The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

Read more less

Love is the Answer- Cyan Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

Read more less

GMT Dark Rise Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Honmono Taiketsu x Fools Paradise. 2022 Limited Edition Size 13.62" Tall New In Box. Batman with Rolex Watch Clockface. GMT Dark Rise: A Convergence of Time and Art in Vinyl Sculpture by Honmono Taiketsu x Fools Paradise The GMT Dark Rise Limited Edition Vinyl Art Toy Sculpture is a remarkable manifestation of how Street Pop Art & Graffiti Artwork transcends traditional canvases to express themselves in three-dimensional forms. This collectible piece, standing at 13.62 inches tall and presented new in its box, is the result of a collaboration between the pop modern artist Honmono Taiketsu and the creative design company Fools Paradise. It symbolizes a crossover of high culture and popular culture by melding the iconic imagery of Batman with the luxury symbol of a Rolex watch clockface. This 2022 limited-edition creation epitomizes the essence of pop art through its playful reinterpretation of commercial and iconic symbols. By transforming the stoic image of Batman into a vinyl sculpture and integrating the Rolex watch design, Taiketsu, and Fools Paradise have created a visual pun that resonates with the humor and satire often found in pop art. This piece, while undoubtedly modern in its conception, draws upon the legacy of pop art innovators who blurred the lines between artistic expression and consumerist imagery. The GMT Dark Rise sculpture can be seen as a commentary on the relationship between time and the ever-evolving nature of art. In aligning Batman, a timeless superhero figure, with the Rolex brand, known for its enduring quality and prestige, the artists comment on the persistence of cultural icons and the luxury industry within the societal zeitgeist. This narrative is cleverly encapsulated as a collectible, a staple of contemporary pop culture and the art toy movement, suggesting that art can be both a high-end commodity and a mass-produced object of desire. The Cultural Impact and Artistic Significance of GMT Dark Rise The cultural impact of the GMT Dark Rise Vinyl Art Toy Sculpture is multifaceted. It serves as a statement piece within the sphere of Street Pop Art & Graffiti Artwork and as an object of contemplation within the broader context of modern consumerism and the commercialization of art. The sculpture's appeal lies in its accessibility and familiarity. Yet, it also challenges the viewer to reconsider the nature of art and the value of famous cultural figures in contemporary society. The artistic significance of this collectible is underscored by its limited-edition status, which imbues it with an exclusivity often associated with fine art. Yet, it remains intrinsically linked to street culture and the pop art movement, which have historically sought to democratize art and break down the barriers between 'high' and 'low' cultural forms. The GMT Dark Rise sculpture exemplifies this ethos by being both an object available for public consumption and a carefully crafted artwork that carries the weight of artistic intention and critique. The GMT Dark Rise Vinyl Art Toy Sculpture by Honmono Taiketsu x Fools Paradise represents a bold statement in Street Pop Art & Graffiti Artwork. It encapsulates the spirit of contemporary art's playful engagement with commercial icons and consumer culture. This piece reflects not only the nature of time and the immortality of cultural symbols but also the evolving landscape of art, where the lines between different cultural forms are increasingly blurred. As a collectible, GMT Dark Rise stands as a testament to the innovative and transformative power of collaboration in the art world, marking a point where art, commerce, and culture intersect in a tangible and thought-provoking form.

Read more less

Gorillaz Russel: Song Machine 9" Janky SuperPlastic Limited Edition Vinyl Artwork Street Art Toy Collectable Figure 2021 Limited Edition Gorillaz Music-Themed Art Sculptures New in Box. SuperPlastic's Vinyl Tribute to Gorillaz's Beatkeeper: Russel Hobbs In the ever-evolving world of collectible art, SuperPlastic has paid homage to Russel Hobbs, the fictional drummer of the Gorillaz, with their 2021 release of the Song Machine 9" Janky figure. This limited edition vinyl artwork immortalizes Russel in his distinctive attire from the Song Machine series, complete with his yellow button-up and floppy hat. Cast in soft vinyl, this figure captures the essence of the beloved character and serves as a vibrant representation of street pop art and graffiti artwork. Capturing Russel's Iconic Presence The figure stands 9 inches tall while sitting, a stance that allows for the inclusion of his giant drum kit, a central piece to Russel's identity within the band. The attention to detail is evident, from the accurate portrayal of his clothing to the faithful recreation of his drum set, making the figure a must-have for collectors and fans. SuperPlastic's commitment to quality and artistry shines through in this piece, combining the visual appeal of street art with the intricate design required for high-end collectibles. Artistic and Cultural Significance of the Figure The Russel Hobbs figure is a testament to the cultural impact of the Gorillaz and their unique blend of music and visual art. It stands as a piece of contemporary art that transcends the traditional boundaries of pop culture collectibles, embodying the creative spirit of the virtual band. As a collectible, it not only holds aesthetic value but also represents the innovative legacy of the Gorillaz, solidifying Russel's place in the pantheon of music and art icons. This figure celebrates street pop art and the Gorillaz's contribution to this vibrant artistic movement.

Read more less

Burn Your Wonder Bra- OG Limited Edition Archival Pigment Fine Art Print on 290gsm MOAB Fine Art Paper by Legend Street Art and Modern Pop Culture Artist Denial. Burn Your Wonder Bra- OG, Nude Wonder Woman DC Comics Pop Art. Numbered, Signed, Stamped on Reverse, 2021 Edition of 100, 24x24, Archival Pigment Print on 290gsm MOAB Fine Art Paper. Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

Read more less

Cyan Formula Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Sket-One x Czee13. 2020 Box Signed Size 5.5" Limited Edition of 200 "Box Signed. The OG legend Sket One has teamed up with Czee13 & Clutter to bring you a killer series of Canz that are Classics. Standing at 5.5” with its trademark rattle, this dope Canbot Canz fits perfectly with the rest of the Canz family!" -Clutter

Read more less

Possessed CMYK Series- Cyan Blue Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Luke Chueh x Munkyking. "Educated as a graphic designer, CMYK was a language my colleges and I saw the printed world in. This is my homage to the process." - Luke Chueh

Read more less

Spiritual Reconnaissance Limited Edition Archival Pigment Prints on 290gsm Natural White Paper by Ben Kehoe Graffiti Street Artist Modern Pop Art. Spiritual Reconnaissance is an edition of 100 prints by Ben Kehoe. The print image area measures roughly 11.00" tall by 23.00" wide. The artwork has been printed on a heavy 290gsm natural white paper.

