Untitled from Blame Game- #10 Hand on Brow Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With a Large Custom Frame and Mat, Slight Feather Scuff To Lower Middle White. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge. Published by Pace Prints, New York The Expressive Nuance of KAWS' "Untitled from Blame Game - #10 Hand on Brow" The "Untitled from Blame Game - #10 Hand on Brow" stands as a significant piece within the oeuvre of KAWS, the artistic alias of Brian Donnelly. This piece is part of a limited series, a hand-pulled 11-color silkscreen print on Saunders Waterford Hi-White paper, known for its exceptional quality and resilience. The artwork, measuring 35 x 23 inches, is one of a limited edition set of 100, each signed, numbered, and dated by the artist in pencil along the lower edge, showcasing his direct involvement and personal touch in each piece. Released in 2014 and published by Pace Prints in New York, this work is framed within a large custom frame and mat, which elegantly encases the artwork and enhances its display. The "Hand on Brow" motif featured in print indicates KAWS' unique and recognizable visual language, frequently including bold colors, graphic shapes, and the reimagined characters that have become central to his art. The slight feather scuff to the lower middle white of the print may suggest the hands-on process involved in creating these works, emphasizing their handmade nature and the authenticity of the screen printing process. KAWS: Bridging Street Art and the Fine Art Sphere KAWS' journey from a graffiti artist tagging the streets of Jersey City to a global art phenomenon encapsulates the transformative power of street pop art and its ability to permeate the fine art world. His background in graffiti is evident in the freeform and expressive quality of his work, yet there is a sophistication to his approach that aligns with delicate art sensibilities. His "Untitled from Blame Game - #10 Hand on Brow" vividly represents this crossover, presenting a visual dialogue that is accessible yet complex, playful yet profound. Using an 11-color palette in the silkscreen process is particularly noteworthy, allowing KAWS to layer colors with precision and create images with depth and vibrancy. The choice of Saunders Waterford Hi-White paper reflects his commitment to quality, as it is a preferred substrate for fine art prints due to its superior texture and durability. Like many in KAWS' body of work, this piece is a sophisticated confluence of street art's edginess and pop art's mass appeal. Cultural Resonance of KAWS' Limited Edition Prints KAWS' prints, especially those within the "Blame Game" series, resonate culturally due to their commentary on social constructs and individual experience. The recurring themes in his work, including isolation, companionship, and contemplation, are universally relevant, allowing his art to speak to a diverse audience. His "Untitled from Blame Game - #10 Hand on Brow" encapsulates these themes, employing his iconic crossed-out eyes and abstracted figures to invite introspection and emotional response. As a limited edition piece, this artwork occupies a special place in street pop and graffiti art narratives. Collectors and enthusiasts value KAWS' prints for their artistic merit, rarity, and investment potential. The art of KAWS, particularly pieces like "Untitled from Blame Game - #10 Hand on Brow," continues to influence the trajectory of street-inspired art, commanding attention in urban environments and refined gallery spaces. In conclusion, "Untitled from Blame Game - #10 Hand on Brow" is a testament to KAWS' masterful blend of street art's spontaneity with the calculated craft of fine art printmaking. This piece symbolizes the artist's capacity to engage with viewers on multiple levels, offering a visual feast that is as thought-provoking as aesthetically pleasing. As street pop art continues to evolve, the work of KAWS is a pivotal point of reference, blurring the lines between subcultures and mainstream art forms.

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Hand Cut Alphabet Teal Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 20 Artwork Size 18x24

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Untitled from Blame Game- #8 Hand on Eye Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With Large Custom Frame & Mat. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge and published by Pace Prints, New York. KAWS' "Untitled from Blame Game - #8 Hand on Eye": A Symbol in Street Pop Art In the diverse and vibrant world of street pop art, KAWS, the artistic moniker of Brian Donnelly, is a name that resonates with innovation and cultural relevance. His "Untitled from Blame Game - #8 Hand on Eye" is a prime example of his artistry, which merges the realms of graffiti, pop art, and commercial imagery. This piece is a hand-pulled 11-color silkscreen print on Saunders Waterford Hi-White paper and part of a limited edition series released in 2014. Each print from this series is part of an exclusive collection, limited to 100 signed and numbered editions, making it a coveted piece for collectors and enthusiasts alike. The artwork's dimensions, 35 x 23 inches, allow for an immersive viewing experience, with the enormous custom frame and mat serving to accentuate its bold visual impact further. KAWS' signature style is evident in the interplay of colors and the iconic imagery that has become synonymous with his name — particularly the crossed-out eyes, which have become a powerful symbol within the lexicon of contemporary art. This imagery is not just a hallmark of his design but speaks to a more profound commentary on society, identity, and emotional experience. Technique and Cultural Commentary in KAWS' Art The technical proficiency of KAWS is on full display in "Untitled from Blame Game - #8 Hand on Eye," where the precision of the silkscreen process highlights his meticulous attention to detail. The 11-color format reveals a complex layering that adds depth to the image, with each hue selected to contribute to the overall narrative of the piece. The use of Saunders Waterford Hi-White paper is a deliberate choice that ensures the colors' vibrancy and the print's longevity, considerations that reflect the artist's dedication to his craft. More than just visually striking, KAWS' works often convey significant cultural commentary. The recurring themes in his pieces often reflect contemporary life's saturation with media and imagery, offering a critique of how we consume and interact with visual stimuli. His works bridge the gap between high art and popular culture, making bold statements that resonate with a broad audience and ensuring his place as a pivotal figure in the evolution of street pop art. KAWS: Influencing the Trajectory of Street Art and Beyond KAWS' contributions to the art world extend beyond his prints and paintings. His influence permeates various sectors, from mainstream commercial collaborations to high-end fashion and design, challenging traditional boundaries and expanding the scope of street art. The "Untitled from Blame Game" series, specifically "#8 Hand on Eye," exemplifies this crossover, merging street art's aesthetic with fine art's finesse. By signing, numbering, and dating each print along the lower edge, KAWS personalizes each edition published by Pace Prints, New York. This personal touch, combined with the limited availability, adds to the allure and value of the artwork. These elements have solidified KAWS' position in the art world and made his works highly sought after in the market. KAWS's "Untitled from Blame Game - #8 Hand on Eye" is a testament to the artist's ability to elevate street pop art to a form that transcends traditional graffiti artwork. Its production, presentation, and profound cultural resonance underscore KAWS's artistry's transformative power. As street art continues to evolve and influence contemporary culture, KAWS' works, such as this piece, will remain integral in shaping the narrative and appreciation of this dynamic art form.

