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SAMO©…SINCE 1978... Deluxe Collectors Set Archival Pigment Fine Art Limited Edition Print, Photos, Book & Marker on Fine Art Paper by Modern Pop Street Graffiti Artist Ali Diaz. 2018 Signed & Numbered Al Daiz Portfolio Art Set of Prints, Art Objects, Media & Photographs. The Samo©… Since 1978… Deluxe Collectors Set Includes The Following Items: A signed first-edition book with an exclusive inscription by Al Díaz and Mariah Fox. A signed and numbered archival print measuring 8 x 8 inches is a photograph by Al Díaz from circa 2018. An 11-piece archival print set of vintage SAMO© photography, each measuring 4 x 6 inches, with photographs by Al Díaz, Natalya Maystrenko, and Jane Burrell Yadav from around 1978/79. A signed paint marker that was used to create an original SAMO© piece of art. A hand-screened canvas tote bag, printed on each side, measuring 15 x 20 inches. An enamel cross pin. A sticker pack. A bookmark. A blue marker. A signed Letter of Authenticity. Historical Significance and Composition of the SAMO©…SINCE 1978... Deluxe Collectors Set Released in 2018, this limited edition portfolio by Al Diaz is a comprehensive assembly that includes various items, each rich with the essence of street pop art. A signed first edition book with an exclusive inscription provides insight into the SAMO© tag's inception and evolution, a narrative co-created with Mariah Fox. Accompanying the book is a signed and numbered archival print, an 8 x 8-inch photograph Diaz took, offering a visual narrative that complements the written word. The realm of modern street pop art and graffiti artwork is ever-evolving, often blurring the lines between an art piece and a historical document. The "SAMO©…SINCE 1978..." Deluxe Collectors Set is a prime example of this intersection, offering a tangible connection to the roots of street art as seen through the lens of influential artist Al Diaz. This set is not just an amalgamation of art objects; it's a capsule of cultural heritage that chronicles the rise of one of the most enigmatic tags in the history of graffiti. Further delving into the historical context, the set includes eleven archival prints measuring 4 x 6 inches, featuring vintage SAMO© photography by Al Diaz, Natalya Maystrenko, and Jane Burrell Yadav. These images capture the rawness of the late 1970s and early 1980s in New York, where SAMO© became a recognized symbol of rebellion and artistic freedom. Including a signed paint marker used to create an original SAMO© piece signifies the authenticity of the art-making process, bridging the past with the present. The Artistic and Collectible Value of Al Diaz's Work The Deluxe Collectors Set assembles art objects extending beyond prints and photographs. This eclectic mix includes a hand-screened canvas tote bag, an enamel cross pin, a sticker pack, and a bookmark. Each item is a piece of memorabilia and a slice of the artistic journey that Diaz has embarked upon. Notably, the set has a blue marker and a signed letter of authenticity, sealing its value as a collectible. Al Diaz's contributions to the graffiti art scene are deeply etched into the cultural fabric of urban art. His work, especially the SAMO© tag, co-created with the legendary artist Jean-Michel Basquiat, has become a symbol of street art's DIY ethos and provocative nature. This Deluxe Collectors Set does not merely reflect Diaz's artistic footprint; it serves as a conduit for the stories, the era, and the movement that SAMO© represents. Legacy of the SAMO© Tag The legacy of the SAMO© tag immortalized in this Deluxe Collectors Set is multifaceted. It's a testament to the power of words and images in the public domain, a reminder of street art's transitory yet impactful nature. The tag's cryptic messages once sparked curiosity and dialogue among passersby on New York's streets. Through this set, they continue instigating thought and appreciation among collectors and art enthusiasts. In essence, the "SAMO©…SINCE 1978..." Deluxe Collectors Set by Al Diaz is more than just an item of monetary value; it is an essential piece for anyone interested in the history and evolution of street pop art and graffiti artwork. Through this collection, Diaz cements his place in art history and invites others to explore and understand street art's profound impact on society and culture. As a limited edition of just 25 sets, it holds a unique place in the pantheon of modern art collectibles, embodying the spirit of a time when art took to the streets, challenging conventions and forever changing the face of urban expression.

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Ice Tiger Camo UltraGiclée Giclee Print by Simone Legno Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 300 Artwork Size 17.71x23.62 Bape 30th Anniversary Collection With COA Simone Legno, hailing from Italy, stands tall in the contemporary art scene, having carved a niche with his distinct blend of Japanese-inspired motifs and pop art flavors. He is the brain behind the renowned "tokidoki" brand, a testament to his ability to blend colorful and adorable characters seamlessly. Over the years, his artwork has ventured into collaborations with a plethora of fashion and lifestyle bigwigs, amplifying his already substantial influence in the art world. The "Ice Tiger Camo UltraGiclée Giclee Print" is a shining beacon of Legno's artistic prowess. This piece is a part of the Bape 30th Anniversary Collection and was meticulously crafted in 2023 as a limited edition, with only 300 prints available for avid art aficionados. Each piece is signed and numbered by the artist himself, vouching for its authenticity and uniqueness. Delving into the specifics of the piece, one is immediately drawn to the detailed "Ice Tiger Camo" pattern. This design is a masterful concoction of snowy camouflage infused with the fierceness of tiger motifs, embellished further with iconic tokidoki elements that are quintessentially Legno. What's more, the medium chosen for this piece — the UltraGiclée print — showcases Legno's commitment to quality. This giclée process, revered for reproducing digital images with a rich color spectrum and unmatched detail, is utilized here on the finest SIHL Ivory White Matt Paper. The result? A piece that resonates with the ethos of street art and graffiti, capturing the dynamism and vibrancy of urban culture, while also paying homage to the subtle intricacies of pop art. Simone Legno is an Italian artist, graphic designer, and creator of the famous "tokidoki" brand. He is best known for his cute and colorful characters and his collaborations with various fashion and lifestyle brands. Legno's artwork combines Japanese culture and pop art elements to create a unique visual aesthetic. An UltraGiclée print typically refers to a high-quality, limited-edition print made using the giclée process. This method involves using an inkjet printer to reproduce digital images on various substrates, such as canvas or paper. The result is a print with a wide color gamut and superior detail, making it popular among artists and collectors. In the context of this artwork, "Ice Tiger Camo" is a pattern design created by Simone Legno, featuring elements of icy and snowy camouflage with stylized tiger motifs and other signature tokidoki elements.

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God Save The Queen Collage Artwork Giclee Limited Edition Print on 290gsm Hahnemühle Bamboo Paper by Pop Culture Graffiti Artist Jamie Reid. 2019 Signed & Numbered Limited Edition of 300 Artwork Size 32.3x22.8 Blending the worlds of street art, pop culture, and political dissent, Jamie Reid's "God Save The Queen" stands as a poignant reflection of the punk era's raw energy and defiance. Created in 2019, this masterful artwork captures the essence of rebellion, with a striking portrayal of the British monarch, her eyes obscured by the phrase "God Save The Queen." It is not merely a visual spectacle but a statement, encapsulating the punk movement's spirit and challenging the establishment's symbols and authority. The imagery, familiar to many, became emblematic of the punk rock movement in the late 1970s. Its resonance extends beyond the art sphere into music, as it bears a strong association with the controversial track "God Save the Queen" by The Sex Pistols released in 1977. The audacity of the image, combined with the song's provocative lyrics, created ripples in society, making it an iconic piece of cultural history. This particular creation is a limited edition giclee print, with only 300 pieces ever produced. Each print is meticulously crafted on premium 290gsm Hahnemühle bamboo paper, renowned for its exceptional quality and ability to bring out the finest details of the artwork. Measuring 32.3 x 22.8 inches, every piece has been hand-signed and numbered by Reid, ensuring its authenticity. For collectors and art enthusiasts, owning a piece of this limited edition offers not just a visual delight but also a slice of history, representing a moment when art, music, and activism converged to shape a generation.

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Supreme MG 1/100 RX-78-2 GUNDAM Ver. 3.0 Action Figure Limited Edition Art Toy Model Collectible Artwork by Supreme. 2021 Limited New In Box. The Supreme MG 1/100 RX-78-2 Gundam action figure is a 1/100 scale model of the famous RX-78-2 from Mobile Suit Gundam. The figure is made from recycled plastic and features a red colorway throughout the entire silhouette. The shield of the RX-78-2 features a giant Supreme logo, and the logo is also found in a smaller font on the chest and kneecaps. The Supreme MG 1/100 RX-78-2 Gundam action figure was released during the Supreme fall/winter 2021 season.

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Owl Egg Earth Original One of a Kind Acrylic Painting Artwork on Canvas Board by Popular Art Pop Culture Artist Nate Duval. 2014 Signed Original Painting Size 11x14

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Disposable Heroes 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print DISPOSABLE HEROES Screen Print 18 x 24 inches Edition of 450 February 7, 2012 "He Served Us Well" This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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BunnyKitty Dream State- Purple 6-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Dave Persue Modern Pop Artwork Artist. 2021 Purple Variant Edition of 15 Signed and numbered, 6 color screenprint on archival paper Size 18x24 Print hand-pulled in Los Angeles, CA.

