Gorillaz 2D Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2021 Limited Edition Gorillaz Music-Themed Art Sculptures New in Box. The Fusion of Music and Street Pop Art in SuperPlastic's Gorillaz 2D Janky In collectibles, where music, pop culture, and street art converge, SuperPlastic's Gorillaz 2D Janky emerges as a quintessential piece. This limited edition vinyl artwork embodies the spirit of the Gorillaz, a virtual band that has captivated fans worldwide with its unique blend of music and visual art. Created in collaboration with SuperPlastic in 2021, this collectible figure represents the first Gorillaz vinyl art toy to hit the market in over a decade, making it a significant release for collectors and fans. Design and Artistic Details of the 2D Janky Figure The design of the 2D Janky is directly inspired by Jamie Hewlett's iconic representation of the Gorillaz frontman, 2D. The figure stands at an impressive 12 inches tall, crafted from soft vinyl that echoes the aesthetic of street pop art and graffiti artwork. It is dressed in a stylish outfit with two-tone shoes, capturing the character's laid-back yet distinct style. One of the most striking features is the battery-powered glowing LED eyes, bringing a touch of the character's animated origins into the three-dimensional world. This attention to detail honors the character's design and brings a piece of the Gorillaz's virtual universe into physical form. Cultural Significance and Collectibility The Gorillaz 2D Janky is more than a mere toy; it is a cultural artifact that bridges the gap between music, art, and collectible culture. The Gorillaz, known for their innovative approach to music and groundbreaking use of animation, have long been associated with the street art scene, partly thanks to co-creator Jamie Hewlett's roots in the genre. This figure encapsulates that connection, offering fans a tangible piece of the band's rich visual and musical history. The limited edition nature of the figure adds to its allure, with each coming in a beautiful collector's box, ready to take its place among the most cherished items in a fan's collection. In the end, the SuperPlastic Gorillaz 2D Janky figure stands as a testament to the enduring appeal of the Gorillaz and the powerful impact of street pop art in the world of music. It celebrates the band's two decades of innovation and ongoing relationship with the art world, offering a unique piece for collectors and enthusiasts to treasure.

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The Weight of Change Ultrachrome Giclee Print by Dulk- Antonio Segura Donat Artwork Limited Edition Print on 320gsm Textured Cotton Fine Art Paper Graffiti Pop Street Artist. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 9x12 Hand Deckled Fine-art Glicée Ultrachrome print on 320 gr Fine Art textured cotton paper "With this project I would like to get your support and raise funds to publish my second book, titled Dulk- Antonio Segura Donat, The Art of Antonio Segura. In this book I would like to show all the works that I produced since 2017 to 2022, but not only that. Here you will find the true essence of myself as an artist. Since my inspiration sources, my own photographs of the travels I did all around the world to live the nature from the first hand, the ideation and sketch process behind my work until the final artworks. The most complete book until the date where you will find sketches, paintings, sculptures, murals, museum exhibitions and my biggest, most recent and exciting project, the main "Falla" of Valencia." -Dulk- Antonio Segura Donat

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Fanciful Feats Limited Edition Archival Pigment Fine Art Prints on 100% Cotton Rag Archival Paper by Graffiti Street Art and Pop Culture Artist Ben Kehoe. 8" x 12" including 1" white border Printed on Epson Hot Press Bright 100% cotton 300 gsm paper -signed and numbered

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Tattoo Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Luke Chueh Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 12x12 Luke Chueh's Unique Artistic Style Luke Chueh's "Tattoo" archival pigment prints on 290gsm Moab fine art paper represent a captivating blend of street style and acceptable art discipline, a signature element of Street Pop Art and graffiti Artwork. Chueh, a graffiti street artist known for his unique approach to modern pop art, presents a 2020 collection that is both limited in number and expansive in cultural significance, with a signed and numbered edition of 100 pieces, each size 12x12 inches. The prints carry a whimsical yet profound narrative, depicted through the tattoo-like illustrations that adorn the face of a bear—a recurring character in Chueh's work. The bear, labeled "NOT A BEAR," is a paradox within itself, questioning the identity and perception of the subject. This heresy is typical of Chueh's work, where the boundaries of art and the subconscious intertwine. Each symbol inked on the bear's visage in "Tattoo" holds its weight in cultural iconography, from the simple spoon and fork to the more complex references like "LUKE WAS HERE." These icons are more than mere decoration; they tell a story, like actual tattoos, mapping out a narrative of experiences, beliefs, and the artist's personal journey. Collectibility of Chueh's Limited Edition Prints Chueh's choice of Moab fine art paper for these prints underscores his work's premium quality and enduring nature. The 290gsm paper is a testament to the artwork's physical presence, giving it a tactile quality that enriches the visual experience. The archival pigment inks ensure that each print remains vibrant and resistant to the fading that often plagues lesser materials. "Tattoo" stands out as a rich example of how modern pop art can adopt elements of street culture while maintaining a high level of artistic integrity. Luke Chueh's work is a reminder that the spirit of graffiti can thrive in a gallery setting, bringing the raw, vibrant energy of the streets to a more curated environment. The collectibility of "Tattoo" cannot be overstated. With only 100 pieces, each signed and numbered by Chueh, they represent an exclusive opportunity for collectors and enthusiasts to own a piece of modern pop art history. The hand-signed aspect of the prints adds a personal touch that connects the collector directly with the artist's hand, enhancing the intimate nature of the artwork. Luke Chueh's "Tattoo" is a creative milestone that bridges street art's accessibility and pop art's mass appeal while challenging the viewer to look beyond the surface to discover the depth of storytelling within each symbol. It is a testament to Street Pop Art and graffiti Artwork's enduring nature and ability to continually redefine itself within the contemporary art sphere.

