Bad Brains- Fist & Flag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Glen E Friedman Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 24 x 18 inches. Screenprint on thick cream Speckletone paper. Original photo by Glen E. Friedman. Signed by Glen E. Friedman, Shepard Fairey, & HR. Numbered edition of 600. Bad Brains are one of my favorite punk/hardcore groups of all time. I’ve been a Bad Brains fan for 30-plus years and am lucky to work with them on a few projects, including prints, a clothing collection, and the cover of their album “Into the Future.” Glen E. Friedman shot many great photos of Bad Brains, and his photo of HR at A7 bar in New York City from 1981 is the reference for this poster illustration. It’s an incredible honor to create art and to be connected to a band that has provided so much inspiration, energy, and sheer pleasure for me over the years. This poster is signed by Glen, me, and HR! Keep that PMA (Positive Mental Attitude)! –Shepard

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Seppuku Limited Edition Hand-Embellished 6-Color Serigraph on 130lbs Mohawk Fine Art Paper by Abcnt Graffiti Street Artist Modern Pop Art. "I wanted to portray dead cops, but keeping with the tradition of non-violent resistance. So the problem solving was trying to figure out how I would communicate that dilemma.I don't condone violence against police, but I'm okay with self-inflicted violence by police for the sake of honor."- ABCNT

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Obear HPM #9 Limited Edition Hand-Embellished Giclee Print on Fine Art Paper by Phil Lumbang, Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 10 HPM Hand-Embellished Multiple Bear with Hand-Painted Face and Eyes. Small Water Mark Stain Above E, Slight Handling Crease To Lower Right Facing Margin. Unique Characteristics of Lumbang's "Obear" Phil Lumbang's "Obear HPM #9" represents an intimate intersection of street influence and delicate art sensibility, embodying the characteristics that define modern Street Pop Art and graffiti Artwork. This hand-embellished giclée print on fine art paper, produced in 2013, stands as a unique fusion of traditional artistic practices with the contemporary street art movement, illustrating the dynamism of pop art's evolution over the decades. The limited edition print, one of only ten in existence, is signed and numbered, marking its exclusivity and importance in collectible art. What sets "Obear HPM #9" apart is the hand-painted face and eyes, which imbue the artwork with a sense of individuality and craftsmanship. Each print in the series, while part of a collective theme, boasts its unique characteristics due to the hand-embellished nature of the work. Artistic Merit and Aesthetic Appeal The bear, a recurring motif in Lumbang's work, is more than a simple subject; it represents the artist's playful yet poignant exploration of form and character. The bear's wide eyes and open-mouthed expression convey a sense of wonder and accessibility, resonating with a broad audience and reflecting the inclusive spirit of street art. The stark contrast of the black and white bear against the bold red of the "OBEAR" lettering further exemplifies Lumbang's skill in capturing attention through simplicity and contrast. As a piece demonstrating Street Pop Art and graffiti Artwork, "Obear HPM #9" carries the symbolic weight of graffiti's heritage. Graffiti, traditionally seen as a form of rebellion, is transmuted into a playful yet powerful form of expression within the pop art genre. The slight imperfections, such as the small watermark stain above the letter 'E' and the handling crease to the lower right-facing margin, serve as a testament to the authenticity of the piece and the hands-on process of its creation. Collectibility and Cultural Impact The collectibility of "Obear HPM #9" is undeniable, and its status as a hand-embellished multiple (HPM) ensures that it holds a special place in the hearts of collectors and enthusiasts. Each imperfection, each brush stroke, tells a story of the artwork's journey from Lumbang's imagination to physical form. This journey encapsulates the essence of Street Pop Art and graffiti Artwork, where each piece serves as a visual narrative and a historical artifact of the artist's creative process. Phil Lumbang's contribution to modern pop and street art is marked by his ability to distinguish between accessible imagery and artistic sophistication. "Obear HPM #9," with its hand-embellished details, stands as a vibrant example of how street art has evolved into a respected form of fine art without losing the authenticity and vibrancy that define the movement. Lumbang's work celebrates the playful spirit of street art and its place within the broader context of contemporary art.

