Gogh White Spray Paint Can Sculpture by Mr Brainwash- Thierry Guetta

    Mr Brainwash- Thierry Guetta Van Gogh White Spray Paint Can Sculpture by Mr Brainwash- Thierry Guetta

    Van Gogh- White Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

    $400.00

  • Defend Your Love Original Spray Paint Acrylic Painting by Indie184- Soraya Marquez Defend Your Love Original Spray Paint Acrylic Painting by Indie184- Soraya Marquez

    Indie184- Soraya Marquez Defend Your Love Original Spray Paint Acrylic Painting by Indie184- Soraya Marquez

    Defend Your Love Original One of a Kind Marilyn Monroe Mixed Media Collage Painting Artwork on Canvas by Popular Street Art Pop Culture Artist Indie184- Soraya Marquez. 2017 Signed Original Mixed Media Acrylic & Spraypaint Collage Painting Size 24x36 Indie184 (Soraya Marquez) (b. 1980) Defend Your Love, 2017 Mixed media collage on canvas 36 x 24 inches (91.4 x 61 cm) Signed and dated in ink on reverse

    $3,919.00

  • Turtle Island Ganas Collage Stencil Original Painting by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Turtle Island Ganas Collage Stencil Original Painting by Ernesto Yerena Montejano- Hecho Con Ganas

    Turtle Island Ganas Collage Original One of a Kind Sprayed Paint Stencil Painting Artwork on Cotton Rag Art Paper by Street Art Pop Culture Artist Ernesto Yerena Montejano- Hecho Con Ganas. 2022 Signed Original Spray Paint Painting Size 20.5"x26.5" Hand Spray Painted Stencils on 100% Cotton Rag Paper Hand Deckled Edges Signed and Numbered by Ernesto Yerena Montejano 1-Off The Artistic Expression of "Turtle Island Ganas Collage" by Ernesto Yerena Montejano Ernesto Yerena Montejano is an artist deeply rooted in the cultural crossroads of street pop art and graffiti artwork. His piece, "Turtle Island Ganas Collage," is a vibrant celebration of cultural identity, resilience, and the spirit of resistance. This original one-of-a-kind sprayed paint stencil painting on cotton rag art paper encapsulates the ethos of Montejano's artistic vision—Hecho Con Ganas, or "made with effort and desire." Signed by the artist, this 20.5"x 26.5" artwork reflects Montejano's commitment to creating pieces that are not only visually captivating but also imbued with social and political commentary. Symbolism and Technique in Montejano's Work In "Turtle Island Ganas Collage," Montejano employs the turtle, a creature revered in many indigenous cultures for carrying the world on its back, as a central figure symbolizing the earth and the interconnectedness of life. The term "Turtle Island" is a name for the North American continent used by several Native American tribes, and its inclusion in the title ties the piece to themes of heritage and land. Montejano's choice of materials—100% cotton rag paper with hand-deckled edges—complements the organic subject matter, grounding the piece in tradition and craftsmanship. The hand-sprayed stencils create a sharp contrast characteristic of graffiti art, while the intricate details and layering echo the complexities of pop art imagery. Ernesto Yerena Montejano's Contribution to Street Pop Art Montejano, a Mexican-American artist, contributes to the rich tapestry of street pop art through works like "Turtle Island Ganas Collage," which speak to identity, community, and activism issues. His work often reflects the experiences of the borderlands between the United States and Mexico, serving as a visual commentary on the socio-political landscape. By integrating motifs from indigenous and Chicano culture, Montejano bridges the past with the present, creating a dialogue between historical narratives and contemporary issues. His artwork transcends the traditional boundaries of street art, offering a narrative that is both universal and deeply personal. Through his art, Montejano invites viewers to engage in broader conversations about social justice, heritage, and the human condition, solidifying his place in the pantheon of street pop art and graffiti artists.

