Blue & Teal

1657 artworks


  • The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    Kaws- Brian Donnelly The Beautiful Losers Portfolio Catalog Boxed 2006 Kaws Shepard Fairey

    The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set Kaws- Brian Donnelly x Shepard Fairey- OBEY x Jonathan Levine Projects Featuring Legendary Graffiti Street Artwroks from Dozens of Artists During the 2004, 2005, 2006, 2007, 2008, 2009 & 2010 Show Run. The Beautiful Losers Portfolio and Catalog Boxed Edition, 2006 is a treasure trove for lovers of Street Pop Art and Graffiti Artwork, offering a comprehensive collection that captures the spirit of the iconic "Beautiful Losers" exhibition. This limited-edition set stands as a pristine testament to a defining moment in contemporary art and the raw creativity of the street art scene from 2004 to 2010. Each element of the set, carrying corresponding matching edition numbers, is in mint condition, ensuring its value as a collectible and a piece of art history. Original The Beautiful Losers Portfolio & Catalog Boxed Edition 2004-2010 Museum Crate Set x Jonathan Levine. Jonathan Levine Projects' The Beautiful Losers box sets 2004-2010 were released in a limited edition, with the Portfolio Box limited to under 30 editions and the Catalog Box limited to 100. Each set is housed in a custom printed and numbered wooden box, adding a layer of sophistication and care to the presentation of these artworks. The dimensions of these boxes, measuring 26 x 19 x 9 inches, were carefully chosen to accommodate the variety of works and their varying sizes, ensuring that the integrity of each piece is maintained. Iconoclast published these box sets on the occasion of the traveling exhibition "Beautiful Losers," which ran from 2004 to 2010. This exhibition, alongside "Transfer," which toured various locations from 2008 to 2010, showcased the burgeoning talent and diverse expressions within Street Pop Art and Graffiti Artwork. The Beautiful Losers exhibition and its accompanying publications, including the "Beautiful Losers: Contemporary Art And Street Culture" book published by Edition Iconoclast in 2005, have been pivotal in bringing the vibrancy and relevance of street and graffiti art to a broader audience. The Portfolio Box, a crucial component of these sets, is a treasure trove of 28 of the most influential street and graffiti artists. This collection includes prints from renowned artists like KAWS and Shepard Fairey, each bringing their unique vision and style to the forefront. Each piece within this box echoes the themes and artistic expressions in the broader Beautiful Losers exhibition, further underscoring this collection's significance in contemporary art. The Beautiful Losers Movie 2008 About the Art Show Beautiful Losers is a 2008 documentary that dives into the lives and art of a collective of artists who have played a pivotal role in the Street Pop Art and Graffiti Artwork movement since the 1990s. Directed by Aaron Rose and co-directed by Joshua Leonard, this film was a product of Sidetrack Films and BlackLake Productions, featuring artists like Harmony Korine and Steve "ESPO" Powers. The film explores the "do-it-yourself" ethos of these artists, whose work is steeped in the aesthetics of skateboarding, graffiti, and underground music genres such as punk rock and hip-hop. It casts a light on the journey of these artists from obscure street culture to becoming celebrated figures within the mainstream art world, detailing their personal feelings and convictions as they transitioned from creating for themselves to working on high-profile commercial projects. "Beautiful Losers" is more than a film; it is part of a more significant cultural phenomenon that includes a published art book of the same name, edited by Christian Strike and Aaron Rose, and a traveling museum exhibition that features the artists and their works. This exhibition serves both as a backdrop and a focus in the documentary, emphasizing the expansive influence of these artists and their continued relevance in contemporary art discourse. Artist Signed Limited Edition Silkscreens, Photos, Drawings & Art Objects 2004-20010   Beautiful Losers Contemporary Art and Street Culture Book 2004 Beautiful Losers: Contemporary Art and Street Culture, a seminal anthology published in 2004 by D.A.P./Iconoclast, this volume is an essential exploration of a vibrant subculture that transformed the aesthetics of the late 20th and early 21st centuries. This first edition is a collector's gem encased in a satisfactory condition hardback with a sleeve. The book's red cloth boards are embossed with gilt lettering on the front and spine, signaling the treasure within a profusion of illustrations and original works. This is no mere collection; it is a profound narrative detailing a cultural movement's organic, uncontrived emergence. It charts the journey of American artists, many freshly stepping into adulthood, who were propelled not by market demands but by pure passion and creativity. Without formal training or insider knowledge, they drew inspiration from the streets, influenced by the raw vitality of skateboarding, graffiti, street fashion, and independent music. Names like Shepard Fairey, Mark Gonzales, and Spike Jonze are among the many who channeled their lived experiences into their craft, learning through doing and revolutionizing their mediums. Beautiful Losers serves as both a tribute and a historical account, tracing the cultural threads from Jean-Michel Basquiat and Keith Haring to newer proponents such as Ryan McGinniss and KAWS. It features various artistic expressions across mediums, alongside reproductions of ephemera that encapsulate the era's spirit. The book is further enriched by essays from writers who have fervently supported these artists from their inception. It's not just an art book; it's an archive of a movement that left indelible marks on the art world and fashion, music, literature, film, and even athletics. The independent ethos these creators embodied may have evolved, yet their foundational spirit—a spirit of rebellion, innovation, and authenticity—remains unshaken. Beautiful Losers is a celebration of that enduring spirit, an invitation to witness the beauty in the raw, the unrefined, and the real. Kaws- Brian Donnelly: Warm Regards Letterpress Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. "Warm Regards," created in 2005 by KAWS, is a captivating piece of art rendered through letterpress on paper, measuring 20 x 16 inches. This artwork is part of a limited edition of 200, each meticulously signed and numbered by the artist. The piece was published explicitly by Iconoclast Editions to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, marking a significant moment in the intersection of contemporary art and street culture. This artwork features a character that is a signature motif in KAWS' work, with its notable crossed-out eyes and exaggerated cartoon-like hands and feet. This print is from a limited edition series, with only 200 pieces available, each individually signed and numbered by the artist. It was published by Iconoclast Editions, likely as a celebration of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. The exhibition, which took place from 2004 to 2009, was a pivotal event showcasing the overlap of contemporary art with street culture. KAWS' work often bridges these two worlds, combining a commercial graphic design background with a sophisticated, gallery-worthy aesthetic. His characters are usually drawn from pop culture and are depicted in a playful and critical style, often reflecting consumerism and human emotion. Shepard Fairey- OBEY: Soup Can I Silkscreen Print 2005 Signed/Numbered 2005 Signed & Numbered Limited Edition of 200 Artwork Size 16x20. Shepard Fairey's "Soup Can 1" is an iconic piece from 2005, masterfully rendered as a silkscreen print on acid-free archival paper. The artwork is 20 by 16 inches and belongs to a limited edition series, with only 200 existing pieces, each bearing the artist's signature and edition number. Iconoclast Editions released this print to commemorate the pivotal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009 and celebrate the synergistic relationship between underground art scenes and mainstream culture. The "Soup Can 1" print has graced a variety of prestigious exhibits, including the seminal "Beautiful Losers" traveling exhibition, "Transfer" at Santander Cultural in Porto Alegre, Brazil, and the comprehensive "Supply & Demand" show. It also appeared at the "Transfer" exhibition housed within the Brazilian Cultural Pavilion at Ibirapuera Park, São Paulo, Brazil, in 2010. Fairey's work during this period is documented in an array of publications, notably the "Beautiful Losers" collection from 2005-2009, the "Supply & Demand" book published by Rizzoli in 2009, and the 2010 edition of "Transfer." Each of these works provides insights into the artist's creative process and the cultural impact of his work. The provenance of "Soup Can 1" is securely rooted in the Beautiful Losers Archive, ensuring its place in the annals of contemporary street culture and affirming its status as a collectible piece of art history. Shepard Fairey- OBEY: Untitled Angela Davis Silkscreen Print 2005 Signed/Numbered This powerful silkscreen by the influential artist Shepard Fairey is a striking addition to his illustrious work. Sized at a prominent 8x10, this untitled piece is part of an exclusive edition of only 100 copies, each printed, numbered, and signed by Fairey himself, ensuring its rarity and collectibility. Fairey, renowned for his ability to infuse art with social commentary, presents a compelling portrait set against a bold red backdrop that demands attention. The high-contrast silhouette captures the strength and intensity of its subject, immortalizing a moment of passionate expression. The image is a visual echo of the past yet speaks to contemporary themes of empowerment and resistance. In the lower-left corner, Fairey's signature emblem—the star circled by the word "OBEY"—anchors the work, embedding the piece within his more extensive oeuvre known for challenging viewers to question authority and the landscape of visual culture. This artwork is a testament to Fairey's continued relevance in the art world and his steadfast commitment to making a statement through his art. Collectors and admirers of Fairey's work will recognize the artist's iconic style, which has become synonymous with the modern street art movement. Henry Chalfant: Lee, Futura, Dondi Silkscreen Print 2004 Signed/Numbered This compelling artwork, crafted by the esteemed Henry Chalfant, celebrates the street art movement, immortalizing the work of three graffiti legends: Lee, Futura, and Dondi. Titled "Lee Futura Dondi," this piece from 2004 is a silkscreen printed on acid-free archival paper, ensuring its preservation and quality for years. Measuring 16 x 20 inches, the work is substantial enough to make an impactful visual statement while still suitable for diverse display settings. The triptych format of the artwork presents a trio of vibrant, stylized subway cars, each adorned with the distinctive artwork of the graffiti above artists. The top panel bursts with energetic pinks and blues, showcasing Lee's iconic lettering style, while the middle features Futura's futuristic approach, with abstract forms and a cool-toned palette. The final panel is a tribute to Dondi's classic wildstyle, with bold lettering in shades of pink cutting through the background. Chalfant's work is not merely a static representation; it conveys the movement and rhythm of subway art as it once moved through the arteries of New York City. Each piece in this limited edition series is signed and numbered by Chalfant, marking its authenticity and connection to the artist. This series was published to coincide with the groundbreaking exhibit "Beautiful Losers: Contemporary Art and Street Culture," which showcased the intersections and influences of street art within contemporary art. This print is a collector's item, not only for its aesthetic and historical value but also for its representation of the evolution of street art from subways and city walls into the echelons of high art. Geoff McFetridge: Kemistry Original Drawing with DVD Animation 2004 This piece, created by Geoff McFetridge, is one of the 100 original drawings that compose an intricate animation sequence. Crafted with precision in pencil on Canson paper, each drawing measures 22.86 by 30.45 centimeters, capturing the minimalist aesthetic and fluid lines characteristic of McFetridge's work. This artwork showcases a playful scene of a figure skateboarding, rendered in a flowing, continuous line that conveys motion and a subtle sense of whimsy. A second character peeks curiously from the edge, adding a narrative element to the composition. Accompanying the original artwork, collectors receive a DVD containing the complete animation sequence, providing a rare glimpse into McFetridge's creative process and the animation's progression from still images to a dynamic visual experience. The artist signs Each drawing, providing a personal touch that assures authenticity. This offering is not merely an acquisition of a singular piece of art; it is an invitation to engage with McFetridge's visionary world where graphic design intersects with cinematic storytelling. This unique combination of traditional drawing and digital animation offers a multifaceted appreciation for the artist's innovative approach to contemporary art. Ed Templeton: Chris Johanson At The First Beautiful Losers Exhibition Photograph 2004 Signed Captured through the discerning lens of Ed Templeton, this photograph is a significant piece of contemporary art history, documenting the vibrant essence of the "Beautiful Losers" art movement. The image presents Chris Johanson, an artist synonymous with the DIY spirit of street art, at the first exhibition of "Beautiful Losers" in Cincinnati, Ohio, in 2004. This is an evocative silver gelatin print by Ed Templeton, depicting Chris Johanson at the inaugural "Beautiful Losers" exhibition. The photograph, sized at 8 x 10 inches, is part of a limited edition of 100, each individually signed by Templeton, marking its exclusivity and authenticity. Captured in 2004, this image is a timeless piece of art history, documenting a pivotal moment in the convergence of street culture and contemporary art. This photograph is a visual record and embodiment of the exhibition's ethos, celebrating the underground convergence of skateboarding, graffiti, and street art with contemporary art. The photo's composition is candid and unfiltered, showcasing Johanson with his face obscured by a white cloth, an enigmatic presence that stirs curiosity. This choice of presentation speaks to the themes of anonymity and mystery that often permeate street art culture. Johanson's obscured face, adorned with sunglasses atop the fabric and his untamed beard protruding beneath, creates a striking, visually arresting, and thought-provoking contrast. Signed by Ed Templeton, this photograph is a tactile connection to the moment it captures, bringing the viewer into the fold of a pivotal event in street and pop art history. Templeton's signature adds a layer of authenticity and marks this work as a genuine intersection of his photographic journey and Johanson's artistic narrative. "Chris Johanson At The First Beautiful Losers Exhibition" is a photograph transcending its medium, offering a glimpse into the community and camaraderie of the artists who defined a generation. This piece will hold a place of reverence for collectors and enthusiasts of the movement, encapsulating the raw, spontaneous energy that "Beautiful Losers" represented. Cynthia Connolly: Untitled Ice Machine Page, Arizona Photograph 1999 Signed/Dated This photograph by Cynthia Connolly, untitled yet poignantly capturing the essence of Page, Arizona, is a masterful silver gelatin print that embodies the spirit of the "Beautiful Losers" exhibition. The print, with dimensions of 4 x 6 inches, belongs to a limited edition series of 100, each painstakingly printed and signed by the artist, underscoring its collectible nature. The image focuses on an ice machine, a mundane yet iconic symbol of Americana in the everyday landscape. Dated 5/17/95, the photograph is not just a depiction of a place but a timestamp of an era. The handwritten annotation "Page, Arizona" adds a personal touch, evoking a sense of place and grounding the artwork in its geographical context. Connolly's photographic eye transforms the ordinary into the extraordinary, inviting viewers to find beauty and narrative in the commonplace. The stark contrast of the black and white image highlights the play of light and shadow, lending the ice machine a sculptural quality. This piece is a subtle exploration of form and texture, where even the utilitarian becomes a subject worthy of artistic contemplation. This print is essential for collectors who value the intersection of documentary photography and fine art. It is a testament to Connolly's commitment to capturing the overlooked nooks of American landscapes, making it an exceptional addition to any collection that celebrates the nuanced beauty of the mundane within the vast tapestry of American culture. Barry Mcgee: Untitled Ryze 2007 C-Print & Hand-Tagged Photograph Artwork Barry McGee's "Untitled Ryze" is a cornerstone of the contemporary art movement, symbolizing the vibrant intersection of street culture and fine art. This striking 2007 C-print, measuring 16 x 20 inches, is a highly coveted collectible, limited to an edition of 200. Each piece in the series bears the unique distinction of being hand-signed and numbered by McGee, an artist who rarely affixes his signature to his works. The artwork was released in conjunction with the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which spanned from 2004 to 2009 and a plethora of museums and galleries across the globe. The image captures the essence of Boston's legendary" street figure, Ryze, showcasing McGee's adeptness at translating the raw energy of graffiti into a refined gallery context. McGee's word extends beyond the photograph, as "Untitled Ryze" is pivotal in his larger installations and clustered assemblage pieces. The picture is a visual testament to the artist's legacy and a touchstone for the cultural zeitgeist The Beautiful Losers encapsulated. Acquired directly from Iconoclast Editions and the Beautiful Losers Archive, this piece represents a rare opportunity for fans and collectors alike to own a fragment of street art history seen through the lens of one of its most enigmatic and celebrated artist, Barry McGee. Barry McGee: Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag Barry McGee, an influential figure in street pop art and graffiti artwork, has made a significant impact with his unique style and approach. His "Untitled Hello My Name Is Original Slap-Up Sticker 2005 Signed Tag" is a quintessential example of his work, blending the raw, energetic ethos of street art with the refined aesthetics of pop art. This piece, created in 2005, is a testament to McGee's ability to transform everyday objects and themes into compelling artistic expressions. McGee's journey in art began in the streets, where he honed his craft by creating graffiti under the tag "Twist." This formative period was crucial in shaping his distinctive style, characterized by a blend of graffiti's spontaneity and the bold, eye-catching essence of pop art. His transition from street walls to galleries did not diminish the raw authenticity of his work. Instead, it provided a new canvas for his expressions, allowing him to reach a wider audience while staying true to his roots in street culture. Terry Richardson: Untitled Devil Self Portrait Silkscreen Print 2004 Signed/Numbered Presenting a striking visual piece, this untitled self-portrait from 2004 is a silkscreen print on paper, measuring 20 x 16 inches, and part of a limited edition of 200. Each piece is individually signed and numbered by the artist, adding a personal touch to this exclusive artwork. The print features the artist in a vibrant yellow backdrop, posing with a playful yet rebellious demeanor. Adorning devil horns and wielding a trident, the subject playfully gestures a peace sign, juxtaposing traditionally nefarious symbols with a light-hearted attitude. The vivid monochromatic yellow tone of the print adds to the artwork's striking impact. This piece was released with the exhibition "Beautiful Losers: Contemporary Art and Street Culture" from 2004-2009. It explores the intersections of pop culture and street art, offering a subversive take on contemporary iconography. The artwork's provenance is notable, originating from Iconoclast Editions and the Beautiful Losers Archive, ensuring its authenticity and connection to a significant movement in modern art. This self-portrait is more than a mere image; it's a statement piece that captures the essence of a cultural zeitgeist, making it a compelling addition to any art collection. Evan Hecox: Kyoto Street Woodblock Print 2004 Signed/Numbered "Kyoto Street," a captivating silkscreen by Evan Hecox, presents a moment frozen in the timeless allure of Japan's old capital. Created in 2004, this piece of art is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It belongs to an exclusive edition limited to 200 prints, each hand-signed and numbered by Hecox himself, ensuring its place as a collectible item. This artwork was released as part of the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibit from 2004 to 2009 and was showcased at various locations. The "Kyoto Street" print has been displayed in notable exhibitions, including "Transfer" at the Santander Cultural in Porto Alegre, Brazil, in 2008 and the Brazilian Cultural Pavilion in Ibirapuera Park, São Paulo, in 2010. In this piece, Hecox distills the essence of Kyoto's urban landscape into stark contrasts and clean lines, capturing the dynamic interplay of light and shadow. Lanterns adorned with kanji characters punctuate the scene, casting a warm glow over the alleyway. At the same time, the intricate web of power lines above adds a layer of complexity, suggesting the city's vibrant energy. The artwork's stark palette and bold graphic style evoke a sense of nostalgia, inviting viewers to contemplate the serene and bustling atmosphere of Kyoto streets. Preserved within the Beautiful Losers Archive, "Kyoto Street" is not just a print but a narrative piece chronicled alongside other contemporary masterpieces in the "Beautiful Losers" and "Transfer" catalogs. It is a testament to Hecox's ability to capture the urban environment's soul, making it a prized possession for collectors and admirers of contemporary art with a penchant for urban aesthetic and cultural depth. Ryan McGinness: Pathetic Lucky Charms of the Hipster Doofus Silkscreen Print 2004 Signed/Numbered Ryan McGinness, 'Pathetic Lucky Charms of the Hipster Doofus.' This exquisite piece from 2004 is a masterful representation of contemporary iconography, meticulously crafted through silkscreen on paper. Each print measures 20 by 16 inches and is part of an exclusive edition limited to 200 pieces, ensuring its uniqueness and collectible nature. Each print is hand-signed and numbered by the artist, a testament to its authenticity and McGinness's personal touch. The artwork was released in conjunction with the renowned exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which spotlighted the pulsating energy and vibrancy of street art within the context of contemporary art. The piece is a symphony of symbols, a visual lexicon reflecting the hipster subculture's ironic and often self-deprecating spirit. McGinness's use of iconic imagery, interwoven with playfulness and critique, encapsulates a moment where art, culture, and social commentary intersect with effortless grace. This work is not just a piece of art but a slice of cultural history, a mirror to the zeitgeist of the early 2000s urban landscape." Harmony Korine: Untitled Osama & E.T. Silkscreen Print 2005 Signed/Numbered This artwork is an enthralling silkscreen print by Harmony Korine titled "Untitled (Osama & E.T.)" from 2005. It is a limited edition work, with only 200 copies made, each hand-signed and numbered by Korine, elevating its status as a collector's item. This print, measuring 20 x 16 inches, showcases Korine's unique vision by juxtaposing two vastly different cultural references into one frame. The image represents Osama bin Laden in a warm embrace with the iconic extraterrestrial character, E.T., from Steven Spielberg's renowned film. Blending these images makes a bold statement and invites many interpretations of the convergence of disparate cultural symbols. The figure and E.T. are drawn with a delicate linearity that belies the weightiness of the subject matter, creating a striking visual paradox. This silkscreen print was released with the "Beautiful Losers" exhibition, which celebrated the intersection of skateboarding, graffiti, and street fashion with contemporary art. The provenance of the print is impeccable, coming from Iconoclast Editions and the Beautiful Losers Archive, adding to its historical and artistic significance. The pairing of such incongruous figures in this print challenges the viewer to reconcile the contrasting emotions and narratives each character represents. This piece is more than just a visual statement; it's a dialogue about pop culture, political figures, fictional characters, and their place within the artistic sphere. Collectors and enthusiasts of street pop art will appreciate this print's depth and provocative nature, making it a noteworthy addition to any compilation of contemporary artwork. Larry Clark: Untitled Shorty Photograph Artwork 1996/2007 Signed/Numbered This striking photograph titled "Untitled (Shorty)" is a profound work by the acclaimed artist Larry Clark. It was produced in 1996 and later published in 2007. It is presented on Anjelica watercolor paper with 20 x 13.75 inches dimensions. Each piece within this edition of 200 is individually signed and numbered by Clark himself, with an additional signature and date on the verso, ensuring its authenticity and rarity. Issued with the renowned "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, this photograph emanates from the Iconoclast Editions and is an integral part of the Beautiful Losers Archive. Larry Clark, an influential figure in photography and film for over five decades, has left an indelible mark on the creative world through works like "Teenage Lust" and "Tulsa" and movies including "KIDS" and "Marfa Girl." The photograph captures the essence of Lyle Dean "Shorty" Easky, whose story intertwines with the artist's history and the broader narrative of American youth culture. Shorty, of Native American descent, tragically passed away in 2013. His life and untimely death remain a poignant tale, with roots stretching back to the same Tulsa neighborhood that inspired much of Clark's early work — the same locale that Francis Ford Coppola chose for "The Outsiders." Raymond Pettibon: Untitled Sun Silkscreen Print 2005 Signed/Numbered This striking work is an untitled piece from 2005 by the acclaimed artist Raymond Pettibon, known for his influential contributions to art and culture. The piece is a silkscreen on paper, a medium that allows for the vibrant and crisp presentation of Pettibon's dynamic design. It measures 20 x 16 inches, is scale accessible for various spaces, and commands enough to make a visual impact. Pettibon's creation is part of an exclusive edition of 200, with each piece signed and numbered by the artist, providing a direct connection to his creative process. The artwork features a burst of lines emanating from a central point, suggesting an explosive energy or a cosmic phenomenon. The use of black, coupled with highlights of blue and yellow, imbues the piece with a sense of depth and intensity, while the handwritten text at the top—"APPLY IT TO THE STUDY OF MIRRORS, RAINBOWS OR THE SUN!"