Contemporary Modernism & Vintage

Stairway to London Limited Edition 2-Color Vintage Hand-Pulled Silkscreen Print on Fine Art Paper by Mr Brainwash- Thierry Guetta Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 100 Artwork Size 30x22 Led Zeppelin Music Rock Super Stars Vintage 2009 Print. Hand-finished screenprint on hand torn, 100% cotton 300gsm cream archival art paper with deckled edges. 22 × 30 in 55.9 × 76.2 cm Edition 100

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Ron Hunt/ Retro Man- Expos Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Ron Hunt/ Retro Man- Expos

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Carousal Capers 3 Lithograph Print by Mary Hulgan Hand-Pulled Print on Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 1985 Signed & Numbered Limited Edition of 1000 Artwork Size 16x9.5 Depicting Various Horse in a Vintage Style Carousal. Mary Hulgan's "Carousal Capers 3": A Dance of Color and Nostalgia "Carousel Capers 3," a lithograph print by Mary Hulgan, is a vivid expression of movement, color, and vintage charm, rendered with the careful touch of an artist deeply attuned to the nuances of visual storytelling. Signed and numbered in a limited edition of 1000, this 1985 artwork, measuring 16x9.5 inches, captures the whimsical essence of carousel horses in a style that resonates with the playful and evocative spirit of street pop art and graffiti. The Vintage Carousel: An Emblem of Pop Artistry Carousels, with their ornate designs and historical significance, have long been a subject of fascination in the arts. Hulgan's portrayal of these majestic creatures in "Carousal Capers 3" is a homage to the golden age of amusement, where the carousel symbolized joy, nostalgia, and the circular dance of life. The piece radiates a sense of timelessness, akin to the enduring nature of street art that captures the essence of cultural moments and preserves them on city walls and canvases. The lithograph's vintage aesthetic and Hulgan's choice of a warm color palette impart a sense of history reminiscent of how street art often incorporates elements of the past to create new narratives. Each horse's distinct adornments and poised stance tell a silent story, inviting viewers to engage with the artwork's inherent sense of play and fantasy. Reflections of Street Art in Lithographic Expression While "Carousal Capers 3" may initially seem distant from the grit of graffiti and the pop of street art, a closer look reveals a shared lineage. Lithography, much like street art, is a democratic art form, allowing for the reproduction and dissemination of works to a broad audience. Hulgan's lithograph, with its careful layering of inks and hand-pulled technique, shares the meticulous craftsmanship and bold visual impact of the best street murals. Furthermore, the carousel's embodiment of communal memory and shared public space echoes the collective experience of street art, where images become part of the communal consciousness. Hulgan's work celebrates this shared visual heritage, encapsulating the joy and artistry of a bygone era while speaking to contemporary tastes and sensibilities. Mary Hulgan's "Carousal Capers 3" stands as a testament to the power of printmaking in capturing the spirit of an era and the joy of simple pleasures. With its limited edition status, the artwork becomes an accessible treasure, a piece of historical trance that can be owned and cherished. It is a reminder that art, like a carousel, is cyclical, ever-turning, and always returning to the hearts of those who cherish its beauty and wonder.

