Acrylic Paint

Remio Study- 04 Original One of a Kind Mixed-Media Spray Paint, Acrylic Painting Artwork on Fine Art Paper by Popular Street Graffiti Artist Remio. Mixed Media on Fine Art Paper Size: 54 x 50 Inches Release: January 31, 2020 Run of: 1 Massive

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Skeletor Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Madsaki x MOTU. 2020 Madsaki and Mattel Creations teamed up to create these exclusive Madsaki x Masters of the Universe SKELETOR Figures. 8.5x11 MADSAKI and MATTEL CREATIONS team up to create this exclusive and iconic drop-a scaled down re-creation of the larger-than-life SKELETOR sculpture that turned the heads of fans and art critics alike as a centerpiece of MADSAKI'S "1984" solo exhibition at Tokyo's Kaikai Kiki Gallery in 2020, in special color exclusive to the figure version. Measuring 11 inches tall to the top of the staff, with the facial expression depicted in dripping spay paint style, its vivid coloring has been calculated to contrast with the HE-MAN and BATTLE CAT figures produced earlier. SKELETOR, the most famous villain of Eternia, has been sublimated into a unique and special figure, filled with the artist's childhood memories of being surrounded by his beloved cheap toys and his respect for the culture that greatly influenced him. Each sculpture includes a hand-signed certificate of authenticity from MADSAKI as well as white gloves to better care for your art piece. Displayed With Box

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2 7 Avenue Line OTboys- Silver Sign Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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This Biohazard Neon Orange Slap-Up Label Sticker Original Tag Art by Saber Original Acrylic Paint Art Drawing on Biohazard Label Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 6x6 Acrylic Paint Tagged on Medical Biohazard Label Sticker. Neon High Visibility Orange Biohazard Symbol Uline label #S-20794. Exploring the Fusion of Street Pop Art and Graffiti Artwork In the dynamic sphere of contemporary visual culture, street pop art and graffiti artwork stand out as potent forms of expression that encapsulate urban life's rhythm and raw sentiments. Among the luminaries of this genre is the renowned graffiti artist Saber, known for his striking contributions to the street art panorama. The piece under scrutiny is a vibrant example of his ingenuity—a 6x6 acrylic or marker piece tagged on a medical biohazard label sticker featuring a neon high visibility orange biohazard symbol from Uline label #S-20794. Distinctive Aesthetic of Saber's Tag Art Saber's original permanent marker art drawing on a mailing glossy arrow sticker presents a striking visual paradox. The neon orange of the biohazard symbol evokes a sense of caution, typically used to warn of dangerous substances. Contrasted with the blue drips of paint that appear haphazardly splashed across the surface, there is intentional defiance and palpable tension between structure and chaos. This work is a signed 2020 original slap-up graffiti art tag that showcases not just the artist's signature style but also his ability to transform ordinary objects into powerful statements. The choice of a biohazard label as a canvas is a commentary on the infectious nature of art and ideas. Saber effectively takes a symbol that denotes hazard and contamination and recontextualizes it within the aesthetic of street pop art. By doing so, he challenges the viewer to reconsider the connotations of biohazards, not just in the physical sense but in the metaphorical contagion of art in public spaces. Impact and Significance in Modern Street Art Saber is an American artist whose real name has been as influential in the graffiti community as the images he creates on walls and in galleries. His use of a mailing label as a medium is a nod to the guerrilla tactics of early street art culture, where quick, impactful statements were essential, and materials were often repurposed or found objects. This sticker art, often called a 'slap-up,' is a form of street art that is quickly applied, or 'slapped up,' onto a surface in a public space. It allows for transient yet assertive communication, echoing urban life's fast-paced and often impermanent nature. The neon orange and blue artwork transcends its simple components, becoming a canvas for a larger discourse on visibility, legality, and the permanence of art. As a form of street pop art, it retains the accessibility and mass appeal of pop culture while embedding itself in the more subversive and counter-cultural roots of graffiti. This duality is where its power lies; it is both a bold declaration and a subliminal whisper, a fixture on the streets that can be as quickly removed as it is noticed. In the context of graffiti artwork, Saber's biohazard label sticker becomes an artifact of the streets, a testament to the artist's ability to command attention and communicate through symbols and color. With its saturated hues and deliberate drips, the piece resonates with the energy of the streets and the people's voices. It is a piece that marks a physical space and stamps a moment in time, encapsulating the essence of street pop art in its ability to capture the pulse of contemporary urban life. The interplay of color, symbol, and medium in this piece illustrates the innovative potential of street pop art. Saber's work disrupts the monotony of urban environments, offering passersby a moment of aesthetic arrest amidst the concrete canvas of the city. In modern street artwork, such interventions are not just decorative but are vital narratives that articulate the identity and the undercurrents of a city's cultural dialogue. Through works like this, Saber and his contemporaries continue to influence the trajectory of street pop art, ensuring its evolution and relevance. They remind us that the streets remain a powerful platform for artistic expression, where the voices of the marginalized and the spirit of rebellion can find their visual lexicon. Saber's neon orange slap-up label sticker is not just a mark made with acrylic or marker; it is a statement, a challenge, and a vibrant echo of the energy that drives the city's heart.

