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Pink One Formula Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Sket-One. 2021 Box Stamped Size 5.5" Limited Edition of 250 "Sket One has teamed up with Czee13 & Clutter to bring you a killer series of Canz that are Classics. The first of the new series of Canz by Sket-One is the Pink One Formula releasing exclusively through Clutter. Standing at 5.5” with its trademark rattle, this dope Canbot Canz fits perfectly with the rest of the Canz family! Limited to 250 pieces worldwide!" -Clutter

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Dysnomia Obsidian 4 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Justin Anville Rare Street Art Famous Pop Artwork Artist. Regular Edition- 5 color screenprint - 16"x20" - signed and numbered edition of 50

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Supreme MG 1/100 RX-78-2 GUNDAM Ver. 3.0 Action Figure Limited Edition Art Toy Model Collectible Artwork by Supreme. 2021 Limited New In Box. The Supreme MG 1/100 RX-78-2 Gundam action figure is a 1/100 scale model of the famous RX-78-2 from Mobile Suit Gundam. The figure is made from recycled plastic and features a red colorway throughout the entire silhouette. The shield of the RX-78-2 features a giant Supreme logo, and the logo is also found in a smaller font on the chest and kneecaps. The Supreme MG 1/100 RX-78-2 Gundam action figure was released during the Supreme fall/winter 2021 season.

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Police Grin HipHop Trooper Limited Edition Resin Art Toy Collectible Artwork by street graffiti artist Ron English x Suckadelic. 2022 Signed & Numbered Hand cast and painted 3.75" scale carded resin figure. Numbered out of 100.

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Nemesis Prime Transformers 200% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. Perhaps one of the most unique Bearbricks out there, this Bearbrick x Transformers Nemesis Prime 200% is one of the most popular. This 200% Bearbrick measures approximately 8 inches tall, and actually has adjustable pieces which allows it to be transformed into Nemesis Prime. This Bearbrick is truly unlike any other that Medicom Toy has released in 2015

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Total reBart Artwork Giclee Limited Edition Print on Photographique Rag Paper by Pop Culture Graffiti Artist Marwan Shahin. "Total Rebart” 2015 20 inches x 24 inches Giclée on Photographique Rag Signed, AP Numbered & Branded

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FL-001 Pointman Black Vinyl Figure Art Toy by Futura 2000- Leonard McGurr Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2019 Limited Edition of 500 Artwork Size 3.75x12 New In Box Black 5 Points of Movement The Artistic Essence of Futura 2000's FL-001 "Pointman" in Black In the realm of street pop art & graffiti artwork, the FL-001 "Pointman" Black Vinyl Figure is a testament to the creative genius of Leonard McGurr, known as Futura 2000. This 2019 limited edition collectible, with only 500 pieces worldwide, encapsulates the essence of Futura's contribution to the street art scene. The figure, stretching 3.75x12 inches, is a sleek embodiment of Futura's iconic character, "Pointman," renowned in the street art community for its enigmatic and futuristic appearance. Futura 2000, a pioneer in translating street art from urban landscapes to the sphere of tangible art objects, extends his canvas to the three-dimensional form with this vinyl sculpture. The "Pointman," characterized by its fluid lines and articulated points of movement, invites interaction and manipulation, allowing owners to engage with the figure personally and dynamically. The stark black color of the figure lends it a sense of mystery and depth, further emphasizing its intricate design and the artist's precise craftsmanship. This piece is not merely a representation of Futura 2000's street art iconography but a continuation of the dialogue between art and society that Futura has been fostering throughout his career. The limited edition "Pointman" is a convergence of art and collectibility, offering a piece of Futura's storied history and a work that speaks to the evolving narrative of street art within contemporary culture. In the context of Futura's oeuvre, the FL-001 "Pointman" Black Vinyl Figure is a fusion of his graffiti roots and his matured artistic expression. The collectible reflects the artist's longstanding fascination with the cosmos, technology, and the human condition. Its availability as a limited edition item positions it as a coveted object for art collectors and enthusiasts, embodying the intersection of accessibility and exclusivity often present in street pop art & graffiti artwork. The "Pointman" figure is a physical manifestation of the energy and spirit driving the street art movement, capturing the ethos of creativity and rebellion. Futura 2000's work, particularly this black vinyl figure, continues to inspire a new generation of artists and collectors, securing his place as a seminal figure in the pop and street art lineage. The FL-001 "Pointman" Black Vinyl Figure is a significant piece within Futura's body of work and a vibrant chapter in the story of street pop art & graffiti artwork.

