Painting Original Artwork

1 artwork


  • Bloodscape Original Blood Mixed Media Painting by Richard Hambleton Bloodscape Original Blood Mixed Media Painting by Richard Hambleton

    Richard Hambleton Bloodscape Original Blood Mixed Media Painting by Richard Hambleton

    Bloodscape Original Blood Mixed Media Painting by Richard Hambleton One of, a Kind Artwork on Fine Art Paper by Street Art Pop Artist. 1995 Signed Human Blood Painting Original Artwork Size 16x12 Framed 23.5x19.5 In good condition, as shown, with a soft handling crease at the top left. The Provocative Essence of Richard Hambleton's Artistry Richard Hambleton, a Canadian artist who passed away in 2017, stands as an enigmatic figure in street pop art. His 'Bloodscape' painting, an original blood-mixed media work, exemplifies the visceral impact and raw intimacy that his art is known for. Completed in 1995, the artwork showcases Hambleton's unconventional use of human blood, adding a layer of personal and literal life force to the canvas. This piece, measuring 16x12 inches and framed at 23.5x19.5 inches, embodies a bold statement in the crossover space where fine art meets street art, as it did for Hambleton throughout his groundbreaking career. Richard Hambleton: A Pioneer of Street Pop Art Hambleton's contributions to street pop art were as much about the medium as the message. His decision to use blood as a medium was not merely for shock value; it connected the human condition with the urban landscape in a profoundly intimate manner. The 'Bloodscape' carries within it not only the physical essence of the artist but also the emotional and psychological resonance of his life experiences. With this work, Hambleton continued his exploration of mortality and vulnerability, themes prevalent in his street art, notably his renowned 'Shadowman' series that haunted the streets of New York in the 1980s. The condition of 'Bloodscape,' noted as being in good shape aside from a soft handling crease at the top left, reflects the inherent imperfections that come with the territory of street art. In this world, the pristine is less valued than the expressive. It is a silent testament to the passing of time and the enduring nature of Hambleton's vision. The piece's provenance traces back to the collection of Robert Murphy, ensuring its lineage within the sphere of esteemed contemporary art. Authenticity and Legacy in Hambleton's Work The piece's authenticity is validated by a handwritten Certificate of Authenticity (COA) from Robert Murphy and an additional COA from Dirtypilot. This gesture underscores the significance of provenance in art, particularly for works as unconventional as 'Bloodscape.' The art world's acknowledgment of such unorthodox methods and media reflects an evolved understanding of what constitutes art materials and the evolving parameters of pop and street art. As with much of Hambleton's oeuvre, 'Bloodscape' does not simply exist for aesthetic appreciation; it is a dialogic tool, an invitation to contemplate the ephemeral nature of life and the permanence of art. The use of blood, a fluid synonymous with life, as a medium in this mixed-media painting asks the viewer to consider the artist's vitality embedded in the work. Each brushstroke and splatter is a genetic signature, a part of Hambleton himself, frozen in time. This painting, a singular work within the ambit of street pop art and graffiti artwork, continues to evoke dialogue, challenge perceptions, and elicit strong emotional responses, fulfilling the potential of art to stir the human spirit. The legacy of Richard Hambleton and works like 'Bloodscape' lie in their fearless embrace of uncharted territories of artistic expression and the undiminished power to provoke thought long after the artist's life has ended.

    $10,000.00

Painting Original Artwork
Graffiti is an art form that originated on the streets and has gained recognition as a legitimate form of artistic expression. Graffiti artists use various materials and mediums to create their works, including spray paint, markers, and stickers. While graffiti is often associated with the urban environment and public spaces, it has also made its way into galleries and museums as fine art. Both canvas and fine art paper are great options for displaying graffiti art, and the choice ultimately depends on the artist's preference and the desired effect of the artwork. Canvas may be preferred for larger, more expressive works, while fine art paper may be better suited for detailed or intricate designs. Graffiti paintings on canvas and fine art paper are two popular mediums for displaying graffiti art. Graffiti paintings on canvas typically involve using spray paint and other materials to create an image on a canvas surface. The canvas provides a durable and long-lasting surface for the artwork and can be easily stretched and framed for display. Fine art paper, on the other hand, is a high-quality paper designed for printing fine art prints. Graffiti artists can create digital designs that are then printed onto the paper, resulting in a high-quality print that can be framed and displayed like traditional art. Nowadays, graffiti art has found its way into the world of more traditional disciplines too, such as painting. In this case, it is not uncommon that the artwork is based on the same techniques and resources as traditional graffiti. As a result, the use of typical spray paint can be used in creating graffiti paintings as well. Nonetheless, it is, also, possible that artists use other kinds of resources, more usually found inside art studios, such as pens, watercolors, oil paint e.tc, which are not conventionally utilized for the creation of works on the streets. Simultaneously, graffiti in the form of paintings, digital or handmade, allows the artists to take their time and focus on the creative process, especially taking into consideration the legal consequences of creating on public sites. Thus, frequently both the preparatory process and the potential exhibition of the painting works can be made indoors, making apparent how much graffiti has evolved over the decades. Finally, graffiti in the form of paintings seems to last longer in comparison with art on the streets, where local authorities tend to clean or cover up numerous pieces due to their illegal status. On the other hand, exactly due to their creation behind closed doors, such pieces tend to win less visibility since they are not exposed to the public on an everyday basis. Graffiti emerged in the US during the late 1960s, and, naturally, almost 50 years later, this art has gone through many stages of reformation. Aspects of the creative process, such as the materials in use and the techniques, have evolved tremendously, as well as the perception of graffiti as a respectable form of art.  On top of that, the former “writers” or “taggers” are now referred to as artists, a development that arose with the evergrowing institutionalization and commercialization of graffiti. Needless to say, graffiti has never ceased to exist in public sight and, with time, authorities all over the world have come to accept to a certain extent the presence of it inside the city web. As a result, the legal status of “writing” has enabled artists to experiment more freely with new materials and techniques, a development that has emerged especially during the past decade. Painting Original Artwork & Painting Original Artwork Graffiti Street Pop Art

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