Original Artwork

The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Remio Study- 04 Original One of a Kind Mixed-Media Spray Paint, Acrylic Painting Artwork on Fine Art Paper by Popular Street Graffiti Artist Remio. Mixed Media on Fine Art Paper Size: 54 x 50 Inches Release: January 31, 2020 Run of: 1 Massive

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L From Alphabet Series Original Acrylic Spray Paint Painting by Risk Rock One of a Kind Artwork on Framed Wood by Street Art Pop Artist. 2011 Signed Spray Paint & Acrylic Original Painting on Wood Size Framed 48.5x48.5 L, from Alphabet series, c. 2011 Acrylic and spray paint on wood 48-1/2 x 48-1/2 inches (123.2 x 123.2 cm) Stencil to front. Framed without glass. Framed Dimensions 56 X 56 Inches.

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Beanie Hat Boy Original Permanent Marker Slap-Up Label Drawing Art on Mailing Label by Graffiti Artist DrNuse69 Modern Street Artwork. 2022 Signed Original Slap Up Graffiti Art Tag 4.25x5.5 Marker Tagged on USPS Priority Mailing Label.

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Rise Above Original One of a Kind Collage, Spray Paint & Silkscreen Painting Artwork on Fine Art Paper by Graffiti Artist Legends D*Face x Shepard Fairey. 2021 Signed bottom back right by both artists' original collage with archived screenshots and spray paint. Framed in beech-stained black. 21 1/4 x 18 7/8 in 54 x 48 cm Riot D*Face Ruined My Day The Collaborative Essence of D*Face and Shepard Fairey The artwork titled 'Rise Above' is a profound testament to the synergy between two titans of street pop art and graffiti artwork, DFace and Shepard Fairey. This original collage, composed of archived screenprints and spray paint on fine art paper, is a powerful expression of the socio-political commentary that both artists are renowned for. Signed by both DFace and Shepard Fairey in 2021, the piece is framed in beech-stained black, measuring 21 1/4 x 18 7/8 inches (54 x 48 cm), and carries the unmistakable spirit of rebellion and resistance that defines the work of both artists. The collaboration between D*Face and Shepard Fairey for 'Rise Above' is a landmark moment in street art history. Both artists have individually contributed significantly to the evolution of graffiti and street pop art, and their partnership in this piece is a dialogue between two distinct voices that share common thematic interests. The artwork's title, 'Rise Above,' encapsulates the essence of the artists' shared ethos—a call to transcend the status quo and challenge societal norms through art. 'Rise Above' is a masterful blend of techniques, with each layer of collage, spray paint, and silkscreen adding depth and texture to the piece. Archived screenprints are a nod to the artists' past works, creating a sense of continuity and legacy within their oeuvre. The spray paint element introduces a raw, visceral quality reminiscent of their work on the streets, while the silkscreen process adds precision and complexity. This combination of methods results in a piece rich in visual and conceptual density. Iconography and Message in 'Rise Above' The iconography used in 'Rise Above' is laden with meaning. The piece features a portrait characteristic of DFace's style, reminiscent of the comic book aesthetics and skeletal motifs he frequently employs. This figure holds a sign bearing the phrase "DFace Ruined My Day," a self-referential statement that plays with the artist's name and reputation for disrupting the norm. Shepard Fairey's influence is evident in the bold typographic elements and propaganda-style imagery that challenge viewers to question authority and power structures. The socio-political impact of 'Rise Above' is both timely and timeless. By blending their signature styles, D*Face and Shepard Fairey have created a piece that speaks to current socio-political issues while remaining relevant to future generations. The artwork's call to 'Rise Above' is a universal message of empowerment, urging viewers to engage with the world around them critically. The collaboration between these two artists serves as a reminder of the potent role that art can play in provoking thought and inspiring change. The Legacy of 'Rise Above' in Street Art 'Rise Above' contributes to the legacy of street art by showcasing the potential of collaboration within the genre. The partnership between D*Face and Shepard Fairey exemplifies how artists can come together to amplify their message and impact. As both artists have been pivotal in bringing street art into the mainstream consciousness, this piece also reflects the maturation of street art as a recognized form of fine art capable of conveying complex narratives and evoking strong emotional responses. 'Rise Above' is a striking piece of art that embodies the rebellious spirit of street pop art and graffiti artwork. The collaboration between D*Face and Shepard Fairey is a testament to the power of art to communicate, challenge, and inspire. The piece's layered complexity, both in technique and symbolism, offers a rich visual experience and a poignant message that resonates with the core values of street art. As 'Rise Above' continues to be appreciated by art enthusiasts and collectors, it is a significant contribution to contemporary art discourse, reminding us of the transformative power of artistic collaboration.

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MTA Subway Map Tag- Show Stopper Original One of a Kind Marker Drawing Artwork on MTA Subway Map by Popular Street Art Pop Culture Artist Stay High 149- Wayne Roberts. 2011 Signed Framed Original Painting/Drawing on New York MTA Subway Train Map Size 22.75x32.25

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Defend Your Love Original One of a Kind Marilyn Monroe Mixed Media Collage Painting Artwork on Canvas by Popular Street Art Pop Culture Artist Indie184- Soraya Marquez. 2017 Signed Original Mixed Media Acrylic & Spraypaint Collage Painting Size 24x36 Indie184 (Soraya Marquez) (b. 1980) Defend Your Love, 2017 Mixed media collage on canvas 36 x 24 inches (91.4 x 61 cm) Signed and dated in ink on reverse

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Street Prophet Original One of a Kind Acrylic Paint Painting Artwork on Archival Paper by Popular Street Graffiti Artist KC Ortiz. KC Ortiz "Street Prophet" KC ORTIZ Street Prophet, 2021 Acrylic paint on archival paper 8.66 x . 12.99 inches 22 x . 33 cm 1 of 1.

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Sidewalk Closed Original Mixed Media Graffiti Artist Modern Pop Art on Real Metal Street Sign by Sonic Bad. 2012 Signed Original Spray Paint & Metal Street Sign Artwork Size 24x18 Depicting 2 1970s-80s Stylized Beat Boys, NYC Graffiti Tags & Bubble Letters on Street Closed Sign Sonic Bad's Ode to the Streets: The 'Sidewalk Closed' Series The 'Sidewalk Closed' artwork by Sonic Bad, an original piece created in 2012, infuses the rebellious spirit of 1970s and 80s street culture into a medium that is emblematic of urban restriction: a real metal street sign. This mixed media work, signed by the artist, is a striking example of how street pop art and graffiti can repurpose public regulatory objects into canvases that challenge and reinterpret their original intent. Reclaiming Urban Symbols in Street Art Sonic Bad's choice of canvas—a metal street sign—turns an everyday symbol of control into a representation of creative liberation. The artwork, sized at 24x18 inches, is vibrant with color and life, presenting a stark contrast to the sign's mundane purpose of demarcating boundaries. By painting over it, Sonic Bad claims the object for art, much like graffiti artists claim walls for their tags and murals. The piece itself is a dynamic collage of NYC graffiti tags and bubble letters, styles deeply rooted in the history of street art. It showcases two stylized beat boys, figures that resonate with the hip-hop culture that was burgeoning on the streets of New York City during the 70s and 80s. These characters are not only representations of a specific era but also symbols of the energy and rhythm of street life. The Visual Language of Graffiti and Its Evolution Sonic Bad's work serves as a visual lexicon of graffiti's evolution, encapsulating the transition from tagging—often a raw, text-based expression of identity—to more complex and stylized works. The 'Sidewalk Closed' series is particularly evocative of this shift, highlighting the movement from simple letterforms to elaborate and colorful representations that are as much about the artistry of the line as they are about the message. The aerosol paint, a medium synonymous with graffiti, brings authenticity to the piece, its drips and opacity echoing the textures of street art seen in the wild. The metal sign, once reflective and directive, becomes muted and textured under layers of paint, a metaphor for the way street art can change the nature and conversation around public spaces and objects. Sonic Bad and the Living History of Street Art Sonic Bad's 'Sidewalk Closed' is more than a singular work; it is part of the living history of street pop art and graffiti artwork. It reflects a time when street culture began to permeate every aspect of urban life, from the music that played out of boomboxes to the art that adorned the walls and sidewalks of the city. This piece is a celebration of that era, a nod to the roots of street art, and a statement on its enduring influence. The artist, by merging nostalgia with contemporary expression, invites onlookers to explore the depth and breadth of street art. Through this work, Sonic Bad not only pays homage to the pioneers of the genre but also places himself within the continuum of artists who have utilized the street as their gallery. His legacy lies in his ability to transform the ordinary into the extraordinary, ensuring that the spirit of the streets remains vibrant and visible.

