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  • The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    Kaws- Brian Donnelly The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

    $29,999.00

  • Flaming Skull Skateboard Art Deck Set by Takashi Murakami TM/KK Flaming Skull Skateboard Art Deck Set by Takashi Murakami TM/KK

    Takashi Murakami TM/KK Flaming Skull Skateboard Art Deck Set by Takashi Murakami TM/KK

    Flaming Skull Skateboard Art Deck Set by Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2018 Limited Edition Skateboard Artwork Size Approximately 8x31 Skateboard Art Deck Brand New Perfect Condition The Flaming Skull Skateboard Art Deck Set by Takashi Murakami TM/KK is a collection of three skateboard decks featuring Murakami's signature artwork. Each deck measures 31 inches in length and 8 inches in width, and is made of high-quality Canadian maple wood for durability and strength. The decks feature Murakami's iconic smiling flower and skull motifs, rendered in bold and vibrant colors with a flaming background. The artwork is screen-printed onto the decks, ensuring that the graphics will last for a long time even with regular use. The set comes with three decks, each with a unique design, making it a great option for collectors and skateboard enthusiasts alike. The decks can be used for skating or as wall art, and are a great way to add a touch of contemporary art to your home or office. The Flaming Skull Skateboard Art Deck Set by Takashi Murakami TM/KK is a high-quality and visually striking collection of skateboards that showcase the artist's signature style. Long Beach, California was the next stop for Takashi Murakami's creative talents, where he lent his expertise to design the entire merchandise range for ComplexCon's annual event. One of the hottest collectibles to emerge from Murakami's collaboration with ComplexCon is the Flaming Skull Deck Set. This sought-after item showcases Murakami's iconic flower and skull motifs, which are set against a backdrop of flames that emanate from the bottom of the decks.

    $969.00

  • Signal Lost, It's all Good Big Poppa Art Toy by Ron English x Dead St Signal Lost, It's all Good Big Poppa Art Toy by Ron English x Dead St

    Ron English Signal Lost, It's all Good Big Poppa Art Toy by Ron English x Dead St

    Signal Lost, It's all Good- Big Poppa Hand Painted Original Unique Dead St Artwork on Ron English Can't You See Vinyl Art Toy. Custom Painted Figure by Dead St. 1 of 1. Mixed Media, Acrylic, Spray Paint

    $771.00

  • Cromie Stilettos Silkscreen Print by Faile

    Faile Cromie Stilettos Silkscreen Print by Faile

    Cromie Stilettos Silkscreen Print by Faile Hand-Pulled 6-Color on Cotton Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 20 Artwork Size 27.56x39.37 Silkscreen Print of Punk Woman With Switch Blade Stiletto Knife. A compelling blend of vibrancy and edge, the Cromie Stilettos silkscreen print by Faile stands as a definitive representation of contemporary pop and street art. Created in 2023, this artwork is a hand-pulled 6-color print on high-quality cotton fine art paper, capturing the essence of modern aesthetics with traditional craftsmanship. The limited edition, with only 20 signed and numbered pieces available, measures 27.56x39.37 inches, making it a sizable statement piece for any art collector or enthusiast. The central imagery of a punk woman holding a switchblade stiletto knife is not just an arresting visual but also a powerful commentary. It resonates with themes of empowerment, rebellion, and the raw, unfiltered energy of urban life. The choice of colors, the intricate patterns, and the contrasting play of light and shadow showcase Faile's exceptional ability to weave complex narratives through visuals. The background, awash in vibrant hues and adorned with intricate motifs, adds layers of depth to the portrait, making the viewer pause and delve deeper into the story unfolding on the canvas. For those familiar with the realms of pop and street art, the Cromie Stilettos silkscreen print serves as a testament to the genre's evolution. It pushes boundaries, challenges conventions, and invites conversations. Faile's expertise in blending cultural motifs with contemporary themes ensures this artwork isn't just a visual treat but also a thought-provoking masterpiece.

    $5,500.00

  • Sale -33% The Day When Time Stood Still Archival Print by Jana Brike

    Jana Brike The Day When Time Stood Still Archival Print by Jana Brike

    The Day When Time Stood Still Limited Edition Archival Pigment Prints on 290gsm Moab Rag Fine Art Paper by Jana Brike Graffiti Street Artist Modern Pop Art. "The painting title is a complete paradox, of course. It is connected to my perception of reality in meditative states. The actual theme is based both, on the girl-tribe relationship, and loosely on three graces story. It explores what is beauty to me. Beauty is a feeling. It is not to be merely pretty. It includes bravery, and wisdom, and strength, and imperfections that make one unique. Beauty is a feeling, and you need a feeling to perceive it. Beauty is a heart shining out, and you need your heart’s eye open to see it. This piece definitely was more ambitious than any of my previous work. More detailed. Also, before this one, I rarely if ever painted more than one figure. My characters were always lonely, trapped within their own self-sufficient universe. Starting from this one, relationships between the characters in my work have become more and more important for me." - Jana Brike

    $129.00$86.00

  • Sale -33% Double Vision Blotter Paper Archival Print Print by Ces

    Ces One- Rob Provenzano Double Vision Blotter Paper Archival Print Print by Ces

    Double Vision Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by CES pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

    $406.00$272.00

  • Sale -33% Asstronaut 333 HPM Hand-Embellished Giclee Print by Marwan Shahin

    Marwan Shahin Asstronaut 333 HPM Hand-Embellished Giclee Print by Marwan Shahin

    Asstronaut 333 Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. The "Asstronaut 333" is transcending from another dimension, the third Asstronaut installment is a very limited edition of 33. Each Asstronaut comes with a holographic helmet, Hand Painted/Embellished by the artist, each print is unique on its own. "Asstronaut 333” 2021 20 inches x 25 inches Acrylic, Glaze, Giclée on Etching Rag Hand-Embellished, Signed, Numbered & Branded Minor Creases to Center of Image, Does Not Affect Image When Framed.

    $406.00$272.00

  • DELUXE Stay Melty Book by Buff Monster Silkscreen DELUXE Stay Melty Book by Buff Monster Silkscreen

    Buff Monster DELUXE Stay Melty Book by Buff Monster Silkscreen

    DELUXE Stay Melty Book Hand Painted Rare Limited Edition Art Book With Graffiti Street Artist Buff Monster Modern Pop Artworks. 2022 Signed & Numbered Edition of 100. 256 pages, 6.75 x 8.75”, hardcover. Handpainted & HPM Silkscreen Cover, One of A Kind Original Art As Seen In Picture. This special version of the new book features a cover that has been hand-painted by me and then silkscreened by hand. The colors of the paint and the silkscreen vary widely, so each one is truly unique (and will be shipped randomly). It's signed and numbered (in an edition of 100) on the back. Also, each book has a thick durable protective plastic cover and is presented in an elegant black fabric slip-case with metallic silver foil stamp. The first version of the book was published in 2015 by Gingko Press. That book is packed full with over 600 photos of murals, paintings, toys and everything in between. Now over 6 years later, I’ve full updated the book. From the endpapers, to the section dividers, to the content in each section, I’d say it's mostly NEW. Of the existing pages, I consolidated and edited them to make room for 6 more years of paintings, murals and editions. We also added around 30 pages to the total page count. So it’s an even denser and larger overview of all of my various artistic endeavors, and still includes the awesome essay by the legendary Carlo McCormick. This new version also has more captions than before, and even comes with a small sheet of stickers! So whether or not you have the original version, this is one you’ll want to have!

    $492.00

  • Pink Party Original Acrylic Painting by Serge Gay Jr Pink Party Original Acrylic Painting by Serge Gay Jr

