Shepard Fairey- OBEY

Red & Cream Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Sedation in Bloom: A Convergence of Beauty and Consciousness in Street Pop Art Shepard Fairey, an American contemporary street artist, graphic designer, activist, illustrator, and founder of OBEY Clothing, has long been a defining figure in the street art movement. Born on February 15, 1970, in Charleston, South Carolina, Fairey's work emerged from the skateboarding scene and has since transcended the confines of street pop art and graffiti artwork to become a recognized global phenomenon. The Dual Nature of the Poppy in Fairey's Work Fairey's Sedation in Bloom series represents a nuanced intersection of aesthetics and socio-political commentary. The limited edition silkscreen prints, specifically the Red & Cream Sedation in Bloom, present an intricate poppy pattern against a cream speckle tone fine art paper. Each artwork in this edition of 150 pieces bears Fairey's signature, indicating authenticity and his personal touch. The dimensions of 18x24 inches offer a substantial canvas for the visual interplay of vibrant red against a serene cream backdrop, creating a captivating, visually striking, and symbolically rich contrast. The poppy, a central motif in this series, has many meanings. It is a flower associated with peace and death, and its narcotic properties connect it to sleep and sedation. Fairey manipulates the natural allure of the poppy to entice the viewer, employing its inherent beauty as a vessel for more profound reflection. The paradoxical use of the poppy in his artwork draws attention to the seductive qualities of the very things that lull society into a state of complacency – entertainment, alcohol, drugs, and materialism. Art as a Vehicle for Social Commentary and Awareness Fairey's collaboration with British-Chinese artist Gordon Cheung on this series underscores a shared commitment to addressing critical social issues. The poppy pattern, initially conceptualized for their joint piece tackling the tragic murder of Vincent Chin and the historical exploitation of anti-Asian sentiments, transcends its aesthetic value. It becomes a poignant commentary on how seductive imagery and symbols can be utilized to obscure and distract from pressing societal concerns. Fairey's art, notably this silkscreen print series, is not just a decorative artifact; it serves a dual purpose – to offer an escape and simultaneously to act as a wake-up call, urging viewers to remain conscious and engaged with the world around them. The Sedation in Bloom series exemplifies Fairey's philosophy that art should challenge the viewer, not just aesthetically but intellectually and morally. In the tradition of excellent street pop art, these pieces blur the boundaries between high and low culture, between art and activism. Fairey does not merely seek to beautify spaces with his work; he aims to provoke thought and inspire action. The decorative patterns and striking color contrasts are meticulously crafted to draw people in, only to confront them with the underlying message that beauty should not be a sedative but a stimulant for awareness and change. The enduring relevance of Fairey's work lies in its ability to navigate the complex dynamics of visual culture in a society saturated with imagery designed to sell, distract, and sedate. Fairey empowers the public to see beyond the surface and question the status quo by imbuing his street pop art and graffiti artwork with critical discourse. The Red & Cream Sedation in Bloom silkscreen print stands as a testament to the potential of street art to transcend the walls upon which it is placed and to foster a dialogue that extends into the social and political realms. In examining Fairey's contributions through the lens of his Sedation in Bloom series, one observes an artist deeply attuned to the power of imagery in shaping perceptions and behaviors. As an agent of change through visual language, Fairey's work encourages a vigilant and discerning gaze – a call to action for a society often too readily sedated by the opiate of the visually and materially appealing. It is through pieces like Sedation in Bloom that Fairey's voice resonates, imploring viewers to awaken from their slumber and engage with the pressing issues of our time.

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Does She Look Down Limited Edition 3-Color Hand-Pulled Silkscreen Print on Speckled Cream Paper by Pop Artist Shepard Fairey. 2012 Signed & Numbered Limited Edition of 450 Artwork Size 18x24

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New Clear Power 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 350 Artwork Size 18x24 "New Clear Power, my first solo art show in Germany (@amuseum_Munich) addresses systems, forms, and notions of power that we must all carefully consider as we pursue our vision for an ideal personal and collective future. In my visual strategy, I choose colors, patterns, and icons that powerfully engage the viewer, and I write the text for my pieces using words that have the power of clear and concise communication. The concept of power is almost always present in my art. Forms of power addressed in the subject matter of New Clear Power include abuse of power, power concentrated under capitalism, renewable power, political power, the power of creativity, power over information, and the power of controlling narrative." -Shepard Fairey "New Clear Power Silkscreen Print" is a work of art by the renowned American street artist Shepard Fairey, also known by his moniker, OBEY. The "New Clear Power Silkscreen Print" is a limited edition artwork created with Fairey's signature silkscreen printing technique. Silkscreen printing, also known as screen printing, is a process that involves applying layers of ink through a mesh screen to create an image on various surfaces. Shepard Fairey frequently uses this method to create his distinctive, bold, and highly detailed artworks. Fairey's work often explores political and social themes, with powerful imagery and messages to provoke thought and discussion. The "New Clear Power Silkscreen Print" incorporates similar themes and is intended to raise awareness about a specific issue or idea. Since the title plays with the words "New Clear Power" (sounds like "Nuclear Power"), it may address topics such as the use of nuclear energy, its potential benefits, and its risks to society and the environment. The artwork probably features Fairey's recognizable style, which typically combines elements of graphic design, illustration, and street art. As with many of Fairey's limited edition prints, the "New Clear Power Silkscreen Print" is highly sought after by art collectors and fans of the artist's work.

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Hi-Fi AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Pop art, street art, and graffiti have always been mediums that offer a raw and unfiltered reflection of society, culture, and the artist's personal feelings. Among the luminaries in this realm, Shepard Fairey stands tall, his unique creations resonating with both art aficionados and the masses alike. The "Hi-Fi AP Dance Floor Riot" silkscreen print is a testament to his profound admiration for music and its intertwined relationship with visual arts. Crafted meticulously in 2011, this artist proof, hand-pulled, 1-color screen print on fine art paper, is not just an artwork but a fragment of Fairey’s soul, reverberating his passion for music. Shepard Fairey's initiation into the art world was not through the conventional means of art galleries but through album covers that acted as the visual symphony to the music he revered. Just as album art inspired emotions, memories, and an innate connection to the music, Fairey's street art endeavored to forge a similar connection with its audience. The silkscreen in question, sized at 13x13, embodies Fairey's attempt to harness the immense power and universal reach of music. His statement captures this sentiment eloquently, emphasizing how, despite art's intrinsic value, music has a superior prowess in touching human souls. His use of the term "REVOLUTIONS" is twofold, alluding to both the revolutions of a vinyl record and the socio-cultural revolutions music often incites. A deep dive into "Hi-Fi AP Dance Floor Riot" offers viewers a chance to journey through Fairey’s inspirations. The fusion of punk's rebellious nature, the invigorating energy of music, and the democratizing force of street art crystallizes in this piece. For those who see art not just as an aesthetic expression but as a pulsating representation of society and individual emotion, this silkscreen print is both a tribute and an inspiration. Through such creations, Shepard Fairey champions the ethos that one needn't play an instrument to rock the world – sometimes, a canvas and a vision are all it takes.

