Letter F Alphabet Original Pen Hand Drawing on Fine Art Paper by modern trending street art artist Deth P Sun. 2014 Signed Original Hand Drawn Pen Drawing by Deth P Sun Artwork Size 8.5x11 Hand Drawn Items That Pertain To The Letter F.
$406.00
Marilyn Manson- Rakugaki 3 122 Original Colored Pencil Hand Drawing on Paper by Pop Culture Artist Albert Reyes. 2021 Signed Original Colored pencil on paper. Artwork measures 8.5 x 11 inches.
$209.00
Tupac Pennant 1-Color Limited Edition 1-Color Silkscreen on Cloth Felt with Fringe Tapestry Artwork by Graffiti Artist Mike Giant Art. MIKE GIANT Tupac Pennant, 2021 1-Color Screen Print on Felt with Fringe 18 x 24 in (45.7 x 60.9 cm) Edition of 50, w/ Signed COA World-famous tattoo artist Mike Giant honed his chops in New Mexico on a steady diet of graffiti, heavy metal, punk rock, BMX biking, skateboarding, and hip hop. His black and white works now walk the world in the form of tattoos, paintings, photography, fine art prints, streetwear and more.
$283.00
City as Canvas Silkscreen Print by Crash- John Matos x DAZE- Chris Ellis Silkscreen Hand-Pulled Screen on 320gsm Coventry Rag Paper Mural Pop Street Art Artwork. 2022 Signed & Numbered Limited Edition of 199 Artwork Size 48x17 Hand Deckled "City as Canvas" is an intriguing silkscreen print by the collaborative duo of John Matos, aka Crash, and Daze. This 2022 artwork, hand-pulled on 320gsm Coventry Rag Paper, is a testament to the ongoing dialogue between street art and the broader visual culture. The paper's hand-deckled edges contribute to the individuality of each print, ensuring that while part of a limited edition series of 199, no two are exactly alike. The dimensions, with an image size of 11 by 42 inches and a paper size of 17 by 48 inches, make this a commanding piece of art. Both Crash and Daze are renowned for their contributions to graffiti and Street Pop Art, pioneering figures who have helped bridge the gap between illicit street art and established fine art. Their work often encapsulates urban life's vibrancy, chaos, and creativity, using the city itself as their canvas and inspiration. "City as Canvas" is a continuation of this theme, where the complexity and energy of urban environments are distilled into a single, yet expansive, image. The print, produced by the respected Gary Lichtenstein Editions and distributed by WCC Editions, boasts a spectrum of colors and forms that evoke the layers of graffiti on city walls. Each element within the composition tells a part of the urban story, from the omnipresent watchful eyes to the architectural structures that seem to rise from the streets themselves. This collaboration between Crash and Daze is not just merging their distinct styles but also a conversation between their interpretations of city life and street culture. The artists have signed and numbered each print in pencil, providing a personal touch that connects the collector directly to their creative process. This series also includes artist and foundation proofs, adding to the exclusivity and collectible nature of the artwork. The Certificate of Authenticity accompanying each piece further asserts the print's legitimacy and the buyer's ownership of a slice of street art history. This work's mural origins date back to 2013, capturing a moment in time within the ever-evolving landscape of street art. By translating the mural into a silkscreen print, Crash, and Daze have allowed the transient nature of street art to be preserved and appreciated within a new context. The transition from a public mural to a limited edition print underscores the importance of street art within the continuum of art history, highlighting its influence and the increasing recognition of its value. The collaborative print "City as Canvas" by Crash and Daze is emblematic of Street Pop Art, showcasing the transformation of public spaces into sites of artistic expression and commentary. The piece embodies the essence of the streets, where every wall, every corner, and every surface becomes a potential canvas, reflecting the pulse of the city and the artists who draw inspiration from its ceaseless dynamism.