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Talk Talk Talk- White Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 24x18" black and Red screen print printed on 290gsm Coventry Rag paper with deckled edges Each print is signed and numbered limited edition of 150 The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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No Trespassing No Graffiti 12x18- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. No Trespassing No Graffiti Surveillance Sign. Challenging Norms with Cope2's Street Pop Art & Graffiti Artwork The piece "No Trespassing No Graffiti 12x18- III" by Cope2 is a provocative work that embodies the rebellious spirit of street pop art and graffiti artwork. The 2020 signed original spray paint painting features bubble letters on a real metal street sign, size 12x18 inches, boldly proclaiming "Graffiti Is A Crime." This artwork is a direct challenge to the legal and societal boundaries that have long been imposed on graffiti artists. Cope2, a name that carries weight in the graffiti world, uses this piece to confront the paradox of graffiti as an art form: its simultaneous existence as a celebrated creation and a criminal act. The medium of the actual metal street sign, an object that typically represents law and control, is subverted and repurposed as a canvas for free artistic expression. This inversion is symbolic of the very nature of street art — a medium that often exists in heavily regulated and surveilled spaces. By choosing this as his canvas, Cope2 does not just create a piece of art; he crafts a statement on the right to public space and the nature of artistic freedom. The Socio-Cultural Commentary of Cope2's Work "No Trespassing No Graffiti" is more than a visually striking piece; it serves as a socio-cultural commentary on the state of street art today. The bright colors and the unmissable bubble letters are quintessential elements of traditional graffiti, yet they stand in stark contrast against the formal, authoritative backdrop of the street sign. This contrast is a visual metaphor for the tension between the artist and the establishment, between creativity and conformity. The artwork captures what Cope2 represents — an artist who has thrived in the face of adversity and legal challenges for over three decades. This mixed media piece shows his dedication to the craft and his ability to adapt and evolve. He showcased his mixed-media the streets to a respected figure in modern pop art while maintaining the edge and authenticity of his street roots. Impact of "No Trespassing No Graffiti" on Street Pop Art & Graffiti Artwork Cope2's "No Trespassing No Graffiti" impact on the perception of street pop art and graffiti artwork cannot be understated. It is an embodiment of the defiance often intrinsic to this genre of art. Yet, it also represents a maturation of the form, a sign that street art has claimed its rightful place in contemporary art discourse. The piece stands as a symbol of resistance against the criminalization of graffiti, urging a reexamination of the laws and cultural perceptions that govern public expression. Through this work, Cope2 asserts the value of street art as a legitimate and powerful form of social and artistic expression. The painting is a direct engagement with the viewer, a call to question and redefine the boundaries of legality and artistry. It is a bold declaration that the presence of graffiti in the public sphere can be both an act of vandalism and a significant cultural artifact. "No Trespassing No Graffiti" is a pivotal piece in the narrative of street pop art and graffiti artwork. It is a testament to Cope2's enduring influence and his commitment to pushing the boundaries of what street art can convey. This artwork is not just a statement against prohibition; it is a proclamation of the transformative power of graffiti, its role in challenging the status quo, and its potential to change how we interact with and understand the urban landscape. It is a piece that encapsulates the complex identity of graffiti, standing as a vibrant example of the dialogue between artist, city, and society.