Read more less

MTA Subway Map Tag- Show Stopper Original One of a Kind Marker Drawing Artwork on MTA Subway Map by Popular Street Art Pop Culture Artist Stay High 149- Wayne Roberts. 2011 Signed Framed Original Painting/Drawing on New York MTA Subway Train Map Size 22.75x32.25

Read more less

They Live 2 Movie Hand-Pulled 2-Color Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey x Mondo. 2011 Signed & Numbered Screen Print They Live 2, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 500 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles They Live Movie Screening Alamo Drafthouse Austin Texas June 9 2011. This Is Your God, Obey Your Dictator Minute bump to the lower-left corner.

Read more less

Faces- NYCC Exclusive Limited Edition Mixed Media, Silicone Sculpture Artwork by graffiti street artist modern pop artist Jake Waldron. The amazing Jake Waldron will bring you a 2014 New York Comic Con exclusive run of his "faces" line. Limited to an edition of just 10, each framed silicone-based mixed media sculptural face is signed and numbered.

Read more less

Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.25x5.5 Color Marker on USPS United States Postal Service Priority Mail Label 228-2016.  Priority Mail 228 Labels: Slap-Up Canvas for the Streets Street Pop Art and Graffiti Artwork have become synonymous with urban landscapes' raw, vibrant, and often controversial energy. Amongst the most captivating forms of this art is the slap-up label sticker, a brief piece that combines the guerrilla tactics of street art with the aesthetic approach of pop art. These stickers, often found adorning city walls, lampposts, and mailboxes, carry the pulse of the streets and the artist's signature. The United States Postal Service's Priority Mail 228 label is a particularly iconic medium within this genre. Initially intended for postal use, artists have repurposed these labels as canvases for their work. With its distinctive red, white, and blue design, the label offers an instantly recognizable backdrop deeply rooted in American iconography. This juxtaposition of official symbolism with the rebellious nature of graffiti creates a powerful, provocative, and patriotic visual statement. Graffiti artists like Saber have transformed these labels into vehicles of personal expression and social commentary. Saber, an American artist named Ryan Weston Shook, is known for his work within the graffiti community and beyond. His involvement with the art form dates back to the 1990s, and he has since become a notable figure in the street art world.  Tag Art: Marking Presence and Identity Tagging, which involves writing one's alias or signature in a stylized form, is central to graffiti culture. It's a means of claiming territory, asserting identity, and engaging with the public in a dialogue often unmediated by gallery spaces' conventions. The Saber piece utilizes a blue permanent marker to create a tangle of lines and shapes that coalesce into his distinctive tag. Measuring 4.25x5.5 inches, this slap-up label sticker is a quintessential example of tag art, embodying the spontaneity and personal touch that are hallmarks of the genre. Created in 2020 and signed by the artist, this piece carries the weight of authenticity and the immediacy of street art. Despite its small scale, the tag commands attention, with the intensity of the blue marker standing bold against the label's pre-printed elements. The label's date, March 2016, provides a temporal context, anchoring the artwork in a specific moment of Saber's artistic journey. The cultural significance of slap-up label art lies in its accessibility and transience. These stickers can be produced en masse and placed in various locations, allowing for a wide distribution of the artist's work. However, their lifespan is unpredictable, as they can easily be removed or destroyed, mirroring the fleeting nature of fame and public attention in the digital age. Saber's use of the Priority Mail 228 label is a nod to a tradition in street art that values the repurposing of everyday items into something extraordinary. The label's transformation from a mundane postal accessory into a piece of art disrupts the ordinary and challenges the viewer to see the extraordinary in the everyday. This quality places slap-up label art firmly within the canon of Street Pop Art and Graffiti Artwork, genres that continually redefine themselves through unconventional materials and methods. The Priority Mail 228 Slap-Up Label Sticker by Saber is more than just a piece of art; it is a statement, a piece of cultural fabric, and a reflection of the artist's presence in the urban landscape. As with much of Street Pop Art and Graffiti Artwork, it encapsulates a moment in time, a burst of creative energy, and a dialogue with the public that is as vibrant and dynamic as the streets from which it was born.

Read more less

Peace Fingers Geometric Setup Original Stencil Painting by Shepard Fairey x Ernesto Yerena Montejano One of a Kind Artwork on Cotton Rag Paper by Street Art Pop Artist. 2022 Signed Spray Paint Stencil Original Painting Size 20.5x26.5 Ernesto Yerena Montejano- Hecho Con Ganas x Shepard Fairey- Obey Hand Spray Painted with Stencils on 100% Cotton Rag Paper Setup Sheet 1 of 1 Signed by Shepard Fairey in 2021 Comes with a Certificate of Authenticity Hecho Con Ganas publishing chop in lower left corner. first to make sure all the stencil This piece is one of a kind. I painted this separations where working correctly. This piece is super clean with solid paint colors. Meaning there is NO collage stencils no acrylic medium embossing that the final VSE edition had in it. 26.5x20.5 inches

Read more less

Never Safe Archival Pigment Fine Art Limited Edition Print on Hand Deckled 290gsm Moab Entrada Paper by Artist Olga Esther, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 75 Fine art print on Moab Entrada 290gsm paper 20 x 20 inches / 50 x 50 cm Hand deckled edges Each print is signed and numbered by the artist Printed by Static Medium (Los Angeles)

Read more less

Bela Lugosi- Color Artwork Giclee Limited Edition Print on Glossy Fine Art Paper by Pop Culture Graffiti Artist Mark Hammermeister.

