Acid & LSD

Trespassing Blotter Paper Archival Print by Jay Kaes Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 25 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Perforated blotter paper is a type of paper that is commonly used in the creation of graffiti fine art. This paper is perforated into small squares or tabs, which are then used to create unique artwork prints. The printing process used for blotter paper artwork prints is similar to that of traditional fine art prints, with a focus on using high-quality materials and techniques that ensure the longevity and preservation of the artwork. Archival inks are used to ensure that the print will resist fading and discoloration over time, and acid-free paper is used to prevent deterioration and yellowing. Blotter paper artwork prints are popular among collectors and enthusiasts of graffiti and street art due to their unique texture and the fact that each print is a one-of-a-kind piece of art. They are often framed and displayed in galleries and private collections, and can be a valuable addition to any art collection. Blotter paper artwork prints are made by first creating an original artwork on a sheet of blotter paper using various mediums, the artwork is then scanned or photographed and digitally reproduced using high-quality archival ink and paper. To ensure that these artwork prints are archival quality, it is important to use high-quality materials and techniques in the creation process. This might include using acid-free paper, archival inks, and other materials that will help to preserve the artwork for many years to come. With proper care and storage, these artwork prints can be enjoyed by collectors and enthusiasts for generations to come.

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New Sheriff Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Slegh pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Trip A Stitch In Time EpiPen Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Ben Frost's Stitch and the Prescription Rebellion Trip A Stitch In Time EpiPen Blotter Paper Archival Print by Ben Frost, released in 2025 as a limited edition pigment print on perforated blotter paper, continues the Australian street artist's sharp critique of consumerism, pharmaceutical branding, and the hijacking of pop culture. In this particular work, the animated alien Stitch is depicted in a manic outburst overlaid on EpiPen pharmaceutical packaging. Known for his unapologetic visual collisions, Ben Frost uses the raw visual energy of graffiti tactics and comic aesthetics to deliver a satirical jab at the marketing of medical dependency, while simultaneously twisting beloved childhood characters into symbols of overstimulated chaos. Street Pop Art Meets Pharmaceutical Anxiety What sets this work apart in the category of Street Pop Art & Graffiti Artwork is its brutal honesty in aesthetic and message. The combination of a hyperactive Stitch and the sterile typography of prescription medicine constructs an immediate visual dissonance. Stitch's feral teeth, wide eyes, and clawed hand scream in emotional excess, a stark contradiction to the controlled and impersonal design of the EpiPen label behind him. The juxtaposition acts as a metaphor for cultural burnout, the medicating of identity, and the commodification of both childhood and health. Frost’s use of blotter paper, a medium historically associated with LSD, heightens the psychedelic tone and lends another layer of commentary about societal escapism through pills, pleasure, or nostalgia. Perforation as Medium and Message The print is produced on a 7.5 x 7.5 inch perforated blotter sheet, hand-perforated by Zane Kesey, son of Ken Kesey, the cultural icon known for pioneering the psychedelic movement. This detail ties the artwork to a broader historical conversation around consciousness, art, and rebellion. In this format, the artwork becomes something to be metaphorically consumed, suggesting the idea of breaking apart sanitized narratives into fragmented truths. The perforations also echo street art’s ephemerality, its nature of being divided, destroyed, or shared. The medium is the message as much as the image, with Frost exploiting every inch of material for critical storytelling. The Power of Satirical Mutation in Urban Culture Ben Frost’s visual style often depends on mutation, appropriation, and critique, and Trip A Stitch In Time stands out for its frenzied commentary on overstimulation, identity distortion, and pharmaceutical dependence. Within the context of Street Pop Art & Graffiti Artwork, this piece is more than a parody of medical culture—it is an indictment of the manufactured balance society attempts to impose through pills, branding, and repackaged characters. Stitch, in this chaotic reinterpretation, becomes a monster of modern consumption, captured at the moment he breaks through the constraints of prescription labels and cartoon nostalgia to claw at something far more human—truth through madness.

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Double Vision Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by CES pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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High Fashion Chanel Blotter Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. Chanel Reimagined in Street Pop Art & Graffiti Artwork The unmistakable double C logo of Chanel has long stood as a symbol of luxury, status, and timeless fashion, yet in the world of Street Pop Art & Graffiti Artwork, it takes on a new identity. Chanel, founded by Gabrielle Chanel in France during the early twentieth century, revolutionized fashion through clean lines and modern elegance. In the context of urban art, its pristine image is often recontextualized as a critique, satire, or celebration of wealth culture and identity. Artists like Daniel Bombardier, also known as Denial, use this emblem to explore the commodification of status and the blending of luxury and rebellion. Luxury Disrupted: Daniel Bombardier’s Artistic Commentary In 2024, Daniel Bombardier released a limited edition blotter paper artwork titled High Fashion Chanel. With an edition of only thirty-five, this archival pigment print was applied on hand-perforated blotter paper by Zane Kesey, a figure associated with psychedelic culture. The medium alone offers a layered context, hinting at altered states and counterculture movements. The bold Chanel logo dominates a minimalist yet highly repetitive background, turning the monogram pattern into both a celebration and subversion of consumerist branding. What traditionally represents refinement and class is reframed as something mass-produced and industrial, raising questions about the values consumers assign to logos and heritage. Visual Language and the Power of the Symbol The use of blotter paper in this edition is more than a stylistic decision. Its association with underground psychedelia adds another layer to the interpretation, aligning the visual impact of the work with ideas of transformation, critique, and satire. Bombardier is known for blending commercial aesthetics with provocative messages, and this Chanel print is no exception. The composition presents a clean layout that invites viewers to engage with how deeply symbols have embedded themselves into culture. The repetition of the Chanel monogram mimics advertising saturation, while the clean lines reference the brand's original design ethos, creating tension between reverence and critique. Street Pop Art & Graffiti Artwork Meets Fashion Iconography High Fashion Chanel reflects how street-level art forms engage with fashion not only as design but as commentary. This blotter print stands as both an homage and interrogation of luxury’s influence on identity, class, and aspiration. Denial’s work joins a broader conversation where fashion logos are used as tools for expression, resistance, or humor in urban visual culture. Through precise design, unexpected mediums, and intentional appropriation, Chanel’s image is reworked into something both familiar and radically transformed—making it an ideal subject within the language of Street Pop Art & Graffiti Artwork.

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Gas Mask Mickey Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ron English pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 5.6 Inches Release: April 19, 2021. These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.  