    Serge Gay Jr Pink Party Original Acrylic Painting by Serge Gay Jr

    Pink Party Original One of a Kind Acrylic Painting Artwork on Stretched Canvas by Popular Art Pop Culture Artist Serge Gay Jr. 2011 Signed Original Acrylic Painting Size 40x30 Ready To Hang On Stretched Canvas Serge Gay Jr.'s "Pink Party": A Vibrant Fusion of Pop Culture and Fine Art "Pink Party," an original acrylic painting on stretched canvas by the acclaimed pop culture artist Serge Gay Jr., is a striking embodiment of the fusion between the worlds of high art and popular culture. This 2011 signed original artwork, measuring 40x30 inches, exemplifies Gay's ability to capture the zeitgeist of his era through a vibrant tableau that is at once playful, provocative, and poignant. The painting, ready to hang and enjoy, offers a window into the artist's vision where the lines between street art, pop art, and graffiti blur, creating a narrative that resonates on both an aesthetic and conceptual level. The artwork's visual lexicon is rich with symbolism and iconography, characteristic of Gay's style, which often weaves together elements of street pop art and graffiti artwork. "Pink Party" is no exception, with its bold colors, dynamic composition, and juxtaposition of imagery that speaks to the societal narratives and pop culture references. The painting's scene is a carnival of motifs that engage with themes of identity, celebration, and the undercurrents of social commentary, inviting viewers into a dialogue with the piece that goes beyond its surface beauty. Exploring the Layers in Serge Gay Jr.'s Artistic Expression The layers of meaning in Serge Gay Jr.'s "Pink Party" are a testament to the depth of his artistic expression. Each element within the canvas works in concert with the others to create a cohesive narrative that is both deeply personal and universally relevant. Gay's work often touches on the intersectionality of identity, culture, and the vibrant energy of urban life, and this painting is a celebration of those themes, presented with the flair and finesse that only a master of his craft can achieve. Gay's approach to pop culture is nuanced and layered, often reflecting on the past while commenting on the present. The imagery in "Pink Party" draws from a broad palette of cultural references, from music and fashion to social movements and everyday life. His ability to distill these elements into a single, harmonious composition is a hallmark of his work, making each piece a complex conversation starter. The use of acrylic paint adds a tangible texture to the work, emphasizing the physicality of the street art influence in his practice. The Cultural Relevance of "Pink Party" in the Artistic Landscape "Pink Party" holds a place of cultural relevance in the contemporary artistic landscape. It is reflective of a time when the boundaries between different art forms are increasingly porous, and the influence of pop culture on traditional art practices is undeniable. Serge Gay Jr.'s work is situated at the heart of this cultural shift, using the canvas to explore and explode the conventions of what fine art can be. This original piece by Gay not only exemplifies his skill as a painter but also his insight as a cultural commentator. Through his art, Gay captures the spirit of the times, embodying the energy, challenges, and triumphs of modern society. "Pink Party," with its captivating visual narrative and layered meanings, continues to resonate with audiences, securing its place as a significant work in the canon of 21st-century pop art. In the broader context of Street Pop Art & Graffiti Artwork, "Pink Party" represents the evolving nature of these genres, showcasing how they can transition from the walls of the city to the walls of a gallery without losing their impact or authenticity. The painting is a celebration of the street art ethos — accessible, engaging, and unapologetically bold. Serge Gay Jr.'s ability to bridge the gap between these worlds with such fluency is a testament to his role as a leading figure in the contemporary art scene. As a unique art object, "Pink Party" is not only a visual feast but also a piece of history, capturing the essence of an era where art is increasingly becoming a vehicle for social change and personal expression. It stands as a beacon of the creative possibilities that arise when the street meets the studio, and the result is a work that is as thought-provoking as it is beautiful.

    $900.00

  • Aquarius Pink HPM Stencil Silkscreen Print by Lady Aiko

    Aiko Aquarius Pink HPM Stencil Silkscreen Print by Lady Aiko

    Aquarius- Pink Stencil 10-Color Silkscreen Limited Edition Print Art on Fine Art Paper by Artist Aiko Contemporary Pop Artwork. 2019 Signed & Numbered Hand Stenciled Limited Edition of 35 Artwork Size 20x24 "Since this project is to help people who are suffering from water in Flint, I wanted to use this image of a girl with spirit of water. Like the angel of water; she is chilling in the glass of water. Water should be free and clean for everyone, we are all part of nature. I was working on this print throughout February hand coloring one by one, and it was period of Aquarius, zodiac sign, which is the symbol of the water server. I also discovered that the word Aquarius actually referred to the public water system in ancient Rome. When I discovered what happened with the Flint Water Crisis I couldn’t believe that it was happening now, and I am very furious about how government cannot do anything with it. Shame, why people in ancient times were able to provide clean water to everyone but not in Michigan in 2018?" - Aiko

    $1,230.00

  • Sale -33% Solitary Child 1 Archival Print by Hikari Shimoda

    Hikari Shimoda Solitary Child 1 Archival Print by Hikari Shimoda

    Solitary Child 1 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Hikari Shimoda Graffiti Street Artist Modern Pop Art. "Solitary Child is a series of works, focused on my original theme of the inevitability of the Apocalypse. In this series, I am offering a new savior for humankind- she is a magical girl (Solitary Child #1) and a little boy hero (Solitary Child #3). In the world of my paintings, humanity has perished, as seen in the collage background, where there is an expressed chaos throughout. In these images, my saviors have come upon the dying human race. After the death of man, the world has found some relief from the turmoil that he has brought upon it. Meanwhile, mankind selfishly dreams of newfound happiness in his afterlife. In the mythology of my work, as humanity is destroyed, only one figure remains and that is the Messiah represented as a child. The magical girl was the first to be left alone after humanity was destroyed, left to deal with the despair and damage he left behind. Her eyes are shining and sparkling, but her stare is blank. In contrast, my hero’s eyes are closed ever so gently. To him, everything in the world is very chaotic and overwhelming. He feels all of its happiness, despair, hope, sadness, everything… in such a state, even the world’s savior must shut his eyes to it." - Hikari Shimoda

    $336.00$225.00

  • OxyBunny Blotter Paper Archival Print by Ben Frost

    Ben Frost OxyBunny Blotter Paper Archival Print by Ben Frost

    OxyBunny Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ben Frost pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. The essence of Frost’s commentary is established on the basis of subverting the meaning and the messages, promoted by the mainstream media. In other words and, as he has stated in the past: “The less you fill your mind with the trappings of advertising and bad television, the more space you have in your brain for things of value”. At the same time, his take on modern pop culture is equally compelling. Mainstream media, advertisements, and politics can be identified as some of his main fields of interest, which he utilizes and mixes up in a controversial formation. The word controversial is not used incidentally. What Ben Frost’s art is doing is, essentially, the appropriation and weaponization of imagery against the same system that gave birth to it.

    $529.00

  • Dissection Of The White Rabbit AP Archival Print by Nychos

    Nychos Dissection Of The White Rabbit AP Archival Print by Nychos

    Dissection Of The White Rabbit Limited Edition Archival Pigment Print on 300gsm Museum Natural Fine Art Paper by Nychos Graffiti Street Artist Modern Pop Art. AP Artist Proof 2013Signed & Marked AP Artwork Size 16x16 "I painted this piece in January of this year, right before I went to Hawaii for Pow Wow. It was also featured in my recent solo show in Italy, showcasing some of my recent dissections. The concept is based on the graphical graffiti throw-up I have been doing since around 2005, but I had to do a dissection of this one! The image is now Rabbit Eye Movement's main (REM) logo. REM started as a street art concept based in Vienna, but I always saw the Rabbit Eye Movement as an homage to all the "rabbits" out there being" active in the urban art movement; it doesn't matter what mission they are following. The movement grew, and REM expanded to establish the REM ARTSPACE. This place addresses national and international artists from genres like graffiti, urban illustration, street art, lowbrow, and pop culture imagery. It allows individual and collective creativity to open minds and cultivate passionate inspiration." - Nychos. Nychos' "Dissection of The White Rabbit": A Modern Pop Art Phenomenon In the contemporary urban landscape, few art pieces have captured the imagination as vividly as "Dissection of The White Rabbit" by Nychos, the illustrious graffiti street artist. This limited edition archival pigment print on 300gsm Museum Natural Fine Art Paper stands as a hallmark of modern pop art and a defining piece within the street pop art and graffiti artwork genre. Created as an artist proof (AP) in 2013, this 16x16 artwork weaves complex narratives of biology, mythology, and urban culture into a single, striking, and thought-provoking canvas. Nychos: Anatomical Explorations and Urban Narratives Nychos, renowned for his unique approach to street art, employs a distinctive technique of anatomical dissection in his work. "Dissection of The White Rabbit" is a prime example, presenting a rabbit split down the middle to reveal the intricate workings of its internal organs. This piece was conceived in January of that year, just as Nychos was preparing to attend Pow Wow in Hawaii, and subsequently became a centerpiece in his solo show in Italy. Nychos's work delves into the layers that compose living beings, reflecting a deep fascination with what lies beneath the surface. By marrying the graphic energy of graffiti throw-ups with the precise detail of dissections, Nychos has forged a new path in street pop art. The artwork also functions as the emblem for the Rabbit Eye Movement (REM), a concept originating from the streets of Vienna. Nychos envisions REM as a tribute to the 'rabbits' of the urban art movement, symbolizing the active participants in this burgeoning cultural scene, regardless of their mission. REM has since evolved to establish the REM ARTSPACE. This creative hub celebrates a variety of genres, from graffiti and urban illustration to street art, lowbrow, and pop culture imagery. This space is dedicated to fostering individual and collective creativity and serves as a bastion for the free exchange of ideas, ensuring the progression and inspiration of artists worldwide. The Impact and Legacy of Nychos' Work The influence of "Dissection of The White Rabbit" extends beyond its visual impact. It embodies Nychos' profound effect on the street art scene, illustrating the transformative power of visual arts in urban spaces. The work is a representation of the artist's technical prowess and a symbol of his commitment to challenging the traditional boundaries of street pop art and graffiti artwork. As the primary logo for the Rabbit Eye Movement, it has become synonymous with a global network of artists dedicated to advancing the cause of street art. Through his work and the establishment of REM ARTSPACE, Nychos has played a pivotal role in shaping the dialogue around street art and its place in the broader spectrum of contemporary art. In essence, "Dissection of The White Rabbit" is more than just a piece of art; it is a cornerstone of Nychos' artistic and cultural contribution. This piece encapsulates the dynamism and versatility of street pop art and graffiti artwork, demonstrating how such works can simultaneously educate, inspire, and provoke thought. As Nychos' fame continues to rise and his works continue to captivate audiences around the globe, the legacy of his white rabbit, dissected and displayed, stands as an enduring symbol of the power and potential of street art.