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This Land Is Your Land AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2012 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Neil Young Music Inspired Man Mountains Barbed Wire & The Phrase "No Trespassing This Land Is My Land" "This Land Is Your Land AP" is a captivating silkscreen print, hand-pulled by the renowned artist Shepard Fairey, commonly known as OBEY. Crafted in 2012 and marked as an Artist Proof (AP), this piece stands out as a limited edition artwork, underscoring the artist's reputation for producing iconic street and pop art. Measuring 18x24 inches, this print is meticulously executed on Speckletone Fine Art Paper, enhancing its visual appeal and ensuring its longevity. Shepard Fairey's inspiration for this artwork emanates from Neil Young's rendition of Woody Guthrie's song, "This Land Is Your Land." At its core, the artwork delves deep into the subjects of immigration policy reform, societal attitudes towards immigrants, and the inherent promise of America. Fairey, a known advocate for immigration policy reform, captures a thought-provoking message, highlighting a lost verse from Guthrie's song. This particular verse poignantly juxtaposes a "No Trespassing" sign with its blank reverse, suggesting that the land is truly meant for everyone, irrespective of societal divisions. The imagery — a man, mountains, barbed wire, and the stark phrase "No Trespassing This Land Is My Land" — is a potent blend of aesthetics and ideology. Woody Guthrie, who wrote the original song, was revered for addressing societal issues such as class inequality and the abuse of power. While some labeled Guthrie as "socialist," Fairey's interpretation celebrates him as a compassionate figure who championed the rights of the marginalized. In embracing this theme, Shepard Fairey's artwork becomes not just a visual delight but a profound commentary on contemporary issues, making it an invaluable piece in the realms of pop, street, and graffiti art.

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Just Future Rising 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered, Just Future Rising 18 inches by 24 inches Edition of 450 June 23, 2021 "I created for the Time “VOTE” cover just before the 2020 election. At the time, I wanted to address the very unique situation we were in as a country as we faced the Covid-19 pandemic, unrest around police brutality and racial discrimination, voter suppression, and intense political division. We are still facing all of those things, though the development of Covid vaccines has significantly improved public safety and benefitted the fight to end the pandemic. In this illustration, the usually clear-cut rebel symbol of a bandana covering a face takes on a different meaning during Covid, becoming an emblem of safety, respect for one’s fellow citizens, and a sign that the wearer believes in science." -Shepard Fairey The "Just Future Rising" is a striking silkscreen print by Shepard Fairey, an artist renowned for his profound impact on street and pop art through the OBEY series. This limited edition artwork, measuring 18 by 24 inches, was released on June 23, 2021, in a numbered series of 450 pieces. Each print is hand-pulled, utilizing four colors on fine speckle tone paper, highlighting Fairey's signature style that merges art with social commentary. This piece is an extension of his engagement with contemporary issues, as it initially accompanied the Time magazine “VOTE” cover crafted in the lead-up to the 2020 election. Fairey's work consistently echoes themes of political activism and cultural critique, and "Just Future Rising" is a vivid representation of that ethos. The image reflects the turbulent climate of its creation: a nation grappling with the COVID-19 pandemic, societal upheaval stemming from racial injustice, the challenges to democracy through voter suppression, and deep-seated political polarization. In this print, the image of a woman with a bandana covering her face symbolizes a multifaceted narrative—transforming a traditional sign of rebellion into a symbol of safety and solidarity in the face of a public health crisis. The bandana, adorned with intricate patterns, carries a badge that reads "The Future is Unwritten," reinforcing the message that change is possible and the future is in the hands of the people. Fairey's choice to depict the bandana, a classic rebel icon, as a protective mask denotes a profound shift in cultural symbols due to the pandemic. It reflects a respect for science and an acknowledgment of the collective effort required to navigate the crisis. The artwork transcends mere aesthetics, embodying the message that caring for one's community and being considerate of public health are now acts of rebellion in their own right. This resonates deeply with the artist's long-standing commitment to using his craft to support social and political change. In the portfolio of Shepard Fairey's creations, "Just Future Rising" is not just a piece of pop artwork; it is a cultural artifact born out of an era defined by upheaval and a call to action. It stands as a reminder of the power of art to influence discourse, inspire action, and reflect the complexities of the human experience in times of adversity.

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Wasted Youth- Your Eyes Here Cac Malaga Edition 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x D*Face Rare Street Art OBEY Pop Artwork Artist. Signed By F*Face & Shepard Fairey, Numbered Screen Print “WASTED YOUTH / YOUR EYES HERE” (CAC MALAGA EDITION) Screen Print 18 x 24 inches Edition of 400 July 16, 2015 D*Face and I enjoy collaborating and we both agreed that it would be great to do a print to celebrate our simultaneous shows at the CAC Málaga. We used very different color palettes in our murals there so we decided that since we both liked black, red, and silver – that we could put our chromatic differences aside and join forces on those three colors for the print. I’d still recommend seeing the murals in person if you have the opportunity, but this print is an avatar I can be proud of. All of the prints are signed by me and D*Face so you know that meant they had to travel to Spain and back – luckily, they’re all in good shape. Thanks to the CAC Málaga for facilitating such a great show for both of us! -Shepard

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Tom Dula White AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2012 Signed & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print—Lonesome Tree Stylized Old Gnarled Tree in Western Desert Setting. Thomas C. Dula was a former Confederate soldier who was convicted of murdering Laura Foster, based on a song made famous by Kingston Trio. Shepard Fairey's "Tom Dula White AP" is a silkscreen print that fuses historical narrative with the artist's signature graphic style. Created in 2012, this piece is part of a limited edition set, hand-pulled with a color process on Fairey’s preferred medium, cream speckletone fine art paper. Each print in the series bears Fairey's signature and the distinctive 'AP' mark, denoting it as an Artist Proof. This status often holds higher value due to its rarity and direct connection to the artist's initial vision. Measuring 18x24 inches, the artwork presents a lone, stylized tree in a desolate Western desert setting. The barren landscape serves as a metaphorical backdrop to the somber tale of Thomas C. Dula, a former Confederate soldier whose name became immortalized in the folk song "Tom Dooley" following his controversial conviction and execution for the murder of Laura Foster. Fairey's choice to represent this narrative through a stark and solitary tree amidst an arid terrain reflects the isolation and finality of Dula's fate. This print stands out in pop and street art for its storytelling through visual symbolism. The work does not merely capture viewers' attention with its aesthetic but also invites them to engage with a deeper historical narrative, a characteristic often found in Fairey's body of work. It showcases the artist's ability to navigate the intersection of pop culture and fine art, where historical references become part of the modern visual lexicon. Shepard Fairey’s work frequently contains layers of meaning with a propensity for social commentary. With "Tom Dula White AP," the art is not only about presenting a visual narrative but also evoking an emotional response that connects the historical past with contemporary culture. This piece is a poignant example of how street art can transcend its urban origins, entering the gallery space as a powerful storytelling medium that bridges historical context and modern expression.

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Flower Diamond 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Kai + Sunny Rare Street Art OBEY Pop Artwork Artist. 2021 Signed & Numbered by Shepard Fairey & Kai + Sunny Limited Edition of 450 Screen Print 'Flower Diamond' Artwork Size 18x24. Shepard Fairey x Kai + Sunny: Synthesis of Street Pop Art in 'Flower Diamond' The collaboration between Shepard Fairey and Kai + Sunny has birthed a masterpiece in the form of 'Flower Diamond,' a two-color hand-pulled limited edition silkscreen print that showcases the confluence of street pop art and graffiti artwork. Released in 2021, this piece is a signature representation of how the medium of street art can transcend the confines of urban spaces and find its place within the sophisticated realm of fine art galleries. Limited to a series of 450, the print is a testament to these artists' meticulous craftsmanship and creative synergies. Artistic Merit and Design of 'Flower Diamond' The 'Flower Diamond' stands out with its 18x24 artwork size, a dimension that allows the intricate details and the bold contrasts to be fully appreciated. The fine speckle tone art paper serves as a canvas that adds a subtle texture to the print, enhancing the visual depth of the artwork. Using two colors in the silkscreen process is a deliberate choice that showcases Fairey and Kai + Sunny's ability to create complex imagery through minimalistic means. The geometric precision and the central motif of the piece reflect a harmony between natural forms and structured design, a duality often explored in both pop art and street art. The significance of 'Flower Diamond' in the cultural landscape of street pop art cannot be overstated. Signed and numbered by Shepard Fairey and Kai + Sunny, the artwork becomes a piece of visual splendor and a collector's item that carries the weight of the artists' legacies. Fairey, known for his OBEY campaign and his public art and activism work, brings a certain gravitas and socio-political commentary to the collaboration. Meanwhile, Kai + Sunny adds their signature style of line work and natural motifs, creating an aesthetically pleasing and thought-provoking piece. A Union of Styles and Philosophies In 'Flower Diamond,' one finds a seamless union of styles and philosophies that characterizes the best street pop art and graffiti artwork. The limited edition nature of the print ensures that each piece is a slice of art history, encapsulating the meaningful collaboration between these renowned artists. It is a piece that captures the evolving narrative of street art, its potential for cooperation, and its place in the larger conversation of contemporary art. As collectors and enthusiasts seek to own a part of this narrative, 'Flower Diamond' stands as a beacon of what is possible when the rebellious spirit of street art meets the reflective poise of fine art.