    $1,247.00

  • Sale -33% The Cans IV Krylon Edition Archival Print by Roger Gastman

    Roger Gastman The Cans IV Krylon Edition Archival Print by Roger Gastman

    Tools of Criminal Mischief: The Cans IV - Krylon Edition Limited Edition Archival Pigment Print on 310gsm Fine Art Paper by Roger Gastman Graffiti Street Artist Modern Pop Art. "This print is the 4th installment in my recent series titled, “Tools of Criminal Mischief" and it was created specifically for collectors here at 1xRun. I have a huge collection of vintage spray paint and markers that I have been collecting for years. This collection features all Krylon cans. Whenever people come over to my house, no matter who they are, they always want to ask me about my collections of cans, markers and other things and take pictures of them.With "Graffiti" and "Street Art" becoming such huge buzz words, and affordable art being more accessible through sites like 1xRun, it's fun to remember the tools that made a lot of it possible." - Roger Gastman

    $373.00$250.00

  • Take Warning Original Street Sign Painting by Chris RWK

    Chris RWK- Robots Will Kill Take Warning Original Street Sign Painting by Chris RWK

    Take Warning Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 12x18 Street Sign This use of intertextuality also serves to offer a comfort or familiarity of sorts to the viewer. Chris’ works frequently reveal everyday musings and people one would pass on the street without looking or thinking about twice.

    $1,744.00

  • The Shape Of Capitalism HPM Stencil Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier The Shape Of Capitalism HPM Stencil Print by Denial- Daniel Bombardier

    The Shape Of Capitalism Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition Artwork Size 24x24 Featuring works from Denial’s nearly decade-long career, his often satirical approach works to combat mass media, consumerism, and advertising by taking familiar imagery and objects and re-contextualizing them into unique artistic statements that drive the viewer to question the worth and difference (if any) between art and advertising. Building on a long line of pop-driven work, Enjoy Denial finds Denial harnessing the negative corporate energies spewed upon society and turns them back against the established power structures that control our everyday lives. With this exhibition, Denial peels back layers of overloaded advertising and logos to shine a not-so-subtle light on the deceptions society combats daily from corporations. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

    $2,290.00

  • Sale -33% Hand of Doom Giclee Print by Seen UA

    Seen UA Hand of Doom Giclee Print by Seen UA

    Hand of Doom Giclee Print by Seen UA Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition Artwork Size 102x26 Hand of Doom is a captivating and intricate giclee print on canvas by the renowned graffiti pop street artist, Seen UA. Known for his exceptional prowess in blending street and pop art, Seen UA first introduced this stunning masterpiece in 2023. This artwork emanates an urban vibe, offering a glimpse into the unfiltered reality of street life, subtly intertwined with elements of pop culture. Limited in its availability, Hand of Doom is a signed and numbered piece. This attribute, along with the distinct signature of Seen UA, increases its exclusivity, making it a highly sought-after artwork among enthusiasts and collectors of pop and street art. The dimensions of this masterpiece, measuring 102x26, lend it an imposing presence, further enhancing its appeal. Hand of Doom is an exemplar of the giclee print technique. Giclee, a French term meaning 'sprayed ink', is a high-resolution, high-fidelity method of fine art printing. This technique allows Seen UA to transform his original graffiti designs into digital artwork, which is then sprayed onto canvas with minute droplets of ink. The result is an unparalleled level of detail and color depth, mirroring the vibrancy and dynamism of the original graffiti. Seen UA's Hand of Doom is more than just a print; it is a synthesis of urban grit and contemporary culture. It captures the rebellious spirit of street art and the vivacity of pop art, while its limited-edition status makes it an intriguing piece for any art collector's portfolio. This artwork exemplifies Seen UA's mastery of diverse art forms, reinforcing his status as a significant figure in the realms of graffiti, pop, and street art.

