Ben Frost

Employee of the Month Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ben Frost. Ben Frost (b. 1975) Employee of the Month, 2014 Archival pigment print on Fine Art paper 17 x 17 inches (43.2 x 43.2 cm) (sheet) Ed. 28/65 Signed and numbered in pencil along the lower edge and published by 1xRUN, Detroit. Visual Dissection of Pop Culture "Employee of the Month" by Ben Frost is a limited edition archival pigment print that dissects and reassembles the fabric of pop culture within the context of street art and graffiti. This piece, created in 2014 and published by 1xRUN in Detroit, is a visually rich tapestry, infusing iconic imagery with subversive undertones characteristic of Frost's work. The print, measuring 17 x 17 inches, is a potent example of how street pop art and graffiti artwork can infiltrate the fine art world with its pulsating energy and color. Born in 1975, Frost has become known for his vibrant visuals that often incorporate elements from cartoons, advertising, and iconic brand imagery. "Employee of the Month" is no exception, featuring an amalgamation of figures from different realms of popular media. These images are not merely placed together but interwoven to create a narrative that speaks to the artist's and the viewer's shared cultural experiences. Subversion and Satire in Ben Frost's Art Frost's piece is a satirical nod to the recognition and rewards system prevalent in corporate culture, highlighted by the badge "Employee of the Month" amidst the chaotic backdrop of consumerist icons. The artwork delves into the themes of identity and recognition in a world saturated with branding and marketing messages. Each character and symbol is meticulously chosen to reflect the absurdity and sometimes the emptiness that can accompany the pursuit of accolades in a capitalist society. The print is signed and numbered by Frost, making each of the 65 editions a collectible piece of art. His signature not only authenticates the work but also marks it as an integral component of his artistic narrative, which often challenges the viewer to reconsider their relationship with the pervasive imagery of consumer culture. Interplay of Street Art and Archival Quality The use of archival pigment on fine art paper is a statement of the permanence Frost wishes to impart to his otherwise fleeting and ephemeral subject matter. While street art is often transient, the archival quality of these prints ensures that the vibrancy and message of the artwork endure. This duality mirrors street art and graffiti's short yet impactful nature – temporary in form but permanent in cultural impact. In summary, Ben Frost's "Employee of the Month" combines street art sensibilities and acceptable art practices, celebrating pop culture through a critical and often irreverent lens. This print stands as a testament to Frost's ability to create art that is both accessible and complex, offering a multifaceted critique of the world we navigate daily. Through his work, Frost continues to push the boundaries of street pop art and graffiti artwork, ensuring these genres' vital place within contemporary art discourse.

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Can't Sleep Clowns Will Eat Me- 17 x 17 Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by Ben Frost Graffiti Street Artist Modern Pop Art. "The world is run by clowns. Moronic and colorful, they dance across our television screens touting surreal propaganda and advertising slogans in a bizarre theatrical performance without intermission. No wonder I have trouble sleeping.? I use mini-dialogues that come together to make up an overall pastiche, that reflects how I see the world – especially as it is delivered to us through the media. In these 'mash-up' paintings, countless characters exist and interact within the same picture plane, to create a frenetic snapshot of the chaos that we endure in our every-day lives. " - Ben Frost Ben Frost is utilizing imagery familiar to western culture in order to make a statement about the culture itself on the basis of consumerism, modern icons, big corporations, etc. Animation characters, pop icons, brand logos, and many more are transformed into vibrant artworks and find their place in galleries. With this in mind, and in the case of Ben Frost, it is futile to try to identify a clear borderline between low and high art. In reality, the artist wants the audience to think on the terms of high or low value and, by extension, what these actually mean. Over the years street artists have managed to establish themselves as respected creators and some of them have even gained international fame, transforming graffiti from a fringe art, aiming sometimes to mark street gangs’ territory, into big business.

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