Luxury

These Parties Disgust Me 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey Street Art OBEY Artwork. 2010 Signed & Numbered Screen Print These Parties Disgust Me, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Flower Vine Black Red AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2009 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. Flowers Growing on Vines in a Luxury Stylized Pattern. In the landscape of contemporary art, Shepard Fairey's influence is significant, especially when considering the intersection of pop culture and art activism. His "Flower Vine Black Red AP" silkscreen print exemplifies the fusion of aesthetic allure and cultural commentary. This Artist Proof, dated 2009, presents a vibrant juxtaposition of black floral and vine patterns against a striking red background. Hand-pulled on cream speckle tone fine art paper, each piece in this limited edition is signed and marked by Fairey, adding a dimension of exclusivity and authenticity. The artwork measures 18x24 inches, a size that allows the intricate details and the boldness of the colors to stand out, making a statement that is visually arresting. The use of just two colors in the print showcases Fairey's mastery of the silkscreen technique, where the limited palette enhances the work's graphic strength rather than diminishes its complexity. The pattern of flowers growing on vines carries a dual symbolism; it reflects growth and natural beauty while alluding to the intertwining of nature with human civilization, a theme often revisited in street and graffiti art. Fairey, widely recognized for his OBEY campaign and the iconic Barack Obama "Hope" poster, often infuses his work with socio-political undertones. "Flower Vine Black Red AP" can be viewed within this context as a piece that speaks to the luxury of aesthetics while possibly critiquing the commodification of nature in pop culture. As a leading figure in the street art movement, Fairey's work challenges viewers to reinterpret familiar visual elements in new and thought-provoking ways. This print, as with much of Fairey's work, is more than just a decorative piece; it is a commentary embedded in the medium of pop art. It stands at the crossroads of fine art and street aesthetics, making it a distinctive work in the collection of modern art enthusiasts who appreciate the blend of street art's raw energy with the finesse of a fine art silkscreen.

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Vogue- Black Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Stinkfish Rare Street Art Famous Pop Artwork Artist. 2015 Signed & Numbered Vogue by Stinkfish Screen Print Edition of 60 | Signed by the Artist Size: 18" x 24" City: Bogata, Colombia. The first release was based on a Spanish language magazine Stinkfish had found - the second is based on an English language magazine they had found for him. His lively detailing abstract redefines the glamor and beauty of Kate Moss. Stinkfish and the Evolution of Street Pop Art The Colombian street artist, Stinkfish has carved a unique space for himself in contemporary art. His works, often characterized by vibrant colors and intricate stencils, reflect the dynamic energy of street culture. One of his notable contributions to the art world is a limited edition silkscreen print on fine art paper titled "Vogue," a work that seamlessly blends street art's rawness with pop culture's polished aesthetics. This particular piece from Stinkfish pays homage to the iconography of fashion magazines, explicitly drawing inspiration from a Vogue cover. It's a rare street art piece that elevates the familiar image of a fashion model to a work of famous pop artwork. Created in 2015, this signed and numbered screen print is part of an exclusive series, with only 60 editions made available, each measuring 18" x 24". The art was conceptualized in Bogota, Colombia, and it represents a significant departure from Stinkfish's often more spontaneously created public murals. The Artistic Process Behind Stinkfish's "Vogue" The "Vogue" silkscreen print by Stinkfish is particularly notable for its process and backstory. The inception of the artwork is rooted in the discovery of a Spanish-language magazine that caught the artist's eye. Later, a second iteration was based on an English language magazine provided for him, suggesting a narrative that spans cultures and languages. This cross-cultural journey is central to understanding the piece, reflecting the globalized nature of both street art and fashion. The artwork showcases Stinkfish's signature style, with intricate black patterns overlaying the photograph, transforming the image into something more abstract and lively. The patterns vibrate with life, giving the piece a kinetic energy that redefines the glamour and beauty associated with the fashion model, reportedly Kate Moss. Stinkfish's work disrupts the conventional portrayal of fashion figures, infusing them with a rebellious and celebratory spirit. Impact and Significance of "Vogue" in Street Pop Art "Vogue" is a testament to street pop art's transformative power. Stinkfish's approach to the piece—taking a symbol of high culture and reinterpreting it through the lens of street art—challenges perceptions of value and beauty in the art world. By incorporating elements of graffiti artwork, the print becomes a commentary on the permeable boundaries between high and low culture, between the exclusive elite of fashion and the inclusive, democratic nature of street art. The limited edition nature of "Vogue" also speaks to the changing landscape of art collection. Traditionally, street art is ephemeral, often illegal, and created in the public eye. By transferring his work onto fine art paper and limiting its production, Stinkfish bridges the gap between the fleeting nature of street art and the permanence sought by collectors. This rare edition allows for broader access to his work and elevates the status of street art within the fine art market. Stinkfish's "Vogue": A Cultural Intersection Stinkfish's "Vogue" silkscreen print is much more than a collectible piece of art; it is a cultural artifact that embodies the intersection of diverse artistic worlds. It encapsulates the essence of street pop art and graffiti artwork while respecting the polished world of fashion. This print is not merely a representation of a fashion icon but a redefined image that challenges the viewer to see beyond the surface and appreciate street art's underlying vibrancy and complexity. As such, "Vogue" by Stinkfish is a significant contribution to the discourse on the value and place of street art in contemporary culture.

