Gas Fuel & Oil

4 artworks


  • Shell PP Archival Pigment Print by Cey Adams

    Cey Adams Shell PP Archival Pigment Print by Cey Adams

    Shell PP Printers Proof Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Cey Adams Graffiti Street Artist Modern Pop Art. PP Printers Proof Signed & Marked PP Limited Edition Artwork Size 18x18 Shell Archival Print by Cey Adams "The whole idea behind my Trusted Brands series was that I wanted to revisit many of the iconic logos of my youth to reconnect to familiar things. These pieces are mostly made of handmade fiber papers from India and Nepal. I wanted to do something rivaling my friends who used spray paint and connected with my graffiti roots, but I didn't want to do what everybody else did. I thought it would be interesting to challenge myself to use a medium I have never used before, and collage spoke to me." - Cey Adams. Cey Adams' "Shell" - A Convergence of Branding and Art Cey Adams, a foundational figure in graffiti and street pop art, presents a compelling piece in his "Shell PP Printers Proof Limited Edition." This work is part of Adams' "Trusted Brands" series, where he revisits the emblematic logos that marked his youth. The print, an 18x18 archival pigment on fine art paper, showcases his exploration into collage, setting him apart from his contemporaries who favored spray paint. This piece is a Printer's Proof, signed and marked by Adams, adding a layer of exclusivity and collectibility. Adams' choice to use handmade fiber papers from India and Nepal lends an organic texture that contrasts with the commercial sharpness of the Shell logo. His work is a nod to nostalgia and a dialogue between past and present, consumerism and craftsmanship. The "Shell" piece stands out as a testament to Adams' ability to innovate within his graffiti roots while pushing the boundaries of his artistic expression. In Adams' own words, his college journey was challenging to escape the graffiti norm. His "Trusted Brands" series, including the "Shell" print, reflects this personal and artistic quest to connect with familiar symbols uniquely, embodying the essence of modern pop art within the urban landscape.

    $1,000.00

  • We Own the Future Aluminum Metal Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY We Own the Future Aluminum Metal Silkscreen Print by Shepard Fairey- OBEY

    We Own the Future Metal Edition Hand-Pulled 2-Color Silkscreen Print on Aluminum Metal by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2015 Signed by Shepard Fairey & Numbered Limited Edition of 3 Artwork Size 18x24 Extremely low edition of only 3! WE OWN THE FUTURE METAL Fine Art Edition: Silkscreen on Metal Silkscreen on Metal (Aluminum) Printed Matters-Detroit 18 x 24 inches (45.7 x 61 cm) 2015. We Own the Future The Makers of Fire Transform Our World With Creative Response "We Own the Future" is a metal silkscreen print created by Shepard Fairey in 2015 as part of his OBEY art campaign. The print features a stylized image of a woman's face, with the words "WE OWN THE FUTURE" in bold letters across the top. The woman in the image is wearing a hat and holding a flame with angel wings. Fairey's use of lettering and metal is a nod to the future punk aesthetic that has influenced much of his work. The message of the print is a call to action for people to take ownership of their future and to strive for positive change in the world. It speaks to Fairey's belief in the power of grassroots activism and the ability of individuals to effect change through their actions. "We Own the Future" was produced in a limited edition of 3 prints, with each print signed and numbered by the artist. The print measures 18 x 24 inches and is printed on aluminum, giving it a sleek and modern look. As with much of Fairey's work, "We Own the Future" has become a popular symbol of resistance and activism, appearing on protest signs and in street art around the world. 0

    $6,509.00

  • Lady With Sphinx Original Oil on Linen Painting by Aaron Nagel

    Aaron Nagel Lady With Sphinx Original Oil on Linen Painting by Aaron Nagel

    Lady With Sphinx Original Painting Oil On Linen Mounted To Wood With Frame by Aaron Nagel Graffiti Street Artist Modern Pop Art. 2015 Signed Original Oil Painting Framed by Aaron Negal Measuring 26x30 "'Lady With a Sphinx" was humbly modeled after the Leonardo DaVinci painting, "Lady With An Ermine." It is my second attempt at a painting modeled after a classic, the first being my version (of Bouguereau’s version) of the Piéta. I have always liked "Lady With An Ermine;" the lighting on the figure, the stark background, the lettering in the upper left-hand corner, and of course, the Ermine (because what the fuck is an ermine?!)Trying to get the reference photo looking similar was a challenge, but an enjoyable one, as I never have a concrete idea of how I want a reference to look, so there tends to be a lot of trial and error. This time, I messed with it until the pose and lighting were right, then just took a few hundred pictures there, with very subtle pose and expression changes. This piece was painted for the “Three Figures” exhibition at Maxwell Alexander Gallery in June of 2014. It was a 3-man show, with Jeremy Mann, Sean Cheetham, and myself. They are two of my favorite artists, so it was a huge honor to show with them." - Aaron Nagel