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No Trespassing No Graffiti 12x18- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. No Trespassing No Graffiti Surveillance Sign. Challenging Norms with Cope2's Street Pop Art & Graffiti Artwork The piece "No Trespassing No Graffiti 12x18- III" by Cope2 is a provocative work that embodies the rebellious spirit of street pop art and graffiti artwork. The 2020 signed original spray paint painting features bubble letters on a real metal street sign, size 12x18 inches, boldly proclaiming "Graffiti Is A Crime." This artwork is a direct challenge to the legal and societal boundaries that have long been imposed on graffiti artists. Cope2, a name that carries weight in the graffiti world, uses this piece to confront the paradox of graffiti as an art form: its simultaneous existence as a celebrated creation and a criminal act. The medium of the actual metal street sign, an object that typically represents law and control, is subverted and repurposed as a canvas for free artistic expression. This inversion is symbolic of the very nature of street art — a medium that often exists in heavily regulated and surveilled spaces. By choosing this as his canvas, Cope2 does not just create a piece of art; he crafts a statement on the right to public space and the nature of artistic freedom. The Socio-Cultural Commentary of Cope2's Work "No Trespassing No Graffiti" is more than a visually striking piece; it serves as a socio-cultural commentary on the state of street art today. The bright colors and the unmissable bubble letters are quintessential elements of traditional graffiti, yet they stand in stark contrast against the formal, authoritative backdrop of the street sign. This contrast is a visual metaphor for the tension between the artist and the establishment, between creativity and conformity. The artwork captures what Cope2 represents — an artist who has thrived in the face of adversity and legal challenges for over three decades. This mixed media piece shows his dedication to the craft and his ability to adapt and evolve. He showcased his mixed-media the streets to a respected figure in modern pop art while maintaining the edge and authenticity of his street roots. Impact of "No Trespassing No Graffiti" on Street Pop Art & Graffiti Artwork Cope2's "No Trespassing No Graffiti" impact on the perception of street pop art and graffiti artwork cannot be understated. It is an embodiment of the defiance often intrinsic to this genre of art. Yet, it also represents a maturation of the form, a sign that street art has claimed its rightful place in contemporary art discourse. The piece stands as a symbol of resistance against the criminalization of graffiti, urging a reexamination of the laws and cultural perceptions that govern public expression. Through this work, Cope2 asserts the value of street art as a legitimate and powerful form of social and artistic expression. The painting is a direct engagement with the viewer, a call to question and redefine the boundaries of legality and artistry. It is a bold declaration that the presence of graffiti in the public sphere can be both an act of vandalism and a significant cultural artifact. "No Trespassing No Graffiti" is a pivotal piece in the narrative of street pop art and graffiti artwork. It is a testament to Cope2's enduring influence and his commitment to pushing the boundaries of what street art can convey. This artwork is not just a statement against prohibition; it is a proclamation of the transformative power of graffiti, its role in challenging the status quo, and its potential to change how we interact with and understand the urban landscape. It is a piece that encapsulates the complex identity of graffiti, standing as a vibrant example of the dialogue between artist, city, and society.