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Floral Takeover 2017 Black Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Black Red Silkscreen Print" by Shepard Fairey encapsulates the interplay of aesthetics within Street Pop Art and graffiti Artwork, signifying a profound narrative through its intricate design and bold color scheme. This piece exemplifies how traditional elements can be transformed into a new cultural vocabulary that challenges and expands the boundaries of fine art. Featuring a rich, vibrant red background overlaid with a contrasting black floral pattern, the artwork is a striking visual statement that captures the viewer's attention. Shepard Fairey, a pivotal figure in the street art movement, often incorporates motifs that reflect social and political activism. His work is known for its ability to decorate and provoke thought and conversation, a characteristic quintessential to the graffiti art movement. Silkscreen printing allows for the precision and consistency necessary for disseminating his message, harkening back to his roots in skateboarding and punk rock culture, where screen-printed designs were a means of rebellion and identity. Silkscreen printing used in this artwork is also a nod to the pop art tradition, a method popularized by artists like Andy Warhol, who sought to erase the boundaries between 'high' art and 'low' cultural imagery. Fairey's "Floral Takeover" is a contemporary continuation of this tradition, seamlessly blending street art's spontaneity and edginess with pop art's mass appeal and commercial aesthetics. The result is a striking work of art that is accessible and deeply layered in meaning. Through this print, Fairey extends the dialogue of street art into the more permanent and collectible domain of fine art prints, allowing for the transitory nature of street graffiti to be preserved and appreciated over time. The artwork becomes an important cultural artifact, representing the ever-evolving landscape of Street Pop Art and graffiti Artwork, embodying the transformative power of art in public spaces and the ongoing conversation between art and society.