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Cream & Blue Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Cream & Blue Sedation in Bloom: Reflecting on Society Through Street Pop Art The Cream & Blue Sedation in Bloom silkscreen print by Shepard Fairey, an iconic figure in the street pop art and graffiti artwork realm, stands as a thought-provoking piece that goes beyond mere aesthetic pleasure. Fairey, born as Frank Shepard Fairey on February 15, 1970, in Charleston, South Carolina, USA, has carved a niche for himself with works that often reflect a blend of political activism and artistry. This particular artwork, a part of the Sedation in Bloom series, is no exception. Hand-pulled on cream speckletone fine art paper, the Cream & Blue Sedation in Bloom is a limited edition artwork, with each piece signed and numbered by Fairey himself. The size of the artwork, 18x24 inches, offers a substantial canvas for the expression of intricate and symbolic imagery. Limited to an edition of 150, these prints capture the exclusive nature of Fairey's work. The Symbolism of Poppies in Fairey's Visual Language The motif of the poppy in this series carries rich symbolic interpretations, ranging from peace to death, and from sleep to sedation. Fairey's choice of the poppy is deliberate and multifaceted; it is not only about creating a pleasing visual but also about the underlying message it conveys. The interplay of the serene blue on cream reflects a tranquil aesthetic, yet the poppies' association with sedation challenges the viewer to look deeper into the societal implications of the artwork. Fairey’s work is a commentary on the complacency and ignorance that he perceives as pervasive in society. The seductive nature of entertainment, alcohol, drugs, and material excess serves as a means to sedate the masses, distracting them from social and political engagement. Through the Cream & Blue Sedation in Bloom print, Fairey juxtaposes the allure of the poppies with a call to consciousness, urging the viewer to stay awake and aware amid societal distractions. Artistic Collaboration and Social Commentary The inception of this poppy pattern art arose from Fairey's collaboration with Gordon Cheung, where the duo addressed the harrowing murder of Vincent Chin and the use of anti-Asian motifs in Western culture. By incorporating these themes into his street pop art, Fairey elevates the conversation from street-level discourse to a wider socio-political dialogue. The prints serve as a decorative escape, yet they double as a potent reminder of the importance of staying alert to the world's inequities and injustices. Shepard Fairey's Cream & Blue Sedation in Bloom is a striking example of how street pop art can be a powerful medium for social critique. As viewers engage with the harmonious color scheme and the delicate floral patterns, they are also confronted with the societal urge to remain vigilant. Through this series, Fairey reiterates his belief in the capacity of art to ignite change, to unsettle the comfortable, and to provoke a reawakening of social consciousness. The artwork symbolizes the dual role of art in modern culture: as an object of beauty and as a catalyst for awareness and action.

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Test Print 11 Hand-Pulled 20-Color Silkscreen Print on Mohawk Superfine UltraWhite Paper by Pop Artists Steve Seeley x Curtis Readel Rare Art Artwork. 2019 Original Hand Deckled Test Print Signed By Steve Seeley x Curtis Readel Marked 1/1 Size 18x24 Test Print, 2019 Various POP!NK Artists Includes Steve Seeley and Curtis Readel Various numbers of colors, ranging from 8 up to 20 on Mohawk Superfine UltraWhite, 160 lb cover Deckled Edges 18” x 24” 1 of 1, completely unique signed by Steve Seeley and Curtis Readel; marked 1/1 Printed by POP!NK Editions

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Dead On Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Dead On by Herbie Greene: Grateful Dead, Haight-Ashbury, and the Psychedelic Core of Street Pop Art & Graffiti Artwork Dead On is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released April 19, 2021, as a signed and numbered limited edition. Each print includes a certificate of authenticity and was hand-perforated by Zane Kesey, reinforcing the historical tie to LSD blotter art. This striking composition, both nostalgic and confrontational, features a black-and-white image of the Grateful Dead standing on the iconic corner of Haight and Ashbury in San Francisco. Greene injects color sparingly but strategically: flames erupt from a vintage car, the sidewalk bursts with a red-white-and-blue Steal Your Face logo, and the text DEAD FIFTY YEARS glows in red and gold in the upper right corner. The result is a collision of eras, attitudes, and iconography that embodies the rebellious core of Street Pop Art & Graffiti Artwork. Herbie Greene, born in the United States, rose to prominence documenting the psychedelic explosion of the 1960s, especially as the unofficial photographer of the Grateful Dead. In Dead On, he transforms a historic moment into a symbolic monument of counterculture energy. The band's casual stance at the heart of San Francisco's hippie revolution feels timeless and alive, made more powerful by the blotter format. LSD and the Dead have long shared intertwined legacies, and placing this image on perforated paper makes the print an artifact of both visual and chemical transformation. Greene's use of selective color against grayscale lends a raw immediacy that echoes the emotional sharpness found in wheatpaste murals, stencil tags, and handmade gig posters. Documenting Counterculture Through Psychedelic Media The corner of Haight and Ashbury is not just a location in this print—it is a symbol of a social and artistic uprising that defined an era. By capturing the Grateful Dead there, Herbie Greene documents more than a band. He preserves a time when art, music, and consciousness were all being redefined through collective experimentation and resistance. The vintage cars, residential buildings, and storefronts are left untouched in grayscale, reinforcing the photographic reality of the moment, while the graffiti-like color accents bring the spirit of protest, psychedelia, and spiritual fire to the forefront. The use of blotter paper adds a deeper layer of symbolism. This was not a material chosen for novelty. It is a deliberate nod to the role visual art played in enhancing or reflecting LSD experiences during the 1960s and beyond. Zane Kesey’s involvement in perforating the print adds continuity to that history. His connection to the original Merry Pranksters and his stewardship of psychedelic print traditions ensure that each sheet holds more than ink—it carries the energy of a cultural lineage that never stopped questioning the status quo. Visual Resistance and the Street Pop Art Aesthetic Dead On blurs the line between documentation and confrontation. The addition of fire—literally exploding from the background—turns a peaceful street portrait into a moment of surreal spectacle. The visual message aligns closely with the tenets of Street Pop Art & Graffiti Artwork, where public spaces are transformed through color, message, and distortion. The Dead’s stoic faces contrast with the intensity of the fire and the bold pop typography, creating a tension between calm defiance and burning revolution. This technique of mixing photographic realism with stylized additions mirrors the way street artists use paste-ups or painted overlays on photographs or prints in urban spaces. It evokes a world where memory is always edited by experience, where sacred moments can be revisited and recontextualized through art. By adding a psychedelic floor mural and ominous flames, Greene does not just celebrate the past—he reimagines it for now. The message becomes one of persistence, cultural renewal, and unfiltered truth. Herbie Greene and the Printed Memory of Sound and Vision Herbie Greene’s contribution to American visual culture spans music, photography, and psychedelic art. Through Dead On, he presents not just a band, not just a corner, but a living monument to a movement that still resonates today. The Grateful Dead’s relationship with visual art has always been central to their mythos—from album covers to poster design—and Greene’s work amplifies that history with a tactile surface that recalls a time when the experience of seeing was inseparable from the experience of feeling. Dead On is more than a photograph. It is a constructed memory made physical on a material that once altered consciousness and inspired revolution. It speaks to the roots of Street Pop Art & Graffiti Artwork, where visual language is raw, urgent, and built for both permanence and decay. With this piece, Herbie Greene secures a place where nostalgia is not passive and history remains lit with the fires of psychedelic rebellion.

