Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting Giclee Print by Damien Hirst Artwork Limited Edition Print on Poly-Cotton Canvas Graffiti Pop Street Artist. 2023 Signed The Beautiful Paintings Unique Original Print Edition Artwork Size 15.75x15.75 (40cmx40xm) Round Titled: Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting.  Damien Hirst's "Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting" Damien Hirst's artwork, "Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting," is a distinctive giclée print that captures the essence of contemporary street pop art & graffiti artwork. As part of "The Beautiful Paintings" series, this 2023 original print edition is a limited release, signed by the artist, ensuring its status as a collectible piece. The circular format, measuring 15.75 inches in diameter, offers a window into Hirst's exploration of motion and emotion, articulated through the vibrant language of color and form. Mounted on birch plywood stretchers, this piece transcends the traditional canvas to create a tactile and visually dynamic object of art. The poly-cotton artist canvas chosen for these giclée prints provides a superior surface for the high-resolution detail and color saturation that Hirst's works are renowned for. With its centrifugal composition of radiating colors, this round painting evokes the feeling of a merry-go-round in motion, encapsulating the viewer in a whirlwind of sensory stimuli. Hirst, a leading figure in the Young British Artists movement, has continuously challenged the conventions of art with his innovative approaches and thought-provoking creations. "Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting" is emblematic of his style, where the aesthetics of street art and the precision of fine art printing converge. The title suggests a narrative of conflicting emotions and states of being, encouraging a discourse that goes beyond the work's visual impact. In the context of street pop art & graffiti artwork, Hirst's piece is a celebration of the genre's ability to engage with a broad audience, combining the rawness of graffiti with the sophistication of gallery art. Giclée printing technology allows this artwork to maintain the spontaneous energy of street art while achieving the archival quality expected in fine art circles. The round format of the painting challenges the viewer to engage with the artwork from a multidimensional perspective, where every angle presents a new facet of the explosive central motif. Through "Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting," Hirst continues to delve into the themes of life, death, and the human condition. With its kaleidoscopic burst of colors, the artwork serves as a metaphor for the chaotic beauty of existence. It's a piece that stands out in Hirst's oeuvre as a testament to his artistic journey and as a beacon of modern art's potential to resonate with and reflect the complexities of contemporary life. Collectors and enthusiasts of Damien Hirst's work will find "Beautiful Almost Aimless Ever Active Half Discerning Anxious & Eager Merry Go Round Painting" a compelling addition to their collection. As part of a limited edition series, it holds the promise of rarity and exclusivity, while its aesthetic vibrancy and thematic depth make it a notable piece for critical appreciation and discourse. The artwork is a synthesis of Hirst's artistic legacy and his continuous pursuit of challenging the boundaries of visual expression.

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Infectious Substance Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Biohazard Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker. Slap Up In Perfect Condition. Reframing Perception through Street Pop Art Street pop art and graffiti artwork, characterized by their vibrant immediacy and cultural resonance, have a way of capturing the zeitgeist of the era in which they were born. The "Infectious Substance Warning Bio-Hazard Label Uline S-180 Sticker" series by graffiti artist Saber, whose real name is Ryan Weston Shook, exemplifies this phenomenon. With his 2020 collection of signed original slap-up graffiti art tags, Saber converges the world of hazardous material warnings with the rebellious spirit of street art. Each 4x4 marker-tagged piece carries his unique interpretation, transforming the ominous implications of the bio-hazard symbol into a canvas that speaks to the broader impact of what is genuinely infectious in our societies. Saber's Artistic Intervention on Bio-Hazard Symbols Saber's choice of the bio-hazard label as a substrate for his art is particularly telling. The symbol, designed to alert to dangerous pathogens, is recontextualized in his work to question the infectious nature of ideas, the virulence of art, and the power of expression to permeate and affect the public psyche. The contagious substance label, meant to protect by warning, is overlaid with Saber's tags that neither obscure the message nor dilute its significance. Instead, they add a layer of meaning, an artist's signature that challenges the viewer to question the boundaries between safety, censorship, public health, and public discourse. Modern Street Artwork as Social Commentary In modern street artwork, Saber's creations are a powerful testament to the artist's role as a social commentator. His work on the Uline S-180 stickers is a visual metaphor for 2020, a period marked by global health crises and a heightened awareness of biological hazards. By tagging these stickers, Saber connects the dots between the literal infectious agents the labels warn against and the metaphorical contagion of fear, misinformation, and societal unrest that characterized the year. The permanence of the marker on the glossy sticker mirrors the lasting impact of the year's events on the collective consciousness, ensuring that while the hazards may be contained, the dialogue they incite is not. In every line and color choice, Saber's art on the bio-hazard stickers demands engagement and reflects the unyielding nature of Street Pop Art and Graffiti Artwork. As a documented figure in the graffiti community, Saber's American roots and contributions continue to shape the conversation around the power of street art to reframe our perception of the symbols that dominate our public spaces. Each tag is a deliberate reclamation, a declaration that even the most exemplary of symbols can become a medium for enduring artistic expression.

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Astro Boy Hoodie- Black Light Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Faile x Deluxx Fluxx x ToyQube. In conjunction with the FAILE x Deluxx Fluxx x ToyQube Astro Boy Hoodie, the iconic Astro Boy comes alive in the Deluxx Fluxx sound and vision club with UV Black Light glow wearing a custom hoodie and track jacket. Celebrating the aesthetic of the famous Deluxx Fluxx sound and vision club in Detroit, this is a limited edition one of 500 figures measuring 10 inches in height.

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Chalino Sanchez Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas 4-Color Screen Print Spray Paint on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Stencil Spray Paint Hand Deckled HPM Embellished Limited Edition of TBD Unique Artwork Size 20.5x26.5 El Rey del Corrido Original Colorway. Ernesto Yerena Montejano's Tribute to a Musical Legend Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is a striking piece of pop street art that pays homage to the late Mexican singer-songwriter Chalino Sanchez, El Rey del Corrido. This artwork is a unique blend of Montejano's signature style and the spirit of Sanchez's music, a genre deeply rooted in the narrative tradition of corridos, which are ballads that tell stories of passion, struggle, and resistance. Created in 2022, the piece showcases the rich interplay between visual art and music, symbolizing cultural identity and remembrance through its vibrant 4-color screen print and spray paint on hand-deckled fine art paper. Capturing the Essence of Chalino Sanchez in Street Pop Art Montejano's artwork captures the essence of Chalino Sanchez with a visual language that resonates in street pop art and graffiti. The use of bold colors and the hand-deckled edges of the paper give the work a raw and authentic feel, echoing the gritty reality of Sanchez's lyrics and life story. The limited edition, signed and numbered by the artist, reflects the intimate connection between the art and its subject. It offers unique cultural memorabilia to art and music enthusiasts alike. Street Art Techniques and Pop Art Sensibilities The techniques employed in creating "Chalino Sanchez Original Colorway HPM" are characteristic of street art's spontaneity and pop art's penchant for bold imagery. Montejano's use of stencil spray paint adds a layer of texture and depth, making each print in the series a one-of-a-kind piece. The spray paint, a tool often associated with the rebellious nature of graffiti, contrasts with the controlled process of silkscreen printing, resulting in a piece that is both planned and improvised, meticulous and expressive. Ernesto Yerena Montejano's Artistic Contribution Montejano's work stands out in contemporary art for combining street art techniques with cultural storytelling. His pieces often reflect social and political themes, focusing on Chicano and indigenous experiences. In "Chalino Sanchez Original Colorway HPM," Montejano continues this tradition, using the visual medium to celebrate and explore the complexities of Mexican-American identity and the cultural crossover embodied by Chalino Sanchez. Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is more than a piece of art—it is a visual ode to an iconic figure whose music continues to inspire and resonate with people across borders. Through his skillful blend of street pop art and graffiti techniques, Montejano creates artwork that carries the legacy of Chalino Sanchez into visual culture, ensuring that the stories and the spirit of the corridos are etched into the collective memory of both art and music communities.

