Weapon

Revolution Is a Mother Who Eats Its Children Bone Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Exploring the Circular Narrative: Cleon Peterson's 'Revolution Is a Mother' "Revolution Is a Mother Who Eats Its Children Bone Tondo," a silkscreen print by Cleon Peterson, encapsulates a poignant message through its unique circular format. The 2024 limited edition, with only 100 signed and numbered prints, dramatically portrays the revolution's cyclic and often self-destructive nature. This artwork, sized at 24x24 inches, is meticulously crafted on hand-deckled circle cut 290gsm Coventry Rag fine art paper, highlighting the contrast between the piece's delicate presentation and its powerful content. Symbolism in Cleon Peterson's Tondo The tondo, a round piece of art, has a rich history dating back to the Renaissance and is often used to symbolize perfection or the divine. Peterson's adaptation of this format into street pop art and graffiti artwork is an inventive means of capturing the perpetual motion of conflict and societal upheaval. The circular frame compels the viewer's eye to move continuously around the image, echoing the cyclical and repetitive nature of the struggles depicted within. While bearing the starkness of Peterson's characteristic black-and-white palette, the print gains a new dimension through its shape, emphasizing the never-ending cycle of revolution and its consequences. The figures within the tondo engage in acts of violence and dominance, with no clear beginning or end, a poignant metaphor for the often unending turmoil of societal change. The Cultural Resonance of Peterson's Work Cleon Peterson's work stands at the crossroads of cultural reflection and artistic expression. "Revolution Is a Mother Who Eats Its Children Bone Tondo" is an artistic creation and a commentary on the nature of social movements and the recurring patterns of history. Peterson confronts the viewer with the paradox of revolution: it is both necessary for evolution and destructive by nature. This tondo silkscreen print contributes to the ongoing dialogue about the role of street pop art in modern discourse. Much like the street artists and graffiti artists before him, Peterson utilizes public forms of expression to comment on private pains and societal dilemmas. The limited edition nature of this work, along with the artist's renown, ensures that this piece will hold its place in contemporary art conversation for years to come. Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Bone Tondo" is a compelling portrayal of the perpetual nature of social upheaval. It serves as a stark reminder of revolution's transformative yet often destructive power. This limited edition silkscreen print encapsulates the essence of street pop art and graffiti artwork, melding historical, artistic formats with contemporary themes to provoke thought, encourage reflection, and challenge the viewer's perspective on the cycles of change.