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Fuzz Fest 2014- Orange Yellow Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Orang Yellow Variant, April 10 11 12 2014

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Grinbot Signed Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by Pop Culture Artists Ron English x Czee13. 2022 Signed Autograph by Ron English x Czee13 Limited Edition of 300 New In Box Rare Ron English Canbot Canz Art Toy Artwork Size 3x5.5. Ron English Grin Smiley Skeletons Smile x Czee13 Canbot Canz . Vast Majority Not Signed. The Fusion of Icons: Grinbot Signed Canbot Canz by Ron English x Czee13 The fusion of iconic styles in Street Pop Art & Graffiti Artwork takes a tangible form in the Grinbot Signed Canbot Canz . This limited edition vinyl art toy marks the collaboration between pop culture artist Ron English and the street art maverick Czee13. This collectible stands at 3x5.5 inches, representing a cross-pollination of distinct artistic signatures—the audacious and often controversial English, with his Grin Smiley Skeletons Smile and Czee13's gritty, urban Canbot Canz aesthetic. Released in 2022, the Grinbot Signed Canbot Canz is a rarity, with a limited edition run of only 300 pieces. Each art toy comes new in its box, embodying the pristine condition sought by serious collectors. Most of these pieces are unsigned, making the signed editions particularly coveted. The autographs of Ron English and Czee13 on these select Canbot Canz s are not mere scribbles; they are the artists' endorsement, a seal of authenticity on a work of art that bridges their worlds. Cultural Significance of the Grinbot Canbot Canz The Grinbot Canbot Canz is more than a collectible item; it symbolizes the subversive humor and critique that Ron English is renowned for. His work often challenges the viewer to re-examine the visual components of our pop culture landscape. The smiling skeleton, a motif regularly featured in English's work, is a commentary on the superficiality of happiness in consumer culture. It is both a smile and a skull, a paradoxical image that resonates with modern society's ephemeral nature of joy. Czee13's Canbot Canz , on the other hand, speaks the language of the streets. It is gritty, raw, and honest. It tells the story of the urban environment, its resilience, and the culture that burgeons within it. The collaboration between these two artists on the Grinbot Canbot Canz is a testament to the power of Street Pop Art & Graffiti Artwork to reflect society's complexities, using the urban landscape as both canvas and inspiration. Investment and Collectibility of the Grinbot Canbot Canz As a collectible, the Grinbot Signed Canbot Canz holds significant value. Collectors of Street Pop Art & Graffiti Artwork understand that the worth of such pieces transcends their physical form. Owning a signed Grinbot Canbot Canz resembles holding a piece of contemporary art history. It is an investment that carries the potential to appreciate as the legacies of Ron English and Czee13 continue to unfold and influence the art world. For enthusiasts of street art, the Grinbot Canbot Canz is a must-have. Its limited edition status ensures exclusivity, and the signatures of Ron English and Czee13 imbue it with a personal touch from the artists themselves. This art toy is a fusion of cultural commentary and street sensibility, a physical representation of the dialogue between pop culture and graffiti art. Impact of Ron English and Czee13 in Artistic Collaboration Ron English's influence in the world of pop art is indelible. Known for coining POPaganda, his work often features a mash-up of high and low cultural touchstones. English's collaboration with Czee13 on the Grinbot Canbot Canz highlights the latter's rising stature in the Street Pop Art & Graffiti Artwork scene. Czee13, with his distinct style that resonates with the pulse of the streets, brings a raw and authentic edge to this joint venture. The result of this collaboration is a piece that stands at the intersection of pop culture critique and street art expression. It embodies art's dynamic and often unpredictable nature that straddles these genres. The Grinbot Canbot Canz becomes a conversation piece, a medium through which the narratives of pop culture and street art are not only told but also questioned and reimagined. The Grinbot Signed Canbot Canz by Ron English, and Czee13 is a testament to the vibrancy and relevance of Street Pop Art & Graffiti Artwork. It encapsulates the essence of two divergent artistic philosophies, creating a unique piece that is both a critique of contemporary culture and a homage to the spirit of street art. For the collectors who seek to own a part of this narrative, the Grinbot Canbot Canz is not just an art toy but a piece of cultural commentary, a remembrance of the ever-evolving story of street art and its indelible impact on the pop culture landscape.

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My Shadows Got My Back Original One of a Kind Mixed Media Spray Paint &b Acrylic Painting Artwork on Canvas by Popular Street Graffiti Artist Chris RWK. 2022 Signed Original 24x30 Canvas Painting A child of the 80s, Chris’ world was often completely flooded with the imagery and ideas presented by his television, his comic books, and the music and movies of the time. Immersed in these various mediums, Chris began to store the images brought forward though these everyday experiences in what he refers to as a “mental journal”.