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Undercurrents Limited Edition Hand Pulled 6-Color Serigraph Print on 250 gsm Stonehenge Paper by Erik Otto Graffiti Street Artist Modern Pop Art. 6-color hand-pulled serigraph featuring gradients, translucent, and UV responsive inks. The layers of the print were drawn and painted directly on acetate or cut and torn from black paper in order to produce the screens with a final layer applied directly over the printed layers in alcohol-based paint. Printed in collaboration with fine art printer Mark Herschede of Haven Press in Brooklyn, NY. 14 x 18 in. / 35 x 46 cm. (final print size) 250 gsm Stonehenge paper in Pearl Grey Signed edition of 50

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Risky U Graffiti Alphabet Letter Giclee by Risk Rock on Fine Art Paper Limited Edition Pop Street Art Artwork. 2012 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 From the first “Beyond The Streets” exhibit in 2012. Museum Quality Paper With Minor to Light Margin Yellowing, Image Perfect, and Can Be Easily Covered With Mat.

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ABC Camo Be@r Cushion- Pink Limited Edition Cloth Pillow Be@rbrick Art Object Collectible Artwork by street graffiti artist Bape- A Bathing Ape. 2021 Pink New With Tags

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Keepers Archival Pigment Fine Art Limited Edition Print on Hand Deckled 300gsm Signa Smooth Paper by Artist Kevin Peterson, Street Pop Art Graffiti Legend. AP Artist Proof 2021 Signed 24x18 Signed & Marked AP Limited Edition Kevin Peterson’s Keepers: Urban Innocence and Wild Guardians in Street Pop Art Kevin Peterson’s Keepers is a 24 x 18 inch archival pigment print on hand-deckled 300gsm Signa Smooth fine art paper, created in 2021 as a signed Artist Proof. The piece depicts a young Black boy sitting between two life-sized lionesses, positioned in front of a graffitied brick wall in an overgrown urban landscape. A small bird perches gently atop one lioness’s head. The work is a stunning blend of realism and fantasy, balancing emotional weight and visual poetry through the lens of Street Pop Art & Graffiti Artwork. Peterson’s signature approach layers meticulous oil painting technique over scenes marked by decay and spray-painted ephemera. The boy, dressed simply in a blue shirt and sneakers, is calm and observant, caught between the raw strength of the lions and the weathered city backdrop. His placement evokes resilience, curiosity, and alertness, not fear. The lions appear both majestic and protective—symbols of strength standing silently guard. A small crown tag painted on the wall near the child’s head further suggests that the boy is a figure of quiet power, royalty in an environment many would dismiss as ruined. The Coexistence of Vulnerability and Power Peterson’s work consistently explores the tension between innocence and chaos, often through the juxtaposition of children and animals in deteriorating cityscapes. In Keepers, the lions are not exotic intrusions but natural extensions of the boy’s presence. Their positioning and gaze imply protection and mutual trust. The graffiti behind them reinforces the setting as a lived, layered, and expressive space—not abandoned, but alive. Rather than present the street as hostile, Peterson renders it as a cradle for self-discovery and wild imagination. The inclusion of street art within the composition is essential. Tags and throw-ups become not just background detail, but active storytelling elements. The visual language of graffiti in Keepers underscores Peterson’s understanding of the street as a canvas for resistance, identity, and unseen beauty. It functions both as setting and subtext—chaotic but deeply human. The crumbling bricks and peeling paint contrast with the organic stillness of the lions, creating a dialogue between constructed decay and natural presence. Mythic Realism in Street-Informed Fine Art Though not a graffiti artist in the traditional sense, Kevin Peterson’s contribution to Street Pop Art & Graffiti Artwork lies in his mastery of urban allegory. His figures—often children surrounded by wild animals—are both symbolic and deeply grounded. They echo mythologies of guardianship, transformation, and sacred innocence, reframed within modern cityscapes. Keepers is both intimate and monumental, delivering a narrative that is both universal and specific. By placing a child in direct visual symmetry with apex predators, Peterson upends traditional power dynamics. The boy is neither victim nor observer—he is central, calm, and seen. The image resists the usual visual tropes of fear or wonder, opting instead for presence. It’s a portrait of strength without noise, protection without spectacle. Through realism heightened by surreal composition, Keepers offers a vision of urban identity that is fierce, gentle, and imaginatively untamed. It is a meditation on survival, dignity, and the unseen forces that walk with us through concrete jungles.

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Gentleman Lord 6-Color Hand-Pulled Limited Edition Letterpress Print on Fine Art Paper by Dan Christofferson- Beeteeth Rare Street Art Famous Pop Artwork Artist. 9x12 Signed Numbered 2013

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DMC Released! Limited Edition Archival Pigment Prints on 300gsm Fine Art Paper by Mare139 Graffiti Street Artist Modern Pop Art. "This work was the cover art designed Sal Buscema who is known as one of the legendary artists from the time period known at Marvel as its' Golden Age of Comic books he is affectionately known as "Our Pal Sal" in the Marvel Bullpen Bulletins. His unforgettable work on some of their biggest titles including his phenomenal penciling on The Avengers, Captain America, Incredible Hulk, Thor, and Spider-Man defined the look of those characters for decades. He has even worked for DC Comics on Batman, Superman, Superboy, Creeper, and Wonder Woman. That puts me in good company as well as some of the artists who share the cover of the graphic novel." - Mare139

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Starry Night Monster- Test Print Artwork Macabe Giclee Limited Edition on Cold Press Watercolor Paper by Pop Culture Graffiti Artist Scarecrowoven. Unsigned hand-cut test print from the artist.