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Three-Piece Etching Limited Edition Etching with Aquatint Print on Hand-Decorated Fine Art Paper by Zwy Milshtein is a pop art graffiti artist art. 1970 Signed & Numbered Limited Edition Etching Art Print. Artist: Zwy Milshtein Title: Three Piece Etching Medium: etching, with Aquatint Size: 21 x 30 inches Edition: Signed in pencil and marked 26/75 Zwy Milshtein: A Maestro of Etching and Aquatint Zwy Milshtein's artistic narrative is one of movement, not just across geographies but also through the evolution of his distinct style and technique. Born in 1934 in Kichinev, now known as Moldova, Milshtein's journey through the turbulence of World War II led him from Russia to Romania and eventually to Israel. However, in Paris, to which he moved in 1955, Milshtein found his enduring artistic home. Here, he became renowned as both a painter and a master engraver, celebrated for his etchings and engravings that capture the complexity of human experience. The Intertwining Paths of Engraving and Street Art The "Three-Piece Etching" by Milshtein is a testament to the craftsmanship and depth of engraving as an art form. Completed in 1970, this signed and numbered limited edition etching with aquatint, measuring 21 x 30 inches, is a fine example of Milshtein's adeptness with aquatint—a technique that allows for the creation of tonal effects, producing rich textures and a range of shades that lend a painterly quality to prints. This artwork, part of an exclusive series marked 26/75, is particularly notable for its abstract composition and the intriguing use of negative space, which engages the viewer in a visual dialogue reminiscent of contemporary street art and graffiti. Milshtein's Impact on Contemporary Art Milshtein's influence on the art world is well-documented through numerous exhibitions and retrospectives. His work was featured at ARC, the Museum of Modern Art in Paris, and in 1978, the Bibliotheque Nationale in Paris hosted a retrospective exhibition of his engravings. His artistic achievements include participation in the Hans Christian Andersen House project 1997, where he, along with other top European artists, paid tribute to the Danish author's bicentennial birthday. The aesthetic choices and technical skill displayed in works like "Three-Piece Etching" echo the visual strategies found in street pop art and graffiti. Milshtein's art, while distinct in its medium and execution, shares the spirit of innovation and subversion that is a hallmark of street art. His engravings invite the public to explore themes of identity, memory, and existence, much like street art and graffiti often do within the urban landscape. Zwy Milshtein's contributions to the world of engraving and his explorations in aquatint have secured his reputation as an artist of great skill and depth. "Three-Piece Etching" is a prime example of his ability to communicate complex ideas through printmaking. His legacy continues to inspire and influence artists within and beyond pop art, street art, and graffiti, affirming his artistry's enduring power and relevance.

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Ken Dayley/Retro Farmer- Cardinals Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Ken Dayley/Retro Farmer- Cardinals

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Flowers in a Glass Vase Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 16x20 Archival Pigment Fine Art Vintage Flowers in a Vase in Glitch Style Flowers in a Glass Vase: A Modern Artwork Fusing Pop Graffiti with Vintage Aesthetics "Flowers in a Glass Vase" by Adam Lister presents a fresh interpretation of classic subject matter through the lens of modern Street Pop Art & Graffiti Artwork. This 2023 limited edition print, sized at 16x20 inches, is part of an exclusive run of only 50 signed and numbered pieces. The work is printed on 300gsm hot press matte fine art paper, employing archival pigment to ensure longevity and depth of color. Lister's piece stands out for its distinctive glitch style, which deconstructs and reconfigures the traditional floral still life into a contemporary, pixelated composition. Technique and Texture in Lister's Archival Print Adam Lister’s technique in "Flowers in a Glass Vase" marries the precision of digital art with the tactile qualities of traditional printmaking. The use of archival pigment on fine art paper imbues the artwork with a richness and durability typically associated with classic works, while the glitch style injects a sense of modernity and innovation. This method reflects a broader trend within Street Pop Art & Graffiti Artwork, where artists leverage new technologies to reinterpret and redefine familiar themes. Cultural Relevance of Glitch Style in Pop Art The glitch style, as exemplified in Lister’s print, speaks to the digital era's impact on contemporary art. This visual technique, which simulates the effect of digital errors, resonates with the viewer’s familiarity with technology and its glitches. By applying this style to a vintage subject, Lister forges a connection between the past and the present, creating a dialogue between the history of art and current digital aesthetics within the Street Pop Art & Graffiti Artwork movement. Collectibility and Limited Edition Art The exclusivity of a limited edition print such as "Flowers in a Glass Vase" adds to its desirability among collectors of modern Street Pop Art & Graffiti Artwork. The limited run, alongside the artist’s signature and numbering, creates a sense of urgency and value, promising that each piece is part of a small, select offering. Collectors not only acquire a unique piece of art but also a fragment of the artist’s creative journey at a specific moment in time. Adam Lister's Impact on Modern Art Adam Lister’s impact on modern art, particularly within the genres of Pop Graffiti and Street Artwork, is significant. His approach to deconstructing classical motifs and reassembling them within a digital context challenges perceptions of what constitutes fine art. "Flowers in a Glass Vase" is a testament to Lister's innovative spirit and his ability to communicate complex ideas through visually engaging mediums. His work invites audiences to re-examine their preconceptions of both the digital world and the timeless beauty found in the natural one. Legacy of "Flowers in a Glass Vase" in Street Pop Art The legacy of "Flowers in a Glass Vase" in the world of Street Pop Art & Graffiti Artwork lies in its capacity to bridge diverse artistic realms. By incorporating elements of street art into a subject as classical as a floral arrangement, Lister expands the conversation around what street art can encompass. His archival print stands not just as a representation of flowers but as a symbol of the evolving nature of art, embracing change and technology while honoring the past.

