D*Face- Dean Stockton

Prey Red HPM Doodled Silkscreen Print by D*Face- Dean Stockton Screen Print on Paperboard Framed Limited Edition Pop Street Art Artwork. 2007 Signed Unique Paint & Pencil HPM Embellished with Doodle on Front Framed Artwork Size 23.25x33. Initially, This Was a Design Used as Wheat Plasters Across Cities. It's Rumored This is one of 2 Versions Produced and Signed by D*Face on higher-grade paper. Custom Framed with Red Metal Frame. D*Face's Signature Style in Prey Red The confluence of pop art and street art finds a striking manifestation in the work of British artist Dean Stockton, better known as D*Face. Among his vast array of impactful artworks, the "Prey Red HPM Doodled Silkscreen Print" is a prime example of his skill in blending subversive street art techniques with the ethos of pop art. This limited edition piece, a silkscreen print on paperboard and an original work embellished with unique paint and pencil doodles by the artist himself captures the essence of his critique on consumerism and the cult of celebrity. Stockton's "Prey Red HPM Doodled Silkscreen Print" is not just another piece of street art; it reflects the artist's journey and commentary on society. The artwork features bold lines and stark contrasts, a hallmark of D*Face's aesthetic, which owes much to his early influences from skateboarding, graffiti, and punk music. The print, measuring 23.25 by 33 inches, is framed in a custom red metal frame that echoes the vibrancy of the artwork within. D*Face and the Pop Street Art Movement Originally conceived as a design for wheatpaste posters plastered across cities, "Prey Red" evolved into a more refined expression of DFace's art when it was reimagined as a high-grade paper print. This transition from street art to a gallery-worthy piece underscores the fluid boundaries between different art forms and the versatility of DFace as an artist. The fact that this piece was one of just two versions produced and signed by the artist adds to its exclusivity and allure. DFace's work is often seen as a bridge between the raw, rebellious energy of street art and the polished, image-focused world of pop art. DFace challenges preconceived notions about art and its place in society by bringing his work into galleries without losing the street-smart edge. The "Prey Red HPM Doodled Silkscreen Print" is a testament to this, embodying the artist's skill in bringing depth and multiple layers of meaning to his work. The Cultural Impact of D*Face's Artwork Beyond its visual appeal, "Prey Red" is a cultural critique, much like the rest of DFace's oeuvre. Through his art, DFace invites viewers to question the icons and symbols that populate our visual landscape. This print, with its sharp imagery and the word "PREY" emblazoned across it, suggests a deeper conversation about who the prey is in a world saturated with media and celebrity culture. DFace's "Prey Red HPM Doodled Silkscreen Print" is not merely a piece of art to be admired for its style; it is a conversation starter, a piece of cultural commentary, and a collector's item all at once. It represents the artist's ongoing commitment to challenging viewers and the art establishment, urging a reevaluation of what is displayed on city walls and gallery halls. As DFace continues to create and evolve, works like "Prey Red" ensure his place in the annals of contemporary art history, bridging the gap between the underground and the mainstream.

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Wasted Youth- Your Eyes Here Cac Malaga Edition 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x D*Face Rare Street Art OBEY Pop Artwork Artist. Signed By F*Face & Shepard Fairey, Numbered Screen Print “WASTED YOUTH / YOUR EYES HERE” (CAC MALAGA EDITION) Screen Print 18 x 24 inches Edition of 400 July 16, 2015 D*Face and I enjoy collaborating and we both agreed that it would be great to do a print to celebrate our simultaneous shows at the CAC Málaga. We used very different color palettes in our murals there so we decided that since we both liked black, red, and silver – that we could put our chromatic differences aside and join forces on those three colors for the print. I’d still recommend seeing the murals in person if you have the opportunity, but this print is an avatar I can be proud of. All of the prints are signed by me and D*Face so you know that meant they had to travel to Spain and back – luckily, they’re all in good shape. Thanks to the CAC Málaga for facilitating such a great show for both of us! -Shepard

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Run Away Hand-Pulled 10-Color Silkscreen Print on 370gsm Lambeth Drawing Cartridge Paper by Desirable Artist D*Face Limited Edition Pop Art Artwork. 2020 Signed & Numbered Limited Edition of 150 Artwork Size 27.25x39.5 Framed With a Large Custom Frame & Mat. D*Face (b. 1978) Run Away, 2020 Screenprint in colors on Lambeth Drawing Cartridge paper 39-1/2 x 27-1/4 inches (100.3 x 69.2 cm) (sheet) Ed. 71/150 Signed and numbered in pencil along the lower edge. Published by Stolen Space Gallery, London The Fusion of Classic and Contemporary in D*Face's 'Run Away' D*Face, the pseudonym of the British street artist Dean Stockton, has long been a prominent name in street pop art and graffiti artwork. His work 'Run Away' is a notable entry in his oeuvre, a hand-pulled 10-color silkscreen print on the revered Lambeth Drawing Cartridge paper. This 2020 signed and numbered limited edition piece exemplifies the artist's commitment to blending street art's insurgent energy with traditional printmaking's craftsmanship. Technical Brilliance and Thematic Depth in 'Run Away' At 39-1/2 x 27-1/4 inches, 'Run Away' is grand in scale and intricate in detail. The piece captures a moment of passionate embrace, yet the figures are depicted with elements of dissolution, perhaps suggesting the fleeting nature of love or the ephemeral quality of relationships. The artwork's narrative is enhanced by its visual complexity—the use of a 10-color palette allows for a vibrant depth of image. The choice of Lambeth Drawing Cartridge paper is crucial to the print's allure. Known for its heavy weight and superior quality, the paper is an excellent foundation for silkscreen. It allows for a crisp transfer of ink and a vibrancy of color that lesser papers could not hold. The Lambeth paper complements D*Face's bold lines and sharp contrasts, ensuring that each print from the limited edition of 150 retains the clarity and impact of the original design. D*Face's Place in the Pantheon of Pop Art DFace's 'Run Away' reflects the artist's position in the pop art landscape. Born in 1978, DFace has witnessed the evolution of street art from a subculture to a globally recognized form of artistic expression. His work often contains commentary on consumerism, fame, and the mechanics of the art world, all deftly woven into 'Run Away.' The artist's signature style blends comic book-inspired aesthetics with a critical lens on modern society, giving him acclaim and space in galleries worldwide. 'Run Away,' published by Stolen Space Gallery in London, is a piece that encapsulates D*Face's mastery over his medium and message. It is a work that invites contemplation on the nature of modern romance, the icons of pop culture, and the art of silkscreen printing. The Lasting Impact of 'Run Away' in Modern Art DFace's 'Run Away' holds a distinguished place in modern art, bridging the gap between the raw expressiveness of street art and the precision of fine art printmaking. The artwork, framed within a large custom frame and mat, is designed to make a statement, whether displayed in a gallery or a private collection. The use of Lambeth Drawing Cartridge paper is a testament to DFace's respect for quality and tradition, even as he pushes the boundaries of art with his innovative and provocative style. The piece is not merely a visual treat; it is a cultural artifact that encapsulates the spirit of the times. With 'Run Away,' D*Face contributes to the ongoing conversation about the place and value of street pop art within the larger artistic narrative. His work, particularly this standout print, will continue to be studied and appreciated by those who seek to understand the complex interplay between art and society in the 21st century.

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