Protest

Freedom/Prosperity At Any Price- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

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Freedom/Prosperity At Any Price- Red Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

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Cost of Oil AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2008 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print. The "Cost of Oil" silkscreen print by Shepard Fairey is a provocative piece that cuts to the heart of street pop art and graffiti artwork's capacity to confront and question socio-political issues. Released in 2008 as an artist proof (AP), this limited edition artwork is a visual exploration of the themes of energy consumption, environmental impact, and the geopolitical ramifications implicit in the pursuit of oil. Signed and marked as an AP by Fairey, the piece measures 18x24 inches and is printed on cream speckletone fine art paper. Known for his intelligent and critical approach to cultural commentary, Fairey's "Cost of Oil" embodies the essence of his street pop art practice. The artwork is anchored by the bold, declarative question, "What is the cost of oil?" which resonates against the backdrop of a commanding visual narrative. The image features a solitary figure, clad in a shirt emblazoned with "USA," filling up a Hummer's gas tank—a potent symbol of American consumption and the military-industrial complex. The radiant sunburst behind the figure and the dripping blood-red bottom underscores the dichotomy of light and darkness in the discourse around freedom and its costs. This 2-color hand-pulled print is a quintessential example of Fairey's work, aligning itself with the 'OBEY' campaign's goal to stimulate discussion and reflect on the pervasive propaganda in public spaces. The 'OBEY' motif has always sought to challenge observers to question the mechanisms and messages in their environment, and "Cost of Oil" extends this challenge to the global issue of oil dependency and its vast implications. As a piece of street pop art, the "Cost of Oil" is a catalyst for dialogue, pushing the boundaries of what art can communicate and how it can influence public thought. It's a stark reminder of the power of visual art as a means of activism and advocacy and of Fairey's enduring role in using his art to spotlight crucial issues. The print remains a relevant and stirring piece within the oeuvre of Fairey's work and the larger conversation about energy, environmentalism, and the actual price of consumption.

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Prophets Of Rage New Day Rising Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 600 Artwork Size 18x24 Silkscreen Print Prophets Of Rage Rap Music Group Fist in the Air. Visual art and music often produce iconic imagery that transcends time, and Shepard Fairey's "Prophets Of Rage New Day Rising" silkscreen print is a prime example of this phenomenon. Created in 2017, this piece is a visually arresting representation of the rap music group Prophets of Rage, a band known for its socially conscious music and activism. This artwork is part of a limited edition series, with only 600 signed and numbered prints, further accentuating its exclusivity and collectible nature. Each print, sized at 18x24 inches, is a hand-pulled two-color silkscreen on cream speckletone fine art paper, a testament to Fairey's meticulous crafting process and his commitment to quality. Fairey, a stalwart figure in contemporary street art, often referred to by his Obey brand, infuses his works with pop culture references and political messages, and this print is no exception. The central image of a clenched fist raised in the air is a universal symbol of resistance and solidarity. This motif, set against a red star, resonates with the band's radical ethos and calls to mind a long history of protest art. The inclusion of skeletal figures and apocalyptic imagery on the periphery serves to highlight the group's message of political upheaval and the need for systemic change. This print is not just a piece of merchandise for fans of the band; it stands on its own as a significant work within pop art, street art, and graffiti art. Fairey's work bridges the gap between art and social commentary, embodying the spirit of hip-hop culture's roots in activism and public discourse. The stark contrast of colors and the use of a globe in the backdrop suggest a worldwide call to action, one that is reflective of the global influence of hip-hop culture itself. Moreover, Fairey's "Prophets Of Rage New Day Rising" is emblematic of the capacity of street art to elevate popular culture and political thought into the realm of high art. By appropriating the visual language of the streets and the urgency of rap music's social critique, Fairey delivers a powerful statement on the role of the artist as a social commentator and the potential of art to ignite conversation. This piece serves as a reminder of the potency of visual expression in pop culture and its ability to encapsulate the zeitgeist of a movement, a moment, or in this case, the fierce energy of a band like Prophets of Rage.

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Idiocracy Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey, Graffiti Street Artist Modern Pop Art. 2016 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "I’ve always felt that art, entertainment, and humor can be the best delivery vehicles for social commentary, so I love the way humor is used in “Idiocracy” to make the social critique more digestible. The movie is a harsh but necessary indictment of the anti-intellectual culture and politics that seem to become the norm more and more everyday. The film is great in a cautionary way and has an enjoyable irony being a somewhat low-brow piece of entertainment about the perils of succumbing to a cultural rejection of anything intellectual or high-brow. In other words, the genius of the film is that it may actually get through to the audience it should reach, rather than just preaching to the intellectual elite" -Shepard Fairey- OBEY Shepard Fairey's "Idiocracy" limited edition print encapsulates the convergence of pop culture and social critique through the lens of contemporary art. Renowned for his subversive street art and graphic designs, Fairey extends his canvas to fine art paper in this 2016 artwork, limited to 550 signed and numbered pieces. The 18x24 silkscreen print features a four-color palette and is a tangible expression of Fairey’s dedication to using art as a medium for commentary on societal issues. Drawing inspiration from Mike Judge's satirical film "Idiocracy," Fairey's print is not only a visual tribute but also a critique of the film’s themes—depicting the troubling rise of anti-intellectualism and the cultural dismissal of enlightenment and sophistication. Fairey himself praises the film's use of humor to present its social criticism in a more palatable form, creating a space for reflection rather than alienation. His artwork captures the film’s ironic humor, using a brain under the guise of a vending machine product—emblematic of commodification and the oversimplification of complex ideas. This print, like many of Fairey’s works, is imbued with a sense of urgency and a call to awareness. It encapsulates the artist's view that the realms of art, humor, and entertainment can effectively intersect to deliver powerful messages about the current state of society. Fairey’s "Idiocracy" is not merely a piece to be admired for its aesthetic appeal, but a statement piece that encapsulates the pressing cultural narrative around the value of intelligence and the dangers of its rejection in public discourse. The visual elements of the print—the juxtaposition of a brain with a hand grenade, the stark and commanding typography, and the bold colors—are characteristic of Fairey's style. They are employed here not only to draw the eye but also to provoke thought, embodying the essence of graffiti and street art as tools for social engagement. In a culture increasingly leaning towards anti-intellectual sentiment, Fairey’s "Idiocracy" stands as a critical beacon in modern pop art, reminding viewers of the power of art as a reflective and transformative force.

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The Disappeared 2-Color Hand-Pulled Limited Edition Silkscreen Print on 335gsm Coventry Rag Paper by Cleon Peterson Rare Street Art Famous Pop Artwork Artist. Cleon Peterson (b. 1973) The Disappeared (Black), 2019 Screenprint in colors on Coventry Rag paper 18 x 24 inches (45.7 x 61 cm) (sheet) Ed. 45/100 Signed, numbered, and dated in pencil along lower edge Published by the artist

