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Freedom/Prosperity At Any Price- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Freedom/Prosperity At Any Price- Red Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Lotus Ornament- Black AP Artist Proof 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Gordon Cheung Rare Street Art OBEY Pop Artwork Artist. AP Artist Proof Signed & Numbered Screen Print LOTUS ORNAMENT (BLACK) Screen Print 18 x 24 inches Regular Edition of 300 April 22, 2008

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Henry Rollins Frequent Flyer Tour 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 225 February 19, 2010 Henry Rollins tour poster designed by Shepard Fairey. The Frequent Flyer tour starts 2/18/2010 in Arizona USA.

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These Parties Disgust Me 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey Street Art OBEY Artwork. 2010 Signed & Numbered Screen Print These Parties Disgust Me, 2010 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Dobermann Anatomy Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered 24 x 24 inch / 61 x 61 cm Fine art print by NYCHOS Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered Nychos, an iconic figure in the world of street pop art and graffiti, presents a striking depiction of the Dobermann breed in his artwork titled "Dobermann Anatomy." Renowned for his unique anatomical explorations, Nychos delivers a layered perspective that delves deep into the physical structure of the canine, unravelling the layers from skeletal to muscular and finally the full-bodied representation of the Dobermann. The result is a captivating piece that marries scientific precision with artistic flair. Set against a muted teal backdrop, the sequential progression of the Dobermann from bone to flesh provides a detailed insight into the intricate anatomy of the dog. The vivid colors used to distinguish between the muscles, organs, and bones capture the viewer's attention, offering a visual treat that blurs the lines between educational illustration and pop art. The meticulously crafted details are a testament to Nychos's dedication to his craft, further establishing him as a master of his genre. Crafted in 2021, this fine art print stands as a testament to the evolution of street art, pushing the boundaries of what is traditionally expected from the medium. Measuring 24 x 24 inches, the artwork is printed on velvet fine art cotton fiber paper, ensuring longevity and a rich texture that complements the depth of the piece. As a limited edition release, there are only 111 pieces available, each of which is hand-signed and numbered by Nychos himself. For enthusiasts of street art, graffiti, or simply those fascinated by anatomy, this artwork offers a unique fusion of all, making it a valuable addition to any collection.

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David with Machine Gun Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print In 2008, the art world witnessed a unique collaboration between two titans of street and pop art – Shepard Fairey, renowned for his OBEY campaign, and Blek le Rat, often referred to as the "father of stencil graffiti." Both artists, distinct in their style and impact on the urban art scene, decided to come together for a limited edition release that drew attention from collectors and enthusiasts alike. This exceptional partnership resulted in the creation of the " David with Machine Gun" silkscreen print, an artwork that expertly fuses their individual artistic sensibilities. Hand-pulled on fine art paper, the artwork's exclusivity is highlighted by its limited edition – a mere 100 prints, each meticulously signed and numbered by the artists themselves. The piece measures 18x24 inches, making it a substantial representation of their combined artistry. What makes this collaboration even more intriguing is its connection to Blek le Rat's solo exhibition at Subliminal Projects titled "Art is Not Peace." The print is a visual interpretation of Sybille Prou’s photographs of Blek Le Rat's iconic street art. These photographs served as an inspiration, capturing the raw energy and aesthetic of urban art that both artists have dedicated their careers to championing. The blending of Shepard Fairey's graphic style with the subtlety and nuance of Blek le Rat’s stencil work is a testament to the transformative power of collaborative art. It not only speaks volumes about the evolution of street and pop art but also stands as a significant memento of a pivotal moment in contemporary art history.

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Cost of Oil AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. The "Cost of Oil" silkscreen print by Shepard Fairey is a provocative piece that cuts to the heart of street pop art and graffiti artwork's capacity to confront and question socio-political issues. Released in 2008 as an artist proof (AP), this limited edition artwork is a visual exploration of the themes of energy consumption, environmental impact, and the geopolitical ramifications implicit in the pursuit of oil. Signed and marked as an AP by Fairey, the piece measures 18x24 inches and is printed on cream speckletone fine art paper. Known for his intelligent and critical approach to cultural commentary, Fairey's "Cost of Oil" embodies the essence of his street pop art practice. The artwork is anchored by the bold, declarative question, "What is the cost of oil?" which resonates against the backdrop of a commanding visual narrative. The image features a solitary figure, clad in a shirt emblazoned with "USA," filling up a Hummer's gas tank—a potent symbol of American consumption and the military-industrial complex. The radiant sunburst behind the figure and the dripping blood-red bottom underscores the dichotomy of light and darkness in the discourse around freedom and its costs. This 2-color hand-pulled print is a quintessential example of Fairey's work, aligning itself with the 'OBEY' campaign's goal to stimulate discussion and reflect on the pervasive propaganda in public spaces. The 'OBEY' motif has always sought to challenge observers to question the mechanisms and messages in their environment, and "Cost of Oil" extends this challenge to the global issue of oil dependency and its vast implications. As a piece of street pop art, the "Cost of Oil" is a catalyst for dialogue, pushing the boundaries of what art can communicate and how it can influence public thought. It's a stark reminder of the power of visual art as a means of activism and advocacy and of Fairey's enduring role in using his art to spotlight crucial issues. The print remains a relevant and stirring piece within the oeuvre of Fairey's work and the larger conversation about energy, environmentalism, and the actual price of consumption.

