Virus

Denial- Daniel Bombardier Covid No 19 Rose Archival Print by Denial- Daniel Bombardier

Covid No 19- Rose Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Rose Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

Read more less

$343.00
Denial- Daniel Bombardier Covid No 19 Orange Archival Print by Denial- Daniel Bombardier

Covid No 19- Orange Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Orange Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial has evolved as one the most prominent figures of contemporary pop artists, who nonetheless, continue to stay relevant and is interested in generating thought-provoking commentary. He has a long history of exploring the boundaries of appropriation, which he uses as a means of subverting the value of cultural products, imprinted in the collective memory of the Western civilization. His work, in other words, is inviting the viewer to re-imagine our dystopian society as a way of confronting it, with humor and irony as the biggest tools of the artist.

Read more less

$343.00
Denial- Daniel Bombardier Covid No 19 Verte Archival Print by Denial- Daniel Bombardier

Covid No 19- Verte Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Verte Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

Read more less

$343.00
Denial- Daniel Bombardier Covid No 19 Juane Archival Print by Denial- Daniel Bombardier

Covid No 19- Juane Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Juane Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

Read more less

$343.00
Denial- Daniel Bombardier Covid No 19 Mauve Archival Print by Denial- Daniel Bombardier

Covid No 19- Mauve Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Mauve Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Denial’s art is strongly political and social since the artist takes specific positions against issues, such as capitalism, consumer culture, and advertisements. More importantly, the artist is aware of his choices and motivations: “I like to think of myself as activist pop art. How I relate with cartoons and graphics is a lot easier than I do with photo-realistic stuff" Another aspect of Denial's work is humor. His work is satirical, which, by definition, means that it uses humor as a confronting mechanism.

Read more less

$343.00
Denial- Daniel Bombardier Covid No 19 Rouge Archival Print by Denial- Daniel Bombardier

Covid No 19- Rouge Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Rouge Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

Read more less

$343.00
Denial- Daniel Bombardier Covid No 19 Bleue Archival Print by Denial- Daniel Bombardier

Covid No 19- Bleue Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Bleue Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

Read more less

$343.00
Denial- Daniel Bombardier Covid No 19 Sarcelle Archival Print by Denial- Daniel Bombardier

Covid No 19- Sarcelle Limited Edition Archival Pigment Print on 290gsm MOAB Fine Art Paper by Graffiti Pop Art and Street Artist Denial. Sarcelle Covid19 Chanel Hand Sanitizer Virus Variant. Numbered, Signed, Stamped on Reverse. Edition of 19 Archival Pigment Print on MOAB Fine Art Paper 290 GSM Size 18" x 24" Essentially, Denial is satirizing the reality, which both he and us are experiencing, through some of the Western culture’s most emblematic symbols. Denial is utilizing cultural products with the intention to make a statement against the system, which gave birth to them. As a result, he re-contextualizes them and transforms them from commercial products to his cultural legacy.

Read more less

$343.00
Denial- Daniel Bombardier Groundhog Day 731 Archival Print by Denial- Daniel Bombardier

Groundhog Day 731 Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Denial, Street Pop Art Graffiti Legend. 2022 Signed Limited Edition of 25 18x24. February 2 2020 Everyday Covid Lies With Bill Murray As A Reporter Based On The Movie.

Read more less

$343.00

Viral Imagery in Street Pop Art & Graffiti Artwork

When the topic of viruses infiltrates the realm of street pop art and graffiti artwork, it often carries a weight that transcends biological implications, embedding itself into society's cultural and social fabric. Street artists have, for decades, utilized the symbol of the virus to represent ideas of contagion beyond the literal, spreading messages as swiftly and potently as any pathogen. In the hands of a street artist, the image of a virus becomes a metaphor for spreading ideas, a tool for social commentary, or a critique of how information, trends, and even fear can increase in a society. This is especially palpable in urban environments where the high visibility of street art ensures the rapid dissemination of its intended message, akin to the infectious spread of a biological virus. As a subject in street pop art, the virus often takes on a stylized aesthetic, sometimes with vibrant colors and bold outlines, other times with a more sinister edge, alluding to its ominous implications.

Sociopolitical Commentary through Viral Street Art

The integration of viral motifs in street pop art frequently surfaces during sociopolitical unrest or health crises, as artists take to the streets to reflect the populace's mood. The artistic representations can vary from literal depictions of viruses to more abstract interpretations, symbolizing the pervasive nature of particular ideologies or social phenomena. In this context, a virus becomes a powerful symbol of the moment, capturing the unease, the uncertainty, and sometimes the resilience of the human spirit in the face of widespread challenges. Graffiti artists like Banksy have incorporated viral elements to underscore issues such as consumerism, surveillance, and inequality. The viral aspect often symbolizes how quickly these societal issues can spread and affect populations, suggesting a need for awareness and a call to action. The anonymity and speed with which graffiti art appears to mirror the stealth and swiftness of a viral outbreak, making the medium a metaphor for viral spread.

Street Art as a Cultural Virus

Beyond serving as a symbol for commentary, street pop art and graffiti act as cultural viruses, utilizing the strategies of replication and mutation to evolve and adapt to new environments. As a biological virus attaches to a host cell, street art latches onto public spaces, replicates through the sharing of images, and mutates as it is interpreted and reinterpreted by diverse audiences. This viral nature of street art is amplified in the digital age, where millions can instantly share and see a single piece of artwork, its impact magnified, and its lifespan extended far beyond that of its physical existence. Street art can go 'viral' online in hours, its message increasing through social media platforms, reaching an audience vast in size and scope. The artists behind such works, from Keith Haring's iconic figures to Shepard Fairey's Obey Giant campaign, understand the power of this virality. They craft their images to hook the viewer's attention and deliver a message that sticks, replicating how a virus implants itself into a host. Whether commenting on political issues, human rights, environmental concerns, or the art world, these artists ensure their work is infectious metaphorically, engaging the public consciousness and spreading their vision far and wide. To discuss street pop art and graffiti artwork in terms of viruses is to recognize the potent potential of visual art to affect minds and hearts, to spread from one person to another, carrying with it ideas that challenge, inspire, and provoke. Whether through a stenciled image hastily sprayed onto an alleyway wall or a meticulously planned mural covering the side of a building, the artist's plant seeds can flourish into movements, changing the landscape of our physical and mental environments. The art becomes a carrier of messages, a catalyst for change, and a beacon for collective experience, embodying the very characteristics of the viral entities it often depicts.

9 artworks

Denial- Daniel Bombardier Covid No 19 Rose Archival Print by Denial- Daniel Bombardier

Denial- Daniel Bombardier Covid No 19 Orange Archival Print by Denial- Daniel Bombardier

Denial- Daniel Bombardier Covid No 19 Verte Archival Print by Denial- Daniel Bombardier

Denial- Daniel Bombardier Covid No 19 Juane Archival Print by Denial- Daniel Bombardier

Denial- Daniel Bombardier Covid No 19 Mauve Archival Print by Denial- Daniel Bombardier

Denial- Daniel Bombardier Covid No 19 Rouge Archival Print by Denial- Daniel Bombardier

Denial- Daniel Bombardier Covid No 19 Bleue Archival Print by Denial- Daniel Bombardier

Denial- Daniel Bombardier Covid No 19 Sarcelle Archival Print by Denial- Daniel Bombardier

Denial- Daniel Bombardier Groundhog Day 731 Archival Print by Denial- Daniel Bombardier

Viral Imagery in Street Pop Art & Graffiti Artwork

Sociopolitical Commentary through Viral Street Art

Street Art as a Cultural Virus