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Endless Power Petrol Palace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Red) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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The Devil Made Me Do It Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do It & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today, we find ourselves at a crossroads; now, more than ever, we must come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We're all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson. Cleon Peterson's Stark Commentary in "The Devil Made Me Do It" In the stark dichotomy of black and red, Cleon Peterson's "The Devil Made Me Do It" delivers a powerful visual commentary on the socio-political climate surrounding the events of January 6th, marked by the infamous U.S. Capitol riots. This hand-pulled 2-color silkscreen print on hand-deckled 290gsm Coventry Rag Paper emerges as a piece of street pop art and a historical marker, capturing a moment of intense national upheaval. Art as a Reflection of Societal Turmoil Peterson's artwork, a limited edition of 300 signed and numbered pieces, transcends the traditional boundaries of pop art. It embodies the artist's response to a fraught political landscape, reacting to the tumultuous events that shook the foundations of American democracy. The imagery of a man seemingly dancing while overshadowed by demonic figures speaks to the "Faustian bargain," suggesting a dance with the devil that echoes the betrayals and manipulations of political figures and the public seduced by their rhetoric. The title, "The Devil Made Me Do It," offers an ironic twist on the age-old excuse for succumbing to temptations and making morally questionable choices. Peterson's choice to release these works as a direct response to political events positions the artwork within a tradition of artists who use their craft to document and critique the times they live in. The visual language used in this piece is reminiscent of street art's often aggressive and provocative style, meant to engage the public in public spaces. The Role of Street Pop Art in Political Discourse Cleon Peterson's work exemplifies the role of street pop art in political discourse. Street art has always had a voice in the political arena, often serving as a raw expression of the people, unfiltered and unmediated. Through his work, Peterson extends this tradition by creating a piece that is both a reaction to and reflection of the political unrest that has characterized recent times. With its bold, unapologetic lines and vibrant colors, silkscreen printing makes "The Devil Made Me Do It" a commanding presence. It is a testament to the artist's ability to distill complex political and social emotions into a single, impactful image. In the tradition of street pop art, which often involves taking art out of the galleries and into the streets, Peterson's piece is designed to resonate with a broad audience, its message clear and accessible to all who encounter it. "The Devil Made Me Do It" is more than just a piece of pop art; it is a visual essay on the state of contemporary politics, a call to action, and a reminder of the power of art to reflect and affect change. It is a bold statement within the discourse of street pop art and graffiti artwork, capturing a moment when the world watched as democracy appeared to hang in the balance. Cleon Peterson's voice, through his art, adds to the chorus of those who advocate for truth and democracy, and his work remains a powerful example of how art can engage with and influence the political landscape.

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Divided We Stand, United We Fall Hand-Pulled 2-Color Silkscreen Print on Hand Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.

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This Is America PP Archival Print by Denial- Daniel Bombardier Limited Edition Print on 290gsm Moab Entrada Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 18x18 Archival Pigment Fine Art The Provocative Narrative of Denial's "This Is America" "This Is America" by Denial, the pseudonym of artist Daniel Bombardier, is a profound example of street pop art's capacity to engage with contemporary social issues. Released as a Printer's Proof (PP) in 2020, this limited edition print on 290gsm Moab Entrada fine art paper utilizes archival pigment to ensure lasting quality. Measuring 18x18 inches, each piece in this series is signed and marked by the artist, signifying its authenticity and exclusivity as part of a limited edition run. The artwork's stark, graphic quality and poignant textual message combine to form a piece that is both a visual statement and a commentary on the nation's state. Denial's work is known for its bold aesthetic that employs pop art and graffiti elements to convey messages about consumerism, politics, and social justice. "This Is America" is no exception, with its graphic depiction that plays on themes of identity, representation, and the American experience. The artwork's title, a question loaded with social and political undertones, invites viewers to ponder the reality of America's promise versus its actuality, especially concerning racial and social dynamics. Denial's Artistic Influence and Technique In the pop art tradition, Denial utilizes bright, arresting colors and stark contrasts to draw the viewer's eye and provoke a reaction. His technique is reminiscent of screen printing pioneers but with a modern twist that often incorporates elements of street art, such as stenciling and spray paint. The use of 290gsm Moab Entrada fine art paper in "This Is America" speaks to Denial's commitment to quality; the paper's substantial weight and smooth texture make it an ideal substrate for the archival pigment, ensuring that the colors and details of the print remain vibrant over time. The Printer's Proof designation of the print is significant within the art collecting community. Traditionally, Printer's Proofs are considered rare and valuable due to their limited number and the artist's direct involvement in the printing process. Denial's decision to sign and mark each print as PP sets it apart from standard editions, creating a deeper connection between the artist and the work and adding to the print's collectability. Street Pop Art and Its Role in Cultural Discourse Street pop art, as a hybrid of pop art's focus on mass culture and street art's raw, public-facing expression, has become an influential force in cultural discourse. Artists like Denial leverage the visibility and accessibility of street art to bring critical social issues to the forefront of public consciousness. "This Is America" serves as a visual catalyst for discussions about race, equality, and the American dream, effectively using the visual language of pop art to engage a broad audience in these conversations. The piece's direct and aggressive style is characteristic of street pop art's ability to challenge perceptions and inspire dialogue. Denial's work, particularly in this print, harnesses the power of graphic representation to address complex societal issues, making it a poignant example of how art can reflect and influence the times. In sum, "This Is America" by Denial is more than just a piece of modern artwork; it is a statement, a question, and a reflection of the times. Its place in the continuum of street pop art and graffiti artwork is solidified by its provocative imagery and the discussions it sparks. As a PP archival print, it stands as a testament to the enduring power of visual art to comment on and engage with the pressing issues of the day.

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Thieves & Backstabbers- Collectors Edition Hand-Pulled Silkscreen Layer Ink Texture & Embrossments Print on Mylar Paper by Activist Artist Marwan Shahin Rare Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 10 Artwork Size 18x24 "This edition of the artwork is interpreted with brand new print technology for layering ink to create texture and embossment on striking Mylar, Each print is intricately arranged with a filigree of metallics, to produce visually intoxicating effects." -Marwan Shahin "Thieves & Backstabbers - Collectors Edition" emerges as a stunning piece by Marwan Shahin, an activist artist who employs his craft to challenge and dissect the socio-political landscape. This rare limited edition artwork is more than a visual statement; it is a manifestation of technical innovation in printmaking. Crafted in 2022 and part of a highly exclusive series of just ten signed and numbered prints, each 18x24 artwork epitomizes the power of visual art to communicate complex narratives. Shahin's choice of medium is as unconventional as his subject matter. He utilizes hand-pulled silkscreen techniques, layering ink to construct not just color and form but tangible texture and embossment, producing an almost three-dimensional effect on the lustrous Mylar paper. The interplay of light on the metallic inks and the Mylar surface invites viewers into a visual dance, where each angle and each source of light alters the experience of the artwork. It is an edition that stands at the intersection of art and alchemy, with each print in the series offering a unique sensory encounter thanks to the intricate use of metallics that create a visually intoxicating effect. Marwan Shahin's "Thieves & Backstabbers - Collectors Edition" stands as a testament to his reputation as a pioneering figure in contemporary pop art. It embodies his signature approach of integrating pop culture references with deeper political messages, producing art that resonates on multiple levels. As a visual discourse, the piece is a statement on duplicity and the multifaceted faces of human nature, set against a backdrop of opulent symbolism rich in contrast and imbued with layers of meaning. Collectors and enthusiasts of the genre are presented with an opportunity not merely to own a rare piece of art but to engage with a work that pushes the boundaries of silkscreen printmaking and emboldens the narrative potency of modern pop and street art.

