Lively Up Yourself- Bob Marley 1-Color Hand-Pulled Limited Edition Letterpress Print on Cream Speckle Tone Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 16 inches by 19.5 inches Edition of 450 May 19, 2021 This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s character… the philosopher, the confrontational warrior for justice, and the evangelist for love and connection. Bob

Read more less

Super K Mario Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 100 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Super Mario Special K Video Game Limited blotter editions are hand-perforated by Zane Kesey. "Super K Mario Blotter Paper" is a provocative work of art by Ben Frost, a notable figure for juxtaposing pop art iconography with subversive contexts. This limited edition archival pigment print, released on April 19, 2023, swiftly stands out in pop, street, and graffiti art, stirring dialogue about culture and consumerism. Limited to 100, each piece is meticulously signed and numbered, affirming its uniqueness and collectible status. Frost's creation is a dynamic 7.5 x 7.5 inches print crafted on perforated blotter paper, which traditionally is associated with the distribution of LSD, a usage that the artwork cleverly alludes to without endorsing. The piece showcases the famed video game character Super Mario, depicted in vibrant colors, entwined with the word "KETAMINE" and associated pharmaceutical verbiage. This visual blend delivers a potent statement on the recreational drug culture while playing with the commercialization of beloved childhood figures. The 'Super Mario Special K' title fuses the name of the iconic Nintendo character with a slang term for ketamine, further pushing the boundaries of artistic expression and social commentary. Each blotter is hand-perforated by Zane Kesey, lending an element of handcrafted authenticity to the work and providing a tactile connection to the counterculture Kesey's father, Ken Kesey, was a part of. This process not only exemplifies the artist's attention to detail but also embeds each piece with a sense of personal touch and historical reverence. Ben Frost's art is not for the faint of heart; it confronts the viewer with nostalgia and shock, prompting a re-examination of the icons that populate our collective consciousness. The "Super K Mario Blotter Paper" is a testament to his ability to subvert mainstream symbols and present them back to society with a fresh, if not jarring, perspective. Collectors and admirers of this limited edition work receive more than a piece of art; they acquire a statement, a conversation starter, and a bold critique of the intersections between pop culture, art, and the pharmaceutical industry.

Read more less

Deadly Angel Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

Read more less

Southpaw 2008 Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Luke Chueh. 2008 Signed giclee print on archival paper 12 x 16 inches signed and numbered edition of 100

Read more less

What The Hell Am I Doing With My Life- Mini, Part of the True Facts Mini Multiple Series Original Hand-Painted Multiple (HPM) on Wood Cradled Panel ready to hang by Denial Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered HPM Limited Edition of 20 Artwork Size 11x11 "My work speaks of impending doom and a lot of crass sinister themes, but that should not mean I desire this to happen at all. I hope my work would suggest only the opposite: to show the ridiculousness of it all and how we may find better solutions for the future." -Denial In the world of Denial, memory is important, because it is the basis of his work, as it nostalgically encourages the audience to engage with it. As a result, his art is as familiar, as it is disturbing because it reveals the most unsettling parts of society, the ones we are in a “denial” of. No matter its controversial history, graffiti is less and less viewed as a form of vandalism.

Read more less

The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

Read more less

Freedom/Prosperity At Any Price- Black Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

Read more less

Roach Skull, One of a Kind Test Print 1-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Joe King Rare Street Art Famous Pop Artwork Artist. One-of-a-kind test print with hand emblements and notations by Joe King. There are also figure prints from Joe King, the artist.

Read more less

Freedom/Prosperity At Any Price- Red Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 18 x 24" screenprint. Printed on 290gsm Arches Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The visuality of Cleon Peterson's work is based on a variety of influences, from ancient Greek pottery to comics, resulting in monochromacy and strong color symbolism. In more detail, the figures exist on multiple straight lines, something that, subsequently, creates the illusion that the artwork is divided in levels. The perspective and the impression of depth do moderately exist in the art of Peterson and, just like in Greek vases, the background space is usually left empty or slightly embellished.