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I am dancing Between Angels/ Love Stories B-Side HPM 24-Color Hand-Pulled Limited Edition Silkscreen Print With Acrylic, Silkscreen Ink, and Spraypaint⁠ on Deckled 310 gsm Coventry Rag by Faile Rare Street Art Famous Pop Artwork Artist. 2020 Signed & Numbered Limited Edition Dancing Between Angels / Love Stories B-Side⁠ 28 x 40 inches⁠ Hand-Painted Varied Edition of 22⁠ 
Acrylic, Silkscreen Ink and Spraypaint⁠ Coventry Rag 320gsm ⁠ Signed, Stamped and Embossed
⁠ "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles". This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Along with its proximity to the Cathedral and the angels that grace its walls. Bubbles sort of fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile Artistic Narratives in Motion: The Tale of "Dancing Between Angels/Love Stories B-Side" by Faile "Dancing Between Angels/Love Stories B-Side," a compelling artwork by the artist collective Faile, is a testament to the intricate layering and storytelling inherent in street pop art & graffiti artwork. This limited edition piece, a hand-painted varied edition of 22, is a 24-color hand-pulled silkscreen print embellished with acrylic, silkscreen ink, and spray paint on deckled 310 gsm Coventry Rag paper. Spanning 28 x 40 inches, each print is signed, stamped, and embossed and carries a unique narrative that intertwines historical references with a modern artistic lexicon. "The title of this image comes from a line in the poem, "Painted Landscapes Deceive Me -- Dancing Between Angels and Angles." This was a reference to Marie Antoinette arriving in Strasbourg when she first became queen and the faux painted landscapes placed outside her window, created to make her feel welcome. A further reference to De Stijl and Aubette Dance Hall with the angled and rectilinear lines the movement was known for. Its proximity to the Cathedral and the angels grace its walls. Bubbles fly loosely and dance through space, somewhat the antithesis of what De Stijl conveyed but a nice reference to movement. We liked the idea of the girl tearing away the perceptions built up around her while trying not to lose herself." -Faile. Deconstructing Historical Illusions: Faile's Interpretive Canvas The narrative behind "Dancing Between Angels/Love Stories B-Side" draws from a rich tapestry of historical and artistic references. Inspired by a poem, the title alludes to the deceptive pastoral landscapes presented to Marie Antoinette upon her arrival in Strasbourg, designed to create an illusion of welcome and grandeur. Faile extends this metaphor to explore the concepts of perception and self within the framework of pop and street art. The work visually explores tearing away layers of pretense, a spirited dance between reality and artifice. The piece also pays homage to De Stijl, a Dutch artistic movement emphasizing abstraction and geometric forms. The sharp angles and rectilinear lines characteristic of De Stijl are present in the artwork, juxtaposed with the organic forms of bubbles and the fluidity of the central figure. This contrast is a deliberate nod to movement and dynamism, challenging the rigidity of De Stijl with the fleeting dance of bubbles through space. Movement and Metaphor: Faile's Fusion of Dance and Art At the heart of Faile's creation is the depiction of a female figure caught tearing through the facades surrounding her. This act is literal and symbolic, a dance of liberation that reveals the layers beneath the surface. The figure's upward reach and poised legs evoke a sense of balletic grace, suggesting that tearing away deception is as elegant as forceful. The angels and architectural elements referenced in the artwork serve to anchor the piece within a broader historical narrative, connecting the transient nature of street art with the permanence of cultural heritage. Including these elements creates a dialogue between the past and the present, infusing the work with a sense of timelessness. Visual Poetry: The Rhythmic Allure of Faile's Work "Dancing Between Angels/Love Stories B-Side" is, in essence, a visual poem that speaks to the heart of street pop art & graffiti artwork. It is a dance of colors and forms, a rhythmic composition that transcends the confines of its medium. Faile's work captures the spirit of pop art's dialogue with popular culture, blending it with the subversive edge of street art to create something wholly new and deeply resonant. Each print of this limited edition is a narrative fragment, inviting viewers to engage with the artwork on multiple levels. The dance depicted in the print is not just physical; it is an emotional and psychological journey, a dance of the soul that mirrors the complexity and vibrancy of the human experience. In the diverse world of street pop art & graffiti artwork, "Dancing Between Angels/Love Stories B-Side" by Faile is a powerful expression of the genre's capacity for storytelling and emotional depth. It stands as a reminder that art can be a vehicle for examining our perceptions, tearing away the layers that obscure truth, and celebrating the liberating power of dance and movement.