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Phone Booth- 18x18 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Shishidomia. 2022 Limited Edition of 250 18x18 Japan Print

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Silver City Style B Night Black 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited of 25 Edition Artwork Size 24x18 Silver Metallic Ink City Style B Nightime 24x18

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Thriving Cities Archival Print by Chris Austin Limited Edition on Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 40 Artwork Size 32x18 Archival Pigment Fine Art of Sharks Swimming Though the Busy Streets of an Urban City with Cars & People. In the eclectic world of contemporary art, Chris Austin's "Thriving Cities" stands as a vivid testament to the boundless imagination of its creator. This archival print, masterfully designed on Fine Art Paper, offers viewers a surreal journey through a bustling urban landscape that intriguingly intertwines elements of the aquatic and the metropolitan. Skillfully capturing the spirit of pop, street, and graffiti art, the piece beckons onlookers to dive into the depths of its narrative. Spanning an impressive 32x18 inches, "Thriving Cities" is an audacious exploration of the juxtaposition between nature's apex predators and the human-made jungle. Envisioning sharks effortlessly swimming amidst the busy streets, navigating between moving cars and wandering pedestrians, Austin crafts a world where the boundaries between the wild and the urban blur seamlessly. While the sharks may symbolize the relentless hustle and unstoppable drive of city life, they also introduce a sense of foreboding, reminding us of the lurking dangers in our seemingly mundane routines. Crafted with archival pigment, the fine art print's quality and attention to detail ensure that every nuance, from the sun's reflection on the cars to the sparkle in the sharks' eyes, is captured with unparalleled precision. Each piece is signed and numbered by Chris Austin, emphasizing its limited-edition nature with only 40 prints available. A true emblem of modern artistic expression, "Thriving Cities" is an evocative reflection on the symbiotic relationship between nature and urban development, sparking introspection and dialogue among art enthusiasts and casual viewers alike.

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Nets Limited Edition Archival Pigment Prints on 290gsm Moab Entrada Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 82 Artwork Size 18x18 I consider my art a mix of pop and street art. I draw influences from my surroundings and try to incorporate the ever-changing world of pop culture into my artwork. - McFly

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The Shot Limited Edition Archival Pigment Prints on 290gsm Moab Entrada Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 82 Artwork Size 18x18 I consider my art a mix of pop and street art. I draw influences from my surroundings and try to incorporate the ever-changing world of pop culture into my artwork. - McFly

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Video Surveillance 12x18- II Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. This Area is Under 24 Hour Surveillance Sign.  

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Alice Limited Edition 5-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

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Moon Over Biloxi- White 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. White Variant Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 200 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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Silver City Style B Day AP White 2-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. AP Artist Proof 2012 Signed Limited Edition Artwork Size 24x18 Silver Metallic Ink City Style B Daytime 24x18

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The Passions 1 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 90 Artwork Size 18x18 Cleon Peterson The Passions, 2009 BLK/MRKT Editions The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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The Passions 2 Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Cleon Peterson Graffiti Street Artist Modern Pop Art. 2009 Signed & Numbered Limited Edition of 90 Artwork Size 18x18 Cleon Peterson The Passions, 2009 BLK/MRKT Editions Cleon Peterson’s world is full of merciless cruelty, chaotic debauchery, and a never-ending struggle to subvert power and oppression. His simple compositions entail complex connotations and an unsettling critique of society’s ever-growing disenfranchisement, isolation, and desperation. Looking at his work, one can easily understand that the artist is not advocating for violence, which he, instead weaponizes in the battle with apathy.

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Chain & The Gang- Elks Lodge 2010 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Elks Lodge. October 7th 2010 Featuring Chain & The Gang, Danny and the Darleans, Richie Are The Whip, DJ Forest.

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Blue Snaggletooth B&W- The Elbow Room 2009 Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jeremy Wheeler Graffiti Street Artist Modern Pop Art. Stoner Rick Night Event. Light creasing on the left lower corner. September 25th, 2009 Featuring Blue Snaggletooth, The Cranks, Black Irish, DJ Wheeler.