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Japanese School Girl Flag Limited Run Hand-Distressed Multiple HPM on Wood Cradled Panel ready to hang by Eddie Colla Graffiti Street Artist Modern Pop Art. 2012 10x10 Signed Numbered on Verso Edition of 20

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The Foundation Archival Pigment Fine Art Limited Edition Print on 290gsm Moab Entrada Paper by Modern Pop Street Graffiti Artist Koe Rodriguez. Archival Pigment Print on 290gsm Moab Entrada Fine Art Paper Size: 66 x 24 Inches Release: August 11, 2021 Run of: 15

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Social Distancing Simpsons Archival Pigment Fine Art Limited Edition Print on 310gsm Bauhaus Cotton Rag Paper by Artist Ben Frost, Street Pop Art Graffiti. 2020 Signed & Numbered Limited Edition of 40 Artwork Size 12x12. Ben Frost (b. 1975) Social Distancing, 2020 Archival digital print on Bauhaus Cotton Rag Stock paper 12 x 12 inches (30.5 x 30.5 cm) (sheet) Ed. 40 is signed and numbered in pencil along the lower edge and published by the artist. Intersecting Pop Culture and Social Commentary Ben Frost's "Social Distancing Simpsons" archival pigment fine art print is a piercing examination of contemporary society through the lens of street pop art and graffiti. This limited edition print, numbered and signed, reflects Frost's unique and often controversial approach to his art, blending pop culture icons with subversive messaging. Created in 2020, "Social Distancing Simpsons" is a compelling artwork set against the backdrop of a global pandemic, a time when social distancing became a ubiquitous part of life. By incorporating a familiar character from "The Simpsons," Frost taps into the collective consciousness and comments on the impact of societal changes on popular culture. The choice of using archival digital print on Bauhaus Cotton Rag Stock paper, a high-quality material, ensures that the vibrancy of the piece and the precision of its details are preserved. The image of the Simpson's character juxtaposed with a pharmaceutical label indicates Frost's style, often involving the fusion of disparate elements to create a jarring yet thought-provoking visual statement. This 12 x 12 inches print is a perfect square that captures the essence of Frost's artistic statement: a critique of consumerism, mental health, and the pharmaceutical industry. Ben Frost's Signature Style Frost's work is characterized by his unflinching willingness to confront and challenge viewers with uncomfortable truths about modern life. In "Social Distancing Simpsons," the collision of the cartoon world with the stark reality of medication speaks to a generation that finds solace in nostalgia while grappling with present-day anxieties. With its limited edition of 40, the artwork becomes a collector's piece, a snapshot of an era defined by isolation and the search for connection. Reflection of Street Pop Art and Graffiti Frost's art is a reflection of street pop art and graffiti in its directness and its utilization of visual language that is immediate and accessible. Incorporating street art aesthetics into fine art prints blurs the lines between high art and more democratic expressions in urban environments. "Social Distancing Simpsons" is a testament to the power of this genre to communicate beyond words, offering a visual critique that is both universal and deeply personal. In summary, "Social Distancing Simpsons" by Ben Frost is more than just an artwork; it is a commentary on the times, a mirror held up to the complexities and contradictions of contemporary life. Through his expert blending of pop culture references with cutting social commentary, Frost solidifies his place as a significant voice in street pop art and graffiti artwork. This piece, in particular, stands as a poignant reminder of 2020, capturing the essence of a moment that has left an indelible mark on society.

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Ixtli- Hot Foil Hand-Pulled Limited Edition 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper by Saner Rare Street Art Famous Pop Artwork Artist. 2022 Signed 2-Color Hot Foil Print on 13.5 PT Neenah Natural White Smooth Classic Crest Fine Art Paper Size: 18 x 24 Inches Release: January 17, 2022 Run of: 25

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Escape Door #9 Limited Edition Hand-Embellished Archival Pigment Prints on 290gsm Moab Fine Art Paper by OakOak Graffiti Street Artist Modern Pop Art. Custom Framed Ornate Frame. Born in the city of Saint-Etienne, France, he pastes his drawings everywhere he goes so as to bring smiles to passers-by where they least expect it. His approach consists of diverting urban elements, playing with mundane flaws, like a crack on a wall. He adds his own vision, his own references that often stem from the geek culture. His art is a means to poeticize the urban environment.

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Chaos Mandala Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2025 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Chaos Mandala print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been fascinated by the cyclical chaos of posters and graffiti accumulating on the streets and then being ripped at by humans and the elements. There is beauty in the layering and in accepting that there are too many variables of push and pull for any of us to control them all. For me, the philosophy to embrace is “enjoy the ride and savor the ephemeral." -Shepard Fairey- OBEY Chaos Mandala Silkscreen Print by Shepard Fairey Chaos Mandala by Shepard Fairey is a 2025 signed and numbered limited edition silkscreen print that seamlessly integrates Street Pop Art & Graffiti Artwork traditions into a contemplative visual dialogue. Measuring 18 by 24 inches and printed on cream speckletone fine art paper, the work was produced in a run of 550. At the center of the composition, Fairey’s mandala design anchors a vortex of pattern, color, and movement. This meticulously hand-pulled silkscreen reflects the artist’s fascination with order, disorder, and their coexistence in urban environments. It draws on motifs often found in Shepard Fairey's extensive body of work, including his emblematic star and iconography associated with the OBEY brand. The result is a striking meditation on impermanence, layering, and visual harmony through chaos. Visual Symmetry and Controlled Disorder At first glance, Chaos Mandala reads like a sacred geometry symbol, with symmetrical petals and radial balance flowing outward from a central OBEY star emblem. The crisp, mandala lines are contrasted against an explosively chaotic backdrop filled with distressed stenciling, spray textures, drips, and faded fragments of posters. This tension between fine control and organic erosion embodies the duality Shepard Fairey often explores in his work. The background elements simulate urban decay, recalling the visual noise of city walls plastered with flyers, propaganda, and graffiti. The use of stencil and screen printing techniques connects directly to street art methods, while the choice of color — vivid red, icy blue, and muted cream — allows the artwork to maintain a powerful presence while inviting close inspection of its layered surface. The Philosophical Dimension of Shepard Fairey’s Practice Shepard Fairey, born in the United States in 1970, has long used Street Pop Art & Graffiti Artwork as a platform for socio-political commentary. Chaos Mandala reflects a deeper philosophical current in his work. The piece is not just decorative but reflects an embrace of unpredictability and the fleeting nature of public expression. It acknowledges that beauty arises not only from design but also from entropy. Posters decay. Paint chips. Layers build up and tear away. Fairey captures that life cycle, not by resisting it, but by folding it into his aesthetic. The mandala — traditionally a spiritual symbol of harmony — becomes a container for the unpredictable, elevating the tension between permanence and erosion into a formal and emotional focal point. Technique, Texture, and Symbolic Integration The print was produced with meticulous care through a silkscreen process on high-quality cream speckletone paper, a tactile surface chosen for its texture and visual warmth. Every printed layer reinforces the idea of cumulative experience and environmental interaction. Fairey’s OBEY star, placed at the center, reinforces the cultural branding that has defined his public art for decades, while also transforming into a meditative hub for the surrounding chaos. With this work, Fairey continues his commitment to crafting Street Pop Art & Graffiti Artwork that blurs the lines between the street and the gallery, between rebellious expression and structured symbolism. Chaos Mandala is more than an aesthetic object — it is a conceptual reflection on the beautiful disorder of human mark-making. 

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Cascade Silkscreen Print by Lefty Out There Hand-Pulled 1-Color on Hand Deckled Black Stonehenge Fine Art Paper Limited Edition Pop Street Art Artwork. 2017 Signed & Numbered Limited Edition of 80 Artwork Size 18x18 Silkscreen Print Lefty Out There’s Cascade: A Linear Labyrinth in Motion Cascade by Lefty Out There is a 2017 limited edition hand-pulled silkscreen print that encapsulates the artist’s ongoing exploration of form, repetition, and flow within the Street Pop Art & Graffiti Artwork landscape. Produced in a signed and numbered run of only 80 prints, this 18x18 inch piece is silkscreened in a single color on hand deckled black Stonehenge fine art paper, creating a striking visual impact that draws the viewer into a hypnotic field of structured chaos. Organic Entanglement and Digital Precision Cascade serves as a pure expression of Lefty Out There’s signature aesthetic—his meticulous linework forms a tangle of organic curves and hard-edge repetition that feels simultaneously analog and algorithmic. The artwork pulses with tension as fluid hand-drawn strokes collide with a tighter, rhythmically patterned grid. The left half of the composition features a dense and almost biological cluster of meandering shapes, reminiscent of neurons or circuitry. In contrast, the right half transforms into a cascading repetition of these forms, creating the illusion of flow and movement as the lines taper off in calculated waves. The juxtaposition highlights the artist’s mastery over composition and scale, turning a seemingly minimal palette into a maximalist visual statement. Monochrome Dynamics and Material Strength Executed in black and white, the one-color silkscreen process elevates the interplay of light and shadow across the print’s surface. The use of black Stonehenge paper anchors the composition with weight, while the white ink provides a dimensional contrast that mimics relief. The fine art paper’s hand deckled edges give each print a raw tactile finish that resonates with the underground authenticity of street culture. This bold yet minimalist technique aligns seamlessly with the ethos of Street Pop Art & Graffiti Artwork, where process and materiality carry as much meaning as the final image itself. Symbolic Movement and Lefty’s Cultural Voice Cascade stands as a conceptual continuation of Lefty Out There’s focus on containment and expansion, both visually and ideologically. The visual tension in the piece mirrors broader themes in urban existence—control versus chaos, conformity versus self-expression. With roots in street tagging and public installations, Lefty’s artistic language pushes these motifs into the gallery space without abandoning their rebellious origins. The repetitive forms, reminiscent of biomorphic graffiti and digital echo waves, speak to a generation fluent in both street culture and digital code. As a limited edition work, Cascade exists as a static snapshot of motion—one that crystallizes the frenetic pulse of modern visual noise into a meditative design, equally suitable for fine art collectors and street culture devotees.