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Chips Mushroom Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Chips Mushroom by Ben Frost as Street Pop Art & Graffiti Artwork Chips Mushroom is a vibrant 2025 blotter paper release by Australian artist Ben Frost, executed as a limited edition archival pigment print on hand-perforated blotter paper. The piece is a psychedelic explosion of color and character, transforming two chipmunk-style cartoon figures into glowing avatars of trippy mischief. The characters embrace a massive mushroom with hypnotic joy, their candy-colored eyes swirling in sync with the red, yellow, and blue pulsations radiating through the background. Released on April 19, 2025 and perforated by Zane Kesey, the artwork is part of Frost’s continuing exploration of pharmaceutical satire, cartoon nostalgia, and drug culture iconography—filtered through the visual language of Street Pop Art & Graffiti Artwork. The Visual Style and Commentary of Ben Frost Ben Frost, born in Australia, is known internationally for his provocative works that remix corporate branding, medication packaging, and pop culture icons with subversive intent. He draws heavily from graffiti aesthetics, advertisement design, and comic art, twisting their purpose to expose the absurdities of consumption and identity. In Chips Mushroom, he collides the aesthetics of children's cartoons with drug symbolism, using hyper-expressive chipmunks and a towering mushroom to provoke a layered visual response. The piece walks a line between euphoric fantasy and sensory overload, challenging how innocence and escapism are sold and interpreted in media and marketing. The exaggerated features and blissful daze of the characters hint at both chemical surrealism and the performative bliss of consumer culture. Blotter Paper as Medium and Message Printing Chips Mushroom on perforated blotter paper is not a gimmick—it is a conscious, culturally loaded choice. Blotter paper has long been associated with the psychedelic counterculture of the 1960s and beyond, often used as a delivery method for LSD. By using it as the canvas, Frost recontextualizes his cartoon-laced satire into a physical object that evokes altered perception, rebellion, and the boundary-pushing roots of graffiti art. The small grid squares also echo the building blocks of digital pixel art and the modular logic of pharmaceuticals, reinforcing the connections between microdosing, consumerism, and branding. It is both a print and a conceptual time bomb—an art object that challenges the viewer before it even speaks. Cartoon Characters as Agents of Disruption The use of chipmunk-like characters pulling ecstatically at a colossal mushroom isn't simply a tribute to animation nostalgia. In the framework of Street Pop Art & Graffiti Artwork, these creatures become symbols of rebellion, fantasy, and hallucination. Their exaggerated grins and kaleidoscopic eyes bring the influence of underground comics and urban tagging culture into collision with drug references and psychedelic art history. Much like other Frost works that utilize pop mascots in disturbing or ecstatic ways, Chips Mushroom relies on innocence warped by excess. The playful format becomes a tool to decode addiction, pleasure, and capitalist spectacle—all while holding fast to the vibrant, rule-breaking DNA of street art.

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Fire Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Joe Mangrum pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Light Cult Crypto Club- Bulb Tricycle Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ron English. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Jerry Moth Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Matt Gordon pop culture LSD artwork. Matt Gordon is a mixed media artist who strives to make well-crafted and highly detailed acrylic paintings and pencil drawings, along with the occasional 3-D fabrication thrown in there to satisfy sculptural needs and to provide live models for things that don't really exist but need to look like they do.

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High Fashion Burberry Blotter Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. Burrrrberrrrry as Reimagined in Street Pop Art & Graffiti Artwork Daniel Bombardier, professionally known as Denial, continues his cultural deconstruction of luxury symbolism with the 2024 release of the High Fashion Burberry blotter print. This limited edition artwork is executed on perforated blotter paper, a material long associated with counterculture and psychedelic art. Hand-perforated by Zane Kesey and measuring 7.5 by 7.5 inches, the print merges high fashion branding with street-level critique. Featuring a warped reinterpretation of the Burberry logo as Burrrrberrrrry, this piece questions the constructed prestige of fashion houses through the lens of Street Pop Art & Graffiti Artwork. The distinctive Burberry tartan and iconic equestrian knight emblem remain central, but their presentation is filtered through a playful, disruptive, and highly subversive artistic voice. Subverting Heritage Branding Through Satire and Street Culture The Burberry brand, established by Thomas Burberry in England in 1856, has cultivated an image synonymous with British sophistication and functional elegance. In Denial's version, this legacy is visually distorted. The stretched-out text exaggerates the branding to the point of absurdity, effectively dismantling its seriousness. The classic beige, red, and black plaid—a symbol of high fashion and sometimes rebellious subculture—dominates the lower half of the composition, emphasizing the duality of its place in culture as both exclusive and imitated. Denial’s use of humor and repetition transforms the logo into something excessive and ironic, echoing the ways luxury fashion often finds itself commodified and memed within internet and street-based creative spaces. Denial’s Commentary on Consumer Fetishism and Art Commodification Denial’s High Fashion series critiques not just the fashion industry but also the commodification of everything, including art itself. By printing these designs on blotter paper, a medium associated with the underground and mind-altering experience, Denial intentionally blurs the line between commercial branding and counterculture. This tension is at the heart of Street Pop Art & Graffiti Artwork—where luxury logos are often repurposed as statements on mass consumption, wealth, and identity. Denial does not simply parody Burberry but recontextualizes its meaning within an art form that thrives on social commentary and subversive aesthetics. The piece becomes an invitation to question what gives a brand its power, and who has the right to disrupt that image. Burberry in the Crosshairs of Visual Dissent By placing Burberry within the structure of limited-edition blotter art, Denial reframes the brand not as an untouchable institution but as a malleable object within the hands of the public. This act is in keeping with the ethos of graffiti and street art, which often refuse to respect boundaries imposed by property, power, or prestige. Artists like Denial leverage these visuals not for homage but to expose the artificial layers beneath luxury. The High Fashion Burberry blotter print serves both as a collectible artwork and a critique wrapped in aesthetic appeal, reminding viewers that in the world of Street Pop Art & Graffiti Artwork, no icon is too sacred to remix.

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LSDetroit Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Denial pop culture LSD artwork. 2019 Signed Limited Edition of 50 Artwork Size 7.5x7.5 In 2000 he adopted the moniker ‘DENIAL’ as a means of poking fun at advertising, politics, and media messages that contemporary society is often ‘in denial about. Since then he has maintained an ongoing global street-campaign of over 500, 000 stickers, placards, and murals, using the alpha-numeric characters ‘D3N!@L’. Intended as a conceptual means of marketing absurdism, DENIAL also challenges traditional notions of graffiti and public art through his bold and often satirical visual subversions. Denial is a Canadian artist who experiments with aerosol and stencil art, while his main fields of interest are consumerism, politics and the human condition in today’s society. Since the culture of graffiti was gaining more and more popularity in the US and Europe, the taggers had to be increasingly original in order to stand out. The signatures became bigger, more stylized and more colorful.