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TRUTH- What Have We Lost Hand-Pulled 2-Color Silkscreen Print on Deckled 290gsm Coventry Rag Paper by Artist Cleon Peterson Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of XXX Artwork Size 18x24 "The TRUTH image ran in the New York Times right before the election in the opinion feature, What Have We Lost. The Devil Made Me Do it & Divided We Stand, United We Fall were both made on January 6th in response to the Faustian bargain that Trump and his accomplices made in designing the coup. Today we find ourselves at a crossroads; now, more than ever, is the time we need to come together, take a stand, exercise our voices, and fight for Truth and Democracy. Hopefully, daylight will cast off this right-wing authoritarian spell. I see these posters as markers of a historical time and feel a duty within to share my views. We’re all exhausted by politics, but we must embrace the moment and take action because the threat is fundamental; our democracy could be gone in the blink of an eye." - Cleon Peterson The connection of Peterson with street art is also an aspect of his work worth mentioning. Even though he has created numerous murals all over the world, the artist himself does consider himself a street artist: “I don’t think of myself as a street artist or somebody that does work in that vein, but I love the idea of doing large paintings that confront people.”. This is revealing of his motivation to make his art as accessible as possible, as a way to invite the viewers to interact with it and confront the subjects the artist is interested in addressing. This brings up the following questions concerning the art of Peterson: “What is the meaning of it? Does it have a meaning after all? If yes, is this pre-determined by the artist? In order to better understand the way meaning is created in the world of Cleon Peterson, it is essential to, primarily, understand the way he perceives the media as a field of allegations, unbased rumors, suppositions and outright lies. In the world that the artist has created and, in correlation with our own reality, media is a tool of manipulation in the hands of politicians, leaving us helpless and in the mercy of an exploitative authoritarian system.

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Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2018 Signed & Numbered, Noise & Lies (Cream) Screen Print 18 x 24 inches Edition of 325 January 31, 2018 Gimmie Some Truth, Reject These Damaged Goods The realm of street art has been consistently energized by the compelling work of Shepard Fairey, a renowned artist best known for his iconic OBEY campaign and the Obama "Hope" poster. One of his works that significantly punctuates his unique style and pervasive influence is the "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print." The piece, produced on Fine Speckletone Art Paper, stands out as an exclusive demonstration of Fairey's expertise in producing rare street and pop art. Produced on January 31, 2018, this artwork not only exhibits the vibrant culture of street art but also serves as a reflective commentary on socio-political dynamics. This 18 x 24 inches silkscreen print, limited to an edition of 325, is adorned with Shepard Fairey's autograph, a mark of its authenticity and distinct value. Significantly, the phrases "Gimmie Some Truth, Reject These Damaged Goods" incorporated into the art piece amplify its critique of societal falsehoods and consumerist mentality, thereby echoing Fairey's counter-culture narrative. The artwork's cream-toned backdrop paired with Fairey's signature 2-color hand-pulled silkscreen print technique creates an enthralling contrast, enhancing the visual appeal of the art piece. This nuanced blend of color and texture is a testament to Fairey's mastery over his craft and his ability to communicate potent messages through his art. This composition, coupled with Fairey's renowned reputation in the realms of pop, street, and graffiti art, adds to the artwork's desirability and significance. In essence, "Noise & Lies- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print" by Shepard Fairey represents more than just an art piece. It embodies Fairey's distinct style, socio-political commentary, and his unparalleled contribution to the world of street and pop art, making it an invaluable piece in the domain of contemporary art.

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Obey Radical Peace- Cream 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Wetland Powers Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. The government is supposed to create the greatest good for the greatest number of people. Still, the conservative justices in the current Supreme Court have put the agendas of big oil and wealthy property owners ahead of safe and clean water for the citizenry. The concept of "common assets"… no one owns resources like air and water and needs to be protected for the benefit of all, seems lost on many people in business and government. It is up to us as voters to elect representatives who put the needs of the citizens first. The Supreme Court makeup is always important to consider when voting for our president since the sitting president selects appointees for Supreme Court justices." -Shepard Fairey- OBEY Shepard Fairey's "Wetland Powers": A Statement in Street Pop Art In street pop art, Shepard Fairey stands as a figure of monumental influence; his work is often intertwined with solid socio-political messages. The "Wetland Powers" silkscreen print by Shepard Fairey, also known as OBEY, is a striking example of his commitment to merging art with activism. Released in 2023, this limited edition piece, hand-pulled on cream speckletone fine art paper, is more than a visually arresting image; it's a conduit for a critical conversation about environmental justice and governance. Dissecting "Wetland Powers" by Shepard Fairey The artwork, sized at 18x24 inches, is part of a limited edition of 550 signed and numbered prints. In typical Fairey fashion, the piece combines a bold aesthetic with a message that challenges viewers to consider the impact of political decisions on the environment. The imagery features a female figure with elements that suggest a connection to nature and its defense. Fairey's work is known for its layered visual language; every element serves a symbolic purpose, and "Wetland Powers" is no exception. Environmental Advocacy through Art In "Wetland Powers," Fairey addresses the contentious issue of land rights versus environmental protection, particularly highlighting the Supreme Court's role in shaping the fate of U.S. wetlands. The print serves as a commentary on the court's decisions that Fairey perceives as favoring corporate interests over public environmental health. Through this piece, Fairey expresses his belief in safeguarding common assets — air, water, and land — for the collective good. The Cultural Resonance of Fairey's Work Shepard Fairey's art has always resonated with a broad audience, and his Obey campaign has become a cultural phenomenon. With "Wetland Powers," Fairey continues to tap into the collective consciousness, using his art as a platform to advocate for ecological and social responsibility. The work underscores the power of street pop art to transcend the canvas and become a vehicle for change, urging citizens to reflect on their role as voters and to elect leaders who prioritize the welfare of all. "Wetland Powers" is a testament to Shepard Fairey's enduring role as an artist at the forefront of street pop and graffiti artwork. His ability to address pressing global issues through compelling imagery cements his status as an artist dedicated to the intersection of art and advocacy. As a limited edition print, "Wetland Powers" represents Fairey's artistic prowess and embodies the spirit of street art as a form of engaged public discourse.

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Educate to Liberate Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Silkscreen Print Depicting Bobby Seale of the Black Panther Party in Stylistic 70s Retro Style. "The events this month honor the backbone leadership of the original Party. The work of BPPALN is to ensure the education initiatives and community outreach programs provide knowledge while improving the quality of life for the Elders, all the way to the youth of today." -Shepard Fairey- OBEY Shepard Fairey, a contemporary street artist widely known for his OBEY series, produced a remarkable silkscreen print titled "Educate to Liberate." This limited edition artwork, hand-pulled and comprising four colors on cream speckletone fine art paper, is significant in the street pop art and graffiti art realm. Created in 2021, the print is part of a limited edition of 300, each signed and numbered by the artist, emphasizing its exclusivity and collectible nature. Measuring 18x24 inches, the print is a striking homage to Bobby Seale, co-founder of the Black Panther Party. Seale is depicted in a stylistic retro fashion reminiscent of the 1970s when the Black Panther Party was at the forefront of civil rights activism. Fairey's artwork captures the essence of Seale's impact and serves as a visual narrative that bridges past struggles with contemporary social issues. Fairey's statement regarding this piece highlights the enduring influence of the Black Panther Party's leadership and underscores the importance of educational initiatives and community outreach. These programs are designed to empower and enhance the quality of life for people across generations, from the elders who were the movement's backbone to today's youth. By invoking the spirit of the Black Panthers' activism, Fairey's "Educate to Liberate" becomes more than art; it is a call to action, urging ongoing education and community engagement as vehicles for liberation. This print solidifies Fairey's standing as a pivotal figure in street pop art within the framework of OBEY as a topic. His works are not merely aesthetic creations but are imbued with social commentary and the power to provoke thought and inspire change. As a limited edition piece, "Educate to Liberate" is not just a collectible but also a testament to the ongoing relevance of street art as a form of social and political engagement.