$2,306.00
Alice Bag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Melanie Nissen Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Melanie Nissen, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 550. "I was very excited to meet and collaborate with Melanie Nissen because, as co-founder of Slash magazine, she photographed some of the most important figures and moments in the early LA punk scene—a scene that dramatically impacted me as a creative person. Nissen’s new book of her punk photos from 1977-1980, Hard+Fast, is beautifully designed and full of amazing images. After some serious deliberation, I decided I’d like to make an illustration of Alice Bag. I first encountered Alice Bag as a teen in Penelope Spheeris’ documentary “The Decline of Western Civilization,” but The Bags did not put out a lot of music, and it was hard to find. However, in reading books about the LA punk scene like “We Got The Neutron Bomb” and “Lexicon Devil,” as well as the Slash magazine book, I realized that Alice was a very important figure in the LA scene who has continued to make great music and is an outspoken champion of LatinX and feminist causes. She’s also a very nice person. I’m glad to celebrate Alice for her contributions to culture then and now. If you are unfamiliar with The Bags, I’d recommend picking up “All Bagged Up… The Collected Works 1977-1980.” – Shepard
$421.00
1919- Pelican Tombs- Pennsylvania 2009 Music Limited Edition Gig Poster 4-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Justin Anville. 2019 Signed & Numbered Limited Edition Gig Music Poster Artwork Size 18x24. 919, Pelican Tombs, Music, Event, Theatre of Living Arts, Philadelphia, Pennsylvania, June 3rd 2009, Live Nation The Synthesis of Music and Street Pop Art The convergence of music and visual arts often produces memorabilia that transcends the moment of its creation, embedding itself in the cultural fabric of a time and place. Such is the case with the limited edition gig poster for the event featuring "1919" and "Pelican Tombs" held at the Theatre of Living Arts in Philadelphia, Pennsylvania, on June 3rd, 2009. This striking piece of street pop art and graffiti artwork is a celebration of both the bands and the evocative power of graphic design within the realm of music. This limited edition gig poster is more than just a promotional tool; it is a collectible artwork that reflects the vibrancy and raw energy of the musical acts it represents. Created by the artist Justin Anville, the print is a four-color, hand-pulled silkscreen on fine art paper, a technique that lends the artwork a tactile quality that is both immediate and engaging. The choice of silkscreen printing, a favored method in both street art and pop art for its bold colors and sharp lines, allows the piece to stand out with a visual pop that mirrors the intensity of the live music experience. Visual Elements and Artistic Significance The artwork commands attention with its intricate design and contrasting color palette, which features a dominant red against a backdrop of more subdued tones. At the center, the stylized numerals "1919" are prominently displayed, intertwined with symbolic imagery that suggests a narrative extending beyond the bands' names. This typographic treatment is reminiscent of graffiti art, where letters become an integral part of the visual impact, often carrying meaning in their form as much as in their content. Cultural Imprint of the 2009 Event Poster Limited to a signed and numbered edition, the poster carries with it an aura of exclusivity. Measuring 18x24 inches, it is a sizable piece that was designed to be noticed, to be a talking point, and ultimately, to be remembered. As a piece of memorabilia, it serves as a timestamp, capturing the cultural zeitgeist of the late 2000s Philadelphia music scene, a period marked by a resurgence in indie and alternative genres. The inclusion of the Live Nation brand also signifies the commercial and mainstream acknowledgment of the genres and bands, hinting at their movement from the fringes into the spotlight. The Legacy of Gig Posters in Street Pop Art The significance of gig posters like this one extends beyond the night of the event itself. They are artifacts of cultural history, capturing the essence of musical movements and the artistic styles that accompany them. In the broader context of street pop art and graffiti artwork, gig posters are often the crossroads where music and visual art fans meet, share, and appreciate the interplay between these forms of expression. This particular poster, with its bold aesthetic and connection to a specific time and place, is a perfect illustration of how street art and music can come together to create something enduring. In the ever-evolving dialogue between music and visual arts, the 2009 limited edition gig poster for "1919" and "Pelican Tombs" stands as a testament to the power of this collaboration. It is not just a promotional item; it is a snapshot of a scene, a piece of street pop art, and a collectible that holds within its inks and paper the echoes of a night of music and the spirit of its time.