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Deep Sleep Artwork Giclee Limited Edition Print on Fine Art Rag Paper by Pop Culture Graffiti Artist Logan Hicks. 28 x 22 inch Archival Pigment print on 310 gsm Fine art paper All prints are signed and numbered Edition of 40 + 4 AP's Logan Hicks is an American stencil artist, currently living and working in Los Angeles, California. His hand-cut stencil process involves cutting a separate stencil for each color, then layering each color upon the next until the final piece emerges, often hundreds of hours later, as a hyper-realistic masterpiece. Originally a screen printer, Logan sold off his equipment to finance his migration from the East Coast to the West Coast, turning to stenciling to re-invigorate his printing.

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Fragment 01 Original Mixed Media Ceramic Painting by Add Fuel of a Kind Artwork Framed by a Street Art Pop Artist. 2020 Signed Mixed Media Original Three Panel Ceramic Painting Size 23.8x29.8 Ready To Hand Fragmented 2 Piece Artwork FRAGMENT 01, 2020 Three Panel Ceramic 23.8 × 29.8 Significance of Fragment 01 in Street Pop and Graffiti Artwork Fragment 01 emerges as a distinctive piece within the realm of Street Pop and Graffiti Artwork, symbolizing a harmonious blend of traditional ceramic art with the raw vibrancy of street art. Crafted in 2020, this original mixed-media artwork by the artist Add Fuel stands out as a one-of-a-kind framed piece that resonates with the dynamic energy of pop art. At the heart of Fragment 01 lies the artist's innovative approach to ceramic painting, a medium often associated with classical and traditional art. However, Add Fuel recontextualizes this perception by introducing elements typical of street art, thus creating a bridge between two ostensibly disparate worlds. The three-panel ceramic painting, with dimensions of 23.8 by 29.8 inches, captures the essence of Street Pop Art through its fragmented two-piece composition. The artwork's division into panels underscores the fragmented nature of street art, often found in unexpected locations and subject to the ravages of the urban environment. The visual narrative of Fragment 01 is characterized by a bold use of color and pattern, hallmarks of both pop art and graffiti. The dominant blues and intricate designs pay homage to the azulejo tradition of ceramic tilework, while the fractured presentation speaks to the spontaneity and impermanence of graffiti. By signing the piece, Add Fuel imparts a sense of identity and ownership, a nod to the graffiti artist's signature tag. The artwork is also ready to hang, emphasizing its accessibility and the street art ethos of art for the people. The Legacy of Fragment 01 in Contemporary Art Fragment 01 does not just represent a fusion of artistic styles; it also embodies the cultural dialogue between traditional craftsmanship and contemporary street expression. Through its form and medium, the artwork invites viewers to reflect on the evolution of art as it moves from the protected confines of galleries to the open and often contested spaces of the street. It challenges preconceived notions about the value and place of art in society and celebrates the democratization of art that street art and pop art have long championed. The significance of Fragment 01 extends beyond its aesthetic appeal; it is a testament to the growing recognition of street art and pop art as legitimate and influential art forms. By encapsulating the spirit of these movements within the time-honored medium of ceramic, Add Fuel's artwork bridges past and present, offering a powerful statement on the enduring nature of art and its capacity to adapt and thrive in various contexts. The piece is a vibrant example of how Street Pop and Graffiti Artwork continue to shape and inspire the trajectory of contemporary art. Fragment 01 is not merely a work of art but a vibrant narrative that captures the intersection of history, culture, and innovation. Through this piece, Add Fuel propels the conversation about the place of street art within the broader artistic canon, asserting its value and relevance in today's art landscape.

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Sign 1 Limited Edition Archival Pigment Fine Art Prints on 300gsm Moab Entrada Rag Matte Fine Art Paper by Graffiti Street Art and Pop Culture Artist Eddie Colla. "Sign 1" 11x14 inches (28x36cm) Archival pigment print on 300 gr Moab Entrada Rag Matte Fine Art Paper edition size 50 Signed and numbered "Sometimes I make an image that I am always referring back to. This is one of those images. For as many times as I have tried to describe what it is that haunts me about this one, I have never been able to adequately describe why. These are the ones I never let go of because for me personally I can't really ever unravel the draw. In my opinion, on a very basic level that is what art is for. To communicate something or evoke something that you couldn't otherwise express with words or by some other means. I've never been able to translate this piece into a coherent explanation. It is solitary experience . Which is what makes it meaningful to me." -Eddie Colla

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Destiny Star Map Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ron Guyatt Graffiti Street Artist Modern Pop Art. Star map and ship from cult classic video game Destiny.

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Warning: Addictive- Blue Limited Edition Silkscreen Skateboard deck art by street pop culture artist Shepard Fairey OBEY. Signed on Front With Marker. Warning Addictive Skate Deck. Numbered edition of 400. Signed by Shepard Fairey. I've been a big fan of Andy Howell's art and skateboarding since the late '80s, and I watched eagerly as he and his partners launched New Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell's art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the "power to the people," "ear to the street" vanguard of skater-owned-and-run companies. Straight out of the gate New Deal set the tone for the '90s. -Shepard

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The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

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Desmond Tutu AP Silkscreen Print by Shepard Fairey- OBEY x Michael Collopy Hand-Pulled Color on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist Proof. AP Artist Proof 2022 Signed by Shepard Fairey- OBEY & Marked AP Limited Edition Artwork Size 18x24 Silkscreen Print of Desmond Tutu South African Bishop and Theologian. "This portrait of anti-apartheid and pro-human rights activist Archbishop Desmond Tutu is my 2nd collaboration with photographer Michael Collopy Archbishop Tutu embraced non-violence as he strove to end apartheid and discrimination against women in South Africa. I deeply admire Arch Tutu’s philosophy, courage, and powerful communication skills. The below testimonial from Michael Collopy illuminates Tutu’s character beautifully." -Shepard Fairey Desmond Tutu AP Silkscreen Print by Shepard Fairey and Michael Collopy The Desmond Tutu AP Silkscreen Print created by Shepard Fairey in 2022 is a profound example of how Street Pop Art & Graffiti Artwork can be used to elevate human rights and spiritual leadership. The portrait is based on a photograph taken by American photographer Michael Collopy, known for his powerful black-and-white portraits of world figures dedicated to peace and justice. This print was issued as an AP Artist Proof and hand-signed by Shepard Fairey on cream speckletone fine art paper. It measures 18 by 24 inches and forms part of Fairey's expanding body of work that engages directly with social justice, political resistance, and international peace movements. The collaboration between Fairey and Collopy was first introduced with a mural and print of Nelson Mandela in Johannesburg and continues here with a tribute to Archbishop Desmond Tutu. Visual Power in the Language of Protest and Dignity Fairey's visual interpretation of Desmond Tutu is filled with layered symbolism and bold graphic design. Dominated by shades of blue, black, and cream, the work integrates Tutu’s contemplative gaze with symbolic references to South Africa’s flag and anti-apartheid struggle. Text elements flank the composition, including phrases that echo Tutu's bold stance on confronting injustice. The layout draws from Fairey’s background in street poster campaigns, where visual impact and legibility are key. Collopy’s original photograph captures the moral seriousness of Tutu’s expression, while Fairey’s print style recontextualizes the image into a piece of public memory that transcends the gallery wall. This synthesis of photojournalism and graffiti design emphasizes the dignity and defiance of a global figure who stood firm against segregation, inequality, and oppression. Legacy of Anti-Apartheid Activism Through Street Pop Art & Graffiti Artwork Archbishop Desmond Tutu of South Africa, who died in 2021, was not only a spiritual leader but a fearless opponent of apartheid and racial injustice. His leadership in the Truth and Reconciliation Commission, as well as his advocacy for women’s rights and LGBTQ+ inclusion within faith communities, made him a unifying figure of moral clarity. By featuring Tutu in this limited edition print, Fairey adds another figure to his Street Pop Art & Graffiti Artwork canon that includes icons like Angela Davis, Nelson Mandela, and Dolores Huerta. The use of graffiti-adjacent aesthetics for this tribute speaks to how activism and art converge in public space to influence hearts and minds. Collaboration Rooted in Photographic Documentation and Graffiti Iconography The collaboration between Shepard Fairey and Michael Collopy reflects the power of cross-medium influence. While Collopy brings the emotional intimacy of portrait photography, Fairey infuses that essence with visual urgency and graphic symbolism drawn from his years in street campaigns and protest art. Their shared effort in immortalizing Desmond Tutu reinforces how Street Pop Art & Graffiti Artwork can function not just as aesthetic practice but as a tool of cultural preservation. The artist proof edition underscores the rare and collectible nature of this print, which functions as both an homage and a political statement. By placing a globally respected spiritual leader in the visual language of resistance, this work ensures that Desmond Tutu’s values remain visible in contemporary culture.