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Upper Face Flip Limited Edition 2-Color Hand Letterpress Print on 250gsm Lenox Art Paper by Gats- Graffiti Against The System pop art graffiti famous artist art. "This piece is part of a series of fourteen 11”x 17” illustrations that all share a similar boarder of text. I then used the same boarded in a 18”x24” illustration and a 60’ x 15’ mural. I’m planning on showing all the originals together at a gallery, but I want to release the prints first. I like using text as cross hatching in my pieces so that from a distance it appears as shading and bolder shapes, but when you look at it close you can decipher more elaborate symbolism. " - Gats- Graffiti Against The System

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Drive Limited Edition Archival Pigment Prints on 290gsm Moab Entrada Fine Art Paper by Marly Mcfly Graffiti Street Artist Modern Pop Art. 2021 Signed & Numbered Limited Edition of 82 Artwork Size 18x18 I consider my art a mix of pop and street art. I draw influences from my surroundings and try to incorporate the ever-changing world of pop culture into my artwork.

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Graffiti Is A Crime 12x18- I Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. Graffiti Is A Crime Sign. Graffiti as a Form of Street Pop Art and Graffiti Artwork Graffiti, often perceived as a rebellious or illegal act, has gradually evolved into a recognized form of art, gaining substantial attention in the realm of modern pop and street art. This transformation is vividly exemplified by the work of renowned graffiti artist Cope2. His piece titled "Graffiti Is A Crime 12x18-I Original Mixed Media Painting" is a striking representation of this evolution. Created in 2020, this artwork is not just a mere expression of street culture but a significant icon in the graffiti art world. It stands out as a signed original spray paint painting, featuring bubble letters on a real metal street sign. Measuring 12x18 inches, this piece encapsulates the essence of street pop art and graffiti artwork, blending the raw energy of street art with the sophistication of modern pop art. The choice of a real metal street sign as the canvas for this artwork speaks volumes about the artist's intention to blur the lines between what is considered legal and illegal, art and vandalism. By transforming a symbol of authority and regulation, a street sign, into a piece of art, Cope2 challenges the conventional perceptions of graffiti. This act of repurposing a street sign, an object typically associated with law and order, into a canvas for graffiti, traditionally viewed as a form of rebellion, creates a powerful contrast and commentary on the societal views of art and expression. The Cultural Significance of Graffiti in Modern Art The artwork "Graffiti Is A Crime" is not just a physical piece of art; it's a statement about the cultural and societal impact of graffiti. Historically, graffiti has been associated with underground movements, often being a tool for the voiceless to express their opinions and emotions. However, as seen through the works of artists like Cope2, graffiti has transcended these boundaries, finding its way into the world of high art and becoming a celebrated form of creative expression. This metamorphosis of graffiti from vandalism to a respected art form is significant in understanding the dynamics of modern art. It reflects the evolving attitudes towards what constitutes art and who gets to define it. By incorporating elements of pop culture, graffiti artists have brought a new dimension to the art world, one that resonates with a broader audience and reflects contemporary societal themes. This shift has not only given graffiti artists like Cope2 a platform to showcase their talent but has also prompted a reevaluation of street art's role in the broader context of art history. Impact on the Perception of Street Art and Graffiti The significance of "Graffiti Is A Crime" and similar works in the context of street pop art and graffiti artwork lies in their ability to challenge and redefine the boundaries of traditional art. These pieces are not just expressions of individual creativity but are also powerful tools for social commentary. They represent a form of artistic democracy, where the street becomes a gallery, accessible to all, and not just the elite few. This democratization of art through graffiti challenges traditional art paradigms and encourages a more inclusive understanding of what art can be. Moreover, the increasing acceptance and celebration of graffiti art in galleries and art exhibitions signify a cultural shift. It represents a growing recognition of the artistic value and social commentary embedded in these works. The journey of graffiti from the streets to the galleries is a testament to the changing perceptions of what is considered legitimate art. It highlights the importance of context, medium, and message in the world of art, proving that creativity knows no bounds and that art can emerge from the most unexpected places. The artwork "Graffiti Is A Crime" by Cope2 is a pivotal piece in the narrative of street pop art and graffiti artwork. It encapsulates the essence of graffiti's journey from the fringes to the forefront of modern art. This piece is not just a representation of artistic skill but a symbol of cultural evolution, challenging perceptions, and redefining the boundaries of art. As such, it holds a special place in the history of modern art, symbolizing the dynamic and ever-evolving nature of artistic expression.