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Good Morning Starshine Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Skel pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Sleepy Smurf Valium Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Pharmaceutical Parody and Cartoon Subversion The Sleepy Smurf Valium blotter paper archival print by Ben Frost is a bold addition to the modern canon of Street Pop Art & Graffiti Artwork. Released in 2025 as a limited edition archival pigment print on perforated blotter paper, this work merges two highly charged icons of cultural influence: the innocent cartoon world of the Smurfs and the clinical aesthetic of pharmaceutical branding. Frost, a contemporary Australian artist known for his sharp, satirical fusion of consumer graphics and pop characters, challenges viewers with visual contradictions that provoke immediate reactions. In this print, Sleepy Smurf reclines peacefully against a pink and cream backdrop stylized as Valium packaging, blurring the line between prescription culture and pop fantasy. Commercial Symbols as Fine Art Tools Frost’s ability to co-opt corporate visual language and twist it into vibrant, layered art is fully displayed in this edition. By replicating the look of over-the-counter drugs with high fidelity and placing a beloved character within its context, he creates a collision between mental health discourse and childhood nostalgia. The prescription label, dosage notes, barcode, and pharmaceutical language are precise, further heightening the tension between what is perceived as therapeutic and what is understood as cultural play. By treating Sleepy Smurf like an ingredient in a sedative product, Frost questions society’s reliance on medication and its role in shaping personality and perception. Subtle Commentary in a Loud Format Frost’s approach often involves irony wrapped in vivid design, and Sleepy Smurf Valium captures that ethos perfectly. The comforting blue figure of the Smurf, an emblem of innocent, communal living, is presented under the branding of diazepam, a powerful anti-anxiety drug. The character's repose appears peaceful, but it becomes clear that the artist is addressing numbing, dependence, and the blurred emotional states of a medicated culture. These themes are amplified by the blotter format—perforated paper typically associated with psychedelic distribution—further tying together the histories of street rebellion, altered consciousness, and subversive media. Ben Frost and the Visual Weaponization of Branding Ben Frost continues to stand as one of the most provocative voices in the evolution of Street Pop Art & Graffiti Artwork. Born in Australia, he rose to prominence by using pop culture’s most recognizable faces and turning them into vessels of critique. From fast food mascots to vintage cartoons, Frost deploys graphic nostalgia with a scalpel-like edge. In Sleepy Smurf Valium, he reinforces the absurdity of mass consumption and pharmaceutical dependency by making something joyful appear dangerously numbing. This print is not just an image; it is a mirror of contemporary discontent presented through an aesthetic that is deceptively cheerful.

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Untitled Simulator Interface I Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by J Demsky pop culture LSD artwork. "My first experience with the Lsd was if I remember correctly about 95-96. It was a small dose, probably a quarter of a "Lucas Duck" that were quite soft, the second was the same dose with a “Bicycle" and the experience was also smooth.Until one day the "Simpson double drop" appeared and it was different. We took half to be sure of the trip and we did not notice anything after almost an hour (at that time people also sold them fake) so we decided to take the other half, imagine what happened.We lost control and my friend ran away, I supposed to go his house and I did the same. But I remember it took me a while to open all three doors since the key was bent as if it were a magic trick.The first thing I did was turn on the TV and there was the movie "The Shining", I was only able to see some scenes but I remember the second time I watch it I thought they had deleted some scenes, you can imagine...Until dawn it was very intense. I think this was the last use I did LSD in a very long time.Now I can say that I have never dedicated myself to selling drugs, but I was very good at faking things and spent a while making "replicas" of sheets of some that were very soft (like “Marilyn Monroe’s" or "Strawberries”) I even used my own designs of things that he painted at that time.In these strange days I feel with a smile remembering those experiences and adding a double drop to these new sheets. :)" - J Demsky

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Lion Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Stanley Mouse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Sashimi of Death Blotter Paper Archival Print by Skel Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 40 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Fugu Fish Meme Tarot Card Limited blotter editions are hand-perforated by Zane Kesey. Blotter paper artwork prints are a unique form of art that involves transferring ink onto specially treated blotter paper. The resulting prints are often abstract and colorful, and can be used for a variety of decorative and artistic purposes. To create a blotter paper artwork print, the artist first prepares the blotter paper by treating it with chemicals that will enhance its absorbency and ability to hold ink or dye. Then, ink or dye is applied to the paper using various techniques, such as dripping, pouring, or spraying. The paper is left to dry, and the resulting print is then carefully removed from the blotter paper. Archival printing techniques are used to produce high-quality prints of the original artwork. This involves using high-quality inks and paper that are designed to last for a long time without fading or deteriorating. Archival prints are also resistant to moisture and sunlight, which helps to preserve the artwork for years to come. Blotter paper artwork prints can be a great addition to any home or office decor, and they are often used as a unique form of wall art. They are also popular among collectors and art enthusiasts, as each print is one-of-a-kind and can never be replicated exactly.

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NY Tripway Map II Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Cope2 pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. The beginning of the new millennium found Cope2 in a different place in his career, as he started focusing more and more on ways to establish himself in the art scene of galleries and museums. Even though the artist had started working on canvas much earlier than the 2000s, it was then that he made this dynamic twist and agreed to exhibit indoors systematically. Whether you see graffiti as an expressive and lively form of art or as a form of irresponsible vandalism, one thing is certain; in recent years it has captured the attention of the general population to the world’s biggest galleries.

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Word Games Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ben Frost pop culture LSD artwork. Australian contemporary artist Ben Frost is best known for his bold, irreverent Pop Art. His instantly recognizable take on pop culture twists up everyday iconography from the world’s biggest brands. Subverting meaning and messages from the mainstream media, Frost’s scathing commentary on advertising, entertainment, and politics is both confronting and controversial. The essence of Frost’s commentary is established on the basis of subverting the meaning and the messages, promoted by the mainstream media. In other words and, as he has stated in the past: “The less you fill your mind with the trappings of advertising and bad television, the more space you have in your brain for things of value”. At the same time, his take on modern pop culture is equally compelling. Mainstream media, advertisements, and politics can be identified as some of his main fields of interest, which he utilizes and mixes up in a controversial formation. The word controversial is not used incidentally. What Ben Frost’s art is doing is, essentially, the appropriation and weaponization of imagery against the same system that gave birth to it.