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Spread Love- XXXIV Original One of a Kind Acrylic & Spray Paint Painting Artwork on Hand-Cut Fine Art Paper by Popular Street Graffiti Artist Snoeman. 2022 Original Signed Painting Acrylic and Aerosol on Hand-Cut Fine Art Paper Size: 19 x 24 Inches Release: April 01, 2022 Spread Love 12 aka Spread Love XXXIV Original Acrylic Spray Paint Painting by Snoeman

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The Shape Of Capitalism Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition Artwork Size 24x24 Featuring works from Denial’s nearly decade-long career, his often satirical approach works to combat mass media, consumerism, and advertising by taking familiar imagery and objects and re-contextualizing them into unique artistic statements that drive the viewer to question the worth and difference (if any) between art and advertising. Building on a long line of pop-driven work, Enjoy Denial finds Denial harnessing the negative corporate energies spewed upon society and turns them back against the established power structures that control our everyday lives. With this exhibition, Denial peels back layers of overloaded advertising and logos to shine a not-so-subtle light on the deceptions society combats daily from corporations. Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

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Interdimensional Collab Cut AP Silkscreen Print by KEF! Simon Rohlen x Dalek- James Marshall Artist Proof Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2022 Signed & AP Marked Limited Edition Run Artwork Size 18x24 Exploring the Vivid Realms of "Interdimensional Collab Cut AP" by KEF!, Simon Rohlen, and Dalek "Interdimensional Collab Cut AP" is an electrifying testament to the synergetic force that emerges when distinctive voices in pop art, street art, and graffiti converge. This artist-proof silkscreen print is the creation of a dynamic trio: KEF!, Simon Rohlen, and Dalek, also known as James Marshall. Their 2022 collaboration resulted in a hand-pulled 15-color screen print that bursts with the kinetic energy and chromatic intensity characteristic of limited-edition street pop artwork. At 18x24 inches, this artwork is a visual feast, encapsulating the spirit of modern street art through its amalgamation of forms, figures, and vibrant colors. Each color is meticulously layered to build a composition that is as complex as it is captivating, inviting viewers to delve into a world that transcends traditional visual boundaries. The term 'interdimensional' is apt, as the work offers a portal into a realm where the laws of space and form are reimagined, and vibrant energy spills from the confines of the canvas. The collaborative nature of "Interdimensional Collab Cut AP" is reflected in the seamless integration of each artist's distinctive style. KEF!'s fluid, calligraphic lines dance through the composition, weaving a tapestry that pulses with organic movement. Simon Rohlen's penchant for abstract, geometric forms adds a structural balance to the fluidity, grounding the piece in rhythmic visual harmony. Dalek's iconic Space Monkeys, represented in a new iteration here, inject a dose of irreverent character and narrative into the work. Together, they create an artwork that is more than the sum of its parts—a unified vision from the crossroads of their paths. This print is a testament to the artist's skill and the screen printing process, which requires high precision and expertise to manage the intricate overlays and interactions of 15 colors. The 'AP' marking denotes its status as an Artist Proof, a print traditionally kept aside from the main edition for the artists' personal use or archival purposes. As such, it bears a mark of authenticity and exclusivity, often sought after by collectors for its closeness to the artists' initial vision and its rarity. The "Interdimensional Collab Cut AP" is a vibrant emblem of the street pop art genre. This field continues to push the envelope of visual expression by bridging the gap between street-level grit and gallery-grade finesse. It challenges viewers to reconsider the boundaries between high art and urban art, suggesting that the division is unnecessary and limiting to the potential of artistic innovation. This print celebrates the creative spirit that drives street pop art and graffiti artwork forward. It is a testament to the power of collaboration and the endless possibilities that arise when artists unite to reinterpret the world around them. For collectors, enthusiasts, and newcomers to the art form alike, "Interdimensional Collab Cut AP" offers a tantalizing glimpse into the future of street pop art, where boundaries are blurred and the visual language is ever-evolving.

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The Greatest of All Time 2 Muhammad Ali x Floyd Patterson Pop Street Artwork Limited Edition Giclee Print on Heavy Watercolor Paper by Modern Artist Alec Monopoly Brand. 2022 Signed & Numbered Limited Edition of 150 Artwork Size 36x24 Small 1 Inch Tear To Lower Middle

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Peace & Freedom Dove Metal Street Sign Limited Edition 2-Color Silkscreen Print on Street Sign Material Graffiti Modern Pop Art by Artist Shepard Fairey x Beyond The Streets. 2021 Metal Reflective Street Sign With Attached Signed COA Edition of 350 Size 24x24