$238.00
Hard: Holy Ship 6- 2016 Music Event Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Archival Bright White Paper by MFG- Matt Goldman Max Goldman for Holy Ship 2016 Music Festival. Since its inception, MFG- Matt Goldman Creative built the identity and artwork for HARD Fest and all its offshoots, including Holy Ship. We've finally unearthed the entire collection of posters we made together before Gary Richards left Livenation and took me with him. A trip down memory lane, it's fun to see the DJ names jockey for position over the years and also revel in how early HARD was in promoting the careers of some of the biggest DJs today. 18 x 24 inches • Spot Color Offset Print • Fluorescent Pink, Fluorescent Purple, Black • Archival Bright White Paper • Limited Edition of 500 • Released 2016 EDM Music Bands: Kaskade , Dillon Francis , Flosstradamus , Odesza , Steve Aoki , Robin Schulz , Tommy Trash , Griz , Rudimental , Gorgon City , Hudson Mohawke , Brodinski , Justin Martin , Destructo , MK , GTA , Bakermat , Jack Beats , Skream , Ryan Hemsworth , Alison Wonderland , Rustie , Lee Foss , Jackmaster , 12th Planet , Mr. Carmack , Slow Magic , Valentino Khan , Hannah Wants , Snails , Patrick Topping , Motez , Djemba Djemba , AC Slater , Lane 8 , Peking Duk , Wax Motif , Golden Features , Riva Starr , Tommy Kruise , Doorly , Jai Wolf , Wiwek , Curses , Awe , Louisahhh!!! , Soysauce , Royal , Bot , Sonns , Genghis Clan , Slumberjack , Brazzabelle , Eyes Everywhere , Billy Kenny , Penthouse Penthouse , Bones
$35.00
Blondie on Bowery Large Format Silkscreen Print by Shepard Fairey- OBEY 3-Color Silkscreen Hand-Pulled Screen on 320gsm Coventry Rag Paper Mural Pop Street Artwork. 2021 Signed & Numbered Limited Edition of 199 Artwork Size 42x28.75 Shepard Fairey's "Blondie on Bowery" is a striking example of Street Pop Art, capturing the intersection of music and urban visual culture. This large-format silkscreen print is part of a limited edition series, with only 199 signed and numbered prints available. It is a rare collectible for art enthusiasts and fans of the punk rock era. The artwork measures 42 by 28.75 inches, allowing bold graphic qualities and intricate details to command attention and engage viewers. Crafted in 2021, the print pays homage to the iconic punk band Blondie and their connection to the legendary music venue CBGB in New York City. Fairey, known globally for his OBEY campaign and his iconic Barack Obama "Hope" poster, brings his distinctive style to this piece, merging graffiti artwork's aesthetic with pop art's polished finish. The work is screen-printed on 320gsm Coventry Rag Paper, a high-quality substrate that ensures the print's depth of color and durability. The paper's hand-deckled edges add to the bespoke nature of each print, emphasizing the hands-on, street-level ethos of Fairey's artistry. This particular piece reflects a historical moment, channeling the spirit of rebellion and innovation that defined the Bowery's music scene in the 1970s and 1980s. Fairey's choice of subject matter and his stylized portrayal of Debbie Harry, Blondie's frontwoman, underscore the lasting influence of the band and the punk movement. The inclusion of song titles like "Rapture" and "Atomic" in the print's design directly links to Blondie's legacy. At the same time, the motifs and typography are reminiscent of the era's concert posters and album covers. "Blondie on Bowery" was printed by Gary Lichtenstein Editions and published by WCC Editions. The collaborative nature of the piece, with its roots in street art and formal screen printing techniques, showcases Fairey's ability to navigate different artistic realms. Each print is accompanied by a Certificate of Authenticity, assuring its provenance and authenticity within the art market. The mural from which this print takes inspiration was created by Fairey in 2017, further cementing the relationship between his street-level murals and gallery-oriented prints. The transition from a public mural to a limited edition print allows the artwork to be appreciated in personal collections while retaining the raw, expressive quality of street art. Shepard Fairey's work, particularly "Blondie on Bowery," embodies street pop art's rebellious heart and soul, serving as a physical manifestation of the music, fashion, and attitudes that continue to influence contemporary culture.
$3,000.00
