Holiday Thailand Grey Art Toy by Kaws- Brian Donnelly Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2025 Out of Print Limited Edition Artwork Size 7x11 New In Box Stamped/Printed Foot Depicting Kaws Companion Mother/Father/Friend and Child Holding Glow in the Dark GID Fluorescent Moon Sitting on a Bright Earth by Artist Kaws- Brian Donnelly. Holiday Thailand Grey Art Toy by KAWS – Brian Donnelly The Holiday Thailand Grey Art Toy by KAWS, the artistic alias of American creator Brian Donnelly, stands out as a rare and powerful work in the field of Street Pop Art & Graffiti Artwork. Released as a 2025 limited edition and now out of print, this collectible sculpture measures approximately 7 x 11 inches and arrives new in box with a printed stamp on the foot. Rendered in a muted grey palette, the artwork features the beloved Companion characters—an adult figure seated atop a vividly painted Earth while gently embracing a smaller child figure. Both characters hold a glow-in-the-dark fluorescent moon with a detailed textured surface, symbolizing both innocence and cosmic wonder in a world that increasingly values emotional narrative in contemporary vinyl art. Emotional Expression Through Form and Symbol Unlike the bright tones often used in earlier Companion works, the grey edition of the Holiday Thailand Art Toy emphasizes subtlety and seriousness. The seated figure may be interpreted as a mother, father, or guiding friend, creating a moment of quiet connection with the child nestled in their lap. The Earth below them is shown in bold blue and green, visually rooting this piece in themes of global care and responsibility. The glowing moon cradled between them becomes a shared point of light, a guiding symbol in the literal and figurative darkness. This interaction between figures and the celestial object elevates the sculpture from a collectible toy to a visual meditation on care, protection, and environmental consciousness. Brian Donnelly’s Continued Impact on Street Pop Art & Graffiti Artwork Brian Donnelly, born in Jersey City, USA, started his career tagging walls and bus stop advertisements, blending cartoon iconography with sharp social commentary. His rise from graffiti artist to global contemporary art figure is marked by his ability to blend street language with emotional depth. The Companion figure, instantly recognizable with its X-ed out eyes and Mickey Mouse-inspired gloves, has become an international symbol for vulnerability, connection, and modern alienation. In the Thailand Grey edition, Donnelly strips the form of bright color and instead uses the soft grey tones to focus attention on the body language and the emotional intimacy of the piece. The positioning of the child figure leaning into the adult’s chest creates a tender pause, often missing in the more satirical or energetic works of Street Pop Art & Graffiti Artwork. A Coveted Collectible in the Vinyl Art Toy Movement Each Holiday edition by KAWS ties the Companion character to a geographic or thematic location, and the Thailand release is no exception. While the colorful brown variant captures warmth, this grey version offers a more introspective aesthetic. The bright, hand-painted globe beneath the seated figure ensures that the sculpture’s message remains worldly and expansive, even as the figures themselves remain personal and inward-looking. The glow-in-the-dark moon feature enhances the sculpture’s interactive and ambient qualities, transforming under different lighting to reveal its full emotive power. Collectors and museums alike consider this edition a benchmark for contemporary vinyl-based Street Pop Art & Graffiti Artwork. Its scarcity, strong narrative, and signature KAWS execution make it a vital piece for those who seek work that blends simplicity with depth. The Holiday Thailand Grey Art Toy is not just a decorative figure—it is a sculptural story about human connection and cosmic hope.

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Revolution in our Time Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 5-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2020 Signed & Numbered Limited Edition of 500 Artwork Size 18x24 Silkscreen Print "Oct 1 is the 70th anniversary of Communist Party rule in China and the Chinese government is planning an extravaganza of choreographed contentment in the mainland while the people of Hong Kong will hit the streets in an effort to secure their rights. I’ve long believed that protests in the streets are an essential tool for meaningful change because the passion, courage, and visceral force of the participants in a mass protest send a powerful message that they are fully committed to their cause! Ed Nachtrieb photographed many incredible moments of the 1989 Tiananmen Square protests. I’m honored to collaborate with Ed on a set of two images based on his documentation 30 years ago, especially because pro-democracy and human-rights protesters are in the streets of Hong Kong right now! This image “Long Live The People” will be released as a print soon… more details to come. Check out Ed Nachtrieb’s thoughts on the 1989 Tiananmen Square protests." -Shepard Fairey- OBEY "After the People’s Liberation Army was sent in to suppress what is now called the “pro-democracy movement” on June 4, 1989, there was a liberalization of economic rules and policies. China then experienced a remarkable economic transformation. The idea: if people could get rich, they wouldn’t care so much about their freedoms. I think that’s a miscalculation. In Hong Kong today, ideas championed in 1989 have reappeared in a “Revolution of Our Time” in spite of the campaign to erase such “counter-revolutionary” thoughts from history. My images used in these prints are from energetic and optimistic moments of the pro-democracy movement. Victory was in the air. Progress seemed inevitable to those with arms outstretched and smiles beaming from their faces. Shepard’s work reflects their hopes and aspirations. The same ones that fortified those protesters in 1989 are now fuel for the passionate idealists on the streets today." -Edward Nachtrieb Shepard Fairey's "Revolution in Our Time" silkscreen print is a compelling narrative connecting past and present struggles for democracy and human rights. This piece, released in 2020, commemorates the 70th anniversary of Communist Party rule in China, juxtaposing the state's celebrations with the unyielding spirit of protest in Hong Kong. Fairey's collaboration with photographer Ed Nachtrieb is particularly significant, as it draws on images captured during the 1989 Tiananmen Square protests, thereby linking historical acts of resistance to contemporary movements. The artwork is a hand-pulled, 5-color print on cream speckletone fine art paper. With its size of 18x24 inches, the piece commands attention, demanding consideration not just as a visual expression but as a statement of solidarity. The edition is limited to 550 signed and numbered prints, making each a tangible artifact of political artistry. Fairey's design is charged with symbols of peace and resilience, as evidenced by the dove and the raised hand, iconic gestures of defiance and hope. Fairey is known for his stance that street protests are a crucial mechanism for social change, and this belief is visually encoded in the print. His art is not passive; it is an active participant in the dialogue around civil liberties and the collective voice of the people. "Revolution in Our Time" does more than commemorate an event; it propels the message of protest into the future, encouraging a reflection on the nature of authority and the power of the people's will. This limited edition print captures the essence of Shepard Fairey's approach to art as a form of rebellion and communication. It speaks to a universal yearning for freedom and justice, transcending borders and historical moments to unite viewers in a common cause. The work stands as a beacon to civic engagement's enduring relevance and visual art's impact in mobilizing and inspiring change within societies.

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Skeletor Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Madsaki x MOTU. 2020 Madsaki and Mattel Creations teamed up to create these exclusive Madsaki x Masters of the Universe SKELETOR Figures. 8.5x11 MADSAKI and MATTEL CREATIONS team up to create this exclusive and iconic drop-a scaled down re-creation of the larger-than-life SKELETOR sculpture that turned the heads of fans and art critics alike as a centerpiece of MADSAKI'S "1984" solo exhibition at Tokyo's Kaikai Kiki Gallery in 2020, in special color exclusive to the figure version. Measuring 11 inches tall to the top of the staff, with the facial expression depicted in dripping spay paint style, its vivid coloring has been calculated to contrast with the HE-MAN and BATTLE CAT figures produced earlier. SKELETOR, the most famous villain of Eternia, has been sublimated into a unique and special figure, filled with the artist's childhood memories of being surrounded by his beloved cheap toys and his respect for the culture that greatly influenced him. Each sculpture includes a hand-signed certificate of authenticity from MADSAKI as well as white gloves to better care for your art piece. Displayed With Box

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Karimoku Rosewood Paint Bearbrick 1000% BE@RBRICK Extremely Rare Hand-Made Wooden Art Toy Japanese Furniture Maker Fine Art Bearbrick Sculpture. 2021 Extremely Rare Stamped Wood Limited Edition Artwork Displayed In Box Perfect Condition. New, Unopened Custom Wood Crate & Bearbrick From Famous Japanese Artists At Karimoku Master of wood in Japan, Karimoku is a reference in design furniture and now in luxury figurines after a collaboration with Medicom. The Craftsmanship of Karimoku The Karimoku Rosewood Paint Bearbrick, 1000% BE@RBRICK, is a paragon of contemporary Street Pop Art and graffiti Artwork, merging traditional craftsmanship with modern toy culture. This masterpiece hails from 2021 and is part of a scarce collection crafted by the expert hands at Karimoku. It is a revered name in Japanese furniture for its exceptional design and quality. Karimoku's transition from crafting furniture to creating delicate art figurines through a collaboration with Medicom Toy Corporation has been marked by the release of this limited edition, hand-made wooden art toy. Karimoku's reputation as the master of wood in Japan is long-established, with decades of experience producing high-quality furniture. The company's foray into art toys with the Rosewood Paint Bearbrick 1000% BE@RBRICK is a testament to their versatility and commitment to excellence. Each piece is stamped with a unique identifier, signifying the authenticity and rare nature of the artwork. This limited edition BE@RBRICK, like its predecessors, is a sought-after collector's item, not only for toy enthusiasts but also for fine art connoisseurs. Luxury Figurines as Modern Artifacts Karimoku's BE@RBRICK is more than a toy; it's a luxury figurine at the crossroads of high art and street culture. The seamless blend of Karimoku's wood mastery with Medicom's iconic BE@RBRICK design has resulted in a sculpture that is both a playful nod to the collector's culture and a serious piece of Street Pop Art and graffiti Artwork. The Bearbrick, known for its simplistic, bear-shaped form, is elevated through Karimoku's sophisticated rosewood finish, giving it an air of elegance and exclusivity. The wood's rich grain and the sculpture's polished surface reflect the meticulous attention to detail and the high level of skill involved in its creation. Collectibility and Cultural Significance The exclusivity of the Karimoku Rosewood Paint Bearbrick is underscored by its presentation. It is displayed in a custom wood crate, indicating the care and prestige with which these art pieces are treated. This unopened crate, along with the perfect condition of the Bearbrick itself, ensures its status as a pristine collectible. The art piece is a conversation between traditional Japanese craftsmanship and contemporary pop culture, bridging past and present and art and commerce. Collectors and art enthusiasts are drawn to the BE@RBRICK for its cultural relevance and artistic value and as a symbol of modern luxury. Artistic Fusion in Street Pop Art & Graffiti Artwork The BE@RBRICK by Karimoku is a collectible item and a significant work of art within the Street Pop Art and graffiti Artwork scene. It represents the fusion of various artistic worlds: the meticulous craft of Japanese woodwork, the bold and accessible aesthetics of street art, and the whimsical elements of pop art. This Bearbrick stands out as a cultural icon, encapsulating the essence of modern art where functionality, artistry, and playfulness intersect. Its existence as a functional toy turned art object challenges traditional notions of art, inviting us to consider the value and meaning of objects in our contemporary world. Karimoku's Rosewood Paint Bearbrick, 1000% BE@RBRICK, is a significant addition to Street Pop Art and graffiti Artwork. It represents the harmonious blend of high-end craftsmanship with street art's raw, energetic spirit, making it a treasured item for art collectors and enthusiasts of contemporary pop culture. This piece's rarity, with its impeccable condition and presentation, makes it a distinctive and desirable artifact that transcends the usual boundaries of art and collectibles. It is a physical testament to the evolving nature of art in the modern era, where every object has the potential to become a canvas for creative expression.

