Quinqueflor Mordida #09 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Thanks Tagged Cardboard Original Spray Paint Hand Drawing on Cardboard With Tape by Modern Street Artist Lyric One. 2021 Large Drawing Tag Signed 24x36 Artwork

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God Save the USA- Swastika Eyes Artwork Giclee Limited Edition Print on Hand Distressed Art Paper by Pop Culture Graffiti Artist Jamie Reid. Signed: Yes Medium: Giclee, Print Edition Type: Limited Edition Edition Size: 313 Size (cm): 52 x 71 -20.5in x 38 - Printed onto hand-distressed, off-white paper, Reid captures the retro style of his early work in this contemporary take-down of American politics. God Save the USA (Swastika Eyes) is from a limited edition of 313, signed and numbered by the artist, and each edition has a slight, unique variation due to the distressed paper.

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What Goes Up Original Spray Paint Acrylic Painting by Meggs One of a Kind Artwork on Canvas with Custom Reclaimed Wood Frame by Street Art Pop Artist. 2014 Signed Acrylic & Spray Paint Painting Original Canvas in Artist Hand Made Reclaimed Wood Frame Artwork Size 49x49. From Spoiled Rotten Show. Exploring the Dynamic Essence of Meggs' "What Goes Up" "What Goes Up" is an original acrylic and spray paint painting by the acclaimed street pop artist Meggs that encapsulates the dynamism and energy of his work. Created in 2014, this artwork reflects Meggs' signature style, which harmoniously blends street art's rawness with pop art's vividness. This one-of-a-kind artwork is a statement piece and a storytelling canvas that explores themes prevalent in Meggs' oeuvre, such as the constant struggle between opposing forces and the transient nature of success and failure. The painting measures 46x46 inches and is housed in a custom reclaimed wood frame handcrafted by the artist. Reclaimed wood adds an eco-conscious dimension to the artwork, reinforcing Meggs' interest in sustainability and the repurposing of materials. This choice of framing also accentuates the urban and gritty feel of the painting, resonating with the street art tradition of using found objects and spaces. Artistic Techniques and Visual Impact in "What Goes Up" Meggs employs acrylic and spray paint in "What Goes Up," showcasing his adeptness at using traditional and non-traditional media. The acrylic provides depth and texture, while the spray paint offers a sense of immediacy and spontaneity intrinsic to graffiti artwork. The painting is a cacophony of colors, bursting forth from a central point, suggesting an explosion of energy and creativity. The colors are not just randomly splashed across the canvas; they are meticulously layered to create a visual impact that is both chaotic and controlled. The artwork features a skull motif, a recurring element in Meggs' art, which often symbolizes the transient nature of human existence and the cyclical nature of life. However, in "What Goes Up," the skull is juxtaposed with vibrant colors and comic-style exclamations, which could be interpreted as a commentary on the superficiality of popular culture and the fleeting nature of fame and success. The skull seems to be disintegrating or exploding into an array of colors and shapes, a powerful visual metaphor for the inevitable downfall that follows a rise to the top. Cultural Commentary and the Essence of Street Pop Art The painting's title, "What Goes Up," hints at the adage "what goes up must come down," suggesting a narrative of ascent and descent. Meggs often infuses his Street Pop Art and graffiti Artwork with philosophical musings and critical observations of society. The work symbolizes the cyclical patterns of life and can be seen as a reflection of the transient nature of success or the hubris that often precedes a fall. The artist's use of text in the painting, rendered in a comic book style, adds a layer of communication with the viewer, inviting them to ponder the deeper meanings behind the vibrant facade. The piece is a testament to the artist's ability to navigate the space between gallery and street art, making it accessible to a diverse audience. The inclusivity of street art is evident in Meggs' work, where the public space becomes a canvas for dialogue, and the art becomes a part of the everyday urban landscape. "What Goes Up" is not just a visual spectacle but also a piece of cultural commentary, encapsulating the ethos of street art and its role in contemporary discourse. "What Goes Up" is a prime example of Meggs' impact on the field of street art and his contribution to the broader pop art movement. The painting manifests the artist's dedication to craft, concept, and commentary. Through the integration of various artistic techniques and the strategic use of reclaimed materials, Meggs has created an artwork that is both a visual feast and a conceptual powerhouse. The significance of Meggs' work lies in its ability to resonate with viewers on multiple levels. This work can be appreciated for its aesthetic qualities and ability to evoke emotion and provoke thought. As a piece of Street Pop Art and graffiti Artwork, "What Goes Up" embodies the spirit of this genre, which continues to push the boundaries of art and its place in society. It remains a poignant piece within Meggs' body of work and within the larger conversation of contemporary art.

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Still Wanna Believe? III Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Dave Pollot. 2021 Signed & Numbered Limited Edition of 45 Artwork Size 24x17 Dave Pollot's "Still Wanna Believe? III": A Whimsical Blend of Reality and Fantasy Dave Pollot's "Still Wanna Believe? III" is a limited edition work that skillfully dances on the boundary between the real and the imagined, a captivating example of how pop culture permeates the realm of Street Pop Art and Graffiti Artwork. This archival pigment fine art print on fine art paper features a sizeable 24x17 inches canvas, limited to a series of 45 signed and numbered editions. Released in 2021, Pollot's piece weaves together the traditional idyll of pastoral art with the otherworldly intrigue of science fiction, creating a visual discourse that transcends the conventional scope of graffiti art. The American artist, celebrated for his revitalization of thrift art through the lens of pop culture, deftly infuses a classic landscape with the arresting image of a UFO abducting a human subject. By doing so, Pollot's "Still Wanna Believe? III" bridges not only different genres but also different worlds, challenging the viewer to reconsider the boundaries of traditional art within the public sphere. Artistic Technique and Cultural Commentary Pollot's selection of archival pigment for his prints ensures rich color rendering and longevity, allowing his artwork's fine details and vibrant juxtapositions to stand the test of time. The use of fine art paper complements the pigment, giving the print a tangible quality that is both visually and texturally pleasing, much like the canvases of classical art that Pollot so often reimagines. "Still Wanna Believe? III" does more than depict an unlikely scenario; it reflects our enduring fascination with the unknown and the allure of conspiracy theories. Pollot plays with the theme of belief and skepticism, invoking the iconic phrase "I want to believe" from the realm of UFO enthusiasts and embedding it into a tranquil rural scene. The result is an artwork that is as much a conversation starter as a statement piece, encapsulating the spirit of questioning and wonder that defines much of contemporary pop art. The Pop Art Revolution of Dave Pollot Dave Pollot's contributions to the world of Street Pop Art and Graffiti Artwork are marked by his wit, creativity, and the seamless integration of pop culture into classical motifs. "Still Wanna Believe? III" is a prime example of Pollot's artistry, as it encapsulates his playful subversion of art historical norms and the synthesis of popular mythos with delicate art sensibilities. The limited edition nature of the piece adds an element of exclusivity, marrying the fleeting essence of street art with the enduring quality of fine art collections. In this work, Pollot creates a space for the viewer to engage with the whimsical possibilities of otherworldly encounters and establishes his art as a pivotal point of convergence where the ordinary meets the extraordinary. With his distinctive approach, Pollot continues to expand the dialogue around what constitutes art in the public imagination, and "Still Wanna Believe? III" stands as a vibrant testament to his vision. The print is not just a representation of Pollot's skill but a reflection of the contemporary zeitgeist, where the lines between art forms are blurred, and the pop culture narratives of one era can become the artistic treasures of the next.

