California

Hollywood Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist Faile. FAILE Hollywood, 2019 9.5" x 28.5" 7 ply maple wood Edition of 150. Each deck comes with a COA signed by curator Roger Gastman that confirms the authenticity and edition size.

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Hollywood Nights Limited Edition Archival Pigment Fine Art Prints on Entrada 290gsm Cotton Rag Paper by Graffiti Street Art and Pop Culture Artist Faile. Hollywood Nights Print 28 x 42 Inches Archival Ink on Entrada 290gsm Cotton Rag Edition of 400 Embossed, Signed and Numbered FAILE 2021

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Near Down Town LA Razor Wire Study Original Mixed Media Spray Paint Acrylic Painting by Saber One of a Kind Artwork on Embossed Archival Card Sheet by Street Art Pop Artist. 2023 Signed Mixed Media Acrylic Spray Paint Painting Original Artwork Size 7.5x5 "NEAR DTLA RAZOR WIRE STUDY I've been painting small studies of LA scenes at night. This is a series of hand-painted originals. Mixed media on embossed archival card sheets Size- 7.5" x 5' in signed and numbered Very limited; only a tiny batch is created with each series." -Saber. Immersing in the Urban: Saber's "Near Down Town LA Razor Wire Study" Saber's "Near Down Town LA Razor Wire Study" is a striking original mixed-media painting that offers a gritty yet beautiful snapshot of Los Angeles's urban landscape. This 2023 artwork, signed by the artist, is a unique piece meticulously created on a 7.5x5 inch embossed archival card sheet. Saber, a revered figure in the street art pop scene, captures the essence of downtown LA with a raw and expressive technique that blends spray paint and acrylics, revealing the city's character beneath its nocturnal veil. This series of hand-painted originals by Saber is more than a mere representation of the city's physical attributes; it's a deep dive into the soul of the urban environment. The mixed media on the embossed archival card accentuates the textural contrast between the harshness of razor wire and the ethereal quality of the city's skyline at night. Using spray paint, a medium synonymous with street art, imparts authenticity to the artwork, resonating with the spontaneous energy of graffiti. Saber's choice to focus on LA scenes at night tells of his intent to explore themes of isolation, boundary, and freedom. The razor wire, a symbol often associated with division and confinement, is set against the backdrop of a city known for its boundless creativity and dreams. This juxtaposition invites contemplation about the barriers—both physical and metaphorical—that define urban spaces and the lives within them. The "Near Down Town LA Razor Wire Study" is part of a minimal series emphasizing the exclusivity and collectibility of Saber's work. Each piece in the series is numbered, highlighting its position within a broader narrative that Saber constructs through these visual explorations. Collectors of street pop and graffiti artwork will find a convergence of street-level rawness and delicate art sophistication in these pieces. Saber's work stands as a compelling example of the potential of street pop art to transcend its origins and become a powerful form of contemporary fine art. The artist's ability to convey the complexity of the urban experience through the interplay of mediums, textures, and colors is a testament to his mastery of the form. His paintings are not just art objects but windows into the urban psyche, reflecting city life's vibrant and sometimes chaotic spirit. In essence, the "Near Down Town LA Razor Wire Study" series embodies the evolution of graffiti into a form of street pop art that challenges, engages, and captivates. It underscores the ongoing conversation about the value of street art within the artistic canon and its capacity to capture and comment on the essence of contemporary urban existence. Through his intimate and visceral portrayals of Los Angeles, Saber solidifies his position as a leading voice in street art pop, shaping how we perceive and interact with the surrounding cityscapes.

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Dead Che Purple Signed Vinyl Bust Sculpture by Frank Kozik Limited Edition Modern Pop Graffiti Street Art Artwork. 2010 Signed on Box & Dated Limited Edition of 50 Artwork Sculpture Size 10x16 2010 Purple Che Variant. The "Dead Che Purple Vinyl Bust Sculpture" by Frank Kozik is a captivating contemporary interpretation of the iconic revolutionary figure, Che Guevara. Crafted in vibrant purple vinyl, the bust showcases Kozik's unique blend of pop culture and political commentary. It features an intricately designed skeletal face, reflecting the title 'Dead Che', with meticulous attention to detail in the sculpting. This piece is a standout work of art that confronts viewers with a stark, bold exploration of history, revolution, and mortality. As with many of Kozik's creations, it serves as a provocative commentary on the ephemerality of life and the enduring impact of iconic figures.

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Concrete Blonde 1991 Los Angeles CA Handbill Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1991 Signed by Kozik Music Concert Handbill Artwork Size 11x17 Silkscreen Print Band Gig Poster by Frank Kozik at Wiltern Theater. The Wiltern Theater, an iconic Los Angeles landmark, teams up with Frank Kozik, the renowned rock poster artist and toy designer. This collaboration brings an incredible fusion of music, art, and culture to Southern California. Kozik's distinctive style infuses the Wiltern's Art Deco elegance with a vibrant, contemporary edge. Attendees can expect exclusive merchandise and installations that encapsulate the spirit of both the historic venue and Kozik's edgy aesthetic. This alliance brings a fresh dimension to LA's live music scene, making the Wiltern an unmissable spot for all art and music enthusiasts.

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Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen San Francisco CA Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Kozik Artwork Size 13x19 Silkscreen Print Band Gig Poster by Frank Kozik. Bill Graham San Francisco The Fillmore Poster F115 Red Hot Chili Peppers Mary's Danish Primus September 15 16, 1989 In concert poster art, few names are as synonymous with the medium as Frank Kozik. His creation for the Red Hot Chili Peppers, Primus, and Mary's Danish gig at The Fillmore in San Francisco on September 15 and 16, 1989, is a vivid example of his dynamic contribution to the genre. The print, marked as F115 in the catalog of Bill Graham's legendary venue posters, represents an era when rock music and visual art found a harmonious and often rebellious coexistence. This hand-pulled silkscreen print, with dimensions of 13x19 inches, is more than a mere announcement of an event; it's a piece of art that captures the raw vigor of the late 1980s music scene in San Francisco. Featuring a striking illustration that embodies the psychedelic and funky vibes of the Red Hot Chili Peppers and the eccentricity of Primus, Kozik's work is a nod to the era's graphic sensibilities, mixing pop art influences with street art's accessibility and edge. Limited editions of such prints are sought after not just for their scarcity but also for their representation of a specific cultural moment. Kozik's prints are known for their bold lines, eye-catching color palettes, and unique interpretation of band personas, and this piece is no exception. The blending of vibrant pinks and purples with the striking image of a cartoonish skeleton figure reflects the energy and boundary-pushing styles of the featured bands. This particular print is a testament to the enduring legacy of a time when The Fillmore was as much a hub for visual innovation as it was for musical performances. Kozik's artwork for this show stands as an iconic piece of pop and street art, bridging fans with the memorable experience of live music and the tactile quality of fine art paper. It encapsulates a period when posters were not only promotional tools but also collectible works of art that fans and art lovers would cherish for decades.

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