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Social Distancing Simpsons Archival Pigment Fine Art Limited Edition Print on 310gsm Bauhaus Cotton Rag Paper by Artist Ben Frost, Street Pop Art Graffiti. 2020 Signed & Numbered Limited Edition of 40 Artwork Size 12x12. Ben Frost (b. 1975) Social Distancing, 2020 Archival digital print on Bauhaus Cotton Rag Stock paper 12 x 12 inches (30.5 x 30.5 cm) (sheet) Ed. 40 is signed and numbered in pencil along the lower edge and published by the artist. Intersecting Pop Culture and Social Commentary Ben Frost's "Social Distancing Simpsons" archival pigment fine art print is a piercing examination of contemporary society through the lens of street pop art and graffiti. This limited edition print, numbered and signed, reflects Frost's unique and often controversial approach to his art, blending pop culture icons with subversive messaging. Created in 2020, "Social Distancing Simpsons" is a compelling artwork set against the backdrop of a global pandemic, a time when social distancing became a ubiquitous part of life. By incorporating a familiar character from "The Simpsons," Frost taps into the collective consciousness and comments on the impact of societal changes on popular culture. The choice of using archival digital print on Bauhaus Cotton Rag Stock paper, a high-quality material, ensures that the vibrancy of the piece and the precision of its details are preserved. The image of the Simpson's character juxtaposed with a pharmaceutical label indicates Frost's style, often involving the fusion of disparate elements to create a jarring yet thought-provoking visual statement. This 12 x 12 inches print is a perfect square that captures the essence of Frost's artistic statement: a critique of consumerism, mental health, and the pharmaceutical industry. Ben Frost's Signature Style Frost's work is characterized by his unflinching willingness to confront and challenge viewers with uncomfortable truths about modern life. In "Social Distancing Simpsons," the collision of the cartoon world with the stark reality of medication speaks to a generation that finds solace in nostalgia while grappling with present-day anxieties. With its limited edition of 40, the artwork becomes a collector's piece, a snapshot of an era defined by isolation and the search for connection. Reflection of Street Pop Art and Graffiti Frost's art is a reflection of street pop art and graffiti in its directness and its utilization of visual language that is immediate and accessible. Incorporating street art aesthetics into fine art prints blurs the lines between high art and more democratic expressions in urban environments. "Social Distancing Simpsons" is a testament to the power of this genre to communicate beyond words, offering a visual critique that is both universal and deeply personal. In summary, "Social Distancing Simpsons" by Ben Frost is more than just an artwork; it is a commentary on the times, a mirror held up to the complexities and contradictions of contemporary life. Through his expert blending of pop culture references with cutting social commentary, Frost solidifies his place as a significant voice in street pop art and graffiti artwork. This piece, in particular, stands as a poignant reminder of 2020, capturing the essence of a moment that has left an indelible mark on society.

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Sacrifices Were Made Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12

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Cold Winter Limited Edition Giclee Fine Art Prints on Archival Photo Paper by Graffiti Street Art and Pop Culture Artist Ben Kehoe. 12" x 12" total size; 10" x 10" image size Printed on Innova Photo Rag 315 gsm paper Signed and numbered

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Withering Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Hsiao Ron Cheng. Hsiao Ron Cheng, an amazing artist from Taipei, Taiwan, and part of the Prisma Artist Collective.

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Bored & Horny Lithograph Print Limited Edition Artwork on Fine Art Paper by Glenn Barr, an urban graffiti pop street artist. Glenn Barr's surreal creatures, specters, and tragic characters live in a seedy universe, drenched in the grit and haze of a post-apocalyptic urban dreamscape. His Detroit work has been labeled Pop Surrealism, Pop Pluralism, Lowbrow, Regional, Outsider, Ashcan, or as he coins the phrase “B Cultural-ism”.

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Muse #559 Artwork Giclee Limited Edition Print on 330 G/M2 Paper by Pop Culture Graffiti Artist Conrad Roset.

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Star Wars Church Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 12x12 Archival Pigment Print Since the 1980s, Ron English has been regarded as a pioneer in pushing street art beyond its traditional wild-style lettering and towards more sophisticated forms of visual expression. His illegal murals and billboards are renowned for their striking imagery and incisive commentary on politics, consumer culture, and surrealism. Through his art, English has taken over public spaces worldwide, transforming them into thought-provoking artworks that challenge viewers to see the world in new ways.