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MTA Subway Map- Lime Green Purple Original One of a Kind Mixed Media Acrylic Spray Paint Painting Artwork on Reclaimed NYC Paper Subway Map by Popular Street Graffiti Artist ARTIST. Lime green-purple MTA subway map Hand-made original one-of-a-kind Painted NYC subway map. 22x33inches The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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These Violent Delights Giclee Print by Dave Pollot Artwork Limited Edition Print on Fine Art Paper Graffiti Pop Street Artist. 2020 Signed & Numbered Limited Edition of 15 Artwork Size 24x16.5 Vinatge Italian City on Riverway Populated By Workers From Westworld TV Show Dave Pollot's "Old Is New Is Old Again" is a compelling piece of limited edition giclee print artwork that has found its grounding in the intersection of pop art, street art, and graffiti art. Released in 2020, this stunning piece is a testament to Pollot's unparalleled ability to repurpose, reimagine, and recontextualize traditional art forms into contemporary and engaging works. As part of an exclusive series, only 10 signed and numbered copies of this masterpiece exist, each meticulously produced on fine art paper to ensure longevity and vibrancy of color. Measuring 8x10 inches, with a mat that extends the dimensions to 11x14 inches, "Old Is New Is Old Again" is a captivating representation of a Renaissance man in vintage attire. The main subject, distinguished and posed as a gentleman of a bygone era, sports a curious addition that beautifully exemplifies Pollot's creative aesthetic — a graphic of a wolf howling at the moon. This piece seamlessly integrates aspects of modern imagery with classical portraiture, resulting in a unique fusion that embodies the spirit of graffiti pop and street art. In the realm of pop art, Pollot's piece is a nod to the repetition and mass production synonymous with the movement. By embedding modern iconography into a traditional portrait, the artist creatively merges past and present, thereby urging viewers to explore the ubiquitous influence of pop culture on societal perception. The wolf, a symbol often found in street and graffiti art, adds an element of rawness and organic spirit to the otherwise refined and polished depiction of the gentleman. Street art, often reflective of social and cultural expressions, finds its representation in the artwork as well. Pollot's rendering of the gentleman is symbolic of the adaptability and fluidity of street art, with its roots firmly set in the culture of the streets but its reach extending far beyond. The unorthodox incorporation of a graffiti-style wolf into a classical portrait suggests a strong link to street culture, bridging the gap between fine art and popular expressions of creativity. Graffiti art, traditionally associated with rebellion and counterculture, takes on a new form in "Old Is New Is Old Again." The howling wolf, often used in graffiti as a signifier of freedom and independence, has been seamlessly incorporated into the artwork. Its presence offers a stark contrast to the gentleman's attire, suggesting a dichotomy between societal norms and the desire for personal freedom and expression. Through this piece, Dave Pollot has remarkably bridged the gap between varying art forms and historical periods, crafting a timeless piece that speaks volumes of his understanding of art and culture. "Old Is New Is Old Again" is a perfect example of Pollot's ability to draw from diverse artistic movements and social themes, creating a work that resonates with the complexity and diversity of the human experience. In essence, this piece serves as a visual dialogue between different eras and artistic styles, proving that in the realm of art, the old and the new can coexist in the most harmonious and visually striking ways.

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Block Boys- Blok Boy- Teal Blue Red Flowers Original Epoxy Sculpture Artwork by graffiti street artist modern pop artist Devin James. 2021 Signed COA Lego Sculpture Artwork Size 6x11 Block Boys with Red Flower in Teal Blue, Original Blok Boy Lego Man. The Aesthetic Fusion in Blok Boy Devin James, a renowned figure in the world of street pop art and graffiti artwork, presents a striking addition to the art scene with "Boys- Blok Boy- Teal Blue Red Flowers," an original epoxy sculpture artwork that resonates deeply with the playful yet reflective essence of modern pop art. This piece, signed and accompanied by a Certificate of Authenticity, stands out with its bold dimensions of 6x11 inches. The "Blok Boy" Lego Man sculpture encapsulates the whimsical nature of childhood toys while embedding the sophisticated depth of contemporary art. Crafted in 2021, this sculpture artfully merges the iconic simplicity of the Lego form with the complexity of human nature, signifying a juxtaposition that street pop art so often seeks to explore. The teal blue hue of the piece is not merely a choice of color but a narrative vehicle, conveying a sense of tranquility and depth akin to the ocean. Within this serene expanse, bursts of red—manifested as flowers—introduce a dynamic element of contrast, symbolizing passion, vibrancy, and life. Incorporating these red flowers disrupts the monochrome and injects a layer of emotional intensity into the sculpture, echoing the human experiences of conflict, beauty, and growth. The choice of epoxy as the medium for "Boys- Blok Boy" is deliberate, allowing for a luminous finish that gives the artwork an almost lifelike presence. The clarity of the material captures and plays with light, giving the sculpture an ever-changing appearance that depends on its environmental context. In this way, the artwork reflects street pop art's dynamic and evolving nature, which is inherently responsive to its surroundings. Symbolism in Street Pop Art The "Blok Boy" serves as a canvas upon which Devin James has masterfully illustrated themes of nostalgia and modernity. The Lego figure, a staple in the pantheon of childhood playthings, is repurposed here as an emblem of innocence and creativity. Yet, the transformation of this toy into a piece of high art indicates a loss of innocence and a bridge to the complexities of adulthood. This is the essence of street pop art—taking the familiar and everyday objects and elevating them to express deeper societal narratives. The interplay of the teal blue with the red flowers within "Blok Boy" also speaks to the graffiti artwork tradition of using vibrant visuals to make bold statements. Graffiti artists have long used the urban landscape as their canvas, often employing stark color contrasts to highlight their messages. Devin James brings this principle into the three-dimensional realm, using color to draw the viewer into a dialogue with the piece. Reflection of the Artist in the Artwork Beyond the aesthetic and symbolic qualities of the sculpture, "Boys- Blok Boy- Teal Blue Red Flowers" is also a reflection of Devin James himself. Known for his distinctive style that marries street art with a polished modern pop art aesthetic, James creates works that are both accessible and profound. His signature lies in his ability to imbue his pieces with layers of meaning, often prompting the viewer to reflect on the intersection of youth and the adult world, playfulness and seriousness, simplicity, and complexity. In this sculpture, James' own experiences and perspectives are distilled into the form of the "Blok Boy." The artwork becomes a conversation piece, prompting discussions about the role of art in public spaces, the commodification of childhood memories, and the potential of street art to infiltrate and enhance the world of fine art. James continues to challenge and redefine the boundaries of street pop art and graffiti artwork through this piece. "Boys- Blok Boy- Teal Blue Red Flowers" is a testament to the evolving narrative of street pop art and graffiti artwork. Through his skillful manipulation of form, color, and medium, Devin James presents a sculpture that is both a playful nod to childhood and a profound commentary on the human condition. The artwork is a vibrant fusion of toy and totem, a physical manifestation of the ethos of street pop art—rooted in the urban yet reaching towards the universal.

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Sexphyllum Classicum #03 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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New York City Subway Maps IV Limited Edition Spray Paint Hand-Embellished HPM Archival Pigment Prints on Moab Fine Art Paper by Cope2 Graffiti Street Artist Modern Pop Art. 2019 Signed & Numbered Limited Edition of 15 Artwork Size 17x24. New York City Subway Maps IV, 2019 Archival pigment print in colors with hand-embellishments on Moab Fine Art paper 17x24 inches (43.2 cm x 61) (sheet) Ed. 10/15 Signed and numbered in pencil lower left. Work displays a .5-inch tear in the lower left border. Embracing Urban Narratives: Cope2's New York City Subway Maps IV Cope2's "New York City Subway Maps IV" is a dynamic fusion of graffiti's raw energy with the refined aesthetics of modern Pop Art, embodying the pulse of urban life on a tangible artifact of the city's daily motion. This 2019 limited edition series, with only 15 signed and numbered pieces, represents a significant contribution to the Street Pop Art and Graffiti Artwork movement. Each 17x24 inch piece is a hand-embellished archival pigment print on Moab Fine Art paper, offering a unique blend of street culture and high art. Cope2's signature authenticates the work, and its edition number is penciled on the lower left, with one particular piece displaying a minor .5-inch tear, adding to the authentic feel of the artwork. The piece serves as a visual archive of New York's graffiti history, immortalizing the spontaneous, often temporary, art gracing the city's subway maps. Cope2, a Bronx native, brings authenticity and street credibility to his work, with a reputation for over three decades in the graffiti scene. His "New York City Subway Maps IV" reflects urban street art's layered, complex nature, where tags and symbols intermingle to tell the stories of the city's diverse inhabitants. Cope2's Intersection of Street Art and Fine Art Cope2's artwork stands at the intersection of street art and fine art, capturing the essence of one medium within the form of the other. His pieces are more than mere representations of street graffiti; they are the confluence of the artist's lived experiences and interactions with the urban environment. The bold, saturated colors and aggressive brushstrokes hark back to the golden era of graffiti in the 1980s and 1990s when artists like Cope2 were not just decorating the city but also marking territories and expressing identities. The limited edition nature of "New York City Subway Maps IV" and the hand-embellishments by Cope2 himself ensure that each print is a unique piece of art, embodying both the spirit of the original street art and the artist's personal touch. The series encapsulates the rawness of the graffiti subculture while elevating it through fine art printmaking, challenging traditional notions of what constitutes art and who is deemed an artist. In essence, Cope2's work is a celebration of the visual language of the streets, presented within the context of fine art. It offers a narrative deeply rooted in New York City's cultural fabric, providing a snapshot of a movement that has evolved from the margins to the mainstream. The "New York City Subway Maps IV" series not only pays homage to the history of street art but also asserts its place within the continuum of contemporary art. Through his work, Cope2 continues to influence and shape the dialogue around Street Pop Art and Graffiti Artwork, ensuring that the vibrancy of street culture remains a vital part of the art world's discourse.