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Taste of Mexico 2014 Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 100 Artwork 18x24 Taste of Mexico Food Festival in Los Angeles CA 2014 Event Art Print.

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Spiritual Reconnaissance Limited Edition Archival Pigment Prints on 290gsm Natural White Paper by Ben Kehoe Graffiti Street Artist Modern Pop Art. Spiritual Reconnaissance is an edition of 100 prints by Ben Kehoe. The print image area measures roughly 11.00" tall by 23.00" wide. The artwork has been printed on a heavy 290gsm natural white paper.

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Untitled from Blame Game- #3 Upside Down Face Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With Large Custom Frame & Mat. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge. Published by Pace Prints, New York Unveiling KAWS' "Untitled from Blame Game - #3 Upside Down Face" In the dynamic intersection of street pop art and graffiti artwork, few names are as resonant as that of KAWS, the pseudonym of American artist Brian Donnelly. Born in 1974, KAWS has become an icon of contemporary art, bridging the worlds of art and mainstream culture. His piece, "Untitled from Blame Game - #3 Upside Down Face," is a compelling demonstration of his prowess in the art form. Created in 2014, this artwork is part of a limited edition of 100 hand-pulled 11-color silkscreen prints on Saunders Waterford Hi-White paper, each bearing the artist's signature, number, and date along the lower edge. Published by Pace Prints, New York, this piece exemplifies the seamless blend of commercial and fine art that KAWS is renowned for. The artwork is a bold expression of KAWS' unique aesthetic, featuring a signature character with an 'X' for each eye, a motif he has become famous for. This print, which is 35 x 23 inches, is framed with a large custom frame and mat, enhancing its visual impact. The 11-color silkscreen printing technique is a testament to KAWS' dedication to craftsmanship and quality, ensuring that each print offers a rich, vibrant palette and meticulous detail. The choice of Saunders Waterford Hi-White paper, known for its high quality, contributes to the artwork's premium feel and longevity. KAWS and the Evolution of Street Pop Art KAWS' journey in the art world is marked by his transition from a graffiti artist in the streets of New York to a towering figure in the global art scene. His work is celebrated for its fluidity in moving between various subcultures, including street art, pop art, and commercial imagery. The "Untitled from Blame Game" series perfectly illustrates how KAWS has transformed street art sensibilities into something that can be appreciated both in the buzzing city alleyways and the hushed galleries of fine art. His characters, though simplistic in form, convey a deep resonance with the viewer, often embodying themes of humanity, vulnerability, and isolation. KAWS' ability to evoke such emotion while maintaining a playful, accessible aesthetic is a hallmark of his work. This duality has endeared him to diverse audiences, from street art lovers to high-brow collectors. The Cultural Significance of KAWS' Artwork Beyond its visual appeal, the work of KAWS is deeply embedded in the cultural zeitgeist. His art captures contemporary life's essence, reflecting its complexities and simplicities. "Untitled from Blame Game - #3 Upside Down Face," like much of his work, is imbued with introspection, challenging the viewer to look beyond the surface. His pieces' recurring themes of deconstruction and recontextualization invite a dialogue about the nature of identity and recognition in a saturated media environment. Moreover, KAWS' influence extends beyond the canvas, impacting the broader design, fashion, and commercial branding landscape. His collaborations with major brands have pushed the boundaries of what is considered art, making his vision accessible to a broader audience and redefining the concept of what street pop art can be. "Untitled from Blame Game - #3 Upside Down Face" is not just a testament to KAWS' technical skill and artistic vision but also a symbol of the evolving narrative of street pop art and graffiti artwork. As a limited edition piece, it holds a special place in the annals of contemporary art, representing a moment in time where the lines between high art and street culture are not just blurred but beautifully intertwined.

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Faces- NYCC Exclusive Limited Edition Mixed Media, Silicone Sculpture Artwork by graffiti street artist modern pop artist Jake Waldron. The amazing Jake Waldron will bring you a 2014 New York Comic Con exclusive run of his "faces" line. Limited to an edition of just 10, each framed silicone-based mixed media sculptural face is signed and numbered.

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Tex Mex Calavera Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 He created this calavera in honor of the rich history and culture of Mexican-Americans aka Chicanos in Texas or as most of them would like to call themselves: TEJANOS or TEJANAS. As a member of a Norteño family, "norteño" meaning from the north of Mexico, Ernesto grew up listening to Norteño music which is the Mexican version of the German Polka. He has always been a big fan of polkas and when he lived in Texas he began collecting Tejano records and began researching the culture.