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Hush-Hush Archival Print by Giorgiko Limited Edition on Cotton Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of TBD Artwork Size 8x10 Archival Pigment Fine Art of Boy or Girl Holding a Cookie. Image size is 6x8" with 1" white borders. Printed by Static Medium. Hush-Hush Mini by Giorgiko – Archival Pigment Print in Street Pop Art & Graffiti Artwork Hush-Hush Mini is a 2023 archival pigment print by Giorgiko, created as a scaled-down version of their larger works, printed on cotton fine art paper by Static Medium. Measuring 8 x 10 inches with an image size of 6 x 8 inches and 1-inch white borders, this signed and numbered limited edition captures the emotional intensity and stylistic duality that define Giorgiko’s visual voice. The piece features their signature gender-neutral character, with rounded features and blank eyes, holding a chocolate chip cookie while dressed in a Renaissance-style ruff and a modern streetwear jacket and cap. This blend of soft expression, historical reference, and pop cultural cues is emblematic of Giorgiko’s ability to bridge fine art with a quiet sense of modern dissonance. Emotive Symbolism in a Minimal Format The small size of Hush-Hush Mini does not lessen its emotional resonance. Giorgiko’s recurring character, visually simple but rich in suggestion, stands alone beneath a muted sky of soft pink clouds. The figure’s sideways gaze, almost hesitant or curious, reinforces the artwork’s theme of quiet observation and personal pause. The contrast between the ornate collar and the casual cap speaks to the clash of identity across time, tradition, and street culture. The cookie, held in the character’s hand, becomes a symbol of innocence, simplicity, or even indulgence—a grounding object in a surreal and emotionally weighty setting. This visual restraint and ambiguity invite the viewer to create their own narrative, a technique Giorgiko employs to great effect across all their works. Craftsmanship and Storytelling in Street Pop Art Giorgiko’s art is rooted in precision, mood, and minimal yet evocative storytelling. Their fusion of pop surrealism with classical painting techniques sets them apart in the field of Street Pop Art & Graffiti Artwork. In Hush-Hush Mini, the artists combine cartoon-like simplification with painterly depth, creating a character who lives somewhere between fantasy and everyday life. The decision to pair delicate rendering with street culture elements like the cap and bomber-style jacket furthers their aesthetic of quiet contradiction. The ruff collar, painted with a nearly translucent quality, elevates the piece into an almost ceremonial portrait. The careful use of soft lighting and pastel tones adds a dreamlike glow, enhancing the figure’s sense of emotional stillness and contemporary melancholy. Giorgiko’s Role in Modern Figurative Urban Art As a collaborative project between Darren and Trisha Inouye, Giorgiko’s work reflects a shared sensibility that centers on visual quietude, identity, and solitude. Hush-Hush Mini is a distillation of their broader themes into a compact, highly collectable format. It is not loud or overt in its messaging but speaks through mood, posture, and subtle visual cues. In the context of Street Pop Art & Graffiti Artwork, this piece reflects a softer side of the genre, focusing on introspection rather than rebellion. Giorgiko captures the emotional landscape of modern life through characters that say little but feel much. Hush-Hush Mini is both accessible and enigmatic—a visual whisper that lingers with the weight of unspoken thoughts.

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Astro Boy LA OG 6" Art Toy by OG Slick Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2023 Limited Edition Artwork Size 6x5 New In Box Printed Astro Boy, a character that has charmed generations since his creation by Osamu Tezuka, has been re-envisioned through the lens of OG Slick, a renowned artist in the pop and street art community. The Astro Boy LA OG 6" Art Toy emerges as a vinyl sculpture, showcasing a unique blend of classical anime elements with the raw, expressive energy of street art. This 2023 limited edition piece, sized at 6x5 inches and offered new in the box, stands as a vibrant collectible that commands attention. OG Slick's rendition preserves the innocence and iconic features of the beloved character while infusing it with a vitality that resonates with contemporary art movements. The vibrant colors and the smooth lines echo the character's traditional imagery. Still, they are amplified by a style borrowed from the graffiti art tradition, often employing bold hues and dynamic figures to capture the viewer's eye. The piece's stature as a collectible artwork is further solidified by its status as a limited edition, making it a sought-after item for both art collectors and enthusiasts of Astro Boy. By transforming a well-known figure from Japanese anime into a stylized art toy, OG Slick provides a tangible connection between the subtleties of pop culture and the more outspoken realm of street art. The piece serves not only as a tribute to the enduring appeal of Astro Boy but also as an illustration of how street art can offer a new perspective on familiar forms, imbuing them with new life and meaning. It celebrates pop art's power to take what is universally recognizable and reframe it in a way that challenges and delights contemporary audiences. Astro Boy LA OG is more than a mere representation; it is a dialogue between past and present, a visual conversation where nostalgia is reimagined through modern artistic expression. OG Slick has created artwork that honors the legacy of Astro Boy while standing firmly within the innovative and often disruptive spirit of street art. This piece is a testament to the artist's ability to harness the essence of cultural icons and re-present them within the energetic and often transient world of street art, where each piece serves as a landmark in the ever-evolving pop culture landscape.

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Karol G x Shishidomia x G.A.S. Trading CD Player Set Limited Edition Designer Art Object Collectible Artworks In Box. 2022 Limited Edition Box Set Including Karol G x SHISHIDOMIA CD Player Karol Gx SHISHIDOMIA Pouch Karol G KG0516 CD with new alternate art by SHISHIDOMIA Karol Gx SHISHIDOMIA G.A.S. Trading Cards (pack of 5) Box Size 13.5x11.5. To celebrate the power of women everywhere, the Latin star @karolg teamed up with the talented @shishidomia to put together a limited-edition box set that reflects the unique connection between art and music. Karol G x Shishidomia x G.A.S.: Fusing Music and Art in a Limited Edition Set In 2022, the creative synergy between Latin music star Karol G and artist Shishidomia culminated in a striking limited edition box set. This collaboration, in partnership with G.A.S. Trading Cards, is a celebration of the power of women and the intimate relationship between art and music. The set includes a bespoke CD player designed by Shishidomia, a matching pouch, Karol G's "KG0516" album with alternate art by Shishidomia, and a set of G.A.S. Trading Cards—all encased in an artfully designed box. Collectible Artworks with a Contemporary Edge This box set is a collector's dream, combining collectible artworks and music in a package that exudes contemporary design and pop culture savvy. The Karol G x Shishidomia CD player is a functional piece of art, transforming the utilitarian into the extraordinary—the accompanying pouch and CD feature Shishidomia's distinctive artwork, characterized by a bold street art aesthetic. The G.A.S. Trading Cards included in the set further bridge the gap between the tactile art of collectibles and the ephemeral nature of music. The Karol G x Shishidomia x G.A.S. box set is a standout example of the potential for collaboration across mediums in the modern art world. It reflects the growing trend of cross-pollination between pop music, street art, and designer art objects. Each element of the set has been carefully curated to reflect the ethos of the artists involved, creating a cohesive and immersive experience for fans and collectors. Art, Music, and Cultural Expression in Harmony The collaboration reflects a broader movement within the art and music industries, where the lines between disciplines are increasingly blurred. The box set is more than just merchandise; it's a statement on cultural expression and the representation of influential female figures in art and music. Karol G's vibrant music and Shishidomia's raw and evocative street art style create a narrative that resonates with a diverse audience. The Karol G x Shishidomia x G.A.S. box set exemplifies how art can transcend traditional formats, offering new ways to experience and engage with creative expressions. With its limited availability, the set holds value as a series of objects and as a piece of cultural history that captures the spirit of an era. In conclusion, the Karol G x Shishidomia x G.A.S. Trading CD Player Set is a testament to the fusion of creative forces that define the contemporary art scene. It is a celebration of innovation, a tribute to influential women in art and music, and a collectible that will be cherished for years. This limited edition set converges sound, style, and street sensibility, encapsulating the dynamic interplay of modern pop art and graffiti artwork.

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Utopia Artwork Giclee Limited Edition Fine Art Print on 100% Cotton Hahnemühle Museum Etching Paper by Pop Culture Graffiti Artist Victo Ngai. Limited edition of 100. Signed and numbered. SOI55 Gold Medal. Due to how this artwork was made and stored by the artist, many of Ngai's older prints contain slight yellowing to the extreme upper and lower white margin that extends about 1mm. This does not effect the image at all and the prints are perfect besides this.

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TikkyWow MEGA TEQ63 Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Quiccs x Martian Toys. 2021 Tikkywow MEGA TEQ63 12” Vinyl Figure by Tikkywow x Quiccs x Martian Toys. Comes in Artist Series MegaTEQ 01 Box Edition of only 222 pieces. Bulletpunk The Endgame Quest.

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MC Supersized Camo- Shanghai Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda x Mindstyle. 2021 Ron English- POPaganda x Mindstyle presents MC Supersized Camo. Each one represents a different city in China with a unique camo style. 8 inches tall. Hand-signed by Ron. Comes with a hat and card. The MC Supersized Camo - Shanghai Limited Edition Vinyl Art Toy is a testament to the intricate blend of street pop and graffiti artwork. This particular piece is a part of the series crafted through the visionary collaboration of street graffiti artist Ron English- POPaganda and the designer toy company Mindstyle. This collectible mirrors the vivacity and uniqueness of Shanghai through its distinctive camouflage pattern, tailored to encapsulate the city's essence. Each vinyl art toy in the series, including the Shanghai edition, stretches to 8 inches in height and is hand-signed by Ron English- POPaganda, imbuing it with a sense of exclusivity and a personal touch from the artist himself. Accompanying this figure are a hat and a card, elements that not only enhance its aesthetic appeal but also serve as authenticating features of the collectible. The series is a satirical take on consumerism and the fast-food industry, a recurrent theme in Ron English- POPaganda's work. The MC Supersized figure is an icon within English's oeuvre, presenting a clown-like character often seen as a critique of mass consumer culture. The Shanghai edition's camouflage pattern is not merely decorative; it is a symbolic representation of the city's cultural tapestry, marked by its rapid modernization and rich historical roots. The use of camouflage in these artworks is extended, reflecting the infiltration of branding and advertising into everyday life, often going unnoticed like a soldier in disguise. It is an artistic statement on how global consumer culture has become a ubiquitous part of the urban landscape. Collectors and admirers of street pop and graffiti art will recognize in this Shanghai edition a piece that not only celebrates the art form but also poses critical questions about the world we live in. By owning an MC Supersized Camo - Shanghai Limited Edition, collectors engage with a piece of art at the intersection of social commentary and street art aesthetics. It is a bold reflection of Ron English- POPaganda's artistic vision, where humor and critique collide to produce a powerful narrative on contemporary culture.

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Jellyfish Eyes Black 1 Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 19.75x19.75 Jellyfish Eyes Black 1 by Takashi Murakami – A Psychedelic Icon of Street Pop Art & Graffiti Artwork Jellyfish Eyes Black 1 is a 2004 signed and numbered limited edition lithograph by renowned Japanese contemporary artist Takashi Murakami, measuring 19.75 x 19.75 inches. Issued in an edition of 300, the print features a cluster of floating, stylized eyes with jellyfish-like appendages, hovering across a black background with vibrant, pulsating color. The concentric orbs and whimsical lashes form an enigmatic composition that is both playful and surreal, drawing viewers into Murakami’s immersive visual universe. This work exemplifies Murakami’s ability to merge traditional Japanese aesthetics with global pop culture, injecting high-energy iconography into the realms of Street Pop Art & Graffiti Artwork. Neo-Pop Formalism Meets Subcultural Visual Language The hypnotic design of Jellyfish Eyes Black 1 showcases Murakami’s deep engagement with visual repetition and pop surrealism. Each eye radiates concentric bands of neon pink, electric blue, acid green, and gold—colors more commonly associated with commercial animation, toy design, and graffiti murals than traditional lithography. The black background intensifies the floating sensation of these biomorphic forms, transforming the space into a dreamlike field of suspended consciousness. Murakami’s roots in Nihonga painting and Edo-period compositions are evident in the fluid arrangement and balance, while the synthetic palette and digital smoothness embrace the commercialized intensity of pop iconography. In Street Pop Art & Graffiti Artwork, this blend of classical order with radical form asserts Murakami’s place as both historian and provocateur. Eyes, Surveillance, and the Otaku Psyche The eyes that populate Jellyfish Eyes Black 1 are not passive. They gaze back with unsettling presence, creating a dynamic tension between observer and observed. The motif reflects Murakami’s frequent exploration of otaku culture, surveillance capitalism, and the consumer gaze. These eyes are playful, even cute, but also obsessive, invasive, and endlessly watching. Some appear innocent; others twitch with layered concentric pupils and pupil-like satellites. This multiplicity mirrors the fragmentation of identity in digital and urban life. As seen across the broader scope of Street Pop Art & Graffiti Artwork, these eyes function as pop sigils—icons that entertain, disturb, and invite deeper inspection. Takashi Murakami and the Legacy of Superflat in Street Art Takashi Murakami’s impact on both fine art and street culture cannot be overstated. Through his Superflat theory, he developed a framework for collapsing the boundaries between high and low, ancient and hyper-modern, traditional painting and graffiti-inspired visual immediacy. Jellyfish Eyes Black 1 exists within that lineage as a work that is collectible, cultural, and subversively simple. The lithograph form nods to limited edition printmaking history while its aesthetic remains grounded in the saturated language of mass media and youth culture. As Street Pop Art & Graffiti Artwork continues to evolve globally, Murakami’s work offers a lens into how Japanese visual codes, anime motifs, and psychedelic surface treatments can coexist with the raw expressiveness of street-born art forms. Jellyfish Eyes Black 1 does not demand translation—it simply stares back, glowing in the dark, inviting you to feel.