Read more less

Red & Cream Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Sedation in Bloom: A Convergence of Beauty and Consciousness in Street Pop Art Shepard Fairey, an American contemporary street artist, graphic designer, activist, illustrator, and founder of OBEY Clothing, has long been a defining figure in the street art movement. Born on February 15, 1970, in Charleston, South Carolina, Fairey's work emerged from the skateboarding scene and has since transcended the confines of street pop art and graffiti artwork to become a recognized global phenomenon. The Dual Nature of the Poppy in Fairey's Work Fairey's Sedation in Bloom series represents a nuanced intersection of aesthetics and socio-political commentary. The limited edition silkscreen prints, specifically the Red & Cream Sedation in Bloom, present an intricate poppy pattern against a cream speckle tone fine art paper. Each artwork in this edition of 150 pieces bears Fairey's signature, indicating authenticity and his personal touch. The dimensions of 18x24 inches offer a substantial canvas for the visual interplay of vibrant red against a serene cream backdrop, creating a captivating, visually striking, and symbolically rich contrast. The poppy, a central motif in this series, has many meanings. It is a flower associated with peace and death, and its narcotic properties connect it to sleep and sedation. Fairey manipulates the natural allure of the poppy to entice the viewer, employing its inherent beauty as a vessel for more profound reflection. The paradoxical use of the poppy in his artwork draws attention to the seductive qualities of the very things that lull society into a state of complacency – entertainment, alcohol, drugs, and materialism. Art as a Vehicle for Social Commentary and Awareness Fairey's collaboration with British-Chinese artist Gordon Cheung on this series underscores a shared commitment to addressing critical social issues. The poppy pattern, initially conceptualized for their joint piece tackling the tragic murder of Vincent Chin and the historical exploitation of anti-Asian sentiments, transcends its aesthetic value. It becomes a poignant commentary on how seductive imagery and symbols can be utilized to obscure and distract from pressing societal concerns. Fairey's art, notably this silkscreen print series, is not just a decorative artifact; it serves a dual purpose – to offer an escape and simultaneously to act as a wake-up call, urging viewers to remain conscious and engaged with the world around them. The Sedation in Bloom series exemplifies Fairey's philosophy that art should challenge the viewer, not just aesthetically but intellectually and morally. In the tradition of excellent street pop art, these pieces blur the boundaries between high and low culture, between art and activism. Fairey does not merely seek to beautify spaces with his work; he aims to provoke thought and inspire action. The decorative patterns and striking color contrasts are meticulously crafted to draw people in, only to confront them with the underlying message that beauty should not be a sedative but a stimulant for awareness and change. The enduring relevance of Fairey's work lies in its ability to navigate the complex dynamics of visual culture in a society saturated with imagery designed to sell, distract, and sedate. Fairey empowers the public to see beyond the surface and question the status quo by imbuing his street pop art and graffiti artwork with critical discourse. The Red & Cream Sedation in Bloom silkscreen print stands as a testament to the potential of street art to transcend the walls upon which it is placed and to foster a dialogue that extends into the social and political realms. In examining Fairey's contributions through the lens of his Sedation in Bloom series, one observes an artist deeply attuned to the power of imagery in shaping perceptions and behaviors. As an agent of change through visual language, Fairey's work encourages a vigilant and discerning gaze – a call to action for a society often too readily sedated by the opiate of the visually and materially appealing. It is through pieces like Sedation in Bloom that Fairey's voice resonates, imploring viewers to awaken from their slumber and engage with the pressing issues of our time.

Read more less

Agreed to Descend Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

Read more less

Flight of an Eagle Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

Read more less

A Tribute to Stan Winston: "Jurassic Park" Limited Edition Giclee Print on Fine Art Paper by Liam Atkin counter-culture street artist art. A Tribute to Stan Winston: "Jurassic Park" by Liam Atkin Inspired by the creative genius of Stan Winston and every one of his team at Stan Winston Studios. Fine Art Giclee Print Limited Edition of 75. Approximately 11" x 17"

Read more less

Fallen Angel- Blue Limited Edition 2-Color Hand-Pulled Mixed media Silkscreen Print on 300gsm Fabriano Watercolour Paper by Copyright Graffiti Street Artist Modern Pop Art. "This image I first made in 2011, I released 2 colorways of it at the time that sold out. In 2013 I had my 10-year anniversary show where I was able to be nostalgic about my own work, after which I started to reprise old favorites in new ways. I made these and kept them back until the time was right. As my first print release in the USA and as an introduction to my work, it seemed like the perfect time to put them out. Angels are a reoccurring motif for me and most of my pictures draw from a bitter-sweet theme. So the image of a fallen angel is a powerfully symbolic way to portray this. I use symbols and iconography within my paintings to help build a story/narrative, usually small icons or tattoos." - Copyright

Read more less

The Big Lebowski Limited Edition 2-Color Hand-Pulled Metallic Ink Silkscreen Print on Die-Cut Fine Art Paper by Matt Dye- Blunt Graffix Graffiti Street Artist Modern Pop Art.

Read more less

New Breed Chief- Rook Brand Limited Edition 2-Color Hand-Pulled Silkscreen Print on French Speckletone Kraft Paper by Joe King Graffiti Street Artist Modern Pop Art. AP Artist Proof

Read more less

Bad Brains- Fist & Flag 3-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey x Glen E Friedman Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered 24 x 18 inches. Screenprint on thick cream Speckletone paper. Original photo by Glen E. Friedman. Signed by Glen E. Friedman, Shepard Fairey, & HR. Numbered edition of 600. Bad Brains are one of my favorite punk/hardcore groups of all time. I’ve been a Bad Brains fan for 30-plus years and am lucky to work with them on a few projects, including prints, a clothing collection, and the cover of their album “Into the Future.” Glen E. Friedman shot many great photos of Bad Brains, and his photo of HR at A7 bar in New York City from 1981 is the reference for this poster illustration. It’s an incredible honor to create art and to be connected to a band that has provided so much inspiration, energy, and sheer pleasure for me over the years. This poster is signed by Glen, me, and HR! Keep that PMA (Positive Mental Attitude)! –Shepard