—invites contemplation and lends a poetic dimension to the visual experience. This edition was published to commemorate the exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art and urban creativity. Pettibon's work is a testament to the ethos of this movement, encapsulating the raw spirit and the bold aesthetics that define the genre. It is a collector's item not only for its aesthetic appeal but also for its cultural significance within contemporary art. Evan Hecox: Chinatown NYC Woodblock Print 2004 Signed/Numbered Evan Hecox's 'Chinatown NYC,' a 2004 woodblock print on delicate Japanese rice paper, articulates urban vibrancy meticulously. Each print within this limited series measures 10 x 8 inches and is part of a numbered edition restricted to 100, underscoring its exclusivity. Each piece is printed and personally signed by Hecox, lending a touch of the artist's direct involvement in the collector's experience. This work captures the essence of New York's bustling Chinatown with a keen eye for detail and a distinctive stylistic approach. Hecox's use of lines in the woodblock medium translates the dynamic nature of the city into a static image that pulses with life. The artist masterfully conveys the architectural complexity of the urban landscape, complemented by the human element that breathes life into the city. The nuanced layering of the print, with its intricate linework and subtle tonal variations, echoes the layered experiences of urban life. Renowned for his ability to distill the spirit of a locale into his artwork, Hecox presents 'Chinatown NYC' as more than just a visual representation; it's a narrative woven in ink and paper, a story told through the rhythm of a cityscape. This piece reflects Hecox's artistic prowess and is a homage to the cultural tapestry that defines Chinatown and the ever-evolving story of New York City itself. Rostarr- Romon K Yang: Untitled Japan HPM Spray Paint Silkscreen 2005 Signed/Numbered Experience the fusion of tradition and rebellion with Rostarr's 'Untitled Japan HPM,' a provocative piece by Romon K Yang from 2005. This striking work, rendered on paper with dimensions of 27.94 x 33.02 cm, is a harmonious blend of spray paint and silkscreen techniques, culminating in a limited edition of just 100 copies, each individually signed and numbered by the artist. The artwork is a testament to Rostarr's distinctive visual language, where calligraphic strokes meet the spontaneity of street art. Bold red forms anchor the composition; their fluid contours and solid circles contrast sharply with the raw, improvised splatters of black spray paint. This interplay of color and form creates a dynamic tension, a visual symphony that captures the spirit of contemporary art. Each piece of 'Untitled Japan HPM' is a hand-painted, hand-printed celebration of unique expression, standing as a bold signature of Rostarr's iconic style. The artwork's limited availability makes it a coveted piece for collectors and enthusiasts eager to hold a part of art history that bridges the gap between the old and the new, the planned and the spontaneous. 'Untitled Japan HPM' is not just an artwork; it's a piece of cultural dialogue that resonates with the beats of modern urban life. Rostarr- Romon K Yang: Butterfly In The Hurricane 2004 Silkscreen Print Signed/Numbered Embark on a visual journey with 'Butterfly In The Hurricane,' a captivating silkscreen on paper by the acclaimed artist Rostarr, created in the transformative year of 2004. This piece exemplifies the dynamic interplay between form and fluidity, measuring an intimate 20 x 16 inches, and is part of an exclusive edition of 200, each bearing the unique signature and number assigned by the artist himself. Crafted during artistic exploration and boundary-pushing, 'Butterfly In The Hurricane' was released in conjunction with the groundbreaking exhibition 'Beautiful Losers: Contemporary Art and Street Culture,' which celebrated the confluence of underground art movements and the mainstream. The artwork features a storm of abstract shapes and curves, predominantly in shades of blue and yellow, evoking the chaotic grace of a butterfly caught in a storm. The bold colors swirl and dance across the paper, inviting viewers to contemplate the relationship between harmony and chaos. This piece is not merely a work of art; it's a statement, a slice of cultural history, and a testament to the artist's mastery of blending street culture's raw energy with the sophistication of contemporary art. 'Butterfly In The Hurricane' is a must-have for connoisseurs and collectors alike, promising to be a conversation starter and a cherished part of any collection. Craig R Stecyk III: Untitled 2004 Unique HPM Silkscreen Photograph Signed/Numbered A distinctive piece by Craig R. Stecyk III, this untitled artwork from 2004 is a brilliant example of the fusion between contemporary art and street culture. Crafted with meticulous attention to detail, the work features a hand-painted custom airbrush backdrop, a double-sided silkscreen is masterfully applied, along with pencil accents on robust, extra-thick white acid-free archival paper measuring 20 x 16 inches. Limited to an edition of 200, each piece is individually numbered and bears the artist's signature, underscoring its exclusivity. This artwork was released with the "Beautiful Losers: Contemporary Art and Street Culture" exhibit, which spanned from 2004 to 2009 and is held in high esteem within the Beautiful Losers Archive. The provenance of this piece traces back to Iconoclast Editions, a testament to its authenticity and cultural significance. Stecyk, a seminal figure in the Beautiful Losers project, created an installation that captivated audiences and garnered unprecedented acclaim. His work is a tribute to the vibrant Californian subcultures, drawing inspiration from custom car culture, surfing, and skateboarding, all depicted through his extensive photographic documentation. As a founding member of the Dogtown and Z-Boys, Stecyk's works are more than mere art; they are storied representations of a decadent cultural movement, rendered on paper with a palette that resonates with the energy and spirit of the streets. This piece is an artistic expression and a cultural artifact that captures the essence of Californian subcultures, immortalized through Stecyk's visionary lens. Craig R Stecyk III: Untitled Proof Gelatin Silver Silkscreen Print Signed/Numbered Craig R. Stecyk III's untitled piece is a statement of originality and artistic defiance. It is a part of an exclusive set of 100 artworks, each a gelatin silver and silkscreen print on paper, measuring 10.16 by 15.24 centimeters. The artwork boldly features the word "PROOF" in prominent red letters, asserting the piece's authenticity as an original generation photographic print. The text beneath serves as both a declaration and a restriction, emphasizing the print's purpose as a contractual document and expressly prohibiting reproduction, resale, and public display. The artist's signature underscores this boundary of exclusivity, scrawled energetically across the print, which authenticates each piece and marks it as a unique entity within the limited edition. The signature becomes an integral part of the artwork, blending with the textual message and the stark background, ensuring that each print is a testament to Stecyk's unique artistic philosophy and legacy within the art community. Tobin Yelland: Untitled Andy Roy Silkscreen Print 2004 Signed/Numbered Tobin Yelland's "Untitled (Andy Roy)" is a striking silkscreen that captures the essence of individuality and defiance, hallmarks of street culture. Produced in 2004, this piece features the image of Andy Roy, a figure synonymous with the skateboarding world, known for his raw style and unapologetic persona. Printed on high-quality paper, each piece within this limited edition spans 20 x 16 inches and is part of a series capped at 200 prints. Each is meticulously signed and numbered by Yelland, guaranteeing its authenticity and placing it within a lineage of sought-after collectibles. The artwork was created for the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009. This exhibition was pivotal for celebrating and acknowledging street culture within the contemporary art scene, bringing the aesthetics of skateboarding, graffiti, and beyond into the gallery space. Originating from Iconoclast Editions and the Beautiful Losers Archive, "Untitled (Andy Roy)" is more than a portrait; it's a narrative of subculture, an emblem of the rugged spirit of street art, and a snapshot of a movement that has left an indelible mark on the canvas of contemporary art. Collectors and admirers of the genre will find in this silkscreen a piece that continues to resonate with the authenticity and vibrancy of street culture. Tobin Yelland: Skate Smash Window PhotMills' Signed/Numbered Tobin Yelland's "Skate Smash Window Photo" is a raw and dynamic black and white photograph that seizes a candid moment of youthful rebellion. Captured in 2004, this image epitomizes the spirit of the street and skate culture of the time. The photo showcases the spontaneity and impulsiveness inherent in the skateboarding subculture, embodied by the act of a skateboard crashing through a car window. The photograph was featured in the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition celebrated the fusion of street sensibilities with the art world, bringing the authenticity of subcultural experiences into a fine art context. Originating from the Beautiful Losers Archive, with provenance through Iconoclast Editions, this piece is not just a photograph but a narrative, a slice of life from a culture that often goes undocumented. Yelland's ability to capture such a raw, unfiltered moment creates a visceral connection with the viewer, offering a window into the unrestrained aspects of youth culture. The "Skate Smash Window Photo" is a testament to the era it represents, serving as a historical document of the defiance and disruptive energy that skateboarding means. It is a valuable piece for collectors and enthusiasts of photography and street culture, offering an unapologetic look at the moments defining a movement. Mike Mills: The Cops Are Inside Us Silkscreen Print 2004 Signed/Numbered Mike Mills' evocative piece "The Cops Are Inside Us." stands as a profound statement in contemporary art, utilizing the raw medium of hand-printed silkscreen combined with pencil on soft white acid-free archival paper. This 2004 work measures 20 x 16 inches and is part of an exclusive edition limited to 200 signed and numbered prints. Each print from this series is a testament to Mills' keen eye for the interplay of text and image, crafting a narrative that speaks to the internal struggle and societal introspection. The bold red hue dominating the print, fading into a stark, gritty representation at the bottom, creates a striking visual contrast, suggesting a duality within the human condition. This artwork was released with the pivotal "Beautiful Losers" exhibition showcased from 2004 to 2009. The exhibit highlighted the cultural significance of street art and its impact on contemporary art practices. "The Cops Are Inside Us" reflects the sentiment of its era and continues to resonate with current social commentaries, making it a timeless piece for collectors and enthusiasts of meaningful art. Coming from the revered Beautiful Losers collection, this piece by Mike Mills is not just a work of art; it is a piece of cultural commentary, preserved through silkscreen and offering a window into the complex dialogue between society and self. Cheryl Dunn: Drafted 2004 Signed/Numbered Silkscreen Print & Signed Photograph Cheryl Dunn's "Drafted." is a provocative silkscreen artwork that starkly captures a moment of human interaction, set against a vibrant yellow backdrop. This 2004 creation measures 20 x 16 inches and is part of a limited edition of 200, each individually signed and numbered by the artist, underscoring its exclusivity. The artwork presents a high-contrast scene featuring silhouetted figures, one seated on the ground and the others seemingly in motion. Dunn's silhouettes create a universal narrative, allowing viewers to impart their stories and meanings onto the piece. The title "drafted." suggests themes of compulsion and resistance, resonating with viewers on a deeply personal level. Released during the influential "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this piece contributes to the dialogue between street culture and fine art. The exhibition was a pivotal showcase for artists influenced by subcultural forms such as skateboarding, graffiti, and punk. Emerging from the prestigious Beautiful Losers Archive and produced by Iconoclast Editions, "drafted." is more than a piece of art; it's a cultural artifact that embodies the spirit of a movement. It is a powerful expression of Dunn's perspective and a visual commentary on the forces shaping our society. Collectors of contemporary art and street culture lovers will find a compelling blend of aesthetic boldness and social relevance in this work. Cheryl Dunn: C-4 San Francisco Tenderloin Hallway Giclee Print 2004 Signed/Numbered Presenting a captivating giclée print by Cheryl Dunn, this work transports the viewer to the vibrant heart of San Francisco's Tenderloin district. The piece, titled "C-4 San Francisco Tenderloin Hallway," is a testament to Dunn's keen eye for the raw and the real, capturing an evocative moment in a hallway that whispers tales of the city's urban fabric. The print measures display-friendly 15 by 10 inches, meticulously numbered and personally signed by Cheryl Dunn, signifying its authenticity and connection to the artist's original vision. This limited edition print is one of only 100 copies, making it a unique and collectible piece for art lovers and admirers of urban exploration. The subject stands in the narrow corridor, embodying a sense of stillness amidst the potential for city chaos. The individual is clad in a striking red and green jacket, adorned with whimsical bear ears that lend an air of innocence to the otherwise gritty scene. This person holds a spray paint can, suggesting a story of street art and expression. At the same time, the jacket pockets are intriguingly stuffed with additional cans, perhaps hinting at the artist's commentary on youth, rebellion, or creativity in urban spaces. Cheryl Dunn's print not only offers a visual narrative but also evokes a discussion on the cultural heartbeat of city life, the layers of stories packed into its walls, and the vibrant characters that walk its paths. This piece is more than a photograph; it's a slice of San Francisco's soul, beautifully preserved in high-quality giclée. Cynthia Connolly: Untitled Ice Machine Silkscreen Print 2004 Signed/Numbered Cynthia Connolly's "Untitled" from her "Ice Machines" series is a captivating silkscreen on paper, measuring an impressive 16 x 20 inches. This piece is part of a limited edition run of 200, each bearing the artist's signature and a unique number, marking its authenticity and limited availability. Crafted with an eye for the Americana aesthetic, this artwork is a poetic documentation of the once-ubiquitous ice machines dotted the American landscape, now a vanishing emblem of a bygone era. Connolly's work is celebrated for its ability to capture these fleeting slices of American life, preserving the nostalgia and cultural significance that these everyday objects hold. The "Untitled" print was published to commemorate the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This exhibition was a pivotal moment that brought the rawness of street culture into the refined spaces of art galleries, highlighting the work of artists who draw inspiration from street aesthetics, skateboarding, and the undercurrents of subculture. Connolly's photographs, renowned for their poignant simplicity and depth, are held in the permanent collections of esteemed museums. This print, part of the "Ice Machines" body of work, reflects her dedication to chronicling elements of American life that are slowly fading from view. For collectors and admirers of contemporary art with a touch of nostalgia, Connolly's "Untitled" is a must-have. It's not just a silkscreen print; it's a piece of cultural heritage, a thoughtful reflection on the transient nature of the every day, and a beautiful work of art from a distinguished photographer and artist. Geoff McFetridge: The Hidden Radiance Silkscreen Print 2004 Signed/Numbered "The Hidden Radiance" by Geoff McFetridge is a testament to the artist's mastery of visual rhythm and narrative within the confines of silkscreen printing. Created in 2004, this silkscreen on paper measures 20 x 16 inches, a size that allows the intricate patterns and striking blue palette to envelop the viewer's field of vision—each element within the tessellated design pulses with an energy emblematic of McFetridge's graphic artistry. Upon closer inspection, one can discern the meticulous composition of abstract and figurative forms. This patterned artwork is a sophisticated visual puzzle where geometric and organic shapes converge to create a sense of depth and movement. The repetition of the elements serves an aesthetic purpose and weaves a deeper narrative, alluding to the interconnectedness of individuals within a community or the repetitive yet unique nature of urban landscapes. Signed by the artist, this piece holds the personal touch of McFetridge, ensuring its authenticity and connecting the collector directly to the creative process. "The Hidden Radiance" was featured in the renowned "The Beautiful Losers Portfolio" at Agnes B Gallery in Los Angeles as part of a collection celebrating the synergy between contemporary art and street culture. It is also highlighted in the pivotal book "Beautiful Losers: Contemporary Art and Street Culture," published by Edition Iconoclast, which documents this artwork's cultural phenomenon. This silkscreen print is a decorative piece integral to the dialogue between street pop art and mainstream art scenes. It is a collector's piece that captures the essence of McFetridge's influence on the visual language of contemporary art. This language speaks to the discerning art enthusiast and the vibrant street culture aficionado. Ed Templeton: Untitled Shocked Woman Silkscreen Print 2004 Signed/Numbered Presenting a compelling piece by Ed Templeton, "Untitled Shocked Woman" is a work that encapsulates the raw and expressive potential of silkscreen printing. Crafted in 2004, this piece measures 16 x 20 inches and is part of a limited edition of 200, each signed and numbered by Templeton, ensuring its exclusivity and collectible status. This silkscreen print showcases Templeton's unique ability to capture the human condition in its most vulnerable and candid moments. The artwork features the image of a woman, her expression of surprise or shock, a narrative moment frozen in time by Templeton's adept hand. The use of stark, contrasting colors and the overlay of abstract elements give this piece a dynamic quality that is both disturbing and intriguing. The imagery is imbued with immediacy and intimacy, characteristic of Templeton's approach to art. It challenges viewers to confront the unexpected and often unsettling emotions that his subjects display. The raw brushstrokes and the deliberate obscuring of details invite an exploration into the themes of privacy, emotion, and the voyeuristic nature of art. "Untitled Shocked Woman" was published during the seminal exhibition "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the intersection of underground art scenes and mainstream recognition. Templeton's work is a testament to the power of street pop art to convey profound human experiences, making this piece a valuable acquisition for collectors and enthusiasts of contemporary art. James Jarvis x Amos Toys: In-Crowd The Thin Blue Line Wiggins Signed Figure Fine Art Toy 2004 He is introducing the "In-Crowd: The Thin Blue Line Wiggins" - a limited-edition of 100 signed series 3.5x6 collector's item that merges the imaginative world of James Jarvis with the tangible delight of fine art toys. Created in collaboration with Amos Toys, this figure represents a unique synthesis of art, collectibility, and narrative, culminating in a 6-inch (approximately 10cm) vinyl figure named Wiggins, part of a highly exclusive series limited to just 1660 overall pieces worldwide. Wiggins, the diminutive law officer, stands proudly in his uniform, crafted with meticulous attention to detail. From the top of his classic police hat to the soles of his steadfast boots, every element of his attire has been thoughtfully designed to reflect his character's essence. He holds a club, an accessory that hints at his readiness to jump into action and restore order. Yet, his face, with a mustache poised above a stern expression, suggests a depth of personality beyond his official duties. Each figure arrives encased in a beautifully designed box, proudly displaying the signature of James Jarvis, a mark of authenticity and a direct connection to the artist's hand. The packaging is as much a work of art as the figure itself, with the silhouette window showcasing Wiggins in a presentation that blurs the line between toy and art sculpture. Wiggins is not just a character but a storyteller in his own right, embodying the complexities of his profession with a twist of Jarvis's characteristic humor and insight. According to his backstory, when not patrolling the streets, he is penning confessional poetry, providing a glimpse into his sensitive soul—a contrast to his authoritative figure. This piece is a must-have for fans of street pop art and those who appreciate the intersection of art and playfulness. It is a tribute to the offbeat charm and creative vision that James Jarvis is renowned for, making "In-Crowd: The Thin Blue Line Wiggins" a standout addition to any collection of fine art toys or contemporary art pieces. ESPO- Steve Powers: Untitled Next Door HPM Silkscreen Print 2006 Signed/Numbered Steve Powers' "Untitled (Next Door...)" is an exemplary piece of contemporary art, blending the rawness of street art with the sophistication of a gallery piece. This silkscreen on paper, measuring 16 x 20 inches, is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its status as a collector's item. A standout feature of this artwork is that each print includes unique hand-drawn elements by Powers, making every piece a one-of-a-kind treasure. The artwork is infused with Powers' characteristic wit and visual language, featuring bold graphics and textual interplay that convey a complex narrative. Published in conjunction with the celebrated "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which spanned from 2004 to 2009, this print captures the essence of a movement that blurred the boundaries between underground and mainstream art. The varied elements, from the "Misfit" puzzle piece to the sad figure with a top hat, all speak to themes of identity, societal pressures, and the existential search for meaning. Originating from Iconoclast Editions and the Beautiful Losers Archive, Powers' "Untitled (Next door...)" is not merely a piece of printed art; it's a dialogue with the viewer, a satirical commentary on the human condition, and a reflection of Steve Powers' (aka ESPO) distinctive voice in the world of art. This piece will complement any art collection and serve as a conversation starter due to its vibrant imagery and the artist's unique storytelling prowess. ESPO- Steve Powers: Handy Signs for People You Know in New York City Custom HPM Print 2006 Steve Powers, also known as ESPO, brings the dynamic essence of urban communication to life with his "Handy Signs for People You Know in New York City" from 2006. This collection of die-cut stickers is more than mere decoration; it's a form of expression, embodying the pulse of New York City's streets. Each sticker is a burst of color and symbolism, measuring 12-1/8 x 10-1/4 inches, designed to capture the attention and provoke thought. This piece cleverly categorizes the various archetypes one might encounter in the bustling metropolis: "CONFUSERS" with a pointing hand in blue, "ABUSERS" with a thumbs down in red, "USERS" with a pointing finger in green, and "PRODUCERS" with a handshake in black—the background's vibrant yellow acts as a visual megaphone, amplifying each sign's message. Powers' artwork is a commentary on the social dynamics of city life, each sign a shorthand for the complex interactions that define the urban experience. Released as a custom, high-pressure matte (HPM) die-cut sticker sheet, these stickers are designed to adhere to any surface, turning everyday objects into mediums for social dialogue. "Handy Signs for People You Know in New York City" is an interactive art piece and a cultural artifact that reflects the artist's keen observation of the characters that make up the fabric of city life. For collectors and admirers of Steve Powers' work, this sticker sheet is a unique blend of graphic design, street art, and wry commentary—all hallmarks of Powers' distinct style. Jo Jackson: Untitled Silkscreen Print 2004 Signed/Numbered & "States" Artist Book Jo Jackson's "Untitled" from 2004 is a serene silkscreen print that captures the minimalist essence of natural forms through color and shape. Measuring 16 x 20 inches, this work is part of a limited edition series, with each piece signed and numbered by the artist, underscoring its exclusivity and collectible value. States is a limited edition flip book zine of 100. The print features a stark, icy peak set against an excellent blue background, evoking a sense of calm and contemplation. The mountain's apex is met with a singular, detailed snowflake, suggesting the purity and uniqueness of nature's creations. Below, a field of white dots dances across the base, reminiscent of a quiet snowfall or a starry night sky. Released in alignment with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, Jackson's artwork reflects the introspective and often meditative qualities that contemporary art can elicit. The exhibition was a landmark event showcasing artists who drew inspiration from street culture, graffiti, skateboarding, and other subcultural art forms. Emerging from the Beautiful Losers Archive, this piece represents a moment in contemporary art where simplicity and symbolism converge. For collectors and enthusiasts alike, Jackson's "Untitled" is not just a print but a piece of tranquil beauty, offering a moment of reflection amidst the chaos of everyday life. It is a testament to the artist's ability to distill complex emotions into a single, poignant image. Thomas Campbell: People Of Pangea Silkscreen Print 2005 Signed/Numbered Thomas Campbell's "People Of Pangea Unite" is a compelling silkscreen on paper that encapsulates a whimsical and thought-provoking perspective on unity and the natural world. This 2005 piece is part of a limited series, individually signed and numbered by the artist, making each print a collectible artifact. The artwork portrays a surreal landscape where human figures merge with the trunk of a tree, creating a visual metaphor for interconnectedness. Above, a speech bubble unfurls with the text, "WHAT EXACTLY ARE CONSERVATIVES CONSERVING," a provocative prompt encouraging viewers to ponder political and environmental stewardship. The piece is punctuated with vibrant splashes of color amidst an otherwise earth-toned palette, drawing the eye across the playful composition. Published for the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which ran from 2004 to 2009, Campbell's print embodies the exhibition's celebration of subcultural art forms and their influence on contemporary art. The exhibition was a significant cultural event, bringing the ethos of skateboarding, graffiti, and street art into the gallery space. "People Of Pangea Unite" is a testament to Campbell's unique ability to blend the fantastical with the critical, offering a statement that is both aesthetically pleasing and intellectually stimulating. For collectors, this print is not just a piece of art; it's a conversation piece that captures a distinctive moment in contemporary art history, characterized by its boldness and ability to challenge the status quo. Thomas Campbell: T Moe Still Smoking Paul Frank Limited Edition Hand Made Custom Wallet 2005 Thomas Campbell's "Still Smoking" is a bespoke, handcrafted wallet, a functional piece of art that fuses utility with the