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Cacophony Hand-Painted Multiple Archival Pigment Print on 3 Tiers of Laser-Cut Acrylic Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 25 Laser Cut Acrylic Artwork Size 18x18 "The Goldfish Girl was created almost a decade ago. I often revisit it, and she has been the longest continuing character I've created. I often write backstories for these characters to help me create the pieces, but they are generally never shared with the viewer. The Goldfish Girl was born in mainland China and raised mostly by a single father. Her mother passed away when she was 18 months old from cancer. She was often very ill as a child and was eventually diagnosed with a compromised immune system disorder, although a precise diagnosis was never given. This is the reason for always wearing the mask and gloves. Her father bred Goldfish for a living and taught her that trade as a kid. They worked side by side and rarely had visitors because of her condition. Often being extremely ill and also losing her mother made her childhood difficult. As most children do, she tried to find a reason for her misfortune, a reason for why all this had happened to her and her father. Eventually, she believed that her illness and her mother's cancer were punishment by nature. A curse for toying with nature by breeding goldfish. Eventually, her father passed away as well. Needing to make a living and also to taunt fate she illegally immigrated to Hong Kong. There is a famous goldfish market in Mong Kok on Tung Choi street, but it's commonly called goldfish street. With a compromised immune system the most dangerous thing to her was other people. As a challenge to fate, she moved to one of the most densely populated cities in the world. She got a stall on Tung Choi Street. This is her challenge, to taunt fate and win, becoming the master of her own fate. These images are vignettes of her life in Hong Kong. I've never given the character a name. Sometimes she is pictured with a boombox because music becomes a central companion to her mostly solitary life. In the piece Cacophony I wanted her to literally be surrounded by the city. In some way, I think I tried to create a character that embodied a lot of traits I aspire to. To remind me.” - Eddie Colla

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Untitled III Original Acrylic Painting by Atomik One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Acrylic Painting Original Artwork Size 12x12 Smiling Atomik Orange Dated 2020, "Untitled III" stands as a shining example of Atomik's prowess in the realm of street and pop art. The original artwork, measuring a compact 12x12 inches, draws the viewer into its world through vibrant colors and unmistakable style. Crafted using acrylics on canvas, the painting displays the signature smiling Atomik Orange, a motif often associated with the artist. This signature element represents more than just a fruit; it is a symbol of the artist's connection to his hometown, Miami, and the city's iconic citrus history. Upon closer inspection, the intricate details and strokes in the painting reveal the artist's meticulous technique. The contrast of the bright orange against the calming blue backdrop brings forth a playful yet profound narrative, embodying the juxtaposition often found in street art—where vibrant murals spring to life against the muted urban landscapes. Atomik, with this piece, continues to showcase his ability to merge the worlds of street art and pop culture seamlessly. While the subject might appear simple at first glance, its execution, with layered tones and intricate detailing, speaks to the depth and complexity of the artist's vision. Collectors and aficionados of street art will instantly recognize the significance of this one-of-a-kind artwork. Not only does it capture Atomik's unique style and essence, but it also immortalizes a moment in time when art, culture, and history converge on a single canvas. "Untitled III" isn't just a painting; it's a narrative, a statement, and an experience unto itself.

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Mona Lisa Grin- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English. Ron English is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Stormtrooper Messiah- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English. Ron English is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.