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Trips Festival Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bob Masse pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 5.75 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Five Modes Of Transport Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Brandon Boyd pop culture LSD artwork. Brandon Boyd’s work as a singer, songwriter, both as a solo artist and with his platinum-selling rock band, is well documented and universally acclaimed. But now his other life’s work -- that of a painter -- has been garnering increasing attention and devoted audiences of its own.

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Liberty Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by John Van Hamersveld pop culture LSD artwork. "This Statue of Liberty image was originally created for Stussy, in two different iterations. That led into the ACLU poster, which gives us the blotter that what we have today. " - John Van Hamersveld

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Railroad Graffiti Blotter Paper Archival Print by Lyric One Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 25 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Limited blotter editions are hand-perforated by Zane Kesey. Perforated blotter paper is a type of paper that is commonly used in the creation of graffiti fine art. This paper is perforated into small squares or tabs, which are then used to create unique artwork prints. The printing process used for blotter paper artwork prints is similar to that of traditional fine art prints, with a focus on using high-quality materials and techniques that ensure the longevity and preservation of the artwork. Archival inks are used to ensure that the print will resist fading and discoloration over time, and acid-free paper is used to prevent deterioration and yellowing. Blotter paper artwork prints are popular among collectors and enthusiasts of graffiti and street art due to their unique texture and the fact that each print is a one-of-a-kind piece of art. They are often framed and displayed in galleries and private collections, and can be a valuable addition to any art collection. Blotter paper artwork prints are made by first creating an original artwork on a sheet of blotter paper using various mediums, the artwork is then scanned or photographed and digitally reproduced using high-quality archival ink and paper. To ensure that these artwork prints are archival quality, it is important to use high-quality materials and techniques in the creation process. This might include using acid-free paper, archival inks, and other materials that will help to preserve the artwork for many years to come. With proper care and storage, these artwork prints can be enjoyed by collectors and enthusiasts for generations to come.

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Speedy On Adderall Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 100 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Speedy Gonzales Looney Tunes Limited blotter editions are hand-perforated by Zane Kesey. The "Speedy On Adderall Blotter Paper Archival Print" is another provocative piece by contemporary artist Ben Frost, known for his critical and vibrant works that often incorporate elements of pop culture and consumerism. Released alongside its counterpart on April 19, 2023, this limited edition piece similarly presents a stark commentary on the intersection of medication, in this case, Adderall, and cartoon characters, with Speedy Gonzales of Looney Tunes fame taking the spotlight. Limited to a mere 100 signed and numbered editions, this artwork is printed on 7.5 x 7.5 inches perforated blotter paper, a material choice that is emblematic of Frost's distinctive approach to art creation. The medium is particularly notable for its historical association with the distribution of substances, thereby intensifying the print's dialogue about pharmaceutical consumption and its prevalence in society. Speedy Gonzales, the "fastest mouse in all Mexico," is a fitting character for this work, bringing into focus the drug's intended effects on attention and speed of cognitive processes. By placing this animated icon on a background that mimics a prescription for Adderall, a medication used to treat ADHD and narcolepsy, Frost not only showcases his hallmark juxtaposition of innocence with more adult themes but also casts a light on the sometimes frivolous use of prescription stimulants in today's fast-paced lifestyle. Each print is hand-perforated by Zane Kesey, adding a layer of authenticity and craft that contrasts with the otherwise mass-produced nature of the subjects depicted. In the realms of pop, street, and graffiti art, Frost's work is both a critique and a celebration of the culture it represents. This piece, much like other works by the artist, invites viewers to question the narratives fed to us by the media and pharmaceutical companies and encourages a dialogue on the cultural implications of these narratives. "Speedy On Adderall" is more than just a piece of fine art; it is a cultural statement, encapsulating concerns about mental health, the ethics of drug use, and the pervasive nature of animated characters in shaping our understanding of the world. Collectors and enthusiasts who acquire this print not only get a unique piece of art but also engage with the broader conversations that are central to Frost's artistic agenda.

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Baelyn As Conduit Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Brandon Boyd pop culture LSD artwork. INFO

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Love Soup Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Slegh pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Let Go Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Slegh pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Notorious BI-AT-CH Blotter Art Surreal Artwork Limited Edition Offset Lithograph Print on Perforated Paper Sheet by Artist Naoto Hattori. 2014 Signed & Hand-Numbered Limited Edition of 150 Artwork Size 8.3x10.8 Perforated Blotter Sheet

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Love Tripping- Red Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Mr Andre. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Light Cult Crypto Club- Bulb Grenade Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Ron English. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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1984 Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Ben Frost pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. The essence of Frost’s commentary is established on the basis of subverting the meaning and the messages, promoted by the mainstream media. In other words and, as he has stated in the past: “The less you fill your mind with the trappings of advertising and bad television, the more space you have in your brain for things of value”. At the same time, his take on modern pop culture is equally compelling. Mainstream media, advertisements, and politics can be identified as some of his main fields of interest, which he utilizes and mixes up in a controversial formation. The word controversial is not used incidentally. What Ben Frost’s art is doing is, essentially, the appropriation and weaponization of imagery against the same system that gave birth to it.

