Prince & King

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  • Slick Rick Bust Statue Art by Def Jam x Slick Rick Slick Rick Bust Statue Art by Def Jam x Slick Rick

    Def Jam Slick Rick Bust Statue Art by Def Jam x Slick Rick

    Slick Rick Bust Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Def Jam. 2020 Slick Rick Bust Statue Art by Def Jam Resin bust modeled after the iconic artist, Hip Hop Legend Slick Rick. Stands 8" tall. As VIPs and Def Jam artists past and present – 2 Chainz, Fabolous, Jadakiss, Teyana Taylor, TJ Porter, Fetty Luciano, Slick Rick, Suzi Wu, Def Jam CEO Paul Rosenberg, Joseline Hernandez, DJ Premier – an all-female DJ lineup led by DJ Jazzy Joyce, Nyla Symone and Odalys kept the party rocking. A special pop-up from Scarr’s Pizza fed the masses, Courvoisier and Heineken kept the vibes going, and VIPs enjoyed special activations – a PUMA basketball court and a Snipes bodega hosted by special guests Stretch and Bobbito offering limited edition T-Shirts and the PUMA x Def Jam Clyde Court. A surprise performance from Def Jam’s own Freddy & Jason – Fabolous and Jadakiss – closed out the night.

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    $613.00

  • Modern Bouquet 3.0 Royalty Original Acrylic Sculpture by Jenna Morello Modern Bouquet 3.0 Royalty Original Acrylic Sculpture by Jenna Morello

    Jenna Morello Modern Bouquet 3.0 Royalty Original Acrylic Sculpture by Jenna Morello

    Modern Bouquet 3.0- Royalty Original Mixed-Media Concrete Resin & Rose Flower Sculpture Artwork by graffiti street artist modern pop artist Jenna Morello. 2021 Original One-of-A-Kind Rose Sculpture Signed By Concrete Stamp. Real roses are forever preserved in resin cast in concrete. Measures 3x3x3. Each comes with a stamped seal of authenticity. Intersection of Modernity and Timelessness in Street Pop Art The "Modern Bouquet 3.0 - Royalty" by Jenna Morello is a quintessential representation of how street pop art and graffiti continuously push the boundaries of traditional art forms. This original mixed-media work is a testament to the enduring dialogue between the ephemeral nature of street art and the permanence of sculpture. By encapsulating a natural rose, forever preserved in resin and set within a concrete matrix, Morello creates a striking contrast between the fragility of organic life and the resilience of artificial materials. Her artwork measures 3x3x3 inches, a compact size that belies the depth of its conceptual foundation. For collectors and enthusiasts, "Modern Bouquet 3.0 - Royalty" represents an opportunity to engage with a piece of art that embodies the ethos of street pop art within a tangible form. Unlike ephemeral graffiti that may be painted over or fade with time, this sculpture offers a permanent artifact of the artist's expression. The compact size invites personal interaction, allowing for a closer inspection of the intricate details and the interplay of materials, much like the intimate experience of finding a hidden piece of street art in an urban alley. In modern art, Morello's sculpture is a beacon of the innovative potential inherent in street pop art and graffiti artwork. It embodies the genre's evolving nature, demonstrating that the street art ethos can transcend traditional canvas and wall spaces to create new forms of expression that challenge our perceptions of art and its role in society. Modern Bouquet 3.0 - Royalty Symbolism and Craftsmanship in Jenna Morello's Work Morello's work is a thoughtful meditation on the passage of time and the preservation of beauty. Using a natural rose suggests a snapshot of nature's transient beauty, while its encasement in resin hints at a desire to hold onto moments destined to fade. The concrete's stark, industrial texture opposes the delicate rose, creating a multifaceted symbol of the urban environment's intrusion into natural life. This piece, signed by a concrete stamp, further authenticates the artwork, anchoring it in the physical world, much like graffiti tags capture the artist's presence within the urban landscape. This artwork resonates within the street pop art and graffiti sphere by using common urban materials and presenting a familiar yet subverted object – the bouquet. Typically given to express affection, the rose is recontextualized here as a commentary on the artistic process, wherein street artists often leave beauty in unexpected places. Each sculpture with a stamped seal of authenticity mirrors the authenticity sought by street artists who leave their unique signatures on public spaces. Morello's piece captures the essence of street pop art's ability to find harmony in contradiction, melding the organic with the synthetic, the temporary with the enduring.