    $9,406.00

  • Daniel Plainview Giclee Print by Robert Bruno

    Robert Bruno Daniel Plainview Giclee Print by Robert Bruno

    Daniel Plainview Limited Edition Giclee Print on Fine Art Paper by Robert Bruno counter-culture street artist art. Based on Daniel Day-Lewis' movie There Will Be Blood character Daniel Plainview. "I have a competition in me. I want no one else to succeed. I hate most people...there are times when I look at people and see nothing worth liking. I want to earn enough money that I can get away from everyone." -Daniel Plainview

    $136.00

Gas Fuel & Oil Graffiti Street Pop Artwork

Gas, Fuel, and Oil in Street Pop Art

Graffiti art and street art have always been powerful mediums of expression, often reflecting the societal issues and concerns of the artists who create them. Gas, fuel, and oil have become increasingly relevant subjects within this sphere, given the ongoing environmental and political issues surrounding the world's dependency on fossil fuels. This growing interest has spurred a proliferation of graffiti art prints and street art prints that center on gas, fuel, and oil as primary themes. From a visual perspective, artists utilize a variety of symbols and imagery to represent gas, fuel, and oil. Iconic motifs such as gasoline pumps, fuel tanks, barrels, and pipelines are often portrayed in these works, either as standalone subjects or woven into a larger narrative. Gas, fuel, and oil have long been subjects of critical commentary in street pop art and graffiti artwork. These themes often surface in the works of artists who aim to highlight issues such as environmental impact, corporate dominance, and consumer culture. Street art, with its roots in subversion and public messaging, becomes a canvas for this discourse, transforming gas stations, oil barrels, and brand logos into symbols of reflection within the urban landscape.

Artists' Reflection on Energy Consumption

Artists like Banksy and Shepard Fairey have tackled the subject by integrating imagery of gas masks, fuel pumps, and oil spills into their work, merging the aesthetic of pop art with the grit of the street. These pieces serve as a visual critique of the dependence on fossil fuels and the often overlooked consequences of their pervasive use. By placing these works in public spaces, the artists invite an immediate and communal engagement with these critical issues. The subject of gas, fuel, and oil remains relevant in contemporary street art, reflecting ongoing concerns about climate change and sustainable living. Street artists continue to engage with this theme to provoke public thought and encourage a dialogue about the future of energy consumption and its global implications. The power of street pop art lies in its ability to repurpose commercial symbols like the Shell logo into a commentary on the intersection of industry, environment, and society. Color palettes for these pieces tend to be dominated by earth tones and shades of black, reflecting the raw, natural essence of fossil fuels, while also evoking the smog, pollution, and environmental degradation associated with their extraction and consumption. The connection between graffiti art, street art, and gas, fuel, and oil is both contextual and historical. In many ways, these mediums have served as outlets for socio-political commentary, drawing attention to the unequal distribution of resources, the influence of corporate power, and the devastating environmental consequences of fossil fuel dependency. This commentary is often sharp and provocative, highlighting the urgency of these issues and challenging the status quo. One notable example of this intersection is the work of British street artist Banksy, who frequently employs themes of consumerism, capitalism, and environmental destruction in his art. In one piece, Banksy depicts a grim, industrial landscape with smokestacks spewing pollution and pipelines snaking through the ground, while children play innocently nearby, oblivious to the environmental catastrophe unfolding around them. This striking juxtaposition highlights the contrast between our seemingly carefree daily lives and the serious consequences of our fossil fuel-based society. Another influential artist in this realm is Shepard Fairey, known for his iconic "Obey Giant" imagery. Fairey's work often critiques the power structures behind the global oil industry, showcasing the insatiable hunger for profit that drives these corporations. His pieces frequently incorporate images of oil barrels and fuel pumps, overlaid with bold, commanding text that challenges the viewer to question their own complicity in this cycle of consumption and environmental harm. As the environmental and political concerns surrounding gas, fuel, and oil continue to gain prominence, graffiti art and street art prints will undoubtedly continue to explore these themes in new and innovative ways. For some, these pieces will serve as a reminder of the pressing need for change, while for others, they may be a call to action, inspiring grassroots activism or personal efforts to reduce dependency on fossil fuels. The marriage of gas, fuel, and oil themes with graffiti art and street art prints has proven to be a powerful and evocative combination. These works offer a striking visual commentary on the pressing issues of our time, drawing attention to the environmental and socio-political implications of our global fossil fuel dependency. By utilizing powerful imagery and thought-provoking narratives, these artists have carved out an important niche within the broader art world, engaging audiences with challenging and meaningful works that inspire reflection and, in some cases, action.

© 2024 Sprayed Paint Art Collection,

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