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Parties & Gossip 18 Original Mixed Media Painting HPM Silkscreen Ink, Acrylic & Spray Paint on 250gsm Fine Art Paper by Greg Gossel Graffiti Street Artist Modern Pop Art. 2015 Signed & Numbered HPM Limited Edition of 24 Embleshed Artwork Size 18x18 "This is a series of 24 varied-edition works on paper and 6 original wood panels based off a large 8x8ft canvas I created this past December at the Heineken House live painting event at SCOPE Miami Beach.Each piece is in the series is different from the next. The process began with a variety of spontaneous screen printed layers followed by more planned elements, which created a really interesting juxtaposition of structure and chaos throughout the series." - Greg Gossel

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Swan Song Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Size 36x24 Silkscreen Print The Swan Song print is a depiction of the precarious state of nature's delicate balance, with numerous species declining, eco-systems teetering on the brink of collapse, and climate scientists warning that time is running out to avert environmental consequences that could render zones inhabitable for millions. While certain groups may suffer more than others, this issue is universal as we all have an impact on both the problems and solutions. Unfortunately, the conscientious habits of individuals alone are insufficient to solve the problem. Unless corporations are pressured and regulated, they will continue to prioritize profits over the planet's health. The piece contains a news clipping revealing that Exxon-Mobile has known for over 40 years, based on their own internal scientific research, that burning fossil fuels is causing global warming, yet they concealed this information and publicly denied the impact of fossil fuels on climate change. A portion of the print's proceeds will be donated to Greenpeace USA to support their efforts to combat climate change. The Speckletone paper used in the print is made from recycled materials. Thank you for your concern.

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Wetland Powers Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2023 Signed & Numbered Limited Edition of 550 Artwork Size 18x24 Silkscreen Print "This Wetland Powers print examines the repercussions of a Supreme Court largely in the pockets of big oil. The government is supposed to create the greatest good for the greatest number of people. Still, the conservative justices in the current Supreme Court have put the agendas of big oil and wealthy property owners ahead of safe and clean water for the citizenry. The concept of "common assets"… no one owns resources like air and water and needs to be protected for the benefit of all, seems lost on many people in business and government. It is up to us as voters to elect representatives who put the needs of the citizens first. The Supreme Court makeup is always important to consider when voting for our president since the sitting president selects appointees for Supreme Court justices." -Shepard Fairey- OBEY Shepard Fairey's "Wetland Powers": A Statement in Street Pop Art In street pop art, Shepard Fairey stands as a figure of monumental influence; his work is often intertwined with solid socio-political messages. The "Wetland Powers" silkscreen print by Shepard Fairey, also known as OBEY, is a striking example of his commitment to merging art with activism. Released in 2023, this limited edition piece, hand-pulled on cream speckletone fine art paper, is more than a visually arresting image; it's a conduit for a critical conversation about environmental justice and governance. Dissecting "Wetland Powers" by Shepard Fairey The artwork, sized at 18x24 inches, is part of a limited edition of 550 signed and numbered prints. In typical Fairey fashion, the piece combines a bold aesthetic with a message that challenges viewers to consider the impact of political decisions on the environment. The imagery features a female figure with elements that suggest a connection to nature and its defense. Fairey's work is known for its layered visual language; every element serves a symbolic purpose, and "Wetland Powers" is no exception. Environmental Advocacy through Art In "Wetland Powers," Fairey addresses the contentious issue of land rights versus environmental protection, particularly highlighting the Supreme Court's role in shaping the fate of U.S. wetlands. The print serves as a commentary on the court's decisions that Fairey perceives as favoring corporate interests over public environmental health. Through this piece, Fairey expresses his belief in safeguarding common assets — air, water, and land — for the collective good. The Cultural Resonance of Fairey's Work Shepard Fairey's art has always resonated with a broad audience, and his Obey campaign has become a cultural phenomenon. With "Wetland Powers," Fairey continues to tap into the collective consciousness, using his art as a platform to advocate for ecological and social responsibility. The work underscores the power of street pop art to transcend the canvas and become a vehicle for change, urging citizens to reflect on their role as voters and to elect leaders who prioritize the welfare of all. "Wetland Powers" is a testament to Shepard Fairey's enduring role as an artist at the forefront of street pop and graffiti artwork. His ability to address pressing global issues through compelling imagery cements his status as an artist dedicated to the intersection of art and advocacy. As a limited edition print, "Wetland Powers" represents Fairey's artistic prowess and embodies the spirit of street art as a form of engaged public discourse.

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Good To See You Henry Rollins 3-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Fine Art Paperby Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2022 Signed & Numbered Limited Edition of 250 Artwork Size 18x24 Silkscreen Print by Shepard Fairey- OBEY "My good friend Henry Rollins is on his “Good to See You” spoken word tour that kicked off earlier this year. I’ve collaborated with Henry many times. I’m constantly in awe and impressed by him. He is the hardest-working guy I know and stays up on social and political issues. I’m excited that he is on the road again and honored to design his 2022 tour art. The posters are available to purchase on his tour if you see him on the upcoming dates, signed by Henry and me." -Shepard Fairey

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Chinese New Year HPM Spray Paint Silkscreen Print by Kelsey Brookes Screen Print on Wove Fine Art Paper Limited Edition Pop Street Art Artwork. 2006 Signed & Numbered Spray Paint Mixed Media HPM Embellished Limited Edition of 50 Artwork Size 20x20 Unraveling the Vibrancy of Kelsey Brookes' "Chinese New Year HPM" Kelsey Brookes' "Chinese New Year HPM" is a compelling artwork that is a vivid testament to the cross-pollination of pop art and street art sensibilities. This limited edition piece, created in 2006, is a fusion of spray paint and silkscreen print techniques on woven fine art paper. The artwork, measuring 20x20 inches, is part of an embellished series limited to 50 signed and numbered pieces. It is a significant collector's item that captures a specific moment in Brookes' artistic exploration. The work is characterized by Brookes' distinctive approach to street pop art and graffiti artwork, employing a visual language deeply rooted in the scientific structures he studied as a biochemist. The "Chinese New Year HPM" showcases his transition from the microscopic patterns of molecules to the macroscopic complexity of visual art. His pieces are not just explorations of color and form; they delve into the realms of spirituality and consciousness, resonating with the vibrational patterns of life itself. The Artistic Synthesis in Brookes' "Chinese New Year HPM" Brookes' "Chinese New Year HPM" is an artistic synthesis that captures the essence of celebration, reflection, and the start of a new cycle as denoted by the Chinese New Year. The artwork is imbued with a sense of rhythm and energy, using a palette that is at once exuberant and harmonious. The spray paint adds a textural dimension that echoes the spontaneity of street art. At the same time, the silkscreen technique provides precision and replicability that ties it back to pop art traditions. The layered imagery in the print, featuring a collage of fierce animal visages, speaks to the power and dynamism often associated with the new year in Chinese culture. The animals, possibly evoking the spirit of the Chinese zodiac, are depicted with a raw intensity that captures the viewer's attention. Each print in the edition is embellished by hand, ensuring that while each piece remains a part of the series, it also stands as a unique work of art. Cultural Resonance of "Chinese New Year HPM" "Chinese New Year HPM" resonates with cultural symbolism and the celebration of new beginnings, universally understood and appreciated themes. Brookes' ability to weave these elements into his work while maintaining a distinctive style indicates his position within the contemporary art scene. The limited edition nature of the print and its careful hand embellishments suggest a personal touch from the artist, adding depth to the collective value of the series. The artwork is a visual feast that engages the viewer on multiple levels. On the surface, it is a bold and colorful expression that captures the eye. Still, on a deeper level, it is a sophisticated interplay of traditional cultural symbols and modern artistic techniques. Kelsey Brookes has created a piece that reflects his unique artistic vision and speaks to a broader narrative of cultural celebration and reflection. Legacy of Kelsey Brookes' "Chinese New Year HPM" The legacy of Kelsey Brookes' "Chinese New Year HPM" is symbolic of the impact that modern artists can have when they blend traditional techniques with contemporary themes. The limited edition print series is a testament to the artist's commitment to his craft and ability to engage with his audience through visually arresting and thematically rich works. Brookes' work, including "Chinese New Year HPM," continues to challenge and expand the definitions of street pop art and graffiti artwork. By incorporating elements of his scientific background into his art, Brookes forges a connection between the analytical and the creative, providing a fresh perspective on the possibilities within the art world. Each piece in this limited series is a celebration of the artist's unique approach to creation, offering a story that is both personal and universal, a story that continues to captivate and inspire.