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The Artist's Unconscious Mind(Self-Portrait Digital Ultrachrome Giclee Print by Turf One- Jean LaBourdette Artwork Limited Edition Print on Photo Rag Hahnemühle Fine Art Paper Graffiti Pop Street Artist. 2010 Signed & Numbered Limited Edition of 50 Artwork Size 16x24 The Artist's Unconscious Mind: A Glimpse into Turf One's Psyche "The Artist's Unconscious Mind (Self-Portrait)" is a digital ultra-chrome giclée print by Jean LaBourdette, known in the art world as Turf One. This limited edition print, released in 2010 with only 50 signed and numbered copies, is a quintessential example of his foray into street pop art and graffiti artwork. The artwork size of 16x24 inches, printed on Photo Rag Hahnemühle fine art paper, is a testament to Turf One's commitment to quality and his respect for the craft of fine art printing. Symbolism and Technique in Turf One's Giclée Print The piece stands out for its symbolic complexity and meticulous detail, common threads in Turf One's artwork. The choice of a chimpanzee wearing a fez and contemplating a human skull is evocative of the classical theme of 'vanitas,' touching upon the transient nature of life and the pursuit of knowledge. This recurring motif in art history, most famously depicted in Holbein's "The Ambassadors," is given new life and meaning in Turf One's contemporary interpretation. The use of ultra-chrome, a modern printing technique known for its color accuracy and longevity, bridges the gap between traditional fine art mediums and the digital age. This method allows the depth and nuance of Turf One's original paintings to be captured with high fidelity, making the prints true to the artist's vision. Intersecting Street Art and Traditional Imagery Turf One's work often intersects the gritty reality of street art with the intricate and symbolic nature of traditional imagery. "The Artist's Unconscious Mind" is no exception. It offers a commentary on the artist's internal dialogue and the intersection of animalistic instincts with the intellectual pursuit of self-awareness. By juxtaposing the primitive with the enlightened, Turf One presents a tableau ripe for interpretation and reflection. The fez, often associated with Eastern mysticism and philosophy, suggests a connection between wisdom and the primal aspects of our nature. The chimpanzee's human-like pose and contemplative gaze bring forth a sense of kinship with the animal kingdom, a subtle nod to the evolutionary aspects of human consciousness and artistry. The Influence of Street Pop Art on Turf One's Expression In "The Artist's Unconscious Mind," Turf One incorporates the immediacy and rawness often associated with street pop art and graffiti artwork. The fine art paper chosen for the print adds a tactile quality that echoes the texture of walls that serve as canvases in the street art world. Even as a print, the artwork carries the weight and presence of a piece that could adorn an urban landscape, bringing the reflective nature of fine art to the public sphere. Turf One's approach to street art is not about vandalism or territory marking but a deeper exploration of personal and collective identity. His work transcends the typical boundaries of street art, challenging viewers to consider the profound questions of existence and self, all while maintaining a connection to the urban roots of his medium. Collectibility and Impact of Turf One's Limited Edition Prints The collectibility of "The Artist's Unconscious Mind" is heightened by its limited run, making each print a coveted piece for collectors and admirers of Turf One's work. The scarcity of the prints ensures that each piece remains a treasured artifact of the artist's exploration into the depths of the unconscious mind. Like many limited editions, this artwork is more than just a representation of Turf One's artistic talent; it is a vessel for the ideas and themes that permeate his body of work. The print is a physical manifestation of the dialogue between the artist and the audience, a dialogue that continues evolving with each viewing. Reflecting on Turf One's Artistic Journey "The Artist's Unconscious Mind (Self-Portrait)" encapsulates Turf One's journey through street pop art and fine art printing. The print is a mirror reflecting the dual nature of the artist's world - one foot in the raw, expressive world of graffiti and the other in the contemplative, reflective world of fine art. This piece is a testament to the enduring power of art to convey complex ideas and emotions, regardless of the medium. As such, it is a significant work within Turf One's oeuvre, embodying the essence of his artistic spirit and the transformative potential of street pop art.