Read more less

LAFC Calavera- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist Proof 2021 Signed & Marked Limited Edition Artwork Size 18x24 The LAFC Los Angeles Football Club Soccer Calavera by Boyle Heights Artist Ernesto Yerena Montejano. “LAFC is LA culture. It was an honor to create a new Calavera symbol for this Club, and to honor loved ones who have passed.” -Ernesto Yerena Montejano Amid the bustling streets of Boyle Heights, a distinctive artwork captures the very essence of Los Angeles' vibrant soccer culture. The LAFC Calavera, created by renowned Latino artist Ernesto Yerena Montejano, exemplifies the fervent intersection of sports and art. Hand-pulled in the meticulous process of silkscreen printing on fine art paper, this piece is not just any artwork. It is an Artist Proof (AP) from 2021, indicating that it's among the first impressions made from the stencil, meticulously examined for quality and consistency before the final run. Ernesto Yerena Montejano, known for his commitment to producing resonating art under his brand "Hecho Con Ganas," has intricately designed this masterpiece. His depiction of the Calavera, a symbol commonly associated with the Day of the Dead, integrates seamlessly with the ethos of the Los Angeles Football Club (LAFC). As Montejano himself puts it, "LAFC is LA culture." The artwork is not just an emblem of a soccer club; it is a tribute to the departed, a nod to the cultural significance of remembering loved ones. Artworks such as the LAFC Calavera draw their lineage from the vibrant traditions of pop art, street art, and graffiti. These genres challenge convention, often merging disparate symbols and contexts to create meaning. Montejano's Calavera stands as a testament to the power of such fusion, intertwining the energy of LA's soccer scene with profound cultural symbols. The 18x24 signed and marked limited edition piece is more than just a visual treat; it's a narrative of identity, passion, and remembrance, immortalized in ink and paper.

Read more less

Salvage Can 10 Original Painting on Spray Paint Can Mixed Media Sculpture Artwork by street artist graffiti legend Eddie Colla. 2018 Signed Original Spray Paint Acrylic Mixed Media on Spray Paint Can Artwork Size 3x8 "I made this series of cans in China in 2018. I had been waiting for supplies to start working on larger pieces. The residency where I was had kept all their empty spray cans. I started making these small pieces from the used spray cans. It wasn't anything I planned; I just had an unexpected amount of free time waiting for my materials to arrive, so I worked with what was available. Each can is signed and dated on the bottom of the can." -Eddie Colla. Eddie Colla's Artistic Practice Eddie Colla's "Salvage Can 10" is a compelling piece that reflects the artist's adaptive creativity and resourcefulness, elements that are often at the core of street pop art and graffiti artwork. Created during a residency in China in 2018, this work is part of a series made from used spray paint cans, an example of the artist's ingenuity in repurposing materials at hand to make art. Standing at 3x8 inches, each original mixed media sculpture speaks to the improvisational spirit of street art and the artist's personal narrative. The "Salvage Can" series emerged from waiting for art supplies, showcasing Colla's ability to innovate with available resources. This circumstance led to the transformation of discarded spray cans into a medium for artistic expression. Colla's approach involved using spray paint and acrylics to craft a mixed-media sculpture that conveys a street-wise aesthetic and intricate detail. The fact that each can is signed and dated on the bottom adds authenticity and offers a tangible connection to the artist's engagement with his work. Symbolism and Technique in "Salvage Can 10" Colla's "Salvage Can 10" stands out for its haunting imagery, displaying a contemplative and intense figure. Using a spray can as a canvas is deeply symbolic within the context of graffiti art, signifying both the tool of the trade and the transient nature of the art form itself. The choice to repurpose used cans highlights themes of sustainability and the reclamation of materials, which aligns with the broader ethos of street art's ability to transform and reinvigorate urban environments. Impact on Street Art and Graffiti Culture Eddie Colla is recognized as a significant figure in the street art movement, and his "Salvage Can" series contributes to the rich tapestry of graffiti artwork. By taking an object that is so integral to the creation of street art and making it the subject of the art itself, Colla blurs the lines between tool and artwork, creator and creation. His work serves as a visual statement within the art community and as a physical artifact that embodies the process and environment in which street art is created. Collectibility of Eddie Colla's "Salvage Can" Series For collectors, each "Salvage Can" piece represents a unique slice of Eddie Colla's artistic journey. The series' creation story—borne out of a need to create with limited resources—resonates with the narrative of many street artists who often work with what they have available. This backstory, coupled with the intimate scale of the work, makes each piece desirable for those seeking to own a part of the improvisational and spontaneous energy that defines much of street pop art and graffiti artwork. "Salvage Can 10" encapsulates Eddie Colla's innovative spirit and ability to make profound statements through street art. His choice to work with used spray paint cans during an artist residency illustrates the authentic and impromptu essence that street art is known for. Each signed and original mixed media sculpture from this series is a testament to Colla's role as a graffiti legend and a creative force in contemporary art.

Read more less

Loss Prevention Limited Edition 14-Color Screen Print on Hand-Deckled 240lb Coventry Rag Paper qby Sever Graffiti Street Artist Modern Pop Art. "The print we’ve put together for this is based on that original piece and was finished just recently in the summer of 2014.I think it’s a fairly straightforward concept. Zorro, a Californian with an identity crisis takes delight in publicly humiliating the authorities and inspiring the people while leaving his mark along the way. I've substituted some borrowed Rustoleum for his trusty sword in this updated view of this historical figure." - Sever