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Some Velvet Morning- Wood Variant Hand-Pulled 16-Color Silkscreen Print on 110lb Cover Wood Veneer Paper by Pop Artist Eric Pause Rare Art Limited Edition Artwork. 2019 Signed & Numbered Limited Edition of 10 Size 30x24

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Peace Guard 2 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. 2016 Signed & Numbered Screen Print PEACE GUARD 2 Screen Print 18 x 24 inches Edition of 450 November 29, 2016 This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Calla | Moon- Oversized Hand-Pulled 10-Color Silkscreen Print on 410gsm Somerset Satin Deckled Tub Fine Art Paper by Pop Graffiti Artist Jet Martinez Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 80 Artwork Size 31x23 "Calla | Moon" represents a stunning intersection of natural beauty and urban artistry, a striking creation by Jet Martinez, an artist celebrated for his work within the pop graffiti scene. This oversized, hand-pulled 10-color silkscreen print showcases Martinez's distinctive use of vibrant colors and bold patterns, which are the signature of his artwork. Released in 2022, the piece is part of a signed and numbered limited edition collection of 80, each print measuring an expansive 31x23 inches, allowing the details and colors to resonate with viewers. Crafted on 410gsm Somerset Satin Deckled Tub Fine Art Paper, the print exudes a tangible luxury, which is further enhanced by its substantial weight and texture. The deckled edges of the paper offer a traditional feel reminiscent of handcrafted art pieces and imbue the work with an additional layer of sophistication. The meticulous process of silkscreen printing, involving the manual layering of each color, ensures that every print is unique, with subtle variations contributing to the piece's individuality. Martinez's choice of the Calla lily as the central motif pays homage to the elegant simplicity and fluid lines characteristic of the Art Nouveau movement, which he modernizes with his graffiti-inspired aesthetic. The use of the moon element within the composition brings a sense of balance and harmony, as well as a touch of the ethereal, contrasting the organic with the cosmic. This duality reflects the artist's ability to blend the natural world with urban cultural expression. This piece of fine art, while deeply rooted in the motifs and messages of street and graffiti art, transcends the traditional boundaries of the genre. It speaks to an audience that appreciates the confluence of classical art principles with the dynamism of contemporary street art. "Calla | Moon" by Jet Martinez is not just an acquisition for collectors but a symbolic statement of the evolving narratives within pop and graffiti art movements, encapsulated in a form that will endure as both art and investment.

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Abstraction Drip Wide Brown Blood Original One of a Kind Oil Painting Artwork on Vellum Paper by Post Modern Artist Samuel Kamen. 20th Century 20.5x9 Signed Original

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Diamond Lotus- Red 2-Color Hand-Pulled Limited Edition Silkscreen Print on Cream Speckletone Paper by Shepard Fairey Rare Street Art Famous Pop Artwork Artist. Shepard Fairey (b. 1970) Diamond Lotus (Red), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 360/400 Signed, numbered, and dated in pencil along lower edge Published by Obey Giant, Los Angeles

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Garden of Infinite Possibilities Hand-Pulled 15-Color Silkscreen Print on Mirri Sparkle Silver Paper by Desirable Artist Dabs Myla Limited Edition Pop Art Artwork. 2022 Signed & Numbered Limited Edition of 100 Hand Deckled Artwork Size 18x25 Garden of Infinite Possibilities, 2022 15-Color Screen Print on Mirri Sparkle Silver Paper 18 x 25 in (45.72 x 63.5 cm) Deckled Edge Edition of 100 Signed, Numbered and Embossed by the Artists

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Arkiv Camo UltraGiclée Print by Arkiv Vilmansa Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2023 Limited Edition of TBD Artwork Size 22x22 Bape 30th Anniversary Collection Hailing from Indonesia, Arkiv Vilmansa has earned acclaim as an inventive artist, renowned for his modern and whimsical sculptures and paintings. Born in Jakarta, Vilmansa's distinctive approach fuses elements of pop culture, surrealism, and playful creativity. His artwork is marked by vivid colors, flowing lines, and a harmonious blend of abstract and figurative elements. Vilmansa's art has been showcased in numerous galleries and museums both locally and internationally, but perhaps his most iconic creation is the character "Mickiv." This abstract interpretation of Mickey Mouse has evolved into a signature emblem of Vilmansa's artistic oeuvre. Through Mickiv and other inventive designs, Vilmansa delves into themes such as consumerism, pop culture, and the human experience. Despite his architectural background, Vilmansa's art strays from conventional discipline in favor of unrestrained, spontaneous self-expression. Utilizing a singular technique to shape surfaces and textures, his artwork navigates the realms of abstraction and character-driven compositions, drawing inspiration from popular culture. Visionary artists like Takashi Murakami and NIGO have significantly influenced Vilmansa's use of color, organic shapes, and inventive canvas arrangements.

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Say Goodnight Gracie Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Herbie Greene pop culture LSD artwork. 2021 Signed & Numbered with COA Archival Pigment Print on Perforated Blotter Paper Artwork Size: 7.5 x 7.5 Inches Release: April 19, 2021. Limited blotter editions are hand-perforated by Zane Kesey. Say Goodnight Gracie by Herbie Greene: Blotter Paper Resistance in Street Pop Art & Graffiti Artwork Say Goodnight Gracie is a 7.5 x 7.5 inch archival pigment print on perforated blotter paper by Herbie Greene, released on April 19, 2021. Signed and numbered with a certificate of authenticity, each piece in this limited edition was hand-perforated by Zane Kesey, reinforcing its symbolic roots in psychedelic counterculture. The print features a black-and-white photograph of Grace Slick, the iconic frontwoman of Jefferson Airplane, overlaid with colorized elements including a paisley red outfit and piercing cyan eyes. The backdrop includes Egyptian-inspired sketches and faded, spray-painted text reading Happy New Year, creating a layered composition that mixes defiance, memory, and cultural critique. Herbie Greene, a legendary photographer from the United States, was known for capturing defining moments of the 1960s San Francisco music scene. This print is more than just a photo—it is a protest embedded in a relic. Slick’s expression and raised middle finger become the central focal point, offering a timeless act of rebellion immortalized through photographic grit and street-inflected style. The surrounding textures—worn concrete, hand-drawn symbols, and fading graffiti—echo the raw surfaces used in Street Pop Art & Graffiti Artwork, reinforcing the voice of anti-establishment figures who spoke through walls, posters, and sound. Grace Slick, Counterculture, and the Power of Visual Protest The image of Grace Slick in Say Goodnight Gracie resonates deeply with the cultural spirit of the 1960s and its aftermath. Slick's role as a voice of psychedelic rock and protest was unmistakable, and this moment of visual resistance encapsulates that spirit perfectly. She does not perform; she confronts. Her multicolored attire, contrasted against a grayscale background, draws attention to individuality and dissent amidst uniformity and decay. The visual isolation of colorized features within a monotone space mimics the effect of street stenciling or wheatpaste posters, techniques commonly used in urban protest art to highlight voices against a muted backdrop of authority. The print format on blotter paper is significant. It bridges the documentation of music history with the tangible aesthetics of drug culture and underground art. Zane Kesey’s involvement in hand-perforating the editions ties this piece directly to the visual traditions of LSD blotter art, where iconography often merged political satire, celebrity, and surrealism. This connection reinforces the idea of art not just as commentary, but as a vehicle of transformation—mental, social, and spiritual. The Urban Palimpsest as Art Form Herbie Greene’s composition in Say Goodnight Gracie operates like an urban palimpsest. Layers of history, rebellion, femininity, and symbolism are built into every detail. The hieroglyph-like drawings add an archaeological tone, suggesting lost messages or forgotten rituals that still echo in the present. The crumbling wall texture and ghosted graffiti add urgency and vulnerability, as if the image could fade at any moment—just like the posters pasted on city walls, fleeting yet unforgettable. This quality is central to Street Pop Art & Graffiti Artwork, where temporality, public visibility, and emotion collide to create impact. Grace Slick’s raised hand and unflinching gaze are a signal, not just a pose. They challenge the viewer to consider where protest lives today. In Greene’s composition, the past is not frozen but reanimated on blotter paper, a medium that has transported minds beyond the visible world for decades. This visual dialogue between photography, protest, and psychedelic symbolism speaks not just to nostalgia but to the ongoing role of image as resistance. Herbie Greene and the Documentation of Rebellion Herbie Greene’s work captures moments that transcend the frame. By reissuing Say Goodnight Gracie on perforated blotter paper, he transforms documentation into object, memory into statement, and portrait into symbol. This choice elevates the piece beyond archival photography into the arena of Street Pop Art & Graffiti Artwork, where message and method matter equally. Greene, born in the United States, became known for his close work with artists like Jefferson Airplane, the Grateful Dead, and Janis Joplin. His lens documented a generation seeking transformation, and in this work, that spirit persists—vivid, fierce, and permanent on a medium built for moments that change everything. Say Goodnight Gracie is not just a tribute to a music icon. It is a distilled act of visual rebellion, sharpened by decades of cultural memory and executed on one of the most subversive print surfaces in art history. It offers a flash of resistance captured in time, formatted for the hand, the wall, and the mind alike.