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Worlds Collide Part II Original Oil Mixed Media Reclaimed Painting by Dave Pollot is One-of-a-Kind Artwork by Street Art Pop Artist. 2023 Signed Oil Painting on Vintage Reclaimed Upcycled Painting Diptych Original Artwork Size 12x9 (UFO) & 17.5x15.5 (Beach) of a UFO Laser Blasting a Seagul Bird On The Beach Intersection of Modernity and Tradition in "Worlds Collide Part II" "Worlds Collide Part II" is a striking representation of Street Pop Art and graffiti Artwork, reflecting a seamless blend of traditional artistic methods with the contemporary edge of pop culture. The artist behind this compelling piece has employed oil painting, a classic medium, and infused it with modern thematic elements, presenting a narrative that bridges the ordinary with the otherworldly. The diptych format, hinged together to form a single story, roots the work in historical art traditions, while the subject matter – a UFO engaging with a seagull on a beach – introduces a narrative that is unapologetically current and provocative. This original mixed-media artwork encapsulates the vivacity of street art by utilizing reclaimed and upcycled canvases. Repurposing these materials not only gives them a new lease on life but also pays homage to the ethos of street art, which often sees beauty in the overlooked and discarded. Combining the UFO and beach scenes provokes the viewer to contemplate the juxtapositions within our world – blending the familiar with the very unfamiliar. The artist's signature, marked in 2023, signals the creation of a piece deeply embedded in the present. This one-of-a-kind artwork, measuring 12x9 inches for the 'UFO' panel and 17.5x15.5 inches for the 'Beach' panel, captures the essence of pop art's interaction with the audience. It does not merely portray a scene but also calls into question the boundaries of reality and fiction, urging a reflection on our environment and the unexpected events that could unfold within it. The Narrative of Artistic Transformation in Reclaimed Art Through "Worlds Collide Part II," the artist exemplifies the transformative power of art. By breathing new life into vintage canvases, the artwork becomes a narrative of reinvention and the cyclical nature of art itself. The choice of a reclaimed painting as the medium is a statement about the potential for transformation – a core principle within Street Pop Art and graffiti Artwork. It is a visual and conceptual rebirth, where the past and the present amalgamate to create something entirely new and thought-provoking. The beach scene, typically a symbol of tranquility and nature's beauty, is disrupted by the fantastical invasion of a UFO, which starkly contrasts the serene backdrop. This decision illustrates the pop artist's flair for integrating science fiction elements into everyday settings, creating a space where different worlds can interact unexpectedly. The result is an art piece that is a testament to the imagination and the artist's power to challenge our perceptions of the normal and the known. In creating "Worlds Collide Part II," the artist presents an alternate reality and challenges the viewer to consider the impact of such an event. The artwork becomes a portal to a story much larger than the canvas it occupies, inviting us to ponder the endless possibilities that exist beyond our own experiences. Embracing the Ethos of Street Pop and Graffiti Art "Worlds Collide Part II" vividly embodies the principles of Street Pop Art and graffiti Artwork. The art piece itself is a confluence of historical techniques and modern cultural expressions, symbolizing art's fluidity and ever-evolving nature. By combining disparate elements – a traditional beach landscape and a symbol of futuristic technology – the artwork mirrors the essence of street art and pop art: the merging of various aspects of culture to create both reflective and forward-looking. The artist's innovative approach to the subject matter and medium underscores a broader cultural commentary inherent in street art. It speaks to a world where boundaries are constantly being redrawn and redefined, where art is not confined to galleries but is a part of the living urban landscape. Thus, The painting becomes more than just a visual experience; it is a conversation with the viewer, a dynamic interaction central to the street and pop art experience. Worlds Collide Part II is not just an art piece but a cultural artifact that encapsulates the zeitgeist of our time. It reflects the ever-changing nature of art, the unexpectedness of life, and the beauty that arises when different worlds come together. Through this piece, the artist invites us to witness the creative potential of combining the traditional with the unconventional, the real with the imagined.

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AAVEI-2 Original Mixed Media Spray Paint, Found Object Painting Sculpture Artwork by graffiti street artist modern pop artist Eddie Colla x D Young V. 2014 Signed by D Young V and Eddie Colla Original Mixed Media Spray Paint Acrylic Painting on Reclaimed Items & Wood Artwork Size 55x42 Large Mixed Media Painting on Wood With Reclaimed Toy Gun and 3x Vintage Spray Paint Cans. AAVEI-2 Collaboration with D Young V and Eddie Colla 55 x 42 x 15 inches Mixed Media on Wood, Spray Cans, Plastic Gun 2014

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Middle-Class American Finger Limited Edition Hand-Embellished HPM Archival Pigment Prints Hand-Painted Multiple on Recycled Cardstock by Denial Graffiti Street Artist Modern Pop Art. 2018 Signed Limited HPM Edition of 10 Artwork Size 13x19 Middle-Class American Finger (Hand Painted Multiple), 2018 Hand-painted multiple on Recycled Cardstock 19 x 13 inches (48.3 x 33 cm) (sheet) Ed. 9/10 Signed and numbered in pencil to reverse Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

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Dab Devil- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x20 Tasmanian Devil Loony Toons Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper Dab Devil- Oversized Edition embodies the confluence of pop culture and the audacious spirit of street art, brought to life by the acclaimed Modern Pop Street Graffiti Artist Ben Frost. Through this artwork, Frost masterfully integrates the iconic Tasmanian Devil from Loony Toons into a contemporary context, sparking a dialogue about societal norms, juxtapositions, and the constantly evolving nature of art. Crafted using archival pigment, this piece not only showcases the brilliance of the artwork's theme but also emphasizes a meticulous approach to ensuring the longevity and vibrancy of each detail. Printed on 290gsm Somerset Hot Press Fine Art Paper, it further elevates the quality of the work, enhancing the richness of colors and the sharpness of details. Such a medium is known to breathe life into artworks, ensuring each piece resonates with its intended message and allure. The choice of Tasmanian Devil against the backdrop of marijuana drug tests is a bold, possibly cheeky, commentary on popular culture and its intersection with contemporary issues. 2021 saw this masterpiece released as a signed and numbered edition, limited to only 25 prints. This limitation accentuates its exclusivity and value in the world of art collectors and enthusiasts alike. With Dab Devil- Oversized Edition, Ben Frost invites viewers to immerse themselves in a world where traditional cartoon nostalgia meets modern-day themes. It's a testament to the artist's ability to challenge perceptions, compel introspection, and celebrate the dynamism of pop, street, and graffiti art.

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Fully Charged Unique Original Spray Paint Stencil Painting by Trust iCON One of a Kind Artwork on Distressed Cardboard by Street Art Pop Artist. 2023 Signed with COA Spray Paint Stencil Original Painting on Cardboard Artwork Size 35.43x12.59 Depicting Star Wars Robot Android R2-D2 Plugged Into a Wall Socked Recharging. "Fully Charged" is a distinctive piece by Trust iCON, a renowned figure in the pop and street art scenes, known for his thought-provoking and often humorous works that blend cultural commentary with iconic imagery. This unique original spray paint stencil painting is a masterful integration of pop culture and street art sensibility, created on a piece of distressed cardboard, which adds an authentic, gritty backdrop to the work. Measuring 35.43x12.59 inches, the painting features the beloved Star Wars droid, R2-D2, reimagined in a moment of respite, plugged into a wall socket recharging its batteries. Crafted in 2023, this signed piece is emblematic of Trust iCON's flair for capturing the essence of contemporary society's interaction with technology, and it does so through the lens of one of the most recognizable robots in cinematic history. By portraying R2-D2, a character from a franchise set in a galaxy far, far away, in such a mundane human activity, the artist bridges the gap between the fantasy of science fiction and the reality of our technology-dependent lives. Using a stencil and spray paint not only pays homage to the traditional methods of street art but also injects a sense of immediacy and rawness into the piece. The cardboard medium itself tells a story; its imperfections and the weathered texture provide a stark contrast to the clean, mechanical lines of R2-D2, further playing into the theme of the interplay between the polished fictional world and our own. This artwork goes beyond a simple representation; it speaks to the viewer on multiple levels, offering a commentary on energy consumption, our relationship with the machines we create, and the often-overlooked everyday aspects of the characters we idolize. With "Fully Charged," Trust iCON contributes to the narrative that street art is not just an outdoor phenomenon but a sophisticated, gallery-worthy form of expression that continues to challenge and redefine the boundaries of modern art.

