Latin

9 artworks


  • Vota! Alto Al Fascismo Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Vota! Alto Al Fascismo Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Vota! Alto Al Fascismo Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Shepard Fairey Obey x Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2020 Signed by Both Artists & Numbered Limited Edition of 450 Artwork Size 18x24 “It’s an honor to once again collaborate with Shepard and NDLON (National Day Laborer Organizing Network) and release this new rendition of the We Are Human poster that we originally made over 10 years ago. This image is titled ‘Vote! Stop Fascism.’ The proceeds will go into printing more posters and also a massive sticker run to be given out in cities all across the country. Let’s ban together to Stop Fascism and make sure that we get Trump out of power! Thanks.” -Ernesto Yerena The realm of contemporary art has often been a platform for political expression, especially in genres like pop art, street art, and graffiti art. One striking example that stands out from recent times is the "Vota! Alto Al Fascismo" artwork, a hand-pulled 4-color silkscreen print on fine art paper. This piece is the brainchild of two phenomenal artists, Shepard Fairey of the Obey fame, and Ernesto Yerena Montejano from Hecho Con Ganas. Both artists are renowned for their bold stances and vibrant portrayals of socio-political issues, and this particular piece showcases their combined brilliance. Released in 2020, the artwork is not just a statement piece but a testament to the urgency and significance of the message it conveys. Limited to an edition of 450, each artwork is meticulously signed by both Shepard and Ernesto, indicating their personal commitment to the cause it represents. The dimensions of 18x24 make it a conspicuous piece, ensuring that the message is both seen and felt. Drawing inspiration from a decade-old "We Are Human" poster, this modern rendition emphasizes the importance of voting and the dire need to halt the rise of fascism. Ernesto's comment further illustrates the core motive behind this collaboration, shedding light on the broader aim of disseminating the message across cities nationwide through posters and stickers. Engaging, evocative, and ever-relevant, the "Vota! Alto Al Fascismo" artwork seamlessly blends the boundaries between art and activism. As pop art and street art evolve, such pieces remain a testament to their profound impact on society, urging viewers to take action and be part of a larger movement.

    $421.00

  • Viva Yalitza! Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Viva Yalitza! Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Viva Yalitza! Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 450 Artwork 18x24 Yalitza Aparicio TV Movie Actress. 18"x24" Screenprint Edition of 450 Signed and Numbered Signed by Ernesto Yerena Montejano. The profits went to CIELO's effort to support Undocumented Indigenous folks affected by the Covid-19 crisis in the Los Angeles Area.

    $364.00

  • Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel

    Add Fuel Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel

    Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel of a Kind Artwork Framed by a Street Art Pop Artist. 2020 Signed Mixed Media Original Three Panel Ceramic Painting Size 23.8x29.8 Ready To Hand Fragmented 2 Piece Artwork FRAGMENT 01, 2020 Three Panel Ceramic 23.8 × 29.8 Significance of Fragment 01 in Street Pop and Graffiti Artwork Fragment 01 emerges as a distinctive piece within the realm of Street Pop and Graffiti Artwork, symbolizing a harmonious blend of traditional ceramic art with the raw vibrancy of street art. Crafted in 2020, this original mixed-media artwork by the artist Add Fuel stands out as a one-of-a-kind framed piece that resonates with the dynamic energy of pop art. At the heart of Fragment 01 lies the artist's innovative approach to ceramic painting, a medium often associated with classical and traditional art. However, Add Fuel recontextualizes this perception by introducing elements typical of street art, thus creating a bridge between two ostensibly disparate worlds. The three-panel ceramic painting, with dimensions of 23.8 by 29.8 inches, captures the essence of Street Pop Art through its fragmented two-piece composition. The artwork's division into panels underscores the fragmented nature of street art, often found in unexpected locations and subject to the ravages of the urban environment. The visual narrative of Fragment 01 is characterized by a bold use of color and pattern, hallmarks of both pop art and graffiti. The dominant blues and intricate designs pay homage to the azulejo tradition of ceramic tilework, while the fractured presentation speaks to the spontaneity and impermanence of graffiti. By signing the piece, Add Fuel imparts a sense of identity and ownership, a nod to the graffiti artist's signature tag. The artwork is also ready to hang, emphasizing its accessibility and the street art ethos of art for the people. The Legacy of Fragment 01 in Contemporary Art Fragment 01 does not just represent a fusion of artistic styles; it also embodies the cultural dialogue between traditional craftsmanship and contemporary street expression. Through its form and medium, the artwork invites viewers to reflect on the evolution of art as it moves from the protected confines of galleries to the open and often contested spaces of the street. It challenges preconceived notions about the value and place of art in society and celebrates the democratization of art that street art and pop art have long championed. The significance of Fragment 01 extends beyond its aesthetic appeal; it is a testament to the growing recognition of street art and pop art as legitimate and influential art forms. By encapsulating the spirit of these movements within the time-honored medium of ceramic, Add Fuel's artwork bridges past and present, offering a powerful statement on the enduring nature of art and its capacity to adapt and thrive in various contexts. The piece is a vibrant example of how Street Pop and Graffiti Artwork continue to shape and inspire the trajectory of contemporary art. Fragment 01 is not merely a work of art but a vibrant narrative that captures the intersection of history, culture, and innovation. Through this piece, Add Fuel propels the conversation about the place of street art within the broader artistic canon, asserting its value and relevance in today's art landscape.