vibrancy of the street culture. Created in 2005, this limited edition item celebrates personal style and artistic flair. Adorned with a myriad of whimsical illustrations that are signature to Campbell's aesthetic, the wallet boasts a light blue background with vivid, contrasting images. From the playful depiction of clouds to the stylized structures and whimsical figures, each element is rendered with a sense of joy and a bold, graphic sensibility. The wallet was released as part of commemorating the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which took place from 2004 to 2009. This global event was a landmark for showcasing the intersection of skateboarding, graffiti, and street art within the contemporary art scene. Campbell's "Still Smoking" wallet is not just an accessory but a collectible piece that captures the essence of an era where art was not confined to galleries but was carried in the pocket, a part of the everyday. It is a tribute to the spirit of "Beautiful Losers" and a must-have for collectors who appreciate the blend of art and everyday life. Andy Jenkins: Untitled Hang Unique HPM Print 2005 Signed/Dated A compelling piece from Andy Jenkins, this artwork is part of a unique collection of 100 inkjet prints, each approximately 11 by 9 inches. This untitled work is a symphony of visual elements, combining typography, graphic design, and hand-drawn illustrations to create a layered narrative. The piece boldly features the word "HANG" in oversized, staggered letters that dominate the visual field, set against a backdrop that intriguingly blends elements of a calendar and handwritten script, suggesting the passage of time and the fleeting nature of moments. A sketched rocket positioned alongside the typography adds a dynamic sense of motion and exploration, further enriching the story told by the print. Each print in this limited edition is individually signed and dated by Jenkins, ensuring its authenticity and connecting the collector directly to the artist's creative journey. This artwork is not just a visual statement but a testament to Jenkins' multidisciplinary approach, where text and image are interwoven to engage and challenge the viewer. Andy Jenkins: Untitled Circle HPM Unique Print 2005 Signed/Dated Andy Jenkins' "Circle Untitled HPM Print" from 2005 is a remarkable example of contemporary printmaking that marries the simplicity of geometric forms with the complexity of individual expression. This piece, one of a hundred unique inkjet prints, each measuring approximately 11 by 9 inches, showcases Jenkins' mastery of form, color, and composition. The artwork features two bold, black circles dominating the visual field; they form a study of perfect symmetry and balance. Surrounding these central figures appear to be handwritten notes and doodles, some clear, some obscured, hinting at the artist's process or perhaps thoughts left intentionally cryptic. The print is set against a pristine white background, which not only accentuates the vividness of the black circles and the red accents within one of them but also gives prominence to the subtle text and line work that invite the viewer to lean in closer. Each print in this series is signed and dated by Jenkins, indicating a personal touch and authenticity that collectors and admirers of art often seek. The limited edition nature of these prints makes each one unique in terms of its place in the series and the slight variations that occur in inkjet printing. Jenkins' "Circle Untitled HPM Print" is not just a visual experience but a tactile one as well, with the artist's choice of paper and printing technique contributing to the overall presence of the work. It is a testament to Jenkins' ability to convey depth and narrative within the minimalist framework, engaging the observer in a silent, reflective, and universal dialogue. With its clean lines and intriguing details, this piece is a compelling addition to any collection that values the intersection of modern design and personal expression within fine art printmaking. Andy "Mel Bend" Jenkins: Scribble Scrabble Silkscreen Print 2005 Signed/Numbered Andy Jenkins' "Scribble Scrabble" is an intriguing silkscreen and graphite work on paper, capturing the viewer's imagination through its bold graphic quality and playful engagement with typography. Measuring 20 x 16 inches, this piece is part of a finite edition of 200, each numbered and personally signed by Jenkins, affirming its uniqueness and collectible status. The composition features a raised fist entwined with flowing, ribbon-like lines against a backdrop of soft grays, punctuated by the eponymous "Scribble Scrabble" banner in striking black and red. Jenkins' graphic sensibility, honed through years as a pivotal creative in skateboarding culture, is on full display, merging elements of street art with delicate art sensibilities. Released with the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition from 2004 to 2009, "Scribble Scrabble" represents the creative evolution of skateboarding's aesthetic into gallery spaces. Jenkins, a versatile artist known for his work as a comic artist, illustrator, and creative director, co-founded Dirt magazine with Spike Jonze and Mark Lewman in the early 1990s, further cementing his influence in the subculture. "Scribble Scrabble" by Andy Jenkins is more than a print; it reflects a creative force shaping skateboarding culture's visual language. It holds a place of honor within the Beautiful Losers Archive, representing a time when the lines between subculture and high culture were blurred and beautifully intertwined. Terry Richardson: Smilen Broadway Eye Glasses Art Object 2004 This intriguing art object by Terry Richardson, titled "Smilen Broadway Eye Glasses," is a testament to the fusion of functional design and artistic expression. Presented as an art object from 2004, this pair of black eyeglasses represents Richardson's distinctive visual style, known for its boldness and directness. The glasses measure approximately 3 x 8 x 3 inches, embodying a sense of style within their compact form. The eyeglasses rest against a backdrop that reads "BROADWAY Collection SMILEN EYEWEAR," suggesting a theme of commercialism intertwined with personal identity. The clear acrylic lenses are set in a classic black frame, a color choice with timeless appeal. These glasses are not just accessories; they are statement pieces that reflect the wearer's personality and the artist's unique perspective on everyday objects. Crafted with meticulous attention to detail, the glasses carry the specifications "STYLE STEVEN COLOR BLACK SIZE 56-16 TEMPLE 145," denoting their bespoke nature. The art object blurs the lines between practical objects and collector's items, challenging the boundaries of what is typically perceived as art. Richardson's work here invites viewers to contemplate the intersection of visual culture, fashion, and personal expression, making it a compelling addition to any collection that values the innovative integration of art into daily life. Ari Marcopoulos: Justin Silkscreen Print 2004 Signed/Numbered Capturing a moment in contemporary portraiture, "Justin" by Ari Marcopoulos is a 2004 silkscreen creation on acid-free archival paper, measuring 20 x 16 inches. This work is part of a coveted limited edition series, with only 200 pieces, each meticulously signed and numbered by Marcopoulos, ensuring its exclusivity and collectible status. Set against a bold pink background, the portrait of 'Justin' is a compelling study of character and form. The stark contrast between the vivid backdrop and the monochromatic subject allows the figure to emerge with depth and introspection. The subject's neutral expression is rendered with a minimalist aesthetic, capturing a serene yet penetrating gaze that seems to look beyond the paper. This piece was published to mark the "Beautiful Losers" exhibit, a celebration of art that blurs the lines between street culture and high art. It reflects the movement's ethos, encapsulating a raw, unadulterated snapshot of youth and subculture. "Justin" is not just a portrait; it is a statement, a piece that speaks to the collector with an appreciation for the convergence of the art form with the zeitgeist of its time. It is a timeless addition to any collection, offering aesthetic beauty and cultural significance. Ari Marcopoulos: "I Might Be Wrong" Artist Art Book 2005 This image is a striking visual piece from Ari Marcopoulos' art book, "I Might Be Wrong," released as a limited fanzine in 2005 numbered limited edition of 100. This compelling work showcases Marcopoulos' skill in capturing street culture's raw and authentic essence. The photograph, printed in offset for precise, sharp detail, measures 20.32 x 12.7 cm, a size that invites close inspection and personal engagement with the viewer. In this monochrome portrayal, a figure stands before a weathered brick wall, their identity concealed behind what appears to be a boombox with eyes, evoking a sense of urban anonymity and artistic subterfuge. The boombox is a poignant symbol of the music and street scenes of the past decades, suggesting a narrative that intertwines personal expression with cultural artifacts. The backdrop is plastered with flyers, including one prominently featuring an announcement for the Alleged Gallery, providing context and anchoring the image in a specific cultural milieu. This edition numbered and limited to 100 copies, is a collector's item, offering an intimate glimpse into the artist's perspective on urban life and art. Marcopoulos is known for his documentary style that often explores the fringes of mainstream culture, and this image is a testament to his ability to find beauty and meaning in the everyday. Collectors and admirers of contemporary photography and street art will recognize the value of this art book as a touchstone for the dynamic and ever-evolving narrative of street culture. Todd James: Alive with Pleasure Silkscreen Print 2005 Signed/Numbered Introducing "Alive With Pleasure" by Todd James, a remarkable 2005 silkscreen creation on paper that vibrates with the artist's iconic energy and stylistic flair. This piece, measuring 7 x 5 inches, is part of an exclusive numbered edition of 100, making it a rare collectible for contemporary art enthusiasts. In this work, James continues to explore the themes of joy and exuberance that permeate much of his oeuvre. The composition features two figures rendered in a monochromatic pink hue that is striking and playful. The foreground is dominated by a character holding a smoke, her expression of unadulterated happiness, eyes closed, and a wide, toothy smile conveying a sense of contentment and delight. Behind her, a second figure, partially obscured, echoes this sentiment with a hand over her mouth smoking, suggesting laughter or a shared secret. James's line work in "Alive With Pleasure" is fluid and confident, with a cartoonish exaggeration immediately recognizable as his signature style. The characters are adorned with details such as the rainbow motif on the central figure's shirt, which adds a layer of visual interest and could be interpreted as a nod to themes of diversity and inclusion. This silkscreen print is not just a piece of art; it's a snapshot of happiness, a representation of life's simple pleasures, and a celebration of the moments that make us feel truly alive. It's a testament to Todd James's ability to capture the spirit of street pop art and package it in a format that resonates with the viewer on a visceral level. For collectors and admirers of Todd James's work, "Alive With Pleasure" is more than an artwork—it's an infusion of joy and an accurate representation of the artist's enduring appeal. Todd James: BullieJames'screen Print 2005 Signed/Numbered Presenting "Bullies" by the acclaimed artist Todd James, also known in the art circles as REAS, this 2005 silkscreen on paper is a vibrant testament to his renowned style deeply rooted in street culture and animated aesthetics. Measuring 20 x 16 inches, this piece is part of a limited edition of 200, each individually signed and numbered by the artist, ensuring its uniqueness and collectability. The artwork showcases four cartoon-like characters, each rendered with exaggerated expressions and gestures that convey a sense of movement and interaction. With its green complexion and fist raised, the dominant figure symbolizes the 'bully' archetype, a recurring theme in REAS's work, which often explores power dynamics and societal roles through a playful yet critical lens. Released in conjunction with the "Beautiful Losers: Contemporary Art and Street Culture" exhibition, "Bullies" encapsulates the energy and ethos of the street culture movement. The use of bold, primary colors and fluid lines is characteristic of Todd James's approach, where he blends elements of graffiti art with a refined art sensibility. This piece is a visual delight and a significant part of the dialogue between street art and mainstream contemporary art. It resonates with the rebellious spirit of the underground scenes from which Todd James emerged while also holding a mirror to society's broader narratives of confrontation and resilience. "Bullies" is a compelling example of Todd James's impact on the evolution of graffiti and street pop art, making it a coveted piece for collectors and enthusiasts. It embodies the fusion of street savvy and aesthetic finesse, a hallmark of James's artistic journey and a colorful addition to any collection. Wes Humpston: Bulldog Skates Silkscreen Print 2004 Signed/Numbered Featuring a striking blend of bold imagery and vibrant colors, the 'Bulldog Skates artwork by Wes Humpston is a profound piece that captures the essence of skateboarding culture. Created in 2004, this work is crafted with silkscreen and graphite on paper and stands at 20 x 16 inches. It belongs to a special edition limited to 200 pieces, each meticulously numbered and personally signed by the artist, establishing a direct connection between Humpston and the collector. This artwork was unveiled during the critically acclaimed exhibit "Beautiful Losers: Contemporary Art and Street Culture," which celebrated the rich visual language of street culture and its influence on contemporary art. 'Bulldog Skates' is emblematic of Humpston's distinctive style, incorporating elements of street pop art and graffiti artwork. The central image—a fiery-eyed bulldog encapsulated within vibrant green flames—is not just a logo but an icon representing skateboarders' rebellious spirit and fiery passion. The vertical text that borders the central figure, reminiscent of graffiti tags, bears the name 'Bulldog Skates', reinforcing the brand's identity and roots in street art's gritty, raw energy. Humpston's artwork is a testament to the authenticity and creative freedom that defines the street skating scene, resonating with enthusiasts and art collectors alike. 'Bulldog Skates' is more than a piece of art; it is a cultural artifact that embodies the spirit of an era and a community that thrives on the edge of societal norms. Glen E Friedman: My Rules Silkscreen Print 2004 Signed/Numbered This dynamic silkscreen creation, 'My Rules,' by the acclaimed artist Glen E. Friedman, was produced in 2004. This piece, a bold representation of street culture's impact on visual arts, measures 20 x 16 inches and is part of a limited edition series, with only 200 prints available worldwide. Each piece is individually signed and numbered by Friedman, adding a personal authentication to the collector's item. Crafted with the precision and vibrancy characteristic of silkscreen printing, 'My Rules' serves as a visual manifesto of the punk and skateboarding ethos. The artwork was unveiled as part of the iconic 'Beautiful Losers: Contemporary Art and Street Culture' exhibition, which celebrated the crossover of street art into the gallery space. 'My Rules' is an emblem of the artist's storied career in documenting the rebellious spirit of youth subcultures. The print is a montage of energetic portraits and live-action shots, centering around a commanding figure vocalizing the title's sentiment. The electric lime-green typography slices through the monochrome backdrop, asserting the defiant tone of the work. This piece is not just an artwork; it is a historical archive that captures the pulse of a movement. It embodies the voice of a generation that challenged norms and lived by their own rules. Owning a piece from this edition is not just an investment in art; it's an acknowledgment of a transformative period in contemporary art, where the streets conversed with the studio, and Glen E. Friedman was there to capture it all. Chris Johanson: Untitled Why Are They So Frantic Silkscreen 2004 Signed/Numbered Untitled Why Are They So Frantic? by Chris Johanson is a compelling silkscreen that speaks volumes through its combination of text and imagery. Created in 2004, this piece is meticulously printed on acid-free archival paper, measuring 20 x 16 inches. It is part of a limited edition series, with only 200, each hand-signed and numbered by Johanson himself. This artwork was conceived for the groundbreaking "Beautiful Losers: Contemporary Art and Street Culture" exhibit that celebrated the influential movements in skate, graffiti, and street art from 2004 to 2009. The piece features an alien figure rendered in a minimalist outline, which serves as a conduit for a message that challenges the viewer to reflect on issues of hysteria and vulnerability within society. The bold, bright green backdrop accentuates the urgency and reflective nature of the text. Johanson's work traveled across various locations as a part of the "Beautiful Losers" exhibition. It was later featured in the "Transfer" shows in Brazil, at Santander Cultural in Porto Alegre and the Brazilian Cultural Pavilion in Ibirapuera Park, Sao Paulo. The influence and reach of the piece are further documented in the "Beautiful Losers" and "Transfer" bibliographies. Originating from the Beautiful Losers Archive, this artwork is a piece of visual culture and a historical snapshot, encapsulating the ethos of a movement that blurs the lines between the gallery and the street. It offers a unique opportunity for collectors and enthusiasts to engage with a pivotal time in contemporary art through Johanson's introspective lens. Chris Johanson: Love Not War Button Badge Set 2004 Numbered Chris Johanson's "Love Not War" is a thought-provoking collection of button badges measuring ten by 17.78 centimeters. This set, presented in a limited edition of 100 copies, reflects Johanson's engagement with contemporary socio-political themes encapsulated within each badge's brief, powerful messages. The badges, set against a vibrant backdrop of yellow with one standout in green, serve as wearable art that invites reflection and discourse. They echo the artist's commitment to peace, support for grassroots entrepreneurship, and critique of consumer culture and war. Each badge is a conversation starter, from advocating for human rights vigilance in global commerce to promoting inner tranquility and love. This numbered collection is a piece of art and a historical commentary, capturing the essence of advocacy and personal expression in miniature manifestos. Johanson's artistry turns wearing a badge into a statement of unique ethos and a call to social consciousness. Mark Gonzales & Harmony Korine: "Adulthood" Artist Art Zine 1995 "Adulthood" is a poignant collaborative art zine from 1995 by Mark Gonzales and Harmony Korine, artists known for their influential work within the skateboarding and film communities, respectively. This fanzine is a physical manifesto of the era's subculture, rendered through the photocopied medium that gives it a raw, authentic aesthetic. Measuring approximately 20.32 x 12.7 cm, the zine is a handheld testament to the DIY ethos that permeated the underground art scenes of the time. The cover features a grainy, high-contrast image of four young men, evoking the style of early 20th-century portraiture yet brimming with the defiant attitude of the 90s. Beneath the image, the names "Mark Gonzales" and "Harmony Korine" boldly declare this collaborative effort, uniting two distinct creative forces in a shared vision. The title "ADULTHOOD" looms above in stark, typewritten letters, juxtaposed with the date "First ish. March 1995," anchoring the piece in a specific moment of cultural production. Limited to 100 copies, this edition is as much a collectible as it is a slice of cultural history, capturing the ethos of a generation poised on the cusp of adulthood yet profoundly entrenched in the subversive youth culture of the time. Each zine serves as a snapshot of the period, a tangible artifact that embodies the spirit of collaboration and creativity that Gonzales and Korine are celebrated for. This work is a must-have for collectors and enthusiasts of 90s skate culture, indie film, and the raw energy of street-inspired art. Mark Gonzales: Limited Edition Krooked Air Freshener Art Object 2004 Embodying the skate culture aesthetic, Mark Gonzales presents the Limited Edition Krooked Air Freshener, a vibrant art object marring functionality with street art flair. Released in 2004 as part of the Beautiful Losers Portfolio, these air fresheners transcend their practical use, standing as collectible pieces reflective of Gonzales's artistic vision. Each air freshener features the distinctive Krooked skateboarding brand's playful and irreverent character, rendered in bold, graphic outlines. Available in two designs, the first flaunts a rich purple hue, embodying the Krooked eyes motif. In contrast, the second design showcases the brand's signature character in a stark white against a striking blue background. These art objects were curated for the seminal "Beautiful Losers: Contemporary Art and Street Culture" exhibition, which celebrated the influential DIY spirit in art from 2004 to 2009. The collection taps into the heartbeat of street culture, infusing everyday items with a sense of artistry and rebellion against the mainstream. Originating from Iconoclast Editions and the esteemed Beautiful Losers Archive, the Krooked Air Fresheners holds a special place in the chronicles of contemporary art. They serve as a testament to GGonzales' impact on the skateboarding and art communities and a symbol of the era's diffusion of underground art with everyday life. These limited edition pieces are coveted by collectors and enthusiasts, representing a moment when street culture boldly claimed its space in the world of high art. Phil Frost: Custom Superwide Poster Refillable Marker 2004 Phil Frost presents a unique fusion of utility and artistry with his Superwide Marker and Poster Marker, crafted in 2004. These custom plastic refillable markers are more than mere tools; they are individual art pieces, standing approximately 2 x 5 inches, and are part of a limiwoman'stwomen'siwomen's00 each. The markers are adorned with FFrost's distinctive tribal-esque motifs in black against a vivid orange backdrop. This design is instantly recognizable to those familiar with FFrost'swork, known for its intricate patterns and a keen sense of the priMill's yet contemporary visual language. Sourced from Iconoclast Editions and part of the Beautiful Losers Archiv", these markers embody the ethos" of the "Beautiful Losers: Contemporary Art and Street Culture" exhibition. This project celebrated the DIY culture and street art that influenced a generation of artists. For MMills'srs, these markers are a tangible slice of the exhibition, encapsulating the essence of street culture's impact on contemporary art. They are a testament to the vision where the everyday object becomes a canvas, blending form and function with the fluidity of street art. These markers are functional items and collectible works that carry the artist's artist's signature style into the hands of creatives and art enthusiasts alike. Mike Mills: The Architecture of Reassurance 1999 Mini Book Mike MMills's" The Architecture of Reassurance" is a captivating softcover artist book that serves as a visual extension of his short film. Released in 1999, this first edition book measures 7 x 4.25 inches and is a rare collectible sourced directly from the Beautiful Losers Archive. Within its pages, the book offers a rich collection of photographs and film stills that capture the essence of a young woman's women's women's journey through the suburban landscapes around Los Angeles. These images are woven together to create a narrative that explores themes of urban isolation, the search for identity, and the comforting yet sometimes sterile uniformity of residential design. Mill's work is renowned for its ability to distill profound socio-cultural observations into minimalist visuals. "the Architecture of Reassurance" is no exception, reflecting thoughtfully on our environments and how they shape our experiences and perceptions. This intimate publication is a book and a portable gallery of MMills's cinematic and photographic talent. For admirers of MMills' work and those interested in the interplay between film, photography, and urban theory, this artist is an invaluable addition to their collection, offering a tactile piece of the late 20th-century zeitgeist. Clare Rojas: Peggy Honeywell Faint Humms Limited Edition CD 2004 This art object is a limited edition CD titled Peggy Honeywell "Faint Humms" by Clare E. Rojas, an artist whose work spans a variety of mediums, often exploring themes of identity and folklore. Released in conjunction with the influential exhibit "Beautiful Losers: Contemporary Art and Street Culture," this CD is not only a vessel of Rojas' auditory art but also a collectible item that represents the intersection of music and visual art within the street culture milieu. The CD is presented in a striking orange case, which underscores Rojas' bold use of color in her visual artworks. The case is enveloped in a foam liner, ensuring the protection of the disc and echoing the care typically given to preserve art objects. The disc, with its reflective surface creating a spectrum of colors, is reminiscent of Rojas' characteristic style, which often employs vibrant, contrasting hues. This piece is a tangible connection to the ethos of the "Beautiful Losers" exhibition, which celebrated the diverse art forms emerging from street culture and its influence on contemporary art. As a limited edition release, this CD is a snapshot of a particular moment in art history, embodying the creative spirit of an era where the lines between different artistic disciplines were blurred to create new forms of expression. Collectors and enthusiasts of Clare E. Rojas' work and those who appreciate the legacy of street culture in art will find this CD a meaningful addition to their collection. Ryan McGinness: Custom Sticker Pack 2005 Signed/Numbered This art piece is a Custom Multiverse Sticker Pack by Ryan McGinness, an artist renowned for graphic representations and organic forms. The pack, released in 2005, is part of a special edition, limited to 100 copies, each meticulously signed and numbered by McGinness, indicating its position as #of 100. The dimensions of the case are 12.7 x 12.7 cm, a compact size that encapsulates the essence of McGinness' design philosophy. Presented in a sleek silver case that shimmers with a metallic sheen, the pack embodies a sense of exclusivity and modernity. The artist's signature on the left side of the envelope certifies the work's originality. At the same time, the iconic crown emblem of the Ryan McGinness Studios logo on the right is a stamp of quality and authenticity. Inside, the case contains an array of stickers, each a fragment of McGinness' vibrant multiverse. These are not mere embellishments; they are adhesive artworks, allowing the bearer to carry a piece of the McGinness aesthetic into the world. The stickers serve as a portable gallery, a democratization of art at the heart of McGinness' ethos. This Multiverse Sticker Pack is a collectible that blurs the boundaries between high art and the accessible art form of stickers. For admirers of Ryan McGinness' work, this pack is a unique opportunity to own a piece of art history that is interactive, playful, and deeply rooted in the visual language of contemporary culture.