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Fuck The Law Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Canvas by Popular Street Graffiti Artist Sechor. 2021 Signed Mix Media on 16x20 on Unstretched Canvas

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Collateral Damage Original Painting Mixed-Media Spray Paint, Acrylic on Heavy Paper by Risk Graffiti Street Artist Modern Pop Art. Collateral Damage, 2018 - Own a Risk original! Original (spray paint, acrylic on heavy paper) Size: 22x30 Inches Date Made: 2018 Original work – Each unique, one of a kind, hand-signed.

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Untitled Canvas III Original One of a Kind Mixed Media Acrylic & Spray Painting Artwork on Gallery Wrapped Canvas by Popular Street Graffiti Artist Crash- John Matos. 2022 Signed Original Spray Paint & Acrylic Painting Size 12x12 John Matos' "Untitled Canvas III": A Symphony of Color and Form "Untitled Canvas III," an original mixed media piece by the renowned street graffiti artist Crash, whose real name is John Matos, exemplifies his role as a critical figure in the evolution of street pop and graffiti art. Known for his vibrant use of acrylic and spray paint, Crash continues to capture the dynamic energy of urban life on gallery-wrapped canvases. This piece, completed in 2022, is a 12x12 inch square canvas that vibrates with the intensity and controlled chaos Crash is celebrated for. Crash's Mastery in Street Pop Art and Graffiti In "Untitled Canvas III," Crash's expertise in manipulating acrylics and spray paints to create textured, layered works is evident. The piece features an array of geometric shapes and vivid colors that interlock and overlap, making a sense of depth and movement. His signature bold lines and sharp angles reflect the influence of graffiti art while incorporating various forms and colors, which is reminiscent of the pop art movement. Each element in this artwork is carefully crafted to maintain a visual balance, echoing the rhythm and beat of street life. A Closer Look at "Untitled Canvas III" Crash's "Untitled Canvas III" showcases his artistic skills and his ability to communicate through visual language. When viewed in totality, The seemingly abstract forms suggest a narrative left to the viewer's interpretation. This enigmatic quality is a hallmark of Crash's work, inviting audiences to delve into the painting and discover personal connections with the imagery. The piece's size adds an intimate dimension, allowing for a unique interaction between the artwork and its beholder. The Influence of Crash's Work on Contemporary Art John Matos' impact on the art world through his persona Crash has been profound, particularly in the street pop art and graffiti art scenes. "Untitled Canvas III" is a testament to his enduring relevance and innovation as an artist. His work has been instrumental in challenging traditional boundaries and perceptions of fine art, bringing the authentic voice of the streets into the refined atmosphere of galleries. As a signed original, this piece holds a special allure, offering collectors a tangible connection to the energy and spirit of contemporary urban art. In summary, Crash's "Untitled Canvas III" vibrant represents street pop art and graffiti artwork. It encapsulates the essence of Matos' artistic journey, showcasing his distinctive style that has both defined and transcended the genres he works within. The piece stands as a colorful narrative of urban life and a significant addition to the discourse of modern art.

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Untitled Graffiti Original Spray Paint Marker Painting by BLADE- Steven Ogburn One of a Kind Artwork on Bristol Fine Art Paper by Street Art Pop Artist. 2022 Signed & Dated Spray Paint & Marker Painting Original Artwork Size 14x11. Soft crease to the middle as received from the artist. Steven Ogburn, more renowned by his moniker "BLADE", remains a luminary figure in the evolving landscape of graffiti art. His latest masterpiece, an untitled spray paint and marker painting, seamlessly marries the aesthetics of street art with pop culture nuances. Executed on Bristol Fine Art Paper, this work resonates with BLADE's signature vibrancy and unrestrained creativity, a testament to his enduring legacy in the graffiti world. The audacious color palette, punctuated with bold typography and whimsical motifs, creates an engaging visual narrative characteristic of the iconic style that has earned BLADE international acclaim. Crafted in 2022, this piece captures the zeitgeist of contemporary street art, drawing viewers into a vivid tapestry of urban expressionism. Every inch of the canvas exudes BLADE's mastery, from the intricate layering of spray paint to the meticulous detailing with markers. A subtle soft crease running through the middle stands as a mark of authenticity, a characteristic trait received directly from the artist. Such raw imperfections enhance the allure, reminding us of the spontaneous spirit that underpins graffiti culture. In a world where street art continues to break barriers, challenging traditional artistic norms, BLADE's recent artwork is a radiant beacon of the genre's evolution. Both enthusiasts and novices will be captivated by the artwork's depth, reveling in the dynamic fusion of pop art motifs and raw street aesthetics. It is a symbolic representation of BLADE's contribution to an art movement that continually redefines itself, pushing boundaries with every spray and stroke. Steven Ogburn, better known as BLADE, is one of the most influential graffiti artists in the world. Rising to prominence in the New York City subway art movement of the 1970s, BLADE painted an estimated 5,000 trains, earning him the title "King of Trains." His work is characterized by vibrant color palettes, intricate lettering, and bold graphic designs. With a career spanning over five decades, BLADE has transitioned from urban environments to the global art scene, exhibiting his work in galleries worldwide while continuing to inspire new generations of street artists.

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I Love Graffiti Original Painting Acrylic on Linen Canvas by LushSux Graffiti Street Artist Modern Pop Art. 2014 Signed Original Acrylic Graffiti Painting on Stretched Canvas Artwork Size 15.75x19.6 Text Type Art Reading "I Love Graffiti." The Essence of "I Love Graffiti" by LushSux "I Love Graffiti," a striking acrylic on linen canvas by LushSux, captures the heart of street pop art and graffiti artwork with a bold simplicity that speaks volumes. Created in 2014, this signed original measures 15.75x19.6 inches and presents a text type art reading the declarative sentence "I Love Graffiti." LushSux, an Australian street artist known for his controversial and often humorous work, uses this piece to make a direct statement about his passion for graffiti, a sentiment shared by many within and outside the graffiti community. The straightforward message, underscored by the artist's choice to render the text in a style reminiscent of graffiti lettering, conveys a candid appreciation for the art form while also alluding to the complex relationship society has with graffiti. Stylistic Elements and Cultural Commentary in LushSux's Work The artwork's design, characterized by thick black outlines filled with a sky blue, reflects the quintessential graffiti aesthetic—bold, readable from a distance, and unabashed in its existence. This visual approach is not just an artistic choice but also a nod to the origins of graffiti as a form of street-level communication, often used to convey messages or mark territory. LushSux's use of a stretched linen canvas as the substrate for this piece elevates the traditionally illicit act of graffiti into the realm of fine art, challenging viewers to reevaluate the distinctions between vandalism and art. The inclusion of a sardonic footnote, "as long as it's not on my property," adds a layer of self-aware commentary, acknowledging the contentious nature of graffiti as both celebrated art and criticized public nuisance. LushSux's Contribution to the Dialogue on Street Art With "I Love Graffiti," LushSux contributes to the ongoing dialogue about the place of street art in contemporary culture. By bringing a declaration of love for graffiti into the gallery space, the artist bridges the gap between the raw, often unsanctioned expressions found on city walls and the sanitized, curated experience of viewing art in conventional settings. This piece serves as a reminder of the roots of street pop art, grounded in a love for bold expression and the desire to make a mark on the world. As a modern pop artist, LushSux navigates the fine line between irreverence and homage, using his platform to both celebrate and critically examine the art form to which he has dedicated his career. "I Love Graffiti" stands as a testament to the enduring appeal of graffiti and its ability to provoke, inspire, and resonate with a wide audience.