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Fame City Pop Street Artwork Limited Edition Giclee Print on 310gsm Canson Infinity Rag Photographique Paper by Urban Graffiti Modern Artist Ces One- Rob Provenzano x Doves x Mast x Yes2. 2020 Signed & Numbered By All 4 Artists Limited Edition of 100 Artwork Size 36x12 "Fame City,” depicts a mural painted in Wynwood.

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Gorillaz Murdoc Astronauts Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2021 Limited Edition Gorillaz In Colorful Space Suit Astronauts Music-Themed Art Sculptures New in Box Complete With Spacesuit, Jetpack, Light-up Eyes, And Gravity-defying Display Case. SuperPlastic's Artistic Venture into the Cosmos with Gorillaz Noodle The Gorillaz Noodle Astronaut Janky by SuperPlastic represents a creative synthesis of music, space exploration, and street art captured in a limited edition vinyl figure released in 2021. This collectible embodies the essence of Noodle, the animated guitarist from the virtual band Gorillaz, dressed in an astronaut suit that signals a leap into new artistic galaxies. With its spacesuit, jetpack, light-up eyes, and gravity-defying display case, the figure is a testament to SuperPlastic's commitment to infusing street pop art and graffiti with fresh narratives and innovative designs. Noodle's Cosmic Odyssey in Vinyl Form The design of the Noodle astronaut figure is a meticulous blend of the character's iconic style and the fantastical elements of space travel. The colorful spacesuit, complete with the Gorillaz aesthetic, transcends traditional street art by taking a beloved character and placing her in the realm of the interstellar. The figure's light-up eyes add a dynamic element that brings Noodle's animated persona to life. At the same time, the jetpack and display reflect the boundless nature of her musical and visual journey. Collectibility and Influence on Pop and Street Art Culture The Noodle astronaut figure is a collectible and a piece of street art that captures the dynamic intersection of various art forms. It stands as a representation of the Gorillaz's cultural influence, merging their musical creativity with the visual impact of street art. Like the band, this figure is a bridge between genres, a physical manifestation of Gorillaz's innovative approach to pop culture that has resonated with a global audience. In essence, SuperPlastic's Gorillaz Noodle Astronaut figure is more than a mere toy; it is an artifact of contemporary pop and street art culture, a collector's item that encapsulates the adventurous spirit of the band and the creative essence of street pop art. It celebrates the Gorillaz's two-decade journey through music and art, offering fans a piece of that history to own and display.

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Mad World Artwork Giclee Limited Edition Print on Archival Smooth Fine Art Paper by Pop Culture Graffiti Artist Graham Curran. "We're Gonna Need a Bigger Bus" Print Inspired by My Neighbor Totoro & Jaws 12 x 12 inches Printed on certified archival, Smooth Fine Art Paper hand-signed and numbered by the artist Regular Edition of 30

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While Supplies Last Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Fine Art Paper by Artist Shepard Fairey Limited Edition Pop Art Artwork. 2019 Signed & Numbered Limited Edition of 500 Artwork Size 24x12 “The “While Supplies Last” print is a combination of several approaches to image making that I enjoy, and also find versatile and impactful. I have worked in modular ways utilizing repetition for both practical and conceptual reasons. I like the soothing repetition of patterns while I also see them as a pleasing decorative device to balance the more confrontational nature of some of my messages. Flowers have been consistent motifs in my work as symbols of positive growth and harmony. Humor is also a way I deliver challenging statements. “While Supplies Last” employs all of those approaches to basically convey the idea that things like flowers that we mostly take for granted will be sorely missed when the scorched planet will no longer grow them. Of course, the concept extends much further than just flowers, but flowers are a pretty universally relatable symbol. Whatever you treasure from nature, protect it so their supply is renewable. A portion of proceeds from this print will benefit Greenpeace USA to support its efforts to combat climate change and environmental recklessness.” -Shepard Fairey Shepard Fairey's work is highly political and social, not only because he is incorporating politicians and slogans in it but more importantly because the artist is primarily interested in approaching as many people as possible, exhibiting his work in the covers of the books, which we read, in the music albums, to which we listen, and on the walls of the streets, where we walk. “If I put art in a daring spot, it’s more moving to the viewer and demonstrates my conviction.”, he says. After all, Fairey, in many cases, directly expresses his views on politics and society, whenever he is given the chance. For example, in the aftermath of the “Hope” poster, he commented the following: “Obama has had a really tough time, but there have been a lot of things that he's compromised on that I never would have expected. I mean, drones and domestic spying are the last things I would have thought [he'd support]”. The political aspect of his work can, also, be seen under the spectrum of Fairey’s activism and humanitarian activity. Many of his works have been created as part of activism campaigns or were sold to support causes relevant to the Arts, animal rights, poverty, medical research, the environment, etc. The artist, however, doesn’t identify himself as an activist: “People ask me if I’m an activist, and my answer is no. I’m an artist with a point of view, but I want to do my part to supplement activist causes I believe in. I feel fortunate to connect with people who find my imagery useful and help spread it.”