    $29,999.00

  • Rubik Shot Red Marilyn Rubikcubism Metal Giclee Print by Invader

    Invader Rubik Shot Red Marilyn Rubikcubism Metal Giclee Print by Invader

    Rubik Shot Red Marilyn Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 774 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-4. Elevate your art collection with the captivating "Rubik Shot Red Marilyn Rubikcubism Metal Giclee Prints" by the celebrated street artist Invader. These four expertly crafted, ready-to-hang prints feature a vibrant reimagining of an iconic subject using the novel medium of Rubik’s Cubes. Each print in this distinguished series is meticulously produced, showcasing a Diasec-mounted giclée on a robust, laser-cut aluminum composite panel. They are designed to make a statement in any space with dimensions of 100 x 100 cm and a significant weight of 13.5kg. The "Rubik Shot Red Marilyn" collection perfectly blends nostalgia and contemporary art, reflecting Invader’s renowned creativity and innovation within the world of street pop art.

    $14,114.00

  • Business Cat Blue Silkscreen Print by Nate Duval

    Nate Duval Business Cat Blue Silkscreen Print by Nate Duval

    Business Cat- Blue Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Nate Duval Limited Edition Pop Art Artwork. 2014 Signed Limited Edition Artwork Size 4x6

    $16.00

  • Ice Mini Nugs Sculpture by Nugg Life NY- Ian Ziobrowski

    Nugg Life NY- Ian Ziobrowski Ice Mini Nugs Sculpture by Nugg Life NY- Ian Ziobrowski

    Ice Mini Nug Limited Run Handmade & Painted Art Toy Collectible Artwork by Marijuana Artists Nugg Life NY- Ian Ziobrowski. 2022 Cannabis/Marijuana-themed plant tribute with colorful handmade hand-painted accents. Mini Nug stands about 2.5-3 inches tall and is handmade, painted, and assembled with an NYC delivery container. Limited run of 20 signed and numbered.