Read more less

Acclimation Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Pop Artist Adam Hall Modern Artwork. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 16x18

Read more less

Hedwig Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Ryan Berkley. Ryan Berkley - "Hedwig" limited edition fine art digital print signed and numbered edition of 50 copies 8" x 10"

Read more less

Super Soup- Blue Trip Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Denial. 2022 Signed & Numbered Limited Edition of 60 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

Read more less

Hand Cut Alphabet Teal Hand-Pulled 2-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed & Numbered Limited Edition of 20 Artwork Size 18x24

Read more less

David with Machine Gun Silkscreen Print by Shepard Fairey- OBEY x Blek le Rat Hand-Pulled on Fine Art Paper Limited Edition Pop Street Art Artwork. 2008 Signed by Shepard Fairey & Blek le Rat, Numbered Limited Edition of 100 Artwork Size 18x24 Silkscreen Print In 2008, the art world witnessed a unique collaboration between two titans of street and pop art – Shepard Fairey, renowned for his OBEY campaign, and Blek le Rat, often referred to as the "father of stencil graffiti." Both artists, distinct in their style and impact on the urban art scene, decided to come together for a limited edition release that drew attention from collectors and enthusiasts alike. This exceptional partnership resulted in the creation of the " David with Machine Gun" silkscreen print, an artwork that expertly fuses their individual artistic sensibilities. Hand-pulled on fine art paper, the artwork's exclusivity is highlighted by its limited edition – a mere 100 prints, each meticulously signed and numbered by the artists themselves. The piece measures 18x24 inches, making it a substantial representation of their combined artistry. What makes this collaboration even more intriguing is its connection to Blek le Rat's solo exhibition at Subliminal Projects titled "Art is Not Peace." The print is a visual interpretation of Sybille Prou’s photographs of Blek Le Rat's iconic street art. These photographs served as an inspiration, capturing the raw energy and aesthetic of urban art that both artists have dedicated their careers to championing. The blending of Shepard Fairey's graphic style with the subtlety and nuance of Blek le Rat’s stencil work is a testament to the transformative power of collaborative art. It not only speaks volumes about the evolution of street and pop art but also stands as a significant memento of a pivotal moment in contemporary art history.

Read more less

Fallen Angel- Gold Limited Edition 2-Color Hand-Pulled Mixed media Silkscreen Print on 300gsm Fabriano Watercolour Paper by Copyright Graffiti Street Artist Modern Pop Art. "This image I first made in 2011, I released 2 colorways of it at the time that sold out. In 2013 I had my 10-year anniversary show where I was able to be nostalgic about my own work, after which I started to reprise old favorites in new ways. I made these and kept them back until the time was right. As my first print release in the USA and as an introduction to my work, it seemed like the perfect time to put them out. Angels are a reoccurring motif for me and most of my pictures draw from a bitter-sweet theme. So the image of a fallen angel is a powerfully symbolic way to portray this. I use symbols and iconography within my paintings to help build a story/narrative, usually small icons or tattoos." - Copyright

Read more less

In A Silent Way Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Nature Pop Artist Chris Austin Modern Artwork. 2022 Signed & Numbered Limited Edition of TBD Artwork Size 20x20

Read more less

OxyBunny Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ben Frost pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. The essence of Frost’s commentary is established on the basis of subverting the meaning and the messages, promoted by the mainstream media. In other words and, as he has stated in the past: “The less you fill your mind with the trappings of advertising and bad television, the more space you have in your brain for things of value”. At the same time, his take on modern pop culture is equally compelling. Mainstream media, advertisements, and politics can be identified as some of his main fields of interest, which he utilizes and mixes up in a controversial formation. The word controversial is not used incidentally. What Ben Frost’s art is doing is, essentially, the appropriation and weaponization of imagery against the same system that gave birth to it.