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The Lonesome Crowded West Tower Modest Mouse Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2022 Signed & Numbered Limited Edition of 825 Artwork Size 18x24 Silkscreen Print "I’m really happy that Modest Mouse asked me to create some limited edition posters for their tour commemorating the 25th anniversary of their 1997 album The Lonesome Crowded West. I first heard Modest Mouse in 1998. I borrowed a friend’s copy of the album The Lonesome Crowded West, which had come out the year before, and it grew on me quickly to become a favorite. The whole album is great, very multi-dimensional ranging from aggressive and dissonant on songs like “Teeth Like God’s Shoeshine” to folky, jangly, and intimate on “Trailer Trash.” My two favorite songs on The Lonesome Crowded West are “Doin’ the Cockroach,” which builds steadily into an exhilarating staccato guitar frenzy, and the song that follows it, “Cowboy Dan,” which is full of tension, struggle, anger, and beauty. Lyrically, the band’s singer and primary songwriter, Isaac Brock, comes across as an empathetic world-weary sage. I rarely call someone a poet, but Isaac wrote with such depth for someone only 23 years old that I think poet is the only title that properly conveys his elevated craft as a lyricist. I got to do Modest Mouse’s 2000 Black Glass tour poster, which was a huge deal for me." -Shepard Fairey- OBEY Marking the 25th anniversary of Modest Mouse's influential album "The Lonesome Crowded West," celebrated street artist Shepard Fairey, known as OBEY, crafted a striking limited edition silkscreen print. This 2022 piece, meticulously hand-pulled and comprising five colors on Cream Speckletone fine art paper, mirrors the layered complexity of the album it honors. The work measures 18x24 inches, a testament to the album's monumental impact on the alternative rock scene and Fairey's own artistic journey. Each of the 825 signed and numbered prints encapsulates Fairey's personal connection with the album, having first encountered its raw and eclectic sound in 1998, a year after its release. He describes the album as "multi-dimensional," resonating through its varied tones from the "aggressive and dissonant" to the "folky, jangly, and intimate." His favorite tracks, "Doin’ the Cockroach" and "Cowboy Dan," evoke contrasting emotions of exhilaration and introspective tension, revealing the dexterity of Modest Mouse's music and the profound lyrical skill of frontman Isaac Brock. In this piece, Fairey channels the essence of the album's themes, depicting an isolated tower amidst a vast, red-streaked landscape, symbolizing the album's exploration of urban isolation and the Western American experience. The contrast between the solitary building and the surrounding expanse eloquently captures the album's title, "The Lonesome Crowded West." This visual representation goes beyond mere album art; it is an intersection of Fairey's iconic style and Modest Mouse's sonic influence, bridging visual and auditory art forms. Fairey's engagement with Modest Mouse extends back to their 2000 "Black Glass" tour, for which he also created a poster. This long-standing relationship emphasizes the mutual respect between the artist and the band, illustrating how music and visual art can coalesce to form powerful cultural statements. His artistic expression is not only a tribute to the music but also an homage to Brock's poetic lyrics, which left an indelible impression on Fairey, prompting him to label Brock a true poet. As an influential figure in street art and pop culture, Fairey’s creation for Modest Mouse cements his position at the forefront of contemporary art. It serves as a visual anchor for the album’s legacy, ensuring that its cultural resonance extends into the visual realm. Collectors and fans of both the band and Fairey find in this print a confluence of two forms of rebellion and expression, solidified on paper but echoing far beyond.

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Obey Radical Peace- Blue 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 18 inches by 24 inches Edition of 375 May 7, 2021. Shepards Spin of the Capital Protest 2021 Where Cops Killed 5 Unarmed Protestors.

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Scratch on the Wire 1-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey x Dennis Morris Rare Street Art Famous Pop Artwork Artist. 24 x 24 inches. Silver Metallic Ink Screenprint on thick cream Speckletone paper. Original photo by Dennis Morris. Signed by Shepard Fairey and Dennis Morris. Numbered edition of 600. Max order: 1 per customer/household. "Legendary reggae producer and pioneer of the dub sound, Lee “Scratch” Perry passed away on Aug. 29. I first discovered Lee Perry when I got deep into Bob Marley and the Wailers found out Perry had produced several seminal Wailers tracks. I also loved the Clash song “Police and Thieves” which I learned was a cover of the version by Jamaican artist Junior Murvin which Lee Perry had produced. Perry also co-produced the song “Complete Control” by the Clash." -Dennis Morris

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Unsinkable Consumption AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed & Marked AP Artwork Size 18x24 Silkscreen Print. Sinking Titanic Style Cruise Liner Ship Sinking Cause of "Oil." Shepard Fairey's "Unsinkable Consumption AP" is a thought-provoking silkscreen print that resonates with contemporary environmental and socio-political issues. This artist proof, created in 2015, is part of a limited edition, hand-pulled with five colors on Cream Speckletone fine art paper, a testament to Fairey’s commitment to high-quality craftsmanship in his work. At 18x24 inches, the artwork captures the viewer's attention with its stark imagery and powerful message. The print portrays a sinking ship reminiscent of the Titanic, a vessel historically synonymous with human arrogance and the disastrous consequences of overestimating human engineering over nature’s forces. In Fairey’s rendition, the liner is juxtaposed with an oil rig symbol within a red warning circle, stark against the cream background. The word "CONSUME" looms above, a bold indictment of society's relentless exploitation of natural resources. This image resonates deeply with themes of ecological disaster and unsustainable practices, encapsulating the idea that, like the "unsinkable" Titanic, our consumption habits may lead to our downfall. Fairey's work often encompasses a blend of street art's accessibility and pop art's use of recognizable imagery to engage with the audience on critical issues. The sinking ship is a metaphor for the potential catastrophe of unchecked consumption, while the oil rig emblem represents the specific threat of fossil fuels. Signed and marked as an artist-proof, this piece holds a special place in Fairey's oeuvre, signaling its status as a significant work directly from the artist's hands. As a prominent figure in pop, street, and graffiti art, Fairey has continually used his platform to advocate for political and environmental awareness. "Unsinkable Consumption AP" exemplifies his approach to art as a means of provocation and dialogue. This piece not only stands out for its aesthetic appeal but also for its capacity to engage the public in critical reflection on urgent global issues. Through this print, Fairey underscores the vital role of art in sparking conversation and potentially inspiring action.