    $300.00

  • Sale -33% MC Supersized Camo Bangkok Art Toy by Ron English

    Ron English MC Supersized Camo Bangkok Art Toy by Ron English

    MC Supersized Camo- Bangkok Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English x Mindstyle. 2021 Ron English x Mindstyle presents MC Supersized Camo. Each one represents a different city in China with a unique camo style. 8 inches tall. Hand-signed by Ron. Comes with a hat and card. The collaboration between Ron English and Mindstyle has led to the creation of a remarkable piece of collectible artwork: the MC Supersized Camo - Bangkok Limited Edition Vinyl Art Toy. This distinctive piece is part of a series where each rendition pays homage to a different city in China, encapsulating its unique camo style. Standing at an impressive 8 inches tall, the toy reflects a fusion of street pop art and graffiti artwork, mediums where English has firmly established his legacy. Ron English is renowned for incorporating cultural icons into his work, often infusing them with a subversive and satirical edge that challenges observers to reconsider the mundane. The MC Supersized Camo is no exception. It serves as a critique and a playful twist on consumerism, specifically fast-food culture, which English frequently targets in his art. The vibrant camouflage pattern is not just an aesthetic choice; it's a statement of how commercial icons blend into our urban environments and consciousness. Each vinyl figure in this collection is hand-signed by Ron English, adding a personal touch that collectors and fans of street pop art appreciate. The Bangkok edition has accessories that increase its appeal and collectible value—a hat and a card, contributing to its narrative and authenticity. Mindstyle, known for its high-quality production of designer toys, ensures that the craftsmanship complements English's artistic vision. Together, they deliver a piece that is not merely a toy but a slice of contemporary art that stands at the crossroads of commercial imagery and street-inspired creativity. Collectors of such pieces will recognize the significance of adding this limited edition artwork to their assemblage, not just for its visual appeal but for the cultural commentary it embodies—a signature of English's work. This little edition piece encapsulates the spirit of street pop and graffiti art, making it a cherished item for collectors and enthusiasts alike.

    $406.00$272.00

  • Sale -33% Spider Andy White Suit HPM Stencil Silkscreen Print by Copyright

    Copyright Spider Andy White Suit HPM Stencil Silkscreen Print by Copyright

    Spider Andy- White Suit 5-Color Hand-Pulled Limited Edition Silkscreen Print on 300 gsm Fabriano Watercolour Paper by Copyright Rare Street Art Famous Pop Artwork Artist. Andy Warhol x Spider Man Marvel Comics. Mixed Media Screen Prints on 300 gsm Fabriano Watercolour Paper Size: 13.7 x 19.6 Inches (35 cm x 50 cm) Release: April 14, 2021 Run of: 7. This edition is uniquely hand-painted. Copyright: Copyright has been daubing the streets of the UK with his trademark pink roses for years. Fusing street art, graffiti, and more traditional styles, he uses a mixture of classic painting techniques and spray can art. He creates print styles with stencils, depth with spray paint, and texture with a paintbrush.

    $406.00$272.00

  • Train 24 HO Graffiti Train Art Toy Sculpture by LushSux

    LushSux Train 24 HO Graffiti Train Art Toy Sculpture by LushSux

    Train 24 is an original acrylic on HO Scale model train box-car sculpture artwork by graffiti street artist and modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. Introducing "Train 24" by LushSux: A Canvas on Rails "Train 24" emerges as a distinct piece within the oeuvre of the audacious street artist LushSux. Known for his exquisite murals and daring street pop art, LushSux transitions his artistry onto an unconventional medium—an HO-scale model train box-car—melding the meticulous craft of model train enthusiasts with the rebellious streak of graffiti art. Signed and created in 2014, this original piece represents the scale-defying nature of graffiti art, demonstrating that the spirit of this street-bound art form can be encapsulated within the 14x3 inches of a model train. LushSux's Signature Style in Miniature Form The artwork "Train 24" features a graffiti tag, commonly called a throw-up, characterized by its bubbly letters and quick execution—a style that is a staple in LushSux's street art repertoire. The vibrant pink hue of the tag punctuates the otherwise subdued palette of the model train car, drawing the eye and challenging the viewer's perception of space and art. In bringing his craft to such a miniature scale, LushSux blurs the lines between the subversive nature of graffiti and the controlled precision of model train painting. The tag, sprawled across the length of the train, becomes a moving narrative, a literal vehicle for the artist's expression. The Artistic and Collectible Value of "Train 24" "Train 24" stands not only as a piece of modern pop art but also as a coveted collectible item within the subculture of model train collecting. Fusing this niche hobby with the dynamic world of street art creates a cross-cultural artifact that appeals to a diverse group of collectors and enthusiasts. As an original signed by LushSux, the piece carries the weight of authenticity and the prestige of ownership that is highly sought after in both the art world and the model train community. This work is a testament to LushSux's versatility as an artist and to the expansive possibilities of graffiti artwork as a genre that continues to challenge and redefine itself. "Train 24" is a locomotive sculpture that symbolizes the journey of street pop art from the fringes into the spotlight of mainstream collectibility and artistic recognition.  

    $1,250.00

  • Dissection Of The Letter S Original Acrylic Painting by Nychos

    Nychos Dissection Of The Letter S Original Acrylic Painting by Nychos

    Dissection Of The Letter S Original Painting Mixed Media Framed On Paper by Nychos Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Acrylic Spray Paint Painting Artwork Size 40x48.5 “My dad and my grandpa were traditional Austrian hunters, so I think that is where some of my interest in anatomy comes from. Seeing a deer dissected for the first time was very inspiring for me. Seeing all the guts and intestines drop out, it was a bit crazy at first,” Nychos told Hypebeast while painting at the world’s premiere street art festival Pow Wow Hawaii earlier this year. “Using all of this anatomy I think have found something I can stick with and really go crazy on. It’s staying fresh for me because I am always finding new ways to do it.” -Nychos

    $2,744.00

  • Bound Original Mixed Media Watercolor Painting by Aelhra

    Aelhra Bound Original Mixed Media Watercolor Painting by Aelhra

    Bound Original Painting Spray Paint Watercolor Mixed Media on Art Paper by Aelhra Graffiti Street Artist Modern Pop Art. 2013 Signed Original Mixed Media Spray Paint Watercolor Artwork Size 15x22

    $489.00

  • Love Tripping- Pink Blotter Paper Archival Pigment Print by Mr André Saraiva

    Mr André Saraiva Love Tripping- Pink Blotter Paper Archival Pigment Print by Mr André Saraiva

    Love Tripping- Pink Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Mr Andre. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

    $438.00

  • Sale -33% Stains Silkscreen Print by Jeremy Wheeler

    Jeremy Wheeler Stains Silkscreen Print by Jeremy Wheeler

    Stains Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. A fictional band from movie Ladies and Gentlemen, the Fabulous Stains.