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Lee Quinones Logo Deck- Blue Limited Edition Silkscreen Skateboard deck art by street pop culture artist Supreme. 2018 The Supreme x Lee Logo Skateboard highlights the work of Puerto Rican artist and "Wild Style" actor Lee Quiñones in a commemorative collection from the Spring/Summer 2018 range. Lee has originally known for his 1970s NYC subway graffiti art, which inspired this deck. The top features Quiñones' printed signature in white, while the bottom showcases a "Supreme" graffiti piece in blue, white, and black, with a green subway tile background and "Silent thunder" painted in white. Puerto Rican actor and artist Lee Quinones originally gained fame as a subway graffiti artist in New York City during the 1970s. Throughout the Spring/Summer 2018 season, Supreme released a handful of items featuring the artwork of Lee Quinones including hoodies, jackets, shorts, pants, and this Blue skate deck. The deck showcases an example of his famous subway-style art, with the word Supreme in blue font on a green background. The top of the deck includes Quinones' printed signature, making it perfect for hanging in your crib however you see fit.

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A Night On The Town Original One of a Kind Acrylic Painting Artwork on 270gsm Acrylic Canvas Stock by Popular Street Graffiti Artist Aaron Craig- Pop Mash. 2021 Signed Original Acrylic Painting Artwork Size 21x29 Artwork Specifications Artwork dimensions: 54cm x 74cm (21” x 29”) Medium: Acrylic paint on 270gsm acrylic canvas stock Signed and blind stamped by Aaron Craig

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Morrigan Lupus Limited Edition Giclee Print on Velvet Cotton Rag by Skinner counter-culture street artist art. No 1/100 Skinner is a self-taught artist living in Oakland, California who has meticulously crafted a balance of extraordinary mural work, bizarre and antagonistic installations while maintaining a prolific commercial career. Influenced by 80’s pop culture, human struggle, myths and violence, dungeons and dragons, and the heavy metal gods, Skinner’s mind is one of psycho social mayhem fueled by calculated chaos.

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Flower Power Blue AP Silkscreen Print by Shepard Fairey- OBEY Artist Proof Hand-Pulled Screen Print on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. AP Artist Proof 2021 Signed & AP Marked Original Run Limited Edition Artwork Size 18x24 Silkscreen Print of Blue Lotus Flower &Electric Power Lines. "These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on this transition happening with the support of citizens, government, and corporations. Read "This Changes Everything" by Naomi Klein if you'd like a strong analysis of the severity of the climate crisis and the urgency to transition off of fossil fuels. Proceeds from these prints will benefit 350.org to support their work around the climate emergency. Thanks for caring." -Shepard Fairey Shepard Fairey, the mind behind the iconic OBEY imagery, once again channels his signature blend of street and pop art in the "Flower Power Blue AP" silkscreen print. An emblem of countercultural movement, Fairey's piece presents a striking juxtaposition of the serene blue lotus flower against the industrial backdrop of electric power lines. Cast on Speckletone Fine Art Paper, this hand-pulled screen print not only exemplifies the artist's meticulous craftsmanship but also carries a poignant and timely message. The "Flower Power" series, which this print is a part of, stands as a clarion call for humanity's pivot from environmentally harmful fossil fuels to more sustainable energy sources. This transition, as Fairey suggests, is not just a matter of technological or economic feasibility; it is an imperative for the continuity of life as we understand it. The reference to Naomi Klein's "This Changes Everything" underscores the severity of the looming climate crisis, offering readers a comprehensive analysis of our current ecological predicament and the urgency with which we must act. Beyond its aesthetic appeal and socio-political commentary, the artwork demonstrates Fairey's commitment to environmental advocacy. Proceeds from the sale of these prints are directed to 350.org, an organization at the forefront of the global movement to address climate change. Such initiatives are emblematic of Fairey's approach to art — one that is not just visually stimulating but also deeply rooted in activism and the broader call to collective action. Through this masterful piece, Shepard Fairey once again reiterates the power of art in shaping conversations, influencing change, and fostering a more conscious global community.

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Fashion Soho Mushroom Massacre Quarter Ounce SuperGuggi SuperPlastic Art Toy by Guggimon Limited Edition Janky Vinyl Art Toy Collectible Artwork by Modern Design Artist. 2022 Limited Run SuperKranky Janky Superplastic Vinyl Art Toy Artwork Size 6x8