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Silver Bullet 75% Shoeuzi Art Sculpture by J-LDN aka Jack London Hand Cast & Painted Polystone Uzi Art Toy Limited Edition Artwork Street Graffiti Pop. 2024 Bullet Edition in Silver Limited Edition of 200 Signed COA New In Box Size 75% 5x7 Shoeuzi Stylized Gun Shoe Art Sculpture by J-LDN aka Jack London. Polystone Resin hand-cast painted with Shoeuzi Magnafix magnetic assembly includes a 4-part set with gloves, a display stand, and a box for each Uzi sculpture. All pieces are still in their original packaging. The sculptures are 75% SHOEUZI, measuring 5x7, and ready to impress. The Artistic Intersection of Fashion and Firepower: Silver Bullet Shoeuzi by J-LDN The Silver Bullet 75% Shoeuzi art sculpture by artist J-LDN, also known as Jack London, is a striking testament to street pop art's ingenuity and irreverence. This limited edition piece, a hand-cast, and painted polystone Uzi art toy embodies the fusion of street art's gritty edge with the sleek aesthetics of pop culture. Released in 2024, it encapsulates a moment where art, commentary, and consumerism collide. Craftsmanship Meets Cultural Commentary J-LDN's work on the Silver Bullet Shoeuzi is meticulous, utilizing polystone resin hand-cast to create each unique piece, which is then carefully painted to mimic the iconic colorway of the 'Silver Bullet' sneaker. The Shoeuzi, a stylized representation of a Uzi submachine gun, is transformed into a canvas for artistic expression. It mirrors the relationship between violence and consumer culture, presenting an object that conveys power, movement, and a sleek, almost alluring danger reminiscent of the sneaker it emulates. The limited edition of 200 pieces comes with a signed Certificate of Authenticity (COA), ensuring collectors of the authenticity and exclusivity of their acquisition. Each sculpture is equipped with Magnafix magnetic assembly, comprising a 4-part set that includes gloves, a display stand, and a box, preserving the pristine condition of the artwork. Measuring a compact 5x7, the sculptures pack a significant visual and conceptual punch, standing as an imposing yet accessible piece in any street pop art or graffiti artwork collection. J-LVN's Place in Contemporary Street Pop Art Jack London's contribution to street pop art and graffiti artwork with the Silver Bullet Shoeuzi underscores the importance of the commentary these forms of art provide on society. The Shoeuzi sculptures serve as a provocative conversation starter, blending street art's raw, communicative power and pop art's mass appeal. The detailed craftsmanship involved in the production of each Shoeuzi further emphasizes the attention street pop art pays to the message and the medium through which it is conveyed. In a time when art is as much about the statement as it is about the aesthetic, J-LDN's Silver Bullet Shoeuzi stands as a testament to the artist's ability to navigate the commercial and critical realms of art. With each piece still in its original packaging, the artist preserves the integrity of street art as an untouched, untainted force while also acknowledging the collector's desire for mint-conditioned pieces. Conclusion: The Impact of Silver Bullet Shoeuzi The Silver Bullet Shoeuzi by J-LDN does not merely represent the blending of two objects - the shoe and the gun - but symbolizes the complex interplay between commerce, art, and social narratives. It is an art piece that demands reflection on the nature of our consumption patterns, the objects we fetishize, and the symbols of power we glorify. Jack London, an artist who operates under the pseudonym J-LDN, has planted his flag within the landscape of street pop art, challenging onlookers and collectors alike to reconsider the everyday symbols that permeate our lives. This standout work will continue to resonate with art enthusiasts and critics, serving as a powerful reminder of street pop art's ability to encapsulate and challenge contemporary culture through its dynamic forms. Through the Silver Bullet Shoeuzi, J-LDN has created more than an art object; he has offered a piece of cultural discourse encased in polystone and paint, ready to engage the next generation of street pop art lovers.

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Who's The King?- Silver 2-Color Hot Foil Print on 100# Neenah Classic Crest Smooth Epic Black Paper by Alexander-John Rare Street Art Famous Pop Artwork Artist. 2-Color Hot Foil Print on 100# Neenah Classic Crest Smooth Epic Black Size: 16.5 x 24 Inches Release: May 07, 2021 Run of: 50 "This piece is made to trigger the collector into a social experiment based on color and choice. This print can be hung either way, which represents the concept of equality. No matter what our differences are (represented by the weapons in this piece), we are all Kings." -Alexander-John

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The Dark Rider- Silver 2-Color Hand-Pulled Limited Edition Silkscreen Print on 290gsm Coventry Rag Paper by Artist Cleon Peterson. 2022 19 x 28 inch. Hand-pulled screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Edition of 75. A small drop of ink by the tip of the sword from the printing process.