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Scale Up Archival Print Photo by Martha Cooper x 1UP Crew- One United Power x Nika Kramer x MOG Museum of Graffiti Limited Edition on Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2023 Signed by 1UP Crew- One United Power & Numbered Print Limited Edition of 40 Artwork Size 19.75x24 Archival Pigment Stylized Blown Up Polaroid Picture Taken by Martha Cooper x Nika Kramer Fine Art Published by 1UP Crew x MOG Museum of Graffiti. Depicts Vintage Photo of 1UP Crew Graffiti Writer & Street Artist Men in Masks Posing for a Photo of Friends by Security Fence. 1UP Crew Through the Lens of Martha Cooper and Nika Kramer The "Scale Up" archival print embodies the collective spirit of street art, captured through the lenses of two renowned photographers, Martha Cooper and Nika Kramer, and embodied by the infamous 1UP Crew - One United Power. This limited edition artwork, produced in collaboration with the MOG Museum of Graffiti, is a richly layered piece that depicts a moment in time and tells the story of camaraderie, identity, and street art culture. The print, measuring 19.75x24 inches and released in a limited edition of 40, is a stylized blown-up Polaroid that freezes the 1UP Crew in a candid pose behind a security fence, a scenario familiar to the daring escapades of graffiti writers and street artists. The image is steeped in the authenticity of the graffiti artist's environment, with the backdrop, poses, and expressions conveying the essence of the street art world. It's a world where artists often operate anonymously, masks serving to protect identities and as a symbol of the unified entity 1UP Crew. The print itself, signed and numbered, becomes a collector's piece that goes beyond aesthetics, delving into the narrative of street art as lived by one of its most prominent collectives. The Artistic Narrative of "Scale Up" "Scale Up" is not just a photograph; it's a visual narrative that speaks to the ethos of the 1UP Crew and the street art culture they represent. The vintage quality of the image, coupled with the modern technique of archival pigment on fine art paper, bridges generations of street art. The photograph by Martha Cooper, a pioneer in the documentation of street art, and Nika Kramer, known for her cultural photography, is a testament to the enduring nature of the street art movement. The image tells a story of unity, resilience, and the power of street art to create a sense of belonging among its practitioners. The 1UP Crew, known for their large-scale, high-impact works, are shown in a moment of quiet solidarity, contrasting to the often frenetic energy of their public art. This piece is a celebration of their collective achievements and a reflection on the personal bonds that form the foundation of their work. The MOG Museum of Graffiti's Role in Preserving Street Art The MOG Museum of Graffiti plays a critical role in preserving and promoting the work of street artists like the 1UP Crew. By publishing and exhibiting "Scale Up," the MOG underscores its commitment to elevating street art from ephemeral acts to enduring artworks. The museum's involvement in this project reflects its broader mission to serve as a custodian of street art history and an advocate for its cultural significance. The MOG's collaboration with artists and photographers, such as 1UP Crew, Martha Cooper, and Nika Kramer, results in a synergy that propels the narrative of street art forward. By providing a platform for these works, the MOG ensures that the stories and art of urban landscapes are captured and shared with a broader audience. The museum's dedication to the street art community helps to foster an appreciation for the art form and encourages dialogue about its place in the broader spectrum of contemporary art. In the art community, "Scale Up" stands as a testament to the transformative power of collaboration, photography, and street art. It is a reminder of the importance of preserving the moments that define a culture and celebrating the individuals and collectives who shape the visual language of our urban environments. As street pop art and graffiti artwork continue to influence our visual and cultural landscape, the contributions of artists like the 1UP Crew and photographers like Martha Cooper and Nika Kramer will continue to be celebrated for their role in documenting and defining this vibrant art movement.

