Latin

4 artworks


  • Sen2 Light Blue Spray Paint Can Artwork by Montana MTN

    Sen2 Sen2 Light Blue Spray Paint Can Artwork by Montana MTN

    Sen2- Light Blue Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Born in Puertorico, grown in the Bronx, representing worldwide, SEN2 (4Burners) is an NYC icon who developed his style with respect for the wild style tradition and interest for the European styles.

    $242.00

  • Estevan Oriol LA Fingers Black Spray Paint Can Artwork by Montana MTN

    Estevan Oriol Estevan Oriol LA Fingers Black Spray Paint Can Artwork by Montana MTN

    Estevan Oriol- LA Fingers Black Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Estevan Oriol LA FINGERS, 2021 Limited Edition of 500 Montana Spray Paint Can Color: Black Estevan Oriol is an internationally celebrated professional photographer, director and entrepreneur. Beginning his career as a club bouncer turned tour manager for popular Los Angeles–based rap groups Cypress Hill and House of Pain, Oriol developed his passion for photography while traveling the world. He began documenting life on the road and established a name for himself amid the emerging hip-hop scene. In 1995, Chicano street photographer Estevan Oriol held a now-famous photo session in which he asked a Latina model with a fierce set of claws to arrange her bling-gilded fingers in the shape of two letters: L and A. Her black, pillowy lips pouting in the background, the image presented a mesmerizing, defiant symbol of West Coast pride. It reclaimed the typography of the Hollywood sign and it reimagined the Dodgers’ interlocking L.A. symbol. Not since the palm tree, the smoggy freeway or the lonely Hockney swimming pool had one image so succinctly captured the essence of Los Angeles — inaccessible and forbidden until Oriol (with its full blessing) delivered it to us.

    $242.00

  • Pesimo Bishop Violet Spray Paint Can Artwork by Montana MTN

    Pesimo Pesimo Bishop Violet Spray Paint Can Artwork by Montana MTN

    Pesimo- Bishop Violet Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Pesimo is an acclaimed street artist from Peru. He has been popping up on walls in his city since 1998 and his work is recognized both locally and internationally. In 2001 he studied at the National School of Fine Arts and became the first graffiti artist to exhibit in a Peruvian gallery. His foray into the exhibition space and constant hard work have enabled him to participate in several festivals and events worldwide, positioning him as an important, referential street artist in Latin America and a symbol of the emerging urban art scene in Peru.

    $242.00

  • Sam Flores Light Blue Spray Paint Can Artwork by Montana MTN

    Sam Flores Sam Flores Light Blue Spray Paint Can Artwork by Montana MTN

    Sam Flores- Light Blue Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. No Box. Sam Flores is a contemporary American artist from New Mexico who has been living on the West Coast for years. Strongly influenced by graffiti, it's not uncommon for him to paint live with writers. His unique art blends characters inspired by Japanese art with Latin imagery and its profusion of flowers and colors.

    $242.00

Latin
The influence of Latin language and culture on graffiti and street art is undeniable. From the stylized lettering and calligraphy of classic Roman inscriptions to the use of Latin phrases and slogans in contemporary urban art, Latin has been a source of inspiration and fascination for generations of street artists and graffiti writers. One of the earliest examples of Latin influence on graffiti and street art can be found in the work of the New York City subway graffiti writers of the 1970s and 80s. These artists, many of whom were of Puerto Rican or Dominican descent, were inspired by the ornate lettering and calligraphy of ancient Roman inscriptions, which they adapted and stylized into their own unique forms. The use of Latin phrases and slogans in graffiti and street art can also be traced back to this period. In the early 1980s, for example, the artist Keith Haring began incorporating Latin phrases into his work as a way of expressing his political and social views. One of his most famous works, the "Crack is Wack" mural in New York City, features the Latin phrase "Ignorantia juris non excusat" ("Ignorance of the law is no excuse") alongside his signature cartoon figures. The use of Latin in graffiti and street art has continued to evolve and expand in the years since. Today, Latin phrases and slogans can be found in a wide range of urban art, from political posters and murals to tags and throw-ups. One of the most common Latin phrases used in contemporary street art is "Carpe Diem" ("Seize the Day"), which has become something of a mantra for the urban art community. Other popular Latin phrases include "Veni, Vidi, Vici" ("I came, I saw, I conquered") and "Memento Mori" ("Remember that you will die"), both of which have been used as slogans by various graffiti and street art crews. In addition to Latin phrases and slogans, street artists and graffiti writers have also drawn inspiration from Latin literature and mythology. The artist Banksy, for example, has referenced the ancient Roman poet Ovid in several of his works, including the mural "Better Out Than In" in New York City, which features a quote from Ovid's "Metamorphoses". The use of Latin in graffiti and street art is not limited to the English-speaking world, either. In Brazil, for example, the artist Eduardo Kobra has created several large-scale murals featuring Latin quotes and phrases, including a mural of Mahatma Gandhi in São Paulo that features the phrase "Paz e amor" ("Peace and love") in Latin. Despite its popularity, the use of Latin in graffiti and street art is not without controversy. Some critics argue that the use of Latin phrases and slogans is little more than a gimmick, with little actual meaning or significance behind the words. Others argue that the use of Latin reinforces a Eurocentric view of history and culture, and that other languages and cultures should be given greater representation in urban art. Despite these criticisms, the influence of Latin language and culture on graffiti and street art remains a powerful and enduring one. Whether as a source of inspiration for calligraphic lettering, political slogans, or literary references, Latin continues to be a vital part of the urban art landscape.

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