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Mickey Hiroshima Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Rag Paper by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2013 Signed & Numbered Limited Edition of 30 Size 14x9 "I am from the suburbs of Detroit, Michigan. In the late 1980s, I was a Peace Corps volunteer in Nepal for two years. During this two-year stint, I visited every major city in India, finding myself exploring the huge slums found there. On my return home, I moved from the Mid-West to escape the snow to teach High School Art in Orange County, California. Since finishing my MFA at Cal State Fullerton, I have been exhibiting in galleries both at home and abroad. My work is most often landscapes. A major portion of my output is paintings of slums of the developing world, where I often add an element of western cultural privilege (and oblivion) into settings of urban blight. Inspiration for what I call “Slumscapes” comes from the first-hand experience of traveling. Most often I return over and over to my favorite destination: India. In the vast poverty-stricken fringes of its vast megalopolises, I trip out on how the economic disparities are obscenely extreme. I’ve been spending a lot of time in Mumbai slums: photographing, filming, creating Plein Aire paintings, and creating interactive street art. Besides depicting slums, my artwork portrays post-apocalyptic debris fields, landfills, and detritus-cluttered deserts. The Juxtaposition of Disney themes and beloved characters (i.e.: Mickey Mouse) with all these dystopias best conveys my personal views. Pondering contemporary social, political, economical and philosophical conundrums, I can’t help but feel absurdly helpless, pessimistic and humored about the future of Western Civilization…" - Jeff Gillette

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Spacemonkey Gray NYCC Exclusive Limited Edition Vinyl Art Toy Sculpture Collectible Artwork by Pop Modern Artist Dalek- James Marshall. 2022 Limited Edition of 100 New In Box Stamped/Printed Artwork Size 6.5

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Swarovski Crystalized Ice Shoeuzi Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist J-LDN of Graffiti Pop Street Painting Fame. Edition of 100, Size 100% 7.5" Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box 2021 Signed COA Crystalized ICE edition with 750 hand-placed Swarovski Crystals. J-LDN has created an edition-specific sculpt for these drops with sculpted-in positions for each crystal.

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Revolution Is a Mother Who Eats Its Children Black Tondo Silkscreen Print by Cleon Peterson on Hand Deckled Circle Cut 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 100 Artwork Size 24x24 Circle Cut Silkscreen Print. Cleon Peterson's Tondo: A Visceral Exploration of Revolution Cleon Peterson's "Revolution Is a Mother Who Eats Its Children Black Tondo" captures the essence of revolution — its transformative fury and cannibalistic backlash. This 2024 limited edition silkscreen print is a stark embodiment of the cyclic violence inherent in societal upheaval. With his signature high-contrast aesthetic, Peterson compels contemplation of the tumult that accompanies systemic change. Artistic Merits of Peterson's Black Tondo Limited to a series of 100, each piece is meticulously signed and numbered, accentuating the exclusivity of this thought-provoking artwork. The tondo — a circular artwork — measures 24x24 inches, a format that historically suggests wholeness and infinity but represents the never-ending loop of revolutionary fervor in Peterson's hands. The hand-deckled edges of the circle cut 290gsm Coventry Rag fine art paper enhance the tactile quality of the piece, adding to its visceral impact. The choice of the circle is deliberate, disrupting the traditional rectangular canvas to create a more immersive and contemplative experience. This shape allows the violence within to spill out in all directions, mirroring the all-consuming nature of the theme. Peterson's work does not simply hang on a wall; it confronts and envelops the viewer in its narrative. Cultural Commentary through Peterson's Silkscreen In "Revolution Is a Mother Who Eats Its Children Black Tondo," Peterson lays bare the paradoxes of revolt. His use of black — associated with the unknown and often with death — serves as a void into which the figures emerge and are consumed. The artwork is an allegory of the cyclical nature of history, where each act of uprising carries the seeds of its destruction within it. The stark black-and-white hues strip the scene of any romanticism, exposing the raw power struggle. It speaks to the heart of street pop art and graffiti artwork, which often deal in objective truths and lay claim to public spaces as forums for dialogue. Peterson's work takes this further, encapsulating the raw, uncensored voice of the street in a fine art context. The "Revolution Is a Mother Who Eats Its Children Black Tondo" is a poignant reminder of the perpetual dance between order and chaos. It is a piece that encapsulates the essence of Cleon Peterson's approach to street pop art, rendering visible the often uncomfortable realities that underpin human societies. Through his work, Peterson challenges the viewer, compelling a deeper engagement with the undercurrents of cultural and political change.

