Virus

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  • Social Distancing Archival Print by Ben Frost

    Ben Frost Social Distancing Archival Print by Ben Frost

    Social Distancing Simpsons Archival Pigment Fine Art Limited Edition Print on 310gsm Bauhaus Cotton Rag Paper by Artist Ben Frost, Street Pop Art Graffiti. 2020 Signed & Numbered Limited Edition of 40 Artwork Size 12x12. Ben Frost (b. 1975) Social Distancing, 2020 Archival digital print on Bauhaus Cotton Rag Stock paper 12 x 12 inches (30.5 x 30.5 cm) (sheet) Ed. 40 is signed and numbered in pencil along the lower edge and published by the artist. Intersecting Pop Culture and Social Commentary Ben Frost's "Social Distancing Simpsons" archival pigment fine art print is a piercing examination of contemporary society through the lens of street pop art and graffiti. This limited edition print, numbered and signed, reflects Frost's unique and often controversial approach to his art, blending pop culture icons with subversive messaging. Created in 2020, "Social Distancing Simpsons" is a compelling artwork set against the backdrop of a global pandemic, a time when social distancing became a ubiquitous part of life. By incorporating a familiar character from "The Simpsons," Frost taps into the collective consciousness and comments on the impact of societal changes on popular culture. The choice of using archival digital print on Bauhaus Cotton Rag Stock paper, a high-quality material, ensures that the vibrancy of the piece and the precision of its details are preserved. The image of the Simpson's character juxtaposed with a pharmaceutical label indicates Frost's style, often involving the fusion of disparate elements to create a jarring yet thought-provoking visual statement. This 12 x 12 inches print is a perfect square that captures the essence of Frost's artistic statement: a critique of consumerism, mental health, and the pharmaceutical industry. Ben Frost's Signature Style Frost's work is characterized by his unflinching willingness to confront and challenge viewers with uncomfortable truths about modern life. In "Social Distancing Simpsons," the collision of the cartoon world with the stark reality of medication speaks to a generation that finds solace in nostalgia while grappling with present-day anxieties. With its limited edition of 40, the artwork becomes a collector's piece, a snapshot of an era defined by isolation and the search for connection. Reflection of Street Pop Art and Graffiti Frost's art is a reflection of street pop art and graffiti in its directness and its utilization of visual language that is immediate and accessible. Incorporating street art aesthetics into fine art prints blurs the lines between high art and more democratic expressions in urban environments. "Social Distancing Simpsons" is a testament to the power of this genre to communicate beyond words, offering a visual critique that is both universal and deeply personal. In summary, "Social Distancing Simpsons" by Ben Frost is more than just an artwork; it is a commentary on the times, a mirror held up to the complexities and contradictions of contemporary life. Through his expert blending of pop culture references with cutting social commentary, Frost solidifies his place as a significant voice in street pop art and graffiti artwork. This piece, in particular, stands as a poignant reminder of 2020, capturing the essence of a moment that has left an indelible mark on society.

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    $633.00

  • Josh Has Dysentery Original Arcylic Painting by J-Flood

    J-Flood Josh Has Dysentery Original Arcylic Painting by J-Flood

    Josh Has Dysentery Original One of a Kind Acrylic Painting Artwork on Stretched Canvas by Popular Street Graffiti Artist J-Flood. 2010 Original Painting Signed in Verso 24x10 Some light hairline cracking

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    $438.00

  • Sick Icky Mouse Giclee Print by Brandon Sopinsky

    Brandon Sopinsky Sick Icky Mouse Giclee Print by Brandon Sopinsky

    Sick Icky Mouse Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky. Sick Icky Mouse by Brandon Sopinsky- A ghastly play n Disney's Mickey Mouse, this creature's skull is bared raw as his fur turns a sickly green. Limited edition Giclée art print artwork by famous artist Brandon Sopinsky.

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    $129.00

  • Marvin is Sick Giclee Print by Brandon Sopinsky

    Brandon Sopinsky Marvin is Sick Giclee Print by Brandon Sopinsky

    Marvin is Sick Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky.

