Singer & Singing

Frank Sinatra Fondly Limited Edition Hand-Embellished Oil Paint HPM Silkscreen Print on Canvas by Steve Kaufman SAK Graffiti Street Artist Modern Pop Art. 2005 Signed Frank Sinatra Fondly HPM Serigraph Print by Steve Kaufman SAK

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Geant Serigraph Print by Linda Le Kinff Limited Edition Hand Pulled Artwork on Wove Fine Art Paper Modern Street Graffiti Pop Artist. 2006 Signed & Numbered Limited Edition of 350 Artwork Size 9x10.5 Blond Women  Classical Opera Singer & Violist Orchestra Performance. Linda Le Kinff's "Geant" Serigraph: A Modern Art Marvel Linda Le Kinff's "Geant" emerges as a vibrant serigraph that captures the essence of modern street graffiti and pop art. This 2006 signed and numbered limited edition of 350 pieces, measuring 9x10.5 inches, is a testament to Le Kinff's mastery over the serigraphic process and her ability to convey complex human emotions through bold, colorful imagery. Crafted on wove fine art paper, "Geant" reflects the artist's deep engagement with the aesthetics of modern art and her commitment to producing works that resonate with the energy and spirit of contemporary urban culture. Transcending Boundaries with "Geant" Linda Le Kinff's "Geant" represents a unique fusion of traditional serigraphic techniques with the thematic boldness typically found in street and pop art. The artwork features a dynamic composition that draws the viewer into an intimate moment shared between figures, rendered with an elegance and fluidity that belies the typically rough-hewn nature of street art. Le Kinff's choice of colors and her precise application of ink speak to the influence of graffiti art's spontaneity and pop art's fascination with the spectacle of daily life. The Impact of Linda Le Kinff's Artistic Vision The serigraph "Geant" stands as a pivotal piece in Linda Le Kinff's oeuvre, encapsulating the artist's innovative approach to creating modern art that is accessible and emotionally impactful. Her work does not simply hang on a gallery wall but interacts with the space and the onlooker, inviting interpretation and introspection. The limited edition nature of "Geant" further emphasizes the value placed on each piece, ensuring that every print is not just a reproduction but a unique work of art in its own right. Linda Le Kinff's "Geant" celebrates modern street graffiti and pop art, showcasing the artist's ability to blend classic artistry with contemporary themes. Her work inspires and captivates audiences, securing her place as a significant figure in the modern art world.

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Mog Moog Limited Edition 4-Color Hand-Pulled Silkscreen Print on Art Print by Artist Clint Wilson. 2010 Signed & Numbered Limited Edition of 150 Artwork Size 18x24

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Kaleidopop 7- Pink Yellow 6-Color Mixed Edition Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Tim Oliveira Rare Street Art Famous Pop Artwork Artist. ME Mixed Edition Print, The Prints Vary In Color Through The Numbers of The Edition. "Kaleidopop" - Variant Edition Print #7/11 Free Shipping to anywhere in the USA Tribute to actress June Haver Edition size: 11 prints Print size: 24" x 30" All prints in the edition are unique with a different split fountain background and will never be reproduced, signed and numbered.

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Don't Stop The Rock Limited Edition Archival Pigment Fine Art Prints on 290gsm Moab Rag Fine Art Paper by Graffiti Street Art and Pop Culture Artist Ckaweeks. Ckaweeks is one part of the ingredients that make up this melting pot called Hawai’i. His art depicts playful and sometimes humorous images influenced by day-to-day life. It is a mash-up of life experiences from the past, present, and future.

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Curt Wild 73 Tour 2011 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Music group Curt Wild from the movie Velvet Goldmine.

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Brian Slade 73 Tour 2011 Movie Music Limited Edition Gig Poster 3-Color Hand-Pulled Silkscreen Print Artwork on Pink Fine Art Paper by Jeremy Wheeler. Music group Brian Slade from the movie Velvet Goldmine.