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Marching Into Oblivion Collab Cut AP Silkscreen Print by KEF! Simon Rohlen x Dalek- James Marshall Artist Proof Hand-Pulled 15-Color Screen Print on Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. AP Artist Proof 2022 Signed & AP Marked Limited Edition Run Artwork Size 18x24 The Intricacy and Fusion of Styles in 'Marching Into Oblivion' The collaborative silkscreen print 'Marching Into Oblivion' is a striking example of the synergy between two prominent figures in street pop art and graffiti artwork, KEF! Simon Rohlen and Dalek - James Marshall. This artist-proof, hand-pulled 15-color screen print is not just a piece of art; it's a vivid conversation between artists and between art forms. Created in 2022, the limited edition artwork measures 18x24 inches and is a testament to the meticulous craft of screen printing. Each color is applied layer by layer, requiring precise alignment and a clear vision of the final image. The 'AP' mark signifies that this is an artist proof, a practice in the art world where a small number of prints are pulled for the artist's personal use before the main edition is printed. Collectors often sought these proofs highly for their rarity and the personal touch of the artist's approval. The collaboration between KEF! and Dalek brings together two distinct artistic languages. KEF!, known for his fluid, organic lines that create peaceful and harmonic patterns, contrasts with Dalek's sharper, more geometric forms, reminiscent of his Space Monkey character. The fusion creates a dynamic that is both a visual feast and a conceptual exploration of the artists' styles. Dissecting the Visual Language of 'Marching Into Oblivion' The print's title, 'Marching Into Oblivion,' suggests a narrative of progression or movement towards an unknown, perhaps inexorable end. The visual elements crafted by KEF! and Dalek manifest this theme through a vibrant, almost hallucinatory landscape that seems to pulse with life. The artwork represents movement, energy, and the interplay between two contrasting approaches to street pop art and graffiti artwork. KEF! 's signature style, characterized by black and white swirls, underpins the composition, serving as a visual anchor. Against this backdrop, Dalek's bold, cartoon-like figures appear to march or float, rendered in vivid pinks and yellows that leap off the paper. The juxtaposition of styles creates a sense of depth and complexity as the viewer's eye travels across the interwoven patterns and characters. Significance and Impact on Contemporary Street Pop Art The 'Marching Into Oblivion' print is significant for its visual appeal and its embodiment of contemporary street pop art and graffiti. It captures the essence of a movement that transcends the traditional gallery space, speaking to a broader audience and engaging with the urban environment in a direct and impactful way. As an intersection of street pop art and graffiti, this piece highlights the potential for cross-pollination within the art world, where different styles and perspectives can come together to create something entirely new and more significant than the sum of its parts. It challenges preconceived notions of what street art can be, pushing the boundaries of the genre and opening up new possibilities for artistic expression. In the context of the current art scene, 'Marching Into Oblivion' stands as a compelling example of how collaboration and diversity of technique can elevate street art to new heights. It is a testament to the medium's continued evolution and the artists' ability to adapt and innovate within it. As such, it holds a special place within enthusiasts' collections and is a source of inspiration for aspiring artists. This limited edition run, signed and marked by the artists, carries with it the creative essence of KEF! and Dalek and a piece of street art history. Collectors and fans of the genre recognize the value of such works for their aesthetic contribution and cultural and historical significance. 'Marching Into Oblivion' is a snapshot of a moment when two artists came together to create something as thought-provoking as beautiful, a true reflection of the power and potential of street pop art and graffiti artwork.

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They Live 2 Movie Hand-Pulled 2-Color Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Artist Shepard Fairey x Mondo. 2011 Signed & Numbered Screen Print They Live 2, 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 500 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles They Live Movie Screening Alamo Drafthouse Austin Texas June 9 2011. This Is Your God, Obey Your Dictator Minute bump to the lower-left corner.

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C/S III 9-Color Hand-Pulled Limited Edition Distressed Pearl White Finish Silkscreen Print on 250gsm Stonehenge White Fine Art Paper by OG Slick x Chaz Bojorquez Rare Street Art Famous Pop Artwork Artist. 2016 Signed by OG Slick x Chaz Bojorquez & Numbered Limited Edition of 150 P3 Unveiling the Essence of C/S III by OG Slick and Chaz Bojorquez C/S III emerges as a distinct piece in the collaborative series by OG Slick and Chaz Bojorquez, two luminaries in street pop art and graffiti artwork. This 9-color hand-pulled limited edition silkscreen print, set on a 250gsm Stonehenge White Fine Art Paper, embodies the spirit of Los Angeles' street art scene. 2016 marked the inception of this rare artwork, with each piece meticulously signed by OG Slick and Chaz Bojorquez and numbered P3 in a series limited to 150 editions. The painting serves as a visual spectacle and a narrative vessel, carrying the legacy of street art's evolution within its layers. OG Slick's hand in the collaboration is evident in the playful yet assertive cartoonish hands and the spray can that dominates the foreground of C/S III. This imagery, often associated with the rebellious nature of street art, becomes a symbol of the artist's roots in the graffiti movement and his adeptness at capturing the urban landscape's pulse. Slick's approach to street art embraces the pop culture influences of his time, reflecting a deep connection with the younger demographics and street art lovers who find familiarity in his visual language. Chaz Bojorquez's Contribution to the Visual Dialogue of C/S III Chaz Bojorquez contributes to C/S III with his iconic calligraphic touch, a feature that has become synonymous with his name. His style, deeply influenced by the Cholo graffiti culture, brings an intricate and flowing contrast to the stark boldness of Slick's figures. The backdrop of the print is a canvas of Bojorquez's signature lettering, which creates a visual depth and speaks to the historical roots of graffiti as a form of street-level communication. Bojorquez's work transcends the aesthetic, engaging with themes of cultural identity and social commentary and celebrating the often-underrepresented communities that form the backbone of urban street culture. The distressed pearl white finish of the print adds a layer of complexity, introducing a sense of age and resilience that mirrors the often-temporal nature of street art. This finish, combined with the premium Stonehenge White Fine Art Paper, imbues the piece with a sense of permanence and sophistication, allowing it to occupy a space that bridges the gap between ephemeral street expressions and enduring art collectibles. The Cultural Relevance of C/S III in Street and Pop Art C/S III holds a place of cultural relevance in street and pop art. As a limited edition piece, it reflects a moment in time when the raw energy of graffiti and the boldness of pop art converged through the hands of OG Slick and Chaz Bojorquez. The collaboration is a testament to the transformative power of street art, showcasing its ability to evolve while honoring its roots. Collectors and enthusiasts of the genre cherish the piece for its artistic merit and its representation of the dialogue between different eras and styles within street art. The impact of C/S III extends beyond its visual appeal, challenging traditional perceptions of art and its place within society. Through their joint efforts, OG Slick and Chaz Bojorquez invite audiences to explore the narratives embedded within urban landscapes, using the language of street pop art to communicate stories that are often overlooked. The limited edition nature of the print, its meticulous craftsmanship, and the prestige of the artists' signatures come together to cement C/S III as a significant work within contemporary art history. Legacy of C/S III and Its Artists The legacy of C/S III lies in its representation of a dynamic and ever-changing art form that remains intrinsically linked to the streets from which it originates. The collaboration between OG Slick and Chaz Bojorquez is a powerful reminder of street art's potential to influence and inspire. As a piece of rare street art, C/S III carries with it the stories, struggles, and triumphs of the communities that have shaped the genre, ensuring that the voices of the streets continue to echo within the halls of fine art.