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I Love Graffiti Original Painting Acrylic on Linen Canvas by LushSux Graffiti Street Artist Modern Pop Art. 2014 Signed Original Acrylic Graffiti Painting on Stretched Canvas Artwork Size 15.75x19.6 Text Type Art Reading "I Love Graffiti." The Essence of "I Love Graffiti" by LushSux "I Love Graffiti," a striking acrylic on linen canvas by LushSux, captures the heart of street pop art and graffiti artwork with a bold simplicity that speaks volumes. Created in 2014, this signed original measures 15.75x19.6 inches and presents a text type art reading the declarative sentence "I Love Graffiti." LushSux, an Australian street artist known for his controversial and often humorous work, uses this piece to make a direct statement about his passion for graffiti, a sentiment shared by many within and outside the graffiti community. The straightforward message, underscored by the artist's choice to render the text in a style reminiscent of graffiti lettering, conveys a candid appreciation for the art form while also alluding to the complex relationship society has with graffiti. Stylistic Elements and Cultural Commentary in LushSux's Work The artwork's design, characterized by thick black outlines filled with a sky blue, reflects the quintessential graffiti aesthetic—bold, readable from a distance, and unabashed in its existence. This visual approach is not just an artistic choice but also a nod to the origins of graffiti as a form of street-level communication, often used to convey messages or mark territory. LushSux's use of a stretched linen canvas as the substrate for this piece elevates the traditionally illicit act of graffiti into the realm of fine art, challenging viewers to reevaluate the distinctions between vandalism and art. The inclusion of a sardonic footnote, "as long as it's not on my property," adds a layer of self-aware commentary, acknowledging the contentious nature of graffiti as both celebrated art and criticized public nuisance. LushSux's Contribution to the Dialogue on Street Art With "I Love Graffiti," LushSux contributes to the ongoing dialogue about the place of street art in contemporary culture. By bringing a declaration of love for graffiti into the gallery space, the artist bridges the gap between the raw, often unsanctioned expressions found on city walls and the sanitized, curated experience of viewing art in conventional settings. This piece serves as a reminder of the roots of street pop art, grounded in a love for bold expression and the desire to make a mark on the world. As a modern pop artist, LushSux navigates the fine line between irreverence and homage, using his platform to both celebrate and critically examine the art form to which he has dedicated his career. "I Love Graffiti" stands as a testament to the enduring appeal of graffiti and its ability to provoke, inspire, and resonate with a wide audience.

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Sacrifices Were Made Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Jason Levesque. 2014 Signed & Numbered Limited Edition of 50 Artwork Size 12x12

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Clouded House Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. AP Artist Proof

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Train 39 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole.  "Train 39" by LushSux: A Model of Street Art Innovation "Train 39" is a captivating work by the contemporary street and pop artist LushSux, who has carved a unique niche in the urban art scene. This original piece, created in 2014, is a prime example of how LushSux transposes the essence of graffiti onto an HO-scale model train box-car, measuring a mere 14x3 inches. Through this work, LushSux continues challenging the conventional perceptions of graffiti by taking the once exclusively urban art form into new and unexpected domains. The signature of LushSux not only authenticates the piece but also denotes his dual identity as both a street artist and a self-proclaimed "international graffiti asshole," a testament to his tongue-in-cheek approach to his public persona. Exploring the Dichotomy of "Train 39" In "Train 39," LushSux juxtaposes the orderly world of model train collecting with graffiti art's often chaotic and free-spirited nature. The artwork features a vibrant tag or "throw-up," characterized by its bubbly letters and bold, outlined edges—a hallmark of LushSux's style. The interplay of colors and the strategic placement of the tag disrupt the traditional aesthetics of the model train, infusing it with a contemporary edge that is both striking and thought-provoking. This piece exemplifies how street pop art can extend beyond the walls of city buildings and into the more intimate spaces of personal collections, retaining its power to engage and challenge viewers. The Cultural Resonance of LushSux's "Train 39" The creation of "Train 39" and its subsequent release into the art market underscores the evolving nature of street pop art as a cultural expression. The piece reflects a broader trend in contemporary art, where the lines between high art and subcultural expressions continue to blur. LushSux's work on this model train encapsulated a moment in the street art movement when artists began seeking new frontiers and mediums. As a collectible, "Train 39" represents the intersection of various enthusiast communities, from graffiti aficionados to model train collectors, showcasing the universal appeal of LushSux's artistry. Through his innovative use of unconventional canvases, LushSux expands the reach of graffiti artwork, ensuring its presence is felt across diverse cultural landscapes.  

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Baseball Jerks- Randy Johnson Limited Edition Giclee Print on Fine Art Paper by Oliver Barrett Dystopian Street Art Pop Artwork Artist. 8″ x 8″ giclee, have editions of 20, Signed & Numbered 2014. Featuring Famous MLB Sports Baseball Players In Macarbe Ways.

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Monkey- Snow Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Joe Ledbetter. 2014 Limited Edition of 100 Artwork Size 10x8 Displayed In Box Who likes the cold? No one! Winters just keeps getting longer & colder & Snow Monkey is not happy about it in the least!

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Pacific Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. The art that Camilo Pardo has created over the years is all over Detroit. A considerable amount of it is present on our freeways at any given moment of the day. Most recognized for his design work on the Ford GT, Camilo put verve in the steel curves and reminded us that a car's first internal combustion takes place in an artist's mind.