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Dobermann Anatomy Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021 Signed & Numbered 24 x 24 inch / 61 x 61 cm Fine art print by NYCHOS Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered Nychos, an iconic figure in the world of street pop art and graffiti, presents a striking depiction of the Dobermann breed in his artwork titled "Dobermann Anatomy." Renowned for his unique anatomical explorations, Nychos delivers a layered perspective that delves deep into the physical structure of the canine, unravelling the layers from skeletal to muscular and finally the full-bodied representation of the Dobermann. The result is a captivating piece that marries scientific precision with artistic flair. Set against a muted teal backdrop, the sequential progression of the Dobermann from bone to flesh provides a detailed insight into the intricate anatomy of the dog. The vivid colors used to distinguish between the muscles, organs, and bones capture the viewer's attention, offering a visual treat that blurs the lines between educational illustration and pop art. The meticulously crafted details are a testament to Nychos's dedication to his craft, further establishing him as a master of his genre. Crafted in 2021, this fine art print stands as a testament to the evolution of street art, pushing the boundaries of what is traditionally expected from the medium. Measuring 24 x 24 inches, the artwork is printed on velvet fine art cotton fiber paper, ensuring longevity and a rich texture that complements the depth of the piece. As a limited edition release, there are only 111 pieces available, each of which is hand-signed and numbered by Nychos himself. For enthusiasts of street art, graffiti, or simply those fascinated by anatomy, this artwork offers a unique fusion of all, making it a valuable addition to any collection.

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Beast of Burden Standard Silkscreen Print by Lee Eelus Hand-Pulled 2-Color Screen Print on Deckled 300gsm Somerset Satin Paper Limited Edition Pop Street Art Artwork. 2017 Signed & Numbered Limited Edition of 150 Artwork Size 27.55x19.68 Lee Eelus is a contemporary British artist known for his thought-provoking and visually striking works, which often blend street art techniques with traditional fine art practices. His art often explores themes of duality and the human condition, and his distinctive style is characterized by bold colors and intricate stencil work. "Beast of Burden" is a standard silkscreen print created by Lee Eelus. Silkscreen printing is a technique in which an image is transferred onto a surface, such as paper or fabric, by forcing ink through a mesh screen. This process allows for the creation of vibrant and detailed prints, which can be replicated multiple times. In "Beast of Burden," Eelus portrays an animal, possibly a donkey or a mule, carrying a heavy load on its back. The piece is likely a commentary on the burden that humans place on animals, both physically and metaphorically, and it may also serve as a reflection on the weight that we all carry in our lives. The rich colors and intricate design of the piece make it a visually captivating work that is sure to spark conversation and reflection.

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Parties & Gossip 10 Original Mixed Media Painting HPM Silkscreen Ink, Acrylic & Spray Paint on 250gsm Fine Art Paper by Greg Gossel Graffiti Street Artist Modern Pop Art. "This is a series of 24 varied-edition works on paper and 6 original wood panels based off a large 8x8ft canvas I created this past December at the Heineken House live painting event at SCOPE Miami Beach.Each piece is in the series is different from the next. The process began with a variety of spontaneous screen printed layers followed by more planned elements, which created a really interesting juxtaposition of structure and chaos throughout the series." - Greg Gossel

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The Phase Train MTA Subway Train Car AP Art Toy by Sket One Limited Edition Metal Sculpture Collectible Artwork by Pop Street Artist. AP Artist Proof 2022 Signed & Marked AP Limited Edition of 10AP Artwork Size 7x1 New In Box Exclusivity and Design of The Phase Train AP Edition The Phase Train MTA Subway Train Car AP Art Toy by Sket One emerges as a prestigious and highly coveted object within pop art and street art. This Artist Proof (AP) 2022 edition is a testament to Sket One's innovative vision, offering a limited edition run of only 10 AP pieces, each marked with the artist's signature, and serving as a tangible intersection of metal sculpture art and urban street culture. The exclusivity of the AP edition of The Phase Train lies in its limited quantity and its designation as an artist proof, a term traditionally reserved for prints or works directly off the press that is used for quality checking before the entire run is produced. Collectors often highly prized these pieces for their rarity and closeness to the artist's original intent. Sized at 7x1 inches and presented new in the box, The Phase Train AP edition is a collectible that resonates with the essence of Street Pop Art and graffiti Artwork, combining the tactile sensation of a die-cast sculpture with the visual impact of street art. Cultural Significance of Sket One's Art Toy Sket One's collaboration with Hip-Hop Toys and Definitive Projects for The Phase Train signifies a harmonious blend of various facets of street culture, from the underground graffiti artistry to the mainstream appeal of hip-hop. The result is a die-cast NYC MTA subway car steeped in the streets' authenticity and refined into a first-edition collectible with a special status among art toys. The Phase Train AP edition represents more than an art toy; it is a cultural artifact that captures the evolution of graffiti art from its illicit beginnings to its present status as a respected artistic practice. The subway car, a symbol of New York City's bustling life and a historical canvas for graffiti artists, is transformed under Sket One's deft touch into a miniature street art gallery, encapsulating the rebellious and creative spirit that fuels the genre. Artistic Merit and Collectibility The artistic merit of Sket One's Phase Train AP edition is inherent in the detailed work that adorns the miniature subway car, reflecting a deep understanding of the aesthetic and thematic elements that define Street Pop Art and graffiti Artwork. As a collectible, the AP edition holds a significant allure, marked by the personal touch of the artist's signature and the prestige of owning a piece of a minimal series. In the landscape of contemporary art, The Phase Train MTA Subway Train Car AP Art Toy by Sket One is not merely a representation of street culture but an embodiment of it. It stands as a testament to the enduring appeal of street-inspired art and its successful foray into the domain of collectible sculptures, bridging the gap between underground artistry and mainstream art appreciation.

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Prophets Of Rage New Day Rising Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 2-Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2017 Signed & Numbered Limited Edition of 600 Artwork Size 18x24 Silkscreen Print Prophets Of Rage Rap Music Group Fist in the Air. Shepard Fairey Prophets Of Rage New Day Rising 2017 Silkscreen Print Shepard Fairey, born in the United States in 1970, has consistently merged music culture with political messaging throughout his career in Street Pop Art & Graffiti Artwork. Prophets Of Rage New Day Rising, released in 2017, is a hand-pulled 2-color silkscreen print on cream Speckletone fine art paper measuring 18 x 24 inches. This signed and numbered limited edition of 600 was created in collaboration with the rap supergroup Prophets of Rage, whose members include artists from Rage Against the Machine, Public Enemy, and Cypress Hill. The print reflects Fairey’s long-standing connection to activist music and bold graphic protest imagery. Revolutionary Iconography and Music Activism in Street Pop Art & Graffiti Artwork The composition centers on a raised clenched fist emerging from a large red star, a universal symbol of resistance and solidarity. Above, a red globe sits within radiating circular forms, while skeletal figures and graphic emblems occupy the lower corners, reinforcing themes of struggle and urgency. The limited red, black, and cream palette recalls vintage propaganda posters, a visual language Fairey frequently references in Street Pop Art & Graffiti Artwork. The layered geometric framing and strong vertical symmetry amplify the sense of power, aligning the imagery with the confrontational energy of the band itself. Hand-Pulled Craftsmanship and Cultural Significance Produced as a 2-color silkscreen, the print demonstrates precise registration and bold contrast, hallmarks of Fairey’s studio editions. The cream Speckletone paper enhances the retro aesthetic, giving the work a textured, archival feel. As a signed and numbered edition of 600, Prophets Of Rage New Day Rising stands as both a collectible music poster and a politically charged art print. Through iconic symbolism and graphic clarity, Shepard Fairey reinforces how Street Pop Art & Graffiti Artwork can operate at the intersection of fine art, music culture, and social activism.

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Die Anatomie Archival Pigment Fine Art Limited Edition Print on Velvet Cotton Fine Art Paper by Artist Nychos, Street Pop Art Graffiti Legend. 2021Signed & Numbered Fine art print by NYCHOS Size: 24inch x 38,6inch / 61cm x 98cm Limited Edition of 111 Velvet Fine Art cotton fiber paper Hand-signed & numbered Nychos Die Anatomie Archival Pigment Fine Art Print Die Anatomie is a 2021 signed and numbered limited edition archival pigment print by internationally acclaimed street artist Nychos. Measuring 24 x 38.6 inches (61 x 98 cm), this large-format artwork is printed on velvet cotton fine art paper and released in a limited edition of 111. Each print is hand-signed and numbered, exemplifying Nychos’ distinctive fusion of graffiti culture, anatomical illustration, and contemporary pop surrealism. Anatomy, Beauty, and Mortality In Die Anatomie, Nychos presents a striking full-length female figure rendered in his signature cross-section style. The outer form is elegant and poised, framed by flowing hair and decorative floral motifs, while the interior reveals meticulously detailed organs, musculature, and skeletal structures. Beneath the central figure, animated skeletons rise from organic, visceral forms, creating a layered narrative that balances beauty, life, decay, and rebirth. The composition blends classical art nouveau-inspired framing with Nychos’ raw, biological precision, resulting in a visually powerful meditation on the human condition. Large-Format Collectible on Velvet Cotton Paper Produced as a high-quality archival pigment print on premium velvet cotton fiber paper, Die Anatomie captures the smooth gradients, intricate anatomical detailing, and rich tonal depth that define Nychos’ work. Limited to just 111 hand-signed examples, this 2021 edition stands as a significant collectible within the artist’s celebrated body of “dissection” artworks. Bold, technically masterful, and conceptually layered, Die Anatomie reinforces Nychos’ reputation as a leading figure in contemporary street and pop-influenced fine art.