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Cloudy With A Chance- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Denial. DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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In The Nature of Daydreaming No 2 PP HPM Archival Print by Helice Wen Limited Edition Hand Painted Multiple on 290gsm Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP HPM Acrylic Paint Hand Embellished Print Limited Edition Artwork Size 17x24 Archival Pigment Fine Art. Exploring the Fusion of Street Pop Art and Graffiti in Helice Wen's "In The Nature of Daydreaming No 2" The art world has witnessed a captivating blend of styles and mediums in recent times, exemplified by Helice Wen's "In The Nature of Daydreaming No 2". This piece is a stellar example of how modern artists are intertwining elements of street pop art and graffiti to create innovative, visually striking artworks. Released in 2020, this limited edition hand-painted multiple (HPM) archival print showcases Wen's unique vision, merging traditional fine art techniques with the raw, expressive energy of street art. Helice Wen, an artist renowned for her emotional and evocative work, brings a fresh perspective to pop art. Her piece "In The Nature of Daydreaming No 2" is particularly notable for its use of acrylic paint on 290gsm fine art paper, a choice that speaks to the blend of durability and delicacy in her work. The artwork, measuring 17x24 inches, is a testament to her mastery of both scale and detail. The Significance of Printers Proof (PP) in Contemporary Art The PP, or Printers Proof, edition of this artwork holds a special place in the art community. Traditionally, printer's proofs were seen as a part of the printmaking process, reserved for the printer's use and not typically for sale. However, in contemporary art, these proofs have gained value as unique pieces, often more sought-after than standard editions due to their rarity and the direct involvement of the artist. Wen's decision to sign and mark this piece as a PP HPM further elevates its exclusivity and appeal to collectors. Hand Embellishment: A Bridge Between Fine Art and Street Aesthetics The hand-embellished nature of this artwork is a crucial aspect of its charm and value. Hand embellishments in art involve the artist adding individual touches to each print, making every piece in the edition unique. In the context of Wen's work, this practice blurs the line between traditional fine art prints and street art's spontaneity and individualism. The use of acrylic paint for hand embellishments in "In The Nature of Daydreaming No 2" not only adds texture and depth to the piece but also infuses it with the raw energy characteristic of graffiti. Archival Quality and Its Role in Modern Art Preservation The use of archival pigment in fine art is another aspect that sets Wen's work apart. Archival pigments are known for their long-lasting quality, ensuring that the artwork does not fade or deteriorate over time. This longevity is essential for collectors and art enthusiasts who view the purchase of such pieces as an investment. The 290gsm fine art paper used in this print further contributes to its durability, striking an optimal balance between weight and texture. In summary, Helice Wen's "In The Nature of Daydreaming No 2" is a fascinating example of how contemporary artists are melding the worlds of street pop art, graffiti, and fine art. Through her choice of medium, hand embellishments, and attention to archival quality, Wen has created a piece that not only stands out in the modern art landscape but also challenges and expands the boundaries of traditional art forms.

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Double-Sided Exit Sign Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Ughhhmerica- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Denial. 2020 Signed & Numbered HPM Limited Edition of 100 Artwork Size 4x8 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

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Runaway Stag- HPM Limited Edition Hand-Embellished Hand-Painted Stencil on 300gsm Fine Art Paper by MAD Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Hand Painted Limited Edition of 10 Artwork Size 19.68x19.68 He has presented his unique works on walls and art galleries of numerous countries around the world including Iran, US, Netherlands, UK, Norway, and Turkey.

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Libertee- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Denial. 2020 Signed Limited Edition of 100 Artwork Sculpture Size 4x8 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Spray Can- Krylon- Pink I Original Mixed-Media Spray Paint Acrylic on Cardboard Sculpture Artwork by graffiti street artist modern pop artist Bill Barminski. 2020 Signed Dupont Spray Paint Can Made of Cardboard and Hand Painted Original. "Please enjoy this set of artworks created during the lockdown. Even the Cyclops are wearing a mask these days. Since I work in my home studio my day-to-day is very much the same - except for the overarching sense of doom we all feel. But that’s why I make art - to escape that. I always feel better when I’m making things. Enjoy." -Bill Barminski