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Employee of the Month Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ben Frost. Ben Frost (b. 1975) Employee of the Month, 2014 Archival pigment print on Fine Art paper 17 x 17 inches (43.2 x 43.2 cm) (sheet) Ed. 28/65 Signed and numbered in pencil along the lower edge and published by 1xRUN, Detroit. Visual Dissection of Pop Culture "Employee of the Month" by Ben Frost is a limited edition archival pigment print that dissects and reassembles the fabric of pop culture within the context of street art and graffiti. This piece, created in 2014 and published by 1xRUN in Detroit, is a visually rich tapestry, infusing iconic imagery with subversive undertones characteristic of Frost's work. The print, measuring 17 x 17 inches, is a potent example of how street pop art and graffiti artwork can infiltrate the fine art world with its pulsating energy and color. Born in 1975, Frost has become known for his vibrant visuals that often incorporate elements from cartoons, advertising, and iconic brand imagery. "Employee of the Month" is no exception, featuring an amalgamation of figures from different realms of popular media. These images are not merely placed together but interwoven to create a narrative that speaks to the artist's and the viewer's shared cultural experiences. Subversion and Satire in Ben Frost's Art Frost's piece is a satirical nod to the recognition and rewards system prevalent in corporate culture, highlighted by the badge "Employee of the Month" amidst the chaotic backdrop of consumerist icons. The artwork delves into the themes of identity and recognition in a world saturated with branding and marketing messages. Each character and symbol is meticulously chosen to reflect the absurdity and sometimes the emptiness that can accompany the pursuit of accolades in a capitalist society. The print is signed and numbered by Frost, making each of the 65 editions a collectible piece of art. His signature not only authenticates the work but also marks it as an integral component of his artistic narrative, which often challenges the viewer to reconsider their relationship with the pervasive imagery of consumer culture. Interplay of Street Art and Archival Quality The use of archival pigment on fine art paper is a statement of the permanence Frost wishes to impart to his otherwise fleeting and ephemeral subject matter. While street art is often transient, the archival quality of these prints ensures that the vibrancy and message of the artwork endure. This duality mirrors street art and graffiti's short yet impactful nature – temporary in form but permanent in cultural impact. In summary, Ben Frost's "Employee of the Month" combines street art sensibilities and acceptable art practices, celebrating pop culture through a critical and often irreverent lens. This print stands as a testament to Frost's ability to create art that is both accessible and complex, offering a multifaceted critique of the world we navigate daily. Through his work, Frost continues to push the boundaries of street pop art and graffiti artwork, ensuring these genres' vital place within contemporary art discourse.

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Convergence Of Alternate Realities- HPM Hand Embellished Limited Archival Pigment Fine Art Prints on 300gsm Museum Bright White Fine Art Paper by Pop Culture Artist Ana Bagayan. Number 35 of 35, Hand-Embellished Archival Print on 300gsm Museum Bright White Fine Art Paper Size: 17 x 22 Inches Release: May 06, 2016 Run of: 35 "I created the piece partially in inversion so that the E.T. figure feels like a familiar dream. I wanted to recreate what it feels like to wake up from an exciting dream but to only grasp incoherent bits and pieces of it because the conscious mind is unable to decipher the nonlinear distorted timeline of events. The concept formed organically from a rough sketch to the finish. I didn't know exactly what this dream was going to be about until the image started to form in color. It went through many changes during the painting stage, as the story unfolded. While I think the relationship between the characters in the piece is all open to interpretation, the idea is that this is a place that exists in one's subconscious where they can access and experience multiple parallel dimensions at once. I named this particular place Germia, a word that my mind repeated during the construction of the piece." - Ana Bagayan

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What Goes Up Original Spray Paint Acrylic Painting by Meggs One of a Kind Artwork on Canvas with Custom Reclaimed Wood Frame by Street Art Pop Artist. 2014 Signed Acrylic & Spray Paint Painting Original Canvas in Artist Hand Made Reclaimed Wood Frame Artwork Size 49x49. From Spoiled Rotten Show. Exploring the Dynamic Essence of Meggs' "What Goes Up" "What Goes Up" is an original acrylic and spray paint painting by the acclaimed street pop artist Meggs that encapsulates the dynamism and energy of his work. Created in 2014, this artwork reflects Meggs' signature style, which harmoniously blends street art's rawness with pop art's vividness. This one-of-a-kind artwork is a statement piece and a storytelling canvas that explores themes prevalent in Meggs' oeuvre, such as the constant struggle between opposing forces and the transient nature of success and failure. The painting measures 46x46 inches and is housed in a custom reclaimed wood frame handcrafted by the artist. Reclaimed wood adds an eco-conscious dimension to the artwork, reinforcing Meggs' interest in sustainability and the repurposing of materials. This choice of framing also accentuates the urban and gritty feel of the painting, resonating with the street art tradition of using found objects and spaces. Artistic Techniques and Visual Impact in "What Goes Up" Meggs employs acrylic and spray paint in "What Goes Up," showcasing his adeptness at using traditional and non-traditional media. The acrylic provides depth and texture, while the spray paint offers a sense of immediacy and spontaneity intrinsic to graffiti artwork. The painting is a cacophony of colors, bursting forth from a central point, suggesting an explosion of energy and creativity. The colors are not just randomly splashed across the canvas; they are meticulously layered to create a visual impact that is both chaotic and controlled. The artwork features a skull motif, a recurring element in Meggs' art, which often symbolizes the transient nature of human existence and the cyclical nature of life. However, in "What Goes Up," the skull is juxtaposed with vibrant colors and comic-style exclamations, which could be interpreted as a commentary on the superficiality of popular culture and the fleeting nature of fame and success. The skull seems to be disintegrating or exploding into an array of colors and shapes, a powerful visual metaphor for the inevitable downfall that follows a rise to the top. Cultural Commentary and the Essence of Street Pop Art The painting's title, "What Goes Up," hints at the adage "what goes up must come down," suggesting a narrative of ascent and descent. Meggs often infuses his Street Pop Art and graffiti Artwork with philosophical musings and critical observations of society. The work symbolizes the cyclical patterns of life and can be seen as a reflection of the transient nature of success or the hubris that often precedes a fall. The artist's use of text in the painting, rendered in a comic book style, adds a layer of communication with the viewer, inviting them to ponder the deeper meanings behind the vibrant facade. The piece is a testament to the artist's ability to navigate the space between gallery and street art, making it accessible to a diverse audience. The inclusivity of street art is evident in Meggs' work, where the public space becomes a canvas for dialogue, and the art becomes a part of the everyday urban landscape. "What Goes Up" is not just a visual spectacle but also a piece of cultural commentary, encapsulating the ethos of street art and its role in contemporary discourse. "What Goes Up" is a prime example of Meggs' impact on the field of street art and his contribution to the broader pop art movement. The painting manifests the artist's dedication to craft, concept, and commentary. Through the integration of various artistic techniques and the strategic use of reclaimed materials, Meggs has created an artwork that is both a visual feast and a conceptual powerhouse. The significance of Meggs' work lies in its ability to resonate with viewers on multiple levels. This work can be appreciated for its aesthetic qualities and ability to evoke emotion and provoke thought. As a piece of Street Pop Art and graffiti Artwork, "What Goes Up" embodies the spirit of this genre, which continues to push the boundaries of art and its place in society. It remains a poignant piece within Meggs' body of work and within the larger conversation of contemporary art.