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Floral Takeover 2017 Red Black Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Red Black Silkscreen Print" by Shepard Fairey encapsulates the interplay of aesthetics within Street Pop Art and graffiti Artwork, signifying a profound narrative through its intricate design and bold color scheme. This piece exemplifies how traditional elements can be transformed into a new cultural vocabulary that challenges and expands the boundaries of fine art. Featuring a rich, vibrant red background overlaid with a contrasting black floral pattern, the artwork is a striking visual statement that captures the viewer's attention. Shepard Fairey, a pivotal figure in the street art movement, often incorporates motifs that reflect social and political activism. His work is known for its ability to decorate and provoke thought and conversation, a characteristic quintessential to the graffiti art movement. Silkscreen printing allows for the precision and consistency necessary for disseminating his message, harkening back to his roots in skateboarding and punk rock culture, where screen-printed designs were a means of rebellion and identity. Silkscreen printing used in this artwork is also a nod to the pop art tradition, a method popularized by artists like Andy Warhol, who sought to erase the boundaries between 'high' art and 'low' cultural imagery. Fairey's "Floral Takeover" is a contemporary continuation of this tradition, seamlessly blending street art's spontaneity and edginess with pop art's mass appeal and commercial aesthetics. The result is a striking work of art that is accessible and deeply layered in meaning. Through this print, Fairey extends the dialogue of street art into the more permanent and collectible domain of fine art prints, allowing for the transitory nature of street graffiti to be preserved and appreciated over time. The artwork becomes an important cultural artifact, representing the ever-evolving landscape of Street Pop Art and graffiti Artwork, embodying the transformative power of art in public spaces and the ongoing conversation between art and society.

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Floral Takeover 2017 Red Cream Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Red Cream Silkscreen Print" is a significant entry in the oeuvre of Shepard Fairey, an artist whose work is synonymous with the intersection of Street Pop Art and graffiti Artwork. This piece is part of a limited edition of 200, each signed and numbered, denoting its value as a collectible. With dimensions of 18x24 inches, the silkscreen print is substantial enough to make a statement on any wall it adorns. Fairey, with his characteristic OBEY brand, has long been a provocateur, blending commercial art techniques with street art's subversive edge, and this work is a clear example of that fusion. Fairey's approach to creating new patterns for street installations and fine art pieces harks back to his early days when he would use discontinued wallpaper as a backdrop for his work. The transition to designing and printing his patterns demonstrates a progression in his artistic control and the evolution of his signature style. The 'Floral Takeover series showcases the artist's ability to adapt elements traditionally associated with interior design and repurpose them within the context of street art and pop culture. By doing so, Fairey blurs the lines between art as a purely aesthetic commodity and its function as a commentary on societal norms. In this print, Fairey plays with a cream speckle tone fine art paper that gives the work a textured, organic feel, contrasting with the precise and deliberate two-color silkscreen technique. The choice of cream as the base color amplifies the boldness of the red floral pattern, allowing the design to leap off the paper with a vivacity that captures the viewer's eye. The juxtaposition of color and form symbolizes Fairey's work, where contrast often serves as a visual metaphor for broader cultural and political contrasts. Moreover, the 'Floral Takeover' print series reflects Fairey's humor and his recognition of the interplay between art and the commercial world, as hinted at in his playful suggestion to "buy a couch to match." This statement encapsulates the artist's awareness of the commodification of art in pop culture and his role within that process. Through works like this, Fairey continues challenging perceptions of what street art can be, bridging the gap between graffiti's rebel spirit and gallery pieces' polished finish.

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Floral Takeover 2017 Cream Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Cream Red Silkscreen Print" is a significant entry in the oeuvre of Shepard Fairey, an artist whose work is synonymous with the intersection of Street Pop Art and graffiti Artwork. This piece is part of a limited edition of 200, each signed and numbered, denoting its value as a collectible. With dimensions of 18x24 inches, the silkscreen print is substantial enough to make a statement on any wall it adorns. Fairey, with his characteristic OBEY brand, has long been a provocateur, blending commercial art techniques with street art's subversive edge, and this work is a clear example of that fusion. Fairey's approach to creating new patterns for street installations and fine art pieces harks back to his early days when he would use discontinued wallpaper as a backdrop for his work. The transition to designing and printing his patterns demonstrates a progression in his artistic control and the evolution of his signature style. The 'Floral Takeover series showcases the artist's ability to adapt elements traditionally associated with interior design and repurpose them within the context of street art and pop culture. By doing so, Fairey blurs the lines between art as a purely aesthetic commodity and its function as a commentary on societal norms. In this print, Fairey plays with a cream speckle tone fine art paper that gives the work a textured, organic feel, contrasting with the precise and deliberate two-color silkscreen technique. The choice of cream as the base color amplifies the boldness of the red floral pattern, allowing the design to leap off the paper with a vivacity that captures the viewer's eye. The juxtaposition of color and form symbolizes Fairey's work, where contrast often serves as a visual metaphor for broader cultural and political contrasts. Moreover, the 'Floral Takeover' print series reflects Fairey's humor and his recognition of the interplay between art and the commercial world, as hinted at in his playful suggestion to "buy a couch to match." This statement encapsulates the artist's awareness of the commodification of art in pop culture and his role within that process. Through works like this, Fairey continues to challenge perceptions of what street art can be, bridging the gap between graffiti's rebel spirit and gallery pieces' polished finish.