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A Girl Dressed As Rikku Limited Edition 3-Color Hand-Pulled Silkscreen Print on 100% Cotton Rag Archival Paper by Ian Francis Graffiti Street Artist Modern Pop Art. Ian Francis - A Girl Dressed as Rikku, 2009 BLK/MRKT Editions 3-color screenprint on 100% cotton rag Edition: 100 Size: 18 x 24 inches signed/numbered/stamped. Based on the Final Fantasy video game character.

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Money and Power- White Hand-Pulled 1-Color Silkscreen Print on Hand Deckled 290gsm Arches Rag Paper by Artist Cleon Peterson Limited Edition Art Artwork. 2022 Signed & Numbered Limited Edition of 75 Artwork Size 18x18 "Money and Power have become primary drivers in the modern world, pushing us toward a corrupt society. The days when our leaders looked out for the people's interests have become a thing of the past—replaced by the strong man who squashes the voices of dissent to set things straight. Money elects leaders; in return, they owe a debt to the people that put them in Power—enacting our new public policy of greed and gangster capitalism. We slowly accept corruption, Law slowly fades away, and people begin to feel like democracy and a fair and equitable society were always just an illusion, a dream from the past that never really even existed." -Cleon Peterson

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Miranda and Caliban Artwork Giclee Limited Edition Print on 310gsm Museum-Grade Archival Paper by Pop Culture Graffiti Artist Tran Nguyen. Miranda and Caliban by Tran Nguyen Fine-art Giclée print on Canson Aquarelle 310gsm museum-grade archival paper 13 x 18 inches Limited Edition of 75 Signed & Numbered Printed with ♥ by Static Medium "I often paint figures enveloped by nature such as birds. I'm interested in the relationship between the two and how they co-exist with one another on the picture plane." -Tran Nguyen

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Obey Wario, Destroy Mario 1-Color Silkscreen Print on Fine Art Paper by Pop Artist Nate Duval Limited Edition Artwork. 2012 Signed Limited Edition of 50 Artwork Size 18x18 Subversion in Pop Art Nate Duval's "Obey Wario, Destroy Mario" is a compelling silkscreen print that embodies the rebellious and satirical undertones of street pop art and graffiti artwork. This 2012 signed limited edition of 50, each measuring 18x18 inches, portrays the iconic antihero Wario in a style reminiscent of Shepard Fairey's "Obey" campaign, cleverly subverting mainstream pop culture and video game iconography. In "Obey Wario, Destroy Mario," Duval takes a familiar character from the beloved Mario franchise and flips the script, presenting Wario as a character in a game and as a symbol of counter-culture resistance. By appropriating the visual language of Fairey's work, which is itself a comment on propaganda and control, Duval challenges the viewer's perception of villains and heroes, suggesting a more complex narrative behind these characters. This piece is a vibrant example of how pop art continually evolves, drawing from diverse elements of culture to create new meanings and dialogues. Technique and Limited Edition Value The one-color silkscreen technique used by Duval in this artwork is a nod to the DIY ethos of street art, where simplicity and message converge to make a powerful statement. The stark black-and-white design accentuates Wario's mischievous persona, encapsulating the essence of graffiti's bold and direct approach to communication. The limited edition status of "Obey Wario, Destroy Mario" elevates its desirability. It offers an exclusive piece of Duval's thought-provoking art that is as much a collectible as a conversation starter. In contemporary art, "Obey Wario, Destroy Mario" by Nate Duval is a prime example of the intersection between the playful and the profound that characterizes Street Pop Art and graffiti Artwork. It is a testament to the power of visual art to reinterpret and critique cultural narratives, using the canvas as a battleground for ideas and ideologies. Duval's work continues to inspire and challenge, cementing his place as a significant voice in the narrative of modern pop and street art.

