Weapon

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  • Wretch I Created AP Silkscreen Print by Bernie Wrightson

    Bernie Wrightson Wretch I Created AP Silkscreen Print by Bernie Wrightson

    Wretch I Created Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

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    $946.00

  • The Tempest Silkscreen Print by Cleon Peterson

    Cleon Peterson The Tempest Silkscreen Print by Cleon Peterson

    The Tempest Silkscreen Print by Cleon Peterson Hand-Pulled 1-Color on 370gsm Legion Sirio Ultrablack Fine Art Paper Limited Edition Artwork. 2021 Signed by Cleon Peterson & Numbered Limited Edition of 30 Artwork Size 24x30 Silkscreen Print Published by Louis Buhl & Co. Signed, Dated, And Numbered In Pencil Along Lower Edge. The Provocative Essence of The Tempest in Street Pop Art In the tapestry of street pop art, few works stir the pot of social commentary as vigorously as Cleon Peterson's "The Tempest." This hand-pulled silkscreen print, manifested on the decadent 370gsm Legion Sirio Ultrablack fine art paper, is a limited edition creation that delves deep into the dissonance of human nature and societal conflict. Completed in 2021, this piece is part of a limited series, with only 30 pieces decorated with Peterson's signature and a unique number denoting its place in this exclusive release. With dimensions of 24x30 inches, "The Tempest" commands presence, drawing the eye and the mind into a discourse that is quintessential to the ethos of street pop art and graffiti artwork. Peterson's work is not for the faint of heart. It's a visual punch, unapologetic and blunt in its depiction of the darker facets of humanity. "The Tempest" is a testament to this unabashed bravery, presenting a dichotomy of black and white that goes beyond color, delving into the dualities of power and subjugation, order and chaos. The starkness of the monochrome palette is a deliberate choice, reflective of the clear-cut division in the societal structures that Peterson often critiques through his art. The absence of color is a strategic silence, allowing the narrative of domination and resistance to resonate louder with its audience. Street Pop Art and Its Dialogues on the Concrete Canvas Street pop art, an umbrella under which "The Tempest" finds a comfortable abode, is not merely an artistic expression but a conversation carved on the concrete canvas of public spaces. Peterson takes this dialogue to the exclusivity of fine art paper, bringing the rawness of the streets into the galleries and collections of art lovers. This transition is not just a physical one; it's a migration of ideas, a movement that brings the unrefined and often uncomfortable truths of graffiti artwork into a space that commands contemplation and discussion. Peterson's "The Tempest" allure is magnified by its rarity. In the art collection world, a piece's value is often tied to its scarcity. A limited edition of 30 ensures that only a few can claim ownership of this tangible slice of Peterson's vision. The meticulous process of hand-pulling each print and the high-quality paper choice elevate "The Tempest" from mere street art replication to a collectible piece of cultural significance. The collaboration with Louis Buhl & Co. for publication furthers this narrative, lending an air of prestige and ensuring the legacy of the artwork within the echelons of high art. Cleon Peterson's Challenge to the Viewer "The Tempest" is a challenge laid bare by Cleon Peterson. It's a gauntlet thrown at the feet of society, asking the viewer not just to observe but to engage with the underlying themes of strife and control. The dialogue initiated by this piece is a hallmark of street pop art and graffiti artwork, which have long been mediums for social and political discourse. Peterson's commitment to these themes is unwavering, and his ability to convey them through the silkscreen medium is a testament to his artist skill and understanding of his role as a provocateur in the art world. In conclusion, Cleon Peterson's "The Tempest" is a resonant piece that captures the essence of street pop art and graffiti artwork through its thematic boldness and visual impact. The hand-pulled silkscreen on fine art paper, limited to a select thirty prints, transcends the boundaries of traditional street art to enter the realm of fine art collection while still retaining the raw, unfiltered dialogue that defines the genre. It is a piece that stands as a bridge between the ephemeral nature of graffiti and the lasting impact of fine art, a bridge that Peterson navigates with deft skill and audacious honesty.

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    $5,000.00

  • Muse of the World Ochre Silkscreen Print by Glenn Barr

    Glenn Barr Muse of the World Ochre Silkscreen Print by Glenn Barr

    Muse of the World- Ochre Limited 2-Color Screen Print on 140lbs French Fine Art Paper by Glenn Barr street artist modern pop art. "This image was a popular poster I had released a few years ago. I decided to take it to a more “handcrafted” limited edition print different from offset. Last year I had it transcribed into a 2 color silk screen print and released it with only 25 in the edition, made for my show at Inner State Gallery in Detroit...They went fast. In celebration of the popular image I wanted to do another version. This time changing the color ways from the electric red. 50 editions to be in cool blues and another 50 in deep golds. Then to add a special edition and limited to 25 I created a 3rd screen with line work to enhance the Muse’s spectacle of flight." - Glenn Barr