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Eyes On The King Verdict 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Ted Soqui Rare Street Art OBEY Pop Artwork Artist. 2022 Signed by Shepard Fairey & Ted Soqui, Numbered 18x24 inches. Screenprint on thick cream Speckletone paper. Numbered edition of 600. "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution. Ted Soqui and I both signed the “Eyes on the King Verdict” print.” – Shepard

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Obey Conformity Trance- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 350 February 10, 2021 Obey as a pseudo-command in my art has always been a form of reverse psychology. My philosophy is actually “question everything”. Conformity is often more unconscious than conscious… an adaptation to structures we may not agree with and a submission to unseen forces of manipulation… unseen because our eyes and minds are not open wide enough. People come up with conspiracy theories like “the Illuminati” to explain the feelings that they are cogs in someone else’s machine, but the deconstruction of power and control requires nothing more than a conscious and diligent examination of how power and influence upon the government accumulate and concentrate under capitalism. Shepard Fairey

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Vota! Alto Al Fascismo Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Shepard Fairey Obey x Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2020 Signed by Both Artists & Numbered Limited Edition of 450 Artwork Size 18x24 “It’s an honor to once again collaborate with Shepard and NDLON (National Day Laborer Organizing Network) and release this new rendition of the We Are Human poster that we originally made over 10 years ago. This image is titled ‘Vote! Stop Fascism.’ The proceeds will go into printing more posters and also a massive sticker run to be given out in cities all across the country. Let’s ban together to Stop Fascism and make sure that we get Trump out of power! Thanks.” -Ernesto Yerena The realm of contemporary art has often been a platform for political expression, especially in genres like pop art, street art, and graffiti art. One striking example that stands out from recent times is the "Vota! Alto Al Fascismo" artwork, a hand-pulled 4-color silkscreen print on fine art paper. This piece is the brainchild of two phenomenal artists, Shepard Fairey of the Obey fame, and Ernesto Yerena Montejano from Hecho Con Ganas. Both artists are renowned for their bold stances and vibrant portrayals of socio-political issues, and this particular piece showcases their combined brilliance. Released in 2020, the artwork is not just a statement piece but a testament to the urgency and significance of the message it conveys. Limited to an edition of 450, each artwork is meticulously signed by both Shepard and Ernesto, indicating their personal commitment to the cause it represents. The dimensions of 18x24 make it a conspicuous piece, ensuring that the message is both seen and felt. Drawing inspiration from a decade-old "We Are Human" poster, this modern rendition emphasizes the importance of voting and the dire need to halt the rise of fascism. Ernesto's comment further illustrates the core motive behind this collaboration, shedding light on the broader aim of disseminating the message across cities nationwide through posters and stickers. Engaging, evocative, and ever-relevant, the "Vota! Alto Al Fascismo" artwork seamlessly blends the boundaries between art and activism. As pop art and street art evolve, such pieces remain a testament to their profound impact on society, urging viewers to take action and be part of a larger movement.

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Dare to Defy 3-Color Hand-Pulled Limited Edition Silkscreen Print on Heavy Fine Art Paper by Mear One Rare Street Art Famous Pop Artwork Artist. Artist: Mear One Creation Date: 2008 Edition: 80; signed and numbered Size: 18" x 24" Signed, numbered, and embossed by the artist in pencil, this 3-color silkscreen art print is on heavy weight archival white colored paper.

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Shoplifters Welcome Silkscreen Print by Shepard Fairey- OBEY x Jamie Reid Hand-Pulled Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Created to Commemorate Reid's Ragged Kingdom Exhibition, March 16 to April 14, 2012. Shows a Hand Removing Laws From A Brief Case Infering Wall Street Money Regulations. "Jamie has been one of my biggest influences, and I'm honored that we worked on some collaborative images for the show. The new images deal with the mutual interests of Jamie and I, addressing the timeless problems of corruption and wealth inequality, but tie into the current themes of Occupy Wall Street and the dead end of fossil fuel consumption." -Shepard Faire.y Shepard Fairey's Collaboration with Jamie Reid in Street Pop Art The "Shoplifters Welcome Silkscreen Print" is a remarkable intersection of street pop art and political commentary, created by the influential Shepard Fairey in collaboration with Jamie Reid. This limited edition hand-pulled screen print on cream speckletone art paper is a testament to the potency of visual art as a tool for social critique. Released as part of Jamie Reid's Ragged Kingdom exhibition from March 16 to April 14, 2012, this artwork resonates with anti-establishment and dissent themes common in street pop art and graffiti artwork. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, has a history of infusing his work with sharp political insights. The artwork in discussion depicts a hand removing laws from a briefcase, a direct inference to the deregulation of Wall Street and the unshackling of financial institutions from legal constraints. This visual metaphor conveys the message of wealth inequality and corruption, both highly relevant to the zeitgeist of the early 2010s, especially in the Occupy Wall Street movement. Artistic Expression of Sociopolitical Issues The collaborative nature of this artwork, involving both Shepard Fairey and Jamie Reid, underscores a shared commitment to addressing pressing societal issues through art. Fairey's statement about the collaboration highlights their mutual interest in tackling the "timeless problems of corruption and wealth inequality," themes that are also deeply embedded in the philosophy of street pop art. The artwork becomes a canvas for discourse, echoing the sentiments of public protests and movements that call for justice and economic reform. In creating the "Shoplifters Welcome" piece, Fairey and Reid tap into the legacy of street pop art's ability to reach a broad audience. Street pop art, often found in public spaces, speaks directly to the masses, unfiltered by the gatekeeping of traditional art venues. Though housed within the confines of an exhibition, this print carries the spirit of street art by being a piece of graffiti artwork that one can own—a symbol of both rebellion and commodification. The limited edition nature of the print, being one of only 450, adds a layer of exclusivity to a piece that speaks about wealth disparity, creating an exciting tension between the artwork's message and its status as a collectible item. Each print, signed and numbered by Fairey, is a piece of art and a statement about the artist's role in society—as an observer, a critic, and a participant in the cultural dialogue about power and money. This artwork, sized 18x24, encapsulates a period of intense socio-political activism, serving as a historical document that captures the essence of the early 2010s. The stark imagery, reminiscent of propaganda art, is both a nod to the past and a commentary on the current state of affairs. It draws a parallel between the actions on Wall Street and the broader issues of regulatory oversight and the power imbalance, which remain relevant in discussions about the economy and governance. In the larger context of street pop and graffiti artwork, Shepard Fairey and Jamie Reid's "Shoplifters Welcome" print is a powerful reminder of art's role in society. It bridges the gap between aesthetic appeal and social commentary, functioning as a visual manifesto that calls for reflection and action. The piece is not merely an artwork to be viewed but a conversation starter, a call to arms, and a historical artifact.

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Obey Radical Peace- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Vote! Stop Fascism Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Shepard Fairey Obey x Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2020 Signed by Both Artists & Numbered Limited Edition of 450 Artwork Size 18x24 “It’s an honor to once again collaborate with Shepard and NDLON (National Day Laborer Organizing Network) and release this new rendition of the We Are Human poster that we originally made over 10 years ago. This image is titled ‘Vote! Stop Fascism.’ The proceeds will go into printing more posters and also a massive sticker run to be given out in cities all across the country. Let’s ban together to Stop Fascism and make sure that we get Trump out of power! Thanks.” -Ernesto Yerena The realm of contemporary art has often been a platform for political expression, especially in genres like pop art, street art, and graffiti art. One striking example that stands out from recent times is the "Vota! Alto Al Fascismo" artwork, a hand-pulled 4-color silkscreen print on fine art paper. This piece is the brainchild of two phenomenal artists, Shepard Fairey of the Obey fame, and Ernesto Yerena Montejano from Hecho Con Ganas. Both artists are renowned for their bold stances and vibrant portrayals of socio-political issues, and this particular piece showcases their combined brilliance. Released in 2020, the artwork is not just a statement piece but a testament to the urgency and significance of the message it conveys. Limited to an edition of 450, each artwork is meticulously signed by both Shepard and Ernesto, indicating their personal commitment to the cause it represents. The dimensions of 18x24 make it a conspicuous piece, ensuring that the message is both seen and felt. Drawing inspiration from a decade-old "We Are Human" poster, this modern rendition emphasizes the importance of voting and the dire need to halt the rise of fascism. Ernesto's comment further illustrates the core motive behind this collaboration, shedding light on the broader aim of disseminating the message across cities nationwide through posters and stickers. Engaging, evocative, and ever-relevant, the "Vota! Alto Al Fascismo" artwork seamlessly blends the boundaries between art and activism. As pop art and street art evolve, such pieces remain a testament to their profound impact on society, urging viewers to take action and be part of a larger movement.