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POM & Me Offset Lithograph Print Limited Edition Artwork on Round Smooth Wove Paper by Pop Urban Artist Takashi Murakami TM/KK. 2013 Signed & Numbered Limited Edition of 300 Round Cut Artwork Size 19.75x19.75 (Round) Takashi Murakami (b. 1962) POM & Me, 2013 Offset lithograph in colors on smooth wove paper 19-5/8 inches (49.8 cm) diameter (sheet) Ed. 300 Signed and numbered in ink lower right Published by Kaikai Kiki Co. Ltd., Tokyo "POM & Me" is a lithograph print by the renowned Japanese artist Takashi Murakami. Known for his unique style that blends traditional Japanese art with contemporary pop culture, Murakami has gained international acclaim for his work. His signature "Superflat" style is characterized by bold, vibrant colors and flattened, two-dimensional imagery. The "POM & Me" print is one of many artworks that Murakami has created over the years, often featuring his iconic characters and motifs. This particular piece includes recurring elements from Murakami's body of work, such as his famous flowers, himself and his dog Pom. As an artist, Murakami has worked in various media, from painting and sculpture to fashion and commercial products. His work has been exhibited in major galleries and museums worldwide, and he has collaborated with well-known brands and celebrities.

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He-Man & Battle Cat Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Madsaki x MOTU. 2020 Madsaki and Mattel Creations teamed up to create these exclusive Madsaki x Masters of the Universe HE-MAN and BATTLE CAT Figures. The sculpture stands 16.75 inches tall. MADSAKI and MATTEL CREATIONS team up to create this exclusive and iconic drop-a scaled down re-creation of the larger-than-life HE-MAN® and BATTLE CAT® sculpture that turned the heads of fans and art critics alike as a centerpiece of MADSAKI'S "1984" solo exhibition at Tokyo's Kaikai Kiki Gallery in 2020. Measuring 17 inches tall and sculpted in an 80's cartoon style with a spray of jaw dropping modern-day street-style graffiti artwork, we proudly présent the most famous hero in all of Eternia", HE-MAN and the ferocious BATTLE CAT® in a manner that truly blurs the lines between toy and art masterpiece. Each sculpture includes a hand-signed certificate of authenticity from MADSAKI as well as white gloves to better care for your art piece. Displayed With Box MADSAKI x MOTU – He-Man & Battle Cat in Street Pop Art & Graffiti Artwork The He-Man & Battle Cat limited edition vinyl sculpture by MADSAKI, produced in collaboration with Mattel Creations in 2020, is a vivid collision of nostalgia, pop culture, and urban rebellion—an unmistakable contribution to the world of Street Pop Art & Graffiti Artwork. Originally unveiled as a centerpiece at MADSAKI’s 1984 solo exhibition at Tokyo’s Kaikai Kiki Gallery, this scaled-down 17-inch version captures the wild energy of its monumental counterpart while delivering a high-octane dose of '80s cartoon absurdity, rendered in riotous color and graffiti-style flair. With fluorescent green, electric pink, and piercing orange as the dominant palette, the piece transforms two of the most iconic characters from the Masters of the Universe franchise—He-Man and Battle Cat—into contemporary street art figures. Far from being a simple homage, MADSAKI’s version reimagines the figures as avatars of pop mythology filtered through a graffiti artist’s eye. The weaponry, armor, and pose remain true to the original animation aesthetics, but the exaggerated colors and chaotic paint styling push this artwork into a new domain where fine art, vinyl collectible, and graffiti sensibility coexist. Nostalgia Weaponized in Urban Neon MADSAKI’s approach is rooted in remix culture, a cornerstone of Street Pop Art. By appropriating the visual language of childhood—He-Man being one of the most recognized animated heroes of the 1980s—and subjecting it to the visual distortion of neon saturation and aggressive outlines, he elevates kitsch into critique. This isn't just about remembering Saturday morning cartoons. It’s about weaponizing those memories and examining how commercial entertainment shaped identity, masculinity, and fantasy in late capitalist culture. Battle Cat, usually a symbol of strength and raw primal energy, becomes a neon-soaked beast of postmodern absurdity, outfitted in shocking pink and radioactive green. MADSAKI transforms him from a beast of war into a graffiti-coded monument of cultural excess. He-Man, still holding his power sword aloft, looks less like a heroic defender and more like a psychedelic gladiator from the subconscious of a street artist raised on VHS and irony. From Canvas to Vinyl: MADSAKI's Street Pop Mutation MADSAKI is no stranger to remixing icons. Known for his drippy-eyed renditions of Western masterpieces and manga figures, he blends Japanese street sensibilities with New York-style graffiti lineage. His transition into vinyl sculpture with Mattel represents the natural evolution of Street Pop Art—where the gallery wall meets the collectible shelf, and where nostalgia is no longer passive but radicalized. This figure blurs lines between sculpture and street installation. The color choices mimic spray can aesthetics, and the glossy surfaces echo the polish of vinyl murals and toy design. Like KAWS, Sket-One, or Ron English, MADSAKI proves that sculptural vinyl can be a medium of confrontation—not just consumption. The figure comes with a hand-signed certificate and gloves for display, reinforcing its identity as both an artwork and a cultural artifact. MADSAKI’s Place in the Graffiti-Pop Canon MADSAKI’s He-Man & Battle Cat is a definitive artifact of modern Street Pop Art & Graffiti Artwork. It combines satire, technical precision, collectible appeal, and cultural critique. Rather than separating art from toy or low from high, MADSAKI merges all categories into one ferocious drop that challenges the viewer’s nostalgia and their assumptions about what constitutes fine art. This sculpture is not simply fan service—it’s subversion. It transforms childhood heroes into fluorescent avatars of postmodern identity, rendered in the chromatic chaos of graffiti language. By injecting the streets into the plastic skin of global pop icons, MADSAKI cements his place among the artists reshaping visual culture one spray, sculpt, and scream at a time.

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Here & Now Tea Stained Serigraph Print by Cryptik Limited Edition Hand Pulled Artwork on Cotton Fine Art Paper Modern Street Graffiti Pop Artist. 2024 Signed & Numbered Limited Edition of 75 Artwork Size 18x24 "The past no longer is, the future is not yet here; there is only one moment in which life is available, and that is the present.." ~ Thich Nhat Hanh Exploring the "Here & Now" Tea Stained Serigraph by Cryptik In the bustling milieu of modern street graffiti pop art, Cryptik stands out with his work, which resonates with a spiritual stillness. His "Here & Now" Tea Stained Serigraph Print, a 2024 release, is a meditative limited edition hand-pulled artwork on cotton fine art paper. The artist's signature and numbering suggest a contemplation of scarcity and value, with only 75 pieces available worldwide, each with a dimension of 18x24 inches. Cryptik's Calligraphy: A Dance of Elegance and Meaning Cryptik's mastery of calligraphy transcends mere artistry; it is a lexicon of more profound truths. Each stroke and curve in this piece draws from the vast reservoirs of Eastern philosophies, melding them seamlessly with street art's raw, expressive energy. The tea staining process adds an aged, almost antique quality to the work, reminiscent of ancient manuscripts and scriptures, reinforcing the timeless wisdom in Thich Nhat Hanh's words about the present moment's singularity. The "Here & Now" Print: A Canvas of Temporality and Timelessness Each serigraph in the "Here & Now" series is a unique testament to the artist's handiwork, reminiscent of the personalized strokes of traditional brushwork. Cryptik's approach transforms the act of viewing into an act of reflecting, urging the observer to dwell on the fleeting and eternal moment. This intersection of the now with the everlasting is a hallmark of Cryptik's artistic philosophy and is a golden thread that runs through the fabric of his creations. Symbolism in Cryptik's Art Beyond its visual appeal, Cryptik's serigraph print is a conduit for potent symbology. The intricate and flowing characters are more than text—they are symbols that embody the vibrations of sacred mantras and the silent echoes of meditation. Through this artwork, Cryptik harnesses the very essence of Street Pop Art & Graffiti Artwork, which often charges the public space with private introspections, offering each onlooker a personal rendezvous with the divine. Indeed, Cryptik's work does not merely hang on a wall—it lives and breathes with the viewer's consciousness. "Here & Now" is not a static piece but a dynamic interaction, a mirror reflecting the interior worlds of those who engage with it. The tea-stained backdrop, the gold-foil embellishments, and the depth of the black ink all converge to celebrate the present as a canvas of infinite possibilities. In sum, Cryptik's "Here & Now" is more than art—it's a philosophy rendered in visual form. It serves as a reminder of the impermanence of our experiences and the permanence of the wisdom we glean from them. The limited edition nature of the serigraph underscores the unique chance each person has to encounter the now, providing a space for meditation amidst the chaos of contemporary life. This piece encapsulates the transformative potential of Street Pop Art & Graffiti Artwork, asserting that within each fleeting moment lies the potential for timeless insight.

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Flying Dob Skateboard Art Deck Set by Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2018 Limited Edition Skateboard Artwork Size 8x31 Skateboard Art Deck Brand New Perfect Condition Flying Dob Skateboard Art Deck Set by Takashi Murakami: Japanese Iconography in Street Pop Art & Graffiti Artwork Flying Dob Skateboard Art Deck Set by Takashi Murakami is a limited edition fine art print on a triptych of 8 x 31 inch wood skateboard decks released in 2018 under the TM/KK studio imprint. Each deck presents a fragment of Murakami’s character Dob, whose energetic expression and surreal construction define a central part of his aesthetic vocabulary. This set, presented in brand new condition, merges Murakami’s globally recognized Superflat style with the raw and accessible surface of skate culture, making it a striking example of how contemporary Street Pop Art & Graffiti Artwork continues to evolve across unconventional platforms. Dob, often interpreted as Murakami’s mascot and alter ego, appears here with swirling eyes, massive teeth, and an explosive palette of electric blues, bubblegum pinks, whites, and reds. The visual design is disorienting and deliberately chaotic, characteristic of Murakami’s embrace of manga, anime, and Japanese commercial iconography. The composite image sprawls across all three decks, turning the set into both an art object and a collector’s item, fully blurring the lines between gallery art and functional street design. The decision to print this work on skate decks expands the accessibility and display potential of Murakami’s work while honoring the rebellious traditions of the surfaces it inhabits. Takashi Murakami and the Language of Commercial Surrealism Takashi Murakami, born in Japan in 1962, has spent decades exploring the visual intersections of fine art, commercial aesthetics, and youth culture. He developed the Superflat movement, which challenges the hierarchy of high versus low art and elevates cartoon, decorative, and commercial imagery into fine art contexts. Flying Dob exemplifies this practice, especially when seen on skate decks—objects traditionally aligned with underground subculture, athleticism, and anti-establishment messaging. Here, the decks function as mobile canvases that carry both the spirit of the street and the curated precision of contemporary design. Murakami’s use of the Dob character is complex. Part mascot, part warning, part self-portrait, Dob morphs across Murakami’s body of work as a representation of power, innocence, and uncontrollable emotion. In this composition, the fractured presentation across three decks intensifies the character’s chaotic energy. The large, angular teeth and swirling eyes become distorted by the deck separation, echoing how identity and perception are often fractured in consumer and digital culture. This psychological tension is core to both Murakami’s art and the visual language of Street Pop Art & Graffiti Artwork, which uses distortion, repetition, and vivid color to provoke response and invite inquiry. Street Surfaces and Contemporary Collector Culture Printing fine art on skateboards is not just a stylistic decision but a cultural one. Skate decks have long served as mobile billboards for self-expression, political graphics, and underground illustration. Murakami’s use of this surface format brings his work into dialogue with the visual codes of skater rebellion and DIY print culture. It also echoes the way graffiti and street art elevate everyday materials into lasting visual statements. The decks become a new kind of art print—limited, tactile, and tied to a specific youth-driven history. Flying Dob Skateboard Art Deck Set participates in the cultural practice of displaying what once existed solely in motion. It turns utility into symbol. This transformation reflects how Street Pop Art & Graffiti Artwork frequently subverts expectations—taking skateboards off the street and into the gallery while maintaining their attitude and visual punch. Murakami’s contribution amplifies this exchange by injecting his polished, commercial aesthetic into a medium traditionally associated with grit and destruction. Murakami’s Position in Street Pop Art & Graffiti Artwork Takashi Murakami stands as one of the few living artists whose practice fluidly spans fashion, merchandise, museum exhibition, and street influence without compromising complexity. The Flying Dob Skateboard Art Deck Set is a distilled example of his ability to fuse cultural layers into singular pieces that speak to mass media, personal mythology, and symbolic power. His work does not parody street culture; it contributes to it by redefining how characters, products, and art coexist in shared visual ecosystems. This set, with its razor-sharp execution and chaotic elegance, is both playful and unsettling. It demonstrates how Murakami continues to influence the direction of Street Pop Art & Graffiti Artwork while grounding it in Japanese visual tradition and hypermodern critique. Flying Dob is not simply a design—it is a statement rendered in wood, color, and fragmentation, made to be both ridden and revered.