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Talk Talk Talk- Red Limited Edition Hand Pulled 2-Color Serigraph Print on 290gsm Coventry Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 24x18" black and Red screen print printed on 290gsm Coventry Rag paper with deckled edges Each print is signed and numbered limited edition of 150 The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Infected Silkscreen Print by Junkyard x Lefty Out There Hand-Pulled 1-Color on 100lb Recycled Archival French Black Licorice Construction Paper Limited Edition Pop Street Art Artwork. 2020 Signed & Numbered Limited Edition of 25 Artwork Size 18x18 Silkscreen Print INFO

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Bad Influences Show Print- Black & White 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by House33 Rare Street Art Famous Pop Artwork Artist. 24x18 2021 Signed and Numbered Edition of 33

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Blue Mask PP Printers Proof HPM Archival Print by Mysterious Al Limited Edition Hand Painted Multiple on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printer Proof 2018 Signed & Marked PP HPM Hand Embellished Print Limited Edition Artwork Size 18x18 Archival Pigment Fine Art. Diving into 'Blue Mask': A Unique Creation by Mysterious Al Mysterious Al, a contemporary artist making waves in the pop art and street art scenes, has presented the world with 'Blue Mask,' a PP (Printer's Proof) HPM (Hand Painted Multiple) archival prints. This 2018 limited edition work, signed and marked as a Printer's Proof, is a vivid exemplar of the artist's unique style that converges the spontaneity of street art with the precision of fine art. Executed on 290gsm Moab Entrada fine art paper, each 18x18 inch print is hand-embellished, making every piece within this limited edition distinct and rich with individual character. 'Blue Mask' showcases Mysterious Al's exploration of cultural iconography, mysticism, and the human condition through a street pop art lens. The dynamic interplay of bold colors and abstract forms creates an arresting visual that is both primitive and avant-garde. His use of black to contour and segment the colors enhances the mask's enigmatic presence, inviting viewers to a deeper exploration of its meaning and the artist's intention. Mysterious Al's Technique and Artistic Process Creating an HPM, such as 'Blue Mask,' involves craftsmanship and creative input that sets these works apart from standard prints. Each PP edition piece is hand-embellished by Mysterious Al, infusing the series with a sense of originality typically associated with singular works of art. The PP designation adds another layer of exclusivity, traditionally denoting prints of superior quality retained for reference or the artist's personal use. Mysterious Al's signature on each print is a seal of authenticity and a bridge connecting the artist and collector. The 'Blue Mask' PP HPM archival print is a testament to Mysterious Al's commitment to pushing the boundaries of street pop art. By incorporating hand embellishments, the artist disrupts the mechanical reproduction process, introducing a human element that echoes the fluidity and expressiveness of street art. This fusion of handcrafted and printed elements exemplifies the evolving nature of contemporary art, where distinctions between different art forms are increasingly blurred. Cultural Resonance of 'Blue Mask' in Street Pop Art Mysterious Al's 'Blue Mask' occupies a unique space within street pop art and graffiti artwork. The piece is not only a visual feast but also a cultural artifact that delves into the psyche of modern society. The mask motif, a recurrent theme in Mysterious Al's work, serves as a metaphor for identity, transformation, and the various personas individuals do in public and private life. The cultural significance of 'Blue Mask' is further amplified by its medium—archival pigment on fine art paper ensures longevity, allowing the artwork to become a lasting part of the dialogue in street pop art. This durability contrasts with the traditionally ephemeral nature of street art, offering permanence to an art form characterized by its fleeting existence. 'Blue Mask' by Mysterious Al is a vibrant testament to the artist's innovative approach and skillful melding of street art techniques with acceptable art practices. As a PP HPM, it embodies the artist's vision in a tangible form that is both accessible and exclusive, inviting art lovers and collectors to engage with a piece of street pop art that is alive with a personal touch and cultural commentary.