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Circle City HPM Lithograph Print by Jen Collins Hand Applied Gold Details Print on Recycled 280gsm A6 Card Stock Paper Limited Edition Pop Artwork. 2013 Signed & Numbered Limited Edition of 15 Artwork Size 5.8x8.3 Hand Applied Gold Paint

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Bud Heads Original One of a Kind Acrylic Painting Artwork on Marijuana Test Packaging by Popular Street Graffiti Artist Ben Frost. 2021 Signed Original Bevis & Butthead MTV Cartoon Weed Tests Acrylic on At-Home Marijuana Drug Test Box Size: 7.3125 x 5.375 Inches Release: November 26, 2021 Depicting Bevis & Butthead from MTV Cartoon TV Fame on a Real upcycled Marijuana Drug Test Box. Ben Frost, a renowned street graffiti artist, has long been acclaimed for his unique approach to pop art. His ability to infuse contemporary culture with iconic imagery has made his artwork resonate with enthusiasts and critics alike. In 2021, Frost unveiled a piece that is both nostalgic and thought-provoking: an original acrylic painting on a genuine at-home marijuana drug test package. This piece measures 7.3125 x 5.375 inches and was officially released on November 26, 2021. What makes this artwork especially captivating is the portrayal of Beavis & Butthead, the infamous duo from MTV's hit cartoon series. Their caricatured expressions, combined with the thematic context of the drug test, create a satirical commentary on pop culture, substance use, and societal norms. By employing an actual upcycled marijuana drug test box as his canvas, Frost challenges the boundaries between street art and everyday objects, blurring the lines between the mundane and the artistic. Frost's choice of Beavis & Butthead, figures deeply embedded in 90s culture, taps into a sense of nostalgia. Yet, by juxtaposing them with the marijuana drug test, he also prompts a dialogue about changing perceptions of cannabis and its place in popular culture. The artwork serves as a testament to how iconic characters can be reimagined in unexpected contexts, sparking fresh conversations. This piece is emblematic of the transformative power of street and graffiti art. By taking everyday objects and recontextualizing them, artists like Ben Frost challenge societal perceptions and encourage viewers to question the world around them. His "Bud Heads" piece on the marijuana test packaging is not just a tribute to a beloved cartoon duo but a profound commentary on the shifting cultural landscape.

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Bugged Out Original One of a Kind Acrylic Painting Artwork on Marijuana Test Packaging by Popular Street Graffiti Artist Ben Frost. Signed Original Warner Brothers Loony Toons Bugs Bunny Weed Tests Acrylic on At-Home Marijuana Drug Test Box Size: 7.3125 x 5.375 Inches Release: November 26, 2021 Depicting Bugs Bunny from Looney Tunes Cartoon TV Fame on a Real upcycled Marijuana Drug Test Box. Ben Frost's innovative artistry consistently pushes the boundaries of contemporary street and graffiti art. A prime example of this can be found in his "Bugged Out" piece, an original acrylic painting masterfully created on an actual at-home marijuana drug test package. This intriguing artwork measures 7.3125 x 5.375 inches and was unveiled on November 26, 2021. Drawing from the rich pop culture tapestry, Frost chose to depict the iconic Bugs Bunny from Warner Brothers' beloved Looney Tunes series. The mischievous smile and familiar pose of the cartoon rabbit is instantly recognizable, offering a dash of nostalgia. However, it's the contrast of this playful character with the serious undertones of a marijuana drug test that creates a powerful visual and conceptual juxtaposition. This choice stimulates conversation about societal norms, substance use, and the evolving landscape of popular culture. Using an upcycled drug test box as his canvas, Frost challenges the traditional paradigms of art. It speaks to the ethos of street and graffiti art, where unconventional mediums are often embraced to make bold statements. The decision to pair Bugs Bunny with this particular backdrop is not merely aesthetic; it invites viewers to ponder the interplay between recreational substances and the entertainment world and how perceptions change over time. In "Bugged Out", Ben Frost has once again demonstrated his uncanny ability to intertwine cultural icons with contemporary issues, delivering a piece that resonates on multiple levels and solidifying his reputation as a visionary in street art.

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Still Wanna Believe? III PP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition 5/5 Artwork Size 12x14 Archival Pigment Fine Art UFO Abducting Person in a Vintage Old World Village Setting. Some PPs may have slight blemishes and margin differences; this was a working artist copy. A marvel of contemporary pop art, "Still Wanna Believe? III PP" is a limited-edition archival print by renowned artist Dave Pollot. Composed in 2021, this artwork features a unique fusion of old-world charm and fantastical modern narratives, a quintessential blend that characterizes Pollot's artistic style. This limited edition print, numbered 5/5 and denoted as 'PP' or 'Printers Proof,' bears Pollot's signature, a testament to its authenticity. The term printer proof refers to the initial prints run by the artist to evaluate color accuracy and overall quality before proceeding with the full edition. This piece is, therefore not only an exquisite piece of art but also a collector's item of significant value. Printed on a Matte Velvet Rag Fine Art Paper, the artwork measures 12x14 inches, a perfect size for an intimate display. This superior-quality paper offers a texture that beautifully complements Pollot's vibrant hues and crisp lines, adding a tactile dimension to the visual appeal of the piece. Pollot masterfully merges a vintage old-world village setting with an unexpected, modern UFO abduction scene. The juxtaposition of the ordinary with the extraordinary creates an exciting narrative tension that captivates the viewer. Pollot's signature style is strongly reminiscent of street art and graffiti in its bold colors and fantastical themes, but it is also firmly grounded in the pop art tradition. A hallmark of Pollot's work is his ability to incorporate cultural phenomena, such as the fascination with UFOs, into familiar, even nostalgic, scenes. In "Still Wanna Believe? III PP", the UFO acts as a vibrant symbol of our contemporary cultural and technological obsessions, making a striking contrast with the quaint, old-world village setting. The piece invites us to question the intersection of tradition and modernity, reality and fantasy. "Still Wanna Believe? III PP" is a testament to Dave Pollot's unique artistic vision and mastery of the pop art genre. It is not merely a piece of art but a commentary on contemporary society and culture, a vivid narrative rendered in rich, bold colors. A collector's piece and a conversation starter, it promises to remain a prominent fixture in pop and street art for years.

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Landmarks PP Archival Print by Dave Pollot Limited Edition Print on Matte Velvet Rag Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2021 Signed & Marked PP Limited Edition 1/1 Artwork Size 19x24 Archival Pigment Fine Art Graffiti Tags & Throw Ups on a Vintage Mountain Landscape Small Bumps To Right Extreme White Margin, Working Artist Proof Dave Pollot's groundbreaking artwork "Landmarks PP" takes a unique and influential position within the evolving fields of pop art, street art, and graffiti art. As a testament to the artist's creative prowess, the piece ingeniously repurposes a vintage mountain landscape, over which Pollot superimposes graffiti tags and throw-ups, adding a distinctive contemporary edge to an otherwise traditional scene. The "Landmarks PP" is a limited edition print, produced on Matte Velvet Rag Fine Art Paper, an exquisite material chosen for its ability to capture the vibrancy of Pollot's vivid color palette. Marked as 'PP' and signed by the artist himself, the Printers Proof 2021 stamp further confirms its exclusivity. Significantly, the edition is marked 1/1, which underlines that this print is a singular instance in its edition, thus significantly enhancing its desirability and collectability for art aficionados worldwide. The artwork, measuring 17x22 inches, is not only captivating in its visual content but also, notably, in its application of the archival pigment. This process, favored for its longevity and color fidelity, ensures that the print will retain its original brilliance for years to come, providing the collector with an enduring piece of pop art history. Pollot's "Landmarks PP" represents a seamless fusion of traditional landscape art and modern graffiti aesthetics. It is an intriguing exploration of the intersection between these two art worlds, and a clear example of how artists are pushing boundaries to redefine the traditional limits of art. This archival print is an unmistakable icon of Pollot's work, reflecting his ability to incorporate diverse elements into a unified, powerful visual experience that captivates and challenges audiences, urging them to contemplate the possibilities of creative expression.