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Until Debt Do Us Part Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered HPM Limited Edition Artwork Size 24x24 "Me and my friend and cousin made these over a 2-week stint in my studio. I have been really focusing on more tactile and animated shapes as my canvases. It has been really interesting working on nonrectangular canvases." - Denial Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Prophets Of Rage New Day Rising Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 600 Artwork Size 18x24 Silkscreen Print Prophets Of Rage Rap Music Group Fist in the Air. Visual art and music often produce iconic imagery that transcends time, and Shepard Fairey's "Prophets Of Rage New Day Rising" silkscreen print is a prime example of this phenomenon. Created in 2017, this piece is a visually arresting representation of the rap music group Prophets of Rage, a band known for its socially conscious music and activism. This artwork is part of a limited edition series, with only 600 signed and numbered prints, further accentuating its exclusivity and collectible nature. Each print, sized at 18x24 inches, is a hand-pulled two-color silkscreen on cream speckletone fine art paper, a testament to Fairey's meticulous crafting process and his commitment to quality. Fairey, a stalwart figure in contemporary street art, often referred to by his Obey brand, infuses his works with pop culture references and political messages, and this print is no exception. The central image of a clenched fist raised in the air is a universal symbol of resistance and solidarity. This motif, set against a red star, resonates with the band's radical ethos and calls to mind a long history of protest art. The inclusion of skeletal figures and apocalyptic imagery on the periphery serves to highlight the group's message of political upheaval and the need for systemic change. This print is not just a piece of merchandise for fans of the band; it stands on its own as a significant work within pop art, street art, and graffiti art. Fairey's work bridges the gap between art and social commentary, embodying the spirit of hip-hop culture's roots in activism and public discourse. The stark contrast of colors and the use of a globe in the backdrop suggest a worldwide call to action, one that is reflective of the global influence of hip-hop culture itself. Moreover, Fairey's "Prophets Of Rage New Day Rising" is emblematic of the capacity of street art to elevate popular culture and political thought into the realm of high art. By appropriating the visual language of the streets and the urgency of rap music's social critique, Fairey delivers a powerful statement on the role of the artist as a social commentator and the potential of art to ignite conversation. This piece serves as a reminder of the potency of visual expression in pop culture and its ability to encapsulate the zeitgeist of a movement, a moment, or in this case, the fierce energy of a band like Prophets of Rage.

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The Urchin Merchant- Gold Hand-Pulled 18-Color Silkscreen Print on Dull Gold Foil Fine Art Paper by Artist Lauren YS Limited Edition Pop Art Artwork. 2022 Signed & Numbered Full Bleed Limited Edition of 40 Artwork Size 36x24

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Disco Ball- Red Blobs Limited Edition Hand-Embellished HPM Archival Pigment Prints on 290gsm Moab Entrada Rag Bright Paper by Adam J O'Day Graffiti Street Artist Modern Pop Art. Disco Ball: Red Blobs • Autographed archival pigment print • Hand-painted unique variant on Moab Entrada Rag Bright 290 GSM archival paper • 24 x 24 inches Hand-painted, signed and numbered by artist Adam J. O'day in a unique limited edition of 5. Adam J. O'Day "Disco Ball: Red Blobs" - Unique Hand-Painted Print - 24 x 24"

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Promised Land Night Silkscreen Print by Cleon Peterson Hand-Pulled 2-Color Screen Print on 290gsm Coventry Rag Paper Hand DeckledLimited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 75 Artwork Size 24x24 Renowned for his striking and confrontational style, Cleon Peterson is an artist whose work brings to life the undercurrents of societal strife and conflict. Known for his vivid depictions of brutal scenes that reflect a world in chaos, Peterson is widely recognized as a significant figure in the realms of pop art, street art, and graffiti art. His work often provides a haunting mirror to societal tensions, rendering them visually captivating through the stark contrast between light and dark, order and chaos, violence and peace. One piece that exemplifies this distinctive style is his "Promised Land Night" silkscreen print. True to Peterson's style, the work explores the darker facets of human nature in a dichromatic palette - typically a stark contrast of black and white or, in this case, dark navy blue and white. It showcases figures engaged in what appears to be a chaotic, violent struggle, as a symbol of the perpetual conflict and power dynamics within societies. Despite its seemingly bleak narrative, the composition carries an undeniable magnetism, skillfully drawing the viewer in. The silkscreen print method, known for its bold, crisp lines and the ability to create vibrant, flat areas of color, serves Peterson's style perfectly. It underscores the harsh narrative of his work while simultaneously highlighting the meticulous detail of his composition. Each figure, while entangled in the wider chaos, holds its narrative, rendering the piece a compelling visual exploration of societal unrest. The "Promised Land Night" speaks volumes of Peterson's vision of the world – not shying away from harsh realities, but rather confronting and examining them through his artwork. With the ever-present contrast between the stark visual style and the dark themes, Peterson positions himself firmly in the continuum of pop and street art, challenging viewers to consider the depths of human nature and societal structures. It is through such bold pieces that Cleon Peterson cements his place in contemporary art, forever pushing boundaries and igniting necessary conversations about society and its structures.