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Love is the Answer Unique Original HPM Spray Paint Silkscreen Print by Mr. Brainwash- Thierry Guetta Mixed Media Screen Print on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2015 Signed with COA Spray Paint, Acrylic Paint Mixed Media Unique HPM Embellished Original Artwork Size 16x21. Famous Theoretical Physicist Albert Einstein Holding a Sign Reading "Love is the Answer" with Tons of Colorful Spray Paint & Paint Hand-Embellished. Love is the Answer: A Portrayal of Genius in Street Pop Art In the eclectic and vibrant contemporary art world, "Love is the Answer" emerges as a profound statement piece crafted by the renowned street artist Mr. Brainwash, known off the canvas as Thierry Guetta. This mixed media screen print on deckled fine art paper is a limited edition piece that seamlessly melds the realms of pop and street art with the iconic image of Albert Einstein. Crafted in 2015, "Love is the Answer" is a unique original hand-painted multiple (HPM) with a silkscreen print foundation, over which Mr. Brainwash has applied spray paint and acrylic paint by hand. This hand-embellishment process ensures that each piece within the series is a one-of-a-kind work of art imbued with its individuality and character. The artwork dimensions are a substantial 16x21 inches, giving the piece a presence that captivates the viewer and invites contemplation. The subject of the artwork is the famous theoretical physicist Albert Einstein, who is depicted holding a sign that reads "Love is the Answer." This message, combined with the visual cacophony of vibrant spray paint, creates a juxtaposition that is at once striking and thought-provoking. The image of Einstein, synonymous with intelligence and insight, coupled with a simplistic yet universal message about love, prompts a dialogue about the complexities of the human condition and the simplicity of its resolution through love. Signature Style of Mr. Brainwash Mr. Brainwash is pivotal in bringing the street art aesthetic into the gallery space. His work often incorporates figures of historical and cultural significance, placing them within a contemporary context that is both accessible and critically engaging. In "Love is the Answer," the artist's signature style is evident: a base of monochromatic tones accentuated with explosions of color, symbolizing the chaos and vibrancy of life. Like much of Mr. Brainwash's work, this piece is more than a simple depiction; it is an interactive experience. The splatters and drips of paint do not merely adorn the paper; they disrupt and engage with the image of Einstein, suggesting that even amidst the calculated precision of science, there is room for the spontaneity and passion of art. Love is the Answer Unique HPM  Cultural Impact and Collectibility As a collectible artwork, "Love is the Answer" holds a special allure. Mr. Brainwash signs it, and it comes with a Certificate of Authenticity, which adds to its desirability as a piece of art history. The mixed media elements and the limited edition nature of the work make it a sought-after item for collectors and enthusiasts of street pop art and graffiti artwork. The cultural impact of the piece is significant as well. It represents a bridge between various forms of expression, from the cerebral world of theoretical physics to the dynamic realm of street art. By placing Einstein in such a colorful and unexpected context, Mr. Brainwash invites viewers to reconsider the figure as a scientist and a messenger of peace and love. Mr. Brainwash's "Love is the Answer" is a powerful example of how street pop art and graffiti can transcend the streets and enter the pantheon of high art. The piece does more than depict a famous figure; it imbues the image with new meaning and relevance. It is a declaration that amidst the complexities and challenges of life, the simplest of truths can resonate the loudest. For collectors and admirers, owning "Love is the Answer" is not just an investment in a piece of art but an endorsement of its message and the conversation it continues to inspire.

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2 7 Avenue Line OTboys- Silver Sign Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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Absolute Ali Unique Original HPM Spray Paint Silkscreen Print by Mr. Brainwash- Thierry Guetta Mixed Media Screen Print on Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2017 Signed Custom Framed with COA Spray Paint, Acrylic Paint Mixed Media Unique HPM Embellished Original Artwork Size 48.5x35.5. Famous Boxer Muhammad Ali Raising Hands in Boxing Sports Victory with Tons of Colorful Spray Paint & Paint Hand-Embellished. Custom Ornate Gold Frame Size 57x45 Evolution and Impact of Mr. Brainwash's Street Pop and Graffiti Artwork The vibrant and irreverent energy of Street Pop Art and Graffiti Artwork has radically transformed the visual landscape of urban culture. These forms of artistic expression, which have their roots deeply embedded in the subversive countercultures of the past, have now ascended to the pantheon of high art, thanks to the works of visionaries like Thierry Guetta, also known as Mr. Brainwash. His unique approach to art, which combines elements of both street art and pop art, has resulted in creations that are not only visually stunning but also rich in cultural commentary. Mr. Brainwash burst onto the art scene with his innovative blend of street art sensibilities and pop art aesthetics. His work often incorporates iconic figures and familiar motifs, recontextualizing them within street art's urban grit and spontaneous energy. His 2017 "Absolute Ali" piece is a powerful testament to this style. By using silkscreen printing and hand embellishments with spray and acrylic paints, Mr. Brainwash creates a multi-layered texture that echoes the complexity of the cultural icon it depicts: the legendary boxer Muhammad Ali. "Absolute Ali" - A Masterpiece of Mixed Media "Absolute Ali" stands as a stunning example of Mr. Brainwash's artistry. This piece showcases a limited edition, mixed media screen print on fine art paper featuring the heavyweight champion Muhammad Ali. The artwork captures the triumphant moment of Ali raising his hands in victory, immortalizing the emotion and power of the sports legend. Through the application of vibrant and chaotic splashes of color, the artwork is infused with a sense of movement and dynamism characteristic of both Ali's boxing style and Mr. Brainwash's artistic approach. This work is not just a mere portrait but a celebration of triumph, diversity, and the indomitable spirit of the human will, as embodied by Ali. The backdrop of the composition is a veritable collage of imagery and color, with each layer of paint and each silkscreened element building upon the last to create a rich tapestry of visual stimuli. The piece is a feast for the senses, with the hand-embellished splatters of paint not only adding texture but also creating an almost palpable energy that radiates from the canvas. The Role of Street Pop and Graffiti Artwork in Contemporary Art Artworks like "Absolute Ali" are pivotal examples of how Street Pop Art and Graffiti Artwork have shifted the boundaries of traditional art. They reflect the cultural zeitgeist, encapsulating the streets' voices, struggles, and victories. By bringing such work into galleries and the realm of fine art, artists like Mr. Brainwash challenge preconceived notions of what art can be and who it is for. This democratization of art has led to a more inclusive and diverse art world where the line between high art and street culture is increasingly blurred. The limited edition nature of "Absolute Ali," coupled with its hand-embellished features, ensures that each piece is a unique treasure, representing Mr. Brainwash's vision. The artwork's custom ornate gold frame further enhances its allure, juxtaposing the traditionally luxurious connotations of gold and the raw, unrefined essence of street art. For collectors, owning a piece like "Absolute Ali" is not just an investment in art; it is an investment in cultural history, a snapshot of when street art rose to prominence and reshaped the art world. "Absolute Ali" is more than just a work of art. It is a cultural artifact that embodies the essence of Street Pop and Graffiti Artwork. Through the fusion of silkscreen printing and spray paint, Mr. Brainwash has created an artwork that vibrates with life, encapsulating the spirit of Muhammad Ali and the essence of street art. It is a bold statement in the ongoing narrative of art history, highlighting the ever-evolving nature of artistic expression and the power of art to capture the human experience.