Read more less

Tattoo Limited Edition Archival Pigment Prints on 290gsm Moab Fine Art Paper by Luke Chueh Graffiti Street Artist Modern Pop Art. 2020 Signed & Numbered Limited Edition of 100 Artwork Size 12x12 Luke Chueh's Unique Artistic Style Luke Chueh's "Tattoo" archival pigment prints on 290gsm Moab fine art paper represent a captivating blend of street style and acceptable art discipline, a signature element of Street Pop Art and graffiti Artwork. Chueh, a graffiti street artist known for his unique approach to modern pop art, presents a 2020 collection that is both limited in number and expansive in cultural significance, with a signed and numbered edition of 100 pieces, each size 12x12 inches. The prints carry a whimsical yet profound narrative, depicted through the tattoo-like illustrations that adorn the face of a bear—a recurring character in Chueh's work. The bear, labeled "NOT A BEAR," is a paradox within itself, questioning the identity and perception of the subject. This heresy is typical of Chueh's work, where the boundaries of art and the subconscious intertwine. Each symbol inked on the bear's visage in "Tattoo" holds its weight in cultural iconography, from the simple spoon and fork to the more complex references like "LUKE WAS HERE." These icons are more than mere decoration; they tell a story, like actual tattoos, mapping out a narrative of experiences, beliefs, and the artist's personal journey. Collectibility of Chueh's Limited Edition Prints Chueh's choice of Moab fine art paper for these prints underscores his work's premium quality and enduring nature. The 290gsm paper is a testament to the artwork's physical presence, giving it a tactile quality that enriches the visual experience. The archival pigment inks ensure that each print remains vibrant and resistant to the fading that often plagues lesser materials. "Tattoo" stands out as a rich example of how modern pop art can adopt elements of street culture while maintaining a high level of artistic integrity. Luke Chueh's work is a reminder that the spirit of graffiti can thrive in a gallery setting, bringing the raw, vibrant energy of the streets to a more curated environment. The collectibility of "Tattoo" cannot be overstated. With only 100 pieces, each signed and numbered by Chueh, they represent an exclusive opportunity for collectors and enthusiasts to own a piece of modern pop art history. The hand-signed aspect of the prints adds a personal touch that connects the collector directly with the artist's hand, enhancing the intimate nature of the artwork. Luke Chueh's "Tattoo" is a creative milestone that bridges street art's accessibility and pop art's mass appeal while challenging the viewer to look beyond the surface to discover the depth of storytelling within each symbol. It is a testament to Street Pop Art and graffiti Artwork's enduring nature and ability to continually redefine itself within the contemporary art sphere.

Read more less

Double Vision Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by CES pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

Read more less

OG Slick Hand Alphabet- Standard Limited Edition 3-Color Letter Press on Hand-Deckled 250gsm Stonehenge Naturel Fine Art Paper by OG Slick pop art graffiti famous artist art. 2010 Signed Edition of 75

Read more less

The Crawler- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Hand-pulled 16 x 12” black and bone screen print. Printed on 290gsm Coventry Rag paper with deckled edges. Each print is signed and numbered. Limited edition of 125. The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

Read more less

Rise Above Bird Letterpress Print by Shepard Fairey- OBEY Hand-Pulled on Cream Cotton Fine Art Paper Limited Edition Artwork Pop Culture Artist. 2021 Signed & Numbered Limited Edition of 450 Artwork Size 13x10 Letterpress Print of Bird with Flower Flying & Words Rise Above "The Rise Above Bird " is a simple twist on the white peace dove with an olive branch, but good guys don't always wear white! The "rise above" is a call to take the high road with a nod to one of my favorite Black Flag songs. Peace is radical punk!" -Shepard Fairey- OBEY. Shepard Fairey's "Rise Above Bird" letterpress print emerges as a striking piece of visual commentary in street and pop art. The artwork, a limited edition hand-pulled print on cream cotton fine art paper, showcases Fairey's adeptness at blending strong messages with iconic imagery. Limited to a series of 450, each piece is signed and numbered by the artist, reflecting its exclusivity and collectible nature. The print, measuring 13x10 inches, features a bird in mid-flight, carrying a flower—a symbol that deviates from the traditional white peace dove. The image is set against a backdrop of stylistic elements and the words "Rise Above," which serve as an encouraging motto and a tribute to the artist's favorite song by the band Black Flag. This piece symbolizes Fairey's larger body of work, which often intersects with the themes of rebellion and peace, a juxtaposition at the heart of much street pop and graffiti artwork. The term' rise above' does not merely suggest an elevation in position or status; it is an ideological summons, urging viewers to surpass the ordinary, to overcome adversity, and to reject complacency. Fairey's artistry here is not just in the piece's visual appeal but also in its capability to provoke thought and inspire action. Shepard Fairey's influence in modern street pop and graffiti artwork is undeniable. His works are infused with political and social undertones, calling for a challenge to the status quo and advocating for a radical form of peace that aligns with the punk ethos. The "Rise Above Bird" is a testament to Fairey's consistent vision, which has solidified his place as a pivotal figure in contemporary art. It stands as a bold statement in the ongoing dialogue about the power of art to enact change and the artist's role in a society that often needs to be reminded to look beyond the surface.

Read more less

Cicuta Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Conrad Roset.

Read more less

Veil Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Joe King Graffiti Street Artist Modern Pop Art.