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Dirty South Dance Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2007 Signed & Numbered Limited Edition of 300 Artwork Size 18x24 A few faint scratches to black areas. Shepard Fairey (b. 1970) Dirty South Dance, 2007 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles Dirty South Dance Silkscreen Print is a piece of artwork created by Shepard Fairey, the American contemporary street artist, graphic designer, and activist best known for his "OBEY Giant" and Barack Obama "HOPE" campaigns. Fairey's artwork is often characterized by its bold and thought-provoking imagery, combining elements of graffiti, pop art, and political activism. The Dirty South Dance Silkscreen Print is part of Fairey's OBEY series, which is derived from the "OBEY Giant" sticker campaign he started in 1989. The series aims to promote critical thinking and question societal norms, government control, and the influence of media and advertising on our lives. The Dirty South Dance print may feature Fairey's signature style, including bold colors, striking design elements, and a mix of typography and imagery. The piece may focus on the "Dirty South" music scene, which refers to a subgenre of hip-hop that originated in the southern United States, particularly in cities like Atlanta, Houston, and New Orleans. The artwork may attempt to capture the spirit of the music, its artists, and the culture surrounding it while also incorporating Fairey's sociopolitical messages. As a silkscreen print, the Dirty South Dance artwork would have been created using a stencil-based printmaking technique in which ink is pushed through a mesh screen to transfer the design onto paper or canvas. This process allows for the production of multiple copies, each considered an original print, and is a popular method for creating street art and posters. Collectors and fans of Shepard Fairey's work may be interested in acquiring the Dirty South Dance Silkscreen Print for its unique design and strong cultural commentary.

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Warning: Addictive- Red Limited Edition Silkscreen Skateboard deck art by street pop culture artist Shepard Fairey OBEY. I've been a big fan of Andy Howell's art and skateboarding since the late '80s, and I watched eagerly as he and his partners launched New Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell's art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the "power to the people," "ear to the street" vanguard of skater-owned-and-run companies. Straight out of the gate New Deal set the tone for the '90s. -Shepard 2020 Warning Addictive Skate Deck. Numbered edition of 400. Signed by Shepard Fairey.

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Confrontation- Bob Marley 1-Color Hand-Pulled Limited Edition Letterpress Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 16 inches by 19.5 inches Edition of 450 May 19, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob

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Obey Radiant Lotus- Round 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 24 inches by 24 inches Edition of 550 August 1, 2022 "The Radiant Lotus is part of a recent series of my works exploring round compositions. This print is inspired by the symbolism and beauty of the Lotus flower emanating positive energy, rendered with a graphic and geometric style. The Lotus is something beautiful that grows out of the mud. I see the Lotus as a metaphor for what is especially needed in this moment, an effort to lift ourselves out of the mud of political feuding and environmental irresponsibility in pursuit of harmony with each other and the planet." –Shepard Fairey

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Chinese Soldier 2 TP Test Print Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 1-Color on Thin Art Paper Limited Edition Artwork Obey Pop Culture Artist. TP AP Artist Test Proof Print 2006 Unsigned. Testing Out The Process From Shepard Faireys Then Workshop. Black Mono Print, Unsigned, No Markings. Artwork Size 18x24 Silkscreen Print. TearsBending & Creasing throughout The Margins, Working Artist Copy. Crease Across Lower Right Facing Side. Shepard Fairey's "Chinese Soldier 2 TP Test Print" is a compelling piece that exemplifies the intersection of street art and political commentary, hallmarks of Fairey's work. As an iconic figure in pop and graffiti art, Fairey has long been recognized for his ability to provoke thought and stir public discourse through his art. This particular silkscreen print is a test proof from 2006, emanating from the artist's experimentation with printmaking techniques. Hand-pulled and comprising five colors on thin art paper, this limited edition artwork carries the signature visual style of Fairey's Obey series, which commands attention to the themes of propaganda, control, and societal obedience. The print, depicting a Chinese soldier with a flower protruding from the barrel of his rifle, challenges viewers to question the juxtaposition of military power with peace—a dichotomy often explored in anti-war art and literature. The raw and unrefined nature of this test print adds to its authenticity and makes it a unique collector's piece, especially considering it is a black mono print and is unsigned, with no markings. The lack of signature is particularly notable as it speaks to the essence of street art, where the message often takes precedence over the artist's identity. Measuring 18x24 inches, this print is sizable, allowing for an immersive viewing experience that draws the eye to the stark contrasts and the compelling imagery that has become synonymous with Fairey's work. Fairey's influence on street art extends beyond his visual work; his methods and approach have inspiremanyof artists to see the urban landscape as a canvas for commentary and change. His test prints, such as "Chinese Soldier 2," offer a glimpse into his process and an understanding of the experimentation behind his finished pieces. This artwork, while a test piece, stands alone in its powerful message and aesthetic, encapsulating the energy and defiance of street art culture.

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Floral Takeover 2017 Red Black Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Red Black Silkscreen Print" by Shepard Fairey encapsulates the interplay of aesthetics within Street Pop Art and graffiti Artwork, signifying a profound narrative through its intricate design and bold color scheme. This piece exemplifies how traditional elements can be transformed into a new cultural vocabulary that challenges and expands the boundaries of fine art. Featuring a rich, vibrant red background overlaid with a contrasting black floral pattern, the artwork is a striking visual statement that captures the viewer's attention. Shepard Fairey, a pivotal figure in the street art movement, often incorporates motifs that reflect social and political activism. His work is known for its ability to decorate and provoke thought and conversation, a characteristic quintessential to the graffiti art movement. Silkscreen printing allows for the precision and consistency necessary for disseminating his message, harkening back to his roots in skateboarding and punk rock culture, where screen-printed designs were a means of rebellion and identity. Silkscreen printing used in this artwork is also a nod to the pop art tradition, a method popularized by artists like Andy Warhol, who sought to erase the boundaries between 'high' art and 'low' cultural imagery. Fairey's "Floral Takeover" is a contemporary continuation of this tradition, seamlessly blending street art's spontaneity and edginess with pop art's mass appeal and commercial aesthetics. The result is a striking work of art that is accessible and deeply layered in meaning. Through this print, Fairey extends the dialogue of street art into the more permanent and collectible domain of fine art prints, allowing for the transitory nature of street graffiti to be preserved and appreciated over time. The artwork becomes an important cultural artifact, representing the ever-evolving landscape of Street Pop Art and graffiti Artwork, embodying the transformative power of art in public spaces and the ongoing conversation between art and society.

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Noir Flower Woman Blue AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2022 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Woman Holding Large Lotus Flower. "The Obey Noir Flower Woman print is inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultivate justice, and hold optimism close to their hearts. We all face challenges and hostilities, but exterior forces don't control our inner strength and idealism. We do! Idealism leads to action. Those who perpetrate injustice rely on apathy to get away with their misdeeds. Nurture your inner idealism, and your constructive actions will follow. A portion of the proceeds from this print will benefit Greenpeace to support its work to enhance environmental protections and combat climate change." -Shepard Fairey. Shepard Fairey's "Noir Flower Woman Blue AP" is a testament to the harmonious blend of pop and street art, with a unique nod to graffiti culture. With the hand-pulled silkscreen method on fine art paper, this 18x24 print captures a woman delicately holding a giant lotus flower. This captivating artwork, released as an Artist Proof in 2022, is not only a rare find due to its limited edition run but also because of the personal touch added by Fairey through his signature and the distinctive "AP" mark. At a glance, the "Obey Noir Flower Woman" appears to be heavily influenced by Art Deco elements and Dark Wave album art aesthetics. Yet, beneath its visual layers lies a profound message. Shepard Fairey draws inspiration from those idealists who remain committed to environmental protection, champion justice, and foster a deep-seated optimism, even in the face of adversity. His work argues that external challenges can never overshadow the radiant light of one's inner resilience and idealism. Rather than being passive spectators, Fairey calls upon individuals to harness their inner idealism, transforming it into actionable change. This sentiment reverberates even more when considering that a portion of the proceeds from the sale of this print aids Greenpeace in its relentless battle against climate change and for enhanced environmental protections. This piece by Fairey isn't merely an artwork; it's an emblem that showcases the intersection of visual allure and impactful advocacy, a hallmark that distinguishes much of the art from the pop, street, and graffiti genres. As viewers immerse themselves in the intricate details of "Noir Flower Woman Blue AP," they are invited to reflect, respond, and act on the world around them.