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Star Wars Darth Vader Companion Ultra Rare Authentic 2007 Limited Edition Painted Vinyl Art Toy Figure Sculpture Collectible Artwork by Artist Kaws- Brian Donnelly x OriginalFake. 2007 Limited Edition of 500 Chum Companion Painted Vinyl Size 9.75 x 4.5x 3.5, Stamped On Foot. It appears Like New with the Cape Still Sealed In the Original Bag With the Box; extremely Fine Example; the box is in Great Condition. Stamp Perfect. Pictures Of Actual Example. Authenticated With Seals and Unique Tracking Serial Number Included. Notice The Fine Details. Those Don't Exist In The Fakes. It also Has an Official Hologram Seal Affixed to the box, Which The Fakes Don't Ever Have. Interior Plastic Packaging Colored Consistent With Age. Original Verified Darth Vader Chum Companion 2007 Lucas Films x Kaws x OriginalFake Star Wars Legendary Sci-Fi Character. The Intersection of Street Pop Art and Graffiti Artwork in the Darth Vader Companion by KAWS The Darth Vader Companion by KAWS is a prime example of how the rebellious spirit of street pop art and graffiti artwork can be channeled into creating pieces that resonate deeply with popular culture while standing firm as collectible art. This 2007 limited edition piece, a coveted item among fans of art and the Star Wars legacy, encapsulates the vision of the celebrated artist Brian Donnelly, professionally known as KAWS. His approach to art, deeply rooted in the subcultures of graffiti and street art, breathes new life into the iconic character of Darth Vader, presenting it through a lens that is both contemporary and nostalgic. With only 500 of these sculptures produced, the Darth Vader Companion is a testament to exclusivity in the art world. Each piece is marked with a unique tracking serial number and authenticated with seals guaranteeing its provenance. The perfection of the stamp on the foot of the figure and the impeccable condition of the box, along with the still-sealed cape in its original packaging, speak to the collectible's pristine state. A Testament to Authenticity and Craftsmanship The physical attributes of this sculpture — sized at 9.75 x 4.5 x 3.5 inches — are accentuated by the fine details that distinguish KAWS' work. An official hologram seal on the box is a hallmark of authenticity, setting this original piece apart from the countless imitations. The attention to detail in the figure's design, with KAWS' signature elements, such as the crossed-out eyes and the artist's reinterpretation of Darth Vader's armor, showcase an intersection of street-inspired art with the precision of fine craftsmanship. The art piece's interior plastic packaging, which has retained its color consistent with age, further confirms its status as a well-preserved artifact. This attention to preservation is paramount in the world of collectibles, where the piece's condition significantly impacts its value and desirability. Cultural Impact and Artistic Merit The Darth Vader Companion stands at the crossroads of street pop art and the cinematic world of Star Wars, created by Lucas Films. KAWS, who began his artistic journey as a graffiti artist on the streets of New York, has always been adept at blending commercial iconography with his unique aesthetic. This piece is no different, as it represents a bold statement in street pop art's domain, merging graffiti's edgy and raw energy with the polished, enduring narrative of one of the most iconic villains in film history. In essence, the Darth Vader Companion is more than a piece of memorabilia; it is a commentary on the permeating influence of street art in mainstream culture. The collaboration between KAWS, Lucas Films, and OriginalFake embodies street pop art's ability to transcend traditional boundaries and assert its place in the pantheon of modern art forms. Collectors and fans alike seek the Darth Vader Companion for its rarity and the cultural dialogue it represents — a dialogue between the underground and the mainstream, the past and the present, the art, and the viewer. In the hands of KAWS, the legacy of Darth Vader is both honored and transformed, offering a fresh perspective that is as provocative as it is respectful. This sculpture, therefore, is a significant artifact that captures the zeitgeist of our times, where street pop art and graffiti artwork continue to challenge, redefine, and enrich the tapestry of contemporary art.