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Animaniac Original Marker & Pencil Hand Drawing on Bristol Paper by Modern Graffiti Street Art Artist Sechor. 2021 Signed Original Marker Drawing 01/2021 14x17 in, Bristol Paper

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Wild Style Super Jumbo 9252 Original Spray Painting by Seen UA One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Spray Paint Painting Original Artwork Size 94x34 Seen Throw Up Graffiti Street Art "Wild Style Super Jumbo 9252," an original spray paint artwork by Seen UA, is a striking testament to the enduring influence of graffiti on street pop art. This one-of-a-kind piece, crafted by one of the most notable figures in the street art world, showcases the vibrant energy and bold aesthetics that define Seen UA's style. Signed and dated 2023, the artwork spans an impressive 94x34 inches, rendered on canvas—a medium that bridges the gap between the street and the gallery. This piece exemplifies the "wild style" graffiti technique, characterized by intricate, interlocking letters and shapes that seem to dance vibrantly across the canvas. The color palette is quintessentially Seen UA, with bright blues and vivid oranges creating a sense of movement and depth that is almost tangible. This particular style has its roots in the early days of New York City subway graffiti, but Seen UA has evolved it into a sophisticated art form that resonates with the energy of contemporary street pop art. The work's scale and complexity reflect the artist's mastery over spray paint, a medium that is notoriously difficult to control. Seen UA's expertise transforms the volatile spray paint into a precise and expressive tool, resulting in artwork that is both spontaneous and meticulously planned. The result is a visual symphony of color, form, and style emblematic of Seen UA's status as a pioneer in the graffiti and street art scene. "Wild Style Super Jumbo 9252" is more than a piece of art; it is a narrative of street art's journey from the fringes to the mainstream, maintaining its edge and authenticity even as it graces the spaces of fine art. For collectors and enthusiasts alike, this work connects the roots of street pop art and graffiti, embodying the rebellious spirit and raw talent that has propelled the genre to global acclaim.

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Splash Untitled Graffiti Deck Original Spray Paint And Mixed Media Skateboard Deck Art By Street Pop Culture Artist Sonic Bad x Madhaterz Bad Crew. 2010 Signed Sonic Bad Original Graffiti Art Deck Splash Untitled Graffiti Skateboard Deck By Madhaterz Bad Crew Spray Paint & Markers On A Well-worn Deck Graffiti.  Sonic Bad x Madhaterz Bad Crew's Graffiti Narratives on Skate Decks In street pop art and graffiti artwork, transforming everyday objects into pieces of cultural commentary is commonplace. Madhaterz Bad Crew, which surfaces in underground art circles, has taken this practice to new levels with the 'Splash Untitled Graffiti Deck.' This original spray paint and mixed media skateboard deck art created in 2010 is a testament to street art's fluid boundaries and raw, expressive potential. The 'Splash Untitled Graffiti Deck' by Sonic Bad x Madhaterz Bad Crew is a vibrant collage of colors, symbols, and letters that are hallmarks of classic graffiti art. The piece showcases the distinctive style of graffiti writing, where letters morph into elaborate forms that transcend readability and enter the realm of visual spectacle. Each curve and line is charged with energy, indicative of the motion and dynamism inherent in skateboarding and street art culture. Madhaterz Bad Crew employs a combination of spray paint and markers, materials that are deeply rooted in the graffiti tradition. The interplay of these mediums on the well-worn surface of the skateboard deck highlights the artist's dedication to authenticity and lived experience. The deck itself, scuffed and used, contributes to the artwork's narrative, suggesting a life and history that parallels the transient and often ephemeral nature of graffiti itself. Exploring the Cultural Context of the Graffiti Skate Decks Skateboarding culture and graffiti have long been intertwined, both seen as forms of street-level expression that challenge mainstream norms and celebrate individuality. By applying the graffiti aesthetic to a skateboard deck, Sonic Bad x Madhaterz Bad Crew fuses these two worlds and comments on the commodification of rebellion and the commercialization of street culture. Once a functional tool for transportation and tricks, the deck becomes a mobile canvas that carries the artist's message wherever it goes. The splash of colors and the intricate designs serve as a visual lexicon of street pop art, where the message is not always direct but is always felt. The piece does not shy away from the gritty origins of its art form, proudly displaying signs of wear and tear. This authenticity is central to the work's impact, grounding it in reality while allowing it to serve as a piece of visual poetry. The 'Splash Untitled Graffiti Deck' is more than just an object; it is a snapshot of the cultural zeitgeist of the early 21st century, encapsulating the spirit of defiance and creativity that defines street pop art. The artwork symbolizes the unyielding force of urban artistic expression and its ability to infuse everyday objects with profound meaning. Madhaterz Bad Crew, whose real identity, like many street artists, is shielded from public knowledge, embodies the anonymous heroism often celebrated in street art circles. The artwork continues to resonate with fans of skate culture and graffiti, serving as a reminder of the power of art to transform, confront, and engage. In the 'Splash Untitled Graffiti Deck,' Sonic Bad x Madhaterz Bad Crew has created a piece that is a visual feast and a cultural artifact that speaks to the heart of what it means to be a creator in the urban landscape. It is a celebration of street art's raw, untamed energy and its indelible mark on popular culture.

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Priority Mail GOAT Marker Original Sticker Drawing Slap-Up Label Painting/Drawing Artby Tru Graffiti Legend RD-357 Modern Street Artist. Original Slap Up Graffiti Art Tag, Signed 2021 4.25x5.5

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What Goes Up Original Spray Paint Acrylic Painting by Meggs One of a Kind Artwork on Canvas with Custom Reclaimed Wood Frame by Street Art Pop Artist. 2014 Signed Acrylic & Spray Paint Painting Original Canvas in Artist Hand Made Reclaimed Wood Frame Artwork Size 49x49. From Spoiled Rotten Show. Exploring the Dynamic Essence of Meggs' "What Goes Up" "What Goes Up" is an original acrylic and spray paint painting by the acclaimed street pop artist Meggs that encapsulates the dynamism and energy of his work. Created in 2014, this artwork reflects Meggs' signature style, which harmoniously blends street art's rawness with pop art's vividness. This one-of-a-kind artwork is a statement piece and a storytelling canvas that explores themes prevalent in Meggs' oeuvre, such as the constant struggle between opposing forces and the transient nature of success and failure. The painting measures 46x46 inches and is housed in a custom reclaimed wood frame handcrafted by the artist. Reclaimed wood adds an eco-conscious dimension to the artwork, reinforcing Meggs' interest in sustainability and the repurposing of materials. This choice of framing also accentuates the urban and gritty feel of the painting, resonating with the street art tradition of using found objects and spaces. Artistic Techniques and Visual Impact in "What Goes Up" Meggs employs acrylic and spray paint in "What Goes Up," showcasing his adeptness at using traditional and non-traditional media. The acrylic provides depth and texture, while the spray paint offers a sense of immediacy and spontaneity intrinsic to graffiti artwork. The painting is a cacophony of colors, bursting forth from a central point, suggesting an explosion of energy and creativity. The colors are not just randomly splashed across the canvas; they are meticulously layered to create a visual impact that is both chaotic and controlled. The artwork features a skull motif, a recurring element in Meggs' art, which often symbolizes the transient nature of human existence and the cyclical nature of life. However, in "What Goes Up," the skull is juxtaposed with vibrant colors and comic-style exclamations, which could be interpreted as a commentary on the superficiality of popular culture and the fleeting nature of fame and success. The skull seems to be disintegrating or exploding into an array of colors and shapes, a powerful visual metaphor for the inevitable downfall that follows a rise to the top. Cultural Commentary and the Essence of Street Pop Art The painting's title, "What Goes Up," hints at the adage "what goes up must come down," suggesting a narrative of ascent and descent. Meggs often infuses his Street Pop Art and graffiti Artwork with philosophical musings and critical observations of society. The work symbolizes the cyclical patterns of life and can be seen as a reflection of the transient nature of success or the hubris that often precedes a fall. The artist's use of text in the painting, rendered in a comic book style, adds a layer of communication with the viewer, inviting them to ponder the deeper meanings behind the vibrant facade. The piece is a testament to the artist's ability to navigate the space between gallery and street art, making it accessible to a diverse audience. The inclusivity of street art is evident in Meggs' work, where the public space becomes a canvas for dialogue, and the art becomes a part of the everyday urban landscape. "What Goes Up" is not just a visual spectacle but also a piece of cultural commentary, encapsulating the ethos of street art and its role in contemporary discourse. "What Goes Up" is a prime example of Meggs' impact on the field of street art and his contribution to the broader pop art movement. The painting manifests the artist's dedication to craft, concept, and commentary. Through the integration of various artistic techniques and the strategic use of reclaimed materials, Meggs has created an artwork that is both a visual feast and a conceptual powerhouse. The significance of Meggs' work lies in its ability to resonate with viewers on multiple levels. This work can be appreciated for its aesthetic qualities and ability to evoke emotion and provoke thought. As a piece of Street Pop Art and graffiti Artwork, "What Goes Up" embodies the spirit of this genre, which continues to push the boundaries of art and its place in society. It remains a poignant piece within Meggs' body of work and within the larger conversation of contemporary art.