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Danger No Smoking AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2016 Signed & Marked AP Artwork Size 18x24 Silkscreen Print—vintage Style Lead Fual Gas Pump with Danger No Smoking Sign. "This Danger No Smoking print is inspired by a screen print I made in 1990, which was the very first image I made addressing the environmental and health hazards of gasoline. I took this photograph in Providence, RI at the edge of a desolate graveyard, which probably intensified my interpretation of the peeling paint on the gas pump as a skull. I decided the symbolism provided by natural erosion was powerful enough to make the photo worthy of turning into a print. I always liked this image, and I rediscovered it while looking for images to include in a book surveying my entire history of environmentally themed art." -Shepard Fairey- OBEY Shepard Fairey's "Danger No Smoking AP" is an arresting silkscreen print that fuses the gritty aesthetic of street art with the polished finesse of fine art printmaking. Hand-pulled and consisting of five colors on Cream Speckletone fine art paper, this artwork is part of a limited edition series that showcases Fairey's unique ability to embed powerful social commentary within his art. As an artist proof from 2016, this piece is both signed and marked AP, denoting its status as a work that precedes the official production run and is often kept by the artist for personal archives or sale. This print presents a vintage-style lead fuel gas pump decorated with a "Danger No Smoking" sign—a visual that evokes the retro Americana while simultaneously commenting on contemporary environmental and health concerns. By featuring the warning signs that often accompany hazardous substances, Fairey points to the broader issues of industrial risks and public safety. This theme resonates with the essence of pop art, where mundane commercial imagery is repurposed to make a statement, and it aligns with the spirit of street and graffiti art's focus on message-driven visuals. The artwork's size, 18x24 inches, is significant as it allows the viewer to fully engage with the detailed work, including the intricate patterns that add a layer of complexity to the straightforward cautionary symbols. Fairey's work is recognized for its commanding presence, often utilizing bold lines and stark contrasts to draw attention to the subjects he depicts. In this print, the stark warning signage contrasts with the ornamental background, creating a juxtaposition that is visually stimulating and thought-provoking. Fairey’s “Danger No Smoking AP” print is a testament to his commitment to social engagement through art. It holds a mirror to society's paradoxes, reflecting the often overlooked dangers lurking behind the glossy veneer of consumerist culture. This print, rich in symbolism and executed with the artist's signature style, is a powerful addition to the discourse on pop culture, environmentalism, and the transformative power of street art.

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Cream & Blue Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Cream & Blue Sedation in Bloom: Reflecting on Society Through Street Pop Art The Cream & Blue Sedation in Bloom silkscreen print by Shepard Fairey, an iconic figure in the street pop art and graffiti artwork realm, stands as a thought-provoking piece that goes beyond mere aesthetic pleasure. Fairey, born as Frank Shepard Fairey on February 15, 1970, in Charleston, South Carolina, USA, has carved a niche for himself with works that often reflect a blend of political activism and artistry. This particular artwork, a part of the Sedation in Bloom series, is no exception. Hand-pulled on cream speckletone fine art paper, the Cream & Blue Sedation in Bloom is a limited edition artwork, with each piece signed and numbered by Fairey himself. The size of the artwork, 18x24 inches, offers a substantial canvas for the expression of intricate and symbolic imagery. Limited to an edition of 150, these prints capture the exclusive nature of Fairey's work. The Symbolism of Poppies in Fairey's Visual Language The motif of the poppy in this series carries rich symbolic interpretations, ranging from peace to death, and from sleep to sedation. Fairey's choice of the poppy is deliberate and multifaceted; it is not only about creating a pleasing visual but also about the underlying message it conveys. The interplay of the serene blue on cream reflects a tranquil aesthetic, yet the poppies' association with sedation challenges the viewer to look deeper into the societal implications of the artwork. Fairey’s work is a commentary on the complacency and ignorance that he perceives as pervasive in society. The seductive nature of entertainment, alcohol, drugs, and material excess serves as a means to sedate the masses, distracting them from social and political engagement. Through the Cream & Blue Sedation in Bloom print, Fairey juxtaposes the allure of the poppies with a call to consciousness, urging the viewer to stay awake and aware amid societal distractions. Artistic Collaboration and Social Commentary The inception of this poppy pattern art arose from Fairey's collaboration with Gordon Cheung, where the duo addressed the harrowing murder of Vincent Chin and the use of anti-Asian motifs in Western culture. By incorporating these themes into his street pop art, Fairey elevates the conversation from street-level discourse to a wider socio-political dialogue. The prints serve as a decorative escape, yet they double as a potent reminder of the importance of staying alert to the world's inequities and injustices. Shepard Fairey's Cream & Blue Sedation in Bloom is a striking example of how street pop art can be a powerful medium for social critique. As viewers engage with the harmonious color scheme and the delicate floral patterns, they are also confronted with the societal urge to remain vigilant. Through this series, Fairey reiterates his belief in the capacity of art to ignite change, to unsettle the comfortable, and to provoke a reawakening of social consciousness. The artwork symbolizes the dual role of art in modern culture: as an object of beauty and as a catalyst for awareness and action.

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Psychedelic Andre- Classic Red Obey Giant Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Shepard Fairey X John Van Hamersveld pop culture LSD artwork. "I first made this image in 1967, and then the poster came out in 1968. One day I sat down and started this drawing out of my style. I had been an art director at Capitol Records, and I hadn't been drawing very much. It was a whole new state I was in. But it was an opportunity to test my drawing and put it into a poster and have it published. It all came out great. It was a fantastic show. There were ads everywhere and people loved the poster. It just started to become a piece of history right away, much like The Endless Summer poster." - John Van Hamersveld "I became a fan of Hendrix after I exited my punk rock orthodoxy phase. I ended up gravitating towards John's image because it had that nod to psychedelia, without going so overboard in the baroque detail, that it remained iconic. This Hendrix image itself — along with a few other influences, like Barbara Kruger and Russian Constructivism — was a huge influence in how I was going to make work that had the ability to cut through the clutter of what's on the street and still have a recognizable style. When I was just making variations of the Andre on the different backgrounds, I was looking at a lot of psychedelic work, but John's piece really inspired me to make something that was a deviation from just playing it safe with the original Andre image. So John's Pinnacle Hendrix was sort of a gateway to the evolution of my entire Andre The Giant project. I can't really understate the importance of this image for me." - Shepard Fairey

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Warning: Addictive- Green Limited Edition Silkscreen Skateboard deck art by street pop culture artist Shepard Fairey OBEY. I've been a big fan of Andy Howell's art and skateboarding since the late '80s, and I watched eagerly as he and his partners launched New Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell's art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the "power to the people," "ear to the street" vanguard of skater-owned-and-run companies. Straight out of the gate New Deal set the tone for the '90s. -Shepard 2020 Warning Addictive Skate Deck. Numbered edition of 400. Signed by Shepard Fairey.