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Chinese New Year HPM Spray Paint Silkscreen Print by Kelsey Brookes Screen Print on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2006 Signed & Numbered Spray Paint Mixed Media HPM Embellished Limited Edition of 50 Artwork Size 20x20 Unraveling the Vibrancy of Kelsey Brookes' "Chinese New Year HPM" Kelsey Brookes' "Chinese New Year HPM" is a compelling artwork that is a vivid testament to the cross-pollination of pop art and street art sensibilities. This limited edition piece, created in 2006, is a fusion of spray paint and silkscreen print techniques on woven fine art paper. The artwork, measuring 20x20 inches, is part of an embellished series limited to 50 signed and numbered pieces. It is a significant collector's item that captures a specific moment in Brookes' artistic exploration. The work is characterized by Brookes' distinctive approach to street pop art and graffiti artwork, employing a visual language deeply rooted in the scientific structures he studied as a biochemist. The "Chinese New Year HPM" showcases his transition from the microscopic patterns of molecules to the macroscopic complexity of visual art. His pieces are not just explorations of color and form; they delve into the realms of spirituality and consciousness, resonating with the vibrational patterns of life itself. The Artistic Synthesis in Brookes' "Chinese New Year HPM" Brookes' "Chinese New Year HPM" is an artistic synthesis that captures the essence of celebration, reflection, and the start of a new cycle as denoted by the Chinese New Year. The artwork is imbued with a sense of rhythm and energy, using a palette that is at once exuberant and harmonious. The spray paint adds a textural dimension that echoes the spontaneity of street art. At the same time, the silkscreen technique provides precision and replicability that ties it back to pop art traditions. The layered imagery in the print, featuring a collage of fierce animal visages, speaks to the power and dynamism often associated with the new year in Chinese culture. The animals, possibly evoking the spirit of the Chinese zodiac, are depicted with a raw intensity that captures the viewer's attention. Each print in the edition is embellished by hand, ensuring that while each piece remains a part of the series, it also stands as a unique work of art. Cultural Resonance of "Chinese New Year HPM" "Chinese New Year HPM" resonates with cultural symbolism and the celebration of new beginnings, universally understood and appreciated themes. Brookes' ability to weave these elements into his work while maintaining a distinctive style indicates his position within the contemporary art scene. The limited edition nature of the print and its careful hand embellishments suggest a personal touch from the artist, adding depth to the collective value of the series. The artwork is a visual feast that engages the viewer on multiple levels. On the surface, it is a bold and colorful expression that captures the eye. Still, on a deeper level, it is a sophisticated interplay of traditional cultural symbols and modern artistic techniques. Kelsey Brookes has created a piece that reflects his unique artistic vision and speaks to a broader narrative of cultural celebration and reflection. Legacy of Kelsey Brookes' "Chinese New Year HPM" The legacy of Kelsey Brookes' "Chinese New Year HPM" is symbolic of the impact that modern artists can have when they blend traditional techniques with contemporary themes. The limited edition print series is a testament to the artist's commitment to his craft and ability to engage with his audience through visually arresting and thematically rich works. Brookes' work, including "Chinese New Year HPM," continues to challenge and expand the definitions of street pop art and graffiti artwork. By incorporating elements of his scientific background into his art, Brookes forges a connection between the analytical and the creative, providing a fresh perspective on the possibilities within the art world. Each piece in this limited series is a celebration of the artist's unique approach to creation, offering a story that is both personal and universal, a story that continues to captivate and inspire.

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MC Supersized Camo- Bangkok Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Ron English- POPaganda x Mindstyle. 2021 Ron English- POPaganda x Mindstyle presents MC Supersized Camo. Each one represents a different city in China with a unique camo style. 8 inches tall. Hand-signed by Ron. Comes with a hat and card. The collaboration between Ron English- POPaganda and Mindstyle has led to the creation of a remarkable piece of collectible artwork: the MC Supersized Camo - Bangkok Limited Edition Vinyl Art Toy. This distinctive piece is part of a series where each rendition pays homage to a different city in China, encapsulating its unique camo style. Standing at an impressive 8 inches tall, the toy reflects a fusion of street pop art and graffiti artwork, mediums where English has firmly established his legacy. Ron English- POPaganda is renowned for incorporating cultural icons into his work, often infusing them with a subversive and satirical edge that challenges observers to reconsider the mundane. The MC Supersized Camo is no exception. It serves as a critique and a playful twist on consumerism, specifically fast-food culture, which English frequently targets in his art. The vibrant camouflage pattern is not just an aesthetic choice; it's a statement of how commercial icons blend into our urban environments and consciousness. Each vinyl figure in this collection is hand-signed by Ron English- POPaganda, adding a personal touch that collectors and fans of street pop art appreciate. The Bangkok edition has accessories that increase its appeal and collectible value—a hat and a card, contributing to its narrative and authenticity. Mindstyle, known for its high-quality production of designer toys, ensures that the craftsmanship complements English's artistic vision. Together, they deliver a piece that is not merely a toy but a slice of contemporary art that stands at the crossroads of commercial imagery and street-inspired creativity. Collectors of such pieces will recognize the significance of adding this limited edition artwork to their assemblage, not just for its visual appeal but for the cultural commentary it embodies—a signature of English's work. This little edition piece encapsulates the spirit of street pop and graffiti art, making it a cherished item for collectors and enthusiasts alike.

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Spacewalker: Ninja Star- Wars Limited Edition Graffiti Artwork Off-Set Lithograph Print on Fine Art Paper by Asian Themed Artist Steve Bialik. 2022 Hand-Numbered Limited Edition of 450 Size 11x27

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Astro Boy LA Black 6" Art Toy by OG Slick Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2023 Limited Edition Artwork Size 6x5 New In Box Printed Astro Boy, the iconic character from Japanese manga and television, has been reimagined by OG Slick, a prominent figure in the street and pop art scenes. The result is the Astro Boy LA Black 6" Art Toy, a vinyl sculpture that captures the essence of contemporary collectible art. This limited-edition piece for 2023 embodies a cultural crossover; it melds the nostalgia of the classic character with the edgy aesthetics of modern street art, presenting a striking piece for collectors and enthusiasts. At 6x5 inches, this art toy, given new in its box, epitomizes the aesthetic of OG Slick, whose work has been recognized for its urban flair and commentary on pop culture. The monochromatic palette renders the figure in stark black, which not only gives it a sleek, modern look but also signifies a departure from the character's traditional representation. This stylistic choice could be interpreted as a reflection on the character's enduring legacy while also offering a canvas for the projection of the viewer's thoughts and interpretations. The appeal of such collectibles lies in their ability to bridge the gap between art and merchandise, elevating what might otherwise be considered a toy to the status of art. The Astro Boy LA Black Art Toy is not simply a nostalgic keepsake but also a statement piece that taps into the vein of pop culture. It stands at the intersection of multiple artistic movements, from the vintage charm of its original anime roots to the disruptive, bold lines of street art. OG Slick's creation is a testament to the evolving nature of art in the public domain. It acknowledges the ever-growing community of art toy collectors and enthusiasts, offering a piece that is accessible and exclusive due to its limited edition status. As such, the piece is a physical representation of the fusion between past and present, encapsulating the transformative power of street and pop art in redefining familiar icons. It speaks to a broad audience, from those fond of Astro Boy's history to those who appreciate the aesthetic and cultural significance of street-inspired art forms. User

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Doraemon Exhibition Tokyo Plate Limited Edition Archival Pigment Print Art on Ceramic Plate Artwork by Famous Artist Takashi Murakami TM/KK. 2017 Limited Edition Size 9" Collectible Art Plate Takashi Murakami's Intersection of Traditional and Pop Culture Takashi Murakami, a renowned artist whose work has consistently blurred the lines between fine art and pop culture, created a piece for the Doraemon Exhibition in Tokyo that captures the essence of this fusion. The exhibition piece, a limited edition 9-inch ceramic plate, features Murakami's signature style, often incorporating brightly colored anime and manga characters into traditional artistic formats. Artistic Elements and Cultural Influence Murakami's work on the Doraemon Exhibition plate is an archival pigment print that brings street pop art's vibrancy to the ceramic medium. This artwork stands out for its amalgamation of characters from the popular Japanese series 'Doraemon' with Murakami's distinctive flower motifs and designs. The characters are set against a backdrop of many flowers, creating a complex, eye-catching pattern that represents Murakami's exploration of contemporary Japanese society and otaku culture within the context of historical artistic practices. Murakami's Unique Style and the Art World Murakami's approach often involves a dialogue between different cultural elements, combining traditional Japanese artistic techniques with the mass appeal of anime and manga. His method is rooted in the "Superflat" concept, which he coined to describe the cultural commentary embedded in his artworks. This style is evident in the Doraemon Exhibition plate, where the flattened pictorial plane and the juxtaposition of characters suggest a deeper narrative on the influence of pop culture in our lives. Pop Art, Street Art, and Their Confluence By incorporating elements of street pop art and graffiti artwork into his ceramic plate design, Murakami contributes to the ongoing conversation about the validity and importance of pop culture in the art world. He elevates the perception of animated characters by placing them within the context of 'high art,' challenging preconceived notions about the value and meaning of pop and street art. Collectibility and Murakami's Global Impact The Doraemon Exhibition plate is a piece of art and a collectible item that has garnered attention from art collectors and enthusiasts worldwide. Murakami's ability to traverse the line between art and commodity has made his works highly sought after, and pieces like the Doraemon plate continue to shape the landscape of contemporary art collecting. Through these collectibles, Murakami has left a significant mark on global art culture, influencing new generations of artists and collectors alike. This Doraemon Exhibition plate by Takashi Murakami is a testament to the transformative power of pop culture within the art world and its ability to create new dialogues and understandings across different mediums and cultural backgrounds.

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Doraemon Archival Print by Adam Lister Limited Edition on 300gsm Hot Press Matte Fine Art Paper Pop Graffiti Street Art Artist Modern Artwork. 2023 Signed & Numbered Print Limited Edition of 50 Artwork Size 8.5x8.5 Archival Pigment Fine Art Anime Cat Character Doraemon Smiling and Waving in Glitch Style Doraemon by Adam Lister: Pixel Precision and Nostalgia in Street Pop Art & Graffiti Artwork Doraemon by Adam Lister is a 2023 archival pigment print released in a limited edition of 50. Measuring 8.5 x 8.5 inches, this signed and numbered artwork is printed on 300gsm hot press matte fine art paper. The image reimagines the iconic Japanese anime cat Doraemon in Lister’s distinct geometric style, blending modern pixel art with traditional watercolor gradient techniques. Rendered in modular blocks of blue, white, red, yellow, and grayscale tones, the character smiles and waves with playful optimism. The familiar rounded form of Doraemon is transformed into an angular configuration of colored rectangles outlined in thick black, giving the piece a glitched aesthetic that straddles digital and analog influences. It sits firmly within the evolving conversation of Street Pop Art & Graffiti Artwork, where characters of cultural significance are reformatted to speak through new visual languages. Pixel Deconstruction and Anime Iconography Adam Lister’s work is known for breaking down globally recognized figures into pixelated patterns, and his treatment of Doraemon is both affectionate and abstract. With roots in Japanese manga and television, Doraemon symbolizes invention, protection, and childhood memory across generations. Lister maintains the essence of the character—the bell collar, round eyes, wide mouth—while reshaping them into flat, stacked color fields. This method of digital mimicry evokes early video game sprites, turning a complex emotional figure into a series of minimalist cues. In Street Pop Art & Graffiti Artwork, this shift from illustration to form asks viewers to consider how iconography is stored in memory and how cultural familiarity can persist even through distortion. Material Execution and Collectible Format Printed on heavyweight 300gsm hot press matte paper, the artwork features deep pigment saturation and smooth tonal gradation. Each area of color holds soft watercolor texture beneath the rigid pixel grid, adding warmth and nuance to the otherwise digital aesthetic. This contrast between machine-like structure and painterly touch reinforces Lister’s hybrid style, which exists between fine art and design, traditional media and digital reference. The edges of the figure are crisp but the transitions inside the background blocks create visual depth, anchoring the character in space without grounding it too firmly in narrative. The 8.5 x 8.5 inch format allows for intimate viewing, enhancing its function as a collectible artifact in the context of Street Pop Art & Graffiti Artwork. Adam Lister’s Voice in the Remix Generation Adam Lister is an American contemporary artist whose practice centers on reinterpreting characters and scenes from popular culture through a lens of geometric abstraction and visual fragmentation. His work often spans film, television, gaming, and anime, making him a key contributor to the remix generation of artists operating within Street Pop Art & Graffiti Artwork. By translating hand-drawn characters into sharp-edged mosaic-like forms, Lister comments on how nostalgia and identity are shaped through media saturation and digital memory. His Doraemon print in particular bridges generational distance by invoking childhood warmth through a modern grid—an emotional construct remixed in a minimalist framework. It is both a visual tribute and a conceptual inquiry, exemplifying how Street Pop Art & Graffiti Artwork can honor heritage while pushing aesthetic boundaries.