    $134.00

  • Inhalation Hazard Skull Slap-Up Label Sticker Original Tag Art by Saber Red 1 Inhalation Hazard Skull Slap-Up Label Sticker Original Tag Art by Saber Red 1

    Saber Inhalation Hazard Skull Slap-Up Label Sticker Original Tag Art by Saber

    Inhalation Hazard Skull Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Skull Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Inhalation Hazard Skull and Cross Bones Jolly Roger Warning Label Uline S-5563 Sticker. Slap Up In Perfect Condition. Subversive Aesthetics in Street Pop Art Street Pop Art and Graffiti Artwork are distinguished by their raw, pulsating energy and penchant for transforming the ordinary into the extraordinary. The "Inhalation Hazard Skull Slap-Up Label Sticker" vividly embodies this transformative power. American artist Saber, born Ryan Weston Shook, has redefined the boundaries of art by bringing his original permanent marker drawings to the glossy skull stickers typically found in shipping and packaging. Each 4x4 piece is not just a slap-up graffiti art tag; it is a signed original that stands as a testament to the creativity and rebellious spirit of the street art movement. The series, marked by the jolly Roger skull and crossbones of the Uline S-5563 sticker, represents a provocative fusion of danger and artistry. Saber's Visual Commentary on Risk and Art Historically associated with piracy and poison, the skull and crossbones symbol takes on new life under Saber's hand. His work on these inhalation hazard labels is a bold commentary on the risks inherent in the act of creation itself, especially within the often illicit world of graffiti. Combined with the bold, chaotic lines of Saber's tag, this imagery creates a striking juxtaposition – a dialogue between the formal symbolism of danger and street art's personal, anarchic language. The pieces, created in the tumultuous year of 2020, resonate with the global atmosphere of anxiety and the need for an outlet, a voice amidst the chaos.  Street Pop Art as Cultural Narrative In the context of modern street artwork, Saber's "Inhalation Hazard Skull Slap-Up Label Sticker" is more than an artistic act; it is a cultural narrative. These stickers, once indicators of physical danger, now signal the presence of a different kind of hazard – the stifling of expression and the toxic environments that threaten creativity. Through his artwork, Saber challenges observers to reconsider the implications of the symbols that populate our world and recognize graffiti's power as a form of social and political discourse. Each sticker is a bold declaration of presence, a signature that marks the world with a message of resilience and resistance. In the face of adversity, Saber's art stands as a beacon of the enduring power of Street Pop Art and Graffiti Artwork, testifying to the indomitable urge to leave one's mark on the world.

    $15.00

  • Health Hazards Slap-Up Label Sticker Original Tag Art by Saber Green 1 Health Hazards Slap-Up Label Sticker Original Tag Art by Saber Blue 1

    Saber Health Hazards Slap-Up Label Sticker Original Tag Art by Saber

    Health Hazards Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Marker Art Drawing on Mailing Glossy Warning Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 4x4 Marker Tagged on Health Flammability Special Instability Hazard  Warning Label Uline S-724 Sticker.  Slap Up In Perfect Condition. Artistic Alchemy on Hazardous Grounds The transformation of ordinary objects into visual spectacles is a hallmark of Street Pop Art and Graffiti Artwork. In this vein, the "Health Hazards Slap-Up Label Sticker" by Saber, real name Ryan Weston Shook, from the United States, stands out as a captivating fusion of warning label iconography and graffiti artistry. Created in 2020, these pieces symbolize how graffiti artists repurpose everyday items, such as health flammability and particular instability hazard warning label stickers, to make bold statements through art. Saber's original permanent marker art drawings on these glossy arrow stickers testify to the genre's ingenuity and ability to imbue commonplace materials with new life and meaning. Symbolism and Significance in Saber's Work Saber's art on hazard warning stickers is particularly poignant. The stickers' inherent message of caution and danger is juxtaposed with Saber's tags' freeform and expressive nature. This contrast is not merely aesthetic but symbolic, alluding perhaps to the inherent risks and hazards of graffiti creation. In the urban jungle, the graffiti artist is both a creator and a transgressor, and Saber's work captures this duality perfectly. The use of bright, contrasting colors over the hazard symbols does not obscure the warning but instead invites the viewer to reflect on the layers of meaning within the piece. Reflections of 2020 in Street Pop Art 2020 was not just another year in the annals of history but a turning point for societies worldwide. The original slap-up graffiti art tags on these health and hazard stickers by Saber reflect a year marked by global upheaval and a reevaluation of what is considered safe and dangerous. In his 4x4 marker-tagged creations, Saber captures the spirit of an era where the world grappled with health crises and societal instability. By signing each piece, Saber not only claims authorship but also anchors the artwork in time and place, offering a permanent marker — literally and figuratively — of a moment in time through the lens of Street Pop Art and Graffiti Artwork.

    $15.00

  • Bloom AP Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Bloom AP Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Bloom- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist 2019 Signed & Marked Limited Edition Artwork Size 18x24 "Bloom" stands as a testament to the expressive prowess of contemporary Latino artist Ernesto Yerena Montejano, who has managed to craft a harmonious fusion between pop art and street art aesthetics. The hand-pulled silkscreen print showcases his meticulous attention to detail and commitment to the art of printmaking. With "Bloom", the artist has chosen fine art paper as his canvas, lending an additional layer of sophistication to the artwork. Ernesto Yerena Montejano's work emerges from his brand "Hecho Con Ganas", which translates to "Made with Passion", and it's evident in every stroke and color choice of the print. This AP Artist proof from 2019 stands apart, not just as a representation of Montejano's artistic skills but as a testament to his identity and values. Signed and marked, this limited edition artwork measures 18x24 inches, ensuring it remains exclusive to a select group of art enthusiasts. One can sense the strong influences of street art or graffiti art, characterized by vibrant colors and bold lines. Yet, Montejano manages to infuse this with the more commercial and recognizable elements typical of pop art. The result is a captivating blend that draws viewers into its narrative, urging them to question, interpret, and engage with the piece. Ernesto Yerena Montejano's "Bloom" isn't merely a piece of art—it is a narrative, a cultural statement, and a reflection of the artist's deep-rooted passion for both his craft and his heritage. The work resonates deeply, a bridge between the modern urban landscapes of street art and the ever-evolving realm of pop art.

    $379.00

  • TM/KK Flower Skateboard Deck Set by Takashi Murakami TM/KK Flower Skateboard Deck Set by Takashi Murakami

    Takashi Murakami TM/KK TM/KK Flower Skateboard Deck Set by Takashi Murakami

    TM/KK Flower Skateboard Set 2019 Limited Edition Offset Lithograph Skateboard deck art by street pop culture artist Takashi Murakami. 2019 5x Decks From Ultra Exclusive 20. Takashi Murakami (b. 1962) Flowers, pentaptych (set of 5), 2019 Offset lithographs in colors on skate decks 32 x 8 inches (81.3 x 20.3 cm) (each) Produced by Kaikai Kiki Co. Ltd., Tokyo

    $3,332.00

  • Sale -15% Rubik Country Life Rubikcubism Metal Giclee Print by Invader

    Invader Rubik Country Life Rubikcubism Metal Giclee Print by Invader

    Rubik Country Life Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 431 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-3. Enhance your space with the "Rubik Rubikcubism Metal Giclee Prints" by the distinguished Invader, a set of four color-drenched, ready-to-hang masterpieces. This acclaimed selection from Invader's Rubik's Cube series transforms playful nostalgia into high art. Each limited edition print is masterfully Diasec-mounted, offering a superior giclée finish on a precision-cut aluminum composite panel. These substantial art pieces measure an impactful 100 x 100 cm and have a notable weight of 13.5kg, ideal for creating a modern and engaging atmosphere. Dive into the world of street pop art with these prints that celebrate Invader's innovative fusion of classic gaming and cutting-edge artistry. Capturing the Essence of Nostalgia: Invader's Rubik Country Life Series The "Rubik Country Life Rubikcubism Metal Giclee Print" by Invader is a modern tribute to the idyllic pastoral scenes, reimagined through the pixelated lens of Rubik's Cubes, bringing a unique fusion of nostalgia and contemporary art to the fore. As a leading figure in the graffiti pop street art movement, Invader's work continues to challenge and redefine the boundaries of art and technology. His 2023 signed and numbered limited edition of 431 pieces, each measuring 100cm by 100cm, represents a bold statement in the art community, marrying the playful simplicity of the Rubik's Cube with the complexity of fine art. Each print in the "Rubik Country Life" series is an intricate composition of Diasec-mounted Giclée on a laser-cut aluminum composite panel weighing 13.5kg. The choice of material speaks to the durability and longevity of the artwork, ensuring that the vibrant mosaics of rural life endure as a lasting piece of cultural expression. These ready-to-hang prints showcase Invader's artistic skill and encapsulate his vision of bringing street pop art and graffiti artwork into a new realm of recognition and appreciation. Invader's Artistic Journey and the Innovation of Rubikcubism Invader's artistic journey is marked by his innovative approach to street pop art, which he has aptly named "Rubikcubism." This technique involves using the iconic Rubik's Cube to create elaborate mosaics that, from a distance, merge into recognizable images. With the "Rubik Country Life" series, Invader weaves a visual narrative that resonates with the tranquility and beauty of rural landscapes, transformed into a grid of colored squares that captivate and intrigue the viewer. The artist's signature method is a technical feat and a conceptual bridge connecting the tactile engagement of solving a Rubik's Cube with the visual experience of appreciating a work of art. Each cube is a pixel, a single component in a larger image that collectively presents a cohesive and striking depiction of country life. This approach pays homage to the early days of digital art and the historical genre of landscape painting, reinterpreted through a modern-day prism. The Cultural Significance of Invader's Limited Edition Prints The limited edition nature of the "Rubik Country Life" series elevates these prints beyond mere artistic creations; they become cultural artifacts. Each signed and numbered piece signifies its place in the lineage of street pop art, marking Invader's impact on the art world. Collectors and enthusiasts of Invader's work can own a segment of this historical narrative, as each print becomes a testament to the evolving landscape of street art. Invader's prints are important for their visual impact and their role in the discourse of street art's place within the art historical canon. The "Rubik Country Life" series and its counterparts demonstrate the potential for street art to transcend its temporary nature and to be celebrated and preserved as high art. This reflects the shifting perceptions surrounding graffiti and street pop art, with Invader at the forefront of this transformation. The "Rubik Country Life Rubikcubism Metal Giclee Print" series is a vibrant example of how street pop art intersects with traditional art forms to create something entirely new and profoundly impactful. Invader's work, with its distinctive aesthetic and cultural resonance, continues to inspire and challenge viewers, cementing his status as an innovator and a pivotal figure in contemporary art.

    $14,114.00$11,997.00

  • Starscream Transformers 200% Be@rbrick Starscream Transformers 200% Be@rbrick

    BE@RBRICK Starscream Transformers 200% Be@rbrick

    Starscream Transformers 200% BE@RBRICK Limited Edition Medicom Vinyl Artwork Toy Collectable Art Figure. 2014 Bearbrick Transformers is not just another Bearbrick! This Bearbrick transforms itself in a robot! And not just another robot but the legendary Starscream.

    $351.00

  • Squidron Trooper Silkscreen Print by Flying Fortress

    Flying Fortress Squidron Trooper Silkscreen Print by Flying Fortress

    Squidron Trooper Hand-Pulled 9-Color Silkscreen Print on 300gsm Conqueror Cotton Paper by Pop Graffiti Artist Flying Fortress Rare Street Art Limited Edition Artwork. 2020 Signed & Numbered Limited Edition of 33 Size 15.8x11.8

    $322.00

  • Shanahan Masked 8.25 Skateboard Art Deck by DGK

    DGK Shanahan Masked 8.25 Skateboard Art Deck by DGK

    Shanahan Masked- 8.25 Deck Limited Edition Silkscreen Skateboard deck art by street pop culture artist DGK. John Shanahan Popsicle Deck, Traditional 7-PlyWood, Medium Concave`

    $85.00

  • Chalino Sanchez Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Chalino Sanchez Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas

    Chalino Sanchez Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas 4-Color Screen Print Spray Paint on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Stencil Spray Paint Hand Deckled HPM Embellished Limited Edition of TBD Unique Artwork Size 20.5x26.5 El Rey del Corrido Original Colorway. Ernesto Yerena Montejano's Tribute to a Musical Legend Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is a striking piece of pop street art that pays homage to the late Mexican singer-songwriter Chalino Sanchez, El Rey del Corrido. This artwork is a unique blend of Montejano's signature style and the spirit of Sanchez's music, a genre deeply rooted in the narrative tradition of corridos, which are ballads that tell stories of passion, struggle, and resistance. Created in 2022, the piece showcases the rich interplay between visual art and music, symbolizing cultural identity and remembrance through its vibrant 4-color screen print and spray paint on hand-deckled fine art paper. Capturing the Essence of Chalino Sanchez in Street Pop Art Montejano's artwork captures the essence of Chalino Sanchez with a visual language that resonates in street pop art and graffiti. The use of bold colors and the hand-deckled edges of the paper give the work a raw and authentic feel, echoing the gritty reality of Sanchez's lyrics and life story. The limited edition, signed and numbered by the artist, reflects the intimate connection between the art and its subject. It offers unique cultural memorabilia to art and music enthusiasts alike. Street Art Techniques and Pop Art Sensibilities The techniques employed in creating "Chalino Sanchez Original Colorway HPM" are characteristic of street art's spontaneity and pop art's penchant for bold imagery. Montejano's use of stencil spray paint adds a layer of texture and depth, making each print in the series a one-of-a-kind piece. The spray paint, a tool often associated with the rebellious nature of graffiti, contrasts with the controlled process of silkscreen printing, resulting in a piece that is both planned and improvised, meticulous and expressive. Ernesto Yerena Montejano's Artistic Contribution Montejano's work stands out in contemporary art for combining street art techniques with cultural storytelling. His pieces often reflect social and political themes, focusing on Chicano and indigenous experiences. In "Chalino Sanchez Original Colorway HPM," Montejano continues this tradition, using the visual medium to celebrate and explore the complexities of Mexican-American identity and the cultural crossover embodied by Chalino Sanchez. Ernesto Yerena Montejano's "Chalino Sanchez Original Colorway HPM" is more than a piece of art—it is a visual ode to an iconic figure whose music continues to inspire and resonate with people across borders. Through his skillful blend of street pop art and graffiti techniques, Montejano creates artwork that carries the legacy of Chalino Sanchez into visual culture, ensuring that the stories and the spirit of the corridos are etched into the collective memory of both art and music communities.

    $771.00

  • Russian Nesting Doll Silkscreen Print by John Vogl

    John Vogl Russian Nesting Doll Silkscreen Print by John Vogl

    Russian Nesting Doll Limited Edition 2-Color Hand-Pulled Silkscreen Print on Fine Art Paper by John Vogl Graffiti Street Artist Modern Pop Art.

    $99.00

  • Bloom Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Bloom Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Bloom 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican-American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 200 Size 18x24 Ernesto Yerena Montejano's creation, "Bloom," is an exquisite four-color hand-pulled silkscreen print that exudes the vivacity and boldness characteristic of Mexican-American pop artwork. Released in 2019, this piece forms part of a limited edition collection, with only 200 signed and numbered prints, reinforcing its exclusivity and appeal among art collectors. Measuring 18x24 inches, each print is crafted on fine art paper, a testament to Yerena's dedication to quality and his adherence to the time-honored traditions of printmaking. Yerena, under his studio name Hecho Con Ganas, presents a symmetrical composition reminiscent of traditional folk art patterns, infusing them with a modern aesthetic that is both striking and familiar. The intricate design of "Bloom" indicates the natural world's splendor. Yet, it's stylized to resonate with the urban and contemporary flair associated with street art. The layers of color and pattern work harmoniously to captivate the viewer's eye, creating a rhythmic dance that contemplates the interconnectedness of culture, identity, and nature. The convergence of street art techniques and pop art imagery in "Bloom" highlights Yerena's capacity to navigate between worlds, merging grassroots activism with mainstream artistry. His work does not merely hang on the walls of galleries; it also resonates with the vibrant energy found on city streets, where public art serves as a beacon of community and individual expression. Each piece in this limited edition series offers an immersive visual experience, inviting onlookers to delve into a dialogue about the interplay between artistic innovation and cultural heritage. With "Bloom," Yerena Montejano celebrates the flourishing of diversity within art forms, as each print from the series contributes to the narrative of Mexican-American art within the broader context of pop and street art movements.