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Untitled 101 Silkscreen Print by Dalek- James Marshall Hand-Pulled 38-Color on 320gsm Coventry Rag Fine Art Paper Limited Edition Artwork. 2015 Signed & Numbered Limited Edition of 50 Artwork Size 26x26 Abstract Silkscreen Print Exploring the Geometric Dynamism of James Marshall's Silkscreen Art James Marshall, widely recognized by his moniker Dalek, channels the spirit of street pop art and graffiti artwork through his visually arresting silkscreen prints. One such piece, known for its intricate geometric patterns and bold color play, captures the essence of movement and depth often associated with urban street art's kinetic energy. The piece, while untitled, speaks volumes through its complex interlocking shapes and the vibrant contrast of blues and greens, making it a compelling example of contemporary pop art. Marshall's work in this realm showcases a sophisticated understanding of color theory and spatial dynamics, employed to create a sense of three-dimensional space on a two-dimensional plane. His silkscreen prints do not merely represent the urban aesthetic; they reimagine it, presenting a fusion of precise technique and the unpredictable nature of street art. The result is a body of work that resonates with graffiti's vibrancy and pop art's polished finish. James Marshall's Contribution to Street Pop Art and Graffiti Aesthetics The aesthetic contributions of James Marshall to the street pop art and graffiti movement are marked by his signature style, which combines elements of both genres to produce something unique. His prints, characterized by an almost digital precision, are reminiscent of the meticulous stenciling techniques found in graffiti while drawing on pop art's clean, impactful design. This blend of styles has allowed Marshall to carve out a distinctive niche within the art world, bridging the gap between street-level expression and high art. Marshall's art is not confined to the walls of galleries; it encapsulates the essence of street art by bringing the same sense of accessibility and public engagement to the viewer. Through his prints, he democratizes art, making it available to a broader audience, much like street art's public presence allows for an uninhibited consumption and interpretation by the masses. In summary, James Marshall's untitled silkscreen print is a testament to the dynamic and evolving world of street pop art and graffiti artwork. His unique fusion of geometric precision and bold coloration exemplifies the innovative potential of street-inspired art to captivate and engage, transcending the boundaries between the street and the gallery. Through his work, Marshall continues contributing to the dialogue surrounding contemporary art, challenging perceptions and inspiring new ways of seeing.

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Trooper- Some Like It Hoth 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Brian Ewing Rare Street Art Famous Pop Artwork Artist. 2021 Some Like It Hoth Edition of 50 Signed and Numbered

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The Doctor Who Silkscreen Print by Jillian Nickell Hand-Pulled on Fine Art Paper Limited Edition Screenprint Artwork. 2013 Signed & Numbered on Back Limited Edition of 175 Artwork Size 16x20 Silkscreen Print of Doctor Who Tardis Police Box Spaceship & the Doc. From 50th Anniversary of Doctor Who Show. The Doctor Who Silkscreen Print by Jillian Nickell The Doctor Who silkscreen print by Jillian Nickell is a striking tribute to the 50th anniversary of one of the most influential science fiction series in television history. This limited edition hand-pulled screenprint, created in 2013, captures the essence of the Doctor and his iconic time machine, the TARDIS, in a visually immersive composition. Signed and numbered on the back, with only 175 pieces produced, this 16x20-inch artwork exemplifies the fusion of street pop art & graffiti artwork with the timeless appeal of science fiction. The intricate detailing and carefully chosen color palette make this a standout piece in both pop culture collectibles and contemporary art. The Visual Composition and Artistic Approach Jillian Nickell’s design presents a meticulously detailed depiction of the TARDIS alongside the Doctor, who stands confidently in the foreground holding his sonic screwdriver. The deep blue tones dominate the composition, emphasizing the mystery and vastness of space. The use of stippling and halftone shading techniques enhances the texture, creating depth and atmosphere within the artwork. The glowing effect around the TARDIS windows and the stars scattered throughout the background contribute to a dreamlike aesthetic, reinforcing the show’s themes of time travel and exploration. The Doctor’s expression is one of quiet determination, with his stance suggesting movement as if he is about to embark on another journey. The way Nickell captures the folds of his clothing, the illuminated tip of the sonic screwdriver, and the subtle shading on his face showcases a masterful attention to detail. The stylization of the TARDIS, with its softened edges and glowing outlines, gives the impression that it is materializing, a technique that mirrors the visual distortions often used in street pop art & graffiti artwork. This blending of realism with abstraction makes the print both dynamic and captivating. The Influence of Doctor Who in Street Pop Art & Graffiti Artwork Doctor Who has long been a source of inspiration in street pop art & graffiti artwork, with its iconic symbols appearing in urban murals, wheatpaste posters, and stencils around the world. The TARDIS, as a recurring motif, represents adventure, mystery, and the limitless possibilities of time and space. Street artists frequently incorporate its recognizable police box form into their work, often placing it in surreal or unexpected locations to create a sense of displacement and wonder. Nickell’s print captures this same spirit by emphasizing the ethereal qualities of the TARDIS while keeping the Doctor grounded in reality. The composition echoes the layering techniques found in street art, where multiple elements interact to form a cohesive narrative. The contrast between the solid figure of the Doctor and the more fluid, almost glowing TARDIS creates a striking juxtaposition that reinforces the tension between the known and the unknown. This duality is a fundamental aspect of both street pop art & graffiti artwork, where artists often use contrasts to provoke thought and emotion. The Significance of the Limited Edition Screenprint As a hand-pulled silkscreen print, The Doctor Who by Jillian Nickell carries a unique level of craftsmanship that digital reproductions cannot replicate. The layered application of ink on fine art paper gives the piece a tactile quality, making each print slightly unique. The limited edition nature of this artwork adds to its exclusivity, making it a valuable collectible for both fans of the series and admirers of street pop art & graffiti artwork. The 16x20-inch format allows for intricate details to be fully appreciated, whether displayed in a private collection or a curated gallery space. Nickell’s ability to merge a deep appreciation for the Doctor Who universe with the stylistic elements of modern screenprinting results in a piece that transcends typical fan art. This print is not just a celebration of the show’s 50th anniversary but also a testament to the lasting impact of its themes and imagery in contemporary urban art culture. By blending detailed illustration techniques with the energy of street pop art & graffiti artwork, Nickell has created a piece that captures both the nostalgia and the ongoing relevance of Doctor Who in the artistic landscape.

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Vesica Piscis In Blue Artwork Giclee Limited Edition Print on 315 gsm Etching Cotton Rag Paper by Pop Culture Graffiti Artist Handiedan. Art print giclée With Augmented Reality 315 gsm Etching Cotton Rag 16.5" x 21” / 42 x 53.5 cm Signed & Numbered Hot Wax Seal Stamped Logo Embossed & Stamped Edition: 66 2021 AR Augmented Reality: https://vimeo.com/591003681 Uses the Artivive App

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Casa Grande Limited Edition Archival Pigment Prints on Somerset Enhanced Velvet 100% Cotton Paper 330gsm by Dave Kinsey Graffiti Street Artist Modern Pop Art. Archival Digital Print on Somerset Enhanced Velvet 100% cotton paper 330gsm Printed with Fade-Resistant HDX Ultrachrome Inks Signed: KINSEY / Numbered Limited Edition Edition: 100 Size: 16 x 20 inches / 40.6 x 50.8 cm Year: 2012

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Solar Synthany VI Original One of a Kind Mixed Media on 290gsm Coventry Rag Fine Art Paper Painting Artwork by Popular Modern Pop Artist Grabster. 2022 Signed Original Artwork Size 14.875 x 19.9375 in. “'Solar Synthany' is an imaginative and nostalgic journey through a diverse and infinite universe. Inspired by a childhood fascination with all things outer space, Grabster layers spray paint and acrylic paints using a brush, markers, and sponges to mimic the look of virgin terrains and alternative atmospheres. Balancing pride in his tropical roots with a desire to explore, conquer, and expand, Grabster asks what is on the horizon and waiting to be discovered through this otherworldly series." –Grabster

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Zed's Dead Limited Edition 6-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Jon Smith Graffiti Street Artist Modern Pop Art. Pulp Fiction inspired piece from Spoke Art's Quentin vs. Coen group art show. 12"x18" six-color screen print. signed and numbered edition of 80.