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Rap in Blue HPM Acrylic Spray Paint Silkscreen Print by Faile Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Glitter, Spray Paint, Acrylic HPM Embellished Limited Edition of 50 Artwork Size 19x25 Silkscreen Print of Darth Vader in Classic Sweeter With Girlfriend Hugging & The Word Rap "Rap in Blue HPM Acrylic Spray Paint Silkscreen Print" is an iconic piece of street pop art by the highly influential collective, Faile. The piece, which hails from the year 2023, stands as a testament to the blending of classic pop culture motifs with the edginess of graffiti art. The artwork is a part of a limited series, with only 50 prints produced, each signed and numbered by the creators, amplifying its rarity and appeal to art enthusiasts worldwide. Constructed through the complex and intricate process of silkscreen printing, the piece captures the image of Darth Vader, a revered character from the Star Wars franchise, adorned in a classic sweater, in a moment of tenderness as he hugs his girlfriend. Faile takes this familiar image and transmutes it into a stunning representation of the intersection of popular culture and street art. The word 'Rap', featured prominently in the piece, serves as an interesting juxtaposition against the soft, romantic imagery, perhaps hinting at the dichotomous nature of street culture - tough, yet emotional. The visual appeal of the piece is further elevated by the use of glitter, spray paint, and acrylic, utilized in an HPM (hand painted multiples) embellishment style. These elements, integrated within the silkscreen print, provide the piece with a rich and textured finish that invites the viewer to delve deeper into its layers of meaning. This work measures 19x25 inches, fitting into the compact, yet impactful format often preferred in the world of pop and street art. "Rap in Blue HPM Acrylic Spray Paint Silkscreen Print" by Faile is not merely a piece of pop art; it's a cultural commentary that deftly combines elements of urban street life, iconic characters from cinema, and the evocative power of the written word. It depicts the creative process of how a piece is conceptualized, designed, and ultimately executed to form a cohesive artwork. This amalgamation of technique and symbolism lends the piece an air of authenticity, making it a standout specimen in the realm of pop street art. The world of street art is often marked by its fluid boundaries and its constant innovation. This artwork by Faile, with its limited-edition status and creative brilliance, embodies this spirit of innovation and boundary-pushing. Through the integration of pop culture symbols, classic art techniques, and the spontaneity of street art, "Rap in Blue HPM Acrylic Spray Paint Silkscreen Print" serves as a testament to the dynamic and evolving landscape of street art.

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The Speeder- Oversized Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Adam Fujita, Street Pop Art Graffiti Legend. 2022 Signed & Numbered Limited Edition of 10 Size 42x21 Hand Deckled Adams recent neon-style work has been an exploration of protest and resistance through the use of the medium of street art and the internet.

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Grinbot Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by Pop Culture Artists Ron English x Czee13. 2022 Limited Edition of 300 New In Box Rare Ron English Canbot Canz Art Toy Artwork Size 3x5.5. Ron English Grin Smiley Skeletons Smile x Czee13 Canbot Canz Grinbot Canbot Canz : A Cultural Artifact Blending Art and Pop Culture The Grinbot Canbot Canz emerges as a cultural artifact at the crossroads of street art innovation and pop culture iconography. This limited edition vinyl art toy results from a unique collaboration between pop culture artist Ron English and street artist Czee13. Limited to 300 pieces, each new in the box, the Grinbot Canbot Canz combines English's signature smiley skeletons with Czee13's renowned Canbot Canz design. The artwork stands at 3x5.5 inches, representing a tangible slice of street pop art & graffiti artwork that collectors and enthusiasts eagerly incorporate into their galleries. This collaboration showcases the synergistic power of two distinct artistic visions converging to create a singular piece that speaks volumes about contemporary art's trajectory. Ron English's recognizable grin, a motif that challenges viewers to find joy in the macabre, is reimagined in Czee13's Canbot Canz , a symbol deeply rooted in the graffiti and street art movement. The Canbot Canz is a canvas for English's explorations of the smiley symbol, delving into the complexities behind the universal symbol of happiness. Street Art's Dialogue with Pop Surrealism The Grinbot Canbot Canz reflects the ongoing dialogue between street art and pop surrealism, where familiar images are twisted and recontextualized to challenge perceptions and provoke thought. The collectible stands as a testament to the genre's evolution, highlighting the increasing incorporation of street art aesthetics into the broader scope of visual culture. The collaboration bridges the gap between lowbrow and high art, suggesting that the divide is more a matter of perception than substance. Collectors of the Grinbot Canbot Canz are not just acquiring a toy but investing in a piece of art history that captures the spirit of the times. Each Canbot Canz , while part of a more extensive series, carries its unique flair due to the hand-finished touches that Czee13 is known for. Owning a Grinbot Canbot Canz means holding a snapshot of street pop art's dynamic and ever-changing world, where every stroke and color choice is imbued with meaning and intent. The collaboration between Ron English and Czee13, culminating in the Grinbot Canbot Canz , marks a milestone in the vinyl art toy scene. It encapsulates the transformative journey of street art from the fringes to the mainstream while retaining its edge and ability to disrupt norms. This piece celebrates the merging of different art forms and commemorates the collective journey of artists who continue to push the boundaries of creativity and expression.