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XXXtentacion III Limited Edition Hand-Embellished HPM Mixed Media Screen Print on 200lbs Heavyweight Paper by Bobby Hill Graffiti Street Artist Modern Pop Art. 2020 Superbe Print Gray Silver White Signed Hand-Embellished Mixed Media Screen Print on 200lbs Heavyweight Paper Size: 6 x 9 Inches Release: January 16, 2020 Run of: 5

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That's Wall Folks!- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Denial. 2020 Limited Edition of100 Artwork Size 4x8 DENIAL is a Canadian artist whose work critiques consumerism and the human condition. Though based in Windsor Ontario, DENIAL spends much of the year traveling and exhibiting throughout Canada and the USA, having done solo shows in Los Angeles, Chicago, Detroit, New York, Toronto, and Vancouver. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

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Limited Quantities Slap-Up Label Sticker Original Tag Art by Saber Original Spray Paint Art Drawing on Glossy US Flag Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art 10x7 Neon Orange Spray Paint & Acrylic Paint Tagged on Limited Quantities Sticker. Saber's Signature Style and Medium The notion of exclusivity and scarcity often heightens the allure of an artwork, a concept that street pop art and graffiti artwork embody with particular zeal. In the realm of this artistic expression, the 'Limited Quantities' slap-up label sticker original tag art by Saber is a vivid exemplar of such rarity and desirability. This piece is a testament to the graffiti artist's signature style, where the urban landscape becomes a canvas for bold statements and visual disruptions. The artist, Saber, whose real name is respected in the street art community, chooses an everyday object—a glossy US flag sticker—and transforms it into a conduit for artistic expression. Measuring 10x7 inches, the work features neon orange spray paint and acrylic, a combination that Saber employs to create an arresting visual impact. The piece is a 2020 original, signed by the artist's tag, a mark of authenticity in the graffiti world. Saber's work is a dialogue between the artwork and its viewers. It is a conversation sparked by the vibrant hues and the vigorous, almost aggressive application of the tag that slices through the text 'Limited Quantities.' Using a slap-up sticker underscores the guerrilla nature of street art—fast, unexpected, and often fleeting. This mode of art-making aligns with the concept of limited editions; just as the sticker is quickly placed, it can be just as rapidly removed or covered, its existence as fleeting as the quantity it denotes. The Cultural Resonance of Limited Quantities in Modern Street Art In the culture of street pop art and graffiti artwork, the phrase 'Limited Quantities' speaks volumes. It is not just a literal indication of availability but also a symbolic nod to the transient nature of the genre. Street art is often at the mercy of environmental elements, city clean-up crews, or even other artists who may paint over a piece in the ever-evolving urban gallery. Thus, each work's existence is inherently limited, a transient moment of expression captured before it is altered or erased. Saber's piece serves as a literal and figurative marker of the times. In an age where consumerism often leads to mass production and replication, there is a growing appreciation for what is rare and unique. With its exclusive tag and vibrant spray paint on a glossy sticker, this artwork becomes a collectible item, a treasure hunt find for street art lovers and casual observers alike. The neon orange color, often associated with caution and high visibility, plays a dual role in this artwork. It demands attention, ensuring the message and the art cannot be ignored. Simultaneously, it satirizes the concept of caution by implying that the content, the 'Limited Quantities' of authentic street art, should be approached with reverence and awareness. Saber, an American artist, has contributed to the urban art scene and shaped the conversation around the value and significance of street pop art. Much like the 'Limited Quantities' slap-up sticker, his works reflect a societal commentary on the state of art, consumerism, and the politics of space and visibility. They are symbols of resistance, creativity, and the indomitable spirit of the street art movement. Saber's 'Limited Quantities' sticker is more than just a piece of graffiti artwork; it is a statement on street pop art's transient yet impactful nature. It is an emblem of the scarcity that often accompanies true creativity and originality in the bustling marketplace of ideas that is the modern cityscape. With each piece, Saber not only leaves his mark on the physical world but also imprints on the collective consciousness of a culture that continues to seek out the rare, the unique, and the authentic expressions of human experience.