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Hand of Doom Giclee Print by Seen UA Artwork Limited Edition Print on Canvas Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition Artwork Size 102x26 Hand of Doom is a captivating and intricate giclee print on canvas by the renowned graffiti pop street artist, Seen UA. Known for his exceptional prowess in blending street and pop art, Seen UA first introduced this stunning masterpiece in 2023. This artwork emanates an urban vibe, offering a glimpse into the unfiltered reality of street life, subtly intertwined with elements of pop culture. Limited in its availability, Hand of Doom is a signed and numbered piece. This attribute, along with the distinct signature of Seen UA, increases its exclusivity, making it a highly sought-after artwork among enthusiasts and collectors of pop and street art. The dimensions of this masterpiece, measuring 102x26, lend it an imposing presence, further enhancing its appeal. Hand of Doom is an exemplar of the giclee print technique. Giclee, a French term meaning 'sprayed ink', is a high-resolution, high-fidelity method of fine art printing. This technique allows Seen UA to transform his original graffiti designs into digital artwork, which is then sprayed onto canvas with minute droplets of ink. The result is an unparalleled level of detail and color depth, mirroring the vibrancy and dynamism of the original graffiti. Seen UA's Hand of Doom is more than just a print; it is a synthesis of urban grit and contemporary culture. It captures the rebellious spirit of street art and the vivacity of pop art, while its limited-edition status makes it an intriguing piece for any art collector's portfolio. This artwork exemplifies Seen UA's mastery of diverse art forms, reinforcing his status as a significant figure in the realms of graffiti, pop, and street art.

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KONG PP Printers Proof Archival Pigment Fine Art Limited Edition Print on Fine Art Paper by Artist Scott Listfield, Street Pop Art Graffiti Legend. PP Printers Proof 2022 Signed & Marked PP Artwork Size 18x24

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Kali Koaster 16x20 Limited Edition Archival Pigment Prints on Fine Art Paper by Pooch Graffiti Street Artist Modern Pop Art.

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As I Live and Breathe> New World Disorder Series Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Anthony Hurd Graffiti Street Artist Modern Pop Art. "These pieces are part of what started as palette cleansers. I would take what is left of the paint from other pieces and just let loose with large strokes on a small board and see what comes of it. The first couple pieces I did like this were a couple of years ago and they were way less evolved. Purely strokes with just a touch of more graphic details. In the last year, I really started to build on them and build them out into whole new worlds. It’s a total exploration phase for me. In between the pieces I already had in the works this was an outlet to completely move freely. To my own surprise really they were a very successful exploration in many ways.

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Blackbook Untitled Drawing Original Mixed Media Painting Art on Art Paper by Graffiti Street Artist Modern Pop Artist Sen2. 2005 Signed Sen2 "Untitled" Blackbook Drawing Framed Ink Marker Pencil Graffiti Framed Artwork Size 25.5x19 Blackbook Untitled Drawing by Sen2 This 2005 untitled blackbook drawing by renowned graffiti street artist Sen2 captures a raw and precise moment from the sketchbook practice of one of the most iconic writers to rise from the Bronx. Rendered in ink, marker, and pencil on art paper, the piece exemplifies the artist's geometric energy, color mastery, and dynamic flow. The framed artwork measures 25.5 by 19 inches and delivers the intensity of handstyle illustration and three-dimensional letterplay that defined graffiti's move from the subway to the studio. From Wildstyle to Precision Draftsmanship Sen2, born Sandro Figueroa Garcia in Puerto Rico, became a central figure in New York City's graffiti movement during the 1980s. This blackbook drawing embodies his transition from bombing walls and trains to refining his craft within the structure of studio practice. Each stroke of marker and wash of color in the work is intentional, sharpened by years of experience with aerosol and street surfaces. Sen2's ability to maintain the rebellious spirit of wildstyle while embracing architectural structure and visual clarity sets him apart in the world of Street Pop Art & Graffiti Artwork. Layered Color and Visual Tension The composition bursts with contrast. Soft pastels in blue, yellow, green, and orange interplay against thick black shadows and clean directional lines that suggest movement and spatial depth. These overlapping forms evoke the energy of subway pieces while grounded in the polish of gallery-ready drawing. The arrows, textures, and interlocking angles pull the viewer through layers of intention—each edge refined, each fill pattern calculated yet expressive. The drawing captures not only form but attitude, with a style that suggests motion, control, and continual evolution. Studio Evolution of Graffiti Language Sen2's untitled piece belongs to a larger movement in which blackbooks became not just preparatory tools but finished works in their own right. Street Pop Art & Graffiti Artwork often begins in sketch form, and this piece stands as a definitive artifact of that process. It documents a moment of imagination before execution—where letters transform into weapons of style, and the street’s visual dialect is transcribed into a gallery-safe medium. For collectors, the work offers a window into the raw talent and thought process of one of graffiti's modern pioneers, preserved with care and now framed as art history in motion.

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Sign Be Still My Heart Icons Art Toy by Chris RWK- Robots Will Kill Limited Edition Vinyl Sculpture Collectible Artwork by Pop Street Artist x UVD Toys. 2023 Limited Edition of 50 Artwork Size 4x7.5 New In Box Stamped/Printed. RWK Robot in Yellow Stylized Homer Simpson from the TV & Movie Cartoon The Simpsons Holding a Sign that Reads: Be Still My (Heart Symbol). Chris RWK's "Be Still My Heart" Vinyl Sculpture: A Street Art Icon The "Be Still My Heart" art toy by Chris RWK, released in collaboration with UVD Toys, epitomizes the fusion of street pop art sensibilities with the burgeoning scene of collectible art. This limited edition piece, restricted to a mere 50 units, is a poignant representation of the artist's signature style. Chris RWK, a street artist who has been influential in the pop street art scene, has made a name for himself with his emotionally resonant imagery, often featuring robots as stand-ins for the human experience. The piece showcases a robot character stylized with the familiar yellow hue reminiscent of Homer Simpson from the iconic television and movie series, "The Simpsons," holding a sign that reads "Be Still My (Heart Symbol)." Emotive Expression in Pop Street Art Form This collectible transcends the boundary between mere toys and artwork, serving as a compelling commentary on the human condition. The robot, an often cold and unemotional figure, is juxtaposed with a message of heartfelt sincerity, creating a contrast that is central to Chris RWK's work. The expression "Be Still My Heart" is a call for calm in the face of emotional turmoil, a theme that resonates deeply within the chaotic backdrop of urban life. With its stamped and printed sign of authenticity, this piece captures the essence of street pop art's ability to communicate complex emotions through simple yet profound imagery. Impact and Legacy of Chris RWK in the Art Toy Movement The limited edition nature of "Be Still My Heart" underscores art toys' collectibility and sought-after status within the street art community. Each sculpture, new in a box and meticulously crafted, is a tangible extension of Chris RWK's street art, allowing enthusiasts to own a piece of the culture. The collectible is a testament to the growing trend of street artists translating their work into three-dimensional forms, expanding their reach from the walls of cities to the shelves of collectors. Chris RWK's foray into the vinyl art toy market with "Be Still My Heart" is a narrative on the commodification of art in contemporary society and the enduring need for connection and emotional expression. The artist's real name, associated with Robots Will Kill, has become synonymous with a style that captures the zeitgeist of modern urban life, and his collaboration with UVD Toys represents a significant moment in the cross-pollination of street art and tangible art objects. This piece is not just a collectible but a symbol of the enduring power of street pop art to evoke, engage, and endure.