Read more less

Inhalation Hazard Skull Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Skull Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Inhalation Hazard Skull and Cross Bones Jolly Roger Warning Label Uline S-5563 Sticker. Slap Up In Perfect Condition. Subversive Aesthetics in Street Pop Art Street Pop Art and Graffiti Artwork are distinguished by their raw, pulsating energy and penchant for transforming the ordinary into the extraordinary. The "Inhalation Hazard Skull Slap-Up Label Sticker" vividly embodies this transformative power. American artist Saber, born Ryan Weston Shook, has redefined the boundaries of art by bringing his original permanent marker drawings to the glossy skull stickers typically found in shipping and packaging. Each 4x4 piece is not just a slap-up graffiti art tag; it is a signed original that stands as a testament to the creativity and rebellious spirit of the street art movement. The series, marked by the jolly Roger skull and crossbones of the Uline S-5563 sticker, represents a provocative fusion of danger and artistry. Saber's Visual Commentary on Risk and Art Historically associated with piracy and poison, the skull and crossbones symbol takes on new life under Saber's hand. His work on these inhalation hazard labels is a bold commentary on the risks inherent in the act of creation itself, especially within the often illicit world of graffiti. Combined with the bold, chaotic lines of Saber's tag, this imagery creates a striking juxtaposition – a dialogue between the formal symbolism of danger and street art's personal, anarchic language. The pieces, created in the tumultuous year of 2020, resonate with the global atmosphere of anxiety and the need for an outlet, a voice amidst the chaos.  Street Pop Art as Cultural Narrative In the context of modern street artwork, Saber's "Inhalation Hazard Skull Slap-Up Label Sticker" is more than an artistic act; it is a cultural narrative. These stickers, once indicators of physical danger, now signal the presence of a different kind of hazard – the stifling of expression and the toxic environments that threaten creativity. Through his artwork, Saber challenges observers to reconsider the implications of the symbols that populate our world and recognize graffiti's power as a form of social and political discourse. Each sticker is a bold declaration of presence, a signature that marks the world with a message of resilience and resistance. In the face of adversity, Saber's art stands as a beacon of the enduring power of Street Pop Art and Graffiti Artwork, testifying to the indomitable urge to leave one's mark on the world.

Read more less

Force of Nature Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This "Force of Nature" is both a celebration of nature and a cautionary tale. Waves are beautiful and represent a powerful, hypnotic rhythmic cycle, but waves can be incredibly destructive when energized by a storm. The semi-predictable seasonal flooding patterns from the Tigris and Euphrates rivers in Mesopotamia led to fertile land and the formation of Sumer, the first civilization. Humans have thrived by studying and adapting to weather patterns. An awareness of and respect for the undulations of nature has been crucial to the development of civilization and the success of its various communities. Climate change has demonstrated what happens to civilization when nature becomes more powerful and less predictable. From hurricanes Sandy, Katrina, and many others to uncontrollable wildfires in CA, tornadoes in the midwest, and record temperatures and heat-related deaths in Europe, where many lack air-conditioning, civilization is often unequipped to deal with the global warming-fuelled force of nature. A portion of proceeds from this print go to Greenpeace USA's efforts to fight for responsible environmental policies. Thanks for caring!" -Shepard Fairey- OBEY The Artistic Significance of "Force of Nature" Shepard Fairey's "Force of Nature" is a thought-provoking silkscreen print that captures the tumultuous beauty of the natural world and the poignant message of environmental awareness. As a leading figure in street pop art and graffiti artwork, Fairey, with his OBEY brand, has often melded aesthetic appeal with social commentary, and this piece is no exception. The 2023 signed and numbered limited edition of 550, sized 18x24 inches, is a visual spectacle and a statement on the precarious balance between human civilization and the natural forces that both sustain and threaten it. "Force of Nature" is a hallmark of Fairey's work, showcasing his mastery of the silkscreen medium with a hand-pulled 5-color process on cream speckletone fine art paper. The artwork presents a wave in mid-crescendo, a snapshot of nature's raw power and grace. The contrast between the serene sky and the raging sea encapsulates the dual nature of water as both life-giving and destructive, a theme that resonates deeply in the current climate of ecological uncertainty. The piece reflects Fairey's acute awareness of the environment's rhythms and the disruptions caused by climate change. By choosing the wave as a central motif, Fairey alludes to the cycles of nature that have enabled human progress, such as the flooding of the Tigris and Euphrates rivers, which nourished the cradle of civilization. However, the storm-energized wave symbolizes the potential for destruction, as seen in recent natural disasters exacerbated by climate change. This duality of creation and chaos lies at the heart of the "Force of Nature" print. Environmental Advocacy Through Art Fairey's work is not content with mere representation; it seeks to galvanize action. By partnering with Greenpeace USA and dedicating some proceeds to fight for responsible environmental policies, "Force of Nature" exemplifies how art can be a change agent. The print is a clarion call to respect and adapt to the undulations of nature, emphasizing that civilization's success hinges on its ability to coexist with the Earth's powerful and unpredictable forces. The "Force of Nature" print reflects the human cost of ecological disasters, from hurricanes to wildfires, tornadoes, and extreme temperatures. Fairey's portrayal of the wave conveys the urgent need for awareness and preparedness in these challenges. It is a reminder that while nature's patterns have fostered human thriving, our current trajectory risks upsetting this delicate balance with potentially catastrophic consequences. Shepard Fairey's Ongoing Legacy in Art and Activism Shepard Fairey has consistently committed to merging his artistic endeavors with activism, and the "Force of Nature" print continues this ethos. His work in the street pop art and graffiti art scenes has often carried a message, whether advocating for peace, justice, or environmental stewardship. Fairey's legacy is one of provocation and inspiration, challenging viewers to engage with critical issues through art. "Force of Nature" is a testament to Fairey's artistic skill and his role as a cultural commentator and environmental advocate. Through its evocative imagery and message, the print underscores the potential for art to transcend aesthetic boundaries and become a catalyst for social and ecological progress. In the broader context of street pop art and graffiti artwork, "Force of Nature" exemplifies how these art forms can contribute to meaningful conversations. Fairey's print invites discourse on our relationship with the planet, urging a collective reevaluation of how we interact with the forces that shape our existence. Art can inform, influence, and incite through works like this, playing a crucial role in shaping the future of our civilization and our world.