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Respect the Land White Silkscreen by Gats- Graffiti Against The System Hand-Pulled 4-Color Screen Print on Gold Foil Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 24x18 "Respect the Land White Silkscreen" by Gats- Graffiti Against The System is a thought-provoking piece that seamlessly merges the ethos of pop art with the grit of street art. This hand-pulled 4-color screen print on gold foil paper exudes the spirit of street art in its rawest form, while incorporating the glitz associated with pop art. Released in 2022 as a signed and numbered limited edition of 50, each 24x18 inch artwork is a testament to Gats- Graffiti Against The System's commitment to the craft and to the message it conveys. Gats- Graffiti Against The System, known for incorporating symbolic imagery that speaks to the socio-political landscape, presents a visual narrative that compels viewers to contemplate their relationship with the environment. The piece features characteristic elements such as stylized eyes and faces, set against a backdrop that suggests both a reverence for and a challenge to the natural world. The gold foil paper does not merely serve as a canvas; it elevates the work, making a statement about the value of the land and the culture that springs from it. The choice of white silkscreen on gold indicates a stark contrast between the purity of the white and the opulence of the gold, possibly hinting at the dichotomy between nature's simplicity and humanity's often extravagant impact on it. This artwork is not just a visual feast but a conversation starter, an invitation to ponder the past, present, and future of our interaction with the land. In the larger context of Gats- Graffiti Against The System's body of work, this piece aligns with his ongoing exploration of themes around urban life, nature, and identity. The intricate details and the strategic use of color on the reflective surface of the gold foil make each print shimmer with life, suggesting the life force of the land itself. It's a bold reflection on the importance of respecting and protecting our environment, rendered in a medium that traditionally symbolizes wealth and permanence. This limited edition piece stands as a beacon within the realms of pop and street art, a reminder of the impermanence of our actions and the enduring legacy we leave on the land. Gats- Graffiti Against The System's "Respect the Land White Silkscreen" serves as both a mirror and a window, reflecting our current realities while providing a glimpse into what the future could hold if we choose to honor the land that sustains us.

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Cascade Silkscreen Print by Lefty Out There Hand-Pulled 1-Color on Hand Deckled Black Stonehenge Fine Art Paper Limited Edition Pop Street Art Artwork. 2017 Signed & Numbered Limited Edition of 80 Artwork Size 18x18 Silkscreen Print Cascade Silkscreen Print by Lefty Out There, an esteemed artist known for his distinctive blend of pop and street art, is a compelling work that resonates within the realms of contemporary art. This piece, completed in 2017, is a highly coveted limited-edition run, with only 80 prints available worldwide. Each one has been carefully signed and numbered by the artist, enhancing its exclusivity and value. A salient feature of the piece is its meticulously hand-pulled, 1-color silkscreen on fine Art Paper, which infuses the artwork with a profound sense of tangibility. Executed on hand deckled Black Stonehenge Fine Art Paper, the texture and robustness of the material add an extra layer of depth and contrast, thereby accentuating the visual appeal. The artwork's dimensions, measuring 18x18 inches, present an impactful visual narrative within a reasonably compact space. Lefty Out There's Cascade piece reflects his unique aesthetic, echoing the vibrant energy of urban life. His silkscreen print technique, renowned for its capacity to capture sharp, bold lines and high levels of detail, facilitates the expression of this dynamic energy. Simultaneously, the use of a singular color allows the focus to remain on the artwork's intricate design and patterns. In the world of pop art, street art, and graffiti art, works like the Cascade Silkscreen Print stand as testament to the ongoing evolution of these genres. Lefty Out There's innovative use of traditional silkscreen print techniques, combined with the freshness of his designs, ensures this piece's place as a noteworthy contribution to contemporary art. This limited edition piece symbolizes the fusion of pop and street art in a manner that continues to captivate audiences, thus making it a sought-after item for art collectors and enthusiasts alike.

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Lemon R2 Unit 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Van Genderen Pop Artwork Artist. 2022 Signed & Numbered Limited Edition Size 14x18

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