Frank Kozik

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  • The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik

    Frank Kozik The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik

    The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 1996 Signed by Kozik & Numbered Limited Edition of AP 50 Artwork Size 17.5x22 Silkscreen Print Band Gig Poster by Frank Kozik. The Mermen AP 1996 San Francisco CA Silkscreen Print by Frank Kozik Fort Point Pier The Mermen AP 1996 San Francisco, CA silkscreen print is a symbolic piece by the acclaimed artist Frank Kozik, whose work is often associated with the vibrant energy of pop and street art. Kozik's distinctive style is characterized by a blend of bold colors, cartoon-like figures, and a touch of satirical humor, all of which are palpably present in this artwork. This piece, crafted explicitly as a gig poster for a performance at Fort Point Pier on October 4, 1996, captures the essence of the San Francisco music scene of the time. Hand-pulled on fine art paper, the print is part of an exclusive Artist Proof (AP) edition, limited to 50 signed and numbered pieces. Measuring 17.5x22 inches, it's a significant work that embodies the culture and vibrancy of its era. Kozik's use of the silkscreen technique lends the piece a tactile quality that is often lost in digital reproduction, giving each print a unique texture and depth. The imagery in this particular print, featuring a park ranger character brandishing a sign that protests against beach parties, flanked by an unconscious figure surrounded by litter, serves as a witty commentary on environmental conservation and personal responsibility. This reflects Kozik's knack for engaging with social and cultural themes through his art, a trait he shares with many street artists who use public spaces to comment on societal issues. Kozik's work has been instrumental in defining the visual landscape of music culture in the 1990s, with his posters becoming synonymous with the era's underground music scene. The Mermen AP print is not just a piece of memorabilia but also a slice of pop culture history, encapsulating the intersection of music, art, and social commentary. Its existence as a limited edition work heightens its collectibility. It serves to preserve a moment when street art aesthetics infiltrated mainstream visual culture, thereby solidifying Kozik's legacy within the art community.

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    $467.99

  • Sale -30% Hammerhead Liquor Bike 1996 Nyabinghi West Virginia Silkscreen Print by Frank Kozik

    Frank Kozik Hammerhead Liquor Bike 1996 Nyabinghi West Virginia Silkscreen Print by Frank Kozik

    Hammerhead Liquor Bike 1996 Nyabinghi West Virginia Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1996 Signed & Numbered Limited Edition of 675 Artwork Size 17.5x22.5 Silkscreen Print Music Gig Poster Art by Frank Kozik Nyabinghi Dance Hall, West Virginia February 2nd 1996

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    $247.00$173.00

  • Sale -30% The Meices Nine Pound Hammer 1995 San Francisco CA Silkscreen Print by Frank Kozik

    Frank Kozik The Meices Nine Pound Hammer 1995 San Francisco CA Silkscreen Print by Frank Kozik

    The Meices Nine Pound Hammer 1995 San Francisco CA Silkscreen Print by Frank Kozik Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 1995 Signed by Kozik & Numbered Limited Edition of 650 Artwork Size 17.5x22.5 Silkscreen Print Band Gig Poster by Frank Kozik. Tractor The Meices Nine Pound Hammer The Kilowatt Club San Francisco, California 10-21-1995 Capturing the dynamic essence of 1990s rock culture, Frank Kozik’s silkscreen prints are a fusion of music and visual art, with a distinct nod to the vibrant pop art movement. His poster for the October 21 performance of The Meices and Nine Pound Hammer at The Kilowatt in San Francisco, CA, is a prime example of his craft. The print, decorated with bold colors and striking imagery, was more than just promotional material; it was an artistic celebration of the bands and the era. This piece features a stark, contrastive color palette, primarily using black, bright yellow, and red, which captures the eye and invokes the energetic and raw spirit of the bands it represents. The central image of a vintage tractor, marked by the number 70, symbolizes Kozik’s ability to blend everyday objects with a certain edginess, making them resonate with the punk and alternative genres his work often accompanied. Such images not only promoted the event but also commented on the mechanization of society, a recurring theme in pop art, making Kozik’s work resonate with both underground and mainstream audiences. With each of Kozik’s prints, like this one from 1995, collectors and enthusiasts receive more than a simple piece of paper. They acquire a snapshot of cultural history, immortalizing the music and the moment within the fabric of pop, street, and graffiti art. His work is a reminder of the powerful intersection between the visual and the auditory, where each gig poster serves as a conduit for the artistic energy of the time. This San Francisco event’s print is a bold statement within this genre. It is a lasting visual record of the night that The Meices and Nine Pound Hammer brought their distinctive sounds to an eager audience, now eternally etched into the legacy of 90s music and art.

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    $247.00$173.00

Frank Kozik

Frank Kozik: A Pioneer in the Fusion of Street Pop Art and Music

Frank Kozik is an artist who has been pivotal in bringing the aesthetics of street pop art into the mainstream, mainly through the lens of music culture. Known predominantly for his influential concert posters, Kozik has carved out a niche that melds the counterculture spirit of punk rock with the visually arresting style of street art and graffiti. His work, characterized by a blend of bright colors, bold figures, and a grotesque touch, captures the rebellious energy of the music scene from the 1980s and beyond. Kozik’s journey into art was as unconventional as the pieces he created. He rose to prominence in the late 1980s and early 1990s, a time when the subversive energy of street art was beginning to gain recognition in the art world. His posters, created for bands performing in Austin, Texas's thriving punk rock scene, quickly became iconic. They were more than advertisements; they were standalone pieces of art that reflected the mood and the ethos of the music they promoted.

The Artistic Signature of Frank Kozik

What sets Kozik apart is his distinctive style that often incorporates a satirical edge, drawing upon pop culture references, political commentary, and a dark sense of humor. His work is a commentary on the society and times, reflecting the punk ideology of anti-establishment and individual freedom. He has a knack for subverting popular imagery, transforming familiar icons into something new and thought-provoking, a hallmark of street pop art and graffiti artwork. Kozik’s contributions to the art world go beyond posters. He has ventured into the realm of vinyl toys, bringing his signature style to three-dimensional forms. These art toys have become collectibles, coveted by enthusiasts who appreciate the crossover of street art sensibilities into tangible objects. Kozik’s ability to navigate different mediums while maintaining his distinctive voice is a testament to his versatility as an artist.

Impact and Legacy of Frank Kozik’s Work

Frank Kozik has been a forerunner in recognizing the potential of street pop art as a severe art form. His impact on the art world is indelible, influencing generations of artists who see the value in the fusion of street culture and art. Kozik’s posters are now part of the permanent collections of institutions like the Museum of Modern Art, testifying to the cultural significance of his work. His legacy is also evident in art toys, where he has inspired a movement that sees these objects as more than playthings. They are a medium for expression and a canvas for street art, bringing the ethos of graffiti into homes and galleries alike. Kozik’s work challenges perceptions encourages dialogue, and exemplifies the creative potential that lies in the intersection of art, music, and street culture. In the sphere of street pop art and graffiti artwork, Frank Kozik is a maverick who has bridged the gap between underground and mainstream, visual art and music, and playfulness and severe commentary. His pieces are a bold reminder that art is not confined to galleries or museums; it is an ever-evolving dialogue on city walls, in concert halls, and within the everyday objects that populate our lives. Frank Kozik passed away in 2023.

© 2024 Sprayed Paint Art Collection,

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