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God Save Us All Artwork Giclee Limited Edition Print on Hand Distressed Art Paper by Pop Culture Graffiti Artist Jamie Reid. Signed: Yes Medium: Giclee, Print Edition Type: Limited Edition Edition Size: 313 Size (cm): 82 x 58 - 32.3in x 22.8 God Save Us All is a timely comment on the state of American politics, as the safety-pinned British figurehead is swapped for a swastika-eyed President Trump. Against a distressed US flag, Reid adds his signature cut-up collage text.

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Keep Moving Original Street Sign Spray Painting by Chris RWK- Robots Will Kill Mixed Media Modern Graffiti Paint Pop Art on Real Metal Ready To Hang. 2023 Signed Original Mixed Media Spray Paint Acrylic Painting on Reclaimed No Standing Anytime Metal City Sign Size 18x12 Innovation in Reclaimed Art by Chris RWK "Keep Moving" by Chris RWK, from the collective Robots Will Kill, stands as a testament to the transformative power of street art, taking an object as valid as a 'No Standing Anytime' metal city sign and repurposing it into a canvas for modern graffiti paint pop art. Created in 2023, this signed original mixed media spray paint and acrylic painting is a ready-to-hang piece that measures 18x12 inches, embodying the ethos of Street Pop Art and graffiti Artwork. Chris RWK's work is renowned for its ability to communicate complex emotions and societal narratives through street signs' deceptively simple visual language. By reclaiming and repurposing a metal city sign, he not only recycles the physical material but also reclaims the cultural and communicative space these signs occupy. The robot character, a recurring motif in Chris RWK's work, is depicted holding hearts—a sharp contrast to street signage's typically authoritative and impersonal nature. Cultural Commentary on Street Pop Art The piece is a cultural commentary, leveraging the ubiquitous nature of street signs to challenge viewers to reconsider their significance and meaning. By integrating heartfelt imagery on a sign that typically denotes restriction, Chris RWK flips the script, offering a narrative of movement and emotion where one would not expect it. This act of artistic rebellion is characteristic of the graffiti movement, which often seeks to interrupt the urban landscape with unexpected messages and visuals. Chris RWK's "Keep Moving" technique showcases the artist's skill with spray paint and acrylic, using these mediums to add depth and texture to the work. The choice of a metal sign as the substrate adds an industrial edge to the painting, grounding it firmly in the street art tradition and elevating it into a piece of pop art that can be appreciated in various settings. Impact and Significance in the Art World The significance of "Keep Moving" within the art world is multifaceted. It is a piece that blurs the boundaries between high art and street art, between vandalism and sanctioned creative expression. Chris RWK's work is part of a broader movement that sees street artists gaining recognition within the fine art world, with their works increasingly sought after by collectors and enthusiasts. "Keep Moving" is a striking piece of art and a reminder of the enduring influence of street art and its capacity to challenge and redefine the spaces it occupies. Chris RWK, through his work with Robots Will Kill, continues to push the envelope, creating pieces that are at once accessible and profound, simple in their execution but complex in their implications. This painting is a vibrant example of the power of Street Pop Art and graffiti Artwork to captivate and engage audiences, encouraging them to see the urban environment through a new lens.

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Punisher Crossing Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal Crosswalk Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Real Reclaimed NYC New York City Crossing Cross Walk Street Sign Painting Original Artwork Size 30x37.5  RD-357: Pioneering Street Pop Art on Urban Canvases RD-357, an artist known for his distinctive contribution to street pop art and graffiti artwork, has manifested his creativity through a unique, striking, and thought-provoking medium. His original piece titled "Punisher Crossing Original Street Sign Painting" encapsulates street art's raw essence while ingeniously infusing pop culture iconography elements. This work is a stellar example of RD-357's inventive use of everyday objects as canvases, transforming a mundane metal crosswalk street sign into a vibrant artwork that commands attention and sparks dialogue. The "Punisher Crossing" is a unique artwork that exudes the rebellious spirit and subversive edge often associated with street pop art. Created in 2012, this mixed media piece employs acrylic and spray paint on a real crossing sign measuring 30x37.5 inches. RD-357's choice to use an actual street sign as the foundation for his artwork not only repurposes the object but also embeds the art piece within the fabric of urban life it seeks to comment on. The sign, once a directive for pedestrians, now carries a powerful visual message, made all the more potent by its placement on an object of regulation and order. The Artistic Language of RD-357's Street Sign Paintings In "Punisher Crossing," RD-357 demonstrates a masterful control over color and composition. The background of the sign is ablaze with a vivid, almost violent splatter of yellow and red spray paint, reminiscent of the chaos and energy of city streets. Against this explosive backdrop, the figure of the Punisher is rendered with precision in acrylic, his stark, menacing presence immediately drawing the eye. The character's hand, outstretched and holding a gun, breaks the boundaries of the sign's frame, suggesting a defiance of constraints and a breaking free from imposed limits. RD-357's work is deeply embedded in the language of street pop art, a genre that combines the gritty, underground aesthetic of street art with the bright, graphic quality of pop art. His paintings, especially this piece, are a dialogue between the artist and the urban landscape, between the fictional characters of pop culture and the reality of the viewer's environment. By bringing the Punisher - a symbol of vigilante justice and anti-heroism - into the context of a crosswalk sign, RD-357 creates a juxtaposition that is at once startling and intriguing. The artwork becomes a statement on control and chaos, power and powerlessness, and the fine line between societal order and individual action. RD-357's Impact on Contemporary Street Art RD-357's contributions to the street art scene have been significant, and his influence can be seen in the way street pop art has evolved over the years. His artworks, particularly those on street signs, are more than mere paintings; they are interventions into the urban environment, which challenge the viewer to reconsider the role and potential of public space. The "Punisher Crossing" sign is emblematic of this approach, seamlessly integrating art into the city's daily liandlso elevating the discourse around street art. By signing his work, the artist claims ownership of a public domain piece, an act that is a form of artistic rebellion. The signature on "Punisher Crossing" is not merely a mark of authenticity; it is a declaration of presence, a proof of the artist's interaction with the world around him. Through works like this, RD-357 has etched his name into the annals of street pop art history, securing his place as a maverick who has expanded the possibilities of graffiti artwork. The "Punisher Crossing Original Street Sign Painting" by RD-357 stands as a testament to the power of street pop art to communicate, provoke, and inspire. By transforming a simple street sign into a complex and compelling work of art, RD-357 challenges perceptions, invites reflection, and continues influencing the ever-evolving narrative of street and graffiti art.

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Quinqueflor Mordida #11 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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1987 Original One of a Kind Mixed Media Spray Paint & Reclaimed Items Painting Artwork on Reused Wood by Popular Street Graffiti Artist Eddie Colla. 2019 Signed Original Mixed Media Spray Paint Acrylic Painting With Reclaimed Elements Artwork Size 34x34 "1987" 34 x 34 inches (86 x 86cm) Mixed media on wood 2019 Signed and titled on the back

