Alcohol

8 artworks

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  • Cornetto Trilogy Shaun of the Dead Lithograph Print by Patrick Connan

    Patrick Connan Cornetto Trilogy Shaun of the Dead Lithograph Print by Patrick Connan

    Cornetto Trilogy- Shaun of the Dead Lithograph Print Limited Edition Artwork on GF Smith 250gsm Absolute Naturalis Matt Paper by Patrick Connan, an urban graffiti pop street artist. Lithograph print on GF Smith 250gsm Absolute Naturalis Matt paper with archival inks. Edition of 20 A2 (420 mm x 594 mm/ 16.5 x 23.4 inches) Signed / Numbered & Stamped

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    $99.00

  • Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis

    Dred66- Tyree Davis Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis

    Red Carpet Imperial Original Oil Painting by Dred66- Tyree Davis of a Kind of Artwork on Foam Core Mounted to Acrylic Sheet From Street Art Pop Artist. 2001 Signed Acrylic Painting Original Artwork Size 32x12 Depicting 2 People Sharing a Meal at a Table with Wine Over a Massive Red Carpet. Tagged, Signed, Dated, and titled on the Back. Imperial / Red Carpet / Dred66 / March 2001 Essence of "Red Carpet Imperial" by Tyree Davis "Red Carpet Imperial" stands as a remarkable testament to the artistic prowess of Tyree Davis, known in the street pop art and graffiti artwork community as Dred66. This original oil painting, a one-of-a-kind artwork on foam core mounted to an acrylic sheet, exemplifies the fusion of street art aesthetics with the traditional oil painting medium. Created in 2001, this signed acrylic painting stretches across a sizeable 32x12 canvas, depicting a scene that is both intimate and grandiose — two people sharing a meal at a table with a wine bottle over a massive red carpet. Davis's "Red Carpet Imperial" encapsulates the ethos of street pop art by bringing the personal into the public sphere. The subjects of the painting — two individuals engaged in the simple act of sharing a meal — are universal in their relatability. Yet, they are set against a backdrop that speaks to grandeur and excess. This contrast sketched out in the earthy yet bold tones of the oil paints, evokes a narrative that is both a celebration and a critique of cultural and social dynamics. It's a snapshot of life that is as much about the environment as it is about the individuals within it. Signature Style of Dred66 and Artistic Influence Tyree Davis's signature style is evident in how "Red Carpet Imperial" harmonizes street art's raw energy with a gallery piece's sophistication. The painting carries the hallmarks of graffiti in its background — tagged, signed, and dated by the artist, which is a nod to the graffiti tradition of artists marking their territory and claiming space. This element of the artwork connects the practice of street art with the established conventions of fine art, creating a dialogue between two worlds often seen as disparate. The tactile quality of the foam core gives the painting a three-dimensional feel. At the same time, the mounting on an acrylic sheet provides a modern twist, suggesting the protective glazing found in street art installations. These material choices by Davis reflect a thoughtful consideration of medium and message, ensuring that "Red Carpet Imperial" resonates with the authenticity of street art even as it occupies a different physical and conceptual space. In "Red Carpet Imperial," Davis offers a cultural commentary that is as relevant today as it was at the beginning of the millennium. The work's title, 'Imperial,' hints at a critique of societal structures and the seduction of luxury, a theme deep in street pop art's veins. The painting invites viewers to reflect on the disparities and contradictions that pervade modern life by placing an everyday scene in a context that implies wealth and luxury. Moreover, the painting's year of creation, 2001, situates it at a time when street art began gaining widespread recognition as a legitimate art form. Tyree Davis contributed to this burgeoning recognition through his work, bridging the gap between the street and the gallery and challenging preconceived notions about the value and place of graffiti and street pop art in the art historical canon. Legacy and Continuing Influence Tyree Davis's "Red Carpet Imperial" legacy continues influencing the street art community and the broader art world. It stands as a powerful example of how the aesthetics and themes of street pop art can be translated into different mediums and settings, maintaining their impact and resonance. Davis's work invites ongoing discourse about the intersections between art, culture, and society through its bold visual language and underlying social commentary. This conversation is as vital now as it was two decades ago. "Red Carpet Imperial" is more than just a painting; it is a piece of social fabric, a historical document, and a beacon of street pop art's enduring power to communicate, challenge, and captivate. Tyree Davis, as Dred66, has crafted an artwork that is both a reflection and a critique of the world it inhabits, securing his place in the annals of street pop art history.