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Moon Over Biloxi 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Signed & Numbered Moon Over Biloxi Screen Print 18 x 24 inches Edition of 400 July 27, 2010. "The title of this print “Moon Over Biloxi” is a tribute to the Dead Kennedy’s song “Moon Over Marin”. In 1984 I picked up maybe my 4th punk record which was the 2nd Dead Kennedy’s album “Plastic Surgery Disasters”. The album is a great listen all the way through and includes some blistering tunes like “Riot” and “Bleed For Me” laced with social commentary. The surprise song though is “Moon Over Marin”… detractors have called it the Dead Kennedy’s “U2” song, but I disagree. “Moon Over Marin” is more melodic than most DK, but juxtaposed with the darkness of the lyrics, the song evokes a powerful sense of existential melancholy. I think the concept that struck me, and stuck with me, is that our disrespect of each other and the planet may doom us, but things will continue without us. I think it is healthy to recognize impermanence, but also to appreciate the value of the ephemeral. Moonlight, real or electric, will probably be around, but what it will be casting light on is the real question. There will always be a moon over Biloxi." -Shepard

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Melvins Colossus 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered, Shepard Fairey (b. 1970) Melvins Colossus, 2017 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 240/300 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles. The Colossus of Destiny “I always thought it was strange that people didn’t know more about The Melvins and I felt their story needed to be told. The band members told me that a few people had talked the talk but had never followed up on their threats to make a film about them, so a little over two years ago things really fell into place and now the end product is finished for all to see, ” explained Director and Producer Bob Hannam, who worked in tandem with Ryan Sutherby to bring the film to fruition. “It has been a long labor of love for the both of us and we are excited for people to see the film and understand the workings of a truly great band.” -Shepard Fairey A couple of creases to lower right corner. Sheet is loose. Unframed.

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Rollins 50 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print 18 x 24 inches Edition of 700 February 4, 2011 "Henry Rollins has a birthday coming up that only comes along once every half-century… YES, he’s turning 50. This calls for a Rollins fortnight celebration with two prints spanning 30 years. This week the ROLLINS 50 tour poster drops. Next week on 2/13/11 I’ll release a print collaboration with Glen E. Friedman based on a Black Flag ’81 shot. . I hold Henry in high regard for his many talents as a singer, writer, radio DJ, TV host, political and social commentator, etc… but above all I love his energy and gusto. Henry has been doing it his way hardcore for 30+ years. This 50 poster is ridiculous not because Henry is getting older, but because Henry would never lounge around long enough for the reaper to get a jump on him. " -Shepard Fairey

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In Honor of Vincent Jen Chin 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Gordon Cheung Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print IN HONOR OF VINCENT JEN CHIN 18 inches by 24 inches Edition of 350 August 18, 2021 Minor Bumbs To Extreme LowerLeft Facing Side In this politicised pandemic crisis through which the previous leader of the most powerful nation in the world labelled coronavirus as China-Virus and its various forms, the consequences of racist blame has led to manifold increases in hate crimes against Asians. I hope this collaboration between Shepard and myself can raise awareness about the long history of anti-Asian hate and the important legacy of Vincent Chin whose untimely death in 1982 galvanised the people to demand Asian American civil rights. This current crucial moment in history calls for a gathering of momentum where Asian diaspora voices should go loud and proud. To stand together, advocate for change and collectively build bridges of understanding over glass ceilings and walls of hate. -Gordon Cheung

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Friendship and Support- Gold 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Screen Print Friendship and Support (Gold), 2011 Screenprint in colors on speckled cream paper 18x24 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles Due to the enormous popular demand for “Friendship & Support” released last week, we are excited to announce a second colorway at the request of the Harrison Foundation! “Friendship and Support – Gold” supporting UNICEF!

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Tunnel Vision Version 2- Alternate Blue Hand-Pulled 4-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey Rare Street Art Limited Edition Artwork. 2018 Signed by Shepard Fairey & Numbered Limited Edition of 700 Artwork Size 18x24 Shepard Fairey (b. 1970) Tunnel Vision 2018 Screenprints in colors on speckled cream paper 18 x 24 inches (45.7 x 61 cm) Ed 700 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. Tunnel Vision Version 2 - Alternate Blue Silkscreen Print is a limited-edition artwork created by American contemporary street artist Shepard Fairey, who is best known for his OBEY Giant campaign and the iconic Barack Obama "Hope" poster. Fairey's work often combines street art aesthetics with political messages, drawing inspiration from graphic design, propaganda, and counterculture. The Tunnel Vision Version 2 - Alternate Blue Silkscreen Print features an eye-catching design with Fairey's signature style. The print showcases a mixture of geometric patterns, bold lines, and contrasting colors, with the blue colorway offering an alternative to the original print. Like many of Fairey's works, the piece has a thought-provoking theme that encourages the viewer to question societal norms and the status quo. As a silkscreen print, the artwork is produced using a stencil-based printing process that involves applying ink through a mesh screen onto a substrate. This method allows for vibrant colors and sharp, precise details, making it a popular choice for artists and printmakers. Since it is a limited-edition print, collectors and fans of Shepard Fairey's work should act quickly to secure a copy before they sell out.

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Rise Above Rose Geometric 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 12 inches by 24 inches Edition of 550 July 21, 2022 "The Rise Above Rose Geometric print contains several recurrent symbols in my work. The rose represents the archetype of an individual or a society who has endured oppression but perseveres to rise above conflict. Rise above also references the song “Rise Above” by Black Flag, one of my favorite punk bands. In creating art that encourages people to rise above adversity, I hope that it also motivates people to fight against injustice even when the fight is difficult." –Shepard Fairey

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Cut it Up Do it Yourself 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckle Tone Paper by Shepard Fairey x Beyond The Streets Rare Street Art OBEY Pop Artwork Artist. 2018 Signed & Numbered Limited Edition of 550 Print Size 18x24 May 8, 2018 "ABOUT The Cut it Up – Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto knife to create designs, make collages, cut spray-paint stencils, and cut illustrations from Rubylith (a graphic art and screen printing film). Many of my well-known images, including the Obey Icon Face, were created using an X-acto, a marker, a photocopier, and cut and paste techniques before I knew how to use a computer. The computer is a great tool, but it can be too safe and sterile… Don’t be afraid to cut things up, make mistakes, and get some overspray on pristine paper!" -Shepard Fairey

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WK / Shepard Portrait Silkscreen Print by WK Interact x Shepard Fairey- OBEY Hand-Pulled on French Speckletone True White Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 450 Artwork Size 36x24 Silkscreen Print WK Interact and Shepard Fairey are luminaries in pop art, street art, and graffiti art, showcasing creativity that blurs the line between counterculture and mainstream artistry. Each has carved its distinct identity in the ever-evolving art scene, bridging the gap between street aesthetics and fine art. Their contribution to this art form has not only inspired a generation of artists but also brought street art into the global limelight. WK Interact, a French artist based in New York City, is renowned for his kinetic, motion-based black-and-white street art. His works often depict figures in motion, creating a sense of velocity and dynamism that is emblematic of urban life. The artistry goes beyond traditional graffiti as his murals often interact with the architecture and environment they are placed in, reflecting a deep connection with the urban landscape. A key concept behind his work is to capture the energy and pace of city life, turning mundane structures into a living art spectacle. "I’ve known WK for almost 25 years, but I admired his art for many years before that. When I started putting art up on the streets of NY in the early 90s, WK had some of the best murals around lower Manhattan. We’ve collaborated a few times over the years, and when I was in NYC in December, WK shot some portraits of me as part of an artist homage series. Usually, I’m uncomfortable being the subject of art pieces, but I love what he did with the final art because it merges our aesthetics very harmoniously… and my face is less of the focus!" -Shepard Fairey "In 2009, I was invited by Shepard Fairey to have a solo show at the Subliminal Project Gallery in Los Angeles. 14 years later, I have the pleasure of visiting Subliminal Projects once again… to sign a new limited edition print, on which we collaborated. I met Shepard long ago… I’ve joined him on many adventures around the world, from Berlin, Japan, NYC, Los Angeles, Miami, Chicago, to Paris. Early on, I realized as we were hitting the streets with paste ups, that we shared something in common and that was the constant desire to work. Shepard was the first person to contact me and extend an invitation to participate in the game. I admire how sharp he is… he forgets nothing. I’m grateful that he let me paint his portrait, but I’m mostly honored to call him my friend." –WK Interact