    $140.00$94.00

  • Sale -33% Felt Carousel Giclee Print by Bec Winnel

    Bec Winnel Felt Carousel Giclee Print by Bec Winnel

    Felt Carousel Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2012 Signed & Numbered Limited Edition of 50 Artwork Size 12x16 Stylized Fashion Clown Young Woman Crying. The Visual Poetry of "Felt Carousel" by Bec Winnel "Felt Carousel," a Giclee print by the renowned Australian artist Bec Winnel, is a stunning visual narrative that embodies the essence of Street Pop Art and Graffiti Artwork. Released in 2012, this limited edition artwork is a treasure trove of emotional depth, signed and numbered to ensure exclusivity for art collectors. Only 50 pieces exist worldwide, each measuring 12x16 inches and printed on fine art paper, a testament to the enduring allure of tactile, physical art in an increasingly digital world. Embracing Vulnerability in Street Pop Art The subject of "Felt Carousel" is a young woman, styled as a fashion clown, with a single tear marking her visage. This image diverges from the often vibrant and aggressive tones associated with graffiti art, offering a moment of vulnerability and introspection. Winnel masterfully blends the whimsy of a carousel, traditionally a symbol of childhood innocence, with the complex emotional state of the woman, creating a layered piece that invites contemplation. The contrast of the woman's tearful expression against the light-hearted motif of the carousel hat suggests a narrative of complexity within simplicity. This approach is emblematic of Street Pop Art's evolution, capable of expressing societal commentary and the profound personal struggles and joys that define the human experience. Contemplating the Subtleties of Street Art and Expression Bec Winnel's "Felt Carousel" print is a poignant reminder that Street Pop Art is not monolithic; it is a diverse and dynamic expression that transcends traditional boundaries. The choice of a Giclee print for this work underscores the importance of quality and longevity in art, ensuring that the delicate nuances of Winnel's pastel palette and the emotional gravity of the piece are preserved over time. In the broader context, "Felt Carousel" contributes to the narrative that Street Pop Art and Graffiti Artwork are not confined to public displays on urban walls but are also at home in private collections, which can be reflected upon in personal spaces. With its interplay of innocence and sorrow, this print demonstrates the genre's capacity to delve deep into the psyche, proving that street art can be as contemplative and stirring as any classical portrait. A Testament to the Enduring Spirit of Artistic Expression Finally, "Felt Carousel" is a testament to Bec Winnel's ability to evoke emotion and tell a story through her art. The fashion clown motif and the subject's genuine feeling craft a unique narrative open to interpretation yet universally understood. As one of the limited 50 owners of this print, collectors are invited to engage in a silent dialogue with the artwork, contemplating the myriad emotions that it elicits. Bec Winnel, through her sensitive and evocative portrayal of the human condition, continues to make an indelible mark on the world of contemporary art. "Felt Carousel" is not just a print; it is a piece of Winnel's soul, shared with the world, and a reminder that true artistry lies in the ability to elicit feeling and thought through the silent language of imagery.

    $225.00$151.00

  • Sale -33% Franken Fat- Cereal Killers Silkscreen Skareboard by Ron English Franken Fat- Cereal Killers Silkscreen Skareboard by Ron English

    Ron English Franken Fat- Cereal Killers Silkscreen Skareboard by Ron English

    Franken Fat- Cereal Killers Limited Edition Silkscreen Skateboard deck art by street pop culture artist Ron English. Comes with deck tape.

    $190.00$127.00

  • Sale -33% To Love And To Hold Giclee Print by Bec Winnel

    Bec Winnel To Love And To Hold Giclee Print by Bec Winnel

    To Love And To Hold Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 11x16 White Haired Woman with Lilly Flowers. The Alluring Fusion of Florals and Portraiture in "To Love And To Hold" by Bec Winnel "To Love And To Hold," a giclee print by the Australian artist Bec Winnel, presents a compelling blend of portraiture and nature, a common theme within the domain of Street Pop Art and Graffiti Artwork, yet expressed here with a unique finesse. Limited to a collection of 25 signed and numbered editions, the artwork, sized at 11x16 inches, features a white-haired woman with lily flowers, a juxtaposition that evokes themes of purity, beauty, and the delicacy of human emotions. Bec Winnel's Artistic Narrative in Street Pop Art Bec Winnel's contribution to the contemporary art scene is marked by her ethereal and almost otherworldly representations of women, often coupled with elements from nature. "To Love And To Hold" is no exception. Winnel's precise and tender touch breathes life into the paper, creating a texture and depth that might be found in the murals and textures of Street Pop Art and Graffiti Artwork. This print invites the viewer into a narrative woven from the subject's penetrating gaze and the vibrant life of the lily flowers. The interplay between the subject and the lilies in "To Love And To Hold" is significant. Lilies are often associated with devotion, purity, renewal, and rebirth. By juxtaposing these flowers with the woman's gaze, Winnel may suggest a story of enduring love, a moment of contemplation, or a cycle of growth and change. The limited edition nature of the print deepens its value, turning it into a collectible piece that holds not just aesthetic value but also an emotional narrative that resonates with the viewer. Technique and Expression in Winnel's Limited Edition Prints The technique employed by Winnel in her giclee prints ensures that every subtle detail of her original artwork is captured, from the soft hues of the woman's hair to the intricate details of the lily flowers. Giclee printing, known for its high-quality reproduction capabilities, is particularly suited to Winnel's style, which often features soft gradients and delicate shadings that would be lost in lower-quality print methods. "To Love And To Hold" reflects the same attention to detail and expression often found in Street Pop Art and Graffiti Artwork. While the latter is typically found in urban settings and is characterized by its public display and often bold messages, Winnel's print brings the essence of this artistic expression into a personal and contemplative space. The piece does not shout from a wall but whispers from a frame, allowing for a deeper and more intimate connection with the art. The Lasting Impact of "To Love And To Hold" The lasting impact of "To Love And To Hold" within the broader context of street pop art and graffiti artwork is a testament to the versatility and range of the movement. While Street Pop Art is often associated with urban landscapes and the social and political commentary inherent in graffiti, Winnel's print showcases how the principles of this movement can be translated into different mediums and settings. Her work is a reminder that Street Pop Art is not confined by space or scale but is defined by its ability to touch, engage, and convey meaning. In the hands of those who own a piece of this limited edition print, "To Love And To Hold" continues to be more than just a work of art. It is a portal to a story, an emotion, and a piece of the artist's soul. It is a reminder of the beauty that can be found in stillness, the strength in vulnerability, and the profound connection between humanity and the natural world. As such, Bec Winnel's work is an enduring piece within the ever-evolving narrative of Street Pop Art and Graffiti Artwork, bridging the gap between the intimate and the universal, the private collection and the public spectacle.

    $225.00$151.00

  • Sale -33% Superstar Destroyer Silkscreen Print by Bill McMullen- Billions

    Bill McMullen- Billions Superstar Destroyer Silkscreen Print by Bill McMullen- Billions

    Superstar Destroyer Limited Edition 6-Color Hand-Pulled Silkscreen Print on 100lb bristol paper by Bill McMullen Graffiti Street Artist Modern Pop Art. This amazing 16" x 16", 6-color hand-pulled silkscreened print on bristol paper is an edition of 50. All signed and numbered by the one and only, Bill McMullen! Stay tuned for future projects!

    $153.00$103.00

  • Sale -33% Neon Pink Black Widow Spider HPM Mixed Media Unique by Saber Neon Pink Black Widow Spider HPM Mixed Media Unique by Saber

    Saber Neon Pink Black Widow Spider HPM Mixed Media Unique by Saber

    Neon Pink Black Widow Spider HPM Mixed Media Unique by Saber Hand-Painted Ink, Colored Pencils, Marker, Highlighter on Fine Art Paper Graffiti Street Artist Modern Pop Art.  2023 Signed & Numbered Mixed Unique Edition Original Series Edition of 25 HPM Hand-Drawn Pen Ink, Highlighter Marker, Marker, and Colored Pencils Artwork Size 3.5x3 Mini Drawing of the Pink Spiders & Black Widow Spider. Includes Hand Painted & Tagged Cardboard. Intersecting Nature and Urban Expression in Saber's Art The 'Neon Pink Black Widow Spider HPM Mixed Media Unique' series is a stunning representation of street pop art's versatility and depth, created by the renowned graffiti artist Saber. This 2023 collection, a numbered series of 25 unique hand-painted multiples (HPM), features miniature 3.5x3 inch drawings of black widow spiders rendered in a striking neon pink. These pieces are accompanied by hand-painted and tagged cardboard, combining natural motifs and urban art sensibilities. Saber's Mixed Media Mastery Saber, an artist whose works are embedded in the DNA of modern street art, utilizes a diverse range of materials such as pen ink, highlighter, marker, and colored pencils to bring these arachnids to life. The neon pink is arresting and symbolic, challenging the viewer's perceptions of danger and attraction. In the natural world, bright colors often serve as a warning, and in the urban landscape, they demand attention – a parallel that Saber skillfully draws upon in his artwork. The inclusion of hand-painted cardboard adds an element of raw authenticity to the series. Cardboard, a ubiquitous and often discarded material, is transformed into a valuable part of the art, questioning the hierarchy of materials and the value assigned to different mediums. This approach is emblematic of street pop art's capacity to elevate the mundane and to find beauty in the overlooked. Themes of Survival and Beauty Black widow spiders are creatures that evoke a mixture of fear and fascination. Saber taps into this duality, using the spiders as a metaphor for resilience and the delicate balance between beauty and danger. This narrative is particularly resonant within the context of street pop art and graffiti artwork, where the act of creation itself is often a form of survival and defiance. The spiders, set against Saber's signature tags backdrop, embody the tension inherent in street art – the push and pull between legality and expression, between the individual artist and the broader community. Through his neon pink black widows, Saber invites a dialogue about the interplay between instincts and urban environments and the instinctual drive to leave a mark through silk webs or spray paint.