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Bubbles 9015 Original Spray Painting by Seen UA, a One-of-a-kind Artwork on Canvas by a Street Art Pop Artist. 2023 Signed Spray Paint Painting Original Artwork Size 30x34 "Bubbles 9015" is a vivid and engaging piece of art by the acclaimed street artist Seen UA, who is widely recognized as one of the pioneering figures of the graffiti movement. Originating from New York in the late 70s and early 80s, Seen UA's work quickly gained popularity, resonating with its energetic and dynamic expression of urban life. "Bubbles 9015" is a significant representation of Seen's mastery over spray paint, directly connecting to his graffiti origins and situating him firmly within pop art. Executed with a bold and vibrant palette, the painting captures the viewer's attention with its intricate detailing of bubbles, serving as a metaphor for transience and fragility. The artwork also encapsulates Seen's idiosyncratic pop sensibility, wherein everyday objects have new layers of meaning and interpretations. While "Bubbles 9015" draws from the aesthetics of street art, it is a testament to Seen's adaptability and evolution as an artist, transcending the confines of its graffiti roots to find a place in fine art galleries worldwide. The artwork challenges conventional boundaries and, in doing so, epitomizes the evolution of street art into an accepted and celebrated form of contemporary art. Through this piece, Seen UA reaffirms his place as a trailblazer in the evolution of graffiti and street art, reshaping and redefining its significance in the art world.

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MTA Subway Sign- Elevator to Mezzanine Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Original authentic MTA subway sign this is an authentic 14x51inches metal subway sign spray-painted by cope2 . Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

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No Trespassing No Graffiti 12x18- III Original Mixed Media Painting graffiti artist modern pop art on Real Metal Street Sign by Cope2. 2020 Signed Original Spray Paint Painting Bubble Letter on Real Metal Street Sign Artwork Size 12x18. No Trespassing No Graffiti Surveillance Sign. Challenging Norms with Cope2's Street Pop Art & Graffiti Artwork The piece "No Trespassing No Graffiti 12x18- III" by Cope2 is a provocative work that embodies the rebellious spirit of street pop art and graffiti artwork. The 2020 signed original spray paint painting features bubble letters on a real metal street sign, size 12x18 inches, boldly proclaiming "Graffiti Is A Crime." This artwork is a direct challenge to the legal and societal boundaries that have long been imposed on graffiti artists. Cope2, a name that carries weight in the graffiti world, uses this piece to confront the paradox of graffiti as an art form: its simultaneous existence as a celebrated creation and a criminal act. The medium of the actual metal street sign, an object that typically represents law and control, is subverted and repurposed as a canvas for free artistic expression. This inversion is symbolic of the very nature of street art — a medium that often exists in heavily regulated and surveilled spaces. By choosing this as his canvas, Cope2 does not just create a piece of art; he crafts a statement on the right to public space and the nature of artistic freedom. The Socio-Cultural Commentary of Cope2's Work "No Trespassing No Graffiti" is more than a visually striking piece; it serves as a socio-cultural commentary on the state of street art today. The bright colors and the unmissable bubble letters are quintessential elements of traditional graffiti, yet they stand in stark contrast against the formal, authoritative backdrop of the street sign. This contrast is a visual metaphor for the tension between the artist and the establishment, between creativity and conformity. The artwork captures what Cope2 represents — an artist who has thrived in the face of adversity and legal challenges for over three decades. This mixed media piece shows his dedication to the craft and his ability to adapt and evolve. He showcased his mixed-media the streets to a respected figure in modern pop art while maintaining the edge and authenticity of his street roots. Impact of "No Trespassing No Graffiti" on Street Pop Art & Graffiti Artwork Cope2's "No Trespassing No Graffiti" impact on the perception of street pop art and graffiti artwork cannot be understated. It is an embodiment of the defiance often intrinsic to this genre of art. Yet, it also represents a maturation of the form, a sign that street art has claimed its rightful place in contemporary art discourse. The piece stands as a symbol of resistance against the criminalization of graffiti, urging a reexamination of the laws and cultural perceptions that govern public expression. Through this work, Cope2 asserts the value of street art as a legitimate and powerful form of social and artistic expression. The painting is a direct engagement with the viewer, a call to question and redefine the boundaries of legality and artistry. It is a bold declaration that the presence of graffiti in the public sphere can be both an act of vandalism and a significant cultural artifact. "No Trespassing No Graffiti" is a pivotal piece in the narrative of street pop art and graffiti artwork. It is a testament to Cope2's enduring influence and his commitment to pushing the boundaries of what street art can convey. This artwork is not just a statement against prohibition; it is a proclamation of the transformative power of graffiti, its role in challenging the status quo, and its potential to change how we interact with and understand the urban landscape. It is a piece that encapsulates the complex identity of graffiti, standing as a vibrant example of the dialogue between artist, city, and society.

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Eyes Like Those Original One of a Kind Mixed Media Spray Paint Collage Painting Artwork on Stretched Canvas by Pop Artist Indie184- Soraya Marquez. 2017 Signed Original One of a Kind Painting Size 35.5x48 Unlined canvas.

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Orange Umber #1 Original Painting MTN Acrylic Spray on Watercolour Art Paper by Dvate Graffiti Street Artist Modern Pop Art. "The print is based of an original artwork that was produced a few years back for a group show at our old gallery PerSquareMetre. I was exploring degradation and layering and also painting on found objects. The original piece belongs to my wife and she won't give it up! The original piece was created using a combination of acrylic paint and spray enamel. The artwork is painted on an old print that belonged to my Mother. I really liked the texture and weathering of the timber on the back so that’s the side I chose to paint. The cheesy 50’s print is still on the other side.At the time I was working with a lot of found objects and customizing my letter style to suit them. I have always used layering in my work to create depth and reference to the gritty street walls that were my original canvas."- Dvate