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Mixtape Limited Edition Archival Pigment Fine Art Prints on Matte Velvet Rag Paper by Graffiti Street Art Pop Artist Dave Pollot. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 19.82x24 Edition of 100 -Signed and numbered in pencil beneath in image -including 2" white margins -Printed on matte velvet rag paper Exploring Dave Pollot's Mixtape Archival Print Dave Pollot is an American artist known for innovatively integrating street art elements into classical and pop art themes. His work often involves reimagining thrift store paintings by introducing modern elements into the otherwise classical compositions, creating a whimsical and thought-provoking juxtaposition. In his limited edition piece titled "Mixtape," Pollot combines the aesthetic of street pop art with the delicate sensibilities of traditional still life, creating a visually striking artwork that resonates with a broad audience. This artwork, signed and numbered by Pollot himself, is part of a limited edition of 100 pieces, each printed on matte velvet rag paper, emphasizing its exclusivity and appeal to collectors. Characteristics and Medium "Mixtape" features a lush arrangement of flowers, a classical subject in art, contrasted sharply by including a modern cassette labeled "Awesome Mix." This blend of the old and the new is characteristic of Pollot's style, where he seamlessly merges elements from different eras to comment on the transient nature of art and cultural artifacts. The artwork is rendered on matte velvet rag paper, a choice that enhances the colors and gives the piece a soft, tactile quality that complements its visual depth. Matte paper also avoids the glare that glossy prints might exhibit, allowing for a more intimate and engaging viewing experience. The Significance of Street Pop Art and Graffiti Artwork in Modern Culture Street pop art and graffiti have evolved from their rebellious, underground origins to become recognized and celebrated contemporary art forms. Artists like Dave Pollot, who engage with these styles, often do so to make statements about society or to bring a new perspective to traditional art forms. In "Mixtape," the cassette tape – an object that symbolizes the recent past and evokes nostalgia – serves as a reminder of the rapid pace of technological and cultural change. Including this element in a traditional still life disrupts the expected visual narrative and invites the viewer to reflect on the evolution of music media and its impact on personal and collective memory. Like much of Pollot's work, this artwork appeals to a diverse audience. It reaches those who appreciate the technical skill required in traditional art forms and those who enjoy street art's edgy, contemporary feel. Additionally, the limited nature of the print run – only 100 pieces – along with the artist's signature, adds a layer of collectibility and value, making it a prized possession for both art lovers and investors. In the broader context, Pollot's "Mixtape" exemplifies how modern artists are blurring the lines between high art and popular culture. By bringing elements of street pop art into the gallery, these artists are challenging preconceived notions about what constitutes "fine art" and who art is for. This art democratization reflects a more significant cultural shift towards inclusivity and the recognition of diverse artistic expressions. Pollot's work celebrates this shift, showcasing how traditional and modern visual elements can coexist harmoniously and create new meanings. Dave Pollot's "Mixtape" is more than just a visually appealing piece; it is a thoughtful commentary on the intersection of past and present, popular culture's temporary nature, and art's evolving boundaries. Through this work, Pollot captures the essence of street pop art and graffiti artwork and elevates it, offering a sophisticated yet accessible piece that resonates with a contemporary audience.

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Processed and Enriched Original Painting Oil on Found Art Canvas by Dave Pollot Graffiti Street Artist Modern Pop Art. ‘Processed and Enriched’-Original oil on found art by Dave Pollot- Background is a framed painting on canvas- Signed in oil by Artist-Includes signed Measures 17.5 x 24″ including frame

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Swan Song Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Size 36x24 Silkscreen Print The Swan Song print is a depiction of the precarious state of nature's delicate balance, with numerous species declining, eco-systems teetering on the brink of collapse, and climate scientists warning that time is running out to avert environmental consequences that could render zones inhabitable for millions. While certain groups may suffer more than others, this issue is universal as we all have an impact on both the problems and solutions. Unfortunately, the conscientious habits of individuals alone are insufficient to solve the problem. Unless corporations are pressured and regulated, they will continue to prioritize profits over the planet's health. The piece contains a news clipping revealing that Exxon-Mobile has known for over 40 years, based on their own internal scientific research, that burning fossil fuels is causing global warming, yet they concealed this information and publicly denied the impact of fossil fuels on climate change. A portion of the print's proceeds will be donated to Greenpeace USA to support their efforts to combat climate change. The Speckletone paper used in the print is made from recycled materials. Thank you for your concern.

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Archipelago Street Pop Artwork Limited Edition Giclee Print on Hand Deckled 310gsm Fine Art Paper by Modern Artist Dulk- Antonio Segura Donat. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 Hand Deckled PangeaSeed Foundation Fine-art Giclée print on Canson Aquarelle 310gsm museum-grade fine art paper Hand-deckled edges 24" x 24" Limited Edition of 100 Signed & numbered

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Street Weapons Danceright Music Club Event Limited Edition Metallic Gold Ink Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Cream Speckletone Paper by MFG- Matt Goldman x Shepard Fairey. Shepard and I ran a club night in Downtown LA from 2006 to 2014 called Dance Right. During that time, I created a flyer every week and from those flyers came a bunch of designs that ended up becoming clothing designs for OBEY Clothing and a collab poster that Shepard and MFG- Matt Goldman released in 2006. 18 x 24 inches Screen Print Black, Dark Red, Metallic Gold Cream Speckletone Paper Edition of 300 Signed and numbered by Shepard Fairey & MFG- Matt Goldman Released 2006

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Capsule Collection #5 Original One of a Kind White Acrylic Painting Artwork on Black Mixed Media Paper by Popular Street Graffiti Artist HoxxoH- Douglas Hoekzema. 2021 Signed On Back Capsule Collection #5 From A Unique Hand Painted Series of 25, Each Different. Size 18x24