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Endian Redux PP Silkscreen Giclee Print by Fin DAC Printers Proof Hand-Pulled 12-Color Screen Print on Varnish 330gsm Somerset Fine Art Paper Limited Edition Pop Street Artwork & Graffiti. PP Printers Proof Findac 2021 Signed & PP Marked Limited Edition Run Artwork Size 24.61x34.65 Giclee Print on Left Silkscreen on Right Side. Technique and Composition of Endian Redux PP "Endian Redux PP," a silkscreen giclée print by the acclaimed artist Fin DAC, exemplifies the seamless integration of traditional and contemporary techniques, emerging as a striking addition to the domain of limited edition pop street artwork. This piece, marked as a Printer's Proof (PP) and part of a limited edition run, showcases Fin DAC's signature style—a blend of photorealism with graphic and graffiti-inspired elements. The artwork juxtaposes a giclée print on the left with a silkscreen on the right, each side bringing its distinct texture and visual impact. The giclée technique, known for its high-quality detail reproduction, allows for the photorealistic portrayal of the subject. At the same time, the silkscreen, a nod to the artist's street art roots, imparts bold color and graphic elements, creating a dynamic contrast within the same piece. This 12-color hand-pulled screen print on varnish is layered over 330gsm Somerset fine art paper, chosen for its ability to hold vibrant colors and intricate details, ensuring that each nuance of the artwork is captured with clarity. Cultural Relevance in Contemporary Art "Endian Redux PP" reflects the artist's exploration of identity and femininity, themes often revisited in his oeuvre. The subject of the print, a woman depicted with an evocative gaze and adorned with tattoo-like designs, speaks to the intersection of traditional beauty and modern aesthetics. The use of varnish not only adds a textural dimension to the artwork and plays with light and reflection, inviting viewers to engage with the piece from multiple perspectives. Artistic Influence of Fin DAC Fin DAC has solidified his reputation for creating pieces that transcend the conventional boundaries of street pop art and graffiti. His approach to screen printing, often characterized by a unique blend of stenciling and freehand techniques, results in works meticulously crafted and imbued with spontaneity. "Endian Redux PP," with its combination of giclée and silkscreen, exemplifies the artist's commitment to pushing the limits of these mediums, offering collectors a piece that is not just a print but a testament to the potential of screen printing as fine art. Significance of Printer's Proofs in Art Collections The designation of Printer's Proof indicates a rarity and exclusivity that collectors highly sought after. These proofs are typically the first prints pulled from the press and are used to check the quality of the print before the complete edition is produced. As such, they are often considered the most desirable by collectors due to their place in the printing process and their limited number. Fin DAC's choice to sign and mark these proofs further authenticates their status as limited edition artworks. "Endian Redux PP" by Fin DAC is a compelling embodiment of pop street artwork's capacity to incorporate traditional fine art techniques with the energy and rawness of street art and graffiti. The piece stands as a vibrant testament to the evolving narrative of pop art, echoing the genre's historical roots while propelling it into the future through innovative methods and thematic exploration. It encapsulates a moment in contemporary art where the lines between the various art forms are blurred and beautifully intertwined.

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Jellyfish Eyes Black 2 Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2004 Signed & Numbered Limited Edition of 300 Artwork Size 19.75x19.75. Comes Framed in 2 Frame Styles, Modern Blck Frame Size 22x22, Beige Matte Frame Size 28.75x28.75 Jellyfish Eyes Black 2 by Takashi Murakami – Floating Optics in Street Pop Art & Graffiti Artwork Takashi Murakami’s 2004 lithograph Jellyfish Eyes Black 2 stands as a vibrant continuation of his exploration into recurring motifs of vision, surveillance, and playful abstraction. Measuring 19.75 x 19.75 inches, the print is part of a signed and numbered limited edition of 300, released under the TM/KK imprint. Executed on fine wove art paper, the composition features a constellation of color-saturated, stylized eyes that hover and merge across a velvety black field. The piece is available in two distinct presentation options—modern black frame at 22 x 22 inches, and an elegantly soft beige matte frame at 28.75 x 28.75 inches—each emphasizing the spatial fluidity of Murakami’s floating forms. In the context of Street Pop Art & Graffiti Artwork, this piece emerges as both a study in surface aesthetics and a philosophical meditation on perception and presence. Murakami’s Animated Language of Form The visual structure of Jellyfish Eyes Black 2 builds upon the iconography of its predecessor, deploying a series of floating eyeball-like entities that fuse pop animation with organic drift. Set against a deep black background, the circular forms appear to pulse and glow, shifting subtly in tone and layering. Each figure is constructed with concentric rings of bold color—lime greens, blush pinks, scarlets, turquoise, ochres—punctuated with lashes, droplets, and slight distortions. The connective tissue that flows between the eyes resembles both mycelium and neural pathways, suggesting a symbiotic or collective intelligence. Within the lexicon of Street Pop Art & Graffiti Artwork, this mapping of interlinked optics translates as a metaphor for social networks, media vision, and collective consciousness. Murakami’s abstraction is not random; it is tightly ordered chaos, echoing both Japanese folklore and cybernetic futurism. Optical Play and the Superflat Aesthetic True to Murakami’s Superflat manifesto, Jellyfish Eyes Black 2 rejects the illusion of spatial depth while simultaneously creating tension and layering. The eyes are rendered in a graphic, poster-like style, referencing both commercial design and the techniques of Japanese anime and manga. The lithographic medium allows for pristine color reproduction, retaining Murakami’s digital sharpness and uniform flatness. This results in a visual experience where each element competes equally for attention, much like signage in urban space or characters in graffiti murals. The framing options further influence viewer reception—one suggesting sleek modernity and the other a nostalgic museum-grade presentation. Both emphasize the contrast between high-end collectibility and subcultural rawness. Eyes as Agents of Identity and Control In Jellyfish Eyes Black 2, the floating eyes are both whimsical and menacing. They call to mind not only the innocence of animated characters but the omnipresence of surveillance and digital observation. Murakami leverages the symbol of the eye to reflect the watching, documenting, self-aware nature of modern identity. The multiplicity of eyes within the same space speaks to fragmentation, overload, and an inability to escape the gaze—whether from others, institutions, or ourselves. In the realm of Street Pop Art & Graffiti Artwork, eyes often appear as markers of territory, vision, and spiritual assertion. Here, they become avatars of psychological atmosphere. Takashi Murakami’s Enduring Influence in Global Pop Visual Culture Takashi Murakami continues to serve as one of the most influential artists at the intersection of commercial design, conceptual painting, and urban culture. His approach unites Japanese Edo traditions with the immediacy of contemporary visual storytelling. Jellyfish Eyes Black 2 is emblematic of this approach—deceptively simple, richly layered, and hauntingly joyous. It occupies a space where traditional craftsmanship meets hyper-modern aesthetics, and where personal mythologies intermingle with digital consumer culture. The piece is not merely collectible—it is a portal into a stylized cosmos of symbolic resonance, humor, and introspection, rendered in flawless print form for the language of the street and the gallery alike.

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Kikkosket Shoeuzi 75% Hand Cast & Painted Polystone Uzi Art Sculpture Toy Limited Edition Artwork by Artist Sket-One of Graffiti Pop Street Painting Fame. 2021 Kikkoman Edition of 200, Size 75% 7.5" Each uzi sculpture comes as a 4-part Shoeuzi Magnafix magnetic assembly, box, display stand & gloves. Hand cast and painted Polystone Resin. New In Box International artist SketOne collaborates with by j-ldn to introduce the deliciously complex KIKKOSKET 75% Shoeuzi. Handcrafted from water clear polyresin dyed brown to imitate the appearance of liquid, this set also includes a set of chopsticks and a sushi rolling mat base.

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Year of the Tiger- February Fine Art Limited Edition Archival Pigment Print Transfer on Natural Skateboard Deck by Street Artwork Graffiti Artist Mimi Yoon. Limited Edition Skateboard Deck Edition Size: 100 signed & numbered by Mimi comes with a COA made in USA

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Flower 8.0 Pink Skateboard Art Deck by Takashi Murakami TM/KK Limited Edition Archival Print on Wood Skateboard Deck by Street Artwork Graffiti Artist. 2017 Limited Edition Skateboard Artwork Size Approximately 8x31 Skateboard Art Deck Brand New Perfect Condition Skateboard decks are made from layers of wood veneer that are glued together to create a strong and flexible board. The Flower 8.0 Pink Skateboard Art Deck is made from high-quality Canadian maple wood, which is known for its durability and resilience. The deck measures 31 inches in length and 8 inches in width, making it suitable for a variety of skating styles. Takashi Murakami is known for his colorful and playful artworks that blend traditional Japanese techniques with contemporary pop culture. His iconic smiling flower motif has become a signature element of his work and has been featured in numerous exhibitions and collaborations with fashion and lifestyle brands. The Flower 8.0 Pink Skateboard Art Deck by Takashi Murakami TM/KK is a unique and collectible piece of art that combines skateboarding culture with contemporary art.

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Philippines MC Supersized Grin Limited Edition Vinyl Art Toy McSupersized Collectible Artwork by Pop Artist Ron English- POPaganda. 2020 Signed New In Box Limited Edition. Philippines Asian Country Variant Colorway. Ron English- POPaganda, 8 Inches Tall, Signed By Ron English- POPaganda, SFBI The "Philippines MC Supersized Grin Limited Edition" is a vinyl art toy that stands as a poignant symbol within street pop art and graffiti artwork. This collectible, crafted by the iconic pop artist Ron English- POPaganda, is a vibrant commentary on consumer culture, tailored explicitly in a colorway that pays homage to the Philippines. Released in 2020 as a signed, new-in-box limited edition, this piece stands 8 inches tall and is part of English's renowned SFBI (SuperFiction Brand Imagery) collection. Ron English- POPaganda's MC Supersized figure has become a staple in designer art toys, recognized for its satirical take on a fast-food mascot. The Philippines variant brings a unique cultural twist to this globally recognized character, adorned with the national colors and symbols of the Philippines, such as the sun and stars from the flag. This specific edition not only represents English's sharp critique of fast-food culture and its global reach but also reflects the nuances of national identity within the globalized world. The figure is meticulously signed by Ron English- POPaganda, adding a layer of authenticity and value for art collectors and enthusiasts. The signature is a direct connection to the artist, a testament to the piece's significance within English's body of work. Within the broader conversation of street pop art, the "Philippines MC Supersized Grin Limited Edition" vinyl toy exemplifies how the medium of art toys can become a canvas for critical discourse and artistic expression. Ron English- POPaganda utilizes the familiar and commercial to provoke thought, embedding complex ideas within the playful and accessible form of a toy. His work challenges the viewer to question the interplay between consumerism and culture, all the while delivering his message through the guise of humor and color. As such, English's work is not just a representation of street pop art aesthetics but a narrative device that speaks to the power of imagery in our daily lives. The "Philippines MC Supersized Grin" is a striking example of how the lines of art, commentary, and collectibility can intersect to produce pieces that are as thought-provoking as they are visually compelling.