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Cruelty Is the Message Bone Silkscreen Print by Cleon Peterson on Hand Deckled 290gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2024 Signed & Numbered Cleon Peterson Limited Edition of 125 Artwork Size 44x14 Silkscreen Print. Cleon Peterson's Gritty Reflection in "Cruelty Is the Message Bone" "Cruelty Is the Message Bone," a powerful silkscreen print by Cleon Peterson, presents a stark tableau as provocative as it is aesthetically arresting. Released in 2024, it forms part of a limited edition of 125 pieces, each bearing the artist's signature and individual number, confirming its exclusivity and importance in contemporary art. This artwork, measuring 44x14 inches, is printed on hand-deckled 290gsm Coventry Rag fine art paper, underscoring Peterson's commitment to quality and durability in his works. Dissecting the Visual Language of Conflict Peterson's monochromatic palette, dominated by bone-like whites and unforgiving blacks, delves into the dichotomy of chaos and order, power and vulnerability. Each figure is interlocked in scenes of violence and domination, creating a narrative that reflects on the inherent brutality within societal structures. The artwork resonates with the rawness of street pop art and graffiti artwork, carrying an unfiltered expression of human behavior stripped to its most primal forms. The imagery in "Cruelty Is the Message Bone" is characteristic of Peterson's oeuvre, wherein themes of conflict, authority, and aggression are recurrent. He employs a visual lexicon that is both universal and timeless, drawing parallels between historical cycles of power and contemporary instances of systemic violence. Peterson's work is a commentary not only on the societal but also on the personal realms of struggle and survival. The Impact of Peterson's Silkscreen on Street Art Discourse Peterson's work stands at the intersection of fine art and street art, drawing the meticulousness of printmaking into the often fleeting world of graffiti art. "Cruelty Is the Message Bone" is a testament to the potential of street pop art to transcend its origins and find a place within the more traditional art settings, all while retaining its edge and ability to provoke thought. The limited edition print's presence in the art market is a reminder of the genre's evolving dynamics, showcasing the shifting boundaries between high art and street art. With his stark depictions, Cleon Peterson captures the essence of the times, challenging viewers to confront uncomfortable truths about the world and their role within it. Cleon Peterson's "Cruelty Is the Message Bone" is a striking embodiment of the spirit of street pop art and graffiti artwork. It is a visual feast that delves into the depths of societal unrest and personal upheaval, serving as a mirror to the chaos and order that define the human condition. With its distinctive style and provocative themes, Peterson's work continues to contribute to the conversation around art's role in reflecting and shaping the socio-political landscape.

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Jake the Snake- Color Edition Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Brandon Sopinsky. Designer Con 2013 Exclussive.

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Lyric Bomb- 5x8 Limited Edition Archival Pigment Prints on .30mm Satin Silver Aluminum by Fil Fury Graffiti Street Artist Modern Pop Art. "I’m obsessed by bold graphic form, objects that you can hold in your hand that have a symmetrical design language to them. The hand grenade is such a hit to your conscience. It's beautiful to look at but represents such horror.The first-hand grenade was invented and manufactured in a factory in my hometown of Birmingham. This Brummie wanted to drop a remix on it. I wanted to reclaim these objects and put my own positive spin on them." - Fil Fury

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Ebb Tide Limited Edition 2-Color Hand Letterpress Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper by Smithe pop art graffiti famous artist art. 2022 Signed 2-Color Letterpress on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper Size: 20 x 21 Inches Release: January 17, 2022 Run of: 35

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Suckrealm 6000 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by The Sucklord Rare Street Art Famous Pop Artwork Artist. 2021 Limited to 50 pcs – 18″ by 24″ – Metallic silver 130# Reich paper – Signed and numbered by The Sucklord The ghostly transparent blue “Sucklord 77” with its “Suckrealm 6000″ package art in the form of a limited edition, hand-pulled screen print. Popping off of metallic silver 130# Reich paper, this 24″ x 18” piece of art is the best way to put the Suck on your wall and remember how he emerged “outta nowhere with new gear, new beats, a new crew, and new ladies.”

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