    $750.00$503.00

  • Sale -33% LA Hands Painted Silkscreen Print by OG Slick

    OG Slick LA Hands Painted Silkscreen Print by OG Slick

    LA Hands Painted 7-Color Hand-Pulled Limited Edition Silkscreen Print on 298gsm Stonehenge Paper by OG Slick Rare Street Art Famous Pop Artwork Artist. 2021 Signed & Numbered Limited Edition of 200 Artwork Size 24x24 Spray Paint, Graffiti, Hand, Gang Sign, Hand Sign, LA, Los Angeles, California, Mickey Mouse, Disney, Tag, Throw Up Print. OG Slick, an iconic name synonymous with the vibrancy of street and pop art, introduces a masterpiece titled "LA Hands Painted." This 2021 creation captures the essence of Los Angeles, California, amalgamating elements of its culture, grit, and unmistakable flair. With the artwork measuring a substantial 24x24 inches, viewers are immediately drawn to the hands depicted, reminiscent of the quintessential LA gang signs. The hands' intricacy, paired with the fluidity of the sprayed graffiti, portrays both rebellion and an ode to a city known for its undying spirit. Beyond the immediate recognition of the hands, the influence of Disney, specifically Mickey Mouse, is subtly yet unmistakably infused. The spray can, held in a manner evocative of the beloved character, introduces a playful juxtaposition to the otherwise raw urban imagery. It's this blend of street aesthetics with pop culture elements that sets OG Slick apart, making his work resonate with both enthusiasts of urban art and broader audiences. This particular piece, "LA Hands Painted," is rendered as a 7-color hand-pulled silkscreen print, a technique revered for its ability to deliver rich, vibrant colors and capture the artist's intended details. Produced on 298gsm Stonehenge Paper, the choice ensures longevity and a pristine finish, suitable for any collector's gallery. Given its limited edition status, with only 200 prints available, each signed and numbered by OG Slick, it stands as a testament to exclusivity and artistic brilliance. Through this artwork, the essence of LA, its streets, signs, and symbols, are immortalized, showcasing the city's spirit and OG Slick's unparalleled artistic vision.

    $925.00$620.00

  • Cash Monster Wood Cut HPM Mixed Media Print by Denial- Daniel Bombardier Cash Monster Wood Cut HPM Mixed Media Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Cash Monster Wood Cut HPM Mixed Media Print by Denial- Daniel Bombardier

    Cash Monster Original Hand-Painted Multiple Mixed Media Spray Paint Artwork on Laser Cut Wood Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

    $2,290.00

  • Star Spangled Shark Toof Silver HPM Wood Print by Shark Toof

    Shark Toof Star Spangled Shark Toof Silver HPM Wood Print by Shark Toof

    Star Spangled Shark Toof- Silver Original Hand-Painted Multiple on Laser Cut Wood Panel ready to hang by Shark Toof Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Embleshed Limited Edition of 7 Artwork on Wood Size 9.25x17 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

    $626.00

Spray Paint Graffiti Street Pop Art

The Role of Spray Paint in Street Pop Art and Graffiti

Spray paint, the quintessential medium of street pop art and graffiti has been an indispensable tool for urban artists around the globe. Its rise from a tool for simple markings to a respected artistic medium is a testament to the transformative power of street art. Spray paint offers unparalleled versatility, allowing for quick execution, a vibrant palette, and an ability to bridge the gap between fleeting street expressions and enduring pop art phenomena. Within street art, spray paint has evolved to embody the voice of the unheard and the spirit of the rebellious. It has provided artists the means to command public attention, converting blank walls into canvases that communicate personal and political messages. The fluidity and ease of use inherent to spray paint make it ideal for graffiti art's swift and often secretive nature. Its application ranges from precise stenciled works to expansive murals that adorn cityscapes, each telling its own story. The impact of spray paint extends beyond the streets and into pop art, where artists have used it to create pieces that reflect the commercialized and media-saturated environment of contemporary culture. Spray paint's ability to cover large areas and create bold, quick, graphic images has made it a favorite among pop artists looking to mirror the same mass-production techniques used in advertising and consumer goods. In essence, spray paint is not just a medium but a symbol of the street pop art and graffiti movement. It represents a democratization of art-making, proving that great art can emerge outside traditional spaces and without conventional tools. The cultural significance of spray paint in art will continue to be a topic of discussion as long as artists take to the streets to express their visions and voices.

The Evolution of Spray Paint in Artistic Expression

Spray paint has journeyed from the shelves of hardware stores to the studios of the world's most recognized street and pop artists, marking a significant evolution in its use and cultural significance. It has transitioned from a practical tool for utilitarian marking to a respected medium in the artist's toolkit, especially in street pop art and graffiti. This evolution reflects the changing landscapes of artistic expression and public space utilization.