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VandulBot- Black Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Vandul. 2021 Limited Edition

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Bumblebee Transformers 200% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. The Bearbrick x Transformers Bumblebee 200% figure is one of the most unique ursine figures that Medicom Toy has ever released. Much like the real Transformers, the 5.7 inch Bearbrick is a robot in disguise as the figure can convert from Bearbrick mode to the Transformer, Bumblebee. The Bearbrick x Transformers Bumblebee 200% figure was released as part of a special collection that also included Megatron, Starscream, and Optimus Prime Bearbrick figures. The Bearbrick x Transformers Bumblebee 200% figure released during the Spring/Summer 2014 season

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Finally Some Alone Time Archival Print by Hebru Brantley Limited Edition on 330gsm Cotton Museum Fine Art Paper Pop Graffiti Street Artist Modern Artwork. 2024 Signed & Numbered Print Limited Edition of 155 Artwork Size 32x29 Archival Pigment Fine Art  Exploring "Finally Some Alone Time" by Hebru Brantley The art scene has been electrified by the remarkable creations of Hebru Brantley, whose work "Finally Some Alone Time" stands as a beacon of contemporary pop graffiti street art. The piece is a symphony of color and emotion, encapsulated in the fine strokes on 330gsm cotton museum fine art paper, and reflects Brantley's unique lens on urban culture and Afrofuturism. Hebru Brantley's Artistic Vision Brantley's work is a visual narrative that transcends the ordinary, inviting viewers into a world where the dichotomies of urban life meet the boundless possibilities of the imagination. His artistic language speaks through vibrant hues and figures that are both a nod to the past and a leap toward the future. "Finally Some Alone Time" captures the essence of introspection within the collective memory and experiences of urban existence. A Modern Take on Street Art With this archival print, Brantley pushes the boundaries of traditional street art. The artwork encapsulates the serene moment of solitude amidst the chaos of life, depicted through the symbolic imagery of two characters in repose on an otherworldly vehicle. Each element of the composition is meticulously crafted, revealing Brantley's profound understanding of the power of visual storytelling. Hebru Brantley's Cultural Influence As a prominent figure in modern street art, Brantley's influence can be felt far beyond the galleries and city walls. His pieces, including "Finally Some Alone Time," serve as cultural touchstones that celebrate African American history's richness and the diaspora's future. Brantley's ability to weave complex narratives through his art has earned him critical acclaim and a dedicated following, making each limited edition release, like this archival print, highly anticipated and celebrated. In exploring Hebru Brantley's work, one does not simply observe; one is invited to partake in a dialogue that delves deep into the human spirit. Through pieces like "Finally Some Alone Time," Brantley continues to cement his legacy as an artist who not only captures the zeitgeist of street pop art and graffiti artwork but elevates it to new heights. Each signed and numbered print is not just a visual delight but a piece of contemporary history that speaks volumes of the world we inhabit and the worlds we dream of creating.

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Cybertronic Spree Music Limited Edition Gig Poster 6-Color Hand-Pulled Silkscreen Print Artwork on Fine Art Paper by Tim Doyle for The Cybertronic Spree Transformers Band. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 18x24

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Fett's Vette Artwork Silkscreen Limited Edition Print on 100 lbs. Metallic Star Dream Cover Stock Paper by Pop Culture Graffiti Artist Lil Tuffy. Lil Tuffy - "Fett's Vette" 1 Color Screen Print Edition of 100 100 lbs. Metallic Star Dream Cover Stock 17.5" x 23"

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What A Piece Of Junk- 36x24 5-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Doyle Famous Pop Art Artist Artwork. 2016 Signed & Numbered Limited Edition of 300 Artwork Size 36x24 Tim Doyle "What a Piece of Junk" 5 color hand-printed silkscreen print signed and numbered by the artist 24" x 36" signed by artist

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Spacemonkey Voodoo Black Limited Edition Vinyl Art Toy Collectible Artwork by Modern Pop Culture Artist Dalek- James Marshall. 2023 6.5" Tall Limited Edition of 150 "Spacemonkey Voodoo Black Art Toy" by Dalek- James Marshall. James Marshall, also known as Dalek, is an American artist known for his Spacemonkey character, which is a strange, somewhat abstracted figure and has been translated into various formats, including art toys. Dalek's art toys, similar to his paintings and murals, often feature bright colors, geometric patterns, and the recurring Spacemonkey character.

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Nuka Cola Quantum- GID Red Limited Edition 2-Color Glow In The Dark Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. AP Artist Proof Glow in the Dark Nuka Cola from the famous cult classic Fallout game universe.

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Nuka Cola Quantum- GID Blue Limited Edition 2-Color Glow In The Dark Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. AP Artist Proof Glow in the Dark Nuka Cola from the famous cult classic Fallout game universe.