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Let Love In HPM Unique Collage Print by MCXT- Monica Canilao x Xara Thustra 8-Color Screen Print on Recycled Upcycled Paper & Fabric Textile Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Screen Print, Collage, Gouache, Cloth & Thread HPM Embellished Limited Edition of 30 Artwork Size 9.5x25 on Recycled Upcycled Paper, Mixed Media & Fabric Textile. The Essence of Mixed Media in Street Pop Art Monica Canilao and Xara Thustra, known for their vibrant contributions to street art and pop culture visuals, have embraced mixed media's eclecticism to its fullest. The artwork is a culmination of various recycled papers, thread, trim, fabric, pink vinyl, acrylic paint, silk screen ink, gouache, and other mixed media, all coming together to create a textural symphony that is as much about the medium as it is about the message. The "Let Love In HPM Unique Collage Print" by the collaborative artistic duo MCXT, which comprises Monica Canilao and Xara Thustra, is a riveting piece of art that stands at the intersection of pop art, street art, and graffiti artwork. This unique artwork is part of a limited edition series, with only 30 pieces created, each bearing its distinct characteristics due to the handcrafted nature of the prints. Exclusivity and Technique Each print in the series has been treated with an 8-color screen printing process, laying the foundation for the following intricate collage work. After the initial printing, the artists have taken to collaging, sewing, and hand painting on each print, ensuring that every print is unique. This technique not only underscores the exclusivity of each piece but also reflects the street art ethos of creating something unique and personal, a direct contrast to the mass-produced images that often characterize the consumer culture critiqued by pop art. Dimensions and Physicality The tangible aspect of the artwork is notable, with its dimensions stretching to 9.5x25 inches. Using recycled and upcycled materials is not just an artistic choice but also a statement on sustainability and the reusability of often discarded materials. The incorporation of cloth and thread adds a dimension of domesticity and handiwork, which contrasts with graffiti art's traditionally masculine and urban connotations, thus offering a commentary on gender roles within the art world and beyond. Collaborative Synergy The collaboration between Monica Canilao and Xara Thustra melds minds and styles, which is evident in the work. Canilao's background in creating detailed, intricate worlds full of personal symbolism complements Thustra's bold, graphic approach, which often includes textual elements and a clear, strong message. The synthesis of these two approaches results in a piece that is layered not just in its physical makeup but also in its conceptual depth. Cultural and Artistic Significance "Let Love In HPM Unique Collage Print" is a testament to the power of street pop art and graffiti artwork to comment on and interact with the broader cultural discourse. With its handcrafted individuality, the artwork challenges the notion of art as a commodity and reasserts it as a means of personal expression and social commentary. It's a celebration of the DIY ethos and the cultural significance of street art as a form of public dialogue and resistance. This limited edition artwork by MCXT is a powerful piece that captures the essence of street pop art and graffiti through its use of mixed media, its handcrafted nature, and collaborative spirit. The artwork serves as both a visual feast and a sociocultural commentary, bridging the worlds of fine art, street aesthetics, and environmental consciousness.

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Star-Spangled Illusion Original Painting Spray Paint, Aerosol & Acrylic on Reclaimed Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2014 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 18x20.75 “This new body of work is a blend of my graffiti roots which is where I really developed my own unique voice. At the same time, there’s also an aspect of this work that is just not taking yourself too seriously, kind of vandalizing your own icons,” Shark Toof said while preparing in Detroit. “I like Detroit because it is very do-it-yourself and I am a very do-it-yourself artist so it is a great fit for me.”

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Bugged Out- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. Warner Brothers Loony Toons Bugs Bunny Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper Size: 20 x 20 Inches Release: November 26, 2021 Run of: 25 It is not random that a great portion of his art consists of appropriated imagery of animations, just like the Looney Tunes which are placed into a new artistic context, without losing their original connotations. This visual re-branding of such imagery, that Frost is displaying in his work, is nostalgic enough in order for us to feel instantly familiar with it, but, at the same time, disturbing, so that it grabs our attention and we cannot help but focus on it.

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Blotto- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x20 Otto Simpsons Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper Blotto- Oversized Edition is a quintessential representation of the seamless blend between pop culture and the raw energy of street art, masterfully curated by the notable Modern Pop Street Graffiti Artist Ben Frost. Through this evocative piece, Frost has encapsulated the essence of the evergreen character Otto from the Simpsons, placed against the context of marijuana drug tests. This juxtaposition offers a thought-provoking insight into society's evolving values, acceptance, and the intricate web of popular media's influence on perceptions. Produced using archival pigment, this artwork is not just a visual treat but is crafted to withstand the test of time. Every nuance, every shade, is rendered with acute precision, ensuring that the piece remains as vibrant and impactful years down the line as it is today. Printed on the luxurious 290gsm Somerset Hot Press Fine Art Paper, the artwork's depth and intricacy are accentuated, giving it a tactile feel that is both premium and immersive. The year 2021 saw the unveiling of this masterpiece, limited to a special edition of 25 prints. Each of these is signed and numbered, making them a prized possession for collectors and enthusiasts of art. With Blotto- Oversized Edition, Ben Frost offers an intriguing perspective, urging viewers to reflect upon the cultural shifts, the humor, ironies, and the underlying messages that popular media and street art often convey, sometimes overtly and at times with nuanced subtlety.

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Torn Up Original Painting Aerosol, Acrylic, Screenprint & Reclaimed Posters on Wood by Meggs Graffiti Street Artist Modern Pop Art. 2012 Signed Original Mixed Media Spray Paint Acrylic Reclaimed Items Painting Framed Artwork Size 17.5x17.5 Framed

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Baked Lasagna- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x20 Garfield Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper Baked Lasagna- Oversized Edition by Ben Frost is an impressive representation of contemporary art, merging elements of pop culture with the bold and vivid techniques commonly found in street and graffiti art. Created with meticulous attention to detail, this piece utilizes archival pigment to ensure the longevity and vibrancy of the artwork, making it a cherished piece for collectors and art enthusiasts alike. Printed on 290gsm Somerset Hot Press Fine Art Paper, the artwork not only stands out for its content but also for the quality of the medium used. Somerset Hot Press is renowned for capturing the fine details and nuances of color, ensuring that every inch of the artwork is presented in full glory. The choice of such a fine art paper is a testament to the artist's dedication to presenting his work in the best possible light. Drawing inspiration from popular culture, Ben Frost has incorporated the iconic character Garfield into this artwork. The piece titled "Garfield Signed & Numbered Weed Tests" showcases the orange tabby in an unconventional light, emphasizing the juxtaposition between childhood nostalgia and the gritty reality of street art. Released on November 26, 2021, this limited edition print has a run of only 25, making it a sought-after item for collectors. Street art, graffiti, and pop art have long been avenues for artists to comment on societal norms, popular culture, and the human experience. Ben Frost's Baked Lasagna- Oversized Edition seamlessly bridges the gap between these genres. By employing a well-known character like Garfield, Frost challenges viewers to re-evaluate their perceptions and find deeper meaning in what might initially appear as a simple pop art piece. It's a testament to the ever-evolving landscape of contemporary art and the artists who push its boundaries.

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Non-Volley Zone II Original Acrylic Painting by Dave Pollot One-of-a-kind Artwork on Vintage Canvas Framed by Street Art Pop Artist. 2022 Signed Acrylic on Original Pickleball Paddle Reclaimed Vintage Painting Size 23x18 Including Frame. Framed Ready To Hang In a unique blend of classical artistry and contemporary wit, "Non-Volley Zone II" emerges as a prime example of Dave Pollot's vision, where vintage aesthetics meet modern narratives. This original acrylic painting showcases Pollot's signature style of repurposing thrift art, introducing unexpected modern elements to otherwise traditional canvases. Created in 2022, this work features a charming still life that has been playfully disrupted by the addition of a pickleball paddle, a modern sports reference that Pollot has cleverly incorporated into the scene. At the heart of this piece is Pollot's mastery in combining two seemingly disparate worlds. The artist breathes new life into a reclaimed vintage painting by juxtaposing the timeless beauty of a floral arrangement with the unexpected intrusion of a pickleball paddle lying at the forefront, symbolizing perhaps the collision of past and present or the intrusion of the contemporary into the serene stillness of history. The playful inclusion of the paddle is a nod to his keen eye for pop culture references, making the artwork resonate with a sense of humor and relevance. The canvas size, at a notable 23x18 inches framed, allows viewers to immerse themselves in the textural contrasts and vivid colors that Pollot masterfully preserves and enhances. His work is not merely about altering the old. Still, it is a dialogue between the original artist and himself, creating a layered narrative where every brushstroke is a word in a story that spans generations. "Non-Volley Zone II" is more than just an acrylic painting; it is a one-of-a-kind artwork that showcases Pollot's ability to transform forgotten pieces of art into contemporary conversations. This framed piece, ready to hang, carries the hallmark of Pollot's ingenuity and serves as a testament to the evolving nature of art. Through such pieces, Pollot establishes himself not just within the realm of street and pop art but also as a custodian of the past, repurposing it to speak to the present.

