Middle East

4 artworks


  • The Kiss 2 AP Artist Proof Giclee Print by Marwan Shahin

    Marwan Shahin The Kiss 2 AP Artist Proof Giclee Print by Marwan Shahin

    The Kiss 2 Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. Marwan Shahin's most controversial artwork from the "BANNED" series discussing women’s rights in the Middle East. "The Kiss 2” 2018 19 inches x 25 inches Giclée on Photographique Rag Signed, AP Numbered & Branded

    $946.00

  • Untitled From Crossroads Giclee Print by Alice Pasquini

    Alice Pasquini Untitled From Crossroads Giclee Print by Alice Pasquini

    Untitled From Crossroads Giclee Print by Alice Pasquini Artwork Limited Edition Print on 300gsm Baryta Fine Art Paper Graffiti Pop Street Artist. 2019 Signed & Numbered Limited Edition of 100 Artwork Size 13x17.83 The Artistic Essence of "Untitled From Crossroads" Alice Pasquini's "Untitled From Crossroads" is a giclée print that captures the essence of contemporary street pop art and graffiti artwork. As an acclaimed artist, Pasquini brings forward a piece that exemplifies her distinctive approach to art that has been honing the edges of street art and muralism. This limited edition print, with its vibrant figures and abstract forms, is a testament to her ability to communicate compelling narratives through her art. The artwork, a limited edition giclée print on 300gsm Baryta fine art paper, stands out for its textured appearance and depth of color, hallmarks of high-quality prints. The dimensions of the piece, 13x17.83 inches, offer a generous canvas for Pasquini to convey her vision. A limited run of 100 signed and numbered prints indicates this piece's exclusivity and collectible nature. The portrait centers on a female figure, a recurring subject in Pasquini's work, exuding a sense of contemplation and depth. Her gaze is piercing and tender, inviting viewers to ponder the thoughts behind those eyes. Visual Language and Symbolism Pasquini's use of vibrant and contrasting colors against the stark backdrop of the Baryta paper creates a captivating visual dichotomy. The fluidity and apparent spontaneity of the brushstrokes juxtapose with the deliberate intensity of the subject's eyes, creating a powerful focal point. This "Crossroads" collection piece symbolizes the intersection of lives and stories within the urban landscape, a crossroads of human experience. The artist's choice of a graffiti pop style infuses the work with an urban grittiness that is both raw and beautiful. Technical Proficiency and Medium The technique of producing a giclée print of this caliber is a modern marvel, bridging the gap between traditional printmaking and digital technology. The term "giclée," derived from the French verb "gicler," meaning "to spray," refers to the process of making fine art prints from a digital source using inkjet printing. This method reproduces colors and textures with remarkable fidelity to the original artwork. It's a fitting medium for street pop art, where the accessibility of art is a crucial value, enabling the work to reach a wider audience without sacrificing quality. Cultural Impact and Placement in Modern Art "Untitled From Crossroads" is not merely a decorative piece; it is a cultural artifact that encapsulates the mood and ethos of contemporary society. The work's release in 2019 places it within a period of art where boundaries are increasingly blurred between high art and street art and where the voice of the street is as powerful and significant as that of the gallery. Alice Pasquini's contribution to this movement is profound, as she continually challenges and expands the narrative of what street pop art can be. Collectibility and Value The value of a limited edition print like "Untitled From Crossroads" goes beyond its aesthetic appeal. For collectors, the allure lies in the scarcity and the artist's personal touch—each print is signed and numbered, making it unique. Collecting works such as this is not just an investment in art; it is an investment in the legacy of street pop art and graffiti artwork. It represents a chance to own a piece of the movement, a snapshot of the artist's journey, and a fragment of cultural history. Alice Pasquini's "Untitled From Crossroads" giclée print profoundly expresses street pop art and graffiti artwork. Through her signature use of color, expressive portraiture, and the innovative giclée printing technique, Pasquini continues to forge a deep connection with her audience. The limited edition nature of this print, coupled with its evocative portrayal of urban life, underscores the artist's stature as a significant figure in the landscape of contemporary art.