    $75.00$50.00

  • Sale -33% Screaming for the Sunrise Pearl Art Toy by Yoskay Yamamoto

    Yoskay Yamamoto Screaming for the Sunrise Pearl Art Toy by Yoskay Yamamoto

    I screamed for the Sunrise- Pearl Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Yoskay Yamamoto. 2014 Limited Edition of 200 Displayed In Box. This was the fourth colorway of the beautiful figure "Screaming for the Sunrise" by Yoskay Yamamoto. Featuring pearly accents and pink/purple flames, this piece also comes with a removable sheer ribbon. The Fusion of Traditional Motifs and Street Art in Yoskay Yamamoto's Work "Screaming for the Sunrise - Pearl" is an illustrious vinyl art toy collectible that encapsulates the essence of Yoskay Yamamoto's artistic vision, which marries the serene aesthetic traditions of his Japanese heritage with the vibrant, unbounded spirit of street graffiti art. This limited edition piece, with only 200 in existence, was released in 2014 and has since become a coveted item for collectors of street art and contemporary pop art. The piece features an ethereal blend of pearly accents and a gradient of pink and purple flames, exuding tranquility and intense emotion. This colorway of "Screaming for the Sunrise" is the fourth iteration, reflecting Yamamoto's ongoing exploration of mood and expression through color and form. The vinyl figure is characterized by its striking juxtaposition of a traditional Japanese mask with a modern, almost otherworldly aesthetic. The removable sheer ribbon adds a tactile dimension to the piece, inviting interaction and a personal connection with the artwork. Yamamoto's work often blurs the line between art and artifact, creating pieces that are visually arresting and rich in cultural significance. Collectibility and Significance of Yamamoto's "Screaming for the Sunrise - Pearl" The collectibility of "Screaming for the Sunrise - Pearl" lies in its unique blend of traditional artistry and contemporary design. As a limited edition piece, it represents a tangible intersection of street pop art and collectible culture, standing at the crossroads of accessibility and exclusivity. The artwork's display in a box suggests a reverence for the piece, positioning it as a treasured object meant to be viewed and appreciated over time. Collectors of Yamamoto's work are not simply acquiring an object; they are embracing a piece of the artist's ongoing narrative that continues evolving with each new creation. Yamamoto's influence on street graffiti and pop art is significant, as he brings a nuanced sensibility to a genre often dominated by bold, explicit forms of expression. His works, such as "Screaming for the Sunrise - Pearl," resonate with a quiet intensity, reflecting his journey and observations of the human condition. In the vibrant culture of street art, where messages are often conveyed through shock and scale, Yamamoto's subtler approach provides a contemplative space for viewers to engage with his work on a deeper level. Yoskay Yamamoto's "Screaming for the Sunrise - Pearl" is a testament to the transformative power of street pop art and graffiti artwork. It exemplifies how traditional cultural elements can be reimagined within the modern context, creating a dialogue between the past and present. Like all of Yamamoto's creations, this piece is a bridge connecting different worlds, inviting us to traverse the expanse between heritage and innovation, between the serene and the street.

    $150.00$101.00

  • Ceci N'est Pas Une Peter Griffin Original Spray Paint Mixed Media Painting by Shark Toof

    Shark Toof Ceci N'est Pas Une Peter Griffin Original Spray Paint Mixed Media Painting by Shark Toof

    Ceci N'est Pas Une Peter Griffin Original Painting Acrylic & Aerosol on Canvas by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 27x19 "This new body of work is a blend of my graffiti roots, where I developed my unique voice. At the same time, there's also an aspect of this work that is " not taking yourself too seriously, vandalizing your icons," Shark Toof said while preparing in Detroit. "I like Detroit because it is very do-it-yourself, and I am a very do-it-yourself artist, so it is a great fit for me."-Shark Toof The Artistic Dialect of Shark Toof: Subverting Pop Culture Icons Shark Toof's "Ceci N'est Pas Une Peter Griffin" is a compelling piece that showcases the artist's deft blend of graffiti roots with the playful irreverence of modern pop art. Created in 2014, this original painting embodies Shark Toof's unique voice, a voice he has cultivated through his deep connections with the street art movement. This artwork, measuring 27x19 inches, is a striking example of his mixed media mastery, incorporating acrylic and aerosol on canvas. In this piece, Shark Toof engages with the familiar iconography of pop culture, specifically the well-known character Peter Griffin from the animated sitcom "Family Guy." However, in true street art fashion, Shark Toof takes this familiar image and subverts it, adding layers of meaning and challenging the viewer's perceptions. The title, a nod to René Magritte's famous work, plays with the idea of representation and reality, encouraging viewers to question what they see. The painting's mixed media approach is characteristic of street pop art, which combines various techniques and materials to create dynamic visuals. Shark Toof's use of bold colors and exaggerated features captures the essence of graffiti art's impact while paying homage to pop art's stylized aesthetics. His work does not shy away from humor or satire; instead, it embraces these elements to deliver a more profound commentary on the nature of celebrity, fandom, and the art world itself. In the context of street pop art and graffiti artwork, Shark Toof stands out as an artist who embodies the DIY spirit of the genre. His affinity for cities like Detroit, with their rich industrial pasts and vibrant street art scenes, speaks to his commitment to the grassroots nature of his craft. Shark Toof's work, including "Ceci N'est Pas Une Peter Griffin," is a visual feast and a testament to the transformative power of street art in the modern era. Through his art, Shark Toof continues to push the boundaries of street pop art, showcasing its potential to be both playful and piercingly insightful. His ability to navigate the intersection of street art and fine art while maintaining a sense of authenticity and approachability ensures that his work resonates with a broad spectrum of art enthusiasts and collectors alike.

    $2,833.00

  • Sale -33% Orange Giclee Print by Hsiao Ron Cheng

    Hsiao Ron Cheng Orange Giclee Print by Hsiao Ron Cheng

    Orange- Retratos Zupi Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Hsiao Ron Cheng. Hsiao Ron Cheng, an amazing artist from Taipei, Taiwan, and part of the Prisma Artist Collective.

    $209.00$140.00

  • Sale -33% Ginta Face Study 2 Giclee Print by Bec Winnel

    Bec Winnel Ginta Face Study 2 Giclee Print by Bec Winnel

    Celine Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 20 Artwork Size 11.75x13.5 Close-Up Study of a Young Woman's Face. The Intimate Gaze of Ginta: A Study by Bec Winnel In the realm of Street Pop Art and Graffiti Artwork, the intimate giclee print known as "Ginta Face Study 2" by the Australian artist Bec Winnel is a mesmerizing work that captures the subtle complexities of human expression. This limited edition print, signed and numbered with only 20 copies, offers a profound exploration of the human face in a format more often associated with the superb scales of street art. Sized at 11.75x13.5 inches, the work presents a close-up study of a young woman's face, inviting viewers into a moment of quiet contemplation. Contrasting Realms of Expression in Street Pop Art Bec Winnel's work starkly contrasts the traditional expectations of Street Pop Art and Graffiti Artwork, often characterized by their significant, bold presence on city walls. "Ginta Face Study 2" brings the same candid and raw emotion of street art into a more personal scale, allowing for an intimacy that large-scale murals cannot always convey. Winnel's delicate pencil work and soft pastel hues create an almost ethereal quality, capturing the light and shadow of the subject's features with a palpable tenderness. The limited edition nature of the work adds to its allure, creating a sense of exclusivity and value that is cherished in both the fine art world and the collectible street art scene. Giclee printing, known for its ability to reproduce the subtleties of original artwork precisely, is the perfect medium for Winnel's intricate details, ensuring that each copy of the limited run is as close to the original as possible. Bec Winnel's Place in Contemporary Art Bec Winnel, while not a street artist in the traditional sense, embodies the spirit of Street Pop Art through her use of popular and accessible imagery. Her focus on the human condition, shared by many street artists, is reflected in the depth and vulnerability of the subject's gaze. The choice to capture such intimacy speaks to the heart of what many street and graffiti artists aim to do: to connect with the observer on a personal level, to evoke emotion, and to tell a story without words. "Ginta Face Study 2" does just that, telling its story in the quiet spaces between glances. Winnel's mastery of her medium ensures that the narrative is felt rather than told, allowing the viewer to infer the emotions and thoughts behind the young woman's eyes. This is the power of street pop art – to communicate, move, and be accessible, regardless of the scale or medium. Enduring Impact of Winnel's Giclee Prints The impact of Bec Winnel's "Ginta Face Study 2" within the scope of Street Pop Art and Graffiti Artwork is notable in demonstrating the versatility and range of these art forms. Her work blurs the line between fine art and street art, clarifying that the two worlds are not mutually exclusive. The piece exists comfortably within the confines of a frame yet speaks the language of the streets: raw, honest, and unapologetically human. As it hangs on the walls of those lucky enough to own a copy, "Ginta Face Study 2" continues to exude its quiet strength and profound beauty. It is a reminder that street pop art is not defined by its location or size but by its ability to connect with an audience. It bridges the artist and the viewer between the world of high art and the everyday experience. Through works like this, Bec Winnel ensures that the narrative of street pop art continues to evolve, maintaining its relevance and capacity to captivate and engage.