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Detroit Series 25 Original Painting Spray Paint, Acrylic Paint, and Mixed Media on Cradled Wood by Cope2 Graffiti Street Artist Modern Pop Art. 2010 Signed & Titled Original Spray Paint Acrylic Paint Mixed Media Painting on Cradled Wood Panel Ready to Hang Graffiti Artwork Bubble Letter Size 24x16 "I've always wanted to do a show like this. Lately, I have transitioned mostly into mixed media paintings, but I've been doing hardcore graffiti, if you want to call it that, for thirty-plus years. It's what made me Cope2. But I like to change it up and show all my different styles. So, with this show, I can show my style evolution and how I've progressed. "Versatile" shows where I came from and what I'm doing now," Cope2 said from his studio in New York. -Cope2 The Evolution of Cope2 in Street Pop Art and Graffiti Artwork Within the pantheon of street pop art and graffiti artwork, Cope2 stands as a figure of significant importance, a name synonymous with the gritty roots and dynamic evolution of the genre. The "Detroit Series 25 Original Painting" is a testament to the artist's journey through the ever-changing landscape of urban art. This 2010 signed and titled original piece, measuring 24x16 inches, fuses spray paint, acrylic paint, and mixed media on a cradled wood panel, embodying the essence of what Cope2 has termed as 'hardcore graffiti.' Yet, it does more than that. It showcases a readiness to hang graffiti artwork that pulsates with the energy of bubble letters, a signature style that has made Cope2 a celebrated figure in modern pop art. This piece is not simply a static work of art; it narrates the story of Cope2's artistic evolution. Having spent over three decades dedicated to the craft of graffiti, Cope2 has earned recognition not just for his adherence to the raw foundations of graffiti but also for his adaptability and his embrace of mixed media approaches. The "Detroit Series 25" reflects this transition, showcasing how the artist has progressed from the streets to the studio, from the brief to the enduring. Cope2's Artistic Journey and Influence on Modern Art In the artist's words, Cope2 has described his artistic journey as one marked by versatility and evolution. The shift from exclusively employing spray paint to a multifaceted array of mediums signals a broader trend within street art's integration into the fine art world. The "Detroit Series 25" is emblematic of this shift, combining traditional graffiti techniques with the tactile nature of acrylics and the solidity of wood as a canvas. This fusion reflects a sophisticated approach to street-inspired art, blurring the boundaries between an underground subculture and the polished gallery scene. Cope2's work, particularly in the "Detroit Series," can be seen as a cultural chronicle, documenting the rise of street art from subversive beginnings to mainstream acclaim. His pieces are imbued with the spirit of New York's urban landscape, the birthplace of contemporary graffiti, yet they speak to audiences far beyond the city's confines. Through his work, Cope2 has captured the visceral thrill of graffiti, the bold colors, the daring contours, and the unapologetic self-expression, all while translating it into a format that commands respect within the contemporary art sphere. Reflecting Social Narratives through Graffiti Artwork Cope2's "Detroit Series 25" is more than an aesthetic endeavor; it is a social statement, capturing the zeitgeist of its era. His art does not exist in a vacuum but as a vibrant commentary on the environment from which it springs. The artwork tells the story of transition, not just for the artist but for the medium of graffiti itself. Once relegated to the fringes of the art world, considered an act of vandalism, graffiti has been recontextualized through works like those of Cope2. These pieces reflect the changing narratives around street art, elevating it to a form of street pop art that mirrors society's evolving attitudes towards public space, ownership, and artistic liberty. The legacy of Cope2's "Detroit Series 25" lies in its ability to capture the imagination of a diverse audience, bringing the raw, unfiltered voice of the streets into the sanctified spaces of art galleries. It embodies the spirit of resilience and adaptability, allowing graffiti to endure and flourish despite often hostile societal perceptions. The artwork stands as a vibrant testament to the power of street pop art and graffiti artwork to transcend their origins, influencing and reshaping the modern art scene in profound ways. In contemplating the impact of the "Detroit Series 25," it becomes clear that Cope2's influence extends beyond the visual. His work, with its vivid imagery and poignant use of mixed media, underscores the potential of graffiti to act as a catalyst for dialogue and reflection. It is a powerful demonstration of the artist's ability to evolve while remaining true to the core tenets of his craft, ensuring that his work remains relevant and resonant in the fast-paced world of modern art. Through his creations, Cope2 has shown where he came from and what he is doing now, marking his indelible imprint on the fabric of street pop art and graffiti artwork.

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Chekers Original One of a Kind Mixed-Media Spray Paint Painting Artwork on Wood Panel by Popular Street Graffiti Artist Sechor. 2019 Signed Mix Media on 16x30 on Unstretched Canvas

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In Every Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 "Life In Every Breath" Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Box Has Artist-Made Paint Marks. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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SlapTag Urban Decay Original One of a Kind Montana Gold Spray Paint and Acrylic Painting Artwork on Wood by Popular Street Graffiti Artist Lyric One. Signed Original 2021 Montana Gold Spray Paint and Acrylic on Wood Panel Size: 18 x 18 x 2 Inches Release: November 01, 2021

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To The Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Signed Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Signed RekOne NSA & RekOne WB Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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Punisher Crossing Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal Crosswalk Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Real Reclaimed NYC New York City Crossing Cross Walk Street Sign Painting Original Artwork Size 30x37.5  RD-357: Pioneering Street Pop Art on Urban Canvases RD-357, an artist known for his distinctive contribution to street pop art and graffiti artwork, has manifested his creativity through a unique, striking, and thought-provoking medium. His original piece titled "Punisher Crossing Original Street Sign Painting" encapsulates street art's raw essence while ingeniously infusing pop culture iconography elements. This work is a stellar example of RD-357's inventive use of everyday objects as canvases, transforming a mundane metal crosswalk street sign into a vibrant artwork that commands attention and sparks dialogue. The "Punisher Crossing" is a unique artwork that exudes the rebellious spirit and subversive edge often associated with street pop art. Created in 2012, this mixed media piece employs acrylic and spray paint on a real crossing sign measuring 30x37.5 inches. RD-357's choice to use an actual street sign as the foundation for his artwork not only repurposes the object but also embeds the art piece within the fabric of urban life it seeks to comment on. The sign, once a directive for pedestrians, now carries a powerful visual message, made all the more potent by its placement on an object of regulation and order. The Artistic Language of RD-357's Street Sign Paintings In "Punisher Crossing," RD-357 demonstrates a masterful control over color and composition. The background of the sign is ablaze with a vivid, almost violent splatter of yellow and red spray paint, reminiscent of the chaos and energy of city streets. Against this explosive backdrop, the figure of the Punisher is rendered with precision in acrylic, his stark, menacing presence immediately drawing the eye. The character's hand, outstretched and holding a gun, breaks the boundaries of the sign's frame, suggesting a defiance of constraints and a breaking free from imposed limits. RD-357's work is deeply embedded in the language of street pop art, a genre that combines the gritty, underground aesthetic of street art with the bright, graphic quality of pop art. His paintings, especially this piece, are a dialogue between the artist and the urban landscape, between the fictional characters of pop culture and the reality of the viewer's environment. By bringing the Punisher - a symbol of vigilante justice and anti-heroism - into the context of a crosswalk sign, RD-357 creates a juxtaposition that is at once startling and intriguing. The artwork becomes a statement on control and chaos, power and powerlessness, and the fine line between societal order and individual action. RD-357's Impact on Contemporary Street Art RD-357's contributions to the street art scene have been significant, and his influence can be seen in the way street pop art has evolved over the years. His artworks, particularly those on street signs, are more than mere paintings; they are interventions into the urban environment, which challenge the viewer to reconsider the role and potential of public space. The "Punisher Crossing" sign is emblematic of this approach, seamlessly integrating art into the city's daily liandlso elevating the discourse around street art. By signing his work, the artist claims ownership of a public domain piece, an act that is a form of artistic rebellion. The signature on "Punisher Crossing" is not merely a mark of authenticity; it is a declaration of presence, a proof of the artist's interaction with the world around him. Through works like this, RD-357 has etched his name into the annals of street pop art history, securing his place as a maverick who has expanded the possibilities of graffiti artwork. The "Punisher Crossing Original Street Sign Painting" by RD-357 stands as a testament to the power of street pop art to communicate, provoke, and inspire. By transforming a simple street sign into a complex and compelling work of art, RD-357 challenges perceptions, invites reflection, and continues influencing the ever-evolving narrative of street and graffiti art.

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Spray Can Raw Series 7897 Original Graffiti Painting by Seen UA One-of-a-kind Spray Paint & Acrylic Painting Artwork on Stretched Canvas. 2022 Signed Original Stencil Multi Tags Series Acrylic & Spray Paint Painting Size 18x30 The artwork titled "Spray Can Raw Series 7897" is a distinctive original graffiti painting created by Seen UA, a revered figure in urban art. This piece is a one-of-a-kind fusion of spray paint and acrylic, boasting a raw energy that encapsulates the spirit of street pop art and graffiti artwork. Crafted in 2022, the painting is part of the Original Stencil Multi Tags Series, a collection that showcases the artist's adeptness in combining various elements of street art and fine art. Spanning a size of 18x30, the artwork is rendered on stretched canvas, a medium that offers a traditional touch to the otherwise rebellious art form. UA's signature is prominently featured, affirming the authenticity and originality of the piece. The use of spray cans, a hallmark tool in the graffiti world, is evident in the bold, swooping lines that dominate the visual field, lending a sense of movement and immediacy to the work. This piece reflects the broader aesthetic movements of pop art and graffiti, which have long been intertwined. Pop art's influence on graffiti is visible in the bright colors, the incorporation of commercial and urban imagery, and the emphasis on visual impact. Conversely, graffiti lends a raw, unfiltered voice to the polished surfaces of pop art, infusing it with a sense of urgency and authenticity. "Spray Can Raw Series 7897" exemplifies this cross-pollination, embodying the energy of the streets while holding its own as a piece of fine art. The result is a vibrant and thought-provoking piece that challenges boundaries and continues to shape the evolving narrative of contemporary art.