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Bon Juge DLM117 Lithograph Print by Georges Braque Hand-Pulled Print on Vintage Book Leaf/Page Limited Edition Graffiti Street Pop Artwork. 1959 Vintage Book Print Lithograph Leaf/Page From Book Limited Edition Artwork Size 11x15, Unfolded 22x15. Text Type Artwork Reads: Bon Juge Derriere Le Toit Pointu Ou Tu Danses En Jetant Tour En L'air Iren Tes Jambes Et. Good Judge Behind the Pointed Roof Where You Dance Throwing Your Legs and Legs Into the Air. Georges Braque's "Bon Juge" and the Dialogue with Street Art Georges Braque, a pivotal figure in the development of Cubism and a renowned artist of the 20th century, has left an indelible mark on the world of art with his innovative approaches to form and perspective. His "Bon Juge DLM117" is a vintage book print lithograph, an original hand-pulled piece on a book leaf/page that dates back to 1959. This work, sized 11x15 inches and unfolding to 22x15 inches, showcases Braque's mastery of the lithographic process and his enduring exploration of text and imagery within his compositions. The Lithographic Process and Braque's Mastery Lithography, a printmaking technique that allows for graphics creation through oil and water repulsion, was a method Braque employed to excellent effect. His "Bon Juge" piece is a testament to his skill, capturing the essence of his artistic voice in a medium that demands precision and depth of understanding. The work presents a visual and textual interplay reminiscent of the dialogues created by street and pop artists, who often utilize text to complement or juxtapose visual elements. Intersecting Visual Art and Literature Using a book page as the substrate for the "Bon Juge" lithograph is significant. It represents a fusion of visual art and literature, two forms of expression that Braque navigated with grace and expertise. While not directly linked to street art or graffiti, the essence of Braque's work resonates with the ethos of these contemporary art forms. His ability to synthesize various elements of culture, be it through Cubist fragmentation or the poetic nature of his later pieces, parallels the multi-layered works of street pop art and graffiti that seek to engage viewers on multiple levels. Georges Braque's contribution to art continues to influence artists across genres, affirming his status as a pioneer who challenged conventional modes of expression and paved the way for new artistic dialogues. "Bon Juge" stands as a piece that reflects Braque's artistic journey and embodies a timeless quality that speaks to the evolving nature of art itself.

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Passion Dans Le Rouge Lithograph Print by Enrique Peycere Hand-Pulled Print on Deckled Fine Art Paper Limited Edition Contemporary Modernism Vintage Pop Artwork. 1986 Signed & Numbered Limited Edition of 120 Artwork Size 28x31 Hand Deckled Paper Contemporary Modern Abstract Red Artwork Titled Passion Dans Le Rouge, or Passion In The Red. Silght Handling Crease to Lower Left Facing Edge. Enrique Peycere and "Passion Dans Le Rouge": A Study in Abstraction The 1986 lithograph "Passion Dans Le Rouge," created by Enrique Peycere, captures the intense emotion and dynamic energy that the title, translating to "Passion In The Red," suggests. As a limited edition hand-pulled print on fine art paper, this work stands out with its contemporary modern abstract expression and generous dimensions of 28x31 inches. With only 120 pieces, each signed and numbered by the artist, the artwork secures its place as a sought-after piece for collectors and art lovers alike. The Vitality of Red in Peycere's Abstract Vision Peycere's choice of red is deliberate and loaded with symbolism. In art, red is often associated with passion, strength, and vitality, and in "Passion Dans Le Rouge," the color takes center stage, pulsating with life and vibrancy. The abstract forms that dominate the composition are reminiscent of organic shapes, alluding to the natural world or the human form, allowing viewers to engage with the piece on multiple interpretive levels. This abstraction aligns with the principles of pop art and graffiti, where color and form elicit a visceral response from the viewer. Abstract Expressionism's Echo in Street and Pop Art While Enrique Peycere's work predates the explosion of street pop art and graffiti, "Passion Dans Le Rouge" resonates with the energy and spontaneity that characterize these later movements. The abstraction found in Peycere's lithograph can be seen as a precursor to the abstract tendencies of street and pop art, where the emotional impact and the aesthetic experience often take precedence over representational accuracy. The boldness and simplicity of the work, combined with its abstract nature, make it a piece that transcends time and style, engaging with the universal language of color and form. As such, Peycere's "Passion Dans Le Rouge" not only contributes to the narrative of abstract art but also complements the broader conversation about the influence of abstract expressionism on contemporary street and pop art. Enrique Peycere's "Passion Dans Le Rouge" lithograph remains a powerful expression of emotion and artistry. Its abstract forms and vibrant red hues continue to captivate and inspire, much like the vivid street art that colors the urban landscapes of cities around the world. Through his limited edition works, Peycere has left an indelible mark on the art world, which continues to echo through modern and contemporary art.

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