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Island Of Aladdin Sane PP Printer Proof Archival Print by Scott Listfield Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 15x12 Archival Pigment Fine Art Scott Listfield's "Island Of Aladdin Sane" "Island Of Aladdin Sane" by Scott Listfield is a limited edition archival print that interweaves pop culture imagery with the enigmatic presence of his astronaut subject. As a Printer's Proof from 2019, signed and distinctly marked, this artwork captures a moment of contemplation, featuring the astronaut gazing upon the iconic visage of David Bowie's Aladdin Sane character etched into a solitary island. Printed on 290gsm Moab Entrada fine art paper, the piece measures 15x12 inches, and its limited availability adds to its collectibility and significance as a modern artwork within pop, street, and graffiti art.

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Choppa Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Fafi Graffiti Street Artist Modern Pop Art. By exploring femininity through stereotypes and using them to her advantage, Fafi not only knocked her male colleagues and competitors out of their socks, but she also locked toy manufacturing deals with Sony and Medicom, countless press stories and illustrations for Commons & Sense, Vogue, Elle, or The Face, big market collaborations with Adidas, M.A.C, Hennessy, Swatch, Samsung and Le SportSac, not to mention many solo and prestigious group shows in the most respected galleries around the globe.

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San Dimas High School Football Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Bill & Teds Excellent Adventure Movie Time Traveling Phone Booth. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Island Yachting 84 Original One of a Kind Oil Mixed Media Painting Artwork on Masonite Board by Popular Modern Impressionist Artist Peter Keil. 1984 Signed 24x12 Original Peter Keil Painting of Boats on the Lake Unveiling "Island Yachting '84" by Peter Keil "Island Yachting '84" is an original oil mixed media painting on Masonite board, a distinctive piece by Peter Keil, a celebrated modern impressionist artist. Signed and dated in 1984, this 24x12 artwork depicts a vibrant scene of boats on a lake, a subject that Keil approaches with his characteristic abstract flair and robust use of color. His portrayal of the yachting scene is not confined to the mimetic representation but is a lively expression of the scene's rhythm and the artist's emotional response. This piece exemplifies Keil's integration of Street Pop Art and Graffiti Artwork aesthetics into his impressionistic style. This synthesis has marked his place in modern art. Keil's choice of Masonite board as his canvas reflects his affinity for mediums that resonate with the authenticity and rawness of street art. The material's inherent durability and smooth surface make it an ideal foundation for Keil's vigorous painting style, allowing for the thick application of oil paint, a hallmark of his work. The textural qualities of "Island Yachting '84" give it a tactile presence and capture the transient effects of light and movement, much like the fleeting nature of graffiti art. The Artistic Merit of "Island Yachting '84" The artistic merit of "Island Yachting '84" lies in its dynamic composition and the expressive power of its brushwork. The sweeping gestures and bold contours that define the boats and their reflections in the water demonstrate Keil's prowess in conveying motion and depth. The painting's foreground is dominated by dark, silhouetted figures that starkly contrast the brightly colored yachts, creating a visual dialogue between the elements. This technique of determining light and dark, color and form, is reminiscent of the dramatic tension found in street murals and pop art imagery, a quality that Keil masterfully incorporates into his work. Keil's employment of mixed media also indicates his experimental approach to art-making. By combining various materials and techniques, he crafts a complex visual experience that challenges traditional boundaries and evokes the layered textures of urban street art. "Island Yachting '84" is thus not only a representation of a lakeside leisure activity but a manifestation of the artist's innovative spirit and contribution to the discourse of Street Pop Art and Graffiti Artwork. Impact and Legacy of Peter Keil's Work The impact and legacy of Peter Keil's work, as exemplified by "Island Yachting '84," are deeply rooted in his ability to infuse traditional impressionist motifs with the energy and spontaneity of street art. His distinctive style, characterized by an expressive use of line and color, has influenced a generation of artists who seek to bridge the gap between the gallery and the street. Keil's paintings are celebrated for their vivacity and capacity to engage viewers on both an aesthetic and visceral level. Moreover, "Island Yachting '84" reflects Keil's broader vision for art as a medium that is accessible and relatable. His deliberate choice to work with materials and subjects directly correlating to everyday experiences speaks to his desire to democratize art, a principle at the heart of Street Pop Art and Graffiti Artwork. Through pieces like this, Keil invites the viewer to partake in a visual journey that is both intimate and universal, a journey that is underscored by the unifying power of art. "Island Yachting '84" is a testament to Peter Keil's innovative blending of genres, a vibrant piece that captures the essence of his artistic inquiry. It is a compelling example of how the sensibilities of Street Pop Art and Graffiti Artwork can be translated into a more traditional art form, maintaining their inherent vibrancy and immediacy. As Keil's work continues to inspire and resonate, "Island Yachting '84" remains a significant piece within the oeuvre of an artist who has consistently pushed the boundaries of expression and form.