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Stacked MTA Subway Map 11 Original Spray Painting by Cope2- Fernando Carlo One of a Kind Artwork on Real New York Train Map by Street Art Pop Artist. 2011 Signed Spray Paint Painting Original Artwork Size 22.8x28.9 Custom Framed Subway Map from New York City.

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Bubbles PNB RAW 8670 White Original Graffiti Painting by Seen UA, One-of-a-kind Spray Paint and Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original White Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023. Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8670 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering and bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8670, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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Brut Island Funk HTF Sign Original Mixed Media Spray Paint Painting Modern Graffiti Pop Art on Vintage Tin Business Sign by Artist DrNuse89. 2022 Signed Original Painting on Vintage Tin Business Sign Size 42x11

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Heath Ledger Joker Construction Zone Original Street Sign Painting by RD-357 Real Deal One of a Kind Artwork on Real Metal NYC New York Construction Zone No Trespassing Street Sign by Graffiti Art Pop Artist. 2012 Signed Mixed Media Acrylic & Spray Paint on Reclaimed NYC New York Construction Zone No Trespassing Sign Painting Original Artwork Size 24x24 Batman Villian Played by Heath Ledger in the Movie as Joker Looking at the Viewer. RD Tag in Rust Red. RD-357's Heath Ledger Joker: A Fusion of Street Pop Art and Iconography The Heath Ledger Joker Construction Zone original street sign painting by RD-357, also known as Real Deal, encapsulates the essence of street pop art through its provocative use of public signage repurposed for artistic expression. Created in 2012, this mixed media acrylic and spray paint artwork transforms a New York City construction zone 'No Trespassing' sign into a canvas, depicting the iconic Batman villain played by Heath Ledger in a way that both challenges and captivates the viewer. Contextualizing RD-357's Artistic Approach RD-357, an artist whose real name remains elusive in the true spirit of street art anonymity, is known for his gritty interpretations of pop culture figures on unconventional canvases. This particular artwork measures 24x24 inches and is a testament to street art's versatility, pushing beyond traditional boundaries. RD-357 draws upon the anarchic spirit of the Joker, using a symbol of law and order – a construction sign – to present an image of chaos and rebellion. The irony is palpable; the sign, which once stood as a warning against unauthorized entry, now invites viewers to engage with the art in a personal, almost aggressive manner. Symbolism and Impact in RD-357's Joker Artwork This piece is not just a portrait; it is a statement. By choosing Heath Ledger's Joker, RD-357 taps into the collective consciousness of a society fascinated by the anti-hero archetype. Ledger's portrayal of the Joker was posthumously celebrated, and his death in 2008 left a cultural imprint that RD-357 leverages in this artwork. The juxtaposition of the Joker’s figure against the backdrop of a New York construction sign speaks volumes about the chaotic undercurrents within the perceived order of urban life. The use of mixed media, with acrylic and spray paint, highlights street art's raw, visceral nature, while also paying homage to the vibrancy of pop art. The viewer is confronted with the Joker's gaze, which, coupled with the bright warning colors of the construction sign, creates an unsettling yet magnetic presence. This interaction compels the audience to contemplate the layers of meaning behind the piece – from transforming public property into a medium for personal expression to the dialogue between art and spectator that challenges societal norms and the very definition of public space. In conclusion, RD-357's Heath Ledger Joker on a New York City construction sign is an outstanding example of how street pop art can merge cultural iconography with subversive messaging. Through this piece, the artist immortalizes a beloved film character and raises questions about authority, ownership, and the role of art in public discourse. The artwork remains a one-of-a-kind testament to the power of graffiti art to redefine spaces and provoke thought long after the paint has dried.

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Gold Foil Patch Original Marker Drawing by Saber on Antiqued Raw Fine Art Paper Modern Street Pop Artwork. 2023 Signed Original Marker & Gold Foil Drawing Size 5x6  

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My Shadows Got My Back Original One of a Kind Mixed Media Spray Paint &b Acrylic Painting Artwork on Canvas by Popular Street Graffiti Artist Chris RWK. 2022 Signed Original 24x30 Canvas Painting A child of the 80s, Chris’ world was often completely flooded with the imagery and ideas presented by his television, his comic books, and the music and movies of the time. Immersed in these various mediums, Chris began to store the images brought forward though these everyday experiences in what he refers to as a “mental journal”.

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Caravan Chaos Side 4 Panel 11 Original Spray Paint Painting by Mr Doodle- Sam Cox One of a Kind Artwork on Aluminum Panel Mounted On Plywood by Street Art Pop Artist. 2015 Caravan Chaos Side 4 Panel 11 Original 1  of 2 Serial Numbered Spray Painting Original on Aluminum Panel Mounted Plywood Artwork Size 17.25x13.5. Natural Scuffing Lower Right; Residue Lower Right Inherent To The Medium & Media Used. Mr Doodle- Sam Cox's Unique Artistic Language In the dynamic world of pop art and street art, artists like Mr. Doodle, also known as Sam Cox, have carved out a niche with distinctive styles that blur the lines between art, doodling, and graffiti. Mr Doodle's "Caravan Chaos Side 4 Panel 11" is an original work that exemplifies this fusion, showcasing a unique visual language that is playful and meticulously detailed. This one-of-a-kind spray paint painting on an aluminum panel mounted on plywood stands out as a testament to the artist's skill and originality. Spray-painting directly onto an aluminum surface, Mr Doodle's "Caravan Chaos Side 4 Panel 11" is part of a larger body of work that portrays a chaotic yet harmonious world filled with interlocking characters and symbols. Measuring 17.25 by 13.5 inches, this artwork is a vibrant tableau of black and white, teeming with life and movement. The natural scuffing and residue are inherent to the medium and media used to add an extra layer of authenticity and rawness to the artwork. These imperfections are not drawbacks but integral elements contributing to the piece's storytelling. Exploring the Details of Caravan Chaos The intricate patterns and characters that seem to dance across the metal canvas make the artwork's complexity apparent. Each character is whimsically drawn, yet an underlying order to the chaos suggests a narrative or a snapshot of a larger, unseen universe. This snapshot is a classic example of how street art and pop art can transform everyday objects and materials into something extraordinary, a characteristic feature of Mr Doodle's artistic approach. The choice of materials in "Caravan Chaos Side 4 Panel 11" is crucial to understanding Mr Doodle's work. The aluminum panel offers a smooth surface that interacts uniquely with the spray paint, allowing for crisp lines and a stark contrast between the black and white hues. Mounted on plywood, the piece gains a sturdy backdrop, anchoring the ethereal doodles to a physical reality. The natural wear on the artwork suggests it has lived beyond the studio, perhaps even in the streets, where the essence of graffiti art is rooted. The Legacy of Mr Doodle's Caravan Chaos This piece by Mr. Doodle is not just a singular work of art but a fragment of a grander vision the artist has been developing over the years. His style is instantly recognizable and has become synonymous with the playful energy and spontaneity that pop art and street art strive to embody. "Caravan Chaos Side 4 Panel 11" is a frozen moment of this vision, inviting viewers to enter Mr Doodle's world—where art is seen and experienced. Sam Cox's contribution to the art world through his Mr Doodle persona is a vibrant chapter in the ongoing pop and street art story. His works, like "Caravan Chaos Side 4 Panel 11," are visually stimulating and a reminder of the power of art to transform and engage with its audience on multiple levels. As this piece stands, it is a celebration of creativity unleashed, a fitting piece for any collection that values the bold and the whimsical.