Read more less

Protect The Blue Planet- Large Format Limited Edition Hand Pulled 2-Color Serigraph Print on 100% Cotton Coventry Rag Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Hand Deckled 30 x 41 inches Serigraph on Coventry Rag, 100% cotton custom archival paper Hand-deckled edges Limited Edition of 75 Signed + Numbered Printed by Obey Giant "Protect The Blue Planet" stands as a testament to Shepard Fairey's dedication to using his art as a vehicle for environmental advocacy, fusing the worlds of pop art, street art, and graffiti art. This limited edition, hand-pulled 2-color serigraph, reveals the intricate relationship between humanity and our environment. Imprinted on 100% cotton Coventry Rag paper, the choice of material underpins Fairey’s commitment to sustainable artistry. The dimensionality of the piece, 30 x 41 inches, lends itself to an immersive viewing experience, accentuated further by its hand-deckled edges, which bring a tactile, organic touch, reminiscent of the raw edges of street posters. In partnering with the PangeaSeed Foundation to release this work for Earth Month, Fairey encapsulates the pressing environmental concerns of the modern era. Central to the piece is the depiction of an endangered North Atlantic right whale that exudes a mandala with the earth cradled within. This mandala, rooted in various cultural traditions, signifies harmony, unity, and the interconnectivity of the planet's ecosystems. The floral ornaments within it blossom as symbols of flourishing harmony, but the contrasting inclusion of flames starkly reminds viewers of the ever-looming threat of global warming. The text - "Protect the Blue Planet" and "One Ocean-One People" - along with the chosen blue palette, draws attention to the inextricable bond between thriving oceans and a sustainable world. As a renowned figure in the street art community, Fairey's work has always pushed boundaries, and with "Protect The Blue Planet", he once again blurs the lines between artistic expression, activism, and social responsibility, reminding the world of its role in safeguarding the planet. "To celebrate Earth Month, in collaboration with PangeaSeed Foundation, I’m pleased to release, “Protect The Blue Planet” which features an endangered North Atlantic right whale emanating a mandala with the earth as its focal point. In several cultures, the mandala represents harmony, unity, and wholeness, all of which are important concepts when considering the interconnected nature of the planet’s ecosystems, people, and species. The mandala features floral ornaments symbolizing harmony in bloom, but also flames as a reminder of the perils of global warming. The “Protect the Blue Planet” and “One Ocean-One People” text within the artwork and the blue color palette serve to emphasize the crucial connection between healthy oceans and a healthy planet." – Shepard

Read more less

Taste of Mexico 2014 Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 100 Artwork 18x24 Taste of Mexico Food Festival in Los Angeles CA 2014 Event Art Print.

Read more less

PangeaSeed West Coast Limited Edition 6-Color Hand-Pulled Silkscreen Print on 100lb Frech Speckletone Cover Stock Paper by Jim Mazza Graffiti Street Artist Modern Pop Art. PangeaSeed's second annual summer series of the groundbreaking Sea Walls: Murals for Oceans festival July 17-26 2015 in Cozumel, Mexico. Sea Walls: Murals for Oceans is the first movement of its kind helping to save our seas via public art and activism (ARTivism). PangeaSeed's second annual summer festival will feature over 25 renowned contemporary artists from across the globe collaborating to shine a greatly needed spotlight on pressing ocean environmental issues - while helping to educate and inspire individuals and communities to protect the planet's most important ecosystem: the ocean. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

Read more less

Connexions Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Maria Smith pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

Read more less

Ganas Vaquero- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist 2010 Signed & Marked Limited Edition Artwork Size 18x24 Ganas Vaquero is an emblematic work of art by the esteemed Latino artist Ernesto Yerena Montejano. This piece is not merely a testament to Montejano's creative prowess but also offers a nuanced commentary on the wider cultural milieu. Evident from its title which translates to "Cowboy Desire", this hand-pulled silkscreen print encapsulates a compelling juxtaposition between traditionalism and modernity, inherent within Latino culture. Crafted meticulously on fine art paper, the print mirrors the tactile and aesthetic quality that Montejano's oeuvre is celebrated for. As part of the "Hecho Con Ganas" series, this artwork is a shining example of Limited Edition Art, created with a sense of purpose and passion. The fact that it’s an AP (Artist Proof) from 2010 makes it especially rare and sought after among art collectors and enthusiasts. An artist proof, historically, refers to a print made from a plate during the process to check the quality. They hold a special place in the heart of printmaking and are often more valuable than regular prints because of their limited numbers and the artist's direct involvement in their creation. Positioned at the crossroads of pop art, street art, and graffiti, Ganas Vaquero exemplifies Montejano's unique ability to intertwine varied art forms while staying rooted in his cultural identity. The size of the artwork, 18x24 inches, ensures it captures attention while also being adaptable to diverse display settings. The signature of the artist affirms its authenticity, and the marking as a limited edition piece solidifies its exclusive status. Montejano's work thus doesn’t just serve as a representation of Latino heritage, but as a dialogue between global art forms, cultural identities, and individual creativity.

