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Guru del Toro- Maestro of Monsters Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Chogrin x Unruly Industries. 2019 Limited Edition of 400 Size 10.5x7 New In Box Stamped/Printed New In Box Guru del Toro Maestro of Monsters Art Toy by Chogrin x Unruly Industries Let Guru del Toro be your guide into the darkest depths of fantasy! This designer toy by artist Chogrin honors the Maestro of Monsters, who holds countless universes in his hands, claws, and tentacles. "This figure is based on an illustration I created in tribute to Guillermo del Toro and his filmography. Guillermo has always been a patron for misunderstood creatures and an inspiration for artists around the world. I wanted to create something that captured all those things in one. And so, I give you Guru del Toro, Maestro of Monsters!" -Chogrin

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Rainbow Bite- PP Printers Proof Pop Artwork Limited Edition Giclee Print on Italian Cold-Press Watercolor Paper by Modern Artist Casey Weldon. PP Printers Proof 2019 Signed & Marked Limited Proof Edition Artwork Size 16x24 "Since I was a child, I have been taught to fear the shark. Thru media sensationalism and Hollywood exploitative cinema, sharks have always been portrayed to me as anthropomorphically mean and soulless creatures that want nothing other than to chomp me to bits and gobble up my remains if I dare tap a toe in that ocean." -Casey Weldon

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Ceci N'est Pas Une Spongebob PP Archival Print by Shark Toof Limited Edition Print on 310gsm Museum Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2019 Signed & Marked PP Limited Edition Artwork Size 24x18 Archival Pigment Fine Art. "Ceci N'est Pas Une Spongebob, This Is Not A Spongebob" Decoding "Ceci N'est Pas Une SpongeBob" by Shark Toof "Ceci N'est Pas Une SpongeBob" is a provocative piece by the renowned street pop artist Shark Toof, challenging the boundaries of pop culture iconography within the context of modern street art. The artwork is a Printer's Proof (PP) archival print from 2019, meticulously signed and marked by the artist, denoting its status as a rare collector's item. Printed on 310gsm Museum Fine Art Paper, this piece exemplifies the high-quality medium Shark Toof employs to ensure durability and depth of color, crucial for the archival pigment fine art that this work represents. A Fusion of Street Art and Pop Culture This piece is a testament to the collision of street pop art and graffiti artwork with mainstream pop culture symbols. Shark Toof takes the universally recognized figure of SpongeBob SquarePants and distorts it, presenting an image that both acknowledges and subverts the original character. The title itself, a nod to René Magritte's "The Treachery of Images," prompts viewers to question the nature of representation and reality in art. Shark Toof's work suggests that the image of SpongeBob we see is not the character itself but a representation skewed by the artist's perspective and the cultural context in which it is viewed. Shark Toof's Artistic Commentary In "Ceci N'est Pas Une SpongeBob," Shark Toof is not simply replicating a beloved character; he is initiating a dialogue about the saturation of media icons in society and the consumption of these images. The distortion and decomposition of SpongeBob's features invite the audience to reflect on how mass media shapes and sometimes distorts our perceptions. This work captures the spirit of street pop art by using graffiti artwork's spontaneous and rebellious essence to comment on and criticize phenomena. The layered textures and vibrant colors reveal the complex relationship between commercial imagery and artistic expression. The art piece explores the tension between street art's ephemeral nature and fine art prints' enduring quality. Shark Toof bridges two seemingly disparate worlds by choosing SpongeBob, an icon from an animated children's show, and placing it in the sophisticated realm of limited edition prints. This juxtaposition challenges the viewer's understanding of what constitutes 'legitimate' art, questioning the hierarchies within the art world. Through "Ceci N'est Pas Une SpongeBob," Shark Toof contributes to the discourse on the value and significance of street pop art and graffiti artwork in contemporary culture. By recontextualizing a figure from the lexicon of popular media, he endows it with new meaning and elevates it within the art canon. This artwork is a visual spectacle with an intellectual engagement, prompting conversations about the nature of art, media's influence, and street art's power to transform and transcend ordinary objects and characters into extraordinary pieces of cultural commentary.