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Revolution Girl Silkscreen Print by WK Interact x Shepard Fairey- OBEY Hand-Pulled 1-Color on Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2007 Signed by WK Interact & Shepard Fairey- OBEY Limited Edition of 250 Artwork Size 18x24 Silkscreen Print. No Obey/WK Revolution Girl Prints Were Numbered in This Edition, and Half of WK Did not Sign; Both Artists Signed This Artwork. Small Crease to the Lower Right Facing Corner. "Revolution Girl" is a compelling collaboration between Shepard Fairey, the founder of OBEY, and WK Interact, an artist known for his dynamic street art. This one-color silkscreen print, produced in 2007, exemplifies a confluence of two distinctive styles that have shaped the visual vocabulary of street art and pop culture. Measuring 18x24 inches and printed on Speckletone fine art paper, the piece is part of a limited edition series with only 250. Significantly, this print is dual-signed by both artists, a rarity given that not all prints from this series were signed by WK Interact, and none were numbered, adding a layer of exclusivity to this artwork. The image is a stark, high-contrast depiction that conveys a sense of urgency and defiance, characteristic of Fairey's work, blended with the kinetic energy of WK Interact's approach to street art. The piece features a figure that is an assertive and revolutionary instance, capturing the ethos of protest and empowerment. This artwork speaks to the heart of street art’s purpose—to challenge norms and inspire change through visual disruption. The presence of a small crease on the lower right-facing corner of the print is a testament to its journey and authenticity, a nod to the often impermanent and rugged life of street art. By merging their distinct artistic signatures, Fairey and WK Interact create a narrative that is both a political and aesthetic statement, resonating with the core of pop art’s intent to blur the boundaries between 'high' art and 'low' culture. "Revolution Girl" stands not just as a work of art but as a cultural artifact that encapsulates the spirit of its era, where art became a loudspeaker for social and political discourse. This print is a testament to the influence of street art in the contemporary art scene, marking its evolution from the fringes to a recognized and vital form of artistic expression that engages public consciousness.

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Cube Offset Lithograph Print by Takashi Murakami TM/KK Hand-Pulled Print on Custom Framed Satin Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2001 Signed & Numbered Limited Edition of 300 Artwork Size 23.5x23.5 Framed 32x32 Takashi Murakami (b. 1962) Cube, 2001 Offset lithograph in colors on satin wove paper 23-1/2 x 23-1/2 inches (59.7 x 59.7 cm) (sheet) Ed. 133/300 Signed and numbered in ink lower right Published by Kaikai Kiki, Ltd., Tokyo Print Grade: 10/10 No apparent condition issues. Not examined out of frame. Matted and framed under acrylic. Framed Dimensions 32 X 32 Inches Takashi Murakami is a renowned Japanese contemporary artist known for his unique blend of traditional Japanese art styles, such as ukiyo-e, with pop culture and Western influences. He has created a distinctive style often referred to as "Superflat" that features bold colors and graphic designs. The "Cube Offset Lithograph Print" by Takashi Murakami from 2001 is a limited edition print that features the artist's signature style vine with smiling flowers Ms Flower, with TM/KK being a reference to Takashi Murakami and Kaikai Kiki, his art production and management company. Cube Offset Lithograph is a type of printing method that produces high-quality reproductions of original artworks, often used for creating limited edition prints. Murakami's works are highly sought after by collectors and have been exhibited in prestigious museums and galleries worldwide. Owning a limited edition print like the "Cube Offset Lithograph Print" could be considered a valuable addition to an art collection.

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Train Hanshin Jet 5700 100%- Silver BE@RBRICK Limited Edition Vinyl Art Toy Urban Collectable Art Figures. 'Be@rbrick Train: Hanshin Jet-Silver 7500' by Be@rbrick x Medicom Toy, 2019 2.8 Inches (100% figure) 7.75 Inches (train) 5.8 x 4.9 x 1.5 Inches (package) Collectible painted vinyl figure + toy train in carded blister-pack.

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Two Flags 2P Offset Lithograph Print by Madsaki Hand-Pulled Print on Smooth Wove Fine Art Paper Limited Edition Graffiti Street Pop Artwork. 2018 Signed & Numbered Limited Edition of 300 Artwork Size 18x26.75 MADSAKI (b. 1974) Two Flags 2P, 2018 Offset lithograph in colors on smooth wove paper 26-3/4 x 18 inches (67.9 x 45.7 cm) (sheet) Ed. 300 Signed, numbered, and dated in ink lower right Published by Kaikai Kiki, Ltd., Tokyo.

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Bibi Fine Art Limited Edition Archival Pigment Print Transfer on Cold Pressed Steep Natural Skateboard Deck by Street Artwork Graffiti Artist Mimi Yoon. Archival Pigment Print Transfer on Cold Pressed Steep Natural Skate Deck Size: 8 x 31.875 Inches Release: June 22, 2020

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Canbot Canz 76- Phantom White Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Dragon76 x Czee13. 2022 Limited Edition Martian Toys x Dragon76 x Czee13 x Clutter Canbot Canz 76: Phantom White by Dragon76. Famous Samurai gets the Canbot Canz Treatment! 5.5" tall Vinyl Rattles!!! Martian Toys Exclusive Colorway Produced by Clutter Studios. Japanese graffiti artist Dragon 76 takes on Czee13's Canbot Canz form with his iconic style, merging science fiction street art with ancient samurai style! The DR76 Canbot Canz , with its trooper-inspired respirator, heavy metal samurai helmet, and the ouroboros imagery on the feet representing infinity and the cycle of life and death, is the perfect new edition to the CANZ family!5oz Size (5.5" tall) The Canbot Canz 76: Phantom White - A Fusion of Street Pop Art and Traditional Imagery The Canbot Canz 76: Phantom White is a limited edition vinyl art toy representing a unique fusion of street pop art and traditional samurai aesthetics. This collectible results from a collaboration between Japanese graffiti artist Dragon76 and toy designer Czee13, produced by Clutter Studios under the banner of Martian Toys. Standing 5.5 inches tall, the Canbot Canz 76 captures the eye with its distinctive design and engages the sense of sound with a fundamental rattling feature, embodying the playful spirit of the Canbot Canz series. Dragon76 is celebrated for his work that often marries science fiction elements with historical themes, particularly the samurai culture of his Japanese heritage. In the Canbot Canz 76, this blend is evident in the trooper-inspired respirator and the heavy metal samurai helmet, a nod to both futuristic narratives and ancient warrior gear. The ouroboros imagery adorned on the feet of the Canbot Canz 76, symbolizing infinity and the cyclical nature of life and death, adds depth to this art toy, elevating it from a simple collectible to a piece steeped in symbolism. Street Pop Art and Graffiti Artwork Embodied The concept of the Canbot Canz 76 is rooted in the core principles of street pop art and graffiti artwork - it is accessible, urban, and speaks a visual language that resonates with a broad audience. The Phantom White colorway, an exclusive for Martian Toys, showcases the clean, bold lines often associated with Dragon76's graffiti work. The color stands out, yet it perfectly complements the detailed design elements meticulously crafted onto the vinyl surface. This collectible is not just a toy but a representation of the intersection between contemporary street art and the rich visual traditions of Japan. Dragon76, known for his dynamic and colorful murals, brings a sense of movement and energy to the Canbot Canz 76, characteristic of his larger body of work. The collaboration with Czee13, whose Canbot Canz design has become a staple in the designer toy community, infuses the piece with a playful and modern twist, making it a must-have for enthusiasts and collectors of street pop art. The Significance of Canbot Canz 76 in Modern Collectibles The Canbot Canz 76: Phantom White is a testament to the evolving landscape of collectibles in street pop art. This piece is more than an object of admiration; it is a narrative artifact that tells the story of cultural synthesis and the power of collaboration. The involvement of Clutter Studios, known for their high-quality production of designer toys, ensures that each Canbot Canz 76 is a work of art and a product of superior craftsmanship. As a collectible, the Canbot Canz 76 is both a tribute to the traditional and a herald of the new, encapsulating the spirit of Dragon76's artistic journey and the growing trend of collectible art toys in street pop art. It is a piece that breaks barriers, bringing together different art forms and cultures and presenting them in a format that is innovative and deeply respectful of its roots. For collectors, owning a Canbot Canz 76 is an opportunity to hold a piece of contemporary art history - a snapshot of where street art meets the timeless allure of the samurai.

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Canbot Canz 76- Gunmetal Black OG Canbot Canz Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti Dragon76 x Czee13. 2022 Martian Toys x Dragon76 x Czee13 x Clutter Canbot Canz 76: Gunmetal Black OG by Dragon76 Dragon76's Famous Samurai gets the Canbot Canz Treatment! 5.5" tall Vinyl Really Rattles!!! Ed. of 200 Martian Toys Exclusive Colorway Produced by Clutter Studios

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Holiday Japan- Brown Limited Edition Vinyl Fine Art Toy Collectible Artwork by Street Graffiti Artist Kaws- Brian Donnelly. 2019 Vinyl Fine Art Sculpture Holiday Japan Brown Painted Cast Vinyl Fine Artwork Size 9x4x3.5 inches Stamped to the Underside Published by AllRightsReserved, Hong Kong. Perfect to Near Perfect In Original Packaging. Reflecting Urban Narratives: KAWS' Holiday Japan-Brown Edition KAWS' Holiday Japan-Brown is a limited edition vinyl art toy representing a confluence of street art's raw energy and the polished aesthetic of fine art sculptures. Released in 2019, this painted cast vinyl piece is part of a broader series that captures the artist's journey through different cultural landscapes. Measuring 4 x 9 x 3-1/2 inches, each figure is stamped on the Underside, denoting authenticity, and was published by AllRightsReserved, Hong Kong, further solidifying its status as a desirable collectible. The Holiday Japan-Brown edition by KAWS, a celebrated figure in street graffiti art, embodies the relaxed and contemplative demeanor often missing from the hustle of urban life. It's a vinyl sculpture that depicts a resting Companion, a recurring figure in KAWS' work, showcasing the unique blend of abstract form and emotional depth that characterizes his approach to modern pop art. KAWS and the Intersection of Art Toy and Contemporary Sculpture The Holiday Japan-Brown art toy by KAWS blurs the boundaries between a plaything and a contemporary sculpture, infusing the collectible with a sense of sophistication. This piece represents KAWS' artistry and a commentary on the collectible culture that has grown around such figures. The Companion, with its crossed eyes and exaggerated features, is more than a character; it's an icon of street pop art, representing the infusion of graffiti artwork into mainstream culture. This figure's brown hue, reminiscent of the earth and natural elements, contrasts with the often vibrant urban environment from which street art emerges. By choosing this color, KAWS invokes a grounding effect, bringing a piece of serenity to collectors' spaces. The Holiday Japan-Brown edition, with its laid-back posture and soothing color, invites viewers to pause and reflect, a luxury in the fast-paced world from which it draws inspiration. Cultural Impact of KAWS' Holiday Japan-Brown in the Art World The release of KAWS' Holiday Japan-Brown vinyl sculpture has significantly impacted how street pop art is perceived in the contemporary art world. The piece signifies the evolving narrative of street art, transitioning from temporary urban murals to coveted art objects that hold a place of prestige in both public and private collections. The Companion figure has become a bridge between diverse audiences, appealing to art collectors, pop culture enthusiasts, and the general public. As street pop art continues to gain recognition and value, KAWS' work, especially the Holiday Japan-Brown edition, stands as a testament to the genre's artistic merit and cultural relevance. The figure is a physical manifestation of street art's journey. It encapsulates its spirit in a tangible, collectible form and is deeply resonant with the themes of connectivity and humanity central to KAWS' oeuvre. Through such works, KAWS cements his role as a pivotal artist in the dialogue of Street Pop Art and graffiti Artwork, bridging the gap between subculture and the mainstream art scene.