    $150.00$101.00

  • Sale -33% Candy Giclee Print by Bec Winnel

    Bec Winnel Candy Giclee Print by Bec Winnel

    Candy Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 11.75x16.25 Colorful Tattooed Young Blond Woman in Thought. Exploring the Fusion of Femininity and Street Pop Art in Bec Winnel's Candy Giclee Print Bec Winnel is a name that resonates deeply in contemporary art, particularly within Street Pop Art and Graffiti Artwork. This Australian artist has become known for her meticulous and delicate approach to portraiture that marries traditional drawing with contemporary themes and street art sensibilities. One of Winnel's standout pieces is the 'Candy Giclee Print,' a limited edition artwork that showcases her unique blend of these artistic styles. Limited to 25 prints, each piece is hand-signed and numbered by the artist, making it a coveted item for collectors and enthusiasts of Street Pop Art. The Allure of Limited Edition Art The 'Candy Giclee Print' measures 11.75x16.25 inches, a size that is intimate yet commanding. The choice of fine art paper as a medium for this print adds to the allure, providing a tactile quality that elevates the viewing experience. Limited edition prints such as this offer a sense of exclusivity and investment, promising that only a select few can own a piece of this visual narrative. The rarity of the edition often incites a deeper appreciation and a connection with the artwork, further intensified by the artist's personal touch in her signature. Symbolism and Style in Candy Giclee Print The artwork is an evocative portrayal of a young blond woman tattooed and lost in thought. The colors are vibrant, with the tattoo patterns reminiscent of graffiti art. This melding of styles is particularly effective in conveying the personality and inner life of the subject. The tattoos, which could be perceived as a form of street art, adorn her skin like a canvas, suggesting a personal and exposed story. The subject's expression is pensive, inviting viewers to contemplate her thoughts and emotions and the cultural implications of tattoos as a form of self-expression and identity. Impact of Street Pop Art and Graffiti Artwork Street Pop Art and Graffiti Artwork have long been at the forefront of challenging traditional boundaries in the art world. They bring the vibrancy of street culture into the typically more refined gallery spaces. In the case of Bec Winnel's 'Candy Giclee Print,' there is a fusion of the delicate and the bold, the private and the public, the controlled and the free. It stands as a testament to the power of street-inspired art to infiltrate and enrich the mainstream art narrative while retaining its edge and authenticity. In the broader context of art history, pieces like 'Candy Giclee Print' are important cultural artifacts that reflect the times and social attitudes. They also underscore the significance of street art in contemporary dialogues about art and its place in society. Winnel's, with its intricate detail and emotional depth, exemplifies how the medium of street art can be as potent and profound as any traditional art form, capable of conveying complex themes and resonating on a deeply personal level with viewers. Through her work, Bec Winnel contributes to the growing recognition of Street Pop Art as a legitimate and essential form of artistic expression. Her pieces do not just hang on the walls of those who purchase them; they hang in the collective consciousness of a society increasingly acknowledging the blurred lines between high art and street art, between the gallery and the alleyway. Winnel's 'Candy Giclee Print' is not just a beautiful piece of art; it is a piece of cultural dialogue, a slice of contemporary life, and a reflection of the evolving landscape of art and expression.

    $225.00$151.00

  • And Then Things Got Better Purple Mini Stencil HPM by Denial- Daniel Bombardier

    Denial- Daniel Bombardier And Then Things Got Better Purple Mini Stencil HPM by Denial- Daniel Bombardier

    And Then Things Got Better- Purple Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

    $1,068.00

  • Sale -33% Bonnie Giclee Print by Bec Winnel

    Bec Winnel Bonnie Giclee Print by Bec Winnel

    Bonnie Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 10.75x16.5 Pink Haired Woman Close Up in Repose. Bonnie: A Tranquil Portrait by Bec Winnel The limited edition "Bonnie" giclee print by Australian artist Bec Winnel is an exquisite addition to the world of Street Pop Art and Graffiti Artwork despite its seemingly contrasting, serene, and delicate presentation. Released in 2014, this collection was limited to 25 signed and numbered editions, featuring a white-haired woman in a size of 10.75x16.5 inches. The artwork represents a departure from the traditional urban and vibrant settings of street art, inviting viewers to a moment of calm and introspection. Artistic Expression Beyond Urban Canvases Winnel's "Bonnie" brings the spirit of Street Pop Art into the realm of fine art paper, providing a more intimate and detailed look into the subject matter than what is usually afforded by the broad strokes of graffiti. The intricate details in the woman's white hair and the subtle interplay of light and shadow on her features display Winnel's use of pencil and pastel to create textures and depths as impactful as any large-scale mural. In "Bonnie," the subject's gaze is not confrontational but inviting, reflecting an inner peace and stillness that is often sought but not frequently depicted in street art's bustling, dynamic world. Like much of Street Pop Art, this piece communicates powerful emotions and narratives without words, proving that art can connect with the viewer on multiple levels, regardless of the setting or style. Street Pop Art in the Lens of Giclee Printing The use of giclee printing in "Bonnie" ensures that the nuanced gradations of color and delicate line work are preserved, mirroring the precision that can be found in street artists' spray paint and stencils. Giclee prints, known for their high fidelity to the original artworks, allow the intricate details of Winnel's technique to be fully experienced. This method of reproduction aligns with the ethos of Street Pop Art by making high-quality art accessible and by breaking down the barriers between the public and the private in the world of art. Winnel's decision to limit "Bonnie" to a series of 25 ensures that each piece remains unique and valued, much like the ephemeral nature of street art, which may only exist in its original location for a brief moment before being painted over or removed. The owners of "Bonnie" thus become custodians of a moment in time, a piece of art that captures the transient beauty of life. The Enduring Appeal of Winnel's "Bonnie" The enduring appeal of "Bonnie" lies in its timeless quality and the universal emotions it evokes. This piece by Bec Winnel is a testament to the breadth and diversity of Street Pop Art and Graffiti Artwork. This genre is not limited to loud messages and bold visuals but also encompasses the quiet and contemplative. Winnel's work invites us to see the potential of street art to transcend its traditional boundaries and to be appreciated in diverse contexts and formats. As "Bonnie" graces the walls of private collections, it continues to speak volumes about the power of Street Pop Art to adapt and find resonance in various environments. It bridges the often misunderstood world of street art and those who seek to find beauty and meaning in every form of artistic expression. Through works like "Bonnie," Bec Winnel contributes to the rich and evolving dialogue of what it means to create art in the modern world, ensuring that the narrative of Street Pop Art is as varied and profound as the human experience itself.

    $225.00$151.00

  • Sale -33% ZOMBIE GOOO! Pink Art Toy by VISEone

    VISEone ZOMBIE GOOO! Pink Art Toy by VISEone

    ZOMBIE GOOO!- Pink Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist VISEone. ZOMBIE GOOO! is a cooperation between VISEone & Flying LuLu.Approx. 8" in height, made of vinyl.

    $92.00$62.00

  • A Bathing Ape 28th Anniversary 1000% Pink Be@rbrick x Bape- A Bathing Ape A Bathing Ape 28th Anniversary 1000% Pink Be@rbrick x Bape- A Bathing Ape

    Bape- A Bathing Ape A Bathing Ape 28th Anniversary 1000% Pink Be@rbrick x Bape- A Bathing Ape

    A Bathing Ape 28th Anniversary 1000%- Pink BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures #3 2021 Medicom x A Bathing Ape Bape New In Box

    $3,135.00

  • Spray Can Krylon Pink I Original Cardboard Sculpture by Bill Barminski

    Bill Barminski Spray Can Krylon Pink I Original Cardboard Sculpture by Bill Barminski

    Spray Can- Krylon- Pink I Original Mixed-Media Spray Paint Acrylic on Cardboard Sculpture Artwork by graffiti street artist modern pop artist Bill Barminski. 2020 Signed Dupont Spray Paint Can Made of Cardboard and Hand Painted Original. "Please enjoy this set of artworks created during the lockdown. Even the Cyclops are wearing a mask these days. Since I work in my home studio my day-to-day is very much the same - except for the overarching sense of doom we all feel. But that’s why I make art - to escape that. I always feel better when I’m making things. Enjoy." -Bill Barminski

    $613.00

  • Eye Patch Archival Print by Luke Chueh

    Luke Chueh Eye Patch Archival Print by Luke Chueh

    Eye Patch Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Luke Chueh Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 12x12 Chueh's work has been featured in galleries around the world, and some of his paintings have also been reinterpreted into vinyl toys.

    $263.00

  • Hello Lukey Archival Print by Luke Chueh

    Luke Chueh Hello Lukey Archival Print by Luke Chueh

    Hello Lukey Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Luke Chueh Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 12x12 Chueh's work has been featured in galleries around the world, and some of his paintings have also been reinterpreted into vinyl toys.