Read more less

Shaka- Variant 2 Limited Edition Hand-Embellished Acrylic, Aerosol & Screen Print on Watercolour Paper by Meggs Graffiti Street Artist Modern Pop Art. "This edition is hand-painted and sprayed, so essentially everyone is unique, an original series so to speak. This piece is based on a tee design I did for Pow Wow Hawaii in 2013. The Shaka is symbolic of good vibes & Aloha in Hawaii so it’s a classic and fun image I use as a symbol of my love for Pow Wow and Hawai’i in general. It obviously also recognized in surf/skate culture so the composition is a reference/homage to the all-time classic Jim Phillips screaming hand graphic for Santa Cruz skateboards." - Meggs

Read more less

Untitled from Blame Game- #3 Upside Down Face Hand-Pulled 11-Color Silkscreen Print on Saunders Waterford Hi-White Paper by Artist Kaws- Brian Donnelly Street Art Limited Edition Artwork. 2014 Signed & Numbered Limited Edition of 100 Artwork Size 23x35 Framed With Large Custom Frame & Mat. KAWS (b. 1974) Untitled from Blame Game, 2014 Screenprint in colors on Saunders Waterford Hi-White paper 35 x 23 inches (88.9 x 58.4 cm) (sheet) Ed. 100 Signed, numbered, and dated in pencil along the lower edge. Published by Pace Prints, New York Unveiling KAWS' "Untitled from Blame Game - #3 Upside Down Face" In the dynamic intersection of street pop art and graffiti artwork, few names are as resonant as that of KAWS, the pseudonym of American artist Brian Donnelly. Born in 1974, KAWS has become an icon of contemporary art, bridging the worlds of art and mainstream culture. His piece, "Untitled from Blame Game - #3 Upside Down Face," is a compelling demonstration of his prowess in the art form. Created in 2014, this artwork is part of a limited edition of 100 hand-pulled 11-color silkscreen prints on Saunders Waterford Hi-White paper, each bearing the artist's signature, number, and date along the lower edge. Published by Pace Prints, New York, this piece exemplifies the seamless blend of commercial and fine art that KAWS is renowned for. The artwork is a bold expression of KAWS' unique aesthetic, featuring a signature character with an 'X' for each eye, a motif he has become famous for. This print, which is 35 x 23 inches, is framed with a large custom frame and mat, enhancing its visual impact. The 11-color silkscreen printing technique is a testament to KAWS' dedication to craftsmanship and quality, ensuring that each print offers a rich, vibrant palette and meticulous detail. The choice of Saunders Waterford Hi-White paper, known for its high quality, contributes to the artwork's premium feel and longevity. KAWS and the Evolution of Street Pop Art KAWS' journey in the art world is marked by his transition from a graffiti artist in the streets of New York to a towering figure in the global art scene. His work is celebrated for its fluidity in moving between various subcultures, including street art, pop art, and commercial imagery. The "Untitled from Blame Game" series perfectly illustrates how KAWS has transformed street art sensibilities into something that can be appreciated both in the buzzing city alleyways and the hushed galleries of fine art. His characters, though simplistic in form, convey a deep resonance with the viewer, often embodying themes of humanity, vulnerability, and isolation. KAWS' ability to evoke such emotion while maintaining a playful, accessible aesthetic is a hallmark of his work. This duality has endeared him to diverse audiences, from street art lovers to high-brow collectors. The Cultural Significance of KAWS' Artwork Beyond its visual appeal, the work of KAWS is deeply embedded in the cultural zeitgeist. His art captures contemporary life's essence, reflecting its complexities and simplicities. "Untitled from Blame Game - #3 Upside Down Face," like much of his work, is imbued with introspection, challenging the viewer to look beyond the surface. His pieces' recurring themes of deconstruction and recontextualization invite a dialogue about the nature of identity and recognition in a saturated media environment. Moreover, KAWS' influence extends beyond the canvas, impacting the broader design, fashion, and commercial branding landscape. His collaborations with major brands have pushed the boundaries of what is considered art, making his vision accessible to a broader audience and redefining the concept of what street pop art can be. "Untitled from Blame Game - #3 Upside Down Face" is not just a testament to KAWS' technical skill and artistic vision but also a symbol of the evolving narrative of street pop art and graffiti artwork. As a limited edition piece, it holds a special place in the annals of contemporary art, representing a moment in time where the lines between high art and street culture are not just blurred but beautifully intertwined.

Read more less

Scenes of Evil Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

Read more less

The Crawler- White Limited Edition Hand Pulled 2-Color Screenprint Print on 290gsm Arches Rag Paper with Deckled Edges by Cleon Peterson Graffiti Street Artist Modern Pop Art. Prints by Cleon Peterson are an edition of 150. Made in June 2017, they are signed and numbered by the artist. Format : 20 x 26,75 inches (50,8 x 66 cm). The art of Peterson has a strong anti-establishment character and anger, as a creative force, is present throughout most of his artworks. The subject of anger is the artist and with his work, he is turning against society’s deepest weariness and malaise. This LA-based artist is the mastermind behind a series of dystopic artworks paintings, prints, sculptures and murals, exhibited in the US, Europe, and Asia.