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Playbot 1 Artwork Giclee Limited Edition Print on Fine Art Paper by Pop Culture Graffiti Artist Mimi Yoon. Signed limited run for Sneaker Con 2021

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Madsaki- Mona Lisa 3 Dharma Green Limited Edition Rare Spray Paint Can Artwork Crossover by famous graffiti paint maker Montana MTN. Mona Lisa 3 Spray Paint Can, 2021 MNT Colors Spray Paint, Low Pressure Can in Wood and Acrylic Case Spray Paint Color: Dharma Green 400ml. Limited Edition of 500 Madsaki Mona Lisa 3 Dharma Green Spray Can in Street Pop Art & Graffiti Artwork The Mona Lisa 3 Dharma Green spray paint can by Japanese artist Madsaki is a limited edition collectible released in 2021 as part of the Montana Colors artist series. Created in collaboration with the iconic graffiti paint brand Montana MTN, this edition transforms a 400ml can into a crossover artwork that bridges classical painting with the raw aesthetic of street expression. The artwork features Madsaki’s reinterpretation of the Mona Lisa, executed in his signature irreverent style with smeared eyes and a dripping smile. Known for challenging traditional art values through parody and graffiti energy, Madsaki reimagines one of the most recognized portraits in history by layering over it with his visual language of distortion, repetition, and satire. This edition was capped at 500 units and includes a Dharma Green paint fill, housed in a custom wood display case, making it both a functioning paint tool and a contemporary sculptural object. Visual Style and Conceptual Fusion Madsaki’s reworking of the Mona Lisa is emblematic of his broader practice, where he recontextualizes canonical works from art history through a graffiti-informed lens. His version on the Dharma Green can depicts the Mona Lisa with vacant eyes and a haunting grin rendered with black paint that bleeds downward, invoking both humor and discomfort. The brushwork mimics crude spray lines and hand-drawn texture, celebrating imperfection and emotional intensity over traditional beauty. This graffiti-infused rendition replaces reverence with raw energy, transforming a Renaissance icon into a modern pop symbol. Montana Colors used high-resolution printing technology to wrap this expression around the cylindrical form, reinforcing the unity between the artist’s visual narrative and the object’s street-level functionality. Each can serves as a portable canvas, allowing collectors to hold in hand a version of Madsaki’s bold and challenging artistic statement. Artist Background and Cross-Medium Innovation Madsaki, born in Osaka, Japan and raised in the United States, is internationally known for his ability to navigate fine art, graffiti, and pop culture. His career includes collaborations with galleries across Asia, Europe, and North America. Though trained at Parsons School of Design in New York, his artistic voice is rooted more in subversion than formalism. He frequently paints figures from Western art and mass media, overlaying them with emotive distortions and graffiti aesthetics. Madsaki's pieces often blur the lines between parody and homage, combining critique with cultural celebration. The Mona Lisa 3 can exemplifies this hybrid voice, drawing from art history and injecting it with street culture’s unfiltered pulse. His involvement in the Montana MTN series marks a fusion of museum-grade vision with urban materials, expanding the boundaries of Street Pop Art & Graffiti Artwork. Collectible Value and Presentation Each Mona Lisa 3 Dharma Green can arrives sealed with Montana’s factory-fill low pressure paint and is encased in a wooden and acrylic box stamped with the artist’s signature. This dual presentation reinforces the piece’s status as both an art object and a practical tool of graffiti. The display-ready nature of the packaging elevates the can beyond utility, while retaining the cultural edge of a spray can as a symbol of resistance, autonomy, and creation. As part of a limited series of 500, it has become a coveted object among collectors of street art, pop art, and contemporary crossovers. The work holds significance in the evolution of spray paint culture, encapsulating the idea that tools once considered part of a counterculture can be reclaimed as works of art in their own right. Madsaki’s Mona Lisa 3 spray can is a direct challenge to the hierarchy of fine art, using humor and raw form to restage history in a new urban light.

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Akira Pill Ceramic Plate Art Object by Supreme Limited Edition Collectors Dish Artwork. 2017 Stamped Limited Edition Supreme Ceramic Plate Artwork Size 10x10 Collectible Art Object. Unveiling the Supreme AKIRA Pill Ceramic Plate: A Convergence of Street Pop Art and Collectible Design The Supreme AKIRA Pill Ceramic Plate is a distinctive artifact within the collectible design and street pop art spheres. Launched as part of the Fall/Winter 2017 collection, this limited edition piece exemplifies the harmonious blend of utilitarian objects and art pieces. The collaboration between Supreme and the AKIRA manga series transcends mere commercial intent, evolving into a collector's item that celebrates the aesthetics of both street culture and Japanese graphic art. The Supreme AKIRA Pill Ceramic Plate, sized at 10x10 inches, is more than just a dish; it's a canvas that showcases the thrilling intersection of Supreme's bold sensibilities and AKIRA's striking manga artwork. Crafted from high-grade ceramic, the plate promises durability and an enduring visual appeal, making it suitable for functional and display purposes. The artwork, featuring a character mid-action as they consume a pill, is rendered in a stark black-and-white palette, bringing the dynamism and raw energy of the original manga panels to a static object. Accompanying the image is the phrase "THEY'RE JUST LIKE CANDY!" which adds a layer of narrative and intrigue to the piece. In this unique art object, the collaboration's spirit is palpable. The featured artwork captures the essence of the AKIRA series, while the incorporation of Supreme's logo recontextualizes the image within high-end street fashion. The choice to modify the Supreme logo and place it on the pill within the artwork speaks to the brand's knack for seamlessly integrating popular culture references within its products. This technique endears the piece not only to fans of the manga but also to followers of the Supreme brand, whose identity is cleverly woven into the narrative of the artwork. The underside of the plate is as much a part of the art as the top, displaying the classic Supreme Box logo in its original, vivid colors. This touch is a signature move by the brand, a nod to its roots in the skateboarding and streetwear scenes, and serves as a certificate of authenticity for collectors. The Supreme AKIRA Pill Ceramic Plate is Street Pop Art and Graffiti Artwork The Supreme AKIRA Pill Ceramic Plate is a testament to the evolving landscape of street pop art and graffiti artwork. It encapsulates what it means to be a piece of art in the modern age – functional yet provocative and steeped in the subculture. This plate isn't just merchandise; it's a slice of the street art narrative captured in glazed ceramic. The plate's design reflects the shared backgrounds of street art and graffiti – spontaneous, bold, and often provocative. Yet, it is refined through the lens of pop art, which takes the everyday object and elevates it to something extraordinary. The collaboration is symbolic of how street pop art often blurs the lines between commercial and high art, inviting discourse on the value and significance of art in everyday objects. As a piece of art, the Supreme AKIRA Pill Ceramic Plate carries the legacy of its manga inspiration into new territories. It's a physical representation of the cultural impact of the AKIRA series on the world of graphic novels and the broader canvas of pop culture. For Supreme, this plate adds to its repertoire of items that are at once contemporary and timeless, pieces that resonate with the cultural zeitgeist while retaining a sense of exclusivity and collectibility. In street pop art and graffiti artwork, objects like the Supreme AKIRA Pill Ceramic Plate challenge traditional notions of what art can be. They bring the vibrancy and edginess of street art into homes, merging with the functional aspects of everyday objects. This plate is not just a practical dish; it's a conversation starter, a piece of cultural commentary, and a collectible artwork all rolled into one, capturing street pop art's innovative and transformative spirit.

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K-Love Green Art Toy by Joan Cornellà Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist. 2020 Limited Edition Artwork Size 5x7 New In Bag Printed Foot. Kim Jong-Un, the Supreme Leader of North Korea, is depicted in an unusual all-green suit, a creative take on his typically worn all-black attire. In his left hand, he gently clasps a small heart, and a faint smile softens his expression. In a striking fusion of political commentary and pop art aesthetic, the "K-Love Green Art Toy" stands out as a limited edition vinyl sculpture that captivates collectors and art enthusiasts alike. Crafted by Joan Cornellà, a renowned pop street artist whose work often toes the line between unsettling and humorous, this piece was introduced in 2020. It quickly became a sought-after item for its bold statement and vibrant execution. The sculpture is modest, measuring 4x5 inches, making it an intimate yet poignant addition to any collection. This vinyl artwork captures a distinctive portrayal of Kim Jong-Un, the Supreme Leader of North Korea, dressed not in his signature all-black ensemble but in an all-green suit. The choice of color could be seen as a playful twist on his usual public image or a more profound symbolic gesture towards life, vitality, or irony in the face of the leader's often austere demeanor. The Supreme Leader's typically stern facade is softened here; he is seen holding a diminutive red heart in his left hand and sporting a subtle smile. This dichotomy between the leader's usual representation and the gentle, almost childlike pose he strikes is emblematic of Cornellà's style, which often juxtaposes the grim facets of human nature with a deceptively cheerful visual narrative. Cornellà's work is characterized by its stark, often shocking, satirical edge, making bold statements through simple yet impactful imagery. This limited edition piece, which comes new in a bag with a printed foot, reinforces the artist's penchant for blending the macabre with the whimsical. "K-Love Green Art Toy" is not just a collectible; it's a slice of contemporary cultural commentary that challenges viewers to find the intersection of art, politics, and pop culture, encouraging a deeper look into the layers of meaning behind a seemingly straightforward figure. As it stands in silent conversation with those who encounter it, this artwork continues to resonate with the complexities and contradictions of the modern world.

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Lucky Cat- Black Pop Street Artwork Limited Edition Giclee Print on Fine Art Paper by Urban Graffiti Modern Artist Shane Jessup. 5x5 2013 Signed & Numbered Series of 10

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Forsake PP Printer Proof Archival Print by Eddie Colla Limited Edition Print on 290gsm Fine Art Paper Pop Artist Modern Artwork. PP Printers Proof 2020 Signed & Marked PP Limited Edition Artwork Size 16x20.5 Archival Pigment Fine Art Insight into "Forsake" by Eddie Colla "Forsake" is a striking Printer's Proof (PP) archival print by Eddie Colla, a figure renowned in pop, street, and graffiti art. Created in 2020, this piece is part of a limited edition series, each signed and marked by Colla to signify its authenticity and exclusivity. The artwork is presented on 290gsm Fine Art Paper, a choice that ensures the print's longevity and high-quality appearance, a critical factor for collectors and enthusiasts of street pop art. Measuring 16x20.5 inches, the print is a substantial size that allows viewers to engage with the intricate details and profound messages. Eddie Colla's Convergence of Street Art and Fine Art Eddie Colla has an established reputation for merging the raw, expressive energy of street art with the refined techniques of fine art. "Forsake" is a testament to his ability to navigate these two worlds, creating works that are both accessible and profoundly thought-provoking. The print's archival pigment ensures that the rich textures and nuanced shades are preserved, capturing the ephemeral nature of street art in a form that can be appreciated over time. The imagery of a masked figure in "Forsake" speaks to the contemporary global experience, resonating with themes of identity, resistance, and the human condition. Symbolism and Narrative in Colla's Work In this piece, the subject's gaze is direct and unyielding, a powerful focal point amid smudged ink and abstract forms. The mask, a symbol now indelibly linked to the era of the COVID-19 pandemic, carries implications of silence, anonymity, and the struggle to communicate in a world where much of our expression is hidden. Colla's choice of text—"After forgetting you, they will call you now with their tricks"—introduces a narrative of rediscovery and the cyclical nature of societal memory and attention. The mixed media approach employed by Colla, blending photography with graphic elements, is a hallmark of his style. This method allows for a layering of meaning, just as layers of posters and graffiti accumulate on city walls, each telling a different story. "Forsake" invites the viewer to peel back these layers and explore the depth of Colla's narrative. This depth sets Eddie Colla's work apart, imbuing it with a sense of urgency and relevance, which is the power of street pop art. The artwork's message and medium reflect Colla's commitment to street pop art as social commentary. By bringing the transient art forms of the streets into the permanence of fine art prints, Colla bridges the divide between high art and public art. His work is a reminder that the messages conveyed through street art have a place in the ongoing cultural discourse, deserving of preservation and reflection. "Forsake" is a compelling piece within Eddie Colla's oeuvre, encapsulating his vision of street pop art and graffiti artwork as a form of visual impact and a means of communication and connection. It is a vibrant example of how street art can be elevated to a platform where it can be engaged on a level that transcends the boundaries of traditional art forms. Through works like "Forsake," Eddie Colla continues challenging perceptions, provoking dialogue, and fostering a deeper understanding of our collective experiences.

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24 Virtues Gold Silkscreen Print by Cryptik Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 102 Artwork Size 17x24.5 Silkscreen Print in Gold. 24 Virtues Gold by Cryptik Artwork Overview *24 Virtues Gold* is a refined and spiritually grounded silkscreen print by Cryptik that showcases his mastery of sacred calligraphy and symbolic language. Presented as a grid of meticulously rendered characters, the composition reflects a meditative balance between repetition and variation. Each glyph represents a virtue, forming a visual mantra that invites contemplation, discipline, and inner alignment. The gold ink elevates the piece, giving it a luminous presence that feels both ceremonial and timeless. Style and Concept Cryptik’s work is deeply rooted in Eastern philosophy, sacred geometry, and the transformative power of language. In *24 Virtues Gold*, calligraphy becomes both visual art and spiritual architecture. The sharp precision of the black characters contrasts with lighter, almost ethereal white forms, suggesting duality: seen and unseen, material and spiritual, action and intention. The gold field acts as a unifying ground, symbolizing enlightenment, wisdom, and value beyond the material. Rather than reading the characters literally, the viewer experiences them rhythmically, absorbing meaning through form, repetition, and balance. Edition Details Released in 2025, *24 Virtues Gold* is a hand-pulled silkscreen print on fine art paper. The artwork measures 17 x 24.5 inches and is signed and numbered by Cryptik as part of a limited edition of 102. The use of gold ink adds depth and resonance, making each print feel ceremonial and intentional. This edition stands as a strong example of Cryptik’s ability to merge contemporary street art with ancient spiritual traditions, offering a piece that is both visually commanding and contemplative.