    $263.00

  • Pink Skull Flower AP Laser Cut Wood Archival Print by Tara McPherson Pink Skull Flower AP Laser Cut Wood Archival Print by Tara McPherson

    Tara McPherson Pink Skull Flower AP Laser Cut Wood Archival Print by Tara McPherson

    Pink Skull Flower Print on Laser Cut Wood Panel Framed Ready to Hang by Tara McPherson Modern Pop Artist. Artist Proof AP. 9.6 x 14 in. (24.384cm x 35.56cm) Fine art wood print on 1/2" sustainable birch wood, bright white finish Limited edition of 20 hand signed and numbered fine art wood canvas print. DesignerCon 2019 exclusive.

    $422.00

  • A Bathing Ape 28th Anniversary 400% Pink Be@rbrick x Bape- A Bathing Ape A Bathing Ape 28th Anniversary 400% Pink Be@rbrick x Bape- A Bathing Ape

    Bape- A Bathing Ape A Bathing Ape 28th Anniversary 400% Pink Be@rbrick x Bape- A Bathing Ape

    A Bathing Ape 28th Anniversary 400%- Pink BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figure by Bape- A Bathing Ape x Medicom #3 2021 Medicom x A Bathing Ape Bape New In Box

    $518.00

  • Pop Can Pink Silkscreen Print by Denial- Daniel Bombardier

    Denial- Daniel Bombardier Pop Can Pink Silkscreen Print by Denial- Daniel Bombardier

    Pop Can- Pink Limited Edition 7-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed Limited Edition of 40 Artwork Size 18x24 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial’ about. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

    $422.00

  • Sale -33% Appetite Archival Print by Yumiko Kayukawa

    Yumiko Kayukawa Appetite Archival Print by Yumiko Kayukawa

    Appetite Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Yumiko Kayukawa Graffiti Street Artist Modern Pop Art. "This piece was presented for a show “Rock You In a Tatami Room” in 2011. It wasn’t a theme show, so I created pieces with just represented what I was feeling at the time. As I love animals and wildlife, how they kill to survive is a passionate subject for me. Even a beautiful crane fights to live. It’s beautiful to me, just like they are dancing." - Yumiko Kayukawa

    $406.00$272.00

  • Sale -33% Mog Moog Silkscreen Print by Clint Wilson

    Clint Wilson Mog Moog Silkscreen Print by Clint Wilson

    Mog Moog Limited Edition 4-Color Hand-Pulled Silkscreen Print on Art Print by Artist Clint Wilson. 2010 Signed & Numbered Limited Edition of 150 Artwork Size 18x24

    $153.00$103.00

  • Sale -33% Cowgirls #4 - Sprayed Paint Art Collection

    Zane Thomas Cowgirls #4 Silkscreen by Zane Thomas

    Cowgirls #4 Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Zane Thomas Graffiti Street Artist Modern Pop Art.

    $99.00$66.00

  • Sale -33% Birds Pink Silkscreen Print by Jon Smith

    Jon Smith Birds Pink Silkscreen Print by Jon Smith

    Birds- Pink Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art.

    $194.00$130.00

  • Sale -33% Stevie Giclee Print by Bec Winnel

    Bec Winnel Stevie Giclee Print by Bec Winnel

    Stevie Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 8.25x11 Skull with Crystals and Mushrooms. The Symbolic Stevie Giclee Print by Bec Winnel Bec Winnel's artistic expression through giclee prints offers a captivating blend of natural and mystical elements, as beautifully depicted in the "Stevie" limited edition print. With only 25 signed and numbered pieces, this artwork embodies a rare intersection of Street Pop Art and fine art, presented on fine art paper. The "Stevie" print, measuring 8x10.75 inches, juxtaposes the stark imagery of a skull with the organic growth of crystals and mushrooms, creating a dialogue between life, death, and rebirth. Deepening the Aesthetic and Conceptual Dialogue Winnel's "Stevie" is a profound narrative captured through delicate yet powerful imagery. The skull, a universally recognized symbol of mortality, is contrasted with elements that signify life and natural beauty. Often associated with healing and spiritual properties, Crystals emerge alongside mushrooms, symbolizing nature's resilience and life cycle. This visual paradox is a hallmark of Street Pop Art's ability to foster multifaceted conversations and a reflection of Winnel's expertise in marrying various thematic elements to provoke thought and emotion. The limited edition nature of "Stevie" amplifies its value in terms of scarcity and as a significant piece of contemporary art that can be owned and appreciated in personal spaces. Giclee prints allow for a high-resolution depiction of Winnel's detailed work, ensuring that each stroke and color gradient is faithfully reproduced for the collector. In this sense, the print becomes a timeless piece, capturing the ephemeral nature of Street Pop Art while providing a lasting window into the artist's vision. Bec Winnel and the Landscape of Street Pop Art While Bec Winnel may not be a street artist in the traditional sense, her work shares an affinity with the Street Pop Art movement through its accessibility and the portrayal of common motifs in a unique and thought-provoking manner. Street Pop Art is characterized by its ability to capture the observer's attention through visuals grounded in cultural and social commentary. Winnel's "Stevie" fits within this paradigm, challenging viewers to reflect on existential themes through the lens of natural symbolism. The choice of a skull, crystals, and mushrooms speaks to a universal audience, transcending cultural barriers and inviting interpretations that span different worldviews. As such, Winnel contributes to the dialogue that Street Pop Art and Graffiti Artwork are known for – one that is inclusive, diverse, and deeply connected to the human experience. The medium of fine art paper elevates the textural experience of the artwork, providing depth and a tactile dimension often experienced in the physicality of street art. Continuing Legacy of "Stevie" in Artistic Discourse The legacy of "Stevie" extends beyond the confines of its limited edition status. It becomes part of a larger conversation about the role of art in society and how Street Pop Art and Graffiti Artwork contribute to cultural narratives. By bringing elements typically found in street art into the home, Winnel's print bridges the gap between public and private art appreciation, allowing for a personal relationship with themes often played on a larger scale on city walls. The significance of "Stevie" also lies in its ability to remain relevant and poignant. As with much Street Pop Art and Graffiti Artwork, the themes of life, death, and the natural world are ever-present in the human psyche. Winnel's artistic choices prompt a meditation on the cycle of existence and the beauty found in all its stages. In the hands of collectors, "Stevie" serves as a reminder of the power of art to encapsulate complex ideas within simple forms. Winnel's work, through its technical finesse and conceptual depth, stands as a testament to the evolving nature of Street Pop Art and Graffiti Artwork. In such pieces, the conversation between the ancient and the contemporary, the transient and the permanent, continues to thrive, enriching the tapestry of modern art.

    $100.00$67.00

  • Sale -33% Celine Giclee Print by Bec Winnel

    Bec Winnel Celine Giclee Print by Bec Winnel

    Celine Giclee Print by Bec Winnel Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2014 Signed & Numbered Limited Edition of 25 Artwork Size 12x13 Pale Woman with Flower in Her Hair. The Ethereal Beauty of Celine by Bec Winnel The giclee print titled "Celine" by the Australian artist Bec Winnel is a masterpiece that sits at the intersection of traditional portraiture and Street Pop Art, a limited edition offering that comprises only 25 signed and numbered pieces. This artwork, measuring 11.5x13 inches, captures the viewer's gaze with the delicate depiction of a pale woman adorned with a flower in her hair, a motif ripe with symbolism and quiet introspection. Bec Winnel's approach in "Celine" is one of intimate portraiture. The subject's pale visage and the soft pink tones of her hair offer a stark yet gentle contrast to the bold and often brash world of Street Pop Art and Graffiti Artwork. The flower, a timeless symbol of nature's fleeting beauty, is rendered with such care that it seems to whisper stories of life's transient nature. The artwork, though rooted in the techniques of fine art, communicates the essence of street art through its emotional impact and accessibility. The use of giclee printing ensures that each nuance of Winnel's delicate pencil and pastel work is captured with precision, allowing the fine gradations of color and detail to shine through. This form of high-quality reproduction democratizes art, aligning with the Street Pop Art ethos of making art available to a wider audience beyond the confines of galleries and exclusive collections. Bec Winnel and the Contemporary Art Scene Bec Winnel, while perhaps not as widely recognized as some street artists, has earned a respected place within the contemporary art scene for her distinct blend of realism and fantasy. Her work often features women in moments of deep contemplation, surrounded by elements of the natural world that serve to underline their connection to the environment and to the cycles of life and death. This connection resonates with the thematic preoccupations of Street Pop Art, where the dialogue between the urban landscape and nature is frequently explored. "Celine" represents a poetic pause in the hustle of the street art world, inviting viewers to reflect on the softer side of humanity. The limited edition nature of the print adds a layer of exclusivity, yet Winnel's artistry bridges the gap between the elite art world and the democratic nature of street art. By creating a fine art paper version of her work, she extends an invitation to a broader audience to engage with her art in their own spaces. The allure of "Celine" lies in its ability to evoke a sense of ethereal beauty and vulnerability, characteristics that are often overshadowed in the bustling, dynamic spaces where Street Pop Art and Graffiti Artwork typically reside. The print holds a mirror to the quieter, more reflective aspects of human experience, much like a mural tucked away in a quiet corner of a busy city street might do. The enduring impact of "Celine" is its subtle challenge to the viewer: to slow down, to appreciate the beauty in stillness, and to consider the depth of the human experience. Winnel's choice to portray a woman in a moment of vulnerability is a powerful statement within the broader context of Street Pop Art, often dominated by louder, more aggressive themes. As "Celine" finds its home with collectors and art enthusiasts, it continues to weave its narrative, one that is as relevant today as it was in 2014. It stands as a testament to the possibilities of cross-pollination between the worlds of fine art and street art, a testament to the power of beauty and vulnerability in an often harsh and unforgiving world. Through her art, Bec Winnel contributes to the evolving story of Street Pop Art and Graffiti Artwork, ensuring that the narrative remains as diverse and multifaceted as the human experience itself.