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Eye of the Serpent 4-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Buff Monster x Brian Ewing Rare Street Art Famous Pop Artwork Artist. 18"x24" Coventry Rag 335 gsm Signed & Numbered (by both artists) in an edition of 200 with Metallic Ink

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The Disappeared 2-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Cleon Peterson (b. 1973) The Disappeared (Black), 2019 Screenprint in colors on Coventry Rag paper 18 x 24 inches (45.7 x 61 cm) (sheet) Ed. 45/100 Signed, numbered, and dated in pencil along lower edge Published by the artist

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Destroy America- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Endless Power Petrol Palace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Red) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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Thieves & Backstabbers- Collectors Edition Hand-Pulled Silkscreen Layer Ink Texture & Embrossments Print on Mylar Paper by Activist Artist Marwan Shahin Rare Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 10 Artwork Size 18x24 "This edition of the artwork is interpreted with brand new print technology for layering ink to create texture and embossment on striking Mylar, Each print is intricately arranged with a filigree of metallics, to produce visually intoxicating effects." -Marwan Shahin "Thieves & Backstabbers - Collectors Edition" emerges as a stunning piece by Marwan Shahin, an activist artist who employs his craft to challenge and dissect the socio-political landscape. This rare limited edition artwork is more than a visual statement; it is a manifestation of technical innovation in printmaking. Crafted in 2022 and part of a highly exclusive series of just ten signed and numbered prints, each 18x24 artwork epitomizes the power of visual art to communicate complex narratives. Shahin's choice of medium is as unconventional as his subject matter. He utilizes hand-pulled silkscreen techniques, layering ink to construct not just color and form but tangible texture and embossment, producing an almost three-dimensional effect on the lustrous Mylar paper. The interplay of light on the metallic inks and the Mylar surface invites viewers into a visual dance, where each angle and each source of light alters the experience of the artwork. It is an edition that stands at the intersection of art and alchemy, with each print in the series offering a unique sensory encounter thanks to the intricate use of metallics that create a visually intoxicating effect. Marwan Shahin's "Thieves & Backstabbers - Collectors Edition" stands as a testament to his reputation as a pioneering figure in contemporary pop art. It embodies his signature approach of integrating pop culture references with deeper political messages, producing art that resonates on multiple levels. As a visual discourse, the piece is a statement on duplicity and the multifaceted faces of human nature, set against a backdrop of opulent symbolism rich in contrast and imbued with layers of meaning. Collectors and enthusiasts of the genre are presented with an opportunity not merely to own a rare piece of art but to engage with a work that pushes the boundaries of silkscreen printmaking and emboldens the narrative potency of modern pop and street art.

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The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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Operation Oil Freedom Black PP HPM Wood Silkscreen Print by Shepard Fairey- OBEY Printers Proof Hand-Pulled 1-Color Screen Print on Cradled Wood Embellished Limited Edition Pop Street Art Artwork. PP Printers Proof 2007 Signed & PP Marked HPM Hand Pulled Artwork Size 18x24 Oil Freedom. Shepard Fairey (b. 1970) Operation Oil Freedom (Black), 2007 Hand pulled multiple on panel 24 x 18 inches (61 x 45.7 cm) P.P. Signed, dated, and annotated in pencil along lower edge Published by Obey Giant, Los Angeles Print Grade: 7/10 Moderate overall craquelure; mild surface soiling. Framed Dimensions 24.5 X 18.5 Inches Operation Oil Freedom Black PP HPM Wood Silkscreen Print is a piece of artwork created by Shepard Fairey, also known as OBEY, an American contemporary street artist, graphic designer, and activist. Shepard Fairey gained widespread recognition through his "OBEY Giant" campaign and his iconic "Hope" poster of Barack Obama. His work often combines elements of street art, propaganda, and activism, drawing attention to social and political issues. This particular piece, "Operation Oil Freedom Black PP HPM Wood Silkscreen Print," likely addresses the politics surrounding oil, energy consumption, and environmental concerns. As with many of Fairey's works, this piece employs a mix of bold fuel visuals and thought-provoking eagle burd imagery to engage the viewer and spark conversation about the subject matter. The use of silkscreen printing and wood as a medium further emphasizes the unique style and texture of the piece. Without seeing the artwork, it's difficult to provide a more detailed analysis of its specific visual elements or its exact meaning. However, it is likely that the piece carries a strong political and social message in line with Fairey's usual style.

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1 • 12 • 5 • 24 Original Painting Mixed Media on Canvas by Eddie Colla Graffiti Street Artist Modern Pop Art. 2017 SIgned Original Acrylic & Spraypaint on Ready To Hang Canvas Artwork Size 18x24 "Through this, we hold steadfast when our challenge was to turn fate not to be victorious that possibility evaporated did not we endure together and often alone for all of us for tomorrow and yesterday and for what could've been and is and for what is and might well be lest we forget each of us and used memory and failing and standing when standing was all there was." -Eddie

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Divided We Stand, United We Fall Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.

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Pep Boys Original Pop Street Art Pen Drawing on Fine Art Paper by Artist Mark Powell. 2022 12.2x24 Signed Ball Point Pen Drawing is protected by an archival UV protective matt varnish spray.