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Surfing Eyeball Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Rick Griffin pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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Dead On Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Dead On by Herbie Greene: Grateful Dead, Haight-Ashbury, and the Psychedelic Core of Street Pop Art & Graffiti Artwork Dead On is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released April 19, 2021, as a signed and numbered limited edition. Each print includes a certificate of authenticity and was hand-perforated by Zane Kesey, reinforcing the historical tie to LSD blotter art. This striking composition, both nostalgic and confrontational, features a black-and-white image of the Grateful Dead standing on the iconic corner of Haight and Ashbury in San Francisco. Greene injects color sparingly but strategically: flames erupt from a vintage car, the sidewalk bursts with a red-white-and-blue Steal Your Face logo, and the text DEAD FIFTY YEARS glows in red and gold in the upper right corner. The result is a collision of eras, attitudes, and iconography that embodies the rebellious core of Street Pop Art & Graffiti Artwork. Herbie Greene, born in the United States, rose to prominence documenting the psychedelic explosion of the 1960s, especially as the unofficial photographer of the Grateful Dead. In Dead On, he transforms a historic moment into a symbolic monument of counterculture energy. The band's casual stance at the heart of San Francisco's hippie revolution feels timeless and alive, made more powerful by the blotter format. LSD and the Dead have long shared intertwined legacies, and placing this image on perforated paper makes the print an artifact of both visual and chemical transformation. Greene's use of selective color against grayscale lends a raw immediacy that echoes the emotional sharpness found in wheatpaste murals, stencil tags, and handmade gig posters. Documenting Counterculture Through Psychedelic Media The corner of Haight and Ashbury is not just a location in this print—it is a symbol of a social and artistic uprising that defined an era. By capturing the Grateful Dead there, Herbie Greene documents more than a band. He preserves a time when art, music, and consciousness were all being redefined through collective experimentation and resistance. The vintage cars, residential buildings, and storefronts are left untouched in grayscale, reinforcing the photographic reality of the moment, while the graffiti-like color accents bring the spirit of protest, psychedelia, and spiritual fire to the forefront. The use of blotter paper adds a deeper layer of symbolism. This was not a material chosen for novelty. It is a deliberate nod to the role visual art played in enhancing or reflecting LSD experiences during the 1960s and beyond. Zane Kesey’s involvement in perforating the print adds continuity to that history. His connection to the original Merry Pranksters and his stewardship of psychedelic print traditions ensure that each sheet holds more than ink—it carries the energy of a cultural lineage that never stopped questioning the status quo. Visual Resistance and the Street Pop Art Aesthetic Dead On blurs the line between documentation and confrontation. The addition of fire—literally exploding from the background—turns a peaceful street portrait into a moment of surreal spectacle. The visual message aligns closely with the tenets of Street Pop Art & Graffiti Artwork, where public spaces are transformed through color, message, and distortion. The Dead’s stoic faces contrast with the intensity of the fire and the bold pop typography, creating a tension between calm defiance and burning revolution. This technique of mixing photographic realism with stylized additions mirrors the way street artists use paste-ups or painted overlays on photographs or prints in urban spaces. It evokes a world where memory is always edited by experience, where sacred moments can be revisited and recontextualized through art. By adding a psychedelic floor mural and ominous flames, Greene does not just celebrate the past—he reimagines it for now. The message becomes one of persistence, cultural renewal, and unfiltered truth. Herbie Greene and the Printed Memory of Sound and Vision Herbie Greene’s contribution to American visual culture spans music, photography, and psychedelic art. Through Dead On, he presents not just a band, not just a corner, but a living monument to a movement that still resonates today. The Grateful Dead’s relationship with visual art has always been central to their mythos—from album covers to poster design—and Greene’s work amplifies that history with a tactile surface that recalls a time when the experience of seeing was inseparable from the experience of feeling. Dead On is more than a photograph. It is a constructed memory made physical on a material that once altered consciousness and inspired revolution. It speaks to the roots of Street Pop Art & Graffiti Artwork, where visual language is raw, urgent, and built for both permanence and decay. With this piece, Herbie Greene secures a place where nostalgia is not passive and history remains lit with the fires of psychedelic rebellion.

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Love Tripping- Pink Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Mr Andre. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Storm Queen Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Tara McPherson. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Trip Benzos Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2025 Signed & Numbered Limited Edition of TBD Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2025 Limited blotter editions are hand-perforated by Zane Kesey. Trip Benzos by Ben Frost: Video Game Iconography Meets Street Pop Art & Graffiti Artwork Trip Benzos, the 2025 limited edition blotter paper print by Australian artist Ben Frost, captures the jarring collision of nostalgic culture and contemporary pharmaceutical critique through the lens of Street Pop Art & Graffiti Artwork. Presented as a 7.5 x 7.5 inch archival pigment print on hand-perforated blotter paper by Zane Kesey, the piece is a psychedelic reimagination of a familiar video game character altered into an anxious, grinning avatar of consumer intoxication. The warped exuberance in the expression and the bold palette reflect Frost’s trademark interrogation of media, medicine, and mind states. Pharma Satire and Pop Subversion Frost is globally recognized for repurposing icons of commercial entertainment into biting social commentary. In Trip Benzos, he adapts a beloved gaming mascot and outfits him in his raccoon-suited glory, only this time wired on hyperreality. With swirling rainbow eyes and exaggerated limbs, the figure becomes a metaphor for the synthetic highs and cartoon-fueled escapism of modern life. The word BENZOS, boldly emblazoned above, anchors the viewer in the pharmacological theme. As with Frost’s broader body of work, this piece questions the ethics of consumer culture and the thin line between fun and sedation. Visual Culture on Blotter Paper The use of perforated blotter paper is integral to the piece’s conceptual gravity. This medium, traditionally associated with LSD distribution, is reclaimed here as a legitimate fine art format. Frost’s execution is precise, colorful, and layered with irony. The print’s hallucinogenic vibrancy and the flattened graphic styling make the imagery pulse with comic intensity. Clouds and green fields provide a friendly background that contrasts starkly with the print’s title, challenging viewers to reconcile innocence with artificial euphoria. The medium becomes more than a surface—it becomes a statement on altered perception, branding, and identity. Ben Frost and the Contemporary Urban Narrative Ben Frost, based in Sydney, has cultivated an international following through works that blend corporate iconography with pop satire and graffiti aesthetics. His work often plays in public space, galleries, and now on unique substrates like blotter paper, creating dialogues between street legality, fine art, and social critique. Trip Benzos stands as an extension of Frost’s focus on pharmaceutical dependency and the cartoonification of mental health. It is a snapshot of a culture high on itself, addicted to entertainment, and medicated into smiles. This limited edition speaks with the voice of the underground while using the tools of mass marketing, a formula that defines the power and provocation of Street Pop Art & Graffiti Artwork.