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Choking Hazard Artwork Giclee Limited Edition Print on 310gsm Canson Aquarelle Paper by Pop Culture Graffiti Artist Leon Keer. 18 x 24 Inches Fine-art Giclée print on Canson Aquarelle 310gsm museum-grade archival paper Limited Edition of 50 Signed + Numbered

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Noir Flower Woman Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2022 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Woman Holding Large Lotus Flower. "The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don't control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change." -Shepard Fairey. Shepard Fairey's "Noir Flower Woman Red AP" is a testament to the harmonious blend of pop art and street art, with a unique nod to graffiti culture. With the hand-pulled silkscreen method on fine art paper, this 18x24 print captures a woman delicately holding a giant lotus flower. This captivating artwork, released as an Artist Proof in 2022, is not only a rare find due to its limited edition run but also because of the personal touch added by Fairey through his signature and the distinctive "AP" mark. At a glance, the "Obey Noir Flower Woman" appears to be heavily influenced by Art Deco elements and Dark Wave album art aesthetics. Yet, beneath its visual layers lies a profound message. Shepard Fairey draws inspiration from those idealists who remain committed to environmental protection, champion justice, and foster a deep-seated optimism, even in the face of adversity. His work argues that external challenges can never overshadow the radiant light of one's inner resilience and idealism. Rather than being passive spectators, Fairey calls upon individuals to harness their inner idealism, transforming it into actionable change. This sentiment reverberates even more when considering that a portion of the proceeds from the sale of this print aids Greenpeace in its relentless battle against climate change and for enhanced environmental protections. This piece by Fairey isn't merely an artwork; it's an emblem that showcases the intersection of visual allure and impactful advocacy, a hallmark that distinguishes much of the art from the pop, street, and graffiti genres. As viewers immerse themselves in the intricate details of "Noir Flower Woman Blue AP," they are invited to reflect, respond, and act on the world around them.

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Parks For Everyone 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 "I created this print in partnership with Parks California, the official non-profit partner of California State Parks that works at the intersection of resource stewardship and equitable access. The print features an illustration of the beautiful Russian River and iconic Russian Gulch Bridge in northern California. I am lucky to have a system of parks in California preserved for public enjoyment and are valued landmarks. I think it is essential to keep some spaces dominated by nature for the sake of the environment and citizens’ quality of life. Parks California helps to make parks more welcoming, inclusive, and climate-resilient. Proceeds from this print will help strengthen parks for the future, reducing barriers to access and working to ensure that all people feel welcome when they are in parks. Thanks for caring!" -Shepard Fairey Parks For Everyone Silkscreen Print by Shepard Fairey is a piece of artwork created by the renowned street artist and graphic designer, known for his work under the pseudonym OBEY. The "Parks For Everyone" silkscreen print is a reflection of Fairey's advocacy for public spaces and greenery. The artwork emphasizes the importance of accessibility, inclusiveness, and preservation of parks for people from all walks of life. It features Fairey's signature style, incorporating a mix of bold typography, and striking imagery.

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By Any Means Necessary Limited Edition Archival Pigment Fine Art Prints on 310gsm Hahnemühle William Turner Art Paper by Graffiti Street Art and Pop Culture Artist Robert Mars. By Any Means Necessary Malcom X archival pigment print on Hahnemühle William Turner Matte Fine Art Paper, 310 GSM Hand-varnished 18 x 24 inches Hand-signed and numbered by artist Robert Mars 2019

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Idiocracy AP Artist Proof Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey, Graffiti Street Artist Modern Pop Art. AP Artist Proof 2016 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "I’ve always felt that art, entertainment, and humor can be the best delivery vehicles for social commentary, so I love the way humor is used in “Idiocracy” to make the social critique more digestible. The movie is a harsh but necessary indictment of the anti-intellectual culture and politics that seem to become the norm more and more everyday. The film is great in a cautionary way and has an enjoyable irony being a somewhat low-brow piece of entertainment about the perils of succumbing to a cultural rejection of anything intellectual or high-brow. In other words, the genius of the film is that it may actually get through to the audience it should reach, rather than just preaching to the intellectual elite" -Shepard Fairey- OBEY The "Idiocracy" AP (Artist Proof) silkscreen print by Shepard Fairey is a thought-provoking piece, symbolizing a potent blend of street art ingenuity with biting social commentary. Released as a limited edition in 2016, each piece in the series of 550 is hand-signed and numbered, affirming its exclusivity and value in the art community. Measuring 18x24 inches, this work is meticulously crafted through a 4-color hand-pulled silkscreen process onto fine art paper, a testament to Fairey’s dedication to quality and detail. Shepard Fairey, a trailblazer in the modern pop and street art scene, often infuses his work with social and political subtext. His "Idiocracy" print draws from the satirical film of the same name, utilizing its thematic core as a springboard for his own artistic expression. The movie's critique of a society in intellectual decline resonates with Fairey's own observations of contemporary culture, where anti-intellectualism is increasingly mainstream. Fairey's print channels the film’s irony, using the medium of pop art to comment on the potential dangers of a society that devalues knowledge and critical thinking. Fairey acknowledges the power of art, humor, and entertainment as catalysts for discussion and reflection on societal norms. By embedding these elements into his "Idiocracy" print, he not only captures the essence of the film's warning but also amplifies its message through his unique artistic lens. The print, which features the movie’s signature branding "Brawndo" and the tagline "It's got electrolytes!", satirically suggests that the brain craves not intellectual stimulation but rather a fictional beverage. This piece stands as a cultural artifact within the sphere of graffiti art, encapsulating the genre's inherent confrontation with social issues. Shepard Fairey's work is often characterized by its ability to transcend the boundaries of traditional art spaces, engaging with the public in environments that are unconventional yet visually impactful. The "Idiocracy" AP print continues this trend, marrying the rebellious spirit of street art with the evocative power of cinema to challenge viewers to consider the trajectory of cultural evolution.

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Power Of Movement Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Case Maclaim Graffiti Street Artist Modern Pop Art. One of the most poignant aspects common to all of case’s works is the texture of the surfaces he uses. They are painted on a background that is made from pieces of cardboard of various sizes. Most of the cardboard comes from the packaging of the spray paint cans and they are held together with glue, staples and tape. Sometimes bits and pieces of wood are also glued onto the surface, such that a bumpy, one-of-a-kind surface appears. This structure is diametrically opposed to typically overblown, perfectionist images and it gives case’s works their unique character.

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Green Power Factory Blue 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2023 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 "Green Power is a concept I’ve promoted in several pieces of my art. We need to transition to renewable sources of energy for the health of the planet. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that promote green power and put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring." -Shepard Fairey Shepard Fairey is an American contemporary street artist, graphic designer, activist, and founder of OBEY Clothing. He is known for his thought-provoking and socially-conscious artwork, often combining powerful imagery with provocative messages. The "Green Power Factory Blue Silkscreen Print" was created by Shepard Fairey and features his signature style and color scheme. It most likely represents themes of environmentalism, industry, and the need for sustainable energy solutions. The use of the OBEY logo in the title suggests that it may also convey an underlying message about recognizing and acting on these themes. As a silkscreen print, this artwork is created using a stencil-based printing technique where ink is forced through a mesh screen onto a surface. This method allows for producing multiple prints with a high level of detail and vivid colors. In the case of Fairey's work, the technique is particularly well-suited to his bold, graphic style.