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Solitary Child 3 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Hikari Shimoda Graffiti Street Artist Modern Pop Art. "Solitary Child is a series of works, focused on my original theme of the inevitability of the Apocalypse. In this series, I am offering a new savior for humankind- she is a magical girl (Solitary Child #1) and a little boy hero (Solitary Child #3). In the world of my paintings, humanity has perished, as seen in the collage background, where there is an expressed chaos throughout. In these images, my saviors have come upon the dying human race. After the death of man, the world has found some relief from the turmoil that he has brought upon it. Meanwhile, mankind selfishly dreams of newfound happiness in his afterlife. In the mythology of my work, as humanity is destroyed, only one figure remains and that is the Messiah represented as a child. The magical girl was the first to be left alone after humanity was destroyed, left to deal with the despair and damage he left behind. Her eyes are shining and sparkling, but her stare is blank. In contrast, my hero’s eyes are closed ever so gently. To him, everything in the world is very chaotic and overwhelming. He feels all of its happiness, despair, hope, sadness, everything… in such a state, even the world’s savior must shut his eyes to it." - Hikari Shimoda

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United Tastes Of America Limited Edition 2-Color Hand-Pulled Silkscreen Print on 130lb Mohawk Vellum Fine Art Paper by Jon Burgerman Graffiti Street Artist Modern Pop Art. "I decided to make flags for each game of the World Cup I watched this Summer. I wanted to spread my support for different countries and feel more like a global citizen, without any political or geographical ties. That’s the greatest gift football and other sports can offer, they can genuinely bring disparate people together for play.I re-imagined flags of different countries, adding a playful reference to that country within the design of the flag. America has one of the best flag designs there is, I really love it, and it was a lot of fun to work on. The first edition of this flag was with a burger and fries but the fries didn’t quite look right in red, so I turned them into bacon. Everyone seems to love bacon." - Jon Burgerman

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Cut The Record- MF Doom Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Tavar Zawacki- ABOVE Graffiti Street Artist Modern Pop Art. "The 'Cut The Record' series was made solely for this release and was part of my most recent exhibition Remix. This was a very personal series for me, as I selected 10 of my favorite musicians to portray and Remix. All of the 10 musicians I selected to make for this series are personal favorites of mine. Music I actually listen to on a day-to-day basis. For my exhibition, I kinda tweaked the meaning of Remix to fit the swapping and sampling of different, but similar pieces of woodcuts I had made on the pieces. With the 10 musicians, I selected for the 'Cut The Record series each have either had their music remixed and or remix music themselves. -Above

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Search For Harmony Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by Meggs Graffiti Street Artist Modern Pop Art. Meggs cooperative practices have led to collaborations with various artists and brands from cultures worldwide. His commercial work with companies such as Nike, Stussy, Addict, New Balance, Burton, and Endeavor Snowboards has contributed to the constant evolution of his talent and furthering his range of designs and ideas.

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Untitled Scroll 1 Original Acrylic Painting on Poylab Metal & Plastic Machine by Detour- Thomas Evans One of a Kind Artwork by Street Art Pop Artist. 2023 Signed Acrylic Poylab Metal Plastic on Roller Printing Machine Original Painting Size 12x12 The Intersection of Industrialism and Art in Detour's Work Detour, known off the canvas as Thomas Evans, is an artist whose work is at the forefront of Street Pop Art, transcending traditional boundaries by integrating materials and techniques from diverse realms. His piece, 'Untitled Scroll 1', an original acrylic painting on Polylab metal and plastic machine, is a hallmark of innovation within the genre. This artwork, created in 2023, encapsulates his vision by melding the mechanical with the handcrafted, creating a one-of-a-kind painting that stretches the definition of street art. Materiality and Technique in 'Untitled Scroll 1' The 'Untitled Scroll 1' by Detour – Thomas Evans – is not merely an artistic composition but a narrative about the materials. Polylab metal and plastic as substrates for the painting challenge the convention of canvas or wall-bound graffiti, inviting consideration of the role of industrial materials in fine art. The artwork’s dimensions, a square 12x12, present a concentrated space within which a flurry of colors clash and blend, creating an intimate yet intense visual experience. The rolling mechanism of the machine on which the painting is executed suggests a continuous scroll, an eternal canvas that evolves with each turn. This feature introduces a dynamic component to the artwork, allowing for a performative aspect as the painting is unrolled. It creates a dialogue with the viewer about the changing perspectives and interpretations that come with movement, reminiscent of how Street Pop Art and Graffiti Artwork often shift meaning depending on context and viewer engagement. Detour's Artistic Signature and Impact The signature style of Detour is apparent in the vibrant color scheme and the energetic application of paint, which exudes the rhythm and vivacity typical of street art. By signing the piece, Evans asserts his identity as the creator and stamps the work with a seal of Street Pop Art authenticity. His unique blend of street influence with pop culture elements propels his work into the spotlight, making 'Untitled Scroll 1' not just an artwork but a statement piece. This original painting, through its form and execution, broadens the scope of Street Pop Art and Graffiti Artwork, positioning itself at a crossroads where art and industry intersect. Detour has pushed the boundaries of street art, taking it from the alleys and exterior walls into the realm of sculptural and mechanical innovation, thereby expanding the potential for what street-inspired art can be. Continued Evolution of Street-Inspired Art Detour's 'Untitled Scroll 1' serves as an emblem of the progressive nature of Street Pop Art. The piece stands out for its fusion of acrylic painting techniques with unconventional materials, a true exploration of texture, form, and color. This particular work of Thomas Evans represents a forward-thinking approach to art-making, reflective of contemporary times where the lines between various forms of artistic expression become increasingly blurred. As Street Pop Art and Graffiti Artwork evolve, they increasingly adopt elements from multiple disciplines, pushing past the boundaries of traditional street art. Artists like Detour are at the vanguard of this movement, continually experimenting with new materials and methods. Their work broadens the horizons of what is possible, inviting artists and viewers to rethink the essence and possibilities of street art in the modern age. 'Untitled Scroll 1' is a testament to this ongoing transformation, a snapshot of the inventive spirit that drives the street art scene forward.