    $364.00

  • Biohazard Slap-Up Label Sticker Original Tag Art by Saber Blue 1 Biohazard Slap-Up Label Sticker Original Tag Art by Saber Blue 2

    Saber Biohazard Slap-Up Label Sticker Original Tag Art by Saber

    This Biohazard Neon Orange Slap-Up Label Sticker Original Tag Art by Saber Original Acrylic Paint Art Drawing on Biohazard Label Sticker by Graffiti Artist Modern Street Artwork. 2020 Signed Original Slap Up Graffiti Art Tag 6x6 Acrylic Paint Tagged on Medical Biohazard Label Sticker. Neon High Visibility Orange Biohazard Symbol Uline label #S-20794. Exploring the Fusion of Street Pop Art and Graffiti Artwork In the dynamic sphere of contemporary visual culture, street pop art and graffiti artwork stand out as potent forms of expression that encapsulate urban life's rhythm and raw sentiments. Among the luminaries of this genre is the renowned graffiti artist Saber, known for his striking contributions to the street art panorama. The piece under scrutiny is a vibrant example of his ingenuity—a 6x6 acrylic or marker piece tagged on a medical biohazard label sticker featuring a neon high visibility orange biohazard symbol from Uline label #S-20794. Distinctive Aesthetic of Saber's Tag Art Saber's original permanent marker art drawing on a mailing glossy arrow sticker presents a striking visual paradox. The neon orange of the biohazard symbol evokes a sense of caution, typically used to warn of dangerous substances. Contrasted with the blue drips of paint that appear haphazardly splashed across the surface, there is intentional defiance and palpable tension between structure and chaos. This work is a signed 2020 original slap-up graffiti art tag that showcases not just the artist's signature style but also his ability to transform ordinary objects into powerful statements. The choice of a biohazard label as a canvas is a commentary on the infectious nature of art and ideas. Saber effectively takes a symbol that denotes hazard and contamination and recontextualizes it within the aesthetic of street pop art. By doing so, he challenges the viewer to reconsider the connotations of biohazards, not just in the physical sense but in the metaphorical contagion of art in public spaces. Impact and Significance in Modern Street Art Saber is an American artist whose real name has been as influential in the graffiti community as the images he creates on walls and in galleries. His use of a mailing label as a medium is a nod to the guerrilla tactics of early street art culture, where quick, impactful statements were essential, and materials were often repurposed or found objects. This sticker art, often called a 'slap-up,' is a form of street art that is quickly applied, or 'slapped up,' onto a surface in a public space. It allows for transient yet assertive communication, echoing urban life's fast-paced and often impermanent nature. The neon orange and blue artwork transcends its simple components, becoming a canvas for a larger discourse on visibility, legality, and the permanence of art. As a form of street pop art, it retains the accessibility and mass appeal of pop culture while embedding itself in the more subversive and counter-cultural roots of graffiti. This duality is where its power lies; it is both a bold declaration and a subliminal whisper, a fixture on the streets that can be as quickly removed as it is noticed. In the context of graffiti artwork, Saber's biohazard label sticker becomes an artifact of the streets, a testament to the artist's ability to command attention and communicate through symbols and color. With its saturated hues and deliberate drips, the piece resonates with the energy of the streets and the people's voices. It is a piece that marks a physical space and stamps a moment in time, encapsulating the essence of street pop art in its ability to capture the pulse of contemporary urban life. The interplay of color, symbol, and medium in this piece illustrates the innovative potential of street pop art. Saber's work disrupts the monotony of urban environments, offering passersby a moment of aesthetic arrest amidst the concrete canvas of the city. In modern street artwork, such interventions are not just decorative but are vital narratives that articulate the identity and the undercurrents of a city's cultural dialogue. Through works like this, Saber and his contemporaries continue to influence the trajectory of street pop art, ensuring its evolution and relevance. They remind us that the streets remain a powerful platform for artistic expression, where the voices of the marginalized and the spirit of rebellion can find their visual lexicon. Saber's neon orange slap-up label sticker is not just a mark made with acrylic or marker; it is a statement, a challenge, and a vibrant echo of the energy that drives the city's heart.

    $45.00

  • Invaded Cube Rubikcubism Metal Giclee Print by Invader Invaded Cube Rubikcubism Metal Giclee Print by Invader

    Invader Invaded Cube Rubikcubism Metal Giclee Print by Invader

    Invaded Cube Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 459 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-1. Discover the dynamic "Invaded Cube Rubikcubism Metal Giclee Print" collection by the elusive and iconic street artist Invader. This ready-to-display quartet of prints is a standout addition to any art enthusiast's gallery. Each piece from Invader's highly praised Rubikcubism series encapsulates the artist's signature use of Rubik's Cubes, transformed into stunning, color-rich prints. These artworks are visually striking and constructed for longevity, featuring Diasec-mounted giclée prints affixed to precision-cut aluminum composite panels. Sized at a bold 100 x 100 cm and with a weight of 13.5kg, they make a substantial and stylish statement. Perfect for collectors and admirers of contemporary street pop art, these prints marry classic artistry with modern technique. Unveiling the Invaded Cube Rubikcubism Metal Giclee Print by Invader The "Invaded Cube Rubikcubism Metal Giclee Print" is a testament to Invader's groundbreaking journey in street pop art and graffiti artwork. This limited edition piece, signed and numbered by Invader himself, is a collector's item, symbolizing the fusion of classical artistry with contemporary street culture. Limited to just 459 pieces, each artwork measures 100cm by 100cm, encapsulating the essence of Invader's artistic philosophy. The Invader Artwork Limited Edition Print is meticulously crafted on a Diasec-mounted aluminum composite panel, ensuring a premium quality that resonates with art fans and collectors alike. Invader's choice of medium, the Rubik's Cube, is not accidental. It embodies the complexity and playful nature of his work. Each cube, a building block of the larger image, is carefully positioned to create the pixel-like aesthetic reminiscent of the 8-bit graphics that dominated the early era of video gaming. This intricate process, which Invader refers to as Rubikcubism, is a nod to both the digital culture of the past and the analog craftsmanship of puzzle-solving. The artwork is a dialogue between the viewer and the urban landscape, a characteristic of Invader's style. The boldness of the colors, the precision of the layout, and the sharpness of the print quality all contribute to a sense of immediacy and presence. This piece is not just meant to be viewed; it's meant to be experienced, to become a part of the environment in which it resides.  In the image, a Rubik's Cube is shown from a close-up frontal perspective, and it is clear that the Invaded Cube design bears the unmistakable signature of Invader. The artist's iconic 8-bit video game character is prominently printed on the white center square of the cube. The rest of the cube comprises six identical plastic blocks in blue, green, orange, yellow, and red. These colors dominate the image and create a remarkably harmonious chromatic arrangement. Invader's Influence on Modern Street Art Invader's contribution to modern street art is monumental, and the "Invaded Cube Rubikcubism Metal Giclee Print" vividly illustrates his influence. Invader challenges the conventional boundaries of graffiti and street art by bringing the playful elements of pop culture into a severe art form. His works are displayed not only on the streets but also in art galleries, showcasing the versatility and adaptability of street art in contemporary settings. The unique aspect of Invader's art is its interactive nature. His works often encourage audience participation, whether by solving a puzzle or through digital engagement via apps that allow viewers to discover and interact with his installations around the globe. This interactivity has secured Invader a place in the hearts of a diverse audience, bridging the gap between art enthusiasts and the general public. Collectibility and Legacy of Invader's Artwork The "Invaded Cube Rubikcubism Metal Giclee Print" is not just an artwork; it's an investment in the legacy of street pop art. The limited edition nature of this piece adds to its collectibility, making it a sought-after item for those who appreciate the historical and cultural significance of Invader's work. Each print, with its signature and unique number, carries a piece of the artist's enigmatic persona. Invader's artwork is a reflection of the changing perceptions of street art. Once viewed as a form of urban decay, it is now celebrated as a vibrant and essential component of the cultural conversation. Invader has been instrumental in this shift, and his works have become a part of the historical tapestry that tells the story of street art's evolution. In the "Invaded Cube Rubikcubism Metal Giclee Print," Invader offers more than just an image; he provides a narrative, a slice of the zeitgeist that speaks to street art's heritage and future. The piece encapsulates the artist's commitment to pushing the boundaries of what is possible in art, making it a timeless addition to any collection. As street pop art and graffiti continue to carve out their place in the annals of art history, Invader's "Invaded Cube" stands as a beacon of innovation, creativity, and cultural resonance.

    $14,114.00

  • Tex Mex Calavera Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Tex Mex Calavera Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Tex Mex Calavera Limited Edition 3-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano Graffiti Street Artist Modern Pop Art. 2014 Signed & Numbered Limited Edition of 150 Artwork Size 18x24 He created this calavera in honor of the rich history and culture of Mexican-Americans aka Chicanos in Texas or as most of them would like to call themselves: TEJANOS or TEJANAS. As a member of a Norteño family, "norteño" meaning from the north of Mexico, Ernesto grew up listening to Norteño music which is the Mexican version of the German Polka. He has always been a big fan of polkas and when he lived in Texas he began collecting Tejano records and began researching the culture.

    $406.00

  • Doraemon Exhibition Tokyo Archival Pigment Plate by Takashi Murakami TM/KK Doraemon Exhibition Tokyo Archival Pigment Plate by Takashi Murakami TM/KK

    Takashi Murakami TM/KK Doraemon Exhibition Tokyo Archival Pigment Plate by Takashi Murakami TM/KK

    Doraemon Exhibition Tokyo Plate Limited Edition Archival Pigment Print Art on Ceramic Plate Artwork by Famous Artist Takashi Murakami TM/KK. 2017 Limited Edition Size 9" Collectible Art Plate Takashi Murakami's Intersection of Traditional and Pop Culture Takashi Murakami, a renowned artist whose work has consistently blurred the lines between fine art and pop culture, created a piece for the Doraemon Exhibition in Tokyo that captures the essence of this fusion. The exhibition piece, a limited edition 9-inch ceramic plate, features Murakami's signature style, often incorporating brightly colored anime and manga characters into traditional artistic formats. Artistic Elements and Cultural Influence Murakami's work on the Doraemon Exhibition plate is an archival pigment print that brings street pop art's vibrancy to the ceramic medium. This artwork stands out for its amalgamation of characters from the popular Japanese series 'Doraemon' with Murakami's distinctive flower motifs and designs. The characters are set against a backdrop of many flowers, creating a complex, eye-catching pattern that represents Murakami's exploration of contemporary Japanese society and otaku culture within the context of historical artistic practices. Murakami's Unique Style and the Art World Murakami's approach often involves a dialogue between different cultural elements, combining traditional Japanese artistic techniques with the mass appeal of anime and manga. His method is rooted in the "Superflat" concept, which he coined to describe the cultural commentary embedded in his artworks. This style is evident in the Doraemon Exhibition plate, where the flattened pictorial plane and the juxtaposition of characters suggest a deeper narrative on the influence of pop culture in our lives. Pop Art, Street Art, and Their Confluence By incorporating elements of street pop art and graffiti artwork into his ceramic plate design, Murakami contributes to the ongoing conversation about the validity and importance of pop culture in the art world. He elevates the perception of animated characters by placing them within the context of 'high art,' challenging preconceived notions about the value and meaning of pop and street art. Collectibility and Murakami's Global Impact The Doraemon Exhibition plate is a piece of art and a collectible item that has garnered attention from art collectors and enthusiasts worldwide. Murakami's ability to traverse the line between art and commodity has made his works highly sought after, and pieces like the Doraemon plate continue to shape the landscape of contemporary art collecting. Through these collectibles, Murakami has left a significant mark on global art culture, influencing new generations of artists and collectors alike. This Doraemon Exhibition plate by Takashi Murakami is a testament to the transformative power of pop culture within the art world and its ability to create new dialogues and understandings across different mediums and cultural backgrounds.

    $500.00

  • Vota! Alto Al Fascismo Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Vota! Alto Al Fascismo Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Vota! Alto Al Fascismo Hand-Pulled 4-Color Silkscreen Print on Fine Art Paper by Artist Shepard Fairey Obey x Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. 2020 Signed by Both Artists & Numbered Limited Edition of 450 Artwork Size 18x24 “It’s an honor to once again collaborate with Shepard and NDLON (National Day Laborer Organizing Network) and release this new rendition of the We Are Human poster that we originally made over 10 years ago. This image is titled ‘Vote! Stop Fascism.’ The proceeds will go into printing more posters and also a massive sticker run to be given out in cities all across the country. Let’s ban together to Stop Fascism and make sure that we get Trump out of power! Thanks.” -Ernesto Yerena The realm of contemporary art has often been a platform for political expression, especially in genres like pop art, street art, and graffiti art. One striking example that stands out from recent times is the "Vota! Alto Al Fascismo" artwork, a hand-pulled 4-color silkscreen print on fine art paper. This piece is the brainchild of two phenomenal artists, Shepard Fairey of the Obey fame, and Ernesto Yerena Montejano from Hecho Con Ganas. Both artists are renowned for their bold stances and vibrant portrayals of socio-political issues, and this particular piece showcases their combined brilliance. Released in 2020, the artwork is not just a statement piece but a testament to the urgency and significance of the message it conveys. Limited to an edition of 450, each artwork is meticulously signed by both Shepard and Ernesto, indicating their personal commitment to the cause it represents. The dimensions of 18x24 make it a conspicuous piece, ensuring that the message is both seen and felt. Drawing inspiration from a decade-old "We Are Human" poster, this modern rendition emphasizes the importance of voting and the dire need to halt the rise of fascism. Ernesto's comment further illustrates the core motive behind this collaboration, shedding light on the broader aim of disseminating the message across cities nationwide through posters and stickers. Engaging, evocative, and ever-relevant, the "Vota! Alto Al Fascismo" artwork seamlessly blends the boundaries between art and activism. As pop art and street art evolve, such pieces remain a testament to their profound impact on society, urging viewers to take action and be part of a larger movement.

    $421.00

  • Loud Mouth Soup 1 Archival Print by Nekoes

    Nekoes Loud Mouth Soup 1 Archival Print by Nekoes

    Loud Mouth Soup 1 Limited Edition Archival Pigment Prints on 310gsm Fine Art Paper by Nekoes Graffiti Street Artist Modern Pop Art. "This piece is inspired by my lack of patience and understanding of my brother's mental illness which is a combination of schizophrenia and bipolar disorder. I went about creating the piece by watching my brother smoke a ton of cigarettes and asking him a ton of questions about what the voices tell him and what his hallucinations are of. Then I just started to apply paint to the canvas. This piece (and 4 others) were created in January 2014 right after moving to Florida. From start to finish I would say this piece took about 2 weeks. I tend to stay working on a painting until it's done. I hate starting something and stopping then coming back to it." - Nekoes

    $129.00

  • Skeletor MOTU Art Toy Sculpture by Madsaki Skeletor MOTU Art Toy Sculpture by Madsaki

    Madsaki Skeletor MOTU Art Toy Sculpture by Madsaki

    Skeletor Limited Edition Vinyl Art Toy Collectible Artwork by street graffiti artist Madsaki x MOTU. 2020 Madsaki and Mattel Creations teamed up to create these exclusive Madsaki x Masters of the Universe SKELETOR Figures. 8.5x11 MADSAKI and MATTEL CREATIONS team up to create this exclusive and iconic drop-a scaled down re-creation of the larger-than-life SKELETOR sculpture that turned the heads of fans and art critics alike as a centerpiece of MADSAKI'S "1984" solo exhibition at Tokyo's Kaikai Kiki Gallery in 2020, in special color exclusive to the figure version. Measuring 11 inches tall to the top of the staff, with the facial expression depicted in dripping spay paint style, its vivid coloring has been calculated to contrast with the HE-MAN and BATTLE CAT figures produced earlier. SKELETOR, the most famous villain of Eternia, has been sublimated into a unique and special figure, filled with the artist's childhood memories of being surrounded by his beloved cheap toys and his respect for the culture that greatly influenced him. Each sculpture includes a hand-signed certificate of authenticity from MADSAKI as well as white gloves to better care for your art piece. Displayed With Box

    $1,545.00

  • Archipelago Giclee Print by Dulk- Antonio Segura Donat

    Dulk- Antonio Segura Donat Archipelago Giclee Print by Dulk- Antonio Segura Donat

    Archipelago Street Pop Artwork Limited Edition Giclee Print on Hand Deckled 310gsm Fine Art Paper by Modern Artist Dulk- Antonio Segura Donat. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 24x24 Hand Deckled PangeaSeed Foundation Fine-art Giclée print on Canson Aquarelle 310gsm museum-grade fine art paper Hand-deckled edges 24" x 24" Limited Edition of 100 Signed & numbered

    $592.00

  • Rubik Camouflage Rubikcubism Metal Giclee Print by Invader Rubik Camouflage Rubikcubism Metal Giclee Print by Invader

    Invader Rubik Camouflage Rubikcubism Metal Giclee Print by Invader

    Rubik Camouflage Rubikcubism Metal Giclee Print by Invader Artwork Limited Edition Print on Diasec-Mounted Aluminium Composite Panel Graffiti Pop Street Artist. 2023 Signed & Numbered Limited Edition of 812 Artwork Size 39.37x39.37 or 100cmx100cm NVDR1-2. Enhance your art collection with the striking "Rubik Camouflage Rubikcubism Metal Giclee Prints" by the renowned street artist Invader. These ready-to-hang prints are a fusion of vibrant colors and intricate design, each crafted from an assembly of Rubik’s Cubes to bring Invader’s acclaimed series to life. The art prints are expertly Diasec-mounted, ensuring a high-quality giclée finish that enhances the visual depth and color fidelity. Set against a robust, laser-cut aluminum composite panel, these pieces measure an impressive 100 x 100 cm and have a solid presence at 13.5kg each. Elevate your space with these conversation-starting prints that blend pop culture with sophisticated artistry.  Innovative Fusion in Invader's Rubik Camouflage Rubikcubism Series The Rubik Camouflage pattern created by Invader symbolizes the artist's legacy as an urban disruptor. Over several decades, he has left his mark on cities across the globe by installing pixelated mosaics, often influenced by classic video games from the 8-bit era. The Rubik's Camouflage design features a white creature reminiscent of Space Invader set against a vibrant blue, red, yellow, and orange backdrop arranged in a military-style camouflage. Invader has commented that this artwork represents the infiltration of modern technology into our daily lives. The Rubik Camouflage Rubikcubism Metal Giclee Print represents Invader's innovative approach to street pop art and graffiti artwork. The pseudonymous French artist Invader has long been celebrated for uniquely incorporating digital and gaming elements into the public sphere. His limited edition series, comprising four color-filled prints, exemplifies his distinctive style known as 'Rubikcubism'—a term he coined to describe his art made from Rubik's Cubes. These works are visually striking and embody a complex interplay between pop culture, technology, and traditional street art aesthetics. Each print in the series is a testament to Invader's mastery of blending classical art techniques with contemporary mediums. The choice of Rubik's Cubes as the basis for these prints is a nod to the nostalgia of the 1980s, re-envisioned through a modern lens. The cubes are meticulously arranged to create an image that, upon closer inspection, reveals the complexity of its construction. This method is reminiscent of pointillism, where small, distinct dots of color are applied in patterns to form an image. Invader's technique, however, is uniquely futuristic, utilizing the cubic form and the inherent challenge of the Rubik's Cube to dictate the aesthetic outcome. The metal giclee prints are a further exploration of material and medium. By mounting the giclée prints on Diasec—a process where the print is bonded to acrylic glass—and then onto an aluminum composite panel, Invader ensures durability and an almost three-dimensional visual effect. This innovative use of materials reflects the street artist's understanding of the importance of longevity and the impact of texture and depth in visual art. Cultural Commentary and Artistic Merit Invader's artworks are more than mere decorative pieces; they are rich in cultural commentary and artistic merit. The limited edition series, with each piece signed and numbered by the artist, becomes a collectible item that holds value both in the art market and within the community of street art enthusiasts. The specific edition size of 812 may allude to a personal or thematic significance, adding mystery and exclusivity to the series. These prints intersect art and puzzle, a duality that challenges the viewer to engage with the artwork on multiple levels. They also represent the broader movement of street pop art, which often repurposes elements of popular culture to create something entirely new and unexpected. Invader's work disrupts the traditional narrative of street art being ephemeral and instead offers a vision of it as something that can be preserved, collected, and treasured. The Rubik Camouflage Rubikcubism Metal Giclee Print series is ready to hang, which speaks to the artist's intention of these works being accessible and enjoyed by a broad audience. The robust construction and careful consideration of the mounting process mean that these pieces are aesthetically pleasing, practical, and ready for display. The Evolution of Street Art in Invader's Practice Invader's practice represents a significant evolution in the field of street art. He bridges the gap between street art and fine art by moving beyond the walls and into the realm of tangible, collectible art objects. His work challenges the perception of street art, expanding it to include the creation of physical artifacts that carry the spirit of the streets into private collections and galleries. The use of Rubik's Cubes objects is intrinsically linked to the idea of problem-solving and intellectual challenge within his art, inviting a dialogue about the interconnectivity of art, play, and cerebral engagement. Invader's pieces are not passively consumed; they require active participation from the viewer, both intellectually and emotionally. The playful aspect of his work does not diminish its seriousness; rather, it enhances the viewer's connection to the art. Invader's Rubik Camouflage Rubikcubism Metal Giclee Print series is a remarkable contribution to street pop art and graffiti artwork. It is a testament to the artist's ingenuity and ability to push the boundaries of what is expected in this art form. These limited edition prints are not only a celebration of the artist's iconic style but also a significant marker of the progression of street art into new and exciting territories.