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We Own the Future Metal Edition Hand-Pulled 2-Color Silkscreen Print on Aluminum Metal by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2015 Signed by Shepard Fairey & Numbered Limited Edition of 3 Artwork Size 18x24 Extremely low edition of only 3! WE OWN THE FUTURE METAL Fine Art Edition: Silkscreen on Metal Silkscreen on Metal (Aluminum) Printed Matters-Detroit 18 x 24 inches (45.7 x 61 cm) 2015. We Own the Future The Makers of Fire Transform Our World With Creative Response "We Own the Future" is a metal silkscreen print created by Shepard Fairey in 2015 as part of his OBEY art campaign. The print features a stylized image of a woman's face, with the words "WE OWN THE FUTURE" in bold letters across the top. The woman in the image is wearing a hat and holding a flame with angel wings. Fairey's use of lettering and metal is a nod to the future punk aesthetic that has influenced much of his work. The message of the print is a call to action for people to take ownership of their future and to strive for positive change in the world. It speaks to Fairey's belief in the power of grassroots activism and the ability of individuals to effect change through their actions. "We Own the Future" was produced in a limited edition of 3 prints, with each print signed and numbered by the artist. The print measures 18 x 24 inches and is printed on aluminum, giving it a sleek and modern look. As with much of Fairey's work, "We Own the Future" has become a popular symbol of resistance and activism, appearing on protest signs and in street art around the world. 0

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Peoples Climate March- To Change Everything We Need Everyone Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. People’s Climate March – To Change Everything We Need Everyone Screen Print 18 x 24 inches Edition of 300 September 18, 2014. 'Most of you know that I am very concerned about the dangers of climate change. Dick Cheney said “if there is even a 1% chance of a terrorist attack, we must do everything in our power to be prepared”. 95% or more of the scientific community agrees that climate change is happening, and is a dramatic threat to the planet, yet far less is being done to fight climate change than to fight terrorism. It’s a good thing the streets of New York will be flooded soon — with hundreds of thousands of people demanding solutions to our out-of-control climate crisis. It’s both an honor and a calling of my conscience for me to contribute a poster to the People’s Climate March effort and get something urgent across about one of the biggest threats facing present and future generations. Lady Liberty and all of us are in trouble if we don’t push our leaders to take bold action.' -Shepard Fairey

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Sedation of Millions AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Number 3 in A Gun Target Retnial With Phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." "The "Sedation Of Millions" print is inspired by the title of my favorite Public Enemy album, "It Takes A Nation Of Millions To Hold Us Back." I think the biggest problem in America is the indifference and complacency about important issues that result from much of the population being perpetually hypnotized by conspicuous consumption, social media, entertainment, and self-medication. Using sedation and escapism for relief from the rat race might make us less aware(blissfully ignorant) but also less empowered to improve our role within the rat race… a vicious cycle of cause and effect." -Shepard Fairey The "Millions AP" silkscreen print by Shepard Fairey stands as a profound commentary on contemporary society through the lens of street pop art and graffiti artwork. As an Artist Proof from 2012, signed and marked by Fairey himself, this limited edition piece presents a powerful visual fused with a direct message characteristic of Fairey's thought-provoking style. Sized at 18x24, the print features the image of a gun target retinal, the number 3 prominently placed at its center, overlaid with the bold phrase "IT TAKES THE SEDATION OF MILLIONS TO HOLD US BACK." This artwork resonates with Fairey's ongoing exploration of control, power, and propaganda. The title and the thematic content pay homage to Public Enemy's album "It Takes A Nation Of Millions To Hold Us Back," channeling the spirit of resistance and the power of voice emblematic of the influential hip-hop group. Fairey's work challenges the viewer to consider the societal implications of complacency and the sedative effects of consumer culture, social media, and entertainment that contribute to a collective indifference toward critical issues. Shepard Fairey, renowned for his OBEY campaign and the iconic Obama "Hope" poster, consistently blurs the lines between fine art and street art, bringing forth discussions that encapsulate the ethos of both genres. The "Millions AP" silkscreen print serves not just as a piece of art but as a call to consciousness, urging a break from the "blissful ignorance" induced by escapism and advocating for empowerment through awareness and action. This work is a visual manifestation of Fairey's critique on the cyclical nature of societal sedation and the importance of awakening from it to enact change within the systems that govern daily life. In the broader scope of street pop art and graffiti, Fairey's "Millions AP" print encapsulates the essence of the medium's capacity to reflect and impact cultural dialogue. It is a testament to the potential of visual art as a medium for social commentary and a marker of the time in which it was created.

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Creativity, Equity, Justice Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 450 Artwork Size 18x24 Silkscreen Print "This print is a portrait of Anjel Newmann, Director of Programs and Youth Director of AS220 – a non-profit community arts organization based in downtown Providence with whom I’ve worked since the ’90s. AS220 is important to me because they have cultivated a creative community that continues to have a profoundly transformative impact on the city. I’m inspired by Anjel’s dedication to this organization, where she’s been a member since she was 13 years old, learning from a diverse set of communities and facilitating access to opportunities for young people across the city of Providence. Thank you Anjel and AS220 for all that you do for the people of Rhode Island!⁠" -Shepard Fairey- OBEY In the vibrant intersection where art meets activism, Shepard Fairey’s silkscreen print stands as a testament to the power of creative expression as a tool for social change. Released in 2019, this limited edition piece, signed and numbered with a run of 450, encapsulates Fairey’s longstanding commitment to community engagement through art. The 18x24 artwork, hand-pulled on Cream Speckletone fine art paper, is not only a visual treat but a beacon of inspiration, embodying the themes of creativity, equity, and justice. At the heart of this print is a portrait of Anjel Newmann, a figure who represents the enduring impact of AS220, a non-profit community arts organization in Providence, Rhode Island. Newmann's involvement with AS220 began at the tender age of 13, and her journey to becoming the Director of Programs and Youth Director showcases the nurturing power of such institutions in cultivating artistic talent and leadership among the youth. Fairey, having collaborated with AS220 since the 1990s, celebrates not only the individual journey of Newmann but also the broader ethos of the organization. AS220’s pivotal role in fostering an inclusive arts community and providing a platform for marginalized voices is central to Fairey's narrative. The artwork itself is a visual confluence of Fairey's signature style with poignant messaging. Words like "Creativity," "Equity," and "Justice" are prominently featured, aligning with the larger message that Fairey perpetuates through his work—art as a mechanism for societal upliftment and personal liberation. His use of bold, contrasting colors and geometric patterns draws the eye, compelling the viewer to contemplate the interconnectedness of the artistic elements with the profound themes presented. Fairey’s choice of Anjel Newmann as the subject speaks volumes about the role models that inspire his work. By highlighting Newmann's dedication to AS220, Fairey not only honors her and the organization but also emphasizes the importance of creative communities in driving positive social change. This print transcends its aesthetic appeal, standing as a symbol of hope and a call to action, urging viewers to rise above challenges and contribute to the collective journey towards a just society. It is a celebration of Fairey’s enduring relationship with AS220 and his unwavering belief in art as a catalyst for progress.