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Ship Limited Edition Archival Pigment Print on 310gsm Museum Natural Fine Art Paper by Fulvio Di Piazza Graffiti Street Artist Modern Pop Art. "The piece did have a theme that was based around the title: Nova. In this case the planet earth, bright with all of its life shining LIKE a star in the universe destined to fall under the demise of mankind, inevitably leveling up into a supernova only to graduate with a stellar explosion. Boom. The painting came from a similar drawing titled “Destructo.” The idea came about from all of the man-kind self-destruction stories and allegories." - Dan Quintana

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Garbage Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Saif Chilmiran Graffiti Street Artist Modern Pop Art. "This piece is part of the series, “Trash” which is currently on display at Courtyard Gallery as part of the “Pop Wall” exhibition. As a contemporary street art exhibition, my work corresponded to the gritty, do-it-yourself atmosphere of the collection. I think it fits well alongside the Dotmasters’ amazing stencils of trash bags since both series portray trash in different ways. Each of the originals took between 5 to 8 weeks. I use various elements from my garbage with some metalwork and plenty of epoxy. The items used are the disposable aftermath of my other works, taken from empty spray paint canisters, paintbrushes, markers, lighters and what happens to be occupying my workspace at the day." - Saif Chilmarin

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20TwentyMinutes #10 Original Hand-Painted Acrylic on Laser Cut Birch Wood ready to hang by HoxxoH Graffiti Street Artist Modern Pop Art. "'Time waits for no man' has long been the catalyst that has propelled man to make use of his conscious existence. Time is an observable quantity created by man to keep track of the motions of our mysterious Universe. Yet now, perhaps more than ever does man seek to use time to alleviate the pressures of an unexplainable existence through applications that measure and calculate the value of our time.Posts and likes on social networks, the stock market’s peaks and falls, little monitors in our hands, monitoring us, always counting, ticking up and down, drowning us in sensory overload. Making us believe that time can be tracked and controlled in a convenient algorithm. Disguising time in programs meant to objectify and symbolize our presence as a glorified status amongst the cosmos." by Andrew Leshin

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Black Eye Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Luke Chueh Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 12x12 Chueh's work has been featured in galleries around the world, and some of his paintings have also been reinterpreted into vinyl toys.

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Element- 02 Limited Edition 2-Color Hand-Pulled Silkscreen Print on 110 lb printmaking paper by Erik Otto Graffiti Street Artist Modern Pop Art. 2-color screenprint 12X12 (diamond orientation) 110 lb printmaking paper Signed edition of 50

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Face Invader- Buttons Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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Face Invader- Creep Mode Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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Face Invader- Pork Chop Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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Face Invader- Resting Bitch Face Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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Face Invader- Sugar High Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Bask Graffiti Street Artist Modern Pop Art. “I wanted to do something special for the run that was going to coincide with the show. So the idea came to mind to not just offer a hand embellished print, but actually make a series of pieces in sets that were all hand-painted. No stencils or silkscreens, I wanted to offer actually painted pieces that are affordable to anyone who wants one. But as excited as I was about this idea, I then had to figure out how to make this happen within a reasonable time frame. Not to mention, coming up with 10 images that I would be able to duplicate almost identically 20 times over. Then the idea of bringing back some of the faces that have appeared in past works. Characters that Detroit inspired me to create. I have to add that this has been one of the most labor-intensive projects I've taken on. There are over 500 hours in these between myself and my assistant. Each panel was painstaking worked over.” - BASK

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All-American Temper Tot Artwork Giclee w/ HPM Airbrush Spray Paint Embleshment Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Ron English. Hand-painted multiple with airbrush spray embellishment around the Hulk-like Temper Tot. Created to celebrate the mural that Ron created on the Houston Bowery Wall in NYC.

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Gentleman Lord 6-Color Hand-Pulled Limited Edition Letterpress Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. 9x12 Signed Numbered 2013

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BMOmg Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky. Signed Limited Edition 2011

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Pop Sub Final #1 Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Florian Bertmer Graffiti Street Artist Modern Pop Art.