    $240.00

  • Sale -15% Life is Wavy Giclee Print by Marwan Shahin

    Marwan Shahin Life is Wavy Giclee Print by Marwan Shahin

    Life is Wavy Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. The final piece from Marwan Shahin's "BANNED" series discussing women’s rights in the Middle East. Life is Wavy confronts European countries where they banned Muslim women to wear any veils on beaches. "Life is Wavy” 2018 20 inches x 26 inches Giclée on Photographique Rag Signed, AP Numbered & Branded

    $890.00$757.00

  • Born To Ride AP Artist Proof Giclee Print by Marwan Shahin Born To Ride AP Artist Proof Giclee Print by Marwan Shahin

    Marwan Shahin Born To Ride AP Artist Proof Giclee Print by Marwan Shahin

    Born To Ride Artwork Giclee Limited Edition Print on Etching Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. "Born to Ride" from Marwan Shahin's archives, one of the most renowned works from the "BANNED" series discussing women driving in the Middle East. "Born to Ride” 2012 27x39 Giclée on Etching Rag Signed print AP Edition, the same exact print was exhibited at The Wignall Museum of Contemporary Art 1/1 AP Artist Proof Damaged, Medium Scratches Along Black Bottom, Small Scratches Throughout, Still Presentable, See Detailed Photos

    $422.00

Middle East
Graffiti and street art have long been essential modes of expression in the Middle East, serving as powerful tools for both communication and activism. The region's complex history, cultural diversity, and ongoing socio-political issues provide an abundant source of inspiration for artists. In recent years, graffiti art prints and street art prints have gained popularity, reflecting the importance of these art forms in capturing the spirit of the region. One of the defining aspects of Middle Eastern graffiti and street art is the way it brings together traditional cultural elements and contemporary political and social issues. Calligraphy, an essential component of Middle Eastern art and history, features prominently in graffiti, with artists using the ancient scripts to form striking visuals. By combining the classic aesthetic of Arabic calligraphy with urban graffiti styles, artists create a fusion that is both unique and representative of the region. The Arab Spring, which began in 2010, marked a significant turning point for the Middle East and provided a rich source of inspiration for graffiti and street art. Throughout the uprisings, public spaces became canvases for artists to voice their grievances and hopes, using powerful imagery to convey messages about the struggle for freedom and social justice. Many works from this period capture the essence of the protests and now circulate as art prints, serving as a reminder of the transformative events that took place. Notable Middle Eastern graffiti and street artists, such as eL Seed, Yazan Halwani, and A1one, have used their work to engage with critical issues in the region. eL Seed's calligraffiti style, which merges Arabic calligraphy with street art, explores themes such as identity and belonging, while Yazan Halwani's intricate murals often pay tribute to famous figures from Arab history and culture. A1one, a pioneering Iranian street artist, uses his work to address issues of censorship and repression in Iran, demonstrating the potential for art to enact change. The Middle East's conflict-ridden history is also reflected in graffiti and street art prints. For example, Palestinian artists often use these mediums to address the Israeli-Palestinian conflict, producing powerful and evocative pieces that capture the impact of this long-standing dispute. Similarly, in Lebanon, street art serves as a reminder of the nation's tumultuous past and offers commentary on its post-war struggles. However, the Middle East's graffiti and street art are not solely focused on political issues. Artists also explore themes of love, unity, and cultural pride, emphasizing the beauty and resilience of their communities. By depicting iconic landmarks, folklore, and other aspects of regional culture, these works celebrate the Middle East's rich heritage and diversity. Graffiti art prints and street art prints from the Middle East play a vital role in raising global awareness about the region's history, culture, and ongoing struggles. By making these powerful and evocative works accessible to a wider audience, art prints help preserve the messages of the original pieces and share the stories of the artists who created them. In this way, Middle Eastern graffiti and street art serve not only as vibrant visual expressions but also as vital records of the region's complex and ever-evolving narrative.

© 2024 Sprayed Paint Art Collection,

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