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Mobius White PP Printer Proof Silkscreen Print by Lauren YS Hand-Pulled 3-Color Screen Print on 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 18x14 Lauren YS and the 'Mobius White PP' Silkscreen Print The 'Mobius White PP' is a striking silkscreen print by the artist Lauren YS, part of a limited edition series that showcases a blend of pop art vibrancy and the edgy undercurrents of street art and graffiti. This hand-pulled 4-color screen print on 290gsm Coventry Rag fine art paper, released as a Printer's Proof (PP) in 2019, vividly represents the artist's unique style. Signed and marked PP, the artwork measures 18x14 inches and features an intricate depiction of interlocking octopuses, a motif often explored by Lauren YS in their work. Visual Complexity and Symbolism Lauren YS, also known as Squid.licker, is recognized for their bold, intricate designs and a penchant for surreal, dream-like subject matter that defies traditional narrative. The 'Mobius White PP' is no exception, presenting the viewer with a mesmerizing tableau of cephalopods entangled in an infinite loop. The use of the Mobius strip, a one-sided nonorientable surface, adds a layer of complexity, suggesting infinity, continuity, and the cyclical nature of existence. The choice of octopuses as the focal point is rich with symbolism. These creatures are often associated with mystery and flexibility, characteristics that resonate with street pop art's fluid and dynamic nature. Incorporating vibrant pink and blue hues against the stark white paper creates a visual pop, emphasizing the fluidity and movement within the static image. Artistic Process and Technique Lauren YS's approach to this print, utilizing the screen printing technique, indicates a hands-on process that is both artisanal and precise. The screen printing technique, particularly revered in street and pop art for its ability to produce vivid, textured layers of color, lends this work a tactile quality that belies its two-dimensional medium. Each color in the 'Mobius White PP' is applied one at a time, requiring exact alignment to achieve the final image's detail and depth. The choice of Coventry Rag paper underscores the artist's commitment to quality and longevity. This particular type of paper is favored by fine artists for its durability and ability to hold color without degradation, making it an ideal choice for a print intended to stand the test of time. Lauren YS's Place in Contemporary Art In the contemporary art scene, Lauren YS has carved out a space that transcends easy categorization, melding influences from comic books, muralism, and traditional Japanese and Chinese aesthetics. The 'Mobius White PP' exemplifies their ability to navigate and merge these diverse visual languages into a cohesive whole that speaks to a global audience. As a limited edition Printer's Proof, 'Mobius White PP' holds a special place in Lauren YS's works collection. The printers typically retain printer's Proofs as a reference and are often seen as a more intimate version of a print edition, carrying the marks of the printing process itself. The PP designation on this print signifies its status not only as part of a limited run but also as a piece that bears the direct touch of the artist. In the broader context of street pop and graffiti artwork, 'Mobius White PP' is a testament to the genre's evolving nature. Lauren YS's work continues to push the boundaries of how street art is perceived and experienced in public spaces and the collectors market. This print, with its interplay of street art sensibilities and fine art execution, captures the essence of this dynamic and continues to inspire dialogue within the art community.

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Rainbow Bite- AP Artist Proof Pop Artwork Limited Edition Giclee Print on Italian Cold-Press Watercolor Paper by Modern Artist Casey Weldon. AP Artist Proof 2019 Signed & Marked Limited Proof Edition Artwork Size 16x24 "Since I was a child, I have been taught to fear the shark. Thru media sensationalism and Hollywood exploitative cinema, sharks have always been portrayed to me as anthropomorphically mean and soulless creatures that want nothing other than to chomp me to bits and gobble up my remains if I dare tap a toe in that ocean." -Casey Weldon

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Mobius Teal PP Printer Proof Silkscreen Print by Lauren YS Hand-Pulled 3-Color Screen Print on 290gsm Coventry Rag Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof 2019 Signed & PP Marked Limited Edition Run Artwork Size 18x14 The Artistic Vision of Lauren YS in 'Mobius Teal PP' Lauren YS's 'Mobius Teal PP' emerges as a striking example of contemporary pop street artwork, blending the fluidity of graffiti with the meticulous process of silkscreen printing. This Printer's Proof (PP), hand-pulled and marked by the artist in 2019, embodies a limited edition three-color screen print on 290gsm Coventry Rag fine art paper. Signed and denoting its unique status in the edition run, the artwork's dimensions of 18x14 inches frame a visual narrative that is both surreal and expressive. Symbolism in 'Mobius Teal PP' The 'Mobius Teal PP' print by Lauren YS is a testament to their fascination with the surreal and the marine, featuring a vivid portrayal of octopuses in an infinite loop. The title, 'Mobius,' refers to the Möbius strip, a surface with only one side and one boundary component, symbolizing infinity, continuity, and the cyclic nature of the universe. This concept is elegantly captured through the interweaving tentacles of the octopuses, which are depicted in a state of perpetual motion against the contrasting teal background. The choice of color in 'Mobius Teal PP' is not merely aesthetic but intentional, with the teal acting as a backdrop that conjures the depths of the ocean—a realm full of mystery and often associated with the unconscious mind. The juxtaposition of the pink and black inks adds a dynamic vibrancy to the print, emphasizing the fluidity and grace of the cephalopods, creatures known for their intelligence and adaptability. Lauren YS's Technique and Medium Lauren YS employs the silkscreen printing technique with finesse, a method traditionally linked with the pop art movement and the grassroots dissemination of street art. Each layer of color in the 'Mobius Teal PP' is meticulously applied, showcasing the artist's hands-on approach and commitment to precision. Coventry Rag paper, a medium known for its quality and durability, ensures that each print remains a lasting artifact of the artist's vision, retaining the vibrancy of the inks over time. The significance of a Printer's Proof in the art world cannot be understated. PPs are typically reserved for the artist's personal use or archival purposes and are often considered more valuable due to their rarity and direct involvement in their production. The PP mark on 'Mobius Teal PP' indicates its status as part of a select group of prints that precede the official limited edition run, sought after by collectors for their proximity to the artist's original intent. Impact and Legacy in Street Pop Art The 'Mobius Teal PP' holds a place of importance in the oeuvre of Lauren YS and within the broader context of street pop art. The artist's work blurs the boundaries between the subversive energy of street art and the calculated precision of fine art printing, creating pieces that resonate with a broad audience. Lauren YS's contributions to the field reflect a contemporary evolution of street pop art, where traditional graffiti merges with avant-garde aesthetics to form new artistic expressions. As an artist, Lauren YS stands at the forefront of this evolution, pushing the boundaries of street pop art and graffiti into new territories. 'Mobius Teal PP,' with its intricate design and profound symbolism, is a beacon of the limitless potential within these art forms. It is a celebration of the medium's ability to decorate urban landscapes and convey complex, introspective narratives through the interplay of ink and imagination.

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