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Trivaac Inhalation Vaccine HPM Hand Made Limited Edition Mixed Media, Reclaimed Items, Spray Can Sculpture Artwork by graffiti street artist modern pop artist Eddie Colla. 2020 Signed & Numbered HPM Made & Printed Limited Edition of 30 Spray Paint Can Sculpture Artwork. These Are Art Pieces, They Are Not Medical Devices. "I originally made these fake inhalation vaccines as props for two installations I did with D Young V, Epilogue, and Memento Mori. The installations revolved around apocalyptic possibilities. These recycled Spray paint cans were meant to be discarded inhalation vaccines that the World Health Organization had distributed during a global pandemic. The labels contain information about application dosage and active ingredients. I did a lot of research regarding previous pandemics, such as H1N1 (bird flu). The idea was to create an artifact as real as possible to resemble a failed attempt to contain a global pandemic." Eddie Colla Artistic Representation of Global Pandemics Eddie Colla's "Trivaac Inhalation Vaccine" mixed media artworks reflect a hauntingly prescient take on global health crises through the lens of Street Pop Art and graffiti Artwork. This limited edition series, consisting of only 30 signed and numbered pieces, incorporates reclaimed items and spray paint cans to form sculptures that stand as poignant artifacts of apocalyptic possibilities. Created as part of two installations with fellow artist D Young V, "Epilogue" and "Memento Mori," Colla's sculptures were designed to represent discarded inhalation vaccines distributed by the World Health Organization during a fictional global pandemic. These installations explored themes of human vulnerability, societal collapse, and the interventions that come into play during such catastrophic events. The sculptures themselves, crafted to mimic the appearance and informational detail of real medical devices, resonate with the realism and urgency of a world grappling with the threat of pandemics. Colla's meticulous research into previous health crises, such as H1N1, informed the creation of this spray can sculpture. The labels on each canister are detailed with application dosage and active ingredients, contributing to the authentic feel of the pieces. This attention to detail not only enhances the visual impact of the sculptures but also embeds a narrative that ties them to the real-world context of public health emergencies. Cultural Commentary through Mixed Media The "Trivaac Inhalation Vaccine" sculptures starkly comment on the intersection of art, science, and societal response to global health challenges. By using reclaimed spray paint cans, Colla repurposes the mundane and aligns his work with the ethos of recycling and sustainability. These themes are increasingly relevant in contemporary discourse. These sculptures transform the spray can, a ubiquitous tool in street art, into a vessel of deeper meaning, reflecting on the throwaway culture and the implications of medical waste. This body of work also questions the efficacy and accessibility of healthcare interventions, highlighting the disparity between the intended purpose of medical devices and their actual implementation in crisis scenarios. Colla's sculptures suggest a history of use and urgency when these objects were vital to survival. The limited edition nature of these pieces emphasizes their uniqueness as artworks while alluding to the scarcity of resources that can occur in times of crisis. Street Pop Art & Graffiti Artwork's Evocative Power Eddie Colla's contribution to Street Pop Art and graffiti Artwork is characterized by his ability to evoke robust responses through objects that bridge art and reality. His sculptures are not passive objects; they are conversation starters that prompt viewers to think critically about the state of the world and our responses to impending dangers. In the tradition of street art, these works are accessible yet complex, visually striking yet laden with meaning. The "Trivaac Inhalation Vaccine" series underscores the evocative power of street pop art and graffiti to comment on and engage with current events. Through this series, Colla extends the narrative capabilities of street art beyond the walls and into the three-dimensional realm, offering a tangible connection to the issues that permeate our collective consciousness. In essence, Eddie Colla's "Trivaac Inhalation Vaccine" sculptures embody the innovative and reflective qualities of Street Pop Art and graffiti Artwork. By blending art with societal critique elements, Colla captures the imagination and ignites discourse, cementing his role as an artist who observes and participates in the broader conversations of our time. His work is a reminder of art's impact on interpreting, understanding, and questioning the world around us.