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    $129.00

  • Trivaac Inhalation Vaccine HPM Spray Paint Can Sculpture by by Eddie Colla Trivaac Inhalation Vaccine HPM Spray Paint Can Sculpture by by Eddie Colla

    Eddie Colla Trivaac Inhalation Vaccine HPM Spray Paint Can Sculpture by by Eddie Colla

    Trivaac Inhalation Vaccine HPM Hand Made Limited Edition Mixed Media, Reclaimed Items, Spray Can Sculpture Artwork by graffiti street artist modern pop artist Eddie Colla. 2020 Signed & Numbered HPM Made & Printed Limited Edition of 30 Spray Paint Can Sculpture Artwork. These Are Art Pieces, They Are Not Medical Devices. "I originally made these fake inhalation vaccines as props for two installations I did with D Young V, Epilogue, and Memento Mori. The installations revolved around apocalyptic possibilities. These recycled Spray paint cans were meant to be discarded inhalation vaccines that the World Health Organization had distributed during a global pandemic. The labels contain information about application dosage and active ingredients. I did a lot of research regarding previous pandemics, such as H1N1 (bird flu). The idea was to create an artifact as real as possible to resemble a failed attempt to contain a global pandemic." Eddie Colla Artistic Representation of Global Pandemics Eddie Colla's "Trivaac Inhalation Vaccine" mixed media artworks reflect a hauntingly prescient take on global health crises through the lens of Street Pop Art and graffiti Artwork. This limited edition series, consisting of only 30 signed and numbered pieces, incorporates reclaimed items and spray paint cans to form sculptures that stand as poignant artifacts of apocalyptic possibilities. Created as part of two installations with fellow artist D Young V, "Epilogue" and "Memento Mori," Colla's sculptures were designed to represent discarded inhalation vaccines distributed by the World Health Organization during a fictional global pandemic. These installations explored themes of human vulnerability, societal collapse, and the interventions that come into play during such catastrophic events. The sculptures themselves, crafted to mimic the appearance and informational detail of real medical devices, resonate with the realism and urgency of a world grappling with the threat of pandemics. Colla's meticulous research into previous health crises, such as H1N1, informed the creation of this spray can sculpture. The labels on each canister are detailed with application dosage and active ingredients, contributing to the authentic feel of the pieces. This attention to detail not only enhances the visual impact of the sculptures but also embeds a narrative that ties them to the real-world context of public health emergencies. Cultural Commentary through Mixed Media The "Trivaac Inhalation Vaccine" sculptures starkly comment on the intersection of art, science, and societal response to global health challenges. By using reclaimed spray paint cans, Colla repurposes the mundane and aligns his work with the ethos of recycling and sustainability. These themes are increasingly relevant in contemporary discourse. These sculptures transform the spray can, a ubiquitous tool in street art, into a vessel of deeper meaning, reflecting on the throwaway culture and the implications of medical waste. This body of work also questions the efficacy and accessibility of healthcare interventions, highlighting the disparity between the intended purpose of medical devices and their actual implementation in crisis scenarios. Colla's sculptures suggest a history of use and urgency when these objects were vital to survival. The limited edition nature of these pieces emphasizes their uniqueness as artworks while alluding to the scarcity of resources that can occur in times of crisis. Street Pop Art & Graffiti Artwork's Evocative Power Eddie Colla's contribution to Street Pop Art and graffiti Artwork is characterized by his ability to evoke robust responses through objects that bridge art and reality. His sculptures are not passive objects; they are conversation starters that prompt viewers to think critically about the state of the world and our responses to impending dangers. In the tradition of street art, these works are accessible yet complex, visually striking yet laden with meaning. The "Trivaac Inhalation Vaccine" series underscores the evocative power of street pop art and graffiti to comment on and engage with current events. Through this series, Colla extends the narrative capabilities of street art beyond the walls and into the three-dimensional realm, offering a tangible connection to the issues that permeate our collective consciousness. In essence, Eddie Colla's "Trivaac Inhalation Vaccine" sculptures embody the innovative and reflective qualities of Street Pop Art and graffiti Artwork. By blending art with societal critique elements, Colla captures the imagination and ignites discourse, cementing his role as an artist who observes and participates in the broader conversations of our time. His work is a reminder of art's impact on interpreting, understanding, and questioning the world around us.