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Lost Original One of a Kind Mixed Media Spray Paint Painting Artwork on Canvas by Canbot Canz Street Art Pop Culture Artist Czee13. 2022 Signed Original Mixed Media Spray Paint Painting Size 24x20

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Electric Skull Illuminati 3-Color Hand-Pulled Limited Edition Silkscreen Print on Bright Silver Fine Art Paper by Ron English Rare Street Art Famous Pop Artwork Artist. Signed 2010 Limited Edition of 100 18x24 Reflective Silver Paper

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Clockwork Orange One Formula 3oz Canbot Canz AP Artist Proof Limited Edition Vinyl Art Toy Collectible Artwork by Urban Artist Czee13 x Sket One. AP Artist Proof 2021 Figure & Box Signed 3oz With Custom Display Stand By Sket- One New In Box Signed Canbot Canz & Signed Box, Platform designed by Czee- Formula series designed by Sket One "3″ Sket One Formula Canbot Canz Artist Proof All will come signed on figure and box also come with an orange acrylic placemat" -Sket One

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VOLTEQ 20 Inch Limited Edition Dunny Kidrobot Vinyl Art Toy Collectible Artwork by street graffiti Quiccs. 2022 Voltron Themed TEQ63 Dunny Standing 20 Inches Tall, Limited Edition of 500. Kidrobot has once again teamed up with artist Quiccs to bring to life the fusion of TEQ and Dunny in an epic creation. Introducing the VOLTEQ Dunny 20” Vinyl Art Figure by Philippines-based illustrator, toy designer, and graffiti artist Quiccs. This giant 20” Dunny is a mecha-inspired statement piece based on the artist’s TEQ63 character, a post-apocalyptic hero living in a dystopian society.

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Vader Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Vance Kelly Graffiti Street Artist Modern Pop Art. Legends of Star Wars

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Metropolis Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Inspired by the Classic Movie Metropolis

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Darth Maul Gets Inked Artwork Giclee Limited Edition Print on Glossy Fine Art Paper by Pop Culture Graffiti Artist Mark Hammermeister.

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Astro Boy Hoodie- Black Light Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Faile x Deluxx Fluxx x ToyQube. In conjunction with the FAILE x Deluxx Fluxx x ToyQube Astro Boy Hoodie, the iconic Astro Boy comes alive in the Deluxx Fluxx sound and vision club with UV Black Light glow wearing a custom hoodie and track jacket. Celebrating the aesthetic of the famous Deluxx Fluxx sound and vision club in Detroit, this is a limited edition one of 500 figures measuring 10 inches in height.

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Vader- Standard Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Entrada Fine Art Paper by Graffiti Street Art and Pop Culture Artist Marly Mcfly. 2021 Signed & Numbered Limited Edition of 40 Artwork Size 16x16 Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Stylized Star Wars Villian Darth Vader. Embracing the interplay between street art's raw edge and pop culture's omnipresence, Marly Mcfly's "Vader-Standard" is a striking limited edition piece that reimagines one of cinema's most iconic antagonists. This archival pigment print captures Darth Vader in a stylized form, employing bold colors and graphic elements that are the signature of graffiti and pop art. Each print is meticulously produced on 290gsm Moab Entrada Fine Art Paper, a high-quality substrate favored for its ability to render the rich, saturated colors and sharp details essential to Mcfly's aesthetic. With a limited edition of only 40 pieces, "Vader-Standard" presents exclusivity and collectibility, highly valued by art enthusiasts and collectors. Sized at 16x16 inches, the artwork provides a substantial canvas for Mcfly to explore the complexity of Darth Vader's character through a lens that is visually striking and culturally relevant. Mcfly's Vader is not just a reinterpretation of a film character but a representation of the villain as an icon in the global lexicon, resonant with symbolism and open to the interpretation inherent in street art. Mcfly's work often navigates the themes of fame, power, and the dichotomy of good versus evil, employing a vivid, comic book-like style that challenges and engages the viewer. By selecting Darth Vader as a subject, Mcfly taps into the collective consciousness, exploring the depths of the character's symbolism. The character's visage is layered over a collage of text and imagery that references the chaos and order inherent in the character's narrative and street art's traditional public dialogues. This piece stands as a testament to Marly Mcfly's ability to bring together the subversive streak of street art and the mass appeal of pop culture icons, creating a body of work that is not only aesthetically bold but also profoundly nuanced in its commentary. "Vader-Standard" is a prime example of how contemporary artists can bridge various forms of visual expression to create something entirely new, something that speaks both to the art lover and the pop culture enthusiast alike.

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Take Warning Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 12x18 Street Sign This use of intertextuality also serves to offer a comfort or familiarity of sorts to the viewer. Chris’ works frequently reveal everyday musings and people one would pass on the street without looking or thinking about twice.

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TikkyWow Mini TEQ63 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Quiccs x Martian Toys. 2021 Tikkywow MEGA TEQ63 3” Vinyl Figure by Tikkywow x Quiccs x Martian Toys. Bulletpunk The Endgame Quest.