Read more less

Hollow Breath Original One of a Kind Charcoal & Acrylic Painting Artwork on Cradled Wood by Popular Street Graffiti Artist Craww. 2013 Signed Original Acrylic Painting Artwork Size 23.5x31.5 on Wood Cradled Panel Ready to Hang Fine Art. Exploring the Depths of Craww's Hollow Breath "Hollow Breath," a captivating original artwork by the acclaimed street graffiti artist Craww, is a poignant example of how the raw energy of street pop art & graffiti artwork can be channeled into more traditional fine art mediums. This one-of-a-kind piece, created in 2013, is a symphony of charcoal and acrylic on a cradled wood panel, showcasing the artist's adeptness with both materials. The 23.5x31.5 inches artwork provides a generous space for Craww's dark, dreamlike vision to unfold. Signed by the artist, "Hollow Breath" captures the essence of Craww's signature style, which often features ethereal female figures enmeshed with elements of nature. The painting explores recurrent themes in his work: the duality of beauty and melancholy and the intricate dance between life and death. The charcoal lends a softness to the painting, allowing for subtle gradations and depth, while the acrylics bring a vibrancy that pierces through the monochromatic veil. Technique and Symbolism in Craww's Hollow Breath In "Hollow Breath," Craww's use of charcoal and acrylic paints is not merely a choice of preference but a deliberate decision to convey complex emotional states. The charcoal, with its smoky and diffuse quality, creates a sense of impermanence and fragility, echoing the transient nature of life. Meanwhile, the acrylics, known for their boldness and clarity, highlight the painting's focal points, such as the lilies and roses, symbols of purity and passion. The cradled wood panel serves as an ideal substrate for this piece, its solidity starkly contrasting the delicacy of the imagery. This juxtaposition reflects the contrasts found throughout Craww's work, where strength and vulnerability often coexist. The wood's texture adds an organic feel to the piece, grounding it in the natural world that frequently influences Craww's art. Craww's Unique Position in Contemporary Art Craww is uniquely positioned in contemporary art, bridging the gap between the often separate worlds of street art and fine art. "Hollow Breath" is a testament to his ability to navigate these realms, bringing street art's immediacy and authenticity into a format traditionally associated with galleries and museums. The originality of this painting and its readiness to hang make it not just a work of art but a statement piece ready to grace the walls of an art connoisseur. The sad beauty of "Hollow Breath" resonates with those familiar with Craww's work in public spaces. Yet, it also stands alone as a powerful piece of fine art, inviting interpretation and admiration from viewers who may or may not be acquainted with his street art. This versatility and broad appeal make Craww's work particularly compelling within the contemporary art scene. "Hollow Breath" encapsulates the haunting allure of Craww's artistic vision, merging the fluidity of charcoal with the intensity of acrylics on a canvas as enduring as wood. This original painting is a striking example of how street pop art & graffiti artwork can transcend their urban roots to create fine art that is both profound and accessible, carrying the power to move and mesmerize within the quiet walls of an interior space.

Read more less

Vapor Wave Deck Deck Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Fine Artwork Artist Tara McPherson. 2022 Limited Edition of 50 Skateboard Artwork Size 8x32 Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: June 28, 2022

Read more less

Light Cult Crypto Club- Bulb Tricycle Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ron English. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

Read more less

Swan Song Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Size 36x24 Silkscreen Print The Swan Song print is a depiction of the precarious state of nature's delicate balance, with numerous species declining, eco-systems teetering on the brink of collapse, and climate scientists warning that time is running out to avert environmental consequences that could render zones inhabitable for millions. While certain groups may suffer more than others, this issue is universal as we all have an impact on both the problems and solutions. Unfortunately, the conscientious habits of individuals alone are insufficient to solve the problem. Unless corporations are pressured and regulated, they will continue to prioritize profits over the planet's health. The piece contains a news clipping revealing that Exxon-Mobile has known for over 40 years, based on their own internal scientific research, that burning fossil fuels is causing global warming, yet they concealed this information and publicly denied the impact of fossil fuels on climate change. A portion of the print's proceeds will be donated to Greenpeace USA to support their efforts to combat climate change. The Speckletone paper used in the print is made from recycled materials. Thank you for your concern.

Read more less

Viva Yalitza! Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 450 Artwork 18x24 Yalitza Aparicio TV Movie Actress. 18"x24" Screenprint Edition of 450 Signed and Numbered Signed by Ernesto Yerena Montejano. The profits went to CIELO's effort to support Undocumented Indigenous folks affected by the Covid-19 crisis in the Los Angeles Area.

Read more less

Music in Motion 8.0 Black Silkscreen Print by Shane Turner Hand-Pulled 6-Color on Plike Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 19.68x31.5 Silkscreen Print "Music in Motion 8.0 Black" is a silkscreen print by Canadian artist Shane Turner. Silkscreen printing is a technique in which a mesh screen is used to transfer ink onto a substrate, except in areas blocked by a stencil. This technique is often used for creating vibrant, multi-layered prints and is especially popular among artists for its ability to produce vivid colors and sharp images. Shane Turner is a contemporary artist known for his detailed and colorful artwork, often exploring human emotion, music, and movement themes. His work combines traditional and digital techniques, resulting in intricate designs that showcase his exceptional skill and talent. "Music in Motion 8.0 Black" is part of a series in which Turner captures the essence of music and its impact on human emotions. The silkscreen print features a vibrant, energetic dancing woman ballerina that visually represents the movement and rhythm of music. The use of bold colors and fluid shapes creates a sense of movement and energy, conveying that music is a powerful force that can evoke various emotions and sensations while the drip melts into the viewer. This version features a black background.

Read more less

Our True History Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 100 Artwork 18x24

Read more less

Just Kidding- Cyan Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr BRainwash limited edition spray paint can artwork collectibles.