    $14,114.00

  • LAFC Calavera AP Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas LAFC Calavera AP Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    LAFC Calavera- AP Artist Proof Hand-Pulled Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas Limited Edition Artwork. AP Artist Proof 2021 Signed & Marked Limited Edition Artwork Size 18x24 The LAFC Los Angeles Football Club Soccer Calavera by Boyle Heights Artist Ernesto Yerena Montejano. “LAFC is LA culture. It was an honor to create a new Calavera symbol for this Club, and to honor loved ones who have passed.” -Ernesto Yerena Montejano Amid the bustling streets of Boyle Heights, a distinctive artwork captures the very essence of Los Angeles' vibrant soccer culture. The LAFC Calavera, created by renowned Latino artist Ernesto Yerena Montejano, exemplifies the fervent intersection of sports and art. Hand-pulled in the meticulous process of silkscreen printing on fine art paper, this piece is not just any artwork. It is an Artist Proof (AP) from 2021, indicating that it's among the first impressions made from the stencil, meticulously examined for quality and consistency before the final run. Ernesto Yerena Montejano, known for his commitment to producing resonating art under his brand "Hecho Con Ganas," has intricately designed this masterpiece. His depiction of the Calavera, a symbol commonly associated with the Day of the Dead, integrates seamlessly with the ethos of the Los Angeles Football Club (LAFC). As Montejano himself puts it, "LAFC is LA culture." The artwork is not just an emblem of a soccer club; it is a tribute to the departed, a nod to the cultural significance of remembering loved ones. Artworks such as the LAFC Calavera draw their lineage from the vibrant traditions of pop art, street art, and graffiti. These genres challenge convention, often merging disparate symbols and contexts to create meaning. Montejano's Calavera stands as a testament to the power of such fusion, intertwining the energy of LA's soccer scene with profound cultural symbols. The 18x24 signed and marked limited edition piece is more than just a visual treat; it's a narrative of identity, passion, and remembrance, immortalized in ink and paper.

    $379.00

  • Archipelago XL Giclee Print by Dulk- Antonio Segura Donat

    Dulk- Antonio Segura Donat Archipelago XL Giclee Print by Dulk- Antonio Segura Donat

    Archipelago- XL Street Pop Artwork Limited Edition Giclee Print on Hand Deckled 310gsm Fine Art Paper by Modern Artist Dulk- Antonio Segura Donat. 2022 Signed & Numbered Limited Edition of 30 Artwork Size 36x36 Hand Deckled PangeaSeed Foundation Fine-art Giclée print on Canson Aquarelle 310gsm museum-grade fine art paper Hand-deckled edges 36" x 36" Limited Edition of 30 Signed & numbered Printed with ♥ by Static Medium

    $1,931.00

  • Virgencita Norteña Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Virgencita Norteña Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas

    Virgencita Norteña Original Colorway HPM Silkscreen by Ernesto Yerena Montejano- Hecho Con Ganas 4-Color Screen Print Spray Paint on Hand Deckled Fine Art Paper Limited Edition Pop Street Art Artwork. 2022 Signed & Numbered Stencil Spray Paint Hand Deckled HPM Embellished Limited Edition of TBD Unique Artwork Size 20.5x26.5 Virgin Mary Song Music Original Colorway

    $771.00

  • Indigenous Roots Reclaimed Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Indigenous Roots Reclaimed Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Indigenous Roots Reclaimed Limited Edition 4-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2020 Signed by Arlene Mejorado & Ernesto Yerena Montejano & Numbered Limited Edition of 300 Artwork 18x24 "Indigenous Roots Reclaimed" is a striking limited edition silkscreen print that embodies the fusion of modern pop art with the soulful essence of street art. This 4-color hand-pulled print on fine art paper is the creative collaboration between the photographer Arlene Mejorado and artist Ernesto Yerena Montejano, illustrating the vitality of indigenous heritage through the lens of contemporary artistry. Released in 2020, this piece is a part of a limited edition of 300 signed and numbered artworks, each measuring 18x24 inches, allowing the viewer to immerse in its detail and messaging at a significant scale. The print features a young girl at its center, set against a backdrop that bursts with vibrant color and geometric patterns reminiscent of traditional indigenous art. These patterns surround the subject in a halo-like manner, suggesting a spiritual or ancestral connection. The girl's pose, with arms outstretched, further symbolizes an embrace of her cultural legacy, conveying a sense of openness and acceptance. Yerena's use of bold lines and vivid hues is characteristic of his work, which often highlights cultural and political themes, particularly those pertaining to his Chicano heritage. Mejorado's collaboration brings an added layer of authenticity, capturing the essence of the subject with photographic precision before it is transformed through Yerena's distinctive graphic style. This artwork speaks to a reclamation of identity and a celebration of cultural roots within the urban context. It bridges communities and dialogues by reclaiming public spaces for indigenous narratives through the medium of street art. In the art market, where the voices of indigenous people and their cultural imprints have often been marginalized, "Indigenous Roots Reclaimed" stands as a testament to the resilience and enduring beauty of these traditions. This piece is not only a work of art but also a powerful statement in the ongoing conversation about cultural heritage and representation in the arts. It pays homage to the past while remaining firmly rooted in the present, showcasing how traditional motifs can find new life and resonance within the sphere of modern art. Ernesto Yerena Montejano's work, amplified by Arlene Mejorado's photographic eye, ensures that "Indigenous Roots Reclaimed" is not only seen but felt, prompting a contemplative engagement with the viewer on themes of identity, history, and the power of art as a vehicle for social commentary and cultural celebration.

    $364.00

  • Flowering Dignity Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Flowering Dignity Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Flowering Dignity 4-Color Hand-Pulled Limited Edition Silkscreen Print on Fine Art Paper by Ernesto Yerena Montejano (Hecho Con Ganas) Famous Mexican American Pop Artwork Artist. 2019 Signed & Numbered Limited Edition of 200 Size 18x24 "Flowering Dignity" stands as a testament to the vibrant confluence of cultural expression and political commentary, elements often inherent in the works of Ernesto Yerena Montejano, an artist whose roots extend into Mexican and American soils. His creation, a 4-color hand-pulled limited edition silkscreen print on fine art paper, embodies the ethos of Pop Art with its bold colors and graphic clarity. Yet, it also carries the raw, unfiltered voice found in street and graffiti art. Created in 2019, this artwork is not just a visual statement but a piece of cultural dialogue that resonates with themes of identity, dignity, and the flowering of the human spirit under the weight of societal challenges. Ernesto Yerena Montejano, operating under his studio name, Hecho Con Ganas, has etched his name in the annals of Chicano and Pop Art through his consistent output of visually compelling and thought-provoking artworks. His "Flowering Dignity" print, part of a limited edition of 200, is particularly significant. Measuring 18x24 inches, each piece is meticulously signed and numbered by the artist, underscoring the personal connection and authenticity that Montejano brings to his work. It is this authenticity that allows the artwork to resonate deeply with its audience, providing a unique aesthetic experience steeped in cultural significance. Montejano's work is characterized by a fusion of traditional motifs with contemporary issues, a visual commentary that mirrors the dual heritage many Mexican Americans navigate. In "Flowering Dignity," the central motif—a stylized flower—bursts with energy, its petals unfurling in a display of resilience and beauty. This imagery, juxtaposed against a backdrop of radiating lines, suggests an awakening, a burst of life and dignity against a structured, perhaps restrictive background. As a piece of Pop Art, it transcends mere decoration, symbolizing shared experience and solidarity within the community. As street art, it carries the spirit of rebellion and the voice of the underrepresented, speaking volumes from the walls it adorns to the galleries it graces.

    $364.00

  • Protect the eARTh HPM 2 Hand-Embellished Silkscreen Print by Hijack

    Hijack Protect the eARTh HPM 2 Hand-Embellished Silkscreen Print by Hijack

    Protect the eARTh HPM 2 Hand-Embellished Limited Edition 11-Color Silkscreen & Acrylic Paint on Fine Art Paper by Artist Hijack Graffiti Street Pop Artwork. 2022 Signed 1 of 1 Unique HPM Hand Embellished Limited Edition of 10 One of a Kind Silkscreens Artwork Size 22.5x30 Custom Framed Silkscreen of Man With Broken Umbrella Walking By Graffiti Wall. A striking manifestation of contemporary street art, "Protect the eARTh HPM 2" by Hijack offers viewers a penetrating gaze into environmental consciousness, seamlessly woven into urban settings. The piece, crafted in 2022, showcases not only the artist's commitment to highlighting pressing global issues but also his refined expertise in blending different artistic mediums. At the heart of this artwork is a lone figure, attempting to navigate an urban expanse with a vivid, broken blue umbrella as his shield. The umbrella, fragmented yet distinctly prominent in its hue, symbolizes Earth's endurance amidst the adversities thrust upon it. The deep blue, reminiscent of the planet's boundless oceans and skies, stands in stark juxtaposition against the monochromatic city background. This backdrop, depicting a graffiti-laden wall, offers a raw depiction of urban decay, further accentuated by the figure's shadowy presence. Amid the chaotic jumble of spray paint and scribbles, certain inscriptions like "Protect eARTh" and "I LOVE EARTH" boldly emerge, acting as poignant reminders of the work's central theme. With "Protect the eARTh HPM 2", Hijack embarks on a quest to bridge the seemingly disparate worlds of urban decay and environmental conservation. This 1 of 1 unique hand-embellished edition, limited to just ten silkscreens, spans a canvas measuring 22.5x30 inches, inviting viewers to pause, reflect, and reconsider their relationship with the environment. Every brushstroke and silkscreen imprint echoes Hijack's signature style, culminating in a piece that is as thought-provoking as it is visually arresting.

    $10,000.00

  • Flowering Dignity Colibri Letterpress Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Flowering Dignity Colibri Letterpress Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Flowering Dignity Colibri Limited Edition 5-Color Hand Letterpress Print on Cotton Fine Art Paper by Urban Pop Artist Ernesto Yerena Montejano (Hecho Con Ganas). 2022 Signed & Numbered Limited Edition of 100 Size 24x18 5 Color Letterpress Print on %100 Cotton Paper Published and Printed by Aardvark Letterpress in Los Angeles, CA Edition of 100 Signed and Numbered This is a very high-quality print made with individual metal plates for each color. Ernesto Yerena Montejano's "Flowering Dignity Colibri" is a distinctive limited edition print that beautifully encapsulates the grace and vibrancy of the natural world, infused with the stirring energy of urban pop art. Released in 2022, this 5-color hand letterpress print on fine cotton paper measures 24x18 inches and is a notable collectible due to its short run of only 100 signed and numbered pieces. Yerena, under his creative banner Hecho Con Ganas, continues to weave his cultural narratives and political sentiments into his art, drawing on his Mexican-American roots to speak to both communal and personal identities. The exquisite quality of this piece is immediately evident, achieved by employing individual metal plates for each color, a traditional and meticulous process that ensures the vibrancy and depth of the print. Aardvark Letterpress in Los Angeles, California, known for its exceptional letterpress work, is the printmaker behind this piece, lending its longstanding craftsmanship to Yerena's contemporary vision. The use of 100% cotton paper not only provides a luxurious texture but also serves as a nod to the artist’s dedication to quality and sustainability. In "Flowering Dignity Colibri," the interplay of color and form is striking. The central motif, a mandala-like floral pattern, is flanked by two hummingbirds, symbolizing agility, vitality, and resilience. These elements are set against geometric shapes and patterns that add a sense of movement and depth to the composition. The warmth of the colors used in the floral pattern contrasts with the cool tones of the background, creating a visual pop that's characteristic of pop art’s attention-grabbing style. This piece sits at the intersection of pop art, street art, and graffiti art, carrying forward the rebellious spirit and the bold aesthetics of these movements. Yet, it remains distinct in its embodiment of the artisanal letterpress technique, demonstrating how traditional methods can converse with contemporary art forms. Yerena Montejano’s "Flowering Dignity Colibri" stands as a piece of resistance and celebrates cultural heritage, inviting viewers to find beauty and strength in its intricate layers and the message it conveys.

    $518.00

  • Shangri-La Blue Silkscreen Print by Takashi Murakami TM/KK Shangri-La Blue Silkscreen Print by Takashi Murakami TM/KK

    Takashi Murakami TM/KK Shangri-La Blue Silkscreen Print by Takashi Murakami TM/KK

    Shangri-La Blue Limited Edition Framed Modern Artwork Off-Set Cold Foil Stamp & High Gloss Varnishing Screen Print on UV Fine Art Paper by Famous Asian Pop Artist Takashi Murakami TM/KK. 2018 Signed & Numbered Limited Edition of 100 Artwork Size 29.5x29.5 Image Size 26x26 Frame Size 40.25x40.25 Custom Framed With 4" Matt & UV Acrylic Glass

    $11,246.00

  • Baseball Jerks Darryl Strawberry Giclee Print by Oliver Barrett

    Oliver Barrett Baseball Jerks Darryl Strawberry Giclee Print by Oliver Barrett

    Baseball Jerks- Darryl Strawberry Limited Edition Giclee Print on Fine Art Paper by Oliver Barrett Dystopian Street Art Pop Artwork Artist. 8″ x 8″ giclee, have editions of 20, Signed & Numbered 2014. Featuring Famous MLB Sports Baseball Players In Macarbe Ways.

    $99.00

  • ComplexCon x Mutated Skateboard Deck Set by Takashi Murakami TM/KK

    Takashi Murakami TM/KK ComplexCon x Mutated Skateboard Deck Set by Takashi Murakami TM/KK

    ComplexCon x Mutated Deck Set Fine Art Limited Edition Archival Pigment Print Transfer on Natural Skateboard Deck by Street Artwork Graffiti Artist Takashi Murakami TM/KK. 2019 Printed Limited Edition Skateboard Art Deck Artwork Set of 3 Takashi Murakami, renowned for his vibrant and psychedelic oeuvre that traverses fine art and pop culture, unveiled a collectible skateboard deck set at ComplexCon 2019, further cementing his legacy within the urban art scene. The collaboration, dubbed the Takashi Murakami x ComplexCon Mutated Skateboard Deck Set, is a trifecta of visual ecstasy, encompassing the artist's signature motifs – his whimsical bear character, the vibrant flowers, and the mythical mushrooms, all rendered in a kaleidoscope of colors that dance across the decks with a life of their own. These limited edition skateboard decks are not merely functional items but stand as a testament to Murakami's artistic vision, where street pop art and contemporary graffiti converge. Each deck is a canvas that encapsulates Murakami's distinctive synthesis of traditional Japanese techniques with post-war Japanese culture and modern anime and manga influences. The result is a striking visual narrative that is both familiar and fantastical, a vibrant pastiche of past and present, East and West, art and commerce. Released on November 2nd, 2019, as a limited edition set, these decks were produced using an archival pigment print transfer process that ensures the longevity of the colors and the intricate details of Murakami's designs. The precision of this technique highlights the artist's commitment to quality and his understanding of the skateboard's dual identity as a tool for sport and a piece of collectible art. Murakami's artistry is evident in the joyous yet complex expressions of the characters adorning the decks. The mutated bear, a recurring character in his works, is depicted with a vitality that belies the meticulousness of the art form. The flowers and mushrooms, bursting with colors, serve as a symbolic lexicon through which Murakami explores themes of life and identity. Each element is meticulously placed, creating an energetic dialogue between the characters and the viewer. These skateboard decks are emblematic of ComplexCon's mission to be a catalyst for creative collaboration and innovation. They embody the event's spirit, where art is not confined to galleries but is a part of the everyday streetscape. Collectors and skateboarding aficionados vie for these pieces, which are valuable objects and of acultural phenomenon where street art meets pop culture and functionality meets high art. Takashi Murakami's collaboration with ComplexCon represents a significant moment in the timeline of street pop art and graffiti artwork. It reflects a cultural zeitgeist that venerates the fluidity between art forms and the demolition of barriers between 'high' art and commercial art. The Mutated Skateboard Deck Set is a vibrant example of this synergy, a set of objects that are a mode of transportation, a medium for artists, and a conduit for collectors to engage with art in new and exciting ways.

