Propaganda

4 artworks


  • Workers Rights Large Format Serigraph Print by Shepard Fairey OBEY

    Shepard Fairey- OBEY Workers Rights Large Format Serigraph Print by Shepard Fairey OBEY

    Workers Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photo was taken at the California State Capitol in Sacramento after Ces One- Rob Provenzano ar Chavez completed his 300-mile march in support of farmworkers' rights. Jim captured Chavez in a pose that suggests the vision and leadership that he truly embodied.

    $4,583.00

  • Gun Culture- Large Format Serigraph Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Gun Culture- Large Format Serigraph Print by Shepard Fairey- OBEY

    Gun Culture- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall captured what at first glance is regarded as an innocent child playing with a toy gun in Greenwich Village, New York, in 1963.

    $4,583.00

  • Voting Rights- Large Format Serigraph Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Voting Rights- Large Format Serigraph Print by Shepard Fairey- OBEY

    Voting Rights- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of Fannie Lee Chaney captures the day she found out her son, James Chaney, and two of his friends died at the hands of the Ku Klux Klan for registering African Americans to vote.

    $4,583.00

  • Two Americas- Large Format Serigraph Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Two Americas- Large Format Serigraph Print by Shepard Fairey- OBEY

    Two Americas- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Varnished 100% Cotton Rag Archival Paper with hand-deckled edges by Shepard Fairey Graffiti Street Artist Modern Pop Art. 4-Color Serigraph on Varnished 100% Cotton Rag Archival Paper. 30 x 40 inches. Signed by Shepard Fairey. Numbered edition of 100. Jim Marshall's photograph of a coal mining family in Hazard, Kentucky, taken while he lived with them, says a lot with what it shows, which is a mother and two children huddled together in support of each other, but it says just as much with what it lacks. There is a conspicuous absence of material necessities and a father. I don't know whether the father was working in a coal mine when the photograph was taken or had potentially died young because of the health risks of working under dangerous conditions, but it is clear that the family is struggling and lacking.

    $4,583.00

Propaganda
Propaganda, historically known for its influential nature in shaping public opinions and ideas, has been a prominent subject in contemporary graffiti art and street art prints. Graffiti and street art have long been recognized as powerful tools for expressing social and political messages, sparking dialogues and challenging the status quo. The incorporation of propaganda as a topic in this medium demonstrates the artists' keen understanding of its impact on society and their desire to subvert or critique its pervasive influence. One of the driving forces behind incorporating propaganda into graffiti and street art prints is the artists' motivation to challenge mainstream narratives and question established ideologies. Through visually striking, thought-provoking, and often controversial images, these artists aim to stimulate critical thinking and encourage viewers to reevaluate their own beliefs and perceptions. In many cases, the artists employ irony, satire, and parody to highlight the absurdities and deceptions within political and media landscapes. Moreover, graffiti and street art prints featuring propaganda themes tend to draw attention to the power dynamics at play in societies across the globe. By showcasing propaganda imagery and slogans, artists expose the manipulative tactics employed by governments, corporations, and other influential entities to shape public opinion, manipulate emotions, and further their agendas. In this way, graffiti and street art prints serve as a reminder of the pervasive nature of propaganda, urging viewers to stay vigilant and critical of the messages they encounter. The use of propaganda in graffiti art and street art prints also has the potential to empower marginalized voices and communities. By appropriating symbols, slogans, and images associated with propaganda, artists can subvert dominant narratives and give a voice to the underrepresented. This act of resistance and reclaiming is particularly relevant in the context of political oppression, social injustice, and systemic inequality, where art has long been a potent means of protest and self-expression. Furthermore, the exploration of propaganda themes in graffiti art and street art prints enables artists to reflect on the historical and cultural contexts in which they exist. By drawing inspiration from past events and iconic propaganda campaigns, these works create a visual language that transcends geographic boundaries and generations. In doing so, they encourage viewers to consider the cyclical nature of history and the recurring patterns of manipulation and control. The intersection of propaganda and graffiti art and street art prints is not only visually compelling, but it also highlights the powerful role that art can play in initiating conversations, challenging beliefs, and fostering change. By exploring propaganda as a topic, graffiti and street artists demonstrate their commitment to addressing pressing societal issues, providing an alternative perspective to mainstream narratives, and pushing the boundaries of creative expression. Graffiti art and street art prints featuring propaganda themes have become increasingly popular and impactful in recent years. By incorporating these themes, artists can engage in critical discourse, question established ideologies, empower marginalized voices, and connect with historical and cultural contexts. This unique fusion of propaganda and graffiti and street art provides an invaluable avenue for sparking debate, inspiring critical thinking, and promoting social change.

© 2024 Sprayed Paint Art Collection,

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