Read more less

Risky E Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24. From the first "Beyond The Streets" exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat. Risk Rock's "Risky E Graffiti Alphabet Letter" and Its Place in Street Pop Art The "Risky E Graffiti Alphabet Letter" giclée by Risk Rock is a vibrant piece that encapsulates the dynamic interplay between typography and abstraction in street pop art and graffiti artwork. As a limited edition fine art paper print from 2012, this work forms part of the exclusive "Beyond The Streets" exhibit collection, showcasing the evolution of street art from public spaces into galleries. Limited to 100 signed and numbered editions, the artwork measures 24x24 inches, offering a substantial visual statement in size and impact. Although there is minor to light yellowing on the margins of the museum-quality paper, the image remains pristine—a testament to the lasting power of street art when transferred to a more permanent medium. Risk Rock, a celebrated figure within the street art community, is known for his bold use of color and innovative approach to graffiti lettering. The "Risky E" is a prime example of his style, blending graffiti's raw, kinetic energy with the precision of printmaking. The giclée process, renowned for its high fidelity to the original artwork, allows the piece's intricate details and vibrant colors to be preserved, creating a lasting impression akin to that of a mural encountered on the street. The Cultural Resonance of Risk Rock's Artistic Expression The "Risky E Graffiti Alphabet Letter" is more than a mere decorative piece; it is a cultural statement that resonates with the ethos of street and pop art. It represents a moment when graffiti, once relegated to the fringes of the art world, began to be recognized for its artistic value and cultural significance. The piece, birthed from the "Beyond The Streets" exhibit, symbolizes graffiti's transition from an act of rebellion to a form of artistic expression embraced by museums and collectors alike. Risk Rock's contribution to the street art movement is immortalized in this print, reflecting the artist's mastery over form, color, and composition. The letter "E" is transformed into a standalone piece of art, showcasing the potential of typography to transcend its functional roots and become a medium for creative expression. This transformation is characteristic of street pop art, where everyday elements are recontextualized to challenge perceptions and engage viewers in a dialogue. The Significance of Giclée in Preserving Street Art Aesthetics Giclée prints like "Risky E" have played a significant role in preserving the aesthetics of street art for future generations. By capturing the vibrancy and detail of the original artwork on fine art paper, the giclée process ensures that the transient nature of street art can be enjoyed long after the original piece might have faded or been painted over. With its limited edition status, this print elevates the ephemeral nature of graffiti into a collectible form, allowing fans and new audiences alike to own a piece of street art history. The slight aging of the paper's margins does not detract from the artwork's value; instead, it adds a layer of authenticity reminiscent of the aging walls that host graffiti art in the urban landscape. The promise that the image can be easily matted and preserved speaks to the adaptability of street art and its ability to find new life in different contexts and formats. Risk Rock's "Risky E Graffiti Alphabet Letter" giclée is a testament to the enduring appeal and significance of street pop art and graffiti artwork. As a limited edition print, it represents the intersection of street culture and fine art, embodying the spirit of an art movement that continues to influence and redefine the boundaries of artistic expression. The piece is a tribute to the artists who have brought the language of the streets into the galleries and the collectors who have helped pave the way for graffiti to be recognized as a legitimate and impactful art form.

Read more less

Rest Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Artist Tran Nguyen Modern Artwork. 2019 Signed & Numbered Limited Edition of 50 Artwork Size 20x20 Archival Print Tran Nguyen, an artist renowned in the spheres of modern, pop, and street art, offers a mesmerizing visual experience with "Rest." Crafted in 2019, this piece encapsulates the haunting beauty and intricate detailing for which Nguyen is celebrated. The artwork showcases a juxtaposition of life and mortality, symbolized by the ethereal figure of a woman and a skeletal figure, both enveloped in a tapestry of flowing hair and ornate patterns. The vivid contrasts of dark backgrounds against the pale, luminescent skin of the woman, and the opulent greens evoke emotions of serenity, contemplation, and the inexorable intertwining of life, death, and nature. The print, titled "Rest," stands as a testament to the prowess of archival pigment printing, known for capturing every nuance and stroke of the original masterpiece. Utilizing 290gsm Moab Entrada Paper, a medium revered for its ability to hold rich colors and provide an impeccable texture, the artwork promises longevity and a pristine visual appeal. Each piece, measuring a balanced 20x20 inches, becomes a statement of elegance and profundity, perfect for art aficionados and collectors alike. Further enhancing its allure, "Rest" is a limited edition offering, with only 50 prints available worldwide. Each of these prints is meticulously signed and numbered by Tran Nguyen, ensuring authenticity and exclusivity. The artwork serves as a sublime representation of Nguyen's artistry, where the realms of the real and the ethereal meld, provoking introspection about existence, beauty, and the transient nature of life.

Read more less

Kurt Skull LND Limited Edition Archival Pigment Fine Art Prints on Fine Art Paper by Graffiti Street Art and Pop Culture Artist Joe King. Kurt LND [Legends Never Die] by Joe King Inspired by Kurt Cobain Archival Print Print Edition of 40 | Signed and Numbered by the Artist Size: 11" x 14" From: Long Beach, CA

Read more less

Shaka- Variant 1 Limited Edition Hand-Embellished Acrylic, Aerosol & Screen Print on Watercolour Paper by Meggs Graffiti Street Artist Modern Pop Art. "This edition is hand-painted and sprayed, so essentially everyone is unique, an original series so to speak. This piece is based on a tee design I did for Pow Wow Hawaii in 2013. The Shaka is symbolic of good vibes & Aloha in Hawaii so it’s a classic and fun image I use as a symbol of my love for Pow Wow and Hawai’i in general. It obviously also recognized in surf/skate culture so the composition is a reference/homage to the all-time classic Jim Phillips screaming hand graphic for Santa Cruz skateboards." - Meggs