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Thriller Original Painting Acrylic, House Paint & Aerosol on Cradled Wood by Shark Toof Graffiti Street Artist Modern Pop Art. 2015 Signed Orignal Spray Paint Mixed Media Painting Artwork Size 24x36 The Artistic Fusion of Shark Toof's 'Thriller' "Thriller," an original painting by Shark Toof, is a dynamic foray into graffiti street art and modern pop art. Crafted in 2015, this mixed media artwork—acrylic, house paint, and aerosol on cradled wood—displays Shark Toof's signature blend of street influence and acceptable art discipline. The piece, measuring 24x36 inches, is signed by the artist, providing authenticity to this vibrant representation of his multifaceted style. Shark Toof, recognized for his powerful visual statements in the street art community, brings his graffiti roots to the forefront in this piece. His work is not confined to the traditional expectations of pop art; instead, it ventures into a realm where iconoclasm meets iconography. In "Thriller," the influence of street art is palpable, with the raw energy of graffiti translating into a structured yet spirited composition on wood. Shark Toof's approach to his work reflects a conscious decision to merge his established voice with a playful irreverence, challenging the viewer to consider the icons of our time and their mutable significance. The artwork encapsulates Shark Toof's philosophy that art should not always be taken too seriously, suggesting that there is power in subverting one's creations. This notion of 'vandalizing' one's icons is a commentary on the impermanence of fame and the fluidity of cultural symbols in our society. This blend of introspection and external commentary positions "Thriller" within a unique space in contemporary art. Shark Toof and the Do-It-Yourself Ethos of Street Art Shark Toof's preference for Detroit as a backdrop for his creative process tells of his affinity for the do-it-yourself, or DIY, ethos often associated with street art. His connection to the city, known for its prosperous industry and innovation history, mirrors his artistic journey. In Detroit, a city that has experienced grandeur and grit, Shark Toof finds a kindred spirit—a landscape that is both a canvas and a catalyst for creativity. "Thriller" embodies this DIY spirit not only in its creation but also in its presentation. Using cradled wood as a substrate is a nod to the makeshift surfaces often employed in street art, where any space or material can become the foundation for expression. Shark Toof's choice of materials—house paint and aerosol—further echoes the vernacular of street art, where the medium's immediacy matches the message's urgency. Shark Toof's "Thriller" celebrates the evolving narrative of street pop art and graffiti artwork. His work is a testament to street art's power to transcend its urban origins and find resonance in a gallery setting. Through his bold use of color, form, and medium, Shark Toof continues challenging and redefining what it means to be a street artist in the contemporary art world. His work is a dialogue with the viewer, an invitation to explore the deeper meanings behind the images we see and the icons we create.

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In Bloom I Original Painting Aerosol, Acrylic, Screenprint & Reclaimed Posters on Wood by ARTIST graffiti street Meggs modern pop art. 2012 Signed Original Mixed Media Spray Paint Acrylic Reclaimed Items Painting Framed Artwork Size 17.5x17.5 Framed Australian artist David “Meggs” Hooke for his solo exhibition Spoiled Rotten. The exhibition of over 40 new paintings and multiples explores the wondrous decay of social morality stemming from modern society’s obsession with pop culture and overindulgent materialism, and continues Meggs’ perpetual fascination with dualism and finding beauty in tragedy.“Detroit is a city of duality more so than many other cities I have been to. I sought to incorporate this by using objects and surfaces that imply decay, in what I consider to be a beautiful way. Old wooden materials and signs with layers of paint tell a story of their own. Although the colors and textures are aesthetically beautiful, I think it’s about giving these materials a new life, a second purpose.” - Meggs

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Quinqueflor Mordida #04 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Sexphyllum Classicum #14 Original 100% Recycled, Hand Cut Iron Lak Aerosol Paint Can Sculpture Artwork by graffiti street artist modern pop artist Canlove. 2015 Signed Original Mixed Media Spray Paint Can Paint Displayed With Custom Box Sculpture Artwork Size 8x8 Ready To Hang on Wall  "We dubbed these flower creations Metaliflora and we’ve been experimenting with different shapes and forms for a few years. We challenged ourselves to create the greatest and most efficient use of one recycled spray paint can. The flower bloomed naturally. This series is partially about us returning to our roots. When we started cutting these flowers we wouldn’t paint them as we often do now. We’ve been venturing into this raw approach with some of our other work. It feels right to introduce it with this series as well.The can popping process always produces a unique pattern inside the can because as the marble moves around inside it leaves its tracks on the wet paint. Each flower is cut by hand and no two flowers are exactly alike. Each one is completely unique. And every box we shipped had a custom paint job." - Canlove

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Wolf Like Me Original Painting Acrylic on Mixed-Media Reclaimed Wood Panel by Bask Graffiti Street Artist Modern Pop Art. “The esthetic of my work is similar to the Detroit landscape. The re-purposed nature of my art plays off of panels, wood, signs, that once were proudly displayed. But over the years they stopped serving their intended purpose and thrown out. The inspiration behind the work I made for this show was Detroit's strengths, struggles, and landscape. I took the opportunity to move to Detroit fourteen years ago, but for a number of reasons beyond my control, my stay lasted only 4 years. However, that was long enough for the city to have a profound impact on my work as well as my consciousness towards social and political issues. And even though I haven't called Detroit home in 9 years, the impression it stamped on me is something I hope I never lose. And it was this appreciation for the influence that DETROIT has had on me, that inspired the work I made for the show.” -Bask

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Give Thanks Original Painting Mixed-Media Acrylic, Pencil & Spray Paint on Found Reclaimed Paper by Erik Otto Graffiti Street Artist Modern Pop Art. 13.5x19.75 Original Mixed Media Painting From Erik Otto Rare Artwork.

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Icky Mouse Original One of a Kind Colored Pencil Painting Artwork on Reclaimed Paper by Popular Street Graffiti Artist Brandon Sopinsky. 2013 Icky Mouse Original Colored Pencil Drawing by Brandon Sopinsky

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Supergirl- No Trains Running Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on New York Subway Notice by Popular Street Graffiti Artist RD-357. Painting of DC Comics Femail Superhero Supergirl on a real New York/Manhattan Subway Notice. Planned Service Changes, No Trains Running, Jan 14-17 2011

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Trivaac Inhalation Vaccine HPM Hand Made Limited Edition Mixed Media, Reclaimed Items, Spray Can Sculpture Artwork by graffiti street artist modern pop artist Eddie Colla. 2020 Signed & Numbered HPM Made & Printed Limited Edition of 30 Spray Paint Can Sculpture Artwork. These Are Art Pieces, They Are Not Medical Devices. "I originally made these fake inhalation vaccines as props for two installations I did with D Young V, Epilogue, and Memento Mori. The installations revolved around apocalyptic possibilities. These recycled Spray paint cans were meant to be discarded inhalation vaccines that the World Health Organization had distributed during a global pandemic. The labels contain information about application dosage and active ingredients. I did a lot of research regarding previous pandemics, such as H1N1 (bird flu). The idea was to create an artifact as real as possible to resemble a failed attempt to contain a global pandemic." Eddie Colla Artistic Representation of Global Pandemics Eddie Colla's "Trivaac Inhalation Vaccine" mixed media artworks reflect a hauntingly prescient take on global health crises through the lens of Street Pop Art and graffiti Artwork. This limited edition series, consisting of only 30 signed and numbered pieces, incorporates reclaimed items and spray paint cans to form sculptures that stand as poignant artifacts of apocalyptic possibilities. Created as part of two installations with fellow artist D Young V, "Epilogue" and "Memento Mori," Colla's sculptures were designed to represent discarded inhalation vaccines distributed by the World Health Organization during a fictional global pandemic. These installations explored themes of human vulnerability, societal collapse, and the interventions that come into play during such catastrophic events. The sculptures themselves, crafted to mimic the appearance and informational detail of real medical devices, resonate with the realism and urgency of a world grappling with the threat of pandemics. Colla's meticulous research into previous health crises, such as H1N1, informed the creation of this spray can sculpture. The labels on each canister are detailed with application dosage and active ingredients, contributing to the authentic feel of the pieces. This attention to detail not only enhances the visual impact of the sculptures but also embeds a narrative that ties them to the real-world context of public health emergencies. Cultural Commentary through Mixed Media The "Trivaac Inhalation Vaccine" sculptures starkly comment on the intersection of art, science, and societal response to global health challenges. By using reclaimed spray paint cans, Colla repurposes the mundane and aligns his work with the ethos of recycling and sustainability. These themes are increasingly relevant in contemporary discourse. These sculptures transform the spray can, a ubiquitous tool in street art, into a vessel of deeper meaning, reflecting on the throwaway culture and the implications of medical waste. This body of work also questions the efficacy and accessibility of healthcare interventions, highlighting the disparity between the intended purpose of medical devices and their actual implementation in crisis scenarios. Colla's sculptures suggest a history of use and urgency when these objects were vital to survival. The limited edition nature of these pieces emphasizes their uniqueness as artworks while alluding to the scarcity of resources that can occur in times of crisis. Street Pop Art & Graffiti Artwork's Evocative Power Eddie Colla's contribution to Street Pop Art and graffiti Artwork is characterized by his ability to evoke robust responses through objects that bridge art and reality. His sculptures are not passive objects; they are conversation starters that prompt viewers to think critically about the state of the world and our responses to impending dangers. In the tradition of street art, these works are accessible yet complex, visually striking yet laden with meaning. The "Trivaac Inhalation Vaccine" series underscores the evocative power of street pop art and graffiti to comment on and engage with current events. Through this series, Colla extends the narrative capabilities of street art beyond the walls and into the three-dimensional realm, offering a tangible connection to the issues that permeate our collective consciousness. In essence, Eddie Colla's "Trivaac Inhalation Vaccine" sculptures embody the innovative and reflective qualities of Street Pop Art and graffiti Artwork. By blending art with societal critique elements, Colla captures the imagination and ignites discourse, cementing his role as an artist who observes and participates in the broader conversations of our time. His work is a reminder of art's impact on interpreting, understanding, and questioning the world around us.