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Bitter Lemon AP Artist Proof Giclee Print by Kathy Ager Artwork Limited Edition Print on 300gsm Signa Smooth Fine Art Paper Graffiti Pop Street Artist. AP Artist Proof 2020 Signed & Marked AP Limited Edition Artwork Size 18x24 Insight into Kathy Ager's "Bitter Lemon AP" Giclee Print Limited Edition Prints in the Sphere of Street Pop and Graffiti Artwork Kathy Ager's "Bitter Lemon AP" is a remarkable example of the fusion between classical art sensibilities and contemporary street pop and graffiti artwork. This limited edition giclee print, released in 2020, showcases Ager's distinctive style, which bridges the old with the new by drawing on classical motifs and rendering them with a freshness that resonates with the modern art connoisseur. Signed and marked as an Artist Proof (AP), this piece is part of a unique collection that stands out for its exclusivity and artistic merit. The Significance of "Bitter Lemon AP" in Kathy Ager's Oeuvre The "Bitter Lemon AP" artwork is composed with stunning attention to detail, a hallmark of Ager's work. It features a classical Greek urn paired with modern elements such as a zesty, sliced lemon and a decorative knife. The contrasting imagery of timeless art objects with everyday current items creates a dialogue between the past and the present, a theme recurrent in Ager's work. The smoke rising from the urn adds a dynamic element to the still life, suggesting a narrative beyond the static moment captured in the print. This 18x24 piece is printed on 300gsm Signa Smooth Fine Art Paper, ensuring that the textural nuances and color depth are preserved, contributing to the tactile experience often lost in street art reproductions. Artist Proofs in the Context of Collectible Artwork The concept of an Artist Proof is a time-honored tradition in printmaking. Traditionally, these proofs were the first prints pulled off a fresh set of plates, used by the artist to verify the quality and fidelity of the printed image to the original work. In the contemporary context, Artist Proofs like "Bitter Lemon AP" serve as a symbol of prestige and rarity, often more sought after than standard editions due to their limited number and the closer involvement of the artist in their production. Kathy Ager's signature and the AP marking signify her direct approval of the piece, making it a coveted item for collectors and enthusiasts of street pop and graffiti art. Interpretation and Symbolism in "Bitter Lemon AP" Interpreting "Bitter Lemon AP" invites an analysis of the juxtaposition within its composition. The urn, often a symbol of mortality and the past, contrasts with the vibrant lemon, a symbol of life and sensory experience. This interplay reflects on the transient nature of existence and the beauty found in fleeting moments. Ager's work often encourages viewers to find connections between the visual elements she presents, prompting a deeper reflection on personal and collective experiences. In reviewing "Bitter Lemon AP," one appreciates how Kathy Ager navigates the complex relationship between street pop art and the more traditional art historical canon. Her work, while deeply rooted in classical motifs, speaks the language of contemporary culture, allowing her to communicate effectively with a broad spectrum of audiences. The limited edition "Bitter Lemon AP" is a testament to Ager's artistic skill and a beacon of her ability to transform the familiar into something rich with new meaning and significance within the domain of modern street pop and graffiti artwork.

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