Spray paint is an essential tool in both graffiti art and pop art. In graffiti art, spray paint is often the primary medium for creating large-scale murals and tags. Graffiti artists use spray paint because it is quick-drying, highly pigmented, and allows them to work quickly and efficiently on walls and other surfaces. They can create intricate designs and lettering using different nozzle tips, pressure, and angles to create various effects such as fades, drips, and gradients. Graffiti artists may also use other tools like markers and paint rollers, but spray paint is the most commonly used tool in this art form. Spray paint is also used in pop art to create bold and graphic designs. Pop artists often use stencils and spray paint to create repeated patterns and images that are highly stylized and instantly recognizable. The use of bright colors and bold lines is characteristic of this art form, and spray paint allows artists to achieve this effect quickly and efficiently. Spray paint can also create a textured and layered effect, adding depth and interest to pop art pieces. Spray paint is essential in graffiti and pop art, allowing artists to create bold and impactful designs quickly and efficiently. Graffiti and pop art have different origins and styles, but both use spray paint uniquely. In graffiti art, spray paint is often used to make political and social statements or express the artist's identity. Graffiti artists often work in public spaces, and spray paint allows them to create large-scale murals quickly and precisely. They may also use other materials, such as stencils or stickers, to add additional layers of meaning to their work. In pop art, spray paint creates images inspired by consumer culture and popular media. Pop artists often use bold graphic designs inspired by advertising and commercial art. Spray paint is an essential tool in creating the sharp, clean lines that are characteristic of this style, and it can also be used to add texture and depth to the artwork. Both graffiti art and pop art have had a significant impact on contemporary art, and the use of spray paint is an integral part of their respective styles. While some may view graffiti as vandalism, many artists see it as a legitimate form of self-expression, and spray paint is a vital part of this art form.

Defining the Aesthetic of Street Pop Art and Graffiti

On the other hand, pop art is often seen as a celebration of consumer culture, and spray paint is an essential tool in creating the bold, colorful designs that are characteristic of this style. There are several popular brands of spray paint makers for graffiti art, each with its unique characteristics and advantages. Here are some of the most well-known brands: Montana Cans is a German-based company offering various colors and finishes. They are known for their high-quality paint and easy-to-use nozzles. Ironlak is an Australian company that provides high-quality, low-odor paint for indoor and outdoor use. They also offer a wide range of colors and finishes. Krylon is a US-based company that offers affordable spray paint with a quick-drying formula and a wide range of colors. They are known for their smooth and consistent coverage. Belton Molotow is a German-based company that offers a range of high-quality, professional-grade spray paints. They are known for their vibrant colors and durable finishes. Rust-Oleum is a US-based company that provides a range of affordable spray paints with various finishes, including metallics and glitter. They are also known for their durable, long-lasting formula. These are just a few of the popular brands of spray paint makers for graffiti art. Each brand has unique characteristics, and finding the one that works best for your particular project and style is essential. The distinctive characteristics of spray paint define the aesthetic of street pop art and graffiti. Its quick-drying nature, bright colors, and ease of layering make it ideal for the dynamic visuals associated with these art forms. Spray paint has given street artists the ability to produce works quickly, a critical factor in the often illicit nature of graffiti art. Moreover, the portability of spray cans allows artists to carry their tools as they traverse urban environments, creating spontaneous and responsive art to the immediate surroundings. Spray paint has been pivotal in democratizing art. Its relatively low cost and high availability have empowered individuals from all walks of life to engage in artistic endeavors. In the hands of street artists, spray cans have become a means to challenge the status quo, making statements on societal issues while bypassing traditional gatekeepers of the art world. This accessibility has made spray paint a key player in the explosion of street pop art and graffiti across the globe.

Technical Innovation and Artistic Mastery

Technical innovation in spray paint has expanded its potential as a medium for fine art. Artists have mastered shading, texturing, and complex layering techniques, pushing the boundaries of what can be achieved with a can of paint. The precision and control exhibited by seasoned artists rival that of brushwork, allowing for intricate and sophisticated pieces that challenge previous misconceptions about the capabilities of spray paint. The perception of spray paint has shifted from being associated with vandalism to being valued as a legitimate artistic medium. As more artists adopt spray paint and more artworks gain recognition and value, the conversation around graffiti and street art is changing. The very medium that was once used to deface is now used to create pieces respected and sought after by collectors and art enthusiasts alike. Environmental considerations have also influenced the use of spray paint in art. As awareness of ecological impact grows, artists and manufacturers are seeking out and developing more sustainable and less toxic varieties of spray paint. This progression ensures that spray paint in street pop art and graffiti remains relevant and responsible, in line with contemporary concerns about the health of our planet. In conclusion, spray paint stands at the intersection of street credibility and pop art allure, embodying the raw energy of urban expression while holding its own in the gallery space. Its continued use and evolution in the art world signal a change in how art is made and how it is perceived by society. With each press of the nozzle, artists continue to challenge, engage, and redefine our times' visual and cultural landscape.
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