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    $5,000.00

  • -ISMFEST 96 Night 1 Beyond the Criminals Red Max 1996 Lincoln NE Silkscreen Print by Frank Kozik

    Frank Kozik -ISMFEST 96 Night 1 Beyond the Criminals Red Max 1996 Lincoln NE Silkscreen Print by Frank Kozik

    -ISMFEST 96 Night 1 Beyond the Criminals Red Max 1996 Lincoln NE Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed by Kozik & Numbered Limited Edition of 600 Artwork Size 22.5x17.5 Silkscreen Print Band Gig Poster by Frank Kozik. Beyond the Criminals Red Max Knickerbocker's, Lincoln, NE 8-15-1996

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    $273.00

  • LAndmarked Silkscreen Print by Krush

    Krush LAndmarked Silkscreen Print by Krush

    LAndmarked Limited Edition 3-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Krush Graffiti Street Artist Modern Pop Art. "L Andmarked" was produced in collaboration with Krush and The Seventh Letter, a three-color screenprint on Speckleton paper. This book is a print released at the time of the "LA marked" art show. It's a classic print of Los Angeles' dreamy, hot, dreamy environment with 20th-century advertising designs and typography that are about to disappear from classic spots such as the subculture area of ​​Los Angeles. ..

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    $129.00

  • Cornetto Trilogy The Worlds End Lithograph Print by Patrick Connan

    Patrick Connan Cornetto Trilogy The Worlds End Lithograph Print by Patrick Connan

    Cornetto Trilogy-The World's End Lithograph Print Limited Edition Artwork on GF Smith 250gsm Absolute Naturalis Matt Paper by Patrick Connan, an urban graffiti pop street artist. Lithograph print on GF Smith 250gsm Absolute Naturalis Matt paper with archival inks. Edition of 20 A2 (420 mm x 594 mm/ 16.5 x 23.4 inches) Signed / Numbered & Stamped

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    $99.00

  • Dick Whitman Silkscreen Print by DKNG

    DKNG Dick Whitman Silkscreen Print by DKNG

    Dick Whitman Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Signed & Numbered. Whiskey Drink & Ciggerette with Urban City and Plane in the background from TV SHow Mad Men. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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    $153.00

  • Cornetto Trilogy Hot Fuzz Lithograph Print by Patrick Connan

    Patrick Connan Cornetto Trilogy Hot Fuzz Lithograph Print by Patrick Connan

    Cornetto Trilogy- Hot Fuzz Lithograph Print Limited Edition Artwork on GF Smith 250gsm Absolute Naturalis Matt Paper by Patrick Connan, an urban graffiti pop street artist. Lithograph print on GF Smith 250gsm Absolute Naturalis Matt paper with archival inks. Edition of 20 A2 (420 mm x 594 mm/ 16.5 x 23.4 inches) Signed / Numbered & Stamped

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    $99.00

  • Absinthe 16x20 Archival Print by Pooch

    Pooch Absinthe 16x20 Archival Print by Pooch

    Absinthe 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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    $153.00

Alcohol Graffiti Street Pop Artwork

Alcohol Cultural Contexts and Artistic Expressions

Alcohol has been a popular subject in art for centuries, from classical still-life paintings to modern graffiti and pop art. In this essay, I will focus on how alcohol has been represented in graffiti and pop art. Graffiti art is a form of visual communication involving writing or drawing on walls or other public spaces. Graffiti artists use tools such as spray paint, markers, and stencils to create artwork. Alcohol has been a popular theme in graffiti art, especially beer and liquor advertisements. One of the most famous examples of alcohol in graffiti art is the iconic "Stella Artois" mural in Brussels, Belgium. The mural, created in 2008, features the brand's logo in a vibrant red and gold color scheme. The Stella Artois mural has become a landmark and popular tourist attraction in Brussels. Alcohol advertisements in graffiti art can also be found in urban areas worldwide. Graffiti artists use the logos and slogans of popular beer and liquor brands to create bold and colorful murals that stand out in the urban landscape. Some artists use these advertisements to critique the commercialization of alcohol and its impact on society. In addition to ads, graffiti artists also use alcohol as a subject in their artwork. Some artists use alcohol bottles and cans as a canvas, painting elaborate designs and characters on them. These painted bottles and cans are often used as props in photo shoots or gallery display pieces. Pop art is an art movement that emerged in the 1950s and 1960s in Britain and the United States. Popular cultural imagery and objects, such as comic books, advertising, and consumer products, characterize pop art. Alcohol has been a popular subject in pop art, particularly in the work of artists such as Andy Warhol and Roy Lichtenstein.