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Lotus Diamond Scarf Blue AP Object Art by Julie Gardner x Amanda Fairey x Shepard Fairey- OBEY Limited Edition Designer Collectible Pop Artist Artwork. Artist Proof 2021 Signed & Marked AP Box Limited Regular Edition of 250 Rare Rose Twill Designer Fashion Scarf Pennant/Tapestry Object Art Size 34x34. New In Box. "My wife Amanda has been a longtime admirer of artwork on textiles and fabrics. This year, we collaborated with our friend Julie Gardner of @obscuradesigns to produce these natural fiber scarves that can be either hung as art or worn. It was important to Amanda and me that the materials used are sustainable. The Lotus Diamond (Blue) features a mandala lotus motif that has decorative appeal but also symbolizes harmony and triumph over adversity." -Shepard Fairey

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Obey Punk Girl AP Dance Floor Riot Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled 1-Color Screen Print on Fine Art Paper Limited Edition Graffiti Pop Street Artwork. AP Artist Proof 2011 Signed & AP Marked Limited Edition Artwork Size 13x13 "Long before I knew about art galleries or even street art, I was excited about album cover art, if only because it was the visual counterpart to the music on the records I loved. Album covers conjured a euphoric association with the listening experience. Most of my earliest home-made tee shirts were stencils based on punk album covers… No matter how much I love art, or try to convince myself of its relevance in society, the fact remains that music is a lot cooler and way more able to reach people’s hearts and minds… but I’m a populist and I look at it this way: I may not play an instrument, but I’m gonna rock it hard as nails anyway. With my art I try to capture the same energy and spirit that makes music so powerful and democratic. REVOLUTIONS is a celebration of all the great music and accompanying art that has inspired me over the years." -Shepard Fairey Pop art, street art, and graffiti have always been mediums that offer a raw and unfiltered reflection of society, culture, and the artist's personal feelings. Among the luminaries in this realm, Shepard Fairey stands tall, his unique creations resonating with both art aficionados and the masses alike. The "Obey Punk Girl AP Dance Floor Riot" silkscreen print is a testament to his profound admiration for music and its intertwined relationship with visual arts. Crafted meticulously in 2011, this artist proof, hand-pulled, 1-color screen print on fine art paper, is not just an artwork but a fragment of Fairey’s soul, reverberating his passion for music. Shepard Fairey's initiation into the art world was not through the conventional means of art galleries but through album covers that acted as the visual symphony to the music he revered. Just as album art inspired emotions, memories, and an innate connection to the music, Fairey's street art endeavored to forge a similar connection with its audience. The silkscreen in question, sized at 13x13, embodies Fairey's attempt to harness the immense power and universal reach of music. His statement captures this sentiment eloquently, emphasizing how, despite art's intrinsic value, music has a superior prowess in touching human souls. His use of the term "REVOLUTIONS" is twofold, alluding to both the revolutions of a vinyl record and the socio-cultural revolutions music often incites. A deep dive into "Obey Punk Girl AP Dance Floor Riot" offers viewers a chance to journey through Fairey’s inspirations. The fusion of punk's rebellious nature, the invigorating energy of music, and the democratizing force of street art crystallizes in this piece. For those who see art not just as an aesthetic expression but as a pulsating representation of society and individual emotion, this silkscreen print is both a tribute and an inspiration. Through such creations, Shepard Fairey champions the ethos that one needn't play an instrument to rock the world – sometimes, a canvas and a vision are all it takes.

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Flower Power Red AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2021 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Red Lotus Flower & Electric Power Lines. "These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on this transition happening with the support of citizens, government, and corporations. Read "This Changes Everything" by Naomi Klein if you'd like a strong analysis of the severity of the climate crisis and the urgency to transition off of fossil fuels. Proceeds from these prints will benefit 350.org to support their work around the climate emergency. Thanks for caring." -Shepard Fairey Shepard Fairey, the mind behind the iconic OBEY imagery, once again channels his signature blend of street and pop art in the "Flower Power Red AP" silkscreen print. An emblem of countercultural movement, Fairey's piece presents a striking juxtaposition of the serene blue lotus flower against the industrial backdrop of electric power lines. Cast on Speckletone Fine Art Paper, this hand-pulled screen print not only exemplifies the artist's meticulous craftsmanship but also carries a poignant and timely message. The "Flower Power" series, which this print is a part of, stands as a clarion call for humanity's pivot from environmentally harmful fossil fuels to more sustainable energy sources. This transition, as Fairey suggests, is not just a matter of technological or economic feasibility; it is an imperative for the continuity of life as we understand it. The reference to Naomi Klein's "This Changes Everything" underscores the severity of the looming climate crisis, offering readers a comprehensive analysis of our current ecological predicament and the urgency with which we must act. Beyond its aesthetic appeal and socio-political commentary, the artwork demonstrates Fairey's commitment to environmental advocacy. Proceeds from the sale of these prints are directed to 350.org, an organization at the forefront of the global movement to address climate change. Such initiatives are emblematic of Fairey's approach to art — one that is not just visually stimulating but also deeply rooted in activism and the broader call to collective action. Through this masterful piece, Shepard Fairey once again reiterates the power of art in shaping conversations, influencing change, and fostering a more conscious global community.

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Interpol NYC Calling Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on White Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "Interpol is one of my favorite bands, and I’ve been lucky enough to collaborate with them throughout the years. My first introduction to them was when I stalked them backstage at Coachella and offered to create art for them if they ever needed it… to my surprise, they knew my work already and decided to take me up on my offer. My first project with Interpol was in 2004, when I created art to follow up their debut album, “Antics.” Ten years later, in 2014, I was approached with another opportunity to create a print and paint a mural for their fifth studio album, “El Pintor.” I’m excited to announce that I’ll be releasing a new print that I created in honor of their upcoming show in New York at Madison Square Garden" -Shepard Fairey- OBEY Shepard Fairey's "Interpol NYC Calling" is a silkscreen print that pays homage to the band Interpol, an act close to the artist's heart. Hand-pulled on white speckletone fine art paper, this 2019 limited edition artwork expresses the symbiotic relationship between street pop art and contemporary music culture. Limited to a series of 550 signed and numbered prints, each piece measures 18x24 inches, echoing the vibrancy of both Fairey's visual language and Interpol's sonic identity. Fairey's connection to Interpol began with a backstage meeting at Coachella, and this piece marks a continuity of collaboration that spans over a decade. His admiration for the band's work translated into the creation of art for their 2004 album "Antics" and their fifth studio album "El Pintor" in 2014. The print captures the energy and atmosphere of their anticipated show at Madison Square Garden, encapsulating the essence of the live music experience within the static medium of print. The print is an example of how street pop art and graffiti artwork intersect with other cultural phenomena, bridging the gap between visual art and music. Fairey's iconic style, characterized by bold lines, a striking color palette, and politically charged imagery, is evident in this print. The central image of the broadcasting tower, surrounded by hypnotic swirls, conveys a sense of communication and dissemination, themes that are recurrent in both Fairey's artwork and Interpol's music. This piece is not just a collectible for fans but a visual dialogue that extends Fairey's exploration of art as a tool for engagement and influence within the urban landscape.