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Sing It, One More Time Limited Edition Archival Pigment Fine Art Prints on 290gsm Natural White Fine Art Paper by Graffiti Street Art and Pop Culture Artist William Schaff. 2013 Signed & Dated Limited Edition of 50 Artwork Size 7x5 William Schaff's "Sing It, One More Time" is a poignant piece that encapsulates the evocative storytelling inherent in street pop art and graffiti artwork. The limited edition archival pigment fine art prints on 290gsm natural white fine art paper, sized at 7x5 inches, present a profoundly emotional narrative conveyed through Schaff's intricate linework and thoughtful composition. This edition, limited to 50 signed and dated prints from 2013, exemplifies Schaff's mastery of creating art that speaks to the human condition. The artwork features two central figures, one appearing to whisper into the other's ear, with textual ribbons that plead for one more song for the sake of unity and remembrance. The red heart on the sleeve of the whispering figure symbolizes the passion and sincerity behind the words. At the same time, the phrase "Once for everyone who got left behind" adds a layer of inclusivity and compassion to the piece. Schaff's ability to convey complex emotions through simple yet powerful imagery sets his work apart in contemporary art. Schaff's choice of eco-friendly materials, a fine art paper made from bamboo fibers and cotton, aligns with the street art tradition of being conscious about the environment and sustainability. The paper's natural texture complements the image's organic quality, grounding the artwork in a tactile reality that viewers can connect with. This attention to material choice further demonstrates Schaff's commitment to his craft and the principles underlying street pop art and graffiti - authenticity, connection, and responsible creation. "Sing It, One More Time" goes beyond the visual to evoke a sense of solidarity and shared humanity. It is a clarion call to remember those who may have been forgotten and to give voice to the voiceless. Through this print, Schaff contributes to the narrative of street pop art as a medium that beautifies spaces and carries potent messages that resonate with individuals from all walks of life. This work is a testament to Schaff's role as an artist who bridges the worlds of music, culture, and visual art, creating pieces that linger in the mind long after the initial viewing.

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Friendship and Support- Gold 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2011 Signed & Numbered Screen Print Friendship and Support (Gold), 2011 Screenprint in colors on speckled cream paper 18x24 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered, and dated in pencil along the lower edge Published by Obey Giant, Los Angeles Due to the enormous popular demand for “Friendship & Support” released last week, we are excited to announce a second colorway at the request of the Harrison Foundation! “Friendship and Support – Gold” supporting UNICEF!

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Let There Be Dark Red Silkscreen Print by Shepard Fairey- OBEY x Niagara Hand-Pulled 3-Color on 320gsm Natural Coventry Rag Vellum Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2019 Signed & Numbered Limited Edition of 150 Artwork Size 24x18 Silkscreen Print "I chose an image of Ron and Niagara where I think they both look amazing, but there was a nice balance between in-your-face aggression with Ron's pose making eye contact, holding his fist up, and Niagara's seemingly demure embrace of Ron, but anyone who knows Niagara understands that though she may look sedate, she's pulling the strings. I added a switchblade that she is caressing with her finger, as a way to amplify her femme fatale chic, and because I thought it lent itself to my original idea of a title 'Bonnie & Clyde Were Lightweights'" -Shepard Fairey- OBEY Exploring the Bold Realms of "Let There Be Dark" by Shepard Fairey: A Street Pop Art Icon Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is a striking embodiment of the symbiotic relationship between street pop art and contemporary visual culture. This limited edition piece, created in collaboration with Niagara, is a visual narrative encapsulating the energy and subversive undercurrents that course through this artistic movement. As a hand-pulled 3-color print on 320gsm Natural Coventry Rag Vellum fine art paper, it stands as a testament to Fairey's mastery over the medium and his unwavering commitment to pushing the boundaries of street art into the delicate art sphere. Produced in 2019, the artwork is part of a highly exclusive series, with only 150 signed and numbered editions available. The dimensions of the artwork, 24x18 inches, are significant not only for their visual impact but also for their ability to draw the viewer into the confrontational yet poised dynamic that defines the composition. Fairey's choice of subjects, Ron and Niagara, is particularly telling; their depictions are rendered with a stark contrast of black, white, and a commanding red, highlighting their iconic stances and the charged atmosphere they embody. Fairey's narrative intention behind "Let There Be Dark" is as compelling as the visual force of the artwork. In his words, he captures the essence of Ron and Niagara's personas, juxtaposing Ron's aggressive frontality with Niagara's seemingly delicate yet cunning disposition. The addition of a switchblade subtly caressed by Niagara adds a layer of danger and a nod to the femme fatale archetype. This imagery is not merely decorative; it is a deliberate act to challenge and subvert the viewer's expectations, a hallmark of Fairey's style that has cemented his place in street pop art and graffiti artwork. The title, "Let There Be Dark," invites interpretation, playing on the biblical phrase "Let there be light," suggesting a reversal or an embrace of shadow and complexity over simplicity and illumination. This reversal is symbolic of the more significant cultural critique often found in Fairey's work, where the binaries of good and evil, light and dark, are not just questioned but also deconstructed. Beyond the visual and thematic layers, the print's collectibility is further enhanced by its fine art attributes. The use of Coventry Rag Vellum fine art paper, known for its durability and smooth texture, ensures that the colors' vibrancy and the lines' precision remain intact over time. The paper choice reflects Fairey's nuanced understanding of materials and their role in elevating street art to OK art status. Shepard Fairey's "Let There Be Dark Red Silkscreen Print" is an authentic representation of the spirit of street pop art. It bridges the gap between street art's raw expressiveness and silkscreen printing's calculated precision. With its limited edition status and the artist's signature, the print is not just a piece of art; it is a cultural artifact that captures the pulse of contemporary society and the ongoing dialogue between street art and the mainstream art world. It is a vivid example of how street pop art continues to shape and influence our visual language and cultural conversations.