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Fancy Peacock- Retro Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Desirable Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 10x8

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Baseball Jerks- Randy Johnson Limited Edition Giclee Print on Fine Art Paper by Oliver Barrett Dystopian Street Art Pop Artwork Artist. 8″ x 8″ giclee, have editions of 20, Signed & Numbered 2014. Featuring Famous MLB Sports Baseball Players In Macarbe Ways.

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Muse #559 Artwork Giclee Limited Edition Print on 330 G/M2 Paper by Pop Culture Graffiti Artist Conrad Roset.

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Nasty Nas- Cut The Record Original One of a Kind Mixed Media on Laser Cut Wood Panel With Industrial Resin Painting Artwork by Popular Street Graffiti Artist Tavar Zawacki (Above). Mixed Media on Laser Cut Wood Panel With Industrial Resin Size: 22 x 22 Inches (56 x 56 cm) Release: May 06, 2016. Cut the Record (Nas), 2014 Mixed media on laser cut wood panel with industrial resin 22 inches (55.9 cm) diameter Ed. 1/1 Signed to reverse. "The 'Cut The Record' series was made solely for this release and was part of my most recent exhibition Remix. This was a very personal series for me, as I selected 10 of my favorite musicians to portray and Remix. All of the 10 musicians I selected to make for this series are personal favorites of mine. Music I actually listen to on a day-to-day basis. For my exhibition, I kinda tweaked the meaning of Remix to fit the swapping and sampling of different, but similar pieces of woodcuts I had made on the pieces. With the 10 musicians, I selected for the 'Cut The Record' series each has either had their music remixed and or remixed music themselves. Since Illmatic Album in 1994, I don’t think a week has gone by since I’ve listened to that album. One of my favorite albums." - Above

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MC Lover- Patriot Mini-Vinyl Limited Edition Vinyl Art Toy Collectible Artwork by pop graffiti artist Ron English. 2014 Signed Limited Edition of 30 Ron English Artwork Size 1.5x3 "Labor Day" version of Ron English's iconic MC Supersized character in his heart-wearing MC Lover form - just in time to celebrate the American labor movement's annual holiday! Standing roughly 3 inches tall, these hand-cast resin pieces have been made in the U.S.A. and produced in a patriotic Red, White, and Blue marbled color combination! MC Lover (Patriot Edition) is limited to an edition of 30 signed pieces, loose bag with a numbered header card. Ron English's MC Lover: A Patriotic Twist on Pop Graffiti Art The MC Lover - Patriot Mini-Vinyl is an emblematic piece by Ron English, an acclaimed figure in the pop graffiti art movement. Released in 2014 as a limited edition of 30 signed pieces, this artwork reflects English's reputation for infusing iconic symbols with subversive charm and political commentary. The "Labor Day" version transforms his iconic MC Supersized character into MC Lover, adorning the figure with a heart while draping it in the patriotic colors of red, white, and blue—a salute to the American labor movement. Hand-Crafted Resin as a Medium for Street Pop Art Each 3-inch tall figure is hand-cast in resin, a material choice that speaks to the DIY ethos of street art, yet allows for the intricate detail and durability desired in collectible art toys. The marbled color combination not only appeals to the aesthetic sensibilities of collectors but also evokes the spirit of American patriotism. Produced entirely in the U.S.A., these pieces celebrate national pride through the prism of pop art, offering a tangible connection to cultural identity and street art’s broader narratives. Collectible Artwork Signifying Cultural Commentary Ron English's MC Lover (Patriot Edition) is presented in a loose bag with a numbered header card, emphasizing the collectible nature of the piece and the artist's attention to the art toy community's collecting culture. The limited availability of the Patriot Edition mirrors the exclusivity often found in street art, where each piece is a unique interaction with space and audience. Here, English transitions that interaction to a personal scale, inviting collectors to engage with a piece of street pop art that stands as both a cultural statement and a piece of Americana. In the world of Street Pop Art & Graffiti Artwork, Ron English’s MC Lover - Patriot Mini-Vinyl is a profound statement on the synthesis of commercial iconography and street-level grit. It’s a testament to how the medium of vinyl art toys can become a canvas for social and political discourse, echoing the power of street art to captivate and provoke thought in any context.