Read more less

Marilyn Whaam New Love Forever Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Copyright. 2022 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

Read more less

Globoy The Toy Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Glo Gang. 2022 New In Box Limited Edition Glo Boy Figure Globoy The Toy Art Sculpture by Glo Gang Roughly 10x10

Read more less

Cauldron Artwork Giclee Limited Edition Print on 300gsm Museum Natural Fine Art Paper by Pop Culture Graffiti Artist Adam Caldwell. AP Artist Proof 2013 Signed & Marked AP Artwork Size 12x16

Read more less

Tyto Alba 9-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville, Rare Street Art Famous Pop Artwork Artist. 2011 Signed & Marked AP Limited Edition Artwork Size 18x24. Small Handeling Crease to Upper Left Facing Margin. Intricacy and Allure of Anville's Screen Printing Justin Anville's "Tyto Alba" is a striking example of the fusion between Street Pop Art & Graffiti Artwork and fine art printmaking. The 9-color hand-pulled limited edition silkscreen print is a testament to Anville's skill in utilizing traditional screen printing techniques to create artwork that resonates with the energy and rawness of street art, while also commanding the finesse and sophistication of gallery-quality pieces. Crafted in 2011, each print in this limited edition is signed by the artist, marked as an artist's proof (AP), and measures 18x24 inches, capturing the viewer's attention with its size and detail. The artwork's complex layering of colors highlights Anville's meticulous attention to detail and his commitment to the craft of screen printing. The small handling crease to the upper left-facing margin bears witness to the human element involved in the process of creating each individual piece, a subtle reminder of the artist's hand at work. The central figure of the owl, crowned and majestic, stands as a powerful symbol within the composition. The owl is often associated with wisdom and mystery in various cultures, and Anville's portrayal adds a regal dimension to these interpretations. This iconography is cleverly juxtaposed with the urban elements that frame the bird, creating a dialogue between nature and the constructed environment, a common theme in Street Pop Art & Graffiti Artwork. Contribution to the Evolution of Street Art Anville's "Tyto Alba" not only contributes to the evolution of street art but also stands as a bridge between the often separate worlds of street and fine art. His work elevates the graffiti art style into a fine art realm without losing the grassroots feel that defines street art. The rarity of the piece adds to its allure, knowing that it belongs to a finite set of prints, each one slightly different from the last, each one a unique piece of Anville's vision. The use of nine colors in the screen printing process is significant, allowing for a depth and vibrancy that can be challenging to achieve with fewer layers. Anville's choice of fine art paper as a substrate reflects a conscious decision to present street art not merely as ephemeral but as something to be preserved and cherished. The result is a rich texture and color dynamism that brings the artwork to life. Artistic Impact of "Tyto Alba" "Tyto Alba" serves as an emblem of Anville's artistic prowess and his contribution to the broader narrative of Street Pop Art & Graffiti Artwork. The piece's existence within limited edition collections across the globe speaks to its impact on both the art community and pop culture. Collectors of Anville's work appreciate not just the visual appeal of his art but also the commentary it provides on the blending of urban street culture with the more traditional aspects of art-making. Justin Anville's "Tyto Alba" is a profound representation of the modern-day synergy between street art and fine art printing. It stands as a vibrant emblem of the potential for Street Pop Art & Graffiti Artwork to transcend boundaries and enter into a dialogue with audiences across diverse spectrums of the art world.

Read more less

Another Day In the Coal Mine Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 45x26 Hand Deckled Navigating the intersections of pop art, street art, and graffiti art, Shepard Fairey's "Another Day In the Coal Mine" emerges as an evocative piece that resonates deeply with contemporary themes and societal introspections. This large format artwork is a manifestation of Fairey's unparalleled skill, a hand-pulled 4-color serigraph print that captivates with its intricate design and vivid colors, all meticulously rendered on custom cotton Coventry rag paper. The composition presents a harmonious blend of patterns, ranging from the radiant sun-like designs to the serene floral motifs, juxtaposed against stark industrial imagery. The title, "Another Day In the Coal Mine," subtly hints at the labor-intensive, often unrewarding tasks that many endure in their daily lives. Yet, amidst this seemingly bleak narrative, the vibrant bird on the bottom right stands as a beacon of hope, a symbol of resilience and perseverance. Crafted in 2023, each of these limited pieces, measuring 45x26, has been hand deckled, adding an authentic touch to the artwork's overall aesthetic. With only 100 prints in circulation, each signed and numbered by Shepard Fairey, the exclusivity of the piece is undeniable. Embedded within its fabric is the unmistakable Obey publishing chop, discreetly positioned in the lower left corner. Beyond its visual appeal, the artwork carries a deeper purpose. Fairey, in his continuous commitment to environmental advocacy, pledges the proceeds from this piece to Greenpeace. As a testament to the power of art, "Another Day In the Coal Mine" not only engages viewers visually but also drives action for a more sustainable future.

Read more less

Sterling Spoon Janes Addiction Calavera AP Artist Proof Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas. AP Artist Proof 2016 Signed & Marked Limited Edition Artwork Size 18x24 Sterling Spoon Janes Addiction Calavera AP Artist Proof stands as a testament to the convergence of pop art and street art, epitomized in the modern art scene. Produced in 2016, this silkscreen print, crafted meticulously on fine art paper, is the brainchild of the acclaimed Latino artist, Ernesto Yerena Montejano, who is widely recognized under the banner "Hecho Con Ganas." Montejano's artistry is renowned for weaving cultural narratives and themes, particularly from his Latino heritage, into contemporary artistic expressions that resonate across a global audience. Diving deeper into the artwork, one cannot overlook its size – an impressive 18x24 inches – that commands attention and ensures that the details and nuances are not lost on the viewer. The choice of the Calavera, or skull, as a motif is not arbitrary. It embodies themes of mortality, celebration, and remembrance, often associated with the Day of the Dead celebrations in Latin cultures. This ties the work to a deep-rooted tradition while presenting it through the lens of modern-day pop and street art. What sets this piece apart, even more, is its exclusivity. As an Artist Proof, it is not just a mere representation of Montejano's vision but also offers a closer, more personal glimpse into his creative process. Marked with the artist’s signature, this limited edition piece serves as a bridge between the urban streets from where street art draws its inspiration and the polished galleries that pop art often finds its home. Such a piece not only speaks of its inherent artistic value but also stands as a chronicle of the times, cultures, and emotions that birthed it.