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Bubbles PNB RAW 8673 Green Original Graffiti Painting by Seen UA, One-of-a-kind Spray Paint & Acrylic Painting Artwork on Unstretched Canvas. 2023 Signed Original Green Bubbles PNB RAW Post No Bills Series Acrylic & Spray Paint Painting Size 26x30 Original canvas from SEEN, Bubbles PNB RAW Series, 2023. Actual painting size is 30" x 34" (76,2 x 86,3 cm) with an added 2" border (5 cm) around all four sides for stretching on wood. Stretched size is 26" x 30" (66 x 76,2 cm) // UN- stretched size is 30" x 34" (76,2 x 86,3 cm). SIGNED ON THE BACK. Bubbles PNB RAW 8673 is an original graffiti painting by renowned graffiti artist Seen UA, whose real name is Richard Mirando. UA is widely considered one of the pioneers of modern graffiti art, with a career spanning over four decades. Born in the Bronx, New York, in 1961, Seen UA started as a subway graffiti artist in the 1970s and soon gained recognition for his distinctive style and bold, colorful designs. The "Bubbles PNB RAW" is a collection of works that showcase the artist's signature lettering and bills stencil, blending street art with traditional fine art. In Bubbles PNB RAW 8673, Seen UA masterfully incorporates bright colors, intricate patterns, and diverse typography to create a striking and vibrant visual experience. As with other pieces in the series, Multi Tags Series 8579 emphasizes the power of artistic expression and its impact on urban landscapes while simultaneously serving as a testament to Seen UA's skill and creativity. The painting would make a significant addition to any contemporary art collection, particularly for fans of street art and graffiti.

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A-Z Lettering 9185 Original Spray Painting by Seen UA One of a Kind Artwork on Canvas by Street Art Pop Artist. 2023 Signed Spray Paint Painting Original Artwork Size 22x28 The LEtter Z IN Graffiti Bubble Letter Style Blue "A-Z Lettering 9185 Original Spray Paint Painting by Seen UA One of a Kind Artwork on Canvas by Street Art Pop Artist" is a standout piece from the prolific pop street artist Seen UA. Renowned for his contributions to the graffiti and street art scene, Seen UA has uniquely established himself as a pioneer in the evolution of pop art, infusing elements of street art to convey vivid and bold expressions. His career spans several decades; his work continues to shape and influence a diverse audience. The A-Z Lettering 9185 is an original artwork on canvas, created using spray paint, Seen UA's medium of choice. This choice of medium is a tribute to the artist's roots in the gritty, energetic world of urban graffiti, a realm where spray paint reigns supreme. The application of spray paint lends a distinct texture to the artwork, with layers of color creating a stunning visual depth. These layers embody the raw energy and vibrancy of street art, transported to a canvas context that enables viewers to appreciate the subtleties of graffiti art in a gallery setting. Focusing on the letter Z, the final letter of the alphabet, the artwork adopts the artist's trademark graffiti bubble letter style. This choice might be viewed as a comment on the ending or culmination of a series, theme, or concept. The letter Z stands proudly in the composition, represented in a striking shade of blue. The choice of color adds a sense of calm and depth to the artwork, juxtaposing the traditionally rebellious connotations of graffiti art with a soothing tone. This bold blue hue, combined with the intricate layers of spray paint, results in a dynamic visual display that is quintessentially Seen UA. Signed and dated 2023, the artwork measures 22x28 inches. Its compact size allows for an intimate viewing experience, fostering a personal connection between the viewer and the artwork. By transitioning his graffiti art from the vast, expansive walls of city streets to the confined borders of a canvas, Seen UA challenges the boundaries between high art and street culture. This shift reflects a broader movement in contemporary art where street art has been increasingly accepted and celebrated within fine art. The A-Z Lettering 9185 is not merely a showcase of Seen UA's exceptional skill and creativity in spray paint. It is a testament to the artist's continuous exploration of lettering styles, colors, and textures, as well as the evolution of graffiti from a form of rebellious expression to a respected form of contemporary art. As a unique and original piece, it encapsulates Seen UA's innovative spirit and commitment to pushing the boundaries of street art, pop art, and everything in between.

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Subways Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Signed Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Signed/Tagged On Front Rekone. Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Box Has Artist-Made Paint Marks. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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MTA Subway Map- Lime Green Purple Original One of a Kind Mixed Media Acrylic Spray Paint Painting Artwork on Reclaimed NYC Paper Subway Map by Popular Street Graffiti Artist ARTIST. Lime green-purple MTA subway map Hand-made original one-of-a-kind Painted NYC subway map. 22x33inches The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Snoopy Bad INC is an original mixed-media graffiti artist—modern pop art on real metal street signs Sonic Bad. 2015 Signed Original Spray Paint Mixed Media on Tin Metal Security Sign. Sonic BAD INC Snoopy Bad INC Artwork Size 14x10 Depicting Peanuts Red Barron Snoopy & Woodstock Bomber Stylistic Graffiti Holding Pistol Gun with Security Camera and Snowman. Sonic Bad's Unique Blend of Iconography: Snoopy Bad INC Sonic Bad's "Snoopy Bad INC" is a striking work that marries the notion of classic comic characters with the gritty edge of street art, showcasing the artist's skill in blending pop culture references with a streetwise aesthetic. The 2015 piece is a mixed media work on tin metal, utilizing spray paint to bring vibrant life to an otherwise mundane security sign. Measuring 14x10 inches, this signed original work presents a version of the beloved Peanuts characters, Snoopy and Woodstock, reimagined as rebellious icons in a stylistic graffiti interpretation. Interpreting Street Narratives through Pop Culture Lenses Sonic Bad, an artist renowned for pushing the boundaries of street pop art, infuses "Snoopy Bad INC" with layers of meaning. By depicting the Red Baron Snoopy and a bomber, Woodstock holding a pistol gun, juxtaposed with a security camera and a snowman, the artwork comments on the surveillance state and the loss of innocence in contemporary society. The playful imagery contrasts with the underlying message about security, surveillance, and the militarization of everyday life. The transformation of familiar, comforting figures into agents of anarchy or resistance is a common theme in modern pop art and graffiti, where the recontextualization of well-known images challenges viewers' perceptions and expectations. Sonic Bad's portrayal invites reflection on how innocence and playfulness can be corrupted by societal control and violence. Crafting Commentary on Canvas and Metal The choice of a metal street sign as the canvas for "Snoopy Bad INC" is particularly resonant, suggesting a subversion of authority and a claim to the public space typically dictated by such signs. Sonic Bad's adaptation of the sign, a symbol designed to regulate and warn, into a piece of art underscores a reclaiming of agency, turning a tool of control into a medium for free expression. The use of mixed media in "Snoopy Bad INC" highlights Sonic Bad's versatility as an artist. Spray paint, a staple in graffiti art, brings an urban feel to the work. At the same time, incorporating other media adds texture and depth, creating a piece that is visually arresting and thought-provoking. The artwork stands as a testament to the power of street art to transform everyday objects and icons into profound statements. Sonic Bad's Artistic Evolution and Impact "Snoopy Bad INC" exemplifies Sonic Bad's evolution as an artist and his impact on street pop art and graffiti. His ability to weave together elements of popular culture, street art stylings, and social commentary places him among the leading figures in the genre, capable of sparking conversation and challenging societal norms. The piece is a vibrant addition to the discourse of street art, reflecting the genre's capacity to adapt and evolve. Sonic Bad's work, through pieces like "Snoopy Bad INC," continues to influence and inspire, ensuring the relevance and vitality of street pop art in a changing cultural landscape. The legacy of such art lies in its capacity to engage, provoke, and endure, much like the artist behind the creation.

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Brut Graffiti Raw Original One of a Kind Mixed Media Spray Paint Painting Artwork on Stretched Canvas by Street Art Pop Culture Artist DrNuse89. 2022 Signed Original Painting Size 9x3

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Abstract Cubism 1 Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist RD-357. Custom Framed 31.5x22.5. Abstract Cubism 1 by RD-357 Painting- This original artist's stretched canvas mixed media spray paint graffiti painting features the RD tag with cubsitic colors in the background. Awesome rare original canvas art by prolific street artist Real Deal RD357.

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