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My Rules Silkscreen Print by Glen E Friedman Hand-Pulled on Fine Art Paper Limited Edition Artwork. 2004 Signed & Numbered Limited Edition of 200 Artwork Size 16x20 Silkscreen Print Glen E. Friedman's My Rules: A Testament to Street Pop Art & Graffiti Artwork Glen E. Friedman's "My Rules" silkscreen print is a visual manifesto that embodies the spirit of street pop art and graffiti artwork. This 16x20 limited edition print, part of a series of 200 signed and numbered editions, captures the raw energy and DIY ethos of the underground punk and skateboarding scenes. Published in 2004 on the occasion of the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibition, the artwork is a testament to the profound influence of subcultures on mainstream art and society. The photozine format of "My Rules," with its collage of expressive faces and anarchic energy, speaks to the rebellious heart of street culture. Friedman, a seminal figure in the documentation of punk, skateboarding, and hip-hop subcultures, uses the silkscreen print to transcend the temporality of the zine medium, cementing its contents in the annals of art history. The work is not just an object to be admired but a historical document that captures the zeitgeist of a pivotal moment in cultural history. The Significance of "My Rules" in the Evolution of Street Art The significance of "My Rules" in the evolution of street art is manifold. The artwork bridges the ephemeral nature of street culture and the permanence of fine art. By translating the dynamic imagery of his photography into the medium of silkscreen print, Friedman elevates the transient moments captured in his photographs to the status of high art. This elevation is a commentary on the value of street culture and its unwavering influence on contemporary aesthetics. Friedman's work has always been about more than just documenting subcultures; it is about understanding and conveying the underlying messages of defiance, creativity, and freedom that these movements embody. "My Rules" encapsulates this understanding, presenting the viewer with a raw and unfiltered look at the individuals who define these movements. The faces and moments he captures are not passive; they are charged with an energy that demands engagement and recognition. Provenance and Cultural Impact of "My Rules" The provenance of "My Rules" is rooted in the Beautiful Losers Archive and Iconoclast Editions, collections that celebrate the work of artists who have profoundly impacted the dialogue between street culture and fine art. These institutions are custodians of a history that might otherwise have been overlooked, preserving the artifacts of street culture's incursion into the art world. "My Rules," as part of these collections, is a piece that not only reflects the history of street art but also contributes to its ongoing narrative. The cultural impact of "My Rules" and the work of Glen E. Friedman is far-reaching. The print and its exhibition have played a crucial role in shaping perceptions of street art, demonstrating its depth and complexity. Street pop art and graffiti artwork, often relegated to the peripheries of the art world, are brought to the forefront through Friedman's lens, asserting their place as vital components of contemporary art discourse. Through "My Rules," Friedman challenges the art establishment, questions the boundaries of art, and celebrates the indomitable spirit of street culture. The artwork stands as a reminder of the power of visual documentation in capturing and preserving the essence of cultural movements. In the hands of Glen E. Friedman, the camera is as much a tool for creating art as it is for recording it, and "My Rules" is a vibrant illustration of this dual capability. The print is not just a reflection of a bygone era but a beacon for future generations to understand the cultural undercurrents that have shaped and will continue to shape the world of art and expression.

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