Alcohol in the Lens of Street Pop Art and Graffiti Artwork

Andy Warhol is the most famous pop artist to use alcohol as a subject in his work. Warhol created a series of silkscreen prints featuring the iconic Coca-Cola logo and the slogan "It's the real thing." Warhol also created a series of paintings featuring the Budweiser logo and the brand's signature Clydesdale horses. Another pop artist who used alcohol in his work was Roy Lichtenstein. Lichtenstein created a series of paintings that depicted scenes from bars and nightclubs, featuring characters drinking and socializing. These paintings often featured bold, comic book-style graphics and captions. Alcohol has also been a popular subject in contemporary pop art. Artists like Damien Hirst and Jeff Koons have created sculptures and installations featuring alcohol bottles and cans. These works often play with scale and materiality, creating oversized or transparent versions of familiar objects. Alcohol has been a popular subject in graffiti and pop art. Graffiti artists use alcohol advertisements and bottles as a canvas for their artwork. In contrast, pop artists like Warhol and Lichtenstein have used alcohol logos and scenes from bars and nightclubs in their paintings. Contemporary pop artists continue to explore the theme of alcohol in their work, creating sculptures and installations that play with scale and materiality. Through their art, these artists explore the role of alcohol in society and its impact on popular culture. Alcohol has long been a potent symbol in various forms of art, representing everything from celebration and festivity to despair and addiction. In street pop art and graffiti artwork, alcohol is often depicted in a way that mirrors its complex role in society. Artists take to city walls to portray bottles, glasses, and bar scenes, infusing their pieces with the same duality that alcohol embodies. These works are splashed across urban landscapes, where they stand as both a critique and an embellishment of modern life.

The Symbolism of Alcohol in Urban Art

In street art, alcohol-related imagery often serves as a tool for social commentary. Artists might juxtapose the allure of alcohol with the consequences of its abuse or use it to spotlight issues of excess and escapism in contemporary culture. The visual vocabulary of this subject is rich and varied, encompassing everything from the celebratory pop of champagne in street pop art to the gritty reality of a brown paper bag in a graffiti-scarred alley. These pieces provide a visual shorthand for complex cultural dialogues, with each artist bringing their perspective to the topic. Moreover, street art's portrayal of alcohol frequently reflects the community's pulse, capturing the celebratory aspects of drinking as well as its darker side. In some neighborhoods, murals of vibrant, lively bars might evoke the spirit of local festivities. In contrast, in others, the stark depiction of a solitary drinker might comment on isolation or social decay. This contrast is emblematic of street art's capacity to hold a mirror up to the community, reflecting its highs and lows with striking clarity.

Commercial Influence and Street Art's Response

The cultural contexts in which alcohol is presented within street art vary greatly, with the substance sometimes used to honor heritage and tradition. In specific communities, murals might incorporate alcohol to signify cultural identity, celebrating traditional brewing methods or iconic local beverages. Elsewhere, alcohol use in street pop art and graffiti can be a nod to subversion and counterculture, aligning with the disruptive nature of street art itself. The influence of commercialism on the portrayal of alcohol in street art cannot be ignored. Advertising has long utilized art to sell alcoholic products, creating a pervasive presence in urban environments. Street artists sometimes reclaim this imagery, repurposing it for their ends or critiquing the commercialization of drinking culture. This recontextualization is a powerful aspect of street pop art and graffiti artwork, allowing artists to subvert mainstream messages and engage viewers in a deeper dialogue about consumption and influence. In examining the role of alcohol in street pop art and graffiti artwork, it becomes clear that it is as much a symbol of cultural identity and social commentary as it is a subject of aesthetic interest. From celebratory representations to stark warnings, alcohol-related imagery in street art offers a nuanced exploration of its subject matter, inviting reflection on the multifaceted role that alcohol plays in society.

© 2024 Sprayed Paint Art Collection,

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