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McSupersized- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English. Ron English is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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No Cure Original Acrylic Spray Paint Painting by Cope2- Fernando Carlo One of a Kind Artwork on Canvas by Street Art Pop Artist. 2020 Signed Mixed Media Spray Paint & Acrylic Painting Original Artwork Size 43x53 on Unstretched Canvas Explosion of Color: Fernando Carlo's "No Cure" Fernando Carlo, known in the street pop art and graffiti art world as Cope2, is a Bronx-born artist whose work vibrates with the pulse of urban life. His piece titled "No Cure Original Acrylic Spray Paint Painting" is a spectacular canvas that showcases the raw energy and colorful chaos that defines street art. Created in 2020, this one-of-a-kind artwork is an amalgam of acrylic and spray paint, reflecting Cope2's dexterity with mixed media and his deep roots in graffiti culture. Spanning an impressive 43x53 inches on unstretched canvas, "No Cure" stands as a testament to Cope2's enduring influence in the realm of contemporary street art. In the canvas, we see a riot of colors and shapes, clashing and blending in an almost musical harmony. The artwork is signed by the artist, which not only ascertains its authenticity but also marks it as a significant piece within his extensive body of work. Cope2's signature is recognized worldwide, a symbol of credibility in the constantly evolving graffiti scene. With "No Cure," Cope2 demonstrates his versatility and his commitment to the craft, delivering a visual feast that is both a nod to the past and a step into the future of street art. The Bold Artistry of Cope2 Fernando Carlo's journey as Cope2 is a story etched onto the very streets of New York. Since the 1980s, he has been a figure synonymous with the graffiti scene, often regarded as one of the godfathers of New York City subway graffiti. His style has evolved over the decades, yet it retains the essence of the movement — bold, confrontational, and unapologetically public. "No Cure" captures this evolution, its canvas a dynamic collision of traditional graffiti elements with experimental pop art aesthetics. The title "No Cure" itself evokes a sense of raw, uncontained expression. It suggests an ailment for which there is no remedy, perhaps a reference to the addictive nature of artistic creation, especially within the context of street art where the act of painting can be as compelling as the art itself. This painting does not seek to cure but to capture and convey the complex layers of city life, the artist's inner narrative, and the vibrant cultural dialogue of the streets. The unapologetic presence of text, abstract motifs, and splattered paint illustrates Cope2's fearless approach to art and life. Contextualizing "No Cure" in Street Pop Art "No Cure" is not just an artwork but a visual representation of the culture from which it emanates. To understand this piece is to delve into the history of street art and its transition into the gallery space. Street pop art, with its roots in the countercultural movements of the 20th century, seeks to bring the vitality of street culture into the often sterile world of fine art. Cope2 does this masterfully, drawing on his experiences as a Bronx native to infuse his work with an authenticity that cannot be manufactured. The year 2020, when "No Cure" was created, marked an era where street art had firmly established itself as a genre that could command the walls of high-end art spaces while retaining its street cred. In this light, Fernando Carlo's work is a bridge, connecting the gritty sidewalks lined with aerosol to the white walls of art collectors seeking a piece of the street for themselves. "No Cure" embodies the zeitgeist of contemporary urban art, a beacon of the enduring spirit and evolving nature of street pop art and graffiti artwork. In the broader discourse of street pop art, Cope2's "No Cure" is a vibrant chapter that speaks to the diversity and complexity of graffiti art. It stands as a colorful testament to the artistic force of Fernando Carlo and the indelible mark he has left on the cultural fabric of the urban landscape. As the lines between street art and fine art continue to blur, pieces like "No Cure" remind us that at the heart of this movement is the power of raw, unedited expression — a power that indeed has no cure.

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Bitter Tweet Fiction- Welcome Wall Archival Pigment Print on Metal with Etched Acrylic Base Sculpture Artwork by graffiti street artist modern pop legend artist Ron English. Ron English is widely considered a seminal figure in the advancement of street art away from traditional wild-style lettering into clever statement and masterful trompe l’oeil based art. He has created illegal murals and billboards that blend stunning visuals with biting political, consumerist and surrealist statements, hijacking public space worldwide for the sake of art since the 1980s.

