Frank Kozik

1 artwork


  • Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen San Francisco CA Print by Frank Kozik

    Frank Kozik Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen San Francisco CA Print by Frank Kozik

    Red Hot Chili Peppers Primus 1989 Fillmore Silkscreen San Francisco CA Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1989 Kozik Artwork Size 13x19 Silkscreen Print Band Gig Poster by Frank Kozik. Bill Graham San Francisco The Fillmore Poster F115 Red Hot Chili Peppers Mary's Danish Primus September 15 16, 1989 In concert poster art, few names are as synonymous with the medium as Frank Kozik. His creation for the Red Hot Chili Peppers, Primus, and Mary's Danish gig at The Fillmore in San Francisco on September 15 and 16, 1989, is a vivid example of his dynamic contribution to the genre. The print, marked as F115 in the catalog of Bill Graham's legendary venue posters, represents an era when rock music and visual art found a harmonious and often rebellious coexistence. This hand-pulled silkscreen print, with dimensions of 13x19 inches, is more than a mere announcement of an event; it's a piece of art that captures the raw vigor of the late 1980s music scene in San Francisco. Featuring a striking illustration that embodies the psychedelic and funky vibes of the Red Hot Chili Peppers and the eccentricity of Primus, Kozik's work is a nod to the era's graphic sensibilities, mixing pop art influences with street art's accessibility and edge. Limited editions of such prints are sought after not just for their scarcity but also for their representation of a specific cultural moment. Kozik's prints are known for their bold lines, eye-catching color palettes, and unique interpretation of band personas, and this piece is no exception. The blending of vibrant pinks and purples with the striking image of a cartoonish skeleton figure reflects the energy and boundary-pushing styles of the featured bands. This particular print is a testament to the enduring legacy of a time when The Fillmore was as much a hub for visual innovation as it was for musical performances. Kozik's artwork for this show stands as an iconic piece of pop and street art, bridging fans with the memorable experience of live music and the tactile quality of fine art paper. It encapsulates a period when posters were not only promotional tools but also collectible works of art that fans and art lovers would cherish for decades.

    $458.99

Frank Kozik

Frank Kozik: A Pioneer in the Fusion of Street Pop Art and Music

Frank Kozik is an artist who has been pivotal in bringing the aesthetics of street pop art into the mainstream, mainly through the lens of music culture. Known predominantly for his influential concert posters, Kozik has carved out a niche that melds the counterculture spirit of punk rock with the visually arresting style of street art and graffiti. His work, characterized by a blend of bright colors, bold figures, and a grotesque touch, captures the rebellious energy of the music scene from the 1980s and beyond. Kozik’s journey into art was as unconventional as the pieces he created. He rose to prominence in the late 1980s and early 1990s, a time when the subversive energy of street art was beginning to gain recognition in the art world. His posters, created for bands performing in Austin, Texas's thriving punk rock scene, quickly became iconic. They were more than advertisements; they were standalone pieces of art that reflected the mood and the ethos of the music they promoted.

The Artistic Signature of Frank Kozik

What sets Kozik apart is his distinctive style that often incorporates a satirical edge, drawing upon pop culture references, political commentary, and a dark sense of humor. His work is a commentary on the society and times, reflecting the punk ideology of anti-establishment and individual freedom. He has a knack for subverting popular imagery, transforming familiar icons into something new and thought-provoking, a hallmark of street pop art and graffiti artwork. Kozik’s contributions to the art world go beyond posters. He has ventured into the realm of vinyl toys, bringing his signature style to three-dimensional forms. These art toys have become collectibles, coveted by enthusiasts who appreciate the crossover of street art sensibilities into tangible objects. Kozik’s ability to navigate different mediums while maintaining his distinctive voice is a testament to his versatility as an artist.

Impact and Legacy of Frank Kozik’s Work

Frank Kozik has been a forerunner in recognizing the potential of street pop art as a severe art form. His impact on the art world is indelible, influencing generations of artists who see the value in the fusion of street culture and art. Kozik’s posters are now part of the permanent collections of institutions like the Museum of Modern Art, testifying to the cultural significance of his work. His legacy is also evident in art toys, where he has inspired a movement that sees these objects as more than playthings. They are a medium for expression and a canvas for street art, bringing the ethos of graffiti into homes and galleries alike. Kozik’s work challenges perceptions encourages dialogue, and exemplifies the creative potential that lies in the intersection of art, music, and street culture. In the sphere of street pop art and graffiti artwork, Frank Kozik is a maverick who has bridged the gap between underground and mainstream, visual art and music, and playfulness and severe commentary. His pieces are a bold reminder that art is not confined to galleries or museums; it is an ever-evolving dialogue on city walls, in concert halls, and within the everyday objects that populate our lives. Frank Kozik passed away in 2023.

© 2024 Sprayed Paint Art Collection,

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