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Muhammad Ali Heavyweight Ideals Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Speckletone Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print of Boxer Muhammad Ali Face As Young Man in A Suit. "Based on an incredible photo by Howard Bingham provided by his son Dustin, I wanted to emphasize Ali's role as an outspoken citizen and activist. Ali was a civil rights activist, a conscientious objector to the Vietnam War, a philanthropist, and a U.N. Messenger of Peace. I admire that Ali stood up for what he believed even when he potentially faced jail and the end of his boxing career. The Chestnut St. YMCA, where we painted the Ali mural, is blocks from Ali's childhood school and a place he frequented in his youth. I'm very grateful to the YMCA for providing an incredible wall with an authentic connection to Ali's life. A project of this magnitude can't come to fruition without many people collaborating generously." -Shepard Fairey. Few names in pop and street art have achieved as much recognition and influence as Shepard Fairey, the creative force behind the OBEY brand. Fairey's "Muhammad Ali Heavyweight Ideals" silkscreen print is a testament to his craftsmanship as an artist and his dedication to spotlighting iconic figures with profound cultural significance. Drawing inspiration from a striking photograph by Howard Bingham, Fairey's depiction of a young Muhammad Ali in a suit is a compelling reflection of the boxer's legacy beyond the ring. This piece doesn't just highlight Ali as a world-class athlete but as a man deeply embedded in the socio-political issues of his time. Ali's vehement opposition to the Vietnam War, his role in the civil rights movement, and his later endeavors as a philanthropist and U.N. Messenger of Peace symbolize a life of purpose and conviction. In his tribute, Fairey magnifies these ideals, portraying Ali as a boxing legend and an activist willing to jeopardize his career and personal freedom for his beliefs. The choice of venue for the mural, the Chestnut St. YMCA, holds a poignant significance. Located blocks from Ali's childhood school and a regular spot for the young boxer, the YMCA wall is an authentic canvas, connecting Ali's formative years with his enduring legacy. Through this artwork, Fairey's intricate detailing, combined with his nuanced understanding of Ali's life, elevates the narrative of street and pop art. It underscores the potential of this medium to not only captivate visually but to instigate reflection on the profound impact of its subjects on history and culture.

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Factory Stacks- Endless Power 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 350. "These “Factory Stacks” images combine the austere, angular power of factory architecture with graphic elements commenting on what we promote and embrace as a society even when those things are destructive. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring.” – Shepard

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TC5 in the Ghost Yard Limited Edition Archival Pigment Fine Art Prints on 300gsm Moab Ebtrada Rag Paper by Graffiti Street Art and Pop Culture Artist Lady Pink. LADY PINK- Titled “TC5 In the Ghost Yard” Edition size 40 archival pigment prints. Hand-signed and numbered by Lady Pink, along with the DirtyPilot emboss. Sheet Size a LARGE 31”x 24”(78 cm x 60 cm). Printed on Moab Ebtrada Rag, 300gms. A heavy-weight paper acid-free art.

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Punk Skunk Artwork Limited Edition Giclee Print on Fine Art Paper by Propaganda Artist Ron English. 2017 Signed & Numbered Limited Edition of 25 Artwork Size 30x24 "Punk Skunk" is a vibrant and evocative work by the celebrated pop artist Ron English, known for his unique blend of pop art with street art under the banner of Propaganda. This piece is a fine art giclée print, characterized by English's characteristic fusion of high and low cultural touchstones, playing with themes of subversion and counterculture. Created in 2017, this particular artwork is part of a signed and numbered limited edition series, with only 25 pieces in existence, each measuring 30x24 inches, making it a rare collector's item. Ron English's "Punk Skunk" features a cartoonish skunk, an emblematic figure within his art, illuminated against a backdrop swirling with psychedelic colors and patterns. The character is infused with a rebellious spirit, encapsulated by the punk aesthetic of the skunk's design, including its prominent tail that morphs into a stylized marijuana leaf – a clear nod to the rebellious subcultures that challenge societal norms. The background is a kaleidoscopic array of colors, swirling in a manner that suggests motion and a particular fluidity of thought and being, which complements the central figure's stance on freedom and nonconformity. This artwork stands out for its bold color palette, a hallmark of English work, which uses color to evoke a sense of movement and energy. Each print is meticulously crafted, with the giclée technique ensuring that each color is vividly captured, replicating the artist's original vision with precision and clarity. Fine art paper provides a high-quality base that holds the inks with fidelity, giving each piece a durability that suits its status as a collectible art object. By releasing "Punk Skunk" in such a limited run, Ron English underscores the exclusivity and inherent value of the print, mirroring the ethos of street art, where the fleeting nature of a piece can often amplify its impact. Collectors of this edition acquire not just a piece of art but a statement that reflects on the boundaries between the elite world of art collecting and the lawless world of street art. English's work has consistently played with this boundary, and "Punk Skunk" is a compelling example of his skill in blending these realms to create thought-provoking and visually arresting.

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Bad Brains Punk Showcase Rasta AP Artist Proof 5-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist For Musicians Bad Brains. AP Artist Proof 2016 Signed & Marked AP Limited Edition Artwork Size 18x24 Shepard Fairey's "Bad Brains Punk Showcase Rasta AP" is a culturally potent piece within the street pop and graffiti art landscape. As an artist proof of the limited edition series, this 5-color hand-pulled silkscreen print on cream speckle tone paper measures 18x24 inches and was released in 2016. Signed and marked as an artist-proof (AP), it is a collector's piece that delves into the pulsating heart of punk's ethos and reggae's rasta vibrations, manifested through the lens of Fairey's distinct style. This artwork resonates with the energy of Bad Brains, a band that epitomized the hardcore punk scene with its unique blend of punk and reggae, a hybrid that paralleled Fairey's melding of art forms. The print captures the band's spirit with the commanding phrase "Positive Mental Attitude!" a mantra that Bad Brains championed throughout their career. Fairey's work is a visual echo of this ethos, presenting the band members with a backdrop of rasta colors, which not only allude to their music's roots but also serve as a nod to a broader cultural movement. Fairey, known for his influence on street pop art through works like the iconic "OBEY" campaign and the Obama "HOPE" poster, continues his exploration of music's intersection with visual art in this print. The piece is saturated with the motifs of Fairey's "OBEY Propaganda" — the star, the bold lettering, and the stylized imagery. These elements merge, not promote a band, and celebrate an entire cultural movement, reflecting the potency of street pop art in capturing and promoting subcultural movements. The "Bad Brains Punk Showcase Rasta AP" print symbolizes Fairey's engagement with the punk scene and his ability to encapsulate its raw, unfiltered voice within his work. It's a testament to the enduring dialogue between music and visual art, which Fairey has continually fostered through his prints, murals, and street art. This piece doesn't just hang on a wall; it screams with the voice of a movement, echoing from the underground clubs to the sun-soaked streets where street art and graffiti have long found their home.