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Face Yachting 84 Original One-of-a-Kind Oil Mixed Media Painting Artwork on Masonite Board by Popular Modern Impressionist Artist Peter Keil. 1984 Signed 24x12 Original Peter Keil Painting of a large face and Boats on the Lake Peter Keil's Child's Face '84: A Fusion of Expressionism and Street Pop Art The "Child's Face '84" by Peter Keil stands as a vibrant example of how modern impressionist techniques can intersect with the ethos of Street Pop Art and Graffiti Artwork. Measuring 12x16 inches, this original oil mixed media painting on cardboard brings forth the distinct style of Keil, often recognized for his spontaneous, bold approach to modern art. The painting, which presents a giant boy's face, encapsulates the innocence and expressiveness associated with children, rendered through the lens of Keil's vivid, impressionistic style. Characteristic of Peter Keil's original works, this piece exhibits some paint chipping on the cheek, a natural consequence of the artist's heavy impasto technique and the delicate nature of cardboard as a medium. The chips do not detract from the artwork's impact; instead, they add to the piece's narrative, reflecting the passage of time and the tactile history of Keil's artistic process. This textural element, common in Keil's originals, underscores the raw, unfiltered emotion he seeks to capture in his subjects. Interpreting Keil's Artistic Language in Child's Face '84 Interpreting Keil's "Child's Face '84" requires an appreciation of his artistic language, which merges the abstracted forms of impressionism with street art's vibrant colors and emotional immediacy. Keil's portrayal goes beyond simply representing a child's features; it explores character and emotion conveyed through exaggerated forms and a rich color palette. The large, luminous eyes dominate the composition, serving as windows to the child's soul and echoing the depth of human experience that Keil aims to explore through his art. The choice of cardboard as a substrate for this piece mainly tells of Keil's intention to bridge the gap between conventional fine art and the more accessible, everyday materials often used in Street Pop Art and Graffiti Artwork. This unconventional choice reflects a democratization of art, a key theme in street art, where the emphasis is on making art available and relatable to a broad audience. By utilizing cardboard, Keil challenges traditional art norms and aligns himself with a form of artistic expression grounded in the realities of urban life. The Lasting Influence of Keil's Approach to Portraiture The lasting influence of Peter Keil's approach to portraiture is evident in "Child's Face '84." His work, often categorized under the umbrella of modern impressionism, resonates with a broader range of art forms, including Street Pop Art and Graffiti Artwork. Keil's contribution to these genres lies in his ability to infuse traditional portrait painting with a sense of immediacy and street-wise rawness often found in urban art. This painting, with its bold contours and striking colors, is a testament to Keil's innovative spirit and impact on contemporary art. Furthermore, the painting's vibrant quality, a defining characteristic of Keil's work, underscores the expressive potential of Street Pop Art and Graffiti Artwork. "Child's Face '84" exemplifies how these genres can convey complex emotional narratives, challenging the perception that street art is solely concerned with public commentary or social critique. Keil's portrait is a celebration of individuality and the human spirit, encapsulated within the gaze of a child and articulated through the medium of paint. Peter Keil's "Child's Face '84" is a significant piece that captures the intersection of modern impressionism with the dynamic world of Street Pop Art and Graffiti Artwork. The painting's spontaneous execution, vibrant colors, and textural nuances contribute to its enduring appeal and status as a meaningful representation of Keil's artistic vision. As a piece that bears the marks of its creation, it continues to engage and inspire, offering a window into the depth and diversity of Keil's oeuvre.

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Adventure Time Mystery Train- Blue Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art. Officially created by Mondo from Cartoon Network Adventure Timer show.

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Black Sabbath Standard PP Printer Proof Silkscreen Print by Jim Houser Hand-Pulled 8-Color Screen Print on 290gsm Stonehenge Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 12x12 The Convergence of Music and Visual Art in Jim Houser's "Black Sabbath Standard PP" Jim Houser's "Black Sabbath Standard PP Printer Proof" is a striking representation of Street Pop Art and Graffiti, where the energetic pulse of music and the visual dynamism of art collide. This hand-pulled silkscreen print, created in 2019, encapsulates the spirit of the iconic band Black Sabbath through an 8-color process on 290gsm Stonehenge art paper, renowned for its smooth surface and resilience. Each piece in the limited edition run is uniquely signed and marked with 'PP' by Houser, indicating its status as a Printer's Proof—an exclusive subset of prints typically reserved for the artist's approval. Jim Houser's Artistic Signature in Pop Street Artwork Houser's artistry is palpable in the vivid colors and bold geometric shapes that animate the print, reflecting street art's raw, expressive nature and the rebellious undertones of Black Sabbath's music. The artwork size, a square 12x12 inches, mirrors the classic format of a vinyl record cover, creating a tangible connection between the auditory and the visual. This piece is not merely a print; it is a synthesis of pop culture iconography and the contemporary aesthetic of graffiti art, infusing the viewer's space with the essence of a musical era and the edginess of street art. Collecting the Culture: Limited Edition Street Pop Art The Printer's Proof designation of "Black Sabbath Standard PP" elevates its value within the collectors' market, as such proofs are rare and often differ subtly from the main edition. Houser's decision to sign and mark the print signifies a direct connection from the artist to the collector, which adds personal value and historical significance to the piece. The limited edition nature of the print positions it as a desirable object for enthusiasts of pop street artwork and graffiti, as well as fans of Black Sabbath, bringing together diverse audiences in their appreciation for crossover art forms. In the landscape of contemporary art, Jim Houser's "Black Sabbath Standard PP" is a powerful example of how the visual and the musical can interplay to create a new narrative form. The print is an homage to the enduring impact of Black Sabbath's music while showcasing Houser's mastery of the silkscreen technique and his innovative approach to street pop art. It is a piece that captures the zeitgeist of its time and continues to resonate with the pulsating energy of street art's visual storytelling.

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Don't Get Too Close Limited Edition Giclee Print on Fine Art Paper by Tony Hodgkinson counter-culture street artist art. Inspired by Avengers Assemble Fine Art Giclee Print Limited Edition of 30 Approximately 24" x 12" Mild Yellowing to Margins.

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China Town x Moments Lost Limited Edition Giclee Print on Fine Art Paper by Marie Bergeron counter-culture street artist art.

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So Much Time and So Little To Do Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Willy Wonka & the Chocolate Factory Boat "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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54th Dawn Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12

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Dismal Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x12

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Death Valley Artwork Giclee Limited Edition Print on 290gsm Fine Art Paper by Pop Culture Graffiti Artist Casey Weldon. CASEY WELDON 'Death Valley' Fine art print on 290gsm paper Edition of 50 Signed and numbered by the artist 12x12 inches (30x30cm)

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