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    $406.00

  • Muse of the World Blue Silkscreen Print by Glenn Barr

    Glenn Barr Muse of the World Blue Silkscreen Print by Glenn Barr

    Muse of the World- Blue Limited 2-Color Screen Print on 140lbs French Fine Art Paper by Glenn BarrGraffiti Street Artist Modern Pop Art. "This image was a popular poster I had released a few years ago. I decided to take it to a more “handcrafted” limited edition print different from offset. Last year I had it transcribed into a 2 color silk screen print and released it with only 25 in the edition, made for my show at Inner State Gallery in Detroit...They went fast. In celebration of the popular image I wanted to do another version. This time changing the color ways from the electric red. 50 editions to be in cool blues and another 50 in deep golds. Then to add a special edition and limited to 25 I created a 3rd screen with line work to enhance the Muse’s spectacle of flight." - Glenn Barr

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    $209.00

Weapon Graffiti Street Pop Art

Weaponry in the Crosshairs of Street Pop Art and Graffiti

The presence of weapons in street pop art and graffiti carries a hefty load of symbolism and controversy. The very image of a weapon – be it a gun, a knife, or any implement associated with violence – is fraught with socio-political connotations that street artists often leverage to provoke, comment, and sometimes shock their audience. These artists have taken the powerful imagery of weapons and infused it with layers of meaning, transforming them from mere objects of destruction into potent symbols of critique and reflection. Weapons have been a common motif in both graffiti art and pop art. In both graffiti art and pop art, using weapons can be a powerful way to convey a message and provoke a reaction from the viewer. However, it's important to note that the use of violent imagery can also be controversial and can raise questions about the role of art in society. Graffiti artists often use guns, knives, and grenades to convey a sense of danger or rebellion. For example, a spray-painted image of a weapon might be used to represent the power or aggression of a particular person or group. Some graffiti artists have also used weapons to convey a political message. For instance, a mural featuring an AK-47 rifle might be used to criticize the proliferation of guns in society or to express solidarity with a particular political cause. In some cases, graffiti artists have used weapons as a form of commentary on the violence and conflict in the world. For example, a mural featuring a grenade might be used to critique the destructive nature of war or to advocate for peace. Pop artists have also incorporated weapons into their artwork. For instance, Andy Warhol's "Gun" series features images of various firearms, including revolvers and pistols. Roy Lichtenstein's painting "Whaam!" depicts a fighter jet firing a missile, emphasizing the violence and chaos of war. Some pop artists have used weapons to satirize consumer culture or to comment on the commodification of violence. For example, Claes Oldenburg's "Giant BLT (Bacon, Lettuce, and Tomato Sandwich)" features a knife skewering a sandwich, highlighting the absurdity of weaponizing everyday objects.

The Symbolic Arsenal of Street Art

Street artists have long employed the iconography of weapons to convey messages about power, conflict, and resistance. In their hands, weapons become a visual shorthand for a range of issues – from war and peace to crime and justice. Sometimes, the gun is depicted with stark realism, forcing those who encounter the piece to confront the realities of violence head-on. Other times, the weapon is abstracted or juxtaposed with unpredictable elements to create a sense of irony or to challenge the viewer's preconceptions. The use of firearms in graffiti art can directly reflect the artist's environment, where violence may be a daily reality. In cities plagued by crime and unrest, the appearance of weapon imagery in street art can mirror the community's experiences, a raw expression of the turmoil that residents may face. Conversely, in more peaceful or politically stable contexts, weapons in street art can serve as a jarring reminder of global conflicts, a call to action, or a protest against militarism and warfare.

Artists and the Weapon Motif

Some street artists have become particularly associated with the weapon motif, using it as a central theme to explore and challenge societal norms. These artists wield the weapon imagery with intention, repurposing it to critique the issues of aggression and oppression that such objects typically symbolize. The weapon becomes a tool not for violence but for its opposite – a plea for peace, a commentary on the human cost of conflict, or an ironic take on the glamorization of violence in media and culture. The weapon motif in street pop art and graffiti also confronts the viewer with questions about the role of force in justice and the dichotomy between societal order and personal liberty. Through these works, artists can spark discussions on topics that are often uncomfortable but necessary, such as gun control, police brutality, and the arms race. The art acts as a catalyst for dialogue and, at times, as a means to inspire change. The depiction of weapons in street pop art and graffiti transcends the mere representation of violence. These images serve as a vehicle for artists to engage with their audience on complex issues, question, condemn, and inspire. The weapon, with its inherent power and danger, becomes a paradoxical symbol of hope and transformation in the hands of street artists. As long as there are discussions to be had about power, conflict, and violence, weapons will undoubtedly continue to be a compelling and provocative element in the vocabulary of street pop art and graffiti.

© 2024 Sprayed Paint Art Collection,

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