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    $336.00

  • Sanctuary Archival Print by J.A.W. Cooper

    J.A.W. Cooper Sanctuary Archival Print by J.A.W. Cooper

    Sanctuary Limited Edition Archival Pigment Prints on 310gsm Museum Natural Fine Art Paper by J.A.W. Cooper Graffiti Street Artist Modern Pop Art. "Sanctuary was created in 2013 as part of my solo show "Laid Bare" which explored vulnerability as both a source of strength and discomfort. The setting for the piece is of personal significance, a verdant cave at the top of a waterfall in Big Sur. This cave is full of stacked rocks left by previous visitors though in all of my visits I never encountered anyone inside, and so it has the air of a place of significance for many people traveling along parallel lines but not intersecting. The purpose of a "sanctuary" is to provide asylum in a time of stress or danger and this cave gave me peace at a time when I was letting go of one facet of my life and fostering the growth of a new one; the severed stag head and the fawn." - J.A.W. Cooper

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    $209.00

Virus Covid 19 Graffiti Street Pop Artwork

Viral Imagery in Street Pop Art & Graffiti Artwork

When the topic of viruses infiltrates the realm of street pop art and graffiti artwork, it often carries a weight that transcends biological implications, embedding itself into society's cultural and social fabric. Street artists have, for decades, utilized the symbol of the virus to represent ideas of contagion beyond the literal, spreading messages as swiftly and potently as any pathogen. In the hands of a street artist, the image of a virus becomes a metaphor for spreading ideas, a tool for social commentary, or a critique of how information, trends, and even fear can increase in a society. This is especially palpable in urban environments where the high visibility of street art ensures the rapid dissemination of its intended message, akin to the infectious spread of a biological virus. As a subject in street pop art, the virus often takes on a stylized aesthetic, sometimes with vibrant colors and bold outlines, other times with a more sinister edge, alluding to its ominous implications.

Sociopolitical Commentary through Viral Street Art

The integration of viral motifs in street pop art frequently surfaces during sociopolitical unrest or health crises, as artists take to the streets to reflect the populace's mood. The artistic representations can vary from literal depictions of viruses to more abstract interpretations, symbolizing the pervasive nature of particular ideologies or social phenomena. In this context, a virus becomes a powerful symbol of the moment, capturing the unease, the uncertainty, and sometimes the resilience of the human spirit in the face of widespread challenges. Graffiti artists like Banksy have incorporated viral elements to underscore issues such as consumerism, surveillance, and inequality. The viral aspect often symbolizes how quickly these societal issues can spread and affect populations, suggesting a need for awareness and a call to action. The anonymity and speed with which graffiti art appears to mirror the stealth and swiftness of a viral outbreak, making the medium a metaphor for viral spread.

Street Art as a Cultural Virus

Beyond serving as a symbol for commentary, street pop art and graffiti act as cultural viruses, utilizing the strategies of replication and mutation to evolve and adapt to new environments. As a biological virus attaches to a host cell, street art latches onto public spaces, replicates through the sharing of images, and mutates as it is interpreted and reinterpreted by diverse audiences. This viral nature of street art is amplified in the digital age, where millions can instantly share and see a single piece of artwork, its impact magnified, and its lifespan extended far beyond that of its physical existence. Street art can go 'viral' online in hours, its message increasing through social media platforms, reaching an audience vast in size and scope. The artists behind such works, from Keith Haring's iconic figures to Shepard Fairey's Obey Giant campaign, understand the power of this virality. They craft their images to hook the viewer's attention and deliver a message that sticks, replicating how a virus implants itself into a host. Whether commenting on political issues, human rights, environmental concerns, or the art world, these artists ensure their work is infectious metaphorically, engaging the public consciousness and spreading their vision far and wide. To discuss street pop art and graffiti artwork in terms of viruses is to recognize the potent potential of visual art to affect minds and hearts, to spread from one person to another, carrying with it ideas that challenge, inspire, and provoke. Whether through a stenciled image hastily sprayed onto an alleyway wall or a meticulously planned mural covering the side of a building, the artist's plant seeds can flourish into movements, changing the landscape of our physical and mental environments. The art becomes a carrier of messages, a catalyst for change, and a beacon for collective experience, embodying the very characteristics of the viral entities it often depicts.

© 2024 Sprayed Paint Art Collection,

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