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Bird Bath Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Morgan McPeak pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Dead On by Herbie Greene: Grateful Dead, Haight-Ashbury, and the Psychedelic Core of Street Pop Art & Graffiti Artwork Dead On is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released April 19, 2021, as a signed and numbered limited edition. Each print includes a certificate of authenticity and was hand-perforated by Zane Kesey, reinforcing the historical tie to LSD blotter art. This striking composition, both nostalgic and confrontational, features a black-and-white image of the Grateful Dead standing on the iconic corner of Haight and Ashbury in San Francisco. Greene injects color sparingly but strategically: flames erupt from a vintage car, the sidewalk bursts with a red-white-and-blue Steal Your Face logo, and the text DEAD FIFTY YEARS glows in red and gold in the upper right corner. The result is a collision of eras, attitudes, and iconography that embodies the rebellious core of Street Pop Art & Graffiti Artwork. Herbie Greene, born in the United States, rose to prominence documenting the psychedelic explosion of the 1960s, especially as the unofficial photographer of the Grateful Dead. In Dead On, he transforms a historic moment into a symbolic monument of counterculture energy. The band's casual stance at the heart of San Francisco's hippie revolution feels timeless and alive, made more powerful by the blotter format. LSD and the Dead have long shared intertwined legacies, and placing this image on perforated paper makes the print an artifact of both visual and chemical transformation. Greene's use of selective color against grayscale lends a raw immediacy that echoes the emotional sharpness found in wheatpaste murals, stencil tags, and handmade gig posters. Documenting Counterculture Through Psychedelic Media The corner of Haight and Ashbury is not just a location in this print—it is a symbol of a social and artistic uprising that defined an era. By capturing the Grateful Dead there, Herbie Greene documents more than a band. He preserves a time when art, music, and consciousness were all being redefined through collective experimentation and resistance. The vintage cars, residential buildings, and storefronts are left untouched in grayscale, reinforcing the photographic reality of the moment, while the graffiti-like color accents bring the spirit of protest, psychedelia, and spiritual fire to the forefront. The use of blotter paper adds a deeper layer of symbolism. This was not a material chosen for novelty. It is a deliberate nod to the role visual art played in enhancing or reflecting LSD experiences during the 1960s and beyond. Zane Kesey’s involvement in perforating the print adds continuity to that history. His connection to the original Merry Pranksters and his stewardship of psychedelic print traditions ensure that each sheet holds more than ink—it carries the energy of a cultural lineage that never stopped questioning the status quo. Visual Resistance and the Street Pop Art Aesthetic Dead On blurs the line between documentation and confrontation. The addition of fire—literally exploding from the background—turns a peaceful street portrait into a moment of surreal spectacle. The visual message aligns closely with the tenets of Street Pop Art & Graffiti Artwork, where public spaces are transformed through color, message, and distortion. The Dead’s stoic faces contrast with the intensity of the fire and the bold pop typography, creating a tension between calm defiance and burning revolution. This technique of mixing photographic realism with stylized additions mirrors the way street artists use paste-ups or painted overlays on photographs or prints in urban spaces. It evokes a world where memory is always edited by experience, where sacred moments can be revisited and recontextualized through art. By adding a psychedelic floor mural and ominous flames, Greene does not just celebrate the past—he reimagines it for now. The message becomes one of persistence, cultural renewal, and unfiltered truth. Herbie Greene and the Printed Memory of Sound and Vision Herbie Greene’s contribution to American visual culture spans music, photography, and psychedelic art. Through Dead On, he presents not just a band, not just a corner, but a living monument to a movement that still resonates today. The Grateful Dead’s relationship with visual art has always been central to their mythos—from album covers to poster design—and Greene’s work amplifies that history with a tactile surface that recalls a time when the experience of seeing was inseparable from the experience of feeling. Dead On is more than a photograph. It is a constructed memory made physical on a material that once altered consciousness and inspired revolution. It speaks to the roots of Street Pop Art & Graffiti Artwork, where visual language is raw, urgent, and built for both permanence and decay. With this piece, Herbie Greene secures a place where nostalgia is not passive and history remains lit with the fires of psychedelic rebellion.

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Marilyn Whaam New Love Forever Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Copyright. 2022 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey. Marilyn Whaam New Love Forever by Copyright: Icons, Psychedelia, and Modern Myth in Street Pop Art & Graffiti Artwork Marilyn Whaam New Love Forever is a 2022 limited edition archival pigment print created by the UK-based modern pop artist Copyright. Produced in an edition of just 35 and measuring 7.5 x 7.5 inches, this fine art piece is printed on perforated blotter paper, a material long associated with psychedelic counterculture. The edition is hand-perforated by Zane Kesey, reinforcing its ties to underground and rebellious creative traditions. Copyright, known for fusing pop iconography with layered social critique, constructs a visual kaleidoscope that blurs the boundaries between commercial art, psychedelia, and romantic symbolism. The artwork’s format—archival pigment print on blotter—is as intentional as the imagery itself, merging printmaking craftsmanship with the aesthetic of outlaw spirit. Visual Archetypes and Cultural Overload At the core of the artwork is a cyan-hued portrait of Marilyn Monroe, reimagined in a Warholian color palette and stylized with dripping paint, bold outlines, and floral embellishments. Her face is overlaid with layered graphics: the word Forever in sparkling pink script, a skull adorned with petals, butterflies, and a tattoo-style heart that reads Love. Above her, comic book text explodes in Whaam, while Mickey Mouse gestures into the frame, acting both as a witness and a participant in the chaos. This collage of commercial characters, romance clichés, and subversive symbols creates a disorienting and emotionally saturated composition. In the tradition of Street Pop Art & Graffiti Artwork, the piece uses universally recognized figures to dissect the artificial constructs of fame, memory, mortality, and branding. Material Legacy and Psychedelic Format The choice of blotter paper as the printing substrate is a deliberate reference to 1960s and 1970s psychedelic art, where LSD tabs often featured graphic micro-images. While this artwork does not serve a functional purpose in that context, the use of perforated sheets draws a clear line to underground culture and mind-expansion aesthetics. The archival pigment printing process ensures color accuracy, longevity, and fine detail, lending a museum-quality finish to a material traditionally deemed ephemeral or illicit. The 7.5 x 7.5 inch size encourages up-close viewing, highlighting the pixel-level texture of the perforation grid beneath the imagery. This contrast between the sacred and the disposable adds a layer of tension to the print’s message—suggesting that contemporary mythologies are as fragile as they are omnipresent. Copyright’s Role in the Remix Tradition Copyright is a UK street pop artist who continually reimagines the familiar through a lens of distortion, nostalgia, and rebellion. Blending elements of graffiti culture, fashion advertising, fine art, and pop media, his works function as remix archives of collective memory. Marilyn Whaam New Love Forever distills his approach into one saturated square, drawing upon the semiotics of love, death, sex, capitalism, and escapism to create a maximalist meditation on cultural saturation. The inclusion of characters like Mickey and Monroe acts as both homage and critique—icons who once promised happiness and now haunt the very systems they helped define. In the world of Street Pop Art & Graffiti Artwork, this piece asserts itself as a colorful explosion of conflicted worship, where beauty meets decay and permanence is found in the disposable.