Read more less

Hirst Dots- Cyan Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and art master Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

Read more less

Made in USA Flag Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Glossy US Flag Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed US Flag Made in USA America Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Sticker. Unfurling the American Narrative Through Graffiti: The Made in USA Flag Sticker Art The potent symbol of the American flag has been a recurring motif in various forms of art, not least within the vibrant world of Street Pop Art and Graffiti Artwork. Within this context, the 'Made in USA' flag slap-up label sticker stands out as a canvas for expression, especially in the hands of graffiti artists. Layered with original tag art, these stickers serve as miniature yet powerful vehicles for cultural and political commentary, recontextualizing a national symbol within the urban landscape. Saber's Interpretation of the American Iconography Renowned graffiti artist Saber Ryan Weston Shook has significantly contributed to this expression. His original permanent marker art drawings on glossy US flag stickers are more than just aesthetic creations; they are a form of modern street artwork that captures the essence of American identity and the spirit of its people. His work, created in 2020 and signed, embodies a raw and compelling narrative, each tag measuring 4x4 inches – a small but striking testament to the artist's skill and vision. Saber's use of the American flag as a backdrop is particularly resonant, given the flag's strong associations with patriotism, freedom, and national identity. By superimposing his tags over this symbol, Saber disrupts the viewer's usual perception, challenging them to reconsider the meaning of 'Made in USA' in the context of street art. His bold and unapologetic strokes introduce a dialogue about ownership, creativity, and the very definition of what it means to be American-made. The Evolution of Tagging and Its Cultural Relevance Tagging has evolved from straightforward signatures to complex works of art that communicate the artist's identity and status within the graffiti community. It is a practice steeped in the history of street art, one that demands attention and commands space. Regarding the 'Made in USA' flag slap-up label stickers by Saber, the tags are not just marks of territory but statements of existence. The choice of gold and silver markers adds a layer of irony, contrasting precious metals' perceived value with graffiti art's often misunderstood value. The cultural relevance of such art is immense. It taps into ongoing conversations about national pride and consumerism, questioning the authenticity of the 'Made in USA' label in an era of globalization. Moreover, it embodies the ethos of Street Pop Art, a genre that borrows from popular culture to create art that is both accessible and deeply meaningful. In Saber's hands, the flag sticker transforms into a manifesto, a declaration that art made on the streets by the hands of the many is as quintessentially American as the flag itself. The 'Made in USA' flag slap-up label stickers adorned with Saber's tags represent a microcosm of the larger narrative that Street Pop Art and Graffiti Artwork continually narrate. Through such pieces, artists like Saber assert their place within the American saga, crafting a version of the flag that is as diverse, complex, and vibrant as the nation it represents. These stickers are not just tags; they are emblems of a culture that celebrates the freedom of expression and the indelible marks of individuality.

Read more less

Paul's Boutique Deck Limited Edition Archival Pigment Print Skateboard deck art by street pop culture artist Ricky Powell. 2019 Signed & Numbered on Verso Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: November 19, 2019 Ricky Powell (1961-2021) Paul's Boutique, 2019 Archival pigment print in colors on skate deck 32 x 8 inches (81.3 x 20.3 cm) Ed. 37/75 Numbered in ink to reverse. The Fusion of Skate Culture and Street Pop Art in Ricky Powell's Paul's Boutique Deck The convergence of skate culture and street pop art epitomizes a distinctive form of urban expression that has gained prominence and respect within the art community. This unique blend is beautifully encapsulated in the limited edition Paul's Boutique Deck, an archival pigment print skateboard deck art by the renowned street pop culture artist Ricky Powell. Released on November 19, 2019, this piece stands out as a celebration of street aesthetics and pop culture sensibilities, embodying the spirit of the streets with its visually striking design and cultural references. Ricky Powell's Artistic Legacy and Urban Influence Ricky Powell, born in 1961 and departed in 2021, was an illustrious figure in the realm of street pop art. Known for his raw and candid photography that captured the essence of New York City's vibrant street life and the golden era of hip hop, Powell's work transcends mere visual appeal. His foray into the world of skateboard deck art with the Paul's Boutique Deck further cemented his legacy as an artist who could effortlessly navigate between mediums while maintaining a connection to urban culture. The deck itself, measuring 32 x 8 inches, is a testament to Powell's eye for detail and his ability to convey a narrative through imagery. The archival pigment print features colors that are both vibrant and telling of the time in which Powell thrived. Numbered 37 out of 75, each piece of this limited series carries the authenticity of Powell's vision, with his signature and numbering on the reverse underscoring the exclusivity and collectible nature of the work. Skateboard Decks as Canvases for Street Art Expression Skateboard decks have long been recognized as canvases for artistic expression, often adorned with designs that reflect the personal style or ethos of the rider. However, when artists like Ricky Powell take to this medium, the decks transcend their functional purpose and become pieces of street pop art. The Paul's Boutique Deck, with its archival pigment print transfer on cold-pressed steep natural skate deck, becomes a mobile mural, a portable piece of graffiti artwork that carries the indomitable spirit of street art wherever it travels. The choice of the skateboard deck as a medium is deliberate and speaks to the subcultural significance of skateboarding within the urban landscape. It is a nod to the DIY ethos of both skaters and street artists, a celebration of the counter-cultural movements that have shaped the aesthetics and philosophies of generations. Ricky Powell's work on this deck blurs the lines between art and utility, between the galleries and the streets, creating a piece that is equally at home in a collector's display as it is on the ramps and sidewalks of the city. The Paul's Boutique Deck is a vibrant homage to the street pop art and graffiti artwork that has become an integral part of urban culture. Through the vision and craftsmanship of Ricky Powell, this limited edition skateboard deck emerges as a symbol of the synergistic relationship between art and the subcultures that inspire it. It stands as a piece of history, a slice of the city's soul captured on wood, an enduring reminder of the power of art to encapsulate and elevate the narratives of the streets.

Read more less

Mona Linesa- Blue Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

Read more less

Watermelon Pimp- Blue Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Frank Kozik. Hand cast 3.75" scale carded resin figure, signed and numbered editions of 20. The Bird is the Word Pop Art Toy.