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Long Live The People Silkscreen Print by Edward Nachtrieb x Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb The "Long Live The People" silkscreen print is a collaborative work between Edward Nachtrieb and Shepard Fairey, capturing the essence of protest and the enduring spirit of the people. Hand-pulled with five colors on cream speckletone fine art paper, this limited edition artwork stands as a cultural commentary and a historical reflection on the power of mass protest. The print commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the government's celebration with the civil unrest and pro-democracy protests in Hong Kong. Nachtrieb's photographs from the 1989 Tiananmen Square protests provide a poignant visual foundation for the artwork. Fairey's adaptation into the print medium amplifies the message of resilience and the quest for human rights. This intersection of street pop art and graffiti artwork embodies the artists' shared belief in the impact of collective action and the pursuit of freedom, resonating with contemporary movements for democracy and social justice.

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Floral Takeover 2017 Red Cream Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Red Cream Silkscreen Print" is a significant entry in the oeuvre of Shepard Fairey, an artist whose work is synonymous with the intersection of Street Pop Art and graffiti Artwork. This piece is part of a limited edition of 200, each signed and numbered, denoting its value as a collectible. With dimensions of 18x24 inches, the silkscreen print is substantial enough to make a statement on any wall it adorns. Fairey, with his characteristic OBEY brand, has long been a provocateur, blending commercial art techniques with street art's subversive edge, and this work is a clear example of that fusion. Fairey's approach to creating new patterns for street installations and fine art pieces harks back to his early days when he would use discontinued wallpaper as a backdrop for his work. The transition to designing and printing his patterns demonstrates a progression in his artistic control and the evolution of his signature style. The 'Floral Takeover series showcases the artist's ability to adapt elements traditionally associated with interior design and repurpose them within the context of street art and pop culture. By doing so, Fairey blurs the lines between art as a purely aesthetic commodity and its function as a commentary on societal norms. In this print, Fairey plays with a cream speckle tone fine art paper that gives the work a textured, organic feel, contrasting with the precise and deliberate two-color silkscreen technique. The choice of cream as the base color amplifies the boldness of the red floral pattern, allowing the design to leap off the paper with a vivacity that captures the viewer's eye. The juxtaposition of color and form symbolizes Fairey's work, where contrast often serves as a visual metaphor for broader cultural and political contrasts. Moreover, the 'Floral Takeover' print series reflects Fairey's humor and his recognition of the interplay between art and the commercial world, as hinted at in his playful suggestion to "buy a couch to match." This statement encapsulates the artist's awareness of the commodification of art in pop culture and his role within that process. Through works like this, Fairey continues challenging perceptions of what street art can be, bridging the gap between graffiti's rebel spirit and gallery pieces' polished finish.

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Floral Takeover 2017 Cream Red Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 200 Artwork Size 18x24 Silkscreen Print "I'm always creating new patterns for my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. These look nice as stand-alone prints, not just repeat patterns, so I'm releasing a 200-print edition of four versions. Buy a couch to match… coming soon… just kidding!" -Shepard Fairey- OBEY. The "Floral Takeover 2017 Cream Red Silkscreen Print" is a significant entry in the oeuvre of Shepard Fairey, an artist whose work is synonymous with the intersection of Street Pop Art and graffiti Artwork. This piece is part of a limited edition of 200, each signed and numbered, denoting its value as a collectible. With dimensions of 18x24 inches, the silkscreen print is substantial enough to make a statement on any wall it adorns. Fairey, with his characteristic OBEY brand, has long been a provocateur, blending commercial art techniques with street art's subversive edge, and this work is a clear example of that fusion. Fairey's approach to creating new patterns for street installations and fine art pieces harks back to his early days when he would use discontinued wallpaper as a backdrop for his work. The transition to designing and printing his patterns demonstrates a progression in his artistic control and the evolution of his signature style. The 'Floral Takeover series showcases the artist's ability to adapt elements traditionally associated with interior design and repurpose them within the context of street art and pop culture. By doing so, Fairey blurs the lines between art as a purely aesthetic commodity and its function as a commentary on societal norms. In this print, Fairey plays with a cream speckle tone fine art paper that gives the work a textured, organic feel, contrasting with the precise and deliberate two-color silkscreen technique. The choice of cream as the base color amplifies the boldness of the red floral pattern, allowing the design to leap off the paper with a vivacity that captures the viewer's eye. The juxtaposition of color and form symbolizes Fairey's work, where contrast often serves as a visual metaphor for broader cultural and political contrasts. Moreover, the 'Floral Takeover' print series reflects Fairey's humor and his recognition of the interplay between art and the commercial world, as hinted at in his playful suggestion to "buy a couch to match." This statement encapsulates the artist's awareness of the commodification of art in pop culture and his role within that process. Through works like this, Fairey continues to challenge perceptions of what street art can be, bridging the gap between graffiti's rebel spirit and gallery pieces' polished finish.

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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Don't Be a MFR AP Artist Proof Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. AP Artist Proof 2015 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print. Don't Be A Mother Fucker. Don't Be A MOTHER#*X!! R Respect & Justice. The Provocative Appeal of 'Don't Be a MFR' by Shepard Fairey Shepard Fairey's 'Don't Be a MFR AP' is a bold exemplar in street pop art and graffiti artwork. Fairey, an American artist and provocateur born on February 15, 1970, continues to push the boundaries of art and activism. This particular work, part of an artist-proof (AP) series released in 2015, is characteristic of Fairey's approach to engaging with cultural and societal themes through his art. The hand-pulled 5-color silkscreen print on cream speckle tone paper echoes Fairey's distinctive aesthetic while carrying a strong message of respect and justice. Symbolism and Messaging in 'Don't Be a MFR' The artwork's title, 'Don't Be a MFR,' captures the eye with its intentional censoring, a tactic that allows for a broad interpretation and stirs curiosity. Within the limited edition series of 550, each piece sized at 18x24 inches, Fairey's work resonates with the power of command and the gravity of a public service announcement. The print is decorated with the words' Respect & Justice,' a direct call to action central to much of Fairey's oeuvre. Fairey employs symbols like the skull enveloped in a flower, a duality that speaks to the juxtaposition of life and death, growth and decay, reinforcing the message of the consequences of one's actions. The overall design is reminiscent of emblems and seals, often associated with authority and institutions, which Fairey repurposes to deliver his socio-political commentary. The choice of bold, angular graphics, in conjunction with the roundness of the emblematic seal, displays the tension between disruption and order, a recurrent theme in street pop art. Impact on Street Pop Art and Cultural Discourse The 'Don't Be a MFR' series exemplifies the potential of street pop art to serve as a medium for societal reflection and critique. The use of a public vernacular and the direct address to the viewer exemplify Fairey's commitment to making art accessible and demanding attention. Each print in the series, bearing Fairey's signature, is a testament to the belief that art should not shy away from controversy but rather confront and challenge the viewer. This piece, in particular, adds to the rich tapestry of graffiti artwork that has historically been used to communicate messages to a broad audience, often bypassing traditional media and institutional spaces. Fairey's work is a modern-day manifestation of this tradition, utilizing the urban canvas to prompt a public introspection on issues of respect and justice. The artwork serves not just as a visual spectacle but as a catalyst for conversation and, ideally, for action. Shepard Fairey and the Continuum of Artistic Activism Shepard Fairey's 'Don't Be a MFR' continues the artist's enduring legacy in art and activism. Residing in Los Angeles, California, Fairey remains a significant influence, harnessing the vibrancy of street pop art to voice his dissent and mobilize public sentiment. His work is anchored in the belief that art is a powerful change agent capable of inspiring individuals to think critically about the world around them. This particular silkscreen print carries the OBEY logo, an integral aspect of Fairey's brand, which doubles as a command and a critique of authoritarian tendencies. The artwork's appeal lies in its ability to be aggressive and reflective at once, pushing observers to consider their role in maintaining or disrupting social justice. Fairey's dedication to the intersection of art and societal issues solidifies his position as an artist and a significant cultural instigator in contemporary times.

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