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NY Tripway Map III Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Cope2 pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown. During the mid-1990s Cope2 started slowly transitioning from the streets to the art scene of the galleries. At that time, street art was not as popular as it is in our days and the general public’s idea of it was still inextricably connected to ghettos, drug dealing, etc. The artist has never hidden his troubling past and avoids idealizing it, as a way to enhance his career and artistic persona. On the contrary, he mentions the following: “Oh man, there’s nothing to be proud of in hustling, but I had my first child at the age of 16, my son. So I had to make money to support him and his mother.

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Gotta Take 'Em All Blotter Paper Archival Print by Ben Frost Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2023 Signed & Numbered Limited Edition of 100 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2023 Pac-Man Video Game Limited blotter editions are hand-perforated by Zane Kesey. "Gotta Take 'Em All Blotter Paper" merges the iconic imagery of the classic arcade game Pac-Man with the distinctive style of contemporary artist Ben Frost. The work is an archival pigment print on perforated blotter paper, continuing Frost's signature approach of combining pop culture elements with commentary on pharmaceuticals and drugs. This limited edition piece, signed and numbered with a release of only 100 copies, is a fine example of modern pop art and its intersection with street and graffiti art aesthetics. Released on April 19, 2023, each print measures 7.5 by 7.5 inches, symbolizing the retro video game culture and its influence on modern society. The vibrant artwork features the universally recognized yellow character, here presented with a twist, as it appears to interact with the letters "MDMA," positioned prominently in the style of a game's high score display. This is a clear nod to the contrast and conversation that Frost aims to present within the themes of playfulness and the more adult-oriented world of recreational drug use. Each piece's blotter paper is hand-perforated by Zane Kesey, echoing the artisanal quality and tying back to a history of psychedelic art linked to his father, Ken Kesey. Through this collaboration, the art not only showcases Frost's visual acumen but also respects the deeper roots of blotter art within counter-culture. The meticulous craftsmanship underscores the exclusivity of the edition, making it highly sought after by collectors and enthusiasts of both video game memorabilia and cutting-edge art. The "Gotta Take 'Em All Blotter Paper" acts as a cultural mirror, reflecting issues around the consumption and commercialization of nostalgia. Ben Frost's ability to layer themes—contrasting innocent childhood games with adult substance use—challenges the viewer to question the complexities of these intertwined worlds. In essence, this art piece captures the zeitgeist of a society grappling with the allure of digital entertainment and its contrasting realities.

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Trip Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Raws pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Riding In The Neighbourhood Limited Edition Fine Art Blotter Paper Archival Pigment Print Art on Perforated Blotter Paper by Modern Pop Artist Pez. 2022 Signed & Numbered Limited Edition of 50 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2022 Limited blotter editions are hand-perforated by Zane Kesey.

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Valerian Fever Dream Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Camille Rose Garcia pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Valerian Fever Dream by Camille Rose Garcia – Street Pop Art & Graffiti Artwork on Blotter Paper Valerian Fever Dream is a hallucinatory exploration of fantasy and surrealism by Camille Rose Garcia, created as a signed and numbered archival pigment print on hand-perforated blotter paper. Released on April 19, 2021, in a limited edition measuring 7.5 x 7.5 inches, this work fuses psychedelic nostalgia with sharp pop culture critique and is authenticated with a Certificate of Authenticity. The blotter format, historically linked to LSD culture, is not only a nod to countercultural aesthetics but becomes a physical metaphor for the fragmented, dreamlike nature of Garcia’s visual universe. The hand-perforation by Zane Kesey adds historical and symbolic weight, transforming each print into a tangible artifact of underground art history. Visual Surrealism and Symbolic Density in Garcia’s Work Camille Rose Garcia’s Valerian Fever Dream plunges viewers into a feverish, chromatic fairytale populated by mutated flora, ghostly equines, and an almost-doll-like female figure. Rendered in blistering fluorescents—hot pinks, acidic purples, cyan blues, and emerald greens—the composition conjures both visual disorientation and visceral intrigue. Organic shapes melt into one another as though pulled from a kaleidoscopic subconscious, with references to botanical overgrowth, animated storytelling, and apocalyptic fables. Garcia’s painting style employs controlled drips, fluid lines, and layering techniques that align with both graffiti’s urgency and the formal precision of studio pop surrealism. Camille Rose Garcia and the Evolution of Pop Psychedelia Born in California in 1970, Camille Rose Garcia emerged as a central figure in the lowbrow and pop surrealist movement, aligning with West Coast artists like Mark Ryden and Robert Williams. Drawing from punk music, Disney animation, and historical illustration, her work critiques environmental decay and capitalist exploitation while maintaining a visually seductive, storybook-like atmosphere. Valerian Fever Dream illustrates her signature approach—highly rendered chaos that remains tethered to narrative figuration. In the realm of street pop art & graffiti artwork, Garcia has carved a unique lane where fairytale meets ferocity, often merging gallery craft with streetwise rebellion. Blotter Art as Countercultural Canvas The choice of blotter paper for this piece is deeply significant. Historically used as a medium for distributing LSD, blotter sheets have become a revered canvas within psychedelic and underground art circles. Valerian Fever Dream transcends mere decorative object—it is a collectible rooted in countercultural storytelling. Hand-perforated by Zane Kesey, son of One Flew Over the Cuckoo's Nest author Ken Kesey, the piece stands at the intersection of acid wave iconography and modern surrealist expression. Garcia’s dreamworld, encoded onto this intimate scale, allows collectors to hold a slice of modern myth in their hands—a saturated snapshot of rebellion, symbolism, and illusion transformed into fine art.