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You Sound Like A Broken Record Screen Original One of a Kind Ink on Nylon Mesh & Aluminum Frame Painting Artwork by Legendary Street Graffiti Artist House33. YOU SOUND LIKE A BROKEN RECORD (Screen), 2021 Ink on nylon mesh & aluminum frame 68 × 52 in 172.7 × 132.1 cm HOUSE33: BAD INFLUENCES, an exhibition celebrating the artists who’ve influenced HOUSE33 through the medium of the silkscreen: a tool that turns everyday objects into inspiring accessible art. The exhibition features a series of one-off screen-printed canvases, large-scale skateboard decks, printed baltic birch panels, a series of utilized original silkscreens, and a limited edition exhibition screenprint. HOUSE33, a deviation of the iconic design studio and font foundry House Industries, originated as a mutated design experiment between commercial and art, born from a conversation about album covers, Hot Rods, Chaos Theory, and Brothel Creepers between Andy Cruz founder of House Industries and British fashion designer Simon “Barnzley” Armitage of London streetwear myth and fame. That conversation led House Industries, Barnzley, and designer Jeremy Dean to collaboratively build HOUSE33 and its flagship store in Soho London in the early 2000s. What began as a muse for typographic and illustrative explorations, became a collaborative creative breeding ground for clothing, art, and lettering, rooted in the art of screen printing.

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X Æ A-12 Limited Edition Archival Pigment Fine Art Prints on 315gsm Matte Velvet Rag Paper by Graffiti Street Art and Pop Culture Artist Dave Pollot. 2021 Signed & Numbered Print Artwork Size 24x20

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Bud Heads- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x20 Bevis & Butthead MTV Cartoon Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper "Bud Heads- Oversized Edition" is a distinctive contribution to the ever-evolving landscape of modern pop art, offering a visual narrative that weaves together iconic elements of 90s pop culture with contemporary societal observations. Pioneered by the celebrated Modern Pop Street Graffiti Artist Ben Frost, this piece seamlessly merges the animated misfits Beavis and Butt-Head from the famed MTV cartoon series with the intriguing background of marijuana drug tests. Such a synthesis beckons viewers to contemplate the juxtaposition of nostalgic television and the modern dialogues surrounding recreational drug use. Executed with the precision and clarity of archival pigment, this work promises longevity in its brilliance and detail. The canvas of choice, the 290gsm Somerset Hot Press Fine Art Paper, elevates the visual allure, providing a medium that truly mirrors the piece's artistic intentions and intricate details. This paper, known for its impeccable texture and ability to capture delicate nuances, becomes an apt stage for these iconic characters to converse with the observer. With its 2021 release, "Bud Heads- Oversized Edition" is a treasure limited to only 25 prints, ensuring its exclusivity. Every piece is authenticated with Ben Frost's signature, affirming its originality. As with his other masterpieces, Frost here showcases his prowess in blending classic television icons with current societal themes, carving a niche in the interstice of street art, pop culture, and contemporary discourse. It's an artwork that resonates, provoking thought while offering a generous dose of nostalgia.

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Sideshow Buzz- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. Sideshow Bob Simpsons Cartoon Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper Size: 20 x 20 Inches Release: November 26, 2021 Run of: 25 In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Materiality, societal values and meaning are some of the elements, which Frost is actively incorporating into his art, without providing any answers and, subsequently, creating an open space of reflection.

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Meeowie Wowie- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x20 Sylvester Loony Toons Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper Meeowie Wowie- Oversized Edition is a captivating artistic expression, blending iconic pop culture references with the audacious and vibrant strokes characteristic of street and graffiti art. Crafted by the renowned Modern Pop Street Graffiti Artist Ben Frost, this artwork stands as a testament to the evolution of contemporary art, where boundaries are consistently pushed, and the unconventional becomes the new norm. Executed with archival pigment, the piece is a manifestation of dedication to both content and quality. Every brushstroke, every hue, is preserved in its most accurate form, ensuring that the artwork remains timeless in its appeal. This commitment to quality is further accentuated by the choice of 290gsm Somerset Hot Press Fine Art Paper, a medium that highlights details and colors, adding depth and dimension to the artwork. The depiction of Sylvester from the Loony Toons, juxtaposed against a backdrop of marijuana drug tests, is a bold commentary on popular culture, societal norms, and perhaps the interplay of innocence and maturity. The title "Meeowie Wowie" further plays on this duality, bridging the feline character and the artwork's theme. Released in 2021, this piece has been limited to a signed and numbered edition of just 25, ensuring its exclusivity. Ben Frost's work in the Meeowie Wowie- Oversized Edition compels viewers to look beyond the surface, to find meaning in the seemingly mundane, and to appreciate the beauty in contrasts. In doing so, Frost reaffirms the transformative power of art and its ability to challenge, inspire, and captivate.

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It's Not Easy Being Green- Oversized Edition Archival Pigment Fine Art Limited Edition Print on 290gsm Somerset Hot Press Fine Art Paper by Modern Pop Street Graffiti Artist Ben Frost. 2021 Signed & Numbered Limited Edition of 25 Artwork Size 20x20 Kermit the Frog Muppets Jim Henson Signed & Numbered Weed Tests Archival Pigment Print on 290gsm Somerset Hot Press Fine Art Paper It's Not Easy Being Green- Oversized Edition is an artistic commentary that resonates deeply with the ethos of modern pop art, combining elements of popular culture with an undercurrent of societal observations. Crafted by the adept hands of Modern Pop Street Graffiti Artist Ben Frost, this artwork fuses the beloved character Kermit the Frog from Jim Henson's Muppets with the contrasting backdrop of marijuana drug tests. This juxtaposition prompts viewers to delve into the intricacies of societal acceptance, media influence, and cultural evolution. Utilizing archival pigment for the creation, Ben Frost ensures that the vibrancy and sharpness of the piece remain untouched by the ravages of time. The texture and richness of the 290gsm Somerset Hot Press Fine Art Paper further enhance the visual experience, providing a canvas that complements the intricacies of the artwork. The decision to use such premium paper speaks to the intent of producing a work that is not just visually appealing but is also a tactile delight. Released in 2021, this limited-edition piece is restricted to 25 prints, each bearing the artist's signature, marking its authenticity. With It's Not Easy Being Green- Oversized Edition, Ben Frost continues to challenge conventions, pushing the boundaries of street art and pop culture commentary. This piece is a testament to the evolving dynamics of street and graffiti art, showcasing how modern artists leverage pop culture icons to voice deeper societal narratives.

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Some Windows Block Out The Sun Original Pen Ink Drawing Art on Reclaimed Paper by Modern Pop Art Artist Mark Powell. Signed 2021 Framed. Ballpoint pen drawing on a 1912 sketch for a church stain glass window Size 57cm x 40cm Drawing is framed in a bespoke frame Drawing is protected with a matt varnish UV protective archival spray. 15.7x22.4

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