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Boobees HPM PP Printers Proof Archival Print by Camilla d'Errico Limited Edition Hand Painted Multiple on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printer Proof 2020 Signed & Marked PP HPM Hand Embellished Print Limited Edition Artwork Size 12x16.5 Archival Pigment Fine Art Mixed Media Acrylic Paint. The Artistic Intersection in Camilla d'Errico's "Boobees" HPM PP Embodying the playful and provocative spirit of Street Pop Art and graffiti Artwork, Camilla d'Errico's "Boobees" HPM PP archival print stands as a testament to her imaginative prowess and her ability to communicate profound narratives through pop surrealism. Created in 2020, this limited edition hand-painted multiple represents a tangible intersection of high art and the rebellious streak of street art. In this space, d'Errico thrives and continues to redefine boundaries. The artwork, sized 12x16.5 inches, is meticulously printed on 290gsm Moab Entrada fine art paper, a choice that reflects the artist's dedication to quality and longevity. It features archival pigment, a staple in fine art printing for its color fidelity and resistance to degradation. The medium of mixed media acrylic paint brings an additional dimension to the piece, with hand embellishments that ensure each print within the edition retains a sense of uniqueness, akin to the ethos of graffiti art where no two tags are exactly alike. Cultural Significance and Aesthetic of "Boobees" HPM PP "Boobees" HPM PP is not merely a visual treat; it's a symbolic piece that captures the essence of modern challenges and societal norms. The printer's proof, marked PP and signed by d'Errico, is a coveted item for collectors who value the intimacy of owning a piece directly from the artist's press. The hand embellishments done by d'Errico herself infuse the print with a level of authenticity and personal touch that resonates with the hands-on nature of street art. The imagery in "Boobees" is both whimsical and weighted with symbolism. The central figure, adorned with a melting rainbow of colors on her hair, surrounded by bees, speaks to the themes of transformation and the natural world's raw beauty. This harmony between the subject and the environment echoes the core principles of Street Pop Art and graffiti Artwork, where the art is often in dialogue with its surroundings. The bees add a layer of environmental commentary, reminding the viewer of our delicate balance with nature. Impact and Collectability of d'Errico's Work In the art collecting world, pieces like "Boobees" HPM PP are cherished for their blend of acceptable art principles with the approachability of pop art. They occupy a unique space where art is both a collector's and a statement piece, often sparking conversations and serving as a bridge between the art lover and the layperson. The hand-painted elements, limited edition nature, and signature of the artist all play into its desirability, making "Boobees" a sought-after print among enthusiasts of Street Pop Art and graffiti Artwork. In the broader context of pop art and street art, d'Errico's "Boobees" HPM PP is a colorful commentary on the intersection of humanity with the natural world, rendered through the lens of a modern artist who is acutely aware of her influence and role within these dynamic art forms. It is a piece that reflects the times, challenges the observer, and delights the senses, much like the buzzing bees that are central to its narrative and aesthetic.

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Get Home Safely Limited Edition Hand-Embellished Acrylic, Spray Paint and Ink on Wood Panel by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 8 Artwork Size 18x18 I am a self-taught artist from Newport News, VA. I began to pursue art as a child drawing everything from cartoons, comics, action figures and athletes. My inner thoughts and my experiences are captured through layers of bright bold colors and patterns coupled with images from my a childhood that is utilized to express me.

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Picnic Limited Edition Hand-Embellished Hand-Painted Stencil on Prolux 300gsm Base Paper by MAD Graffiti Street Artist Modern Pop Art. Picnic Unique HPM Stencil Print by Mad He has presented his unique works on walls and art galleries of numerous countries around the world including Iran, US, Netherlands, UK, Norway, and Turkey.

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No Fear Original Acrylic Painting by Jay Kaes One of a Kind Artwork on 250gsm Fine Art Paper by Street Art Pop Artist. 2020 Signed Acrylic Original Painting Size 16.5x11.7 Red Lips Smoking Cigarette Glitch Stlye.

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