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High Fashion Gucci Blotter Print by Denial- Daniel Bombardier Limited Edition Fine Art Archival Pigment Print Art on Perforated Blotter Paper. 2024 Signed & Numbered Limited Edition of 35 Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2024, Limited blotter editions are hand-perforated by Zane Kesey. High Fashion Gucci Blotter Print by Denial High Fashion Gucci by Denial, also known as Daniel Bombardier, boldly merges the visual codes of luxury branding with the gritty defiance of Street Pop Art & Graffiti Artwork. This limited edition print, released in 2024 as part of a 35-print run, measures 7.5 x 7.5 inches and is crafted using archival pigment inks on perforated blotter paper. With each piece hand-perforated by Zane Kesey, the work is both a nod to countercultural history and a sharp cultural critique. Denial’s use of blotter paper as a canvas underscores a larger message about escapism, consumption, and image manipulation in modern society. Luxury Rewired Through a Subversive Lens Centered around the iconic Gucci logo and set against a repeating branded pattern, the artwork includes a coiled red, black, and white serpent slithering across the surface. The visual blend of opulence and danger makes a striking impression. This symbolic snake—long associated with temptation, rebellion, and transformation—amplifies the tension between consumer desire and critical awareness. Denial does not distort the branding. Instead, he amplifies it, forcing the viewer to engage with the familiarity of the logo in a completely different context. The very use of blotter paper, historically linked to psychedelics, adds layers of metaphor about perception, transformation, and cultural illusion. Gucci and the Aesthetic of Power Gucci’s visual identity has become shorthand for status and aspiration, and this is exactly what Denial calls into question. In a world where logos often carry more cultural weight than the products themselves, the artist draws attention to the machinery of branding and its influence over identity and expression. Through the lens of Street Pop Art & Graffiti Artwork, this piece makes Gucci’s signature motifs accessible but also provocative. It turns fashion into a format for critique rather than celebration, showing how luxury aesthetics can be hijacked and repurposed as contemporary iconography. Daniel Bombardier’s Ongoing Commentary Denial continues to explore the relationships between media, branding, and cultural behavior. Known for fusing bold color palettes with subversive imagery, his High Fashion Gucci print delivers both visual satisfaction and layered meaning. By working on perforated blotter paper, he reinforces a tactile history of underground movements and counter-narratives. This artwork fits within a larger pattern of Denial’s efforts to blur the line between commercial art and social commentary. It is not just a stylish nod to high fashion. It is a streetwise deconstruction of consumerist illusion. Each dot, logo, and symbol demands a second look—not for what it sells, but for what it questions.

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Where Is My Mind? Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Richey Beckett pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Where Is My Mind? by Richey Beckett: Blotter Paper Art and the Psychedelic Thread in Street Pop Art & Graffiti Artwork Where Is My Mind? is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper released on April 19, 2021, by Welsh illustrator Richey Beckett. This limited edition artwork was signed, numbered, and accompanied by a certificate of authenticity. Hand-perforated by Zane Kesey, son of Ken Kesey and steward of a cultural lineage intertwined with psychedelic exploration, this edition pays homage to a rich visual and countercultural history. Through Beckett’s meticulous ink work and symbolic imagery, the piece situates itself as a vital contribution to the evolution of Street Pop Art & Graffiti Artwork. The artwork’s composition centers on the serene face of a woman, surrounded by flowing hair and ornamental floral details, rendered with a delicate balance of hallucinogenic color and fine linework. The blend of purples, reds, greens, and gold evokes the mind-altered visual field of psychedelic experience. The choice to print on blotter paper ties directly to the cultural tradition of LSD distribution art, connecting this work not only to the underground 1960s art scene but to a broader rebellion against aesthetic and political norms. Beckett’s signature precision and reverence for ancient motifs lend this piece a sacred quality while simultaneously celebrating chaos, dream states, and emotional openness. Visual Storytelling Rooted in Psychedelic Print Culture Where Is My Mind? reflects Beckett’s ability to fuse visual elegance with symbolic resonance. The closed eyes and tranquil expression of the central figure suggest a journey inward, a disconnection from physicality, and an immersion into a psychological or metaphysical space. This moment of quiet dissolution mirrors the experience associated with psychedelic substances and their ability to distort or amplify human perception. By printing the piece on blotter paper, Beckett reactivates a format that has long served both as a functional delivery system for LSD and as an art form intended to transport the viewer. In doing so, he contributes to the preservation and reinterpretation of a visual language often excluded from traditional art history but foundational to the aesthetics of Street Pop Art & Graffiti Artwork. This piece extends far beyond the visual. Its medium invites viewers to remember or imagine the tactile and spiritual act of transformation. Just as graffiti transforms neglected architecture into message boards for cultural dissent, blotter paper transforms a temporary substance into a permanent artifact. Beckett’s work, while refined and intricate, carries that same ethos of transformation and confrontation. Symbolic Density and Format as Rebellion The symbolism in Where Is My Mind? is multi-layered. The relaxed figure appears almost weightless, floating in a tapestry of organic forms and golden bursts. These decorative flourishes suggest botanical symbolism, possibly referencing the natural origins of psychedelics and their ceremonial use in ancient cultures. The decision to create such a detailed and meditative composition on blotter paper is both a reverent act and a subversive one. It elevates a disposable, outlawed item into the fine art conversation without sanitizing its roots. Like much of Street Pop Art & Graffiti Artwork, the work embraces duality—between control and release, structure and chaos, tradition and defiance. Where Is My Mind? uses ink, color, and medium to reframe the act of viewing into something akin to experience. The work is not passive. It demands that viewers slow down, examine detail, and reflect. In a world of mass-produced imagery and digital distraction, Beckett offers something tactile and intentional. It is this focus that resonates so deeply with collectors, fans of psych art, and advocates of art forms that exist outside of academic permission. Richey Beckett’s Influence on Contemporary Psychedelic Street Pop Art Richey Beckett, based in South Wales, continues to shape the visual direction of countercultural art by merging classical pen and ink craftsmanship with formats and themes that challenge conventional art norms. His work in blotter paper editions—especially this 2021 release—is a clear example of how Street Pop Art & Graffiti Artwork has matured while maintaining its radical edge. These limited pieces operate on multiple levels: as high-end collector items, as cultural preservation tools, and as meditative visual narratives. The collaboration with Zane Kesey deepens the cultural significance of the work, grounding it in a legacy that spans decades of visual resistance and expanded consciousness. Where Is My Mind? reminds viewers that the boundaries of art are not dictated by canvas or gallery walls, but by intention, format, and emotional resonance. Beckett’s blotter paper pieces stand as living testaments to a time-honored artistic rebellion made modern through craft, color, and consciousness.

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Vortex Portal Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by HoxxoH pop culture LSD artwork. "The pieces I selected for this release were created last year and they were created with spray paint. I thought they were trippy and perfect for this project.The first time I took psychedelics was at Lollapalooza in 1996. If I had to offer some advice to anyone about them I would give the same advice that I got to start out with micro dosing, slowly increase and be in nature." - Hoxxoh

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Space Hand Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Bunnie Reiss pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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Baby Doll Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Niagara pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 These limited blotter editions are hand-perforated by Zane Kesey. The alignment of the perforations over the artwork may vary slightly from the example shown.

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