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Núcleo Silkscreen Print by Add Fuel Hand-Pulled 6-Color on 320gsm White Astropack Fine Art Paper Limited Edition Artwork. 2023 Signed & Numbered Limited Edition of TBD Artwork Size 19.6x19.6 Silkscreen Print In the dynamic realm of contemporary art, "Núcleo Silkscreen Print" stands out as a testament to the innovative spirit of the renowned artist Add Fuel. With a harmonious blend of traditional silkscreen printing techniques and modern design aesthetics, this artwork resonates with the distinctive character of pop art, street art, and graffiti art, blurring the lines between these genres. Crafted in 2023, the piece is not only a visual delight but also a symbol of artistic evolution and commitment. This hand-pulled 6-color print is meticulously produced on 320gsm White Astropack Fine Art Paper, ensuring longevity and vibrancy. The choice of medium further accentuates the intricate details and striking blue patterns that dominate the artwork. Every swirl, dot, and line exhibits Add Fuel's keen attention to detail and his passion for intertwining classic and contemporary elements. Spanning 19.6x19.6 inches in size, "Núcleo Silkscreen Print" offers viewers a vast canvas to dive deep into its mesmerizing visual narrative. Being a signed and numbered limited edition, the exclusivity of this artwork adds another layer of allure to art collectors and enthusiasts alike. While the exact number of editions remains undisclosed, each piece carries its unique identifier, reinforcing its authenticity and the artist's personal touch. In an era where art is constantly evolving, "Núcleo Silkscreen Print" by Add Fuel serves as a beacon, reminding us of the timeless allure of handcrafted artworks and the power of artistic expression to bridge diverse genres.

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Mechbot Paint Attack Kickstarter CanBot Large Limited Edition Vinyl Art Toy Collectible Artwork by Street Graffiti Artists Czee13 x Quiccs x Zinc Nite Crew ZNC x Freakyfir- Muhammad Firdaus x Clutter Magazine. 2020/2023 Limited Edition Embossed Stamped New In Box Custom Rare Kickstarter Mechbot Paint Attack Canbot Canz OG Blue & Teal Colorway Artwork Size 8x9.5. Crossover Epic Art Toy Project Featuring Work by Artists Czee13 x Quiccs x Zinc Nite Crew x Freakyfir x Clutter Magazine. It Is Only Obtainable By Backing A 2020 Canbot Canz Kickstarter and Then Waiting Until Completion During The 2023 Season. Exploring the Mechbot Paint Attack CanBot: A Convergence of Street Art Titans The Mechbot Paint Attack CanBot is not just a vinyl art toy; it's a canvas where the pulsating energy of street graffiti art converges with the imagination of some of the most influential names in the pop culture art scene. This limited edition collectible is a collaborative masterpiece birthed from the creative minds of artists Czee13, Quiccs, the Zinc Nite Crew, and Freakyfir, with Clutter Magazine orchestrating the symphony of this crossover epic art toy project. Released between 2020 and 2023, this piece was exclusively available to those who supported the CanBot Kickstarter, marking it as a rare gem within the street pop art & graffiti artwork domain. Standing at an impressive 8x9.5 inches, the Mechbot Paint Attack CanBot is a testament to the dynamic nature of street art, embodying the spirit of collaboration often at the heart of this artistic movement. The OG Blue & Teal Colorway is not just about aesthetics; it's a statement, a piece of visual storytelling that connects the dots between various artist styles, each known for their unique contributions to the art world. This collectible is embossed and stamped, signaling the authenticity and the individual attention each piece receives, a hallmark of collectible art toys. The Mechbot Paint Attack CanBot symbolizes the intersection of innovation and tradition, where the iconic CanBot form is reimagined through a mech-inspired lens. It's a celebration of the graffiti can, a tool of the trade for many street artists, transformed into a futuristic being that encapsulates the essence of urban art. This art toy goes beyond mere collectibility; it's a historical footnote in the annals of street art, representing a moment when artists from varied backgrounds and styles came together to create something truly exceptional. Each artist involved in the project brings their signature touch to the CanBot. Czee13's love for the can form, Quiccs' affinity for mecha aesthetics, the Zinc Nite Crew's dedication to the graffiti culture, and Freakyfir's unique take on art all contribute to a diverse yet harmonious final product. Clutter Magazine's role in bringing these artists together underlines the importance of communal spaces and platforms that promote and support the growth of street art. In the hands of collectors, the Mechbot Paint Attack CanBot is a piece of the pulsating heart of the streets, a reminder of the raw, unfiltered creativity that thrives in urban environments. It's an artwork that challenges the boundaries of what can be considered art, pushing it into interactive and functional design. This CanBot is not just meant to be displayed; it's meant to be experienced, a conversation starter, and a bridge between the world of street art and those who may not wander the alleys and byways where such art is born. Owning a Mechbot Paint Attack CanBot is akin to holding a piece of street art history, remembering when art leaped off the walls and into the tangible realm. It reflects the growing recognition of street pop art & graffiti artwork as a culturally and artistically significant medium. For enthusiasts and collectors, it represents the broader narrative of street art's evolution and its ceaseless journey into new forms and expressions.

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Awareness- Sustain Series Artwork Giclee Limited Edition Print on Cold-Press Italian Watercolor Paper by Pop Culture Graffiti Artist Dave Kinsey. Fine art giclée prints on Italian produced cold press watercolor paper with hand deckled edges. Printed Oceans is PangeaSeed Foundation's fine art print program that raises awareness and educates about pressing marine environmental issues through the lens of some of today's most respected creative minds. Since 2012, we have released over 100 original fine art print editions that highlight endangered marine species and ocean habitats. These stunning editions help to bring important conservation stories into homes and workspaces the world over creating critical dialogue and inspiring positive action. Through the purchase of these carefully hand-crafted, limited edition artworks, you are not only powering the groundbreaking work of PangeaSeed Foundation in communities across the globe but also contributing to the livelihoods of our supporting ARTivists. Together, via art and activism, we can help save our oceans.