    $8,331.00

  • Workers Rights Large Format Serigraph Print by Shepard Fairey OBEY

    Shepard Fairey- OBEY Workers Rights Large Format Serigraph Print by Shepard Fairey OBEY

    Workers Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photo was taken at the California State Capitol in Sacramento after Ces One- Rob Provenzano ar Chavez completed his 300-mile march in support of farmworkers' rights. Jim captured Chavez in a pose that suggests the vision and leadership that he truly embodied.

    $4,583.00

  • Indigenous Roots Reclaimed Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Indigenous Roots Reclaimed Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Indigenous Roots Reclaimed Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2020 Signed by Arlene Mejorado & Ernesto Yerena Montejano & Numbered Limited Edition of 300 Artwork 18x24 "Indigenous Roots Reclaimed" is a striking limited edition silkscreen print that embodies the fusion of modern pop art with the soulful essence of street art. This 4-color hand-pulled print on fine art paper is the creative collaboration between the photographer Arlene Mejorado and artist Ernesto Yerena Montejano, illustrating the vitality of indigenous heritage through the lens of contemporary artistry. Released in 2020, this piece is a part of a limited edition of 300 signed and numbered artworks, each measuring 18x24 inches, allowing the viewer to immerse in its detail and messaging at a significant scale. The print features a young girl at its center, set against a backdrop that bursts with vibrant color and geometric patterns reminiscent of traditional indigenous art. These patterns surround the subject in a halo-like manner, suggesting a spiritual or ancestral connection. The girl's pose, with arms outstretched, further symbolizes an embrace of her cultural legacy, conveying a sense of openness and acceptance. Yerena's use of bold lines and vivid hues is characteristic of his work, which often highlights cultural and political themes, particularly those pertaining to his Chicano heritage. Mejorado's collaboration brings an added layer of authenticity, capturing the essence of the subject with photographic precision before it is transformed through Yerena's distinctive graphic style. This artwork speaks to a reclamation of identity and a celebration of cultural roots within the urban context. It bridges communities and dialogues by reclaiming public spaces for indigenous narratives through the medium of street art. In the art market, where the voices of indigenous people and their cultural imprints have often been marginalized, "Indigenous Roots Reclaimed" stands as a testament to the resilience and enduring beauty of these traditions. This piece is not only a work of art but also a powerful statement in the ongoing conversation about cultural heritage and representation in the arts. It pays homage to the past while remaining firmly rooted in the present, showcasing how traditional motifs can find new life and resonance within the sphere of modern art. Ernesto Yerena Montejano's work, amplified by Arlene Mejorado's photographic eye, ensures that "Indigenous Roots Reclaimed" is not only seen but felt, prompting a contemplative engagement with the viewer on themes of identity, history, and the power of art as a vehicle for social commentary and cultural celebration.

    $364.00

  • Latinx-AF Archival Print by Marka27

    Marka27 Latinx-AF Archival Print by Marka27

    Latinx-AF Archival Print by Marka27 Limited Edition on 290gsm Moab Entrada Bright Rag Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2020 Signed & Numbered Print Limited Edition of 40 Artwork Size 18x24 Archival Pigment Fine Art by Marka27 Marka27, whose real name is Victor Quinonez, has been recognized for his "Neo Indigenous" style that blends cultural iconography, street art, and pop culture into a unique and vibrant aesthetic. His work is deeply influenced by his bicultural experiences, having grown up in both Mexico and the United States.

    $247.00

  • Luigi Trece Giclee Print by Bob Dob

    Bob Dob Luigi Trece Giclee Print by Bob Dob

    Luigi Trece Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Bob Dob. 2020 Signed & Numbered Limited Edition of 30 Artwork Size 16x20 Signed 2020 giclee print 16 x 20 inches signed and numbered edition of 30 with graffiti by Greg 'Craola' Simkins inspired by Mario Bros.