Read more less

C/S III 9-Color Hand-Pulled Limited Edition Distressed Pearl White Finish Silkscreen Print on 250gsm Stonehenge White Fine Art Paper by OG Slick x Chaz Bojorquez Rare Street Art Famous Pop Artwork Artist. 2016 Signed by OG Slick x Chaz Bojorquez & Numbered Limited Edition of 150 P3 Unveiling the Essence of C/S III by OG Slick and Chaz Bojorquez C/S III emerges as a distinct piece in the collaborative series by OG Slick and Chaz Bojorquez, two luminaries in street pop art and graffiti artwork. This 9-color hand-pulled limited edition silkscreen print, set on a 250gsm Stonehenge White Fine Art Paper, embodies the spirit of Los Angeles' street art scene. 2016 marked the inception of this rare artwork, with each piece meticulously signed by OG Slick and Chaz Bojorquez and numbered P3 in a series limited to 150 editions. The painting serves as a visual spectacle and a narrative vessel, carrying the legacy of street art's evolution within its layers. OG Slick's hand in the collaboration is evident in the playful yet assertive cartoonish hands and the spray can that dominates the foreground of C/S III. This imagery, often associated with the rebellious nature of street art, becomes a symbol of the artist's roots in the graffiti movement and his adeptness at capturing the urban landscape's pulse. Slick's approach to street art embraces the pop culture influences of his time, reflecting a deep connection with the younger demographics and street art lovers who find familiarity in his visual language. Chaz Bojorquez's Contribution to the Visual Dialogue of C/S III Chaz Bojorquez contributes to C/S III with his iconic calligraphic touch, a feature that has become synonymous with his name. His style, deeply influenced by the Cholo graffiti culture, brings an intricate and flowing contrast to the stark boldness of Slick's figures. The backdrop of the print is a canvas of Bojorquez's signature lettering, which creates a visual depth and speaks to the historical roots of graffiti as a form of street-level communication. Bojorquez's work transcends the aesthetic, engaging with themes of cultural identity and social commentary and celebrating the often-underrepresented communities that form the backbone of urban street culture. The distressed pearl white finish of the print adds a layer of complexity, introducing a sense of age and resilience that mirrors the often-temporal nature of street art. This finish, combined with the premium Stonehenge White Fine Art Paper, imbues the piece with a sense of permanence and sophistication, allowing it to occupy a space that bridges the gap between ephemeral street expressions and enduring art collectibles. The Cultural Relevance of C/S III in Street and Pop Art C/S III holds a place of cultural relevance in street and pop art. As a limited edition piece, it reflects a moment in time when the raw energy of graffiti and the boldness of pop art converged through the hands of OG Slick and Chaz Bojorquez. The collaboration is a testament to the transformative power of street art, showcasing its ability to evolve while honoring its roots. Collectors and enthusiasts of the genre cherish the piece for its artistic merit and its representation of the dialogue between different eras and styles within street art. The impact of C/S III extends beyond its visual appeal, challenging traditional perceptions of art and its place within society. Through their joint efforts, OG Slick and Chaz Bojorquez invite audiences to explore the narratives embedded within urban landscapes, using the language of street pop art to communicate stories that are often overlooked. The limited edition nature of the print, its meticulous craftsmanship, and the prestige of the artists' signatures come together to cement C/S III as a significant work within contemporary art history. Legacy of C/S III and Its Artists The legacy of C/S III lies in its representation of a dynamic and ever-changing art form that remains intrinsically linked to the streets from which it originates. The collaboration between OG Slick and Chaz Bojorquez is a powerful reminder of street art's potential to influence and inspire. As a piece of rare street art, C/S III carries with it the stories, struggles, and triumphs of the communities that have shaped the genre, ensuring that the voices of the streets continue to echo within the halls of fine art.

Read more less

Seppuku Limited Edition Hand-Embellished 6-Color Serigraph on 130lbs Mohawk Fine Art Paper by Abcnt Graffiti Street Artist Modern Pop Art. "I wanted to portray dead cops, but keeping with the tradition of non-violent resistance. So the problem solving was trying to figure out how I would communicate that dilemma.I don't condone violence against police, but I'm okay with self-inflicted violence by police for the sake of honor."- ABCNT

Read more less

Wretch I Created Limited Edition 1-Color Hand-Pulled Silkscreen Print on 130lb Cougar Natural Paper by Bernie Wrightson Graffiti Street Artist Modern Pop Art. AP Artist Proof 2014 Signed & Marked AP Limited Edition Artwork Size 20x30 Each print measures 20×30 and is signed by the master himself, Bernie Wrightson. These prints are hand-printed silkscreen images on heavy-weight 130lb Cougar Natural stock.

Read more less