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Endless Power Petrol Palace- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Endless Power Petrol Palace (Blue) 18 x 24 inches Edition of 350 June 13, 2019 "The “Endless Power Petrol Palace” poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited." -Shepard Fairey

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Disposable Heroes 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print DISPOSABLE HEROES Screen Print 18 x 24 inches Edition of 450 February 7, 2012 "He Served Us Well" This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Obey Noir Flower Woman- Blue 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print OBEY NOIR FLOWER WOMAN (BLUE) 18 inches by 24 inches Edition of 400 January 27, 2022 The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don’t control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. – Shepard

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Green Power Factory Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2023 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 "Green Power is a concept I’ve promoted in several pieces of my art. We need to transition to renewable sources of energy for the health of the planet. The fossil fuel industries have tremendous power economically, but we now know that not only are fossil fuel sources finite but that using them is terrible for climate change and, therefore, the eco-systems that sustain life on our planet. Unfortunately, due to the political power of these industries and public apathy about climate change, the government subsidizes the fossil fuel industries for billions even as they damage the environment. The government works for the citizens, so the choice is ours. Do we support endless power for wealthy fossil fuel corporations? Or policies that promote green power and put the earth first with the planet before profits? Please read Naomi Klein’s THIS CHANGES EVERYTHING to better understand the conflict between economic interests and climate change. A portion of the proceeds from the sale of this print will go to Greenpeace to fight climate change. Thanks for caring." -Shepard Fairey Shepard Fairey is an American contemporary street artist, graphic designer, activist, and founder of OBEY Clothing. He is known for his thought-provoking and socially-conscious artwork, often combining powerful imagery with provocative messages. The "Green Power Factory Red Silkscreen Print" was created by Shepard Fairey and features his signature style and color scheme. It most likely represents themes of environmentalism, industry, and the need for sustainable energy solutions. The use of the OBEY logo in the title suggests that it may also convey an underlying message about recognizing and acting on these themes. As a silkscreen print, this artwork is created using a stencil-based printing technique where ink is forced through a mesh screen onto a surface. This method allows for producing multiple prints with a high level of detail and vivid colors. In the case of Fairey's work, the technique is particularly well-suited to his bold, graphic style.

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Justice Woman- Red 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 550 March 16, 2021 The Justice Woman print is a tribute to all warriors for justice whose determination and tenacity bend the arc of the universe toward the just future we need. Justice is a constantly evolving idea when it comes to various issues, but generally speaking, those willing to listen to their conscience, look their fellow human beings in the eyes, and stand up for what is right, are setting an important example and can influence people to treat others as they’d like to be treated.

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Protect The Blue Planet Limited Edition Hand Pulled 2-Color Silkscreen Print on Thick Cream Speckle Tone Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered 18x24 inches Limited Edition of 450 "To celebrate Earth Month, in collaboration with PangeaSeed Foundation, I’m pleased to release, “Protect The Blue Planet” which features an endangered North Atlantic right whale emanating a mandala with the earth as its focal point. In several cultures, the mandala represents harmony, unity, and wholeness, all of which are important concepts when considering the interconnected nature of the planet’s ecosystems, people, and species. The mandala features floral ornaments symbolizing harmony in bloom, but also flames as a reminder of the perils of global warming. The “Protect the Blue Planet” and “One Ocean-One People” text within the artwork and the blue color palette serve to emphasize the crucial connection between healthy oceans and a healthy planet." – Shepard

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Justice Woman- Blue 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 550 March 16, 2021 The Justice Woman print is a tribute to all warriors for justice whose determination and tenacity bend the arc of the universe toward the just future we need. Justice is a constantly evolving idea when it comes to various issues, but generally speaking, those willing to listen to their conscience, look their fellow human beings in the eyes, and stand up for what is right, are setting an important example and can influence people to treat others as they’d like to be treated.

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The Beauty of Liberty & Equality Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. 2020 Signed by Shepard Fairey & Sandra Chevrier & Numbered Limited Edition of 500 Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality Austin Mural Print Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's Commemorative Vision: "The Beauty of Liberty & Equality" Mural "The Beauty of Liberty & Equality" mural in Austin, captured in an offset lithograph print by Jon Furlong, represents a powerful synergy between urban graffiti, pop street art, and political activism. This limited edition artwork, created in 2020 by renowned artists Shepard Fairey and Sandra Chevrier, is part of a series signed and numbered 500. The print dimensions of 18x24 inches serve as a testament to the mural's grandeur and the message it conveys. Shepard Fairey's statement contextualizes the piece within the historical framework of the Women's Vote Centennial Initiative, linking the struggle for democratic rights to contemporary equality issues. Fairey, an artist known for his provocative and socially charged work, joins forces with Sandra Chevrier, whose art often explores the limitations imposed on women, to create a mural that celebrates progress and a call to action. The mural's vibrant imagery and compelling iconography draw on the visual language of street pop art and graffiti. At the same time, the lithograph print extends the mural's reach from the streets of Austin to the global art community. Intersecting Art and Activism in Public Spaces The intersection of art and activism is vividly presented in "The Beauty of Liberty & Equality" mural. Fairey and Chevrier harness the visual potency of street pop art to communicate and inspire dialogue around the centennial of the women's suffrage movement. Their collaboration is a visual narrative commemorating the historical fight for women's voting rights and reflecting on its significance in today's ongoing struggle for gender equality. The mural becomes more than just an art piece; it is a historical marker and a reflective mirror of society's progress and the remaining challenges. This Austin mural and its corresponding lithograph print embody the core values of street pop art and graffiti artwork by merging aesthetics with a message that resonates on a societal level. The artists utilize their platforms to amplify voices and themes that are often marginalized, demonstrating the power of public art to spark change and provoke thought. "The Beauty of Liberty & Equality" mural by Shepard Fairey and Sandra Chevrier, captured in print by Jon Furlong, is an iconic piece of street pop art that transcends its medium to become a beacon of historical awareness and social commentary. The limited edition lithograph print is a collectible item and a piece of cultural heritage that continues to disseminate the ideals of liberty and equality through the universal language of art.

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Bureau of Public Works Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color Screen Print on Cream Speckletone Art Paper Limited Edition Pop Street Art Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 Shepard Fairey is a renowned contemporary street artist, graphic designer, and activist known for his thought-provoking and often politically charged artwork. Born Frank Shepard Fairey in 1970, he first gained notoriety in the late 1980s with his "Andre the Giant Has a Posse" sticker campaign, which later evolved into the OBEY Giant phenomenon. Fairey is also known for creating the iconic "HOPE" poster for Barack Obama's 2008 presidential campaign. The Bureau of Public Works Silkscreen Print is a piece of artwork by Shepard Fairey that likely showcases his signature style, which includes bold colors, impactful typography, and propaganda-inspired imagery. In his work, Fairey frequently combines elements from different cultural and artistic movements, such as constructivism, pop art, and graffiti, to create visually striking pieces that also deliver a strong social or political message. It is important to note that Fairey's silkscreen prints are typically produced in limited editions, making them highly sought-after collectibles. Owning a print like the Bureau of Public Works Silkscreen Print by Shepard Fairey - OBEY means owning a piece of contemporary art history, as well as supporting the work of an influential artist who uses his platform to raise awareness about important issues. As a collector or an enthusiast, it's essential to verify the authenticity of the print before purchasing, as forgeries have been known to appear in the market. When acquiring a Shepard Fairey print, look for an artist's signature, edition number, and any accompanying documentation that verifies its provenance.