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UnReal Estate- Third Earth- Glow Followed Limited Edition Glow In The Dark 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. Thunder Cats, Superhero, Toy, Spinx, Cat, TV, Comics, Glow in the Dark

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Medivac- Orange Labbit 4-Color Hand-Pulled Limited Edition Silkscreen Print on Glossy Fine Art Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. #50 of 50. Medivac 2004 Art Print 21x24 Print Signed and Numbered by Frank Kozik Run of 50. Orange Variant of Smoking Labbit, US FLag, and Medical Cross.

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Spraycan Art Train Original All City Style Subway Painting on Wall Sculpture Artwork by Graffiti Street Artist Artist Rek Santiago. 2010 Signed Original Spray Paint Marker & All City Style Train Sculpture One of A Kind Artwork Size 20.25x5x1.75 Signed, Titled & Dated on Back, Tagged On Front Rek & NSA. Original Hand Painted Graffiti on Wall Mountable All City Style Subway Train Platform. Displayed With Box. Box Has Artist-Made Paint Marks. Scattered Soiling & Blemishes Constatant With Age, Great Condition.

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1943 Blotter Paper Limited Edition Archival Pigment Print Art on Perforated Blotter Paper by Pez pop culture LSD artwork. Archival Pigment Print on Perforated Blotter Paper Size: 7.5 x 7.5 Inches Release: April 19, 2021 Limited blotter editions are hand-perforated by Zane Kesey & may vary slightly from the example shown.

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San Dimas High School Football Limited Edition ICON Series 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by DKNG Graffiti Street Artist Modern Pop Art. Bill & Teds Excellent Adventure Movie Time Traveling Phone Booth. "Every film has one. A signature prop, set, or location. Something that, in a single image, can represent the entire movie. The design team of Dan Kuhlken and Nathan Goldman, also known as DKNG, call these images “Icons,” and they are the subject of their first-ever solo show at Gallery 1988 West in Los Angeles. The show, called simply ICON, is comprised of 50 pieces featuring iconic places and things from some of your favorite movies and TV shows of all time. Each piece is small – 12 inches square – and is of one thing that sums up an entire movie. And of course, each is done in DKNG’s distinctive bright, geometric yet detailed style.” - DKNG

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Cream & Blue Sedation in Bloom Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled on Cream Speckletone Fine Art Paper Limited Edition Artwork Obey Pop Culture Artist. 2021 Signed by Shepard Fairey- OBEY & Numbered Limited Edition of 150 Artwork Size 18x24 Sedation in Bloom Silkscreen Print Series.  "I originally worked on this poppy pattern art as part of my collaboration with artist Gordon Cheung. In our piece, we addressed the tragic murder of Vincent Chin and the historical use of anti-Asian imagery and symbols in Western culture. The poppy is a beautiful flower with many symbolic interpretations, including peace, death, sleep, and sedation. I often weave floral and decorative patterns into my art to draw viewers in and make challenging concepts more digestible. However, decorative appeal can sedate people and distract them from more important social issues. Whether in entertainment, alcohol, drugs, or conspicuous consumption, I think sedation is a major cause of social and political complacency and ignorance. These Sedation In Bloom prints serve the dual purpose of a decorative escape and a reminder to stay awake and aware!" -Shepard Fairey- OBEY. Cream & Blue Sedation in Bloom: Reflecting on Society Through Street Pop Art The Cream & Blue Sedation in Bloom silkscreen print by Shepard Fairey, an iconic figure in the street pop art and graffiti artwork realm, stands as a thought-provoking piece that goes beyond mere aesthetic pleasure. Fairey, born as Frank Shepard Fairey on February 15, 1970, in Charleston, South Carolina, USA, has carved a niche for himself with works that often reflect a blend of political activism and artistry. This particular artwork, a part of the Sedation in Bloom series, is no exception. Hand-pulled on cream speckletone fine art paper, the Cream & Blue Sedation in Bloom is a limited edition artwork, with each piece signed and numbered by Fairey himself. The size of the artwork, 18x24 inches, offers a substantial canvas for the expression of intricate and symbolic imagery. Limited to an edition of 150, these prints capture the exclusive nature of Fairey's work. The Symbolism of Poppies in Fairey's Visual Language The motif of the poppy in this series carries rich symbolic interpretations, ranging from peace to death, and from sleep to sedation. Fairey's choice of the poppy is deliberate and multifaceted; it is not only about creating a pleasing visual but also about the underlying message it conveys. The interplay of the serene blue on cream reflects a tranquil aesthetic, yet the poppies' association with sedation challenges the viewer to look deeper into the societal implications of the artwork. Fairey’s work is a commentary on the complacency and ignorance that he perceives as pervasive in society. The seductive nature of entertainment, alcohol, drugs, and material excess serves as a means to sedate the masses, distracting them from social and political engagement. Through the Cream & Blue Sedation in Bloom print, Fairey juxtaposes the allure of the poppies with a call to consciousness, urging the viewer to stay awake and aware amid societal distractions. Artistic Collaboration and Social Commentary The inception of this poppy pattern art arose from Fairey's collaboration with Gordon Cheung, where the duo addressed the harrowing murder of Vincent Chin and the use of anti-Asian motifs in Western culture. By incorporating these themes into his street pop art, Fairey elevates the conversation from street-level discourse to a wider socio-political dialogue. The prints serve as a decorative escape, yet they double as a potent reminder of the importance of staying alert to the world's inequities and injustices. Shepard Fairey's Cream & Blue Sedation in Bloom is a striking example of how street pop art can be a powerful medium for social critique. As viewers engage with the harmonious color scheme and the delicate floral patterns, they are also confronted with the societal urge to remain vigilant. Through this series, Fairey reiterates his belief in the capacity of art to ignite change, to unsettle the comfortable, and to provoke a reawakening of social consciousness. The artwork symbolizes the dual role of art in modern culture: as an object of beauty and as a catalyst for awareness and action.

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Yo Gabba Gabba! Muno Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Tim Doyle Graffiti Street Artist Modern Pop Art. 1st Edition

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311- Philadelphia 2021 Limited Edition Music Gig Poster 5-Color Silkscreen Split Fountain Print on Cream Speckletone Paper by Jeff Soto Graffiti Street Artist Modern Pop Art. Posters measure 36" x 24" each and are 5 color screen prints with special split fountain (orange to blue) inks for 311's July 19th show at The Met in Philadelphia, PA

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Climb Mt. Tanaka> Be@rbrick 15-Color Hand-Pulled Limited Edition Silkscreen Print on 280lb. Coventry Rag Paper by Frank Kozik Rare Street Art Famous Pop Artwork Artist. Artist: Frank Kozik Creation Date: 2005 Edition: 100; signed and numbered Size: 22 7/8" x 30 his print is signed and numbered by the artist in pencil. This 15-color silkscreen art print is printed on white-colored 280lb. Coventry rag paper.

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