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Lost Fables- Gold Archival Pigment Fine Art Limited Edition Print on Gold Foil Paper by Pop Artist Copyright Modern Artwork. 2021 Signed & Numbered Limited Edition of 5 Artwork Size 27.56x19.67 "Lost Fables, Gold combines the stencil and tattoo-imagery that defines Copyright’s oeuvre." -Enter Gallery

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Calla | Earth - Oversized Hand-Pulled 10-Color Silkscreen Print on 410gsm Somerset Satin Tub Fine Art Paper by Pop Graffiti Artist Jet Martinez Rare Street Art Limited Edition Artwork. 2022 Signed & Numbered Limited Edition of 80 Artwork Size 31x23 "This print, featuring the calla lily, is part of a larger body of work I’ve been exploring throughout the pandemic. The muted tones of these pieces reflect a more somber state of mind, in which I simply have not felt it appropriate to make bright and colorful work. These times have felt uncertain and undefined. It’s been difficult to make plans for the future, when the present has felt so uncertain. Likewise, to make very colorful and “happy” work, has felt a bit tone deaf to the larger worldwide situation. I still feel the need to create and to make beautiful things, but I am exploring a more quiet aspect of that creativity." –Jet Martinez

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Supergirl- No Trains Running Original One of a Kind Mixed Media Spray Paint Acrylic Painting Artwork on New York Subway Notice by Popular Street Graffiti Artist RD-357. Painting of DC Comics Femail Superhero Supergirl on a real New York/Manhattan Subway Notice. Planned Service Changes, No Trains Running, Jan 14-17 2011

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I Heart Hello Kitty! Artwork Giclee Limited Edition Print on Fine Art Paper by Modern Artist Natalia Fabia.

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Red & Cream Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Sedation in Bloom: A Convergence of Beauty and Consciousness in Street Pop Art Shepard Fairey, an American contemporary street artist, graphic designer, activist, illustrator, and founder of OBEY Clothing, has long been a defining figure in the street art movement. Born on February 15, 1970, in Charleston, South Carolina, Fairey's work emerged from the skateboarding scene and has since transcended the confines of street pop art and graffiti artwork to become a recognized global phenomenon. The Dual Nature of the Poppy in Fairey's Work Fairey's Sedation in Bloom series represents a nuanced intersection of aesthetics and socio-political commentary. The limited edition silkscreen prints, specifically the Red & Cream Sedation in Bloom, present an intricate poppy pattern against a cream speckle tone fine art paper. Each artwork in this edition of 150 pieces bears Fairey's signature, indicating authenticity and his personal touch. The dimensions of 18x24 inches offer a substantial canvas for the visual interplay of vibrant red against a serene cream backdrop, creating a captivating, visually striking, and symbolically rich contrast. The poppy, a central motif in this series, has many meanings. It is a flower associated with peace and death, and its narcotic properties connect it to sleep and sedation. Fairey manipulates the natural allure of the poppy to entice the viewer, employing its inherent beauty as a vessel for more profound reflection. The paradoxical use of the poppy in his artwork draws attention to the seductive qualities of the very things that lull society into a state of complacency – entertainment, alcohol, drugs, and materialism. Art as a Vehicle for Social Commentary and Awareness Fairey's collaboration with British-Chinese artist Gordon Cheung on this series underscores a shared commitment to addressing critical social issues. The poppy pattern, initially conceptualized for their joint piece tackling the tragic murder of Vincent Chin and the historical exploitation of anti-Asian sentiments, transcends its aesthetic value. It becomes a poignant commentary on how seductive imagery and symbols can be utilized to obscure and distract from pressing societal concerns. Fairey's art, notably this silkscreen print series, is not just a decorative artifact; it serves a dual purpose – to offer an escape and simultaneously to act as a wake-up call, urging viewers to remain conscious and engaged with the world around them. The Sedation in Bloom series exemplifies Fairey's philosophy that art should challenge the viewer, not just aesthetically but intellectually and morally. In the tradition of excellent street pop art, these pieces blur the boundaries between high and low culture, between art and activism. Fairey does not merely seek to beautify spaces with his work; he aims to provoke thought and inspire action. The decorative patterns and striking color contrasts are meticulously crafted to draw people in, only to confront them with the underlying message that beauty should not be a sedative but a stimulant for awareness and change. The enduring relevance of Fairey's work lies in its ability to navigate the complex dynamics of visual culture in a society saturated with imagery designed to sell, distract, and sedate. Fairey empowers the public to see beyond the surface and question the status quo by imbuing his street pop art and graffiti artwork with critical discourse. The Red & Cream Sedation in Bloom silkscreen print stands as a testament to the potential of street art to transcend the walls upon which it is placed and to foster a dialogue that extends into the social and political realms. In examining Fairey's contributions through the lens of his Sedation in Bloom series, one observes an artist deeply attuned to the power of imagery in shaping perceptions and behaviors. As an agent of change through visual language, Fairey's work encourages a vigilant and discerning gaze – a call to action for a society often too readily sedated by the opiate of the visually and materially appealing. It is through pieces like Sedation in Bloom that Fairey's voice resonates, imploring viewers to awaken from their slumber and engage with the pressing issues of our time.

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Arkiv Camo UltraGiclée Print by Arkiv Vilmansa Artwork Limited Edition Print on SIHL Ivory White Matt Paper Graffiti Pop Street Artist. 2023Signed & Numbered Limited Edition of 300 Artwork Size 22x22 Bape 30th Anniversary Collection With COA The Arkiv Camo UltraGiclée Print stands as a testament to the ever-evolving world of street and pop art. Created by the renowned artist Arkiv Vilmansa, this limited edition artwork showcases a fusion of graffiti, pop, and street art aesthetics, resonating with enthusiasts and connoisseurs alike. Printed on the exquisite SIHL Ivory White Matt Paper, the artwork exudes a premium feel, allowing the vivid colors and intricate details to pop. 2023 marks an important year for this piece, as it was signed and numbered by Arkiv Vilmansa himself. Limited to a mere 300 pieces, it presents exclusivity, making it a sought-after collectible. The artwork, sized at 22x22, was released as a part of the Bape 30th Anniversary Collection, adding another layer of significance to its already illustrious status. Parallel to Arkiv Vilmansa's recognition in the world of art, Eric Inkala, a Brooklyn-based painter, has been making waves with his distinctive style. Transitioning from the raw essence of graffiti to the refined realms of pop and contemporary art, Inkala's work is a visual journey. His presence in esteemed art fairs, such as Art Madrid, Affordable Art Fair UK, and Affordable Art Fair Brussels, in tandem with ARTITLEDcontemporary, attests to his rising prominence. Central to Inkala's artistry is his profound connection with color and an undeniable passion for abstraction. His diverse life experiences serve as a canvas, capturing myriad emotions and narratives. Through their unique styles, both Arkiv Vilmansa and Eric Inkala highlight the transformative power of pop, street, and graffiti art, proving its lasting impact in the contemporary art scene. Eric Inkala is a painter based in Brooklyn who has a dynamic and constantly evolving style that has progressed from graffiti to pop art to contemporary art. His artwork has been showcased in art fairs such as Art Madrid, Affordable Art Fair UK, and Affordable Art Fair Brussels, in collaboration with ARTITLEDcontemporary (Netherlands). His art is heavily influenced by his relationship with color, love for abstraction, and diverse life experiences.