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Flint Eye Alert Globe 4-Color Hand-Pulled Limited Edition Silkscreen Print on French True White Art Paper by Artist Shepard Fairey Artwork. 2017 Signed & Numbered Limited Edition of 450 Size 18x24 “This piece is based on a painting I did for my ‘Earth Crisis’ show in Paris. The entire body of work for that show used these shades of blue/turquoise as a connection to the air and water that is essential to sustaining life on planet Earth. This piece is more specifically about the idea that we need to see what is right in front of us, that we are dependent on nature and I used the blooming flower as a symbol of both beauty and growth. If we keep ruining the air and water, things won’t grow, not to mention we’ll all get sick.”

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We Own the Future Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Antonino D'Ambrosio Rare Street Art Limited Edition Artwork. 2013 Signed by Shepard Fairey/Antonino D'Ambrosio & Numbered Limited Edition of 450 Artwork Size 18x24 Shepard Fairey X Antonino D'Ambrosio We Own the Future The Makers of Fire Transform Our World With Creative Response, 2013 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge. Published by Obey Giant, Los Angeles The "We Own the Future" silkscreen print by Shepard Fairey is part of his OBEY Giant series, which has become a hallmark of his street artist and graphic designer work. Known for his bold, iconic imagery and thought-provoking messages, Fairey has created numerous artworks that inspire conversation and challenge societal norms. "We Own the Future" is no exception. The print features a striking design with a central figure surrounded by bold typography and a collage of patterns and shapes. The artwork evokes a sense of empowerment and optimism, encouraging the viewer to consider their role in shaping the future. As with many of Fairey's works, the piece incorporates his signature use of color, particularly red, to create a strong visual impact. Although Shepard Fairey is often associated with his iconic "Hope" poster featuring Barack Obama during the 2008 presidential campaign, "We Own the Future" does not have any direct connection to Obama. Instead, this artwork is part of Fairey's broader body of work, which encompasses a range of themes and messages that often revolve around social issues, activism, and the power of the individual.

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The Beauty of Liberty & Equality PP Printers Proof Austin Mural by Jon Furlong Off Set Lithograph Print Limited Edition Artwork on Fine Art Paper by Shepard Fairey X Sandra Chevrier, an urban graffiti pop street artist. PP Printers Proof 2020 Signed by Shepard Fairey & Sandra Chevrier & Marked AP Off Set Lithograph Print Artwork Size 18x24 Beauty of Liberty Equality PP Austin Mural Print by Shepard Fairey x Sandra Chevrier x Jon Furlong. "This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary and the 72-year fight to achieve it are commemorated and celebrated throughout the United States." -Shepard Fairey Shepard Fairey and Sandra Chevrier's "The Beauty of Liberty & Equality": A Mural of Democratic Milestones "The Beauty of Liberty & Equality" PP (Printer's Proof) is an evocative offset lithograph print by Jon Furlong that captures the essence of a mural by Shepard Fairey and Sandra Chevrier, two luminaries in the world of urban graffiti pop street art. This print, part of a limited edition run of 500 signed and numbered pieces released in 2020, measures 18x24 inches and stands as a testament to a significant moment in the history of democracy—the Women's Vote Centennial. Shepard Fairey's statement underscores the artwork's connection to the broader initiative commemorating women's suffrage and its ongoing relevance to current equal rights issues. Fairey, an artist renowned for his politically charged work, and Chevrier, known for her striking visual narratives that often delve into gender politics, have collaborated to create a mural that is both a celebration of historical achievements and reminds of the struggles that persist. As a Printer's Proof, the lithograph print holds a special status, often reserved for checking the final quality before printing the entire run. Collectors and enthusiasts of street pop and graffiti artwork prize such proofs for their closeness to the artists' original intent and the rarity they represent within a print series. Artistic Fusion in "The Beauty of Liberty & Equality" The mural, and by extension the lithograph print, is a vibrant fusion of Fairey's bold, graphic style and Chevrier's poignant portraiture, enveloped in a palette that commands attention and provokes thought. The artwork's layered composition—a hallmark of Fairey's and Chevrier's approach—blends text, imagery, and symbolism to convey a complex narrative about the journey toward equality and liberty. In line with the ethos of street pop art, the piece is anchored in its accessibility and capacity to communicate powerful messages through the visual lexicon of graffiti art. In bringing this piece to life, Fairey and Chevrier have created an artwork that celebrates a centennial and crafted a message that resonates with the present-day discourse on rights and representation. "The Beauty of Liberty & Equality" is a visual dialogue about the ongoing journey of democracy and the role of art in reflecting and shaping public consciousness. "The Beauty of Liberty & Equality" PP Austin Mural Print by Jon Furlong, Shepard Fairey, and Sandra Chevrier is a significant addition to the narrative of pop street art and its intersection with social activism. This Printer's Proof is a collectible piece that not only enhances the aesthetic milieu of its holders but also serves as a poignant reminder of the power of art to commemorate, educate, and inspire continual progress toward equality. Through this lithograph, the mural's message transcends the boundaries of Austin, reaching an international audience and solidifying its place in the annals of street pop art and graffiti artwork.

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Instigator 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by SSUR- Ruslan Karablin Rare Street Art Famous Pop Artwork Artist. Silkscreened print limited to 50 pieces. Signed and numbered with embossed logo on the bottom corner.

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Occupy Protester A.P. 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey, Rare Street Art OBEY Pop Artwork Artist. A.P. Artist Proof 2012 Signed & Numbered Occupy Protester, 2012 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) A.P. (aside from an edition of 450) Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. Occupy Wall Street Shepard Fairey's 'Occupy Protester': A Beacon of Street Pop Art and Activism Shepard Fairey's 'Occupy Protester' is a poignant representation of the artist's involvement with the Occupy Wall Street movement and his continuous impact on street pop art and graffiti artwork. As an artist-proof (A.P.), this 2012 silkscreen print in colors on speckled cream paper was apart from the main edition of 450, enhancing its rarity and desirability among collectors and enthusiasts of the genre. Measuring 24 x 18 inches, the print is significant not only for its artistic merit but also for its strong political message. The 'Occupy Protester' features a figure wrapped in a scarf, with only the eyes visible, set against a backdrop of bold red and black stripes. This image is striking and filled with emotion, reflecting the intensity and urgency of the Occupy movement. The number "99%" prominently displayed in the artwork resonates with the movement's message, which protested against economic inequality and the disproportionate power of the wealthiest 1% of the population. Fairey's choice of speckle-tone paper adds an organic feel to the work, suggesting the grassroots nature of the protests. Cultural and Political Impact of Fairey's Work Shepard Fairey has long been an artist who uses his work to comment on social and political issues. 'Occupy Protester' continues this tradition, embodying the spirit of resistance and the call for change that defined the early 2010s. Published by Obey Giant, Los Angeles, the print serves as a historical document of the time, encapsulating the widespread feelings and sentiments among the participants of the Occupy Wall Street movement. Fairey's ability to communicate powerful messages through his art has solidified his position as a pivotal figure in the street pop art movement. The legacy of 'Occupy Protester' extends beyond its initial release. As a piece of street pop art, it has been instrumental in demonstrating the potential of art to influence public discourse and act as a catalyst for social change. The artist’s signature and numbering along the lower edge of the print serve as a reminder of the personal commitment and the voice of the artist behind the work. It is a testament to Fairey's dedication to his craft and his unwavering support for movements that seek to challenge the status quo. Legacy of 'Occupy Protester' in Street Art Shepard Fairey's 'Occupy Protester' is more than just a piece of art; it symbolizes a pivotal moment in contemporary history. It represents the synergy between art and activism and how street pop art can transcend traditional canvases to become a part of the collective consciousness. As an A.P. screenprint, it holds a special place in the chronicles of street art, signifying a moment when art and the artist stepped out of the shadows and into the arena of political activism. The print remains a powerful piece of visual communication, reflecting the ethos of a movement that sought to redefine power and privilege in the modern world.

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