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Pacific Rim 10-Color Hand-Pulled Limited Edition Metallic Ink Silkscreen Print on Fine Art Paper by Todd Slater Rare Street Art Famous Pop Artwork Artist. AP Artist Proof. 24 x 36 inches /// 10 screens (with a metallic keyline layer) signed and numbered edition of 175, AP edition of 75 "When I first began seeing the early images for Pacific Rim I was immediately struck but the scale of the Jaeger’s versus the humans. These pictures served as a reminder of how fragile human life is and I decided to create my image around this thought. There's a tenderness to Guillermo's spanish films that I wanted this print to touch on. I wanted to depict these giant machines as the protectors of humanity from the mysterious beasts that emerged beneath the ocean." -Todd Slater

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Blessbot- All Hallows Eve Canbot Canz Original Hand Painted Vinyl Art Toy Collectible Artwork by street graffiti Jon Rampage x Czee13. 2021 Signed Jon Rampage x Czee13 Hand Painted Blessbot Spray Paint, Acrylic & Mixed Media One of a Kind Original From A Limited Session of 10—Czee13 Mark on the Back with Jon Rampage Signature. The Blessbot - All Hallows Eve Canbot Canz : A Celebration of Street Art Individuality The Blessbot - All Hallows Eve Canbot Canz is a striking representation of the unique intersection between handcrafted artistry and street culture vibrancy. This original vinyl art toy collectible, born from the creative collaboration of Jon Rampage and Czee13 in 2021, is a limited-session masterpiece, one of only ten in existence. Each piece is a hand-painted symphony of spray paint, acrylic, and mixed media, showcasing the distinctive styles of both artists. Signed by Jon Rampage and bearing the Czee13 mark, these Canbot Canz s are not just collectibles but individual tokens of the street graffiti lineage. Intimate Handcrafting in a Digital Age In a digital age where mass production is the norm, the Blessbot - All Hallows Eve Canbot Canz s stand out for their individuality and the personal touch of the artists. Using traditional graffiti materials like spray paint in conjunction with acrylics on a vinyl canvas speaks to the fusion of street art's raw, spontaneous energy with the meticulous care of fine art. Every stroke and contour on the Canbot Canz s' surface tells a story, a narrative punctuated by the Halloween theme that runs through this limited series. A Tribute to Graffiti Art and Collectible Culture These Canbot Canz s are not only a tribute to the tradition of graffiti art but also a reflection of the growing culture of art toy collecting. The series encapsulates the spirit of Halloween through its pumpkin-like faces, marrying the playful terror of the holiday with the rebellious soul of street art. With Jon Rampage's signature adorning each piece, the Blessbot series transcends the ordinary, becoming a curated experience of owning a handcrafted legacy. In the larger conversation about Street Pop Art and graffiti Artwork, the Blessbot - All Hallows Eve Canbot Canz s are a testament to street art's enduring appeal and evolving narrative. They encapsulate the movement's essence - from the streets to the sanctum of private collections, preserving the ephemeral nature of graffiti in a form that endures.

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ZF-1 Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Zorg ZF-1 Pod Weapon From The Fifth Element Movie. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Ultra Trisauras vs. Ōkami Alpha Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Artist Robert Wilson IV. 2012 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 This print was produced initially for the STRANGE BEASTS show at Gallery Guzu. Print measures 18x24 inches and is signed and numbered by the artist in an edition of 75.

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Gojira vs The Smoke Monster- AP Artist Proof Limited Edition 4-Color Hand-Pulled Silkscreen Print on 100lb Cougar Brand Natural Fine Art Paper by Pop Artist Tim Doyle. AP Artist Proof 2013 Signed & Marked AP Artwork Size 18x24 4-color hand-printed silkscreen print. Measures 18x24 inches and is signed by the artist. Printed on 100lb Cougar Brand Natural Fine Art Paper.

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The Big Battle- Silver Limited Edition Giclee Print on Fine Art Paper by Tim Doyle counter-culture street artist art. 'The Empire Strikes Back' inspired 'The Big Battle' by Tim Doyle, is 12" x 24", in a signed and numbered limited edition. The print was hand-drawn on Bristol board and then scanned and colored. It is part of Tim's 'Unreal Estate' print series.