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Emma & Jameel- Room For Rent Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Mike Ellis.

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The Squancher- Hohokum Limited Edition Giclee Print on Fine Art Paper by Richard Hogg counter-culture street artist art. Original Print Hohokum video game art series from Richard Hogg.

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No Sleep Till Brooklyn- Test Blue 4-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. Test Print. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. 76 different silkscreen colors and variants in one edition. Signed and numbered, date stamped on back. The name of this print run has a double meaning to me. I decided to release it on August 5th to pay tribute to the Beastie Boys legend MCA (Adam Yauch); his birthday. Growing up, just about every day after school I would grab my basketball and head to the park or Boy's Club for some pickup games. Most of the time it was Beastie Boys on my walkman when I made the walk. They have always been a big influence on me. Also, no sleep till I feel confident with enough artwork for a solo show in Brooklyn. It may be a few years out, but I will keep trying to juggle family life, a regular job, and artwork with many late nights... -Tim Oliveira

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Metropolis 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Van Genderen Rare Street Art Famous Pop Artwork Artist. AP Artist Proof

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A Treasure Worth Finding Limited Edition Archival Pigment Prints on Fine Art Paper by Ben Kehoe Graffiti Street Artist Modern Pop Art.

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Bang Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Camilo Pardo Graffiti Street Artist Modern Pop Art. The art that Camilo Pardo has created over the years is all over Detroit. A considerable amount of it is present on our freeways at any given moment of the day. Most recognized for his design work on the Ford GT, Camilo put verve in the steel curves and reminded us that a car's first internal combustion takes place in an artist's mind.

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The Spinner Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Pop Artist Robert Wilson IV. 2014 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 “The Spinner” hand-printed silk screenprint, measuring 18×24, and is signed and numbered in an edition of 75.

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Danny Santana/Big Head- Twins Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Danny Santana/Big Head- Twins

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Randy ONeal/Monopoly Man- Tigers Unique Hand-Embellished Collage Mixed Media on Vintage Baseball Card by Pat Riot. 2014 Stamped Original Mixed Media Layered on Real MLB Topps Vintage Card With Pop Art Like: Randy ONeal/Monopoly Man- Tigers

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Vegas Bound Canvas Artwork Giclee Limited Edition Print on Canvas by Pop Culture Graffiti Artist Leslie Ditto. 2014 Signed & Numbered Inspired By Fear & Loathing In Las Vegas 27"x18" Limited Edition Canvas Print By Leslie Ditto Edition Size Of 30. Ready to Hang on Stretched Canvas. Leslie Ditto's "Vegas Bound" Canvas Artwork: A Limited Edition Fusion of Street Pop Art and Cinema "Vegas Bound" is a canvas artwork by Leslie Ditto, an artist celebrated for her contributions to the street pop art genre. She is known for infusing her pieces with social commentary and vibrant visuals. This limited edition giclée print on canvas is an evocative homage to the cult classic film, "Fear and Loathing in Las Vegas." Signed and numbered by the artist, the 27"x18" print was released in 2014 with a limited edition size of 30, making it a rare collector's item. Leslie Ditto's work often draws from pop culture, and "Vegas Bound" is no exception. The artwork is meticulously prepared on stretched canvas, ready to hang, and serves as an eye-catching testament to Ditto's unique style. The visual narrative of "Vegas Bound" captures the essence of the hallucinatory experience depicted in "Fear and Loathing in Las Vegas." The central figures, reminiscent of the film's protagonists, are portrayed against a backdrop that is quintessentially Las Vegas, with its flashy and over-the-top energy. Ditto's use of saturated colors and exaggerated features echoes the surreal and chaotic journey into the heart of the American Dream, as experienced by the characters. The detailed rendering of the subjects, the classic convertible, and the iconic Las Vegas sign all work in harmony to transport the viewer into the vivid world of the artwork. Dissecting the Aesthetic Elements of "Vegas Bound" The aesthetic elements of "Vegas Bound" are deeply rooted in street pop art and graffiti artwork traditions. Ditto's technique showcases an intricate balance between realism and exaggeration, a hallmark of pop art's influence. The artwork features hallucinatory creatures and distorted perspectives that symbolize the psychedelic influence on street art, while the meticulous attention to detail reflects the precision of graffiti artwork. The figures in the piece, with their stylized expressions and bold contours that define them, testify to the rebellious spirit underlying street and pop art movements. Leslie Ditto's ability to capture the frenetic energy of the Las Vegas strip and the disjointed reality of the film's narrative is evident in the chaotic composition of the piece. Every element, from the smoke from a cigarette to the manic grin of the anthropomorphic creature in the backseat, contributes to an overwhelming sense of motion and emotion. This piece is not simply a static representation; it actively reimagines a cultural phenomenon, capturing the vibrancy and transience of street pop art. Significance and Impact of Leslie Ditto's "Vegas Bound" in Art and Culture "Vegas Bound" stands as a significant work in the oeuvre of Leslie Ditto and within the broader context of street pop art and graffiti artwork. The limited availability of this print has made it a sought-after piece for collectors and enthusiasts of street pop art. Ditto's interpretation of "Fear and Loathing in Las Vegas" through the lens of street art aesthetics offers a fresh perspective on the themes of excess, escapism, and the search for meaning in a postmodern world. It visually explores the boundaries between high and low art, between the world of fine art galleries and the unabashed expressions found on the streets. Through works like "Vegas Bound," Leslie Ditto contributes to the ongoing conversation about the legitimacy and potential of street pop art as a form of artistic expression. Her work challenges the traditional barriers of the art world, showcasing how the motifs and themes commonly found in graffiti and street art can find a place within the confines of a canvas. "Vegas Bound" is not merely a tribute to a film but a piece that stands on its own as a vibrant, thought-provoking example of how pop culture and art intersect to create something entirely new and deeply resonant. Leslie Ditto's "Vegas Bound" is a powerful piece of street pop art that captures the spirit of an era, the essence of a cinematic journey, and the enduring allure of Las Vegas. Its limited edition status only adds to its mystique, making it a valuable addition to the collections of those who appreciate the intricate dance between cinema, street culture, and visual art.