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    $406.00

Prince & King
The fusion of popular culture and traditional artistry has given birth to a myriad of genres, each bearing its unique characteristics and quirks. Pop art, street art, and graffiti art are such creative amalgamations, often reflecting the zeitgeist of the time in a visually engaging manner. An intriguing theme that threads through these genres is the repeated use of royal titles such as "Prince" and "King." This motif serves as a potent symbol in the artistic expression, functioning as a critique, an homage, or a bold assertion of self-identity, depending on the artist's intent and context. The notion of "Prince" and "King" within pop art traces its roots to the subversive works of 1960s artists like Andy Warhol and Roy Lichtenstein. These pioneers sought to democratize art by incorporating everyday objects, celebrities, and comic strips into their creations, thereby blurring the lines between 'high' and 'low' culture. Andy Warhol, for instance, famously created portraits of Elvis Presley, the 'King' of Rock 'n' Roll, and Michael Jackson, the 'Prince' of Pop. These pieces not only celebrated these iconic figures but also questioned the societal constructs around fame and idolization. Warhol's work, in particular, emphasized the dichotomy between the public persona and the private individual, a theme that resonates in the portrayal of 'princely' and 'kingly' figures in pop art. In the realm of street art, the titles of "Prince" and "King" hold a significant place, often serving to declare an artist's prominence or mastery over a certain domain. Born from the heart of urban life, street art is a democratic form of expression that thrives on competition and the assertion of selfhood. Here, artists mark their territories, fight for visibility, and establish their legacies. A striking example is the New York City graffiti artist Dondi, widely regarded as the 'Style Master General' or the 'King' of graffiti for his unparalleled typographic skills and stylistic innovations. His moniker held a sense of respect and power within the community, signifying his status as an influential figure. Street art's inherently subversive nature also allows it to serve as a potent tool for socio-political commentary. Banksy, the enigmatic British street artist, has leveraged this to deliver powerful messages about power, authority, and the monarchy. His 2011 piece 'Slave Labour,' depicting a young boy hunched over a sewing machine producing Union Jack bunting, created a stir by critiquing the commercialization around Queen Elizabeth II's Diamond Jubilee and the royal wedding. This work exemplifies how the theme of 'princes' and 'kings' can be harnessed to offer a scathing critique of societal structures and events. Graffiti art, with its roots in the turbulent socio-political landscape of the 1970s and 1980s, often uses the "Prince" and "King" motif as a form of rebellion and a claim to authority within a marginalized community. Here, 'King' often refers to an accomplished artist who has gained respect and recognition within the graffiti community. A graffiti 'King' might display their prowess through 'tags,' stylized signatures, on numerous city surfaces, or through complex works ('pieces') that showcase their artistic skill. The 'Prince,' in contrast, could refer to an up-and-coming artist, much like a prince is a king-in-waiting. In essence, the recurring motif of 'Prince' and 'King' in pop art, street art, and graffiti art encapsulates a multitude of meanings, ranging from idolization and self-assertion to social critique. It is a testament to the versatility and depth of these genres that a single motif can convey such a range of messages, each resonating differently depending on the artist's intent and the viewer's perspective. The 'Prince' and 'King' motif also speaks to the evolving nature of these art forms. 'Prince' and 'King' motif in pop art, street art, and graffiti art offers a fascinating lens to explore these dynamic and ever-evolving genres. From the iconic works of pop art masters to the rebellious creations of street and graffiti artists, this motif continues to evolve, reflecting the changing cultural, social, and political landscapes. As we move forward, it will be interesting to see how artists continue to reinterpret and reinvent these royal titles, imbuing them with new meanings and perspectives.

© 2024 Sprayed Paint Art Collection,

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