Read more less

The Fugees Collaboration with B+ Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2021 Signed by Brian Cross (B+) & Ernesto Yerena Montejano & Numbered Limited Edition of 250 Artwork 24x18 Art Print Photo of Wyclef Jean, Lauryn Hill, and Pras Michel of the Rap Music Group The Fugees. The Fugees Collaboration with B+ is a limited edition silkscreen print that encapsulates the intersection of music and visual art through the joint venture of street artist Ernesto Yerena and photographer Brian Cross, known professionally as B+. This 1-color hand-pulled print on fine art paper was crafted in 2021 and is a part of an exclusive collection limited to 250 signed and numbered pieces, each with dimensions of 24x18 inches. This artwork portrays the iconic trio of the rap group The Fugees—Wyclef Jean, Lauryn Hill, and Pras Michel—rendered in a style that merges the raw energy of street art with the sophisticated minimalism of modern pop art. Yerena, known for his works that often explore themes of cultural identity and political commentary, brings his unique stencil-like graphics to the mix, translating B+'s photographic capture into a high-contrast visual statement. B+, an established figure in the music industry through his photographic work, contributes the authenticity of the moment captured, a testament to his intimate relationship with the music scene and his subject matter. This print captures The Fugees in a candid state, seated on a staircase, which might be suggestive of the ascents and descents of their musical journey. The composition's stark lines and sepia-toned color palette highlight the group's unity and distinctive presence within the hip-hop community. The collaboration of Yerena and B+ in creating this print not only pays homage to The Fugees' significant impact on rap music but also immortalizes them within the legacy of pop art and street culture. This artwork is not merely a representation of the artists but a narrative piece that speaks to the broader cultural implications of their work and influence. It showcases how street art can elevate musical icons to a status that transcends their original medium, cementing their images within the public's consciousness through visual art. Each print in this series serves as an homage to the power of collaboration across artistic disciplines and the shared heritage of music and art within urban cultural landscapes.

Read more less

2020 Signed Via Thumbprint & Numbered With Custom Display Box. Wall Frame- Cyan Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

Read more less

Pride Anaglyphic 9-Color Hand-Pulled Limited Edition Silkscreen Print with Spot Varnish on 310gsm Tub Sized Somerset Satin by Artist Insane51 Rare Art Famous Pop Artwork. 2021 Signed Limited Edition 9-Color Screen Print with Spot Varnish on 310gsm Tub Sized Somerset Satin Size: 23.62 x 23.62 Inches (60 x 60cm) Release: April 10, 2021 Run of 125. In nine colors, each print is a multilayered silkscreen with spot varnish and hand-deckled edges. The limited Special variant features a split-fountain background with metallic gold ink embellishments. Insane51 is a 26-year-old Greek muralist, based in Athens, and is one of the pioneers of large-scale 3D murals. He started in 2007 as a graffiti writer, and since then he has never stopped doing what he wants.

Read more less

Zooka Tony Scarface Signed Art on Sports Card by Marley Mcfly. 2022 Signed Antonio Montana "Tony" Scarface Movie Card Regular Signed Edition of 100

Read more less

Champ- Blue Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and collectible Mr Brainwash- Thierry Guetta limited edition spray paint can sports artwork boxing collectibles.

Read more less

LA Blue 420 Special SuperKranky SuperPlastic Art Toy by OG Slick Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist x Sket-One x Big Dicks Hardware. 2023 Signed On Box by OG Slick Limited Run of 444 SuperKranky Janky Superplastic Vinyl Art Toy Artwork Size 6x8 New In Box. Based on OG Slick's BDH Big Dicks Hardware Bukkake Spray Paint. Throwing LA Figures. Comes with a Spray Paint Can from BDH and a Sticker Set. The "LA Blue 420 Special SuperKranky" is a standout piece in the world of street pop art and graffiti art collectibles, crafted by the renowned OG Slick in collaboration with Sket-One and Big Dicks Hardware. This limited edition art toy, a vinyl representation of the artist's iconic Bukkake Spray Paint, is a fusion of street culture and designer toy aesthetics. Each piece in the limited run of 444 is a tangible expression of OG Slick's artistry, complete with his signature on the box, affirming its authenticity and limited nature. At 6x8 inches, this SuperPlastic art toy, named "SuperKranky," is adorned in a striking blue hue, symbolizing the vibrant graffiti culture of Los Angeles. The figure is a playful homage to the classic spray paint can, reimagined through the lens of street art and transformed into a collectible item. The toy's design retains the look and feel of a natural spray can complete with a removable cap and a rattle characteristic of spray paint cans used by graffiti artists. The collaboration with Big Dicks Hardware further roots the piece in the culture of street art, as the toy comes equipped with an actual BDH spray paint can and an accompanying sticker set, blurring the lines between art and utility. This collectible is not just a nod to street art; it's a piece of the culture designed to resonate with those who appreciate the art form and its impact on contemporary art and design. OG Slick, a figure deeply entrenched in the graffiti scene, has successfully transitioned his street art into a tangible form that appeals to art toy enthusiasts and collectors of modern design. His work is characterized by a keen understanding of street culture, and the "LA Blue 420 Special SuperKranky" is a testament to his commitment to bringing the ethos of the streets into new and exciting mediums. This SuperPlastic art toy stands as a bold statement in the ever-expanding world of street pop art, where art is not confined to walls or canvases but extends into the realm of the every day and the collectible.

Read more less

Van Gogh- Blue Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

Read more less

Hello My Name Is Montana Cans Original Permanent Marker Slap-Up Label Drawing Art on Montana Spray Paint Label by Graffiti Artist Lyric One Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 5x3.75 Marker Tagged on Montana Spray Paint Company Hello My Name Is Label. Crease Along Right Facing Side.

Read more less

Smile Portrait- Cyan Limited Edition Spray Paint Can Sculpture Artwork by street artist graffiti & pop culture legend Mr Brainwash- Thierry Guetta. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 3x8 Signed Via Thumbprint & Numbered With Custom Display Box. Ultra rare and very cool Mr Brainwash- Thierry Guetta limited edition spray paint can artwork collectibles.

Read more less