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Ganas Dignity & Love- Blue 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Rare Street Art Famous Pop Artwork Artist. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 8x10

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Starscream Transformers 200% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2014 Bearbrick Transformers is not just another Bearbrick! This Bearbrick transforms itself in a robot! And not just another robot but the legendary Starscream.

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AAVEI-2 Original Mixed Media Spray Paint, Found Object Painting Sculpture Artwork by graffiti street artist modern pop artist Eddie Colla x D Young V. 2014 Signed by D Young V and Eddie Colla Original Mixed Media Spray Paint Acrylic Painting on Reclaimed Items & Wood Artwork Size 55x42 Large Mixed Media Painting on Wood With Reclaimed Toy Gun and 3x Vintage Spray Paint Cans. AAVEI-2 Collaboration with D Young V and Eddie Colla 55 x 42 x 15 inches Mixed Media on Wood, Spray Cans, Plastic Gun 2014

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Baseball Jerks- Billy Ripken Limited Edition Giclee Print on Fine Art Paper by Oliver Barrett Dystopian Street Art Pop Artwork Artist. 8″ x 8″ giclee, have editions of 20, Signed & Numbered 2014. Featuring Famous MLB Sports Baseball Players In Macarbe Ways.

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Baseball Jerks- Rollie Fingers Limited Edition Giclee Print on Fine Art Paper by Oliver Barrett Dystopian Street Art Pop Artwork Artist. 8″ x 8″ giclee, have editions of 20, Signed & Numbered 2014. Featuring Famous MLB Sports Baseball Players In Macarbe Ways.

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Baseball Jerks- Dock Ellis Limited Edition Giclee Print on Fine Art Paper by Oliver Barrett Dystopian Street Art Pop Artwork Artist. 8″ x 8″ giclee, have editions of 20, Signed & Numbered 2014. Featuring Famous MLB Sports Baseball Players In Macarbe Ways.

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Falkor And Atreyu Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Veronica Fish.

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Chicago Bears 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Fugscreens Rare Street Art Famous Pop Artwork Artist. AP Artist Proof 2014

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Change Into a Truck Limited Edition 3-Color Hand-Pulled Ink Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Printing IX

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Harryhausen Land 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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Train 21 Original Acrylic on HO Scale Model Train Box-Car Sculpture Artwork by graffiti street artist modern pop artist Lush. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. Exploring "Train 21" by Lush: A Convergence of Model Hobbyism and Graffiti Art The street artist Lush's artwork "Train 21" represents a unique intersection of model train hobbyism and street art, infusing the meticulous world of HO-scale trains with graffiti's vibrant, spontaneous energy. Created in 2014, this piece stands out as an original acrylic work on a model train box-car, representing a form of street pop art rarely seen within the confines of a graffiti artist's usual urban environment. Lush, an artist whose candid self-description as an "international graffiti asshole" hints at his irreverent approach to both his craft and public perception, brings his flair for the unconventional to the rather conservative domain of model railroading with "Train 21." Lush's Graffiti Artistry on a Miniature Scale The art piece "Train 21" is a testament to Lush's ability to adapt the scale and finesse of his street art to the tiny proportions of a model train car. Measuring just 14x3 inches, this work encapsulates the essence of graffiti artwork—traditionally associated with large, expansive spaces—into the compact and controlled form of a model train, a famous collector's item. This fusion of a traditionally urban art form with a suburban pastime challenges preconceived notions of what mediums street art can occupy. Lush's signature style, characterized by bold tags and vivid, throw-up paintings, finds a new canvas on the sides of the model train car, bringing the rebellious spirit of street art into the precise and often pristine world of model train enthusiasts. Collectibility and Cultural Significance of "Train 21" As an original work signed by Lush, "Train 21" holds a place of significance within the street art community and among collectors of unique art pieces. The graffiti tag painted onto the HO model train car transforms the piece from a mere collectible into a statement, a narrative about the fusion of disparate worlds. Through such works, Lush has carved out a reputation for himself—not just as a street artist but as a modern pop artist who dares to redefine the boundaries of his genre. Signing the piece solidifies its status as a work of art, granting it a sense of authenticity and value in the eyes of art collectors and enthusiasts. "Train 21" is more than a model; it is a microcosm of Lush's artistic journey, encapsulating his bold approach to street pop art and graffiti artwork within the miniature confines of a model train car.  