    $150.00$101.00

  • Soak Up Art When You Can CYMK PP Silkscreen Print by Kunstrasen

    Kunstrasen Soak Up Art When You Can CYMK PP Silkscreen Print by Kunstrasen

    Soak Up Art When You Can CYMK PP Silkscreen Print by Kunstrasen Printers Proof Hand-Pulled 6-Color on 300gsm Somerset Fine Art Paper Limited Edition Artwork. PP Printers Proof 2018 Signed & Marked P/P Limited Edition Artwork Size 19.68x27.56 Silkscreen Print. The "Soak Up Art When You Can CYMK PP" is a thought-provoking silkscreen print by Kunstrasen, whose work fluidly combines the aesthetics of Street Pop Art and Graffiti Artwork. Created in 2018, this piece is a Printers Proof (P/P), indicating it is one of the unique copies typically reserved for the artist's approval before the final edition is run. This status often makes the P/P prints more desirable due to their rarity and role in printmaking. The artwork is hand-pulled, a traditional technique that ensures each print has a unique touch, and it features a vibrant 6-color palette on 300gsm Somerset fine art paper, known for its superior quality and texture, enhancing the visual depth of the print. Kunstrasen's choice of the CMYK color model, a cornerstone of printing technology, cleverly bridges the technical world of printmaking with the visceral experience of viewing art. The dimensions of the piece, 19.68x27.56 inches, offer a substantial canvas for the artist's vision, where the striking interplay of color blocks and the depicted figure invites contemplation on the role of art in public and personal spaces. With its significant name "Soak Up Art When You Can," this print serves as both a manifesto and a reflection on the ephemeral nature of street art and the importance of engaging with art in all its forms. The work is both a literal and metaphorical splash of color against the structured backdrop of CMYK, suggesting the transformative power of art to disrupt and animate the routine patterns of life. The silhouette of the figure against the bold splashes of paint is reminiscent of graffiti's spontaneous nature, while the structured composition speaks to the calculated precision of pop art. Kunstrasen's work often resides in this dual nature, navigating the nuances between planned artifice and impulsive creativity. For enthusiasts and collectors, owning a piece like "Soak Up Art When You Can CYMK PP" means holding a snapshot of the artist's critical engagement with the world. This piece symbolizes the ongoing dialogue between the street and the gallery.

    $1,000.00

  • The Heart Is A Lonely Hunter Giclee Print by Kathy Ager

    Kathy Ager The Heart Is A Lonely Hunter Giclee Print by Kathy Ager

    The Heart Is A Lonely Hunter Giclee Print by Kathy Ager Artwork Limited Edition Print on 290gsm Cotton Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 18x26 The Visual Language of "I Hope Your Flowers Bloom" by Kathy Ager Kathy Ager's "I Hope Your Flowers Bloom" is a captivating giclée print that channels the essence of Street Pop Art and graffiti Artwork through a lush tableau of flora intertwined with a pristine pair of sneakers. As a limited edition release, the artist signed and numbered this artwork, further securing its status as a collectible. With only 200 prints, it measures 18x24 inches and is presented on 290gsm rag watercolor fine art paper, which enriches the print's visual texture and color depth. This piece stands out in Ager's oeuvre as a symbolic work that blends the urban with the natural, the every day with the extraordinary. The hyperrealistic depiction of the sneakers—a staple of street fashion and urban identity—is enveloped by an explosion of floral elements, echoing the organic growth patterns found in nature. This juxtaposition is a metaphor for the bloom of ideas and creativity that Street Pop Art and graffiti Artwork represent in the concrete jungles of city landscapes. Materials and Techniques: The Artistry Behind the Print The medium of giclée printing is chosen for its ability to reproduce the vibrant hues and intricate details of the original artwork with exceptional clarity. Using 290gsm rag watercolor paper provides a fine art texture more commonly associated with traditional painting techniques, thus elevating the piece from a mere reproduction to an artwork in its own right. This strategic choice of materials underscores the high value placed on quality within Kathy Ager's art practice, ensuring that each edition of "I Hope Your Flowers Bloom" resonates with her vision's authenticity and aesthetic appeal. Symbolism and Cultural Relevance in Kathy Ager's Artwork The imagery of "I Hope Your Flowers Bloom" delves deep into the cultural significance of its subjects. Sneakers have long been a symbol of contemporary culture, often associated with youth, vitality, and the street culture from which graffiti arises. The presence of these shoes amidst a traditionally beautiful setting of flowers and wildlife suggests a harmony between human-made and natural beauty, between urban life and the growth it can foster. This work emulates the transformative power of Street Pop Art and graffiti Artwork, which often takes ordinary urban elements and recontextualizes them in ways that challenge our perceptions of beauty and art. Impact and Reception of "I Hope Your Flowers Bloom" Since its release in 2021, "I Hope Your Flowers Bloom" has garnered attention for its bold thematic approach and technical prowess. It has been embraced by art collectors and enthusiasts who appreciate the innovative fusion of street culture with acceptable art principles. The limited edition nature of the print has not only made it a sought-after piece for private collections but also sparked discussions on the value of scarcity and exclusivity in the art world. In the broader context of Street Pop Art and graffiti Artwork, Kathy Ager's print mirrors the societal shift towards a greater acceptance and integration of street art into the fine art canon. It reflects a world where the once clear-cut boundaries of 'high' and 'low' art are increasingly blurred, where the visceral impact of graffiti is as esteemed as the studied finesse of gallery exhibits. "I Hope Your Flowers Bloom" stands as a testament to this cultural shift and to contemporary art's dynamic, ever-evolving landscape.

    $432.00

White Graffiti Street Pop Artwork

White in the Spectrum of Street Pop Art and Graffiti Artwork

Manifestation of White in Urban Art

White, often perceived as a non-color or a blank canvas, asserts a distinctive power in street pop art and graffiti artwork. In a world where vibrancy and color saturation are prized, the use of white becomes a bold statement. It is the color that encompasses all others within its spectrum, yet it stands apart in its purity and simplicity. In street art, white is used not only to create contrast but also as a defining element that shapes the identity of a piece.

Artistic Techniques Highlighting White

Artists employ white through various techniques that underscore its significance. White can be sprayed, rolled, or brushed onto surfaces to carve out space, bring light, and create definition. It can highlight and accentuate, allowing the colors around it to pop and the darker tones to deepen. The texture of white paint is also crucial; a smooth, unblemished white surface reflects the most light, bringing a luminous quality to artworks, while a textured white can add depth and shadow, subtly altering the viewer's perception.

Symbolic and Cultural Dimensions of White

Symbolically, white is laden with cultural and emotional weight. It can represent peace, silence, nothingness, or everything. In the context of street pop art and graffiti, white often conveys a sense of beginnings, offering a straightforward visual rest amid urban chaos. It is the color of possibility and the backdrop against which the stories of the streets are told. In some cultures, white symbolizes purity and cleanliness, which in the context of street art can be an ironic commentary on the city's cleanliness or the purity of art itself.

White's Role in Composition and Visual Harmony

Compositionally, white acts as a balancer and a breather within artworks. It provides a resting point for the eye, a space for contemplation amidst the often overwhelming stimulus of street imagery. White's use in street pop art and graffiti can create a sense of order and harmony, giving other elements within the artwork the space to be seen and understood. It is the silence between the notes, the unsaid within the dialogue of urban expression.

The Evolving Use of White in Street and Pop Art

The use of white within street pop art and graffiti is continually evolving. As artists explore the boundaries of their medium, white is being reconsidered and recontextualized. It is becoming more than just a background or accent color—it is used to make statements about space, light, and structure within the urban landscape. The future of white in street art is bound to its ability to adapt to serve as a canvas for the new and the experimental. In the rich tapestry of street pop art and graffiti artwork, white is the thread that weaves through unnoticed but essential. It is the color that speaks softly yet carries a multitude of meanings and functions. Its presence is a testament to the artist's understanding of color theory and their ability to manipulate viewer perception through the masterful use of this most fundamental hue. White, in its serenity, remains a powerful force in the visual lexicon of urban art, echoing the ever-present theme of contrast and highlighting the essential nature of all colors within its range.

© 2024 Sprayed Paint Art Collection,

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