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Pink Green Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster Screen Print on Card Stock Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Acrylic HPM Embellished Limited Edition of 50 Artwork Size 9x12 With Heavy Drips of Hand Painted Areas. Pink Green Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster The Pink Green Mister Melty Icon Painted HPM Acrylic Silkscreen Print by Buff Monster exemplifies the evolution of Street Pop Art & Graffiti Artwork through its vivid palette, sharp composition, and tactile embellishments. Released in 2023 as part of a signed and numbered limited edition of 50, this 9x12 inch print is part of Buff Monster’s ongoing exploration of his iconic Mister Melty character. Created on card stock fine art paper, each piece is hand-painted with bold acrylic applications layered over silkscreen foundations, making every print a one-of-a-kind composition of melting optimism and subversive cheer. Iconography and Visual Aesthetic This variant of Mister Melty is striking for its interplay between lush green tones and a vibrant central pink and gray eye. Mister Melty’s design is confined within a graphic, gray frame that intensifies the sense of structure against the chaos of the dripping, gooey textures that define the character’s form. The eyeball motif, central to Buff Monster’s visual identity, is rendered in a way that fuses cuteness with the grotesque. It floats in a surreal landscape of slime-like textures, splatter overlays, and amorphous shapes that evoke a psychedelic reinterpretation of cartoon imagery. The work is further enhanced by halftone patterns and airbrushed gradients that build movement into the stillness of the canvas. Technique and HPM Detailing What sets this print apart is its HPM status—Hand-Painted Multiple—which ensures that no two prints in the edition are alike. Buff Monster overlays each silkscreen base with hand-applied paint using brushes and drips to give each piece unique texture, color depth, and movement. This Pink Green edition is characterized by energetic splashes and swirls of green, yellow, and black, creating a layered tension between the structured screenprint and the unruly freedom of the painted surface. The drips and splatters give the piece raw energy while enhancing its sculptural effect, transforming the flat surface into something visceral and dynamic. Buff Monster and the Legacy of Mister Melty Buff Monster, based in the United States, has long championed a playful yet dark aesthetic inspired by Japanese culture, graffiti, heavy metal, and underground comics. His signature character Mister Melty is a visual metaphor for fleeting joy, absurdity, and transformation. It represents a blend of humor and decay, often shown melting or dripping as a symbol of impermanence. The Pink Green Mister Melty HPM print is a prime example of his style—a hybrid of pop iconography and street-level sensibility executed with the care of a studio painter. As a limited edition object, it functions both as a collectible and a canvas that reflects Buff Monster’s unique contribution to contemporary Street Pop Art & Graffiti Artwork.

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The Guns of Brixton- Paul Simonon Hand-Pulled 2-Color Silkscreen Print on Cream Speckletone Art Paper by Pop Graffiti Artist Shepard Fairey- Obey x Kate Simon Rare Street Art Limited Edition Artwork. 2011 Signed by Shepard Fairey/Kate Simon & Numbered Limited Edition of 450 Artwork Size 18x24 Small bump crease to upper edge. Shepard Fairey X Kate Simon The Guns of Brixton (Paul Simonon), 2011 Screenprint in colors on speckled cream paper 24 x 18 inches (61 x 45.7 cm) (sheet) Ed. 450 Signed, numbered and dated in pencil along the lower edge Published by Obey Giant, Los Angeles. "The Guns of Brixton" is a song by the British punk rock band The Clash, written by their bassist Paul Simonon. It was featured on their 1979 album, "London Calling." Paul Simonon's artwork has become iconic in its own right, as he has pursued a successful career as an artist since the dissolution of The Clash. Shepard Fairey is a well-known American street artist, graphic designer, and activist, best known for his "OBEY Giant" campaign and the iconic "Hope" poster created for Barack Obama's 2008 presidential campaign. Combining his own artistic style with the legacy of punk rock, Fairey has created numerous works inspired by musicians and bands. Shepard Fairey created a silkscreen print inspired by "The Guns of Brixton" and featuring Paul Simonon. In this hypothetical artwork, Fairey would likely incorporate elements of his own signature style, such as bold colors, strong lines, and thought-provoking imagery, while paying tribute to the influence of The Clash and their music. The artwork might include references to the song's lyrics or imagery from the London Calling album cover, which features a photograph of Simonon smashing his bass guitar on stage based on photo by Kate Simon.

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Pedestal 2-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Speckletone Art Paper by Shepard Fairey Rare Street Art OBEY Pop Artwork Artist. Signed & Numbered Screen Print PEDESTAL Screen Print 18 x 24 inches Edition of 450 August 8, 2013 This image is loosely a sequel to the Peace Guard from 2008 and serves as a reminder that pushing for peace, ironically, requires a militant vigilance itself. I love the juxtaposition of seemingly contradictory symbols. Peace is victory without war. It’s a good day when you don’t have to use your A.K.! – Shepard

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Contact Study 7 Original Painting/Drawing Acrylic & Colored Pencil on 100lb Bristol Board Paper by Taylor White Graffiti Street Artist Modern Pop Art. "I started studying a form of modern dance called Contact Improvisation, and that study has opened me up to a new set of curiosities which I’ve been able to explore both physically in space, and visually on the page. It became about the point of surrender, of the sacrifice of the ego and all its trappings. To 'dance' on paper has been entirely mind-opening and I’ve tackled it with a renewed spirit. I’ve been playing with the use of fluorescents to give more of a vibrant mood to the images. I had a lot of fun playing around with the blues and reds in this piece, the push and pull of light and shadow and using vibrance and color to direct focus around the planes of the piece." - Taylor White

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Swamp 13 HPM Acrylic Paint Silkscreen Print by Maya Hayuk 4-Color Screen Print on Fine Art Paper Limited Edition Pop Street Art Artwork. 2013 Signed & Numbered Acrylic Paint HPM Embellished Limited Edition of 40 Artwork Size 14.96x21.65 Swamp 13 by Maya Hayuk – HPM Acrylic Paint Silkscreen in Street Pop Art & Graffiti Artwork Swamp 13 is a vibrant and immersive 2013 hand-painted multiple by Maya Hayuk, created using acrylic paint and silkscreen on fine art paper in a limited edition of 40. Measuring 14.96 x 21.65 inches, this artwork fuses Hayuk’s unmistakable use of color, texture, and geometry into a layered, optical experience. Each print in the edition was hand-embellished, ensuring that no two are alike. With its fusion of neon gradients, thick black shapes, and painterly splashes, Swamp 13 is a prime example of Hayuk’s ability to merge controlled symmetry with gestural freedom. The piece becomes a psychedelic meditation on color, space, and form—unapologetically abstract while deeply emotional and precise. Color as Psychedelic Energy and Urban Signal Maya Hayuk’s use of color in Swamp 13 is not simply decorative—it functions as energetic force. Bursts of fluorescent pink, radiant orange, electric blue, and acid green explode from beneath thick black forms, creating a layered tension between saturation and structure. These chromatic choices reference street signals, rave culture, traditional folk embroidery, and spray can expressionism. The fluorescent palette is not a nod to trends, but a deliberate embrace of hyper-visibility—an effort to create joy, urgency, and spiritual vibration through pigment. In Street Pop Art & Graffiti Artwork, this kind of visual strategy operates like sound—vibrating across surface and time, calling viewers to feel as much as they see. Hand-Painted Multiples as Fusion of Control and Chaos Each edition of Swamp 13 was hand-embellished by Maya Hayuk, adding layers of acrylic painting to the four-color silkscreen base. This hybrid of mechanical repetition and painterly uniqueness mirrors the tension between reproducibility and individuality that defines both pop art and graffiti. The silkscreen elements provide a structural grid, anchoring the piece with bold geometric silhouettes. The acrylic overlays burst outside of these lines—drips, splashes, and gestures that reflect the intuitive and ritualistic process that is central to Hayuk’s wall work. The final result is a piece that carries the weight of process, not just image. Each print is alive with motion, evolving from uniformity into presence through layered decision-making. Maya Hayuk’s Signature Symmetry and Street Reverence Swamp 13 is not just an artwork—it is a document of Maya Hayuk’s philosophy. Her belief that visual balance can be a healing force, that abstraction can hold narrative, and that color can transcend genre is deeply present in this composition. While not rooted in traditional graffiti lettering, Swamp 13 holds firm within Street Pop Art & Graffiti Artwork through its methodology, attitude, and boldness. It echoes the layered chaos of city walls, the meditative repetition of folk motifs, and the emotional resonance of pure color fields. Hayuk does not seek to mimic graffiti—she builds on its DNA, translating its energy into structured chromatic symphonies that pulse with power. Swamp 13 stands as a vivid, fearless offering from an artist who continues to redefine the possibilities of contemporary street-rooted expression.

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Always, Always Giclee Print by El Seed Artwork Limited Edition Print on 200gsm Matt Fiber Fine Art Paper Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 70 Artwork Size 23x10 "Always, Always" by eL Seed is a giclée print, which means it is a high-quality reproduction of an original artwork using a digital printing process. eL Seed is a French-Tunisian artist known for his unique style that combines Arabic calligraphy with street art, often referred to as "calligraffiti". His works aim to break down barriers between different cultures and promote understanding through the beauty of art. "Always, Always" giclée print features eL Seed's characteristic calligraphy style, incorporating intricate and flowing Arabic script. This could be used to form various shapes and designs, and the colors used in the print might vary from bold to more subdued tones. eL Seed's work has garnered international attention, and he has created large-scale murals and installations in various cities around the world, including Paris, New York, Jeddah, and even the Pyramids of Giza in Egypt. His art is both visually captivating and thought-provoking, prompting viewers to consider the beauty of language, culture, and the importance of unity and understanding.

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