    $242.00

  • Vote! Stop Fascism Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Vote! Stop Fascism Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Vote! Stop Fascism Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Shepard Fairey Obey x Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2020 Signed by Both Artists & Numbered Limited Edition of 450 Artwork Size 18x24 “It’s an honor to once again collaborate with Shepard and NDLON (National Day Laborer Organizing Network) and release this new rendition of the We Are Human poster that we originally made over 10 years ago. This image is titled ‘Vote! Stop Fascism.’ The proceeds will go into printing more posters and also a massive sticker run to be given out in cities all across the country. Let’s ban together to Stop Fascism and make sure that we get Trump out of power! Thanks.” -Ernesto Yerena The realm of contemporary art has often been a platform for political expression, especially in genres like pop art, street art, and graffiti art. One striking example that stands out from recent times is the "Vota! Alto Al Fascismo" artwork, a hand-pulled 4-color silkscreen print on fine art paper. This piece is the brainchild of two phenomenal artists, Shepard Fairey of the Obey fame, and Ernesto Yerena Montejano from Hecho Con Ganas. Both artists are renowned for their bold stances and vibrant portrayals of socio-political issues, and this particular piece showcases their combined brilliance. Released in 2020, the artwork is not just a statement piece but a testament to the urgency and significance of the message it conveys. Limited to an edition of 450, each artwork is meticulously signed by both Shepard and Ernesto, indicating their personal commitment to the cause it represents. The dimensions of 18x24 make it a conspicuous piece, ensuring that the message is both seen and felt. Drawing inspiration from a decade-old "We Are Human" poster, this modern rendition emphasizes the importance of voting and the dire need to halt the rise of fascism. Ernesto's comment further illustrates the core motive behind this collaboration, shedding light on the broader aim of disseminating the message across cities nationwide through posters and stickers. Engaging, evocative, and ever-relevant, the "Vota! Alto Al Fascismo" artwork seamlessly blends the boundaries between art and activism. As pop art and street art evolve, such pieces remain a testament to their profound impact on society, urging viewers to take action and be part of a larger movement.

    $421.00

  • Mario Trece Giclee Print by Bob Dob

    Bob Dob Mario Trece Giclee Print by Bob Dob

    Mario Trece Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Bob Dob. 2020 Signed & Numbered Limited Edition of 30 Artwork Size 16x20 Signed 2020 giclee print 16 x 20 inches signed and numbered edition of 30 with graffiti by Greg 'Craola' Simkins inspired by Mario Bros.

    $242.00

Latin
The influence of Latin language and culture on graffiti and street art is undeniable. From the stylized lettering and calligraphy of classic Roman inscriptions to the use of Latin phrases and slogans in contemporary urban art, Latin has been a source of inspiration and fascination for generations of street artists and graffiti writers. One of the earliest examples of Latin influence on graffiti and street art can be found in the work of the New York City subway graffiti writers of the 1970s and 80s. These artists, many of whom were of Puerto Rican or Dominican descent, were inspired by the ornate lettering and calligraphy of ancient Roman inscriptions, which they adapted and stylized into their own unique forms. The use of Latin phrases and slogans in graffiti and street art can also be traced back to this period. In the early 1980s, for example, the artist Keith Haring began incorporating Latin phrases into his work as a way of expressing his political and social views. One of his most famous works, the "Crack is Wack" mural in New York City, features the Latin phrase "Ignorantia juris non excusat" ("Ignorance of the law is no excuse") alongside his signature cartoon figures. The use of Latin in graffiti and street art has continued to evolve and expand in the years since. Today, Latin phrases and slogans can be found in a wide range of urban art, from political posters and murals to tags and throw-ups. One of the most common Latin phrases used in contemporary street art is "Carpe Diem" ("Seize the Day"), which has become something of a mantra for the urban art community. Other popular Latin phrases include "Veni, Vidi, Vici" ("I came, I saw, I conquered") and "Memento Mori" ("Remember that you will die"), both of which have been used as slogans by various graffiti and street art crews. In addition to Latin phrases and slogans, street artists and graffiti writers have also drawn inspiration from Latin literature and mythology. The artist Banksy, for example, has referenced the ancient Roman poet Ovid in several of his works, including the mural "Better Out Than In" in New York City, which features a quote from Ovid's "Metamorphoses". The use of Latin in graffiti and street art is not limited to the English-speaking world, either. In Brazil, for example, the artist Eduardo Kobra has created several large-scale murals featuring Latin quotes and phrases, including a mural of Mahatma Gandhi in São Paulo that features the phrase "Paz e amor" ("Peace and love") in Latin. Despite its popularity, the use of Latin in graffiti and street art is not without controversy. Some critics argue that the use of Latin phrases and slogans is little more than a gimmick, with little actual meaning or significance behind the words. Others argue that the use of Latin reinforces a Eurocentric view of history and culture, and that other languages and cultures should be given greater representation in urban art. Despite these criticisms, the influence of Latin language and culture on graffiti and street art remains a powerful and enduring one. Whether as a source of inspiration for calligraphic lettering, political slogans, or literary references, Latin continues to be a vital part of the urban art landscape.

© 2024 Sprayed Paint Art Collection,

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