LivEvil Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Van Saro & John Park Graffiti Street Artist Modern Pop Art.
"This piece was the fourth or fifth collab that we did together. The themes varied but the composition stayed pretty consistent with Van’s beautifully painted figures anchoring my background colors and support characters. The quote provided by Van is from the Buddah. We had been staying pretty consistent with the compositions of our collabs, usually with one of Van’s oil figures left of center anchoring the piece while I handled the background color composition and added support characters. I don’t think we discussed anything before starting." - John Park
Not By Victory Limited Edition Hand-Embellished Screen Print & Mixed Media on Cradled Wood Panel by Eddie Colla Graffiti Street Artist Modern Pop Art.
Since 2005, his wheatpastes and stencils can be found throughout public spaces in the Bay Area, Los Angeles, and Miami. Eddie's work first began to garner national recognition when his street art began incorporating images of Barack Obama throughout the 2008 Presidential election. His growing popularity landed him attention on internet blogs, features in six published books, and participation in the "Manifest Hope Art Gallery" shows at the 2008 Democratic National Convention and at the Presidential Inauguration in Washington D.C. His designs have been transformed many times over, from stickers, album and magazine covers.
Viral Imagery in Street Pop Art & Graffiti Artwork
When the topic of viruses infiltrates the realm of street pop art and graffiti artwork, it often carries a weight that transcends biological implications, embedding itself into society's cultural and social fabric. Street artists have, for decades, utilized the symbol of the virus to represent ideas of contagion beyond the literal, spreading messages as swiftly and potently as any pathogen. In the hands of a street artist, the image of a virus becomes a metaphor for spreading ideas, a tool for social commentary, or a critique of how information, trends, and even fear can increase in a society. This is especially palpable in urban environments where the high visibility of street art ensures the rapid dissemination of its intended message, akin to the infectious spread of a biological virus. As a subject in street pop art, the virus often takes on a stylized aesthetic, sometimes with vibrant colors and bold outlines, other times with a more sinister edge, alluding to its ominous implications.
Sociopolitical Commentary through Viral Street Art
The integration of viral motifs in street pop art frequently surfaces during sociopolitical unrest or health crises, as artists take to the streets to reflect the populace's mood. The artistic representations can vary from literal depictions of viruses to more abstract interpretations, symbolizing the pervasive nature of particular ideologies or social phenomena. In this context, a virus becomes a powerful symbol of the moment, capturing the unease, the uncertainty, and sometimes the resilience of the human spirit in the face of widespread challenges. Graffiti artists like Banksy have incorporated viral elements to underscore issues such as consumerism, surveillance, and inequality. The viral aspect often symbolizes how quickly these societal issues can spread and affect populations, suggesting a need for awareness and a call to action. The anonymity and speed with which graffiti art appears to mirror the stealth and swiftness of a viral outbreak, making the medium a metaphor for viral spread.
Street Art as a Cultural Virus
Beyond serving as a symbol for commentary, street pop art and graffiti act as cultural viruses, utilizing the strategies of replication and mutation to evolve and adapt to new environments. As a biological virus attaches to a host cell, street art latches onto public spaces, replicates through the sharing of images, and mutates as it is interpreted and reinterpreted by diverse audiences. This viral nature of street art is amplified in the digital age, where millions can instantly share and see a single piece of artwork, its impact magnified, and its lifespan extended far beyond that of its physical existence. Street art can go 'viral' online in hours, its message increasing through social media platforms, reaching an audience vast in size and scope. The artists behind such works, from Keith Haring's iconic figures to Shepard Fairey's Obey Giant campaign, understand the power of this virality. They craft their images to hook the viewer's attention and deliver a message that sticks, replicating how a virus implants itself into a host. Whether commenting on political issues, human rights, environmental concerns, or the art world, these artists ensure their work is infectious metaphorically, engaging the public consciousness and spreading their vision far and wide. To discuss street pop art and graffiti artwork in terms of viruses is to recognize the potent potential of visual art to affect minds and hearts, to spread from one person to another, carrying with it ideas that challenge, inspire, and provoke. Whether through a stenciled image hastily sprayed onto an alleyway wall or a meticulously planned mural covering the side of a building, the artist's plant seeds can flourish into movements, changing the landscape of our physical and mental environments. The art becomes a carrier of messages, a catalyst for change, and a beacon for collective experience, embodying the very characteristics of the viral entities it often depicts.