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The Windbeast Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. 2014 Signed & Numbered Limited edition of 100 Artwork Size 13x19. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this. Victo Ngai's "The Windbeast" - A Confluence of Myth and Modernity "The Windbeast" by Victo Ngai, a striking piece of modern pop culture art, is a limited edition giclée print that is a vibrant testament to the fusion of traditional mythological themes with contemporary art styles. Created on 100% cotton Hahnemühle Museum Etching Paper, this artwork offers a lush texture that fits the rich narrative and visual complexity it presents. Victo Ngai, a renowned illustrator based in the United States, originally from Hong Kong, is celebrated for her intricate and thought-provoking illustrations that often incorporate elements of fantastical realism. Visual Symphony on Cotton Canvas In "The Windbeast," Ngai weaves an intricate tableau rich with cultural references and brimming with movement. The artwork, a cornucopia of vivid colors and whimsical imagery, features a central figure that could be interpreted as a mythical beast or a dragon — a nod to traditional Asian folklore. Swirling around this central figure are more miniature scenes and elements that seem to be at once a part of the creature and a separate narrative altogether. The use of 100% cotton Hahnemühle Museum Etching Paper heightens the piece's visual impact, as its fine grain and texture add depth and richness to the print that might be absent in other mediums. Ngai's choice of material is notable not only for its quality but also for its historical connection to the art world. Hahnemühle is one of the oldest papermakers in Europe, known for its high-quality art papers, and their Museum Etching Paper is designed specifically for artists who wish to reproduce their work with the same depth and detail as the original. By selecting such a distinguished canvas for her work, Ngai bridges the gap between digital illustration and traditional printmaking, underscoring the artistry in creating her work. "The Windbeast" in the Context of Street Pop Art and Graffiti While "The Windbeast" might be considered a departure from the raw, uncurated nature of street art and graffiti, its essence captures the spirit of these art forms. Street pop art and graffiti are characterized by their vibrancy, accessibility, and the way they often draw from various influences to make relevant statements to contemporary culture. Ngai's work aligns with these principles through its dynamic composition, engagement with folklore, and relevance to modern narratives of identity and globalization. The vivid, swirling colors and fantastical elements in "The Windbeast" resonate with street art's boldness and improvisational energy. The intricate details and narrative complexity parallel the layers of meaning often found in graffiti artwork, where each piece serves as a palimpsest of ideas and expressions. Ngai's print could easily be imagined as a large mural on the side of a building, engaging passersby with its otherworldly beauty and intricate storytelling. Conclusion: Victo Ngai's Artistic Fusion In sum, "The Windbeast" is a fine example of how traditional and modern elements can be synthesized to create timeless and contemporary art. Through her artwork, Victo Ngai contributes to the cultural dialogue, blending the mythical with the modern and the Eastern with the Western, creating pieces that reflect our multifaceted world. The limited edition nature of this print — with only 100 copies signed and numbered by the artist — adds an element of exclusivity that is often sought after in both the worlds of fine art and street art collectibles. This exclusivity, coupled with the artwork's rich narrative and visual appeal, makes "The Windbeast" a coveted piece for collectors and enthusiasts of modern pop culture, street pop, and graffiti artwork. It is a testament to Victo Ngai's prowess as an artist capable of capturing viewers' imagination, transporting them to worlds where myth and reality merge.

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Chanoir- Black Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Chanoir is a street artist originally from Colombia and currently living in Paris who builds his work around the iconic figure of “The Black Cat”. His playful style surprises pedestrians in cities like Bogota, Miami, and Barcelona, to name just a few. During his stay in Barcelona, where he lived for many years, he founded The 1980 Crew, one of the most active groups in the beginning of the century. This time period being commonly thought of as the so-called “Golden Era” of street art in Barcelona. His famous cats blend into their surroundings featuring his characteristic simple style mixed with neon colors.

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Train 24 is an original acrylic on HO Scale model train box-car sculpture artwork by graffiti street artist and modern pop artist LushSux. 2014 Signed Original Graffiti Tag/Throw Up Painting on HO Model Train Car Artwork Size 14x3. Lush is a male model and sometimes an international graffiti asshole. Introducing "Train 24" by LushSux: A Canvas on Rails "Train 24" emerges as a distinct piece within the oeuvre of the audacious street artist LushSux. Known for his exquisite murals and daring street pop art, LushSux transitions his artistry onto an unconventional medium—an HO-scale model train box-car—melding the meticulous craft of model train enthusiasts with the rebellious streak of graffiti art. Signed and created in 2014, this original piece represents the scale-defying nature of graffiti art, demonstrating that the spirit of this street-bound art form can be encapsulated within the 14x3 inches of a model train. LushSux's Signature Style in Miniature Form The artwork "Train 24" features a graffiti tag, commonly called a throw-up, characterized by its bubbly letters and quick execution—a style that is a staple in LushSux's street art repertoire. The vibrant pink hue of the tag punctuates the otherwise subdued palette of the model train car, drawing the eye and challenging the viewer's perception of space and art. In bringing his craft to such a miniature scale, LushSux blurs the lines between the subversive nature of graffiti and the controlled precision of model train painting. The tag, sprawled across the length of the train, becomes a moving narrative, a literal vehicle for the artist's expression. The Artistic and Collectible Value of "Train 24" "Train 24" stands not only as a piece of modern pop art but also as a coveted collectible item within the subculture of model train collecting. Fusing this niche hobby with the dynamic world of street art creates a cross-cultural artifact that appeals to a diverse group of collectors and enthusiasts. As an original signed by LushSux, the piece carries the weight of authenticity and the prestige of ownership that is highly sought after in both the art world and the model train community. This work is a testament to LushSux's versatility as an artist and to the expansive possibilities of graffiti artwork as a genre that continues to challenge and redefine itself. "Train 24" is a locomotive sculpture that symbolizes the journey of street pop art from the fringes into the spotlight of mainstream collectibility and artistic recognition.  

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Mike Gordon- LA 2014 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by John Vogl for Mike Gordon of Phish. March 17th, Los Angeles CA, The El Rey Theatre

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