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Lil Qwiky Gold & Black Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Czee13 x QUICCS. 2020 Limited Edition of 300 Displayed With Box Artwork Size 3x5.5 Canz Art Toy. The Allure of Lil Qwiky Gold & Black Canbot Canz : A Limited Edition Vinyl Art Toy In the vibrant sphere of Street Pop Art & Graffiti Artwork, the Lil Qwiky Gold & Black Canbot Canz emerges as a distinctive and sought-after piece. This limited edition vinyl art toy is the brainchild of the creative synergy between the street graffiti prowess of Czee13 and the design acumen of QUICCS, both celebrated figures within the urban art landscape. The Lil Qwiky Gold & Black Canbot Canz is not merely a collector's item but a statement piece that encapsulates the essence of contemporary street art. Released in 2020, this Canbot Canz is a rarity, with only 300 units produced worldwide, making it a treasured asset for fans of the genre. The toy is a marvel of design, with its 3x5.5 inch stature commanding presence and character. It is a tangible representation of street art's evolution from ephemeral wall paintings to collectible three-dimensional forms. The Canbot Canz , as conceived by Czee13, is a personification of a discarded rattle can, an item often associated with the graffiti artist's trade. It embodies a dual sentiment – the sorrow of neglect and the vibrancy of love. The rattle can's transformation into a Canbot Canz is a metaphor for renewal and repurposing, a common theme in street art where derelict spaces and objects are given new life and meaning. This particular colorway, black and gold, adds a level of luxury to the otherwise rebellious nature of the artwork. Black symbolizes the darkness often found in urban landscapes, while gold represents the value and attention that street art has garnered in the art world. The striking combination gives Lil Qwiky a regal yet edgy persona. The Impact of Lil Qwiky in the Art Toy Community The collectible nature of the Lil Qwiky Gold & Black Canbot Canz reflects the ever-growing community of art toy enthusiasts. These are not just toys; they are pieces of art that carry the narrative of the streets into homes and galleries. With its authentic can rattle feature, this Canbot Canz is visually appealing and provides a multisensory experience reminiscent of the act of creating graffiti. Limited to a mere 300 pieces, the exclusivity of the Lil Qwiky Gold & Black Canbot Canz has added to its allure. Each piece is a fragment of the broader narrative of Street Pop Art & Graffiti Artwork, capturing the energy and spirit of the streets. Collectors of these items are not just acquiring a product but preserving a piece of street art history. Legacy of Czee13 & QUICCS in Street Pop Art Czee13, a UK-based street artist, has been instrumental in shaping the face of modern street art. His original concepts, such as the Canbot Canz , demonstrate a deep understanding of the medium's potential beyond two-dimensional surfaces. QUICCS, known for his bold designs that often incorporate elements of hip-hop culture and robotics, complements Czee13's vision with his unique stylistic approach. The collaboration between these two artists on the Lil Qwiky Gold & Black Canbot Canz is a testament to the collaborative nature of street art. It is a fusion of styles and ideologies, resulting in a piece that is more than the sum of its parts. This collaboration has set a benchmark in collectible art toys, pushing the boundaries of what is possible in street art and product design. The Lil Qwiky Gold & Black Canbot Canz is a modern icon in Street Pop Art & Graffiti Artwork. It is a testament to the genre's dynamic nature and ability to adapt and thrive in various forms. For collectors, owning one of the limited 300 pieces is not just an investment but an opportunity to hold a piece of the street art movement. The Canbot Canz is an object of aesthetic pleasure and a carrier of the cultural, social, and artistic values that define the urban landscapes from which it was born. As street art continues to gain recognition and value, the Lil Qwiky Gold & Black Canbot Canz will undoubtedly be considered a pivotal piece that captures the essence of an era where art became genuinely unbound.

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Sons of Anarchy 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Raid71 Rare Street Art Famous Pop Artwork Artist. AP Artist Proof "Sons of Anarchy" Artwork by Chris Thornley (Raid71) Movie: Ghost Rider, Tron, Akira, Batman and Terminator

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Eyes They May Be Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

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Tusken Raider Sketch Original Marker Drawing Art on Fine Art Paper by graffiti street artist modern pop art Rich Pellegrino. 2013 Signed Original Marker Drawing by Rich Pellegrino Artwork Size 9x12

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Tears in the Rain Limited Edition 8-Color Hand-Pulled Silkscreen Print on Heavy Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Features white margins. Based on the movie Blade Runner. 3rd Edition.

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Obi-Wan Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Dakota Randall. 2022 Hand Numbered Edition of 100 Size 18x24 Obi-Wan Archival Print by Dakota Randall

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Star Wars Guernica Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Ron English Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 200 Artwork Size 27.5x15 Star Wars Guernica Archival Print by Ron English The Star Wars Guernica Archival Print by Ron English is a piece of art that combines the iconic imagery from the Star Wars universe with the famous "Guernica" painting by Pablo Picasso. Ron English is a contemporary artist known for his unique fusion of pop culture and classic artworks, often with a satirical twist. In this particular piece, English pays homage to Picasso's anti-war masterpiece by incorporating characters and elements from the Star Wars franchise, such as Darth Vader, Stormtroopers, and the Death Star, among others. By blending these two distinct worlds, English creates a thought-provoking commentary on war, power, and the human condition. The archival print signifies a high-quality reproduction of the original artwork, using advanced printing technology and acid-free, archival paper to ensure the longevity and preservation of the image. This makes it an excellent choice for art collectors and Star Wars enthusiasts alike.

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