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3 Lil Piggies- Pink Pasadena Limited Edition Hand-Embellished HPM 5-Color Silkscreen Prints on Somerset Hot Press Paper by OG Slick Graffiti Street Artist Modern Pop Art. Framed 2015 Signed OG Slick (b. 1967) 3lilpigs 3 Lil Piggies (Pink Pasadena), 2015 Screenprint in colors with hand-embellishments on Somerset Hot Press paper 24 x 24 inches (61 x 61 cm) (sheet) Ed. 21/25 Signed and dated in pencil along lower edge Published by Big Dicks Hardware, Los Angeles. Framed under glass. Framed Dimensions 25 X 25 Inches

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Quiccs xSneakerHereos- Banned 1s Original One of a Kind Acrylic Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 Quiccs x SneakerHereos - Original Painting Used As Comic Book Cover by Eric Pagsanjan Created Exclusively for NBA All-Star Weekend Pop-Up Acrylic on Stretched Canvas Panel Size: 18" x 24" x .75" "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes. Few shoes in the 30-plus-year history of the Air Jordan line are as infamous as the black and red Air Jordan 1. The sneaker—known as the 'Banned' Jordan 1—has been perennially important, from the mythology around its genesis to the fervor its retros inspire. Here's how it all happened. The story goes that Michael Jordan was fined $5,000 by the NBA every time he wore the shoes during their debut in 1984 because they broke the league's uniform rules. Nike capitalized on this, creating an ad campaign that played on that forbidden fruit quality..." -Eric Pagsanjan

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Mamba Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 18x24 Archival Pigment Fine Art NBA Basketball Sports Player Kobe Bryant Fast Break Dribbling Ball in Glitch Style In the realm of contemporary art, particularly within the genres of pop, street, and graffiti art, artists often play a significant role in transforming our perception of iconic figures and moments. One such influential piece is the "Mamba Archival Print" crafted by the esteemed Adam Lister. This 2023 creation, limited to a mere 50 pieces, becomes an immediate collector’s treasure due to its exclusivity. Each print is meticulously signed and numbered by Lister himself, underscoring its authenticity and value. Crafted on a 300gsm Hot Press Matte Fine Art Paper, this artwork resonates with depth and detail. Lister's choice of medium is significant; the hot press matte paper is known for its smooth finish, making it an excellent choice for artworks that aim to capture minute intricacies. What sets the "Mamba Archival Print" apart, however, is its subject matter – the legendary NBA basketball icon, Kobe Bryant. The depiction showcases the sports legend in a fast break dribbling stance, a signature move associated with his prowess on the court. Yet, it's the rendering style that captivates; Kobe is visualized in a 'glitch' manner, an artistic interpretation that could symbolize the transient nature of life or the glitches we encounter in our journey. Adam Lister's fusion of modern glitch aesthetics with the dynamism of Kobe Bryant offers a unique perspective, juxtaposing the temporal nature of life against the enduring impact of an icon. As it stands, this artwork not only celebrates the basketball legend but also reaffirms Lister's position as a visionary in modern-day art genres.

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Quiccs xSneakerHereos- Jumpman Original One of a Kind Acrylic Painting Artwork on Stretched Canvas Panel by Popular Street Graffiti Artist Eric Pagsanjan. 2019 QUICCS x SneakerHereos - Jumpman by Eric Pagsanjan Created Exclusively for NBA All-Star Weekend Pop-Up Acrylic on Stretched Canvas Panel Size: 18" x 24" x .75" "I hold respect and admiration for artists that create their own apparel. I’m a huge sneaker fan, and my personal collection is ever-growing. Combining my love for sneakers, the designers who make them, and comic-book style superheroes, I created a series of portraits dedicated to the designers that I consider to be incredible. To me, they are superheroes. They are ‘SneakerHeroes. Few shoes in the 30-plus-year history of the Air Jordan line are as infamous as the black and red Air Jordan 1. The sneaker—known as the 'Banned' Jordan 1—has been perennially important, from the mythology around its genesis to the fervor its retros inspire. Here's how it all happened. The story goes that Michael Jordan was fined $5,000 by the NBA every time he wore the shoes during their debut in 1984 because they broke the league's uniform rules. Nike capitalized on this, creating an ad campaign that played on that forbidden fruit quality..." -Eric Pagsanjan

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Space Is Only Noise That You Can See Original Painting Mixed Media on Wood by Ellen Rutt Graffiti Street Artist Modern Pop Art. "Small Victories is a collection of moments. Those times, in young adult life in particular, when seemingly insignificant actions feel like big accomplishments that only you can truly appreciate-- Eating spinach twice in one day; remembering to floss; driving home sober; getting up on time for work after only two hours of sleep. The experienced simultaneity of the mundane and the meaningful, the trivial and the triumphant.These mixed media collage works are a brief exploration of those experiences through color, texture, and pattern. Behind the often abstract geometric compositions, there is always an underlying intimacy. Through a combination of digital and physical art-making techniques, my work continues to explore the relationship between art and design, as well as the influence that computers have on both what I make and how I think." - Ellen Rutt

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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