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24 Virtues Black Silkscreen Print by Cryptik Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2025 Signed & Numbered Limited Edition of 117 Artwork Size 17x24.5 Silkscreen Print in Black. Cryptik 24 Virtues Black Silkscreen Print The 24 Virtues Black Silkscreen Print by Cryptik stands as a disciplined and meditative example of Street Pop Art & Graffiti Artwork rooted in calligraphic tradition and contemporary urban philosophy. The composition presents a grid of stylized letterforms rendered in black ink against a light ground, emphasizing restraint, balance, and repetition rather than spectacle. Each character is treated as an independent visual object while remaining part of a unified system, reinforcing the idea that virtue is cumulative and practiced rather than performative. The black colorway heightens contrast and sharpness, allowing the intricate line work and ornamental flourishes to command attention without reliance on color symbolism. This approach aligns with Cryptik’s long-standing focus on inner development, ethical reflection, and spiritual discipline expressed through street-informed aesthetics. Virtue Systems and Calligraphic Structure The 24 Virtues concept draws from historical moral frameworks found in Eastern philosophy and religious scholarship, where virtues function as behavioral anchors rather than abstract ideals. Cryptik translates these concepts into a visual language influenced by sacred scripts, manuscript traditions, and graffiti hand styles. Each glyph is meticulously structured, balancing weight, negative space, and directional flow in a way that reflects both mastery and restraint. The repetition across the grid reinforces the idea of practice and discipline, echoing how virtues are cultivated through consistency rather than isolated acts. Within Street Pop Art & Graffiti Artwork, this piece resists the impulsive or chaotic mark-making often associated with the street, instead asserting that control, patience, and intentionality are equally radical artistic statements. Cryptik Background and Artistic Position Cryptik is a contemporary street and studio artist based in the United States. His real name has not been publicly disclosed, which aligns with his practice of prioritizing message and philosophy over personal identity. Cryptik is alive and actively producing work. Emerging from graffiti culture, his work evolved toward spiritually focused compositions that merge calligraphy, symbolism, and ethical inquiry. He is widely recognized for translating complex philosophical systems into accessible visual forms without diluting their seriousness. Within the broader Street Pop Art & Graffiti Artwork movement, Cryptik occupies a distinct position that bridges street practice with contemplative art traditions, creating works that function as both visual statements and tools for reflection. Printmaking Process and Cultural Value This hand-pulled silkscreen print reflects a commitment to traditional printmaking methods, where precision and material awareness are essential. The physicality of the silkscreen process reinforces the themes of discipline and repetition present in the imagery itself. Each print in the limited edition is signed and numbered, reinforcing its status as a carefully produced artwork rather than a mass reproduction. The scale of the piece allows viewers to engage closely with each form while still perceiving the grid as a cohesive whole. As a piece of Street Pop Art & Graffiti Artwork, the 24 Virtues Black Silkscreen Print functions not only as a collectible object but as a visual framework for ethical consideration, making it especially resonant for collectors who value concept, craftsmanship, and cultural depth.

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Mini Blob Drip 108 Sculpture by Dan Lam Limited Edition Pop Artwork Street Artist Fine Art. 2025 Original Mixed Media Drip Blob Mini Sculpture Original Statue Artwork Size 7x2.5x6.75 in Cave Like Green & Blue. Dan Lam Mini Blob Drip 108 Sculpture 2025 Mini Blob Drip 108 is a 2025 original mixed media sculpture by Dan Lam that translates her instantly recognizable drip-and-ooze language into a compact, display-friendly form. The artwork is described as a cave-like blob with a green and blue colorway and measures 7 x 2.5 x 6.75 inches, giving it a low, grounded profile that reads like a small landscape feature rather than a traditional upright figure. Even in this mini scale, the piece emphasizes physical presence through pooled contours and rounded edges that feel as if they have slowly spread outward and settled, creating a sculptural silhouette that is easy to read from a distance and rewarding up close. Within Street Pop Art & Graffiti Artwork collecting culture, works like this resonate because they carry strong icon-like clarity while still feeling tactile and handmade, presenting an object that photographs cleanly yet holds its impact as a real, dimensional form. Surface, Color, and the Cave Like Form The defining visual hook of this sculpture is its ooze structure, where the glossy mound appears to drip toward the perimeter, framing a darker hollow that suggests an opening or shelter. That cave-like negative space changes how the piece behaves in a room, because it creates a natural focal point and a sense of depth that shifts with viewing angle and lighting. The green-to-blue palette reinforces the impression of something biological or aquatic, like a growth, tide pool, or mineral deposit, while still staying firmly in the pop-forward world of bright, saturated color design. The surface reads as wet and reflective, with rounded drip shapes that look suspended mid-flow, an effect that turns stillness into implied motion. This is part of what makes the work feel contemporary without leaning on tech references, because the object communicates through finish, color intensity, and silhouette in a way that aligns with how people visually navigate images today, while still being rooted in material and craft. Why Mini Blob Drip 108 Works in Street Pop Art & Graffiti Artwork Collections Mini Blob Drip 108 fits naturally into Street Pop Art & Graffiti Artwork spaces because it operates like a character without needing a face, using posture, color, and texture to project mood. The hollow opening can read as protective, secretive, or slightly ominous, while the candy-bright gradient keeps the emotional register from becoming purely dark, producing the push-pull that collectors often look for in pop-forward sculpture. As an original mixed media piece described as a limited edition, it also speaks to the desire for scarcity paired with strong visual identity, where the work feels distinctive enough to anchor a shelf, desk, or small wall vignette without competing with larger framed prints. The mini format encourages close interaction, and the glossy, pooled drips reward that intimacy by catching light along the edges and emphasizing the boundary between the elevated mound and the spread of ooze. The result is a sculpture that stays readable, playful, and slightly unsettling all at once, a balance that keeps it aligned with the energy and attitude that define Street Pop Art & Graffiti Artwork in a collecting context.

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Unworn New Old Stock Adidas ZX 2K Boost Pure Atmos- Size 12 Shoe Rare Limited Edition Sneaker Artwork Collectible. Give your look a boost of color. Co-created with celebrated Tokyo-based boutique Atmos, these Adidas ZX 2K Boost Pure Shoes fuse heritage ZX running style with fresh color. Pops of animal print and woven details stand out across the sleek leather build. The half-encapsulated full-length Boost midsole keeps you feeling energized whether you're busy running your start-up or just out running errands.

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Rings of Saturn in Blue Artwork Giclee Limited Edition Print on 315gsm Etching Cotton Rag Paper by Pop Culture Artist Handiedan. 2022 Signed & Numbered Limited Edition Print of 55 Artwork Size 16.5x22. Art print giclée With Augmented Reality 315 gsm Etching Cotton Rag 16.5" x 22" / 42 x 56 cm (image and paper size) Signed & Numbered Logo Embossed Edition: 55 Year 2022 AR Augmented Reality: https://vimeo.com/729238143 Uses the Artivive App The Intersection of Classical Elegance and Urban Edge in Handiedan's "Rings of Saturn in Blue" Handiedan's "Rings of Saturn in Blue" epitomizes the fusion of classical art with the raw vitality of Street Pop Art and graffiti Artwork. This limited edition giclée print is a visual symphony composed on a 315gsm etching cotton rag paper, signifying a marriage of traditional and contemporary art forms. The artist Handiedan brings a multifaceted background, richly reflected in her work. Her pieces are renowned for their depth and complexity, involving a blend of drawn, painted, and digitally designed elements. "Rings of Saturn in Blue" is a testament to her unique style, which often incorporates vintage pin-up imagery, currencies, stamps, and intricate architectural features. These elements are not merely placed; they are woven into a cohesive whole that resonates with the harmony of classical composition and the spontaneity of street art. Each print from the edition of 55 carries with it the mark of Handiedan's meticulous craftsmanship. The use of augmented reality technology in this artwork is particularly noteworthy. By incorporating AR, Handiedan provides a dynamic layer to the artwork, allowing it to evolve beyond its static form. This interactivity is a nod to the growing trend in Street Pop Art where audiences are not just observers but participants in the art experience. The giclée printing process ensures that each detail, as envisioned by Handiedan, is captured with precision. The result is a work at the crossroads of digital artistry and manual dexterity, a hallmark of modern Street Pop Art and graffiti Artwork. The print is not just a visual treat but a tactile experience, thanks to the high-quality cotton rag paper that gives texture and depth to the work. The choice of blue in the title and as a dominant color in the artwork could be interpreted as a nod to the celestial theme suggested by the name "Rings of Saturn." Blue, often associated with depth and stability, also conveys significance and serenity, juxtaposing the traditionally vibrant and rebellious tones in graffiti art. This duality speaks to the core of Street Pop Art and graffiti Artwork: contrast and contradiction. With "Rings of Saturn in Blue," Handiedan does more than create an image; she curates an experience. The detailed patterns and motifs, the careful hand-embellishments, and the hot wax seal logo embossed on each print all certify the piece's authenticity and uniqueness. Collectors of Handiedan's work are not just acquiring a visual piece but becoming custodians of a slice of contemporary art history. This artwork vividly portrays how modern Street Pop Art and graffiti Artwork straddle various realms. It does not confine itself to a single style or era but creates a dialogue between them. Handiedan's work challenges viewers to reconsider their perceptions of art, urging them to see beyond the canvas and into the realms where past and present, classical and modern, digital and tangible converge. In Street Pop Art and graffiti Artwork, "Rings of Saturn in Blue" is a beacon of innovation and tradition. It exemplifies the genre's capacity to adapt and evolve, embracing new technologies and methods while still paying homage to the artistic practices of the past. Handiedan's work bridges the historical depths of art with the ever-changing surface of contemporary pop culture, making "Rings of Saturn in Blue" a significant piece in the evolution of Street Pop Art and graffiti Artwork.

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Bape Ape Head Pop Abc Camo Green UltraGiclée Print by Tomotatsu Gima Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2023 Hand Numbered Limited Edition of 300 Artwork Size 22x22 Bape 30th Anniversary Collection With COA Tomotatsu Gima, a prodigious artist rooted in the picturesque landscapes of Okinawa, Japan, has charted an inspiring journey that intricately blends Japanese and American animation influences, as well as nuances from contemporary art. The fusion of these elements birthed what Gima coined as "POP COLLAGE." Within this art form, Gima employs upcycled cardboard boxes as his canvas, creating a medley of vibrant prints and globally-recognized logos. It's not just the aesthetic appeal of his art that captivates the audience, but also its underlying ethos. Firmly dedicated to eco-conservation, Gima ensures that every fragment left from his creations finds its way back to recycling processes. The genesis of his artwork is also noteworthy: the erstwhile contents of these cardboard boxes lay the groundwork for his themes, integrating symbols of renowned international products, echoing both familiarity and novelty. In celebration of Bape's 30th anniversary, Gima has manifested his exceptional talent in the "Bape Ape Head Pop Abc Camo Green UltraGiclée Print." This limited edition—restricted to a mere 300 hand-numbered pieces—sits grandly on SIHL Ivory White Matt Paper, measuring a noteworthy 22x22 inches. As part of the Bape 30th Anniversary Collection, this artwork not only stands as a testament to Gima's brilliance but also commemorates a brand that has defined street fashion for three decades. For aficionados of pop art, street art, or graffiti, Gima's creations serve as a testament to the future of artistic evolution while honoring their cultural past. Hailing from the mesmerizing island of Okinawa, Japan, Tomotatsu Gima's upbringing was deeply influenced by a diverse blend of Japanese and American animation, as well as modern art. He developed a distinctive art style known as "POP COLLAGE," which utilizes upcycled cardboard boxes as a backdrop for his striking combinations of logos and colorful prints. With a focus on eco-friendliness, all remnants from his artistic endeavors are recycled. The contents once carried by these boxes serve as the foundation for the themes in his pieces, integrating recognizable global products.

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