    $1,675.00

  • MTA Subway Sign Elevator to Mezzanine Original Street Sign Graffiti Painting by Cope2- Fernando Carlo

    Cope2- Fernando Carlo MTA Subway Sign Elevator to Mezzanine Original Street Sign Graffiti Painting by Cope2- Fernando Carlo

    MTA Subway Sign- Elevator to Mezzanine Art Mixed Media on MTA Signage Painting Artwork by street pop culture artist Cope2. Original authentic MTA subway sign this is an authentic 14x51inches metal subway sign spray-painted by cope2 . Born in 1968 as Fernando Carlo, Jr. in New York City. Cope 2’s paintings have been exhibited in solo and group exhibitions in galleries and museums throughout the United States and internationally. He is a self-taught artist who is a celebrated legend contributing over 30 years to the graffiti street-art culture. One of New York City’s most prolific graffiti artists, he began tagging his name in the South Bronx in 1978. He developed his style in the subways and streets of the Bronx creating graffiti productions throughout the 1980’s and 1990’s achieving international recognition for his distinctive style. Fernando Carlo a.k.a COPE2 is an American artist, active in the graffiti scene of New York. Cope2’s involvement in the street art scene of the 80s and 90s progressively made his reputation grow, making him one of the most well-known writers in the US. Controversial, yet iconic, the artist’s story and his involvement in graffiti since the last decades of the 20th century shed light on the history of graffiti itself and its evolution over the years.

    $3,135.00

  • Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Red 1 Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Black 1

    Saber Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber

    Priority Mail 228-2016 Slap-Up Label Sticker Original Tag Art by Saber Original Permanent Drawing Art on USPS Mailing Label by Graffiti Artist Modern Street Artwork. 2020 Signed by Tag Original Slap Up Graffiti Art Tag 4.25x5.5 Color Marker on USPS United States Postal Service Priority Mail Label 228-2016.  Priority Mail 228 Labels: Slap-Up Canvas for the Streets Street Pop Art and Graffiti Artwork have become synonymous with urban landscapes' raw, vibrant, and often controversial energy. Amongst the most captivating forms of this art is the slap-up label sticker, a brief piece that combines the guerrilla tactics of street art with the aesthetic approach of pop art. These stickers, often found adorning city walls, lampposts, and mailboxes, carry the pulse of the streets and the artist's signature. The United States Postal Service's Priority Mail 228 label is a particularly iconic medium within this genre. Initially intended for postal use, artists have repurposed these labels as canvases for their work. With its distinctive red, white, and blue design, the label offers an instantly recognizable backdrop deeply rooted in American iconography. This juxtaposition of official symbolism with the rebellious nature of graffiti creates a powerful, provocative, and patriotic visual statement. Graffiti artists like Saber have transformed these labels into vehicles of personal expression and social commentary. Saber, an American artist named Ryan Weston Shook, is known for his work within the graffiti community and beyond. His involvement with the art form dates back to the 1990s, and he has since become a notable figure in the street art world.  Tag Art: Marking Presence and Identity Tagging, which involves writing one's alias or signature in a stylized form, is central to graffiti culture. It's a means of claiming territory, asserting identity, and engaging with the public in a dialogue often unmediated by gallery spaces' conventions. The Saber piece utilizes a blue permanent marker to create a tangle of lines and shapes that coalesce into his distinctive tag. Measuring 4.25x5.5 inches, this slap-up label sticker is a quintessential example of tag art, embodying the spontaneity and personal touch that are hallmarks of the genre. Created in 2020 and signed by the artist, this piece carries the weight of authenticity and the immediacy of street art. Despite its small scale, the tag commands attention, with the intensity of the blue marker standing bold against the label's pre-printed elements. The label's date, March 2016, provides a temporal context, anchoring the artwork in a specific moment of Saber's artistic journey. The cultural significance of slap-up label art lies in its accessibility and transience. These stickers can be produced en masse and placed in various locations, allowing for a wide distribution of the artist's work. However, their lifespan is unpredictable, as they can easily be removed or destroyed, mirroring the fleeting nature of fame and public attention in the digital age. Saber's use of the Priority Mail 228 label is a nod to a tradition in street art that values the repurposing of everyday items into something extraordinary. The label's transformation from a mundane postal accessory into a piece of art disrupts the ordinary and challenges the viewer to see the extraordinary in the everyday. This quality places slap-up label art firmly within the canon of Street Pop Art and Graffiti Artwork, genres that continually redefine themselves through unconventional materials and methods. The Priority Mail 228 Slap-Up Label Sticker by Saber is more than just a piece of art; it is a statement, a piece of cultural fabric, and a reflection of the artist's presence in the urban landscape. As with much of Street Pop Art and Graffiti Artwork, it encapsulates a moment in time, a burst of creative energy, and a dialogue with the public that is as vibrant and dynamic as the streets from which it was born.

    $24.00

  • Stand Alone Original Street Sign Painting by Chris RWK

    Chris RWK- Robots Will Kill Stand Alone Original Street Sign Painting by Chris RWK

    Stand Alone Original Mixed Media Painting Graffiti Artist Modern Pop Art on Real Metal Street Sign by Chris RWK. 2022 Signed Original Mixed Media Acrylic & Spray Paint on Real 18x18 School Zone Street Sign. Chris RWK's Stand Alone: A New Dimension of Street Sign Art In the vibrant landscape of modern pop art and graffiti artwork, Chris RWK (real name Chris Roberts), an artist from New York, presents a compelling twist on the genre with his creation "Stand Alone." This piece, a signed original mixed media painting completed in 2022, defies conventional street art norms by utilizing an actual 18x18 school zone street sign as its canvas. The artwork's foundation in the natural and practical – a metal sign designed to impart rules – becomes a statement of artistic rebellion and creative liberation. The Fusion of Mediums in Chris RWK's Work "Stand Alone" is an innovative meld of acrylic and spray paint, mediums that have long been staples in the street artist's toolkit. By applying them to a metal street sign, Chris RWK bridges the gap between the everyday street objects we often overlook and the expressive potential they hold. His robot-like character, a recurring motif in his work, is depicted with a simplicity that speaks to childhood innocence, juxtaposed against the backdrop of an adult world filled with regulations and restrictions. The duality of this piece – the playful imagery against the stern, directive nature of a street sign – invites contemplation on the push and pull between the structured world we navigate and the imaginative freedom we often yearn for. This tension is at the heart of street pop art, where the mundane is transformed into the extraordinary. Embracing the Ordinary: The Iconography of Chris RWK In "Stand Alone," the ordinary is embraced and celebrated. Chris RWK elevates an ordinary street sign to a piece of art that can communicate complex emotions and ideas. The robot figure, often interpreted as a stand-in for the human experience, is portrayed alongside a heart symbol – a universal expression of love and connection. This simple yet profound imagery speaks to the artist's ability to find depth in simplicity, a hallmark of his broader body of work. The use of real-world objects in art is not new, but Chris RWK recontextualizes this approach within the framework of street pop art, inviting the viewer to see the potential for art in all things. Once a directive object, the street sign becomes a canvas for reflection, a medium through which the artist can connect with the audience on a personal level. Chris RWK's "Stand Alone" is a standout piece within the domain of graffiti artwork and modern pop art. It captures the essence of street art's transformative power, turning a mundane object into a source of artistic expression and commentary. As viewers encounter this piece, they are reminded that art is not confined to galleries or murals on building walls – it can emerge from the most unexpected places, offering new perspectives on the familiar fixtures of our everyday lives.

    $2,500.00

  • Protect The Blue Planet- Large Format Serigraph Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Protect The Blue Planet- Large Format Serigraph Print by Shepard Fairey- OBEY

    Protect The Blue Planet- Large Format Limited Edition Hand Pulled 2-Color Serigraph Print on 100% Cotton Coventry Rag Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered Hand Deckled 30 x 41 inches Serigraph on Coventry Rag, 100% cotton custom archival paper Hand-deckled edges Limited Edition of 75 Signed + Numbered Printed by Obey Giant "Protect The Blue Planet" stands as a testament to Shepard Fairey's dedication to using his art as a vehicle for environmental advocacy, fusing the worlds of pop art, street art, and graffiti art. This limited edition, hand-pulled 2-color serigraph, reveals the intricate relationship between humanity and our environment. Imprinted on 100% cotton Coventry Rag paper, the choice of material underpins Fairey’s commitment to sustainable artistry. The dimensionality of the piece, 30 x 41 inches, lends itself to an immersive viewing experience, accentuated further by its hand-deckled edges, which bring a tactile, organic touch, reminiscent of the raw edges of street posters. In partnering with the PangeaSeed Foundation to release this work for Earth Month, Fairey encapsulates the pressing environmental concerns of the modern era. Central to the piece is the depiction of an endangered North Atlantic right whale that exudes a mandala with the earth cradled within. This mandala, rooted in various cultural traditions, signifies harmony, unity, and the interconnectivity of the planet's ecosystems. The floral ornaments within it blossom as symbols of flourishing harmony, but the contrasting inclusion of flames starkly reminds viewers of the ever-looming threat of global warming. The text - "Protect the Blue Planet" and "One Ocean-One People" - along with the chosen blue palette, draws attention to the inextricable bond between thriving oceans and a sustainable world. As a renowned figure in the street art community, Fairey's work has always pushed boundaries, and with "Protect The Blue Planet", he once again blurs the lines between artistic expression, activism, and social responsibility, reminding the world of its role in safeguarding the planet. "To celebrate Earth Month, in collaboration with PangeaSeed Foundation, I’m pleased to release, “Protect The Blue Planet” which features an endangered North Atlantic right whale emanating a mandala with the earth as its focal point. In several cultures, the mandala represents harmony, unity, and wholeness, all of which are important concepts when considering the interconnected nature of the planet’s ecosystems, people, and species. The mandala features floral ornaments symbolizing harmony in bloom, but also flames as a reminder of the perils of global warming. The “Protect the Blue Planet” and “One Ocean-One People” text within the artwork and the blue color palette serve to emphasize the crucial connection between healthy oceans and a healthy planet." – Shepard

    $4,583.00

  • Swan Song Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Swan Song Silkscreen Print by Shepard Fairey- OBEY

    Swan Song Silkscreen Print by Shepard Fairey- OBEY Hand-Pulled 4-Color on Speckletone Fine Art Paper Limited Edition Pop Street Art Artwork. 2023 Signed & Numbered Limited Edition of 550 Size 36x24 Silkscreen Print The Swan Song print is a depiction of the precarious state of nature's delicate balance, with numerous species declining, eco-systems teetering on the brink of collapse, and climate scientists warning that time is running out to avert environmental consequences that could render zones inhabitable for millions. While certain groups may suffer more than others, this issue is universal as we all have an impact on both the problems and solutions. Unfortunately, the conscientious habits of individuals alone are insufficient to solve the problem. Unless corporations are pressured and regulated, they will continue to prioritize profits over the planet's health. The piece contains a news clipping revealing that Exxon-Mobile has known for over 40 years, based on their own internal scientific research, that burning fossil fuels is causing global warming, yet they concealed this information and publicly denied the impact of fossil fuels on climate change. A portion of the print's proceeds will be donated to Greenpeace USA to support their efforts to combat climate change. The Speckletone paper used in the print is made from recycled materials. Thank you for your concern.

    $635.00

  • The Fugees Collaboration B+ Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas The Fugees Collaboration B+ Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    The Fugees Collaboration with B+ Limited Edition 1-Color Hand-Pulled Silkscreen Print on Fine Art Paper by Ernesto Yerena Graffiti Street Artist Modern Pop Art. 2021 Signed by Brian Cross (B+) & Ernesto Yerena Montejano & Numbered Limited Edition of 250 Artwork 24x18 Art Print Photo of Wyclef Jean, Lauryn Hill, and Pras Michel of the Rap Music Group The Fugees. The Fugees Collaboration with B+ is a limited edition silkscreen print that encapsulates the intersection of music and visual art through the joint venture of street artist Ernesto Yerena and photographer Brian Cross, known professionally as B+. This 1-color hand-pulled print on fine art paper was crafted in 2021 and is a part of an exclusive collection limited to 250 signed and numbered pieces, each with dimensions of 24x18 inches. This artwork portrays the iconic trio of the rap group The Fugees—Wyclef Jean, Lauryn Hill, and Pras Michel—rendered in a style that merges the raw energy of street art with the sophisticated minimalism of modern pop art. Yerena, known for his works that often explore themes of cultural identity and political commentary, brings his unique stencil-like graphics to the mix, translating B+'s photographic capture into a high-contrast visual statement. B+, an established figure in the music industry through his photographic work, contributes the authenticity of the moment captured, a testament to his intimate relationship with the music scene and his subject matter. This print captures The Fugees in a candid state, seated on a staircase, which might be suggestive of the ascents and descents of their musical journey. The composition's stark lines and sepia-toned color palette highlight the group's unity and distinctive presence within the hip-hop community. The collaboration of Yerena and B+ in creating this print not only pays homage to The Fugees' significant impact on rap music but also immortalizes them within the legacy of pop art and street culture. This artwork is not merely a representation of the artists but a narrative piece that speaks to the broader cultural implications of their work and influence. It showcases how street art can elevate musical icons to a status that transcends their original medium, cementing their images within the public's consciousness through visual art. Each print in this series serves as an homage to the power of collaboration across artistic disciplines and the shared heritage of music and art within urban cultural landscapes.

    $364.00

  • Sterling Spoon Janes Addiction Calavera AP Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Sterling Spoon Janes Addiction Calavera AP Silkscreen Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Sterling Spoon Janes Addiction Calavera AP Artist Proof Silkscreen Print on Fine Art Paper by Latino Artist Ernesto Yerena Montejano- Hecho Con Ganas. AP Artist Proof 2016 Signed & Marked Limited Edition Artwork Size 18x24 Sterling Spoon Janes Addiction Calavera AP Artist Proof stands as a testament to the convergence of pop art and street art, epitomized in the modern art scene. Produced in 2016, this silkscreen print, crafted meticulously on fine art paper, is the brainchild of the acclaimed Latino artist, Ernesto Yerena Montejano, who is widely recognized under the banner "Hecho Con Ganas." Montejano's artistry is renowned for weaving cultural narratives and themes, particularly from his Latino heritage, into contemporary artistic expressions that resonate across a global audience. Diving deeper into the artwork, one cannot overlook its size – an impressive 18x24 inches – that commands attention and ensures that the details and nuances are not lost on the viewer. The choice of the Calavera, or skull, as a motif is not arbitrary. It embodies themes of mortality, celebration, and remembrance, often associated with the Day of the Dead celebrations in Latin cultures. This ties the work to a deep-rooted tradition while presenting it through the lens of modern-day pop and street art. What sets this piece apart, even more, is its exclusivity. As an Artist Proof, it is not just a mere representation of Montejano's vision but also offers a closer, more personal glimpse into his creative process. Marked with the artist’s signature, this limited edition piece serves as a bridge between the urban streets from where street art draws its inspiration and the polished galleries that pop art often finds its home. Such a piece not only speaks of its inherent artistic value but also stands as a chronicle of the times, cultures, and emotions that birthed it.

    $379.00

  • Minnie Period 12 Original Stencil Painting by Jeff Gillette

    Jeff Gillette Minnie Period 12 Original Stencil Painting by Jeff Gillette

    Minnie Period 12 Limited Edition Hand-Embellished HPM 9-Color Aerosol Stencil and Acrylic on Cradled Canvas Gallery Wrap by Jeff Gillette Graffiti Street Artist Modern Pop Art. 2020 Signed Original Stencil Spray Paint Acrylic Painting Artwork Size 20x24 The "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette is a significant piece in the realm of pop, street, and graffiti art. Characterized by its use of iconic imagery intertwined with gritty urban landscapes, it stands as a vivid commentary on consumer culture and societal decay. Jeff Gillette, an acclaimed American artist, has been dubbed as "the man who destroys Disneyland," as he frequently utilizes familiar and nostalgic Disney figures juxtaposed against dystopian backdrops in his art. In this particular piece, the recognizable figure of Minnie Mouse is manipulated in an unconventional graffiti stencil style, emphasizing the essence of street art in its rawest form. The "Period 12" refers to Minnie's untimely Menstruation and the painting number. Gillette infuses this piece with a paradoxical blend of innocence and bleakness. This contrast not only critiques our media-saturated society but also invites viewers to question the impact of corporations on our shared cultural consciousness. With its unfiltered portrayal of the tension between popular culture and reality, the "Minnie Period 12 Hand Stencil Original Canvas" by Jeff Gillette stands as a powerful exemplar of modern pop and street art.

    $719.00

  • Ganas Soldier Serigraph Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ernesto Yerena Montejano- Hecho Con Ganas Ganas Soldier Serigraph Print by Ernesto Yerena Montejano- Hecho Con Ganas

    Ganas Soldier Limited Edition Hand Pulled 5-Color Serigraph Print on Fine Art Paper by Ernesto Yerena Montejano Mexican American street artist modern pop art. 2010 Signed & Numbered Limited Edition of 87 Artwork 20x26 Ernesto Yerena Ganas Soldier, 2010 Serigraph, Ed, of 78 26”x20”. 5 Colors/ 6 solid runs / 1 blend run. "GANAS SOLDIER: DEFENDING DIGNITY". It was hand-printed at the legendary Chicano print house by Self Help Graphics Master Printer Jose.

    $406.00

  • AK-47 Lotus- Large Format Serigraph Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY AK-47 Lotus- Large Format Serigraph Print by Shepard Fairey- OBEY

    AK-47 Lotus- Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2022 Signed & Numbered Limited Edition of 100 Artwork Size 30x41 In the rich tapestry of modern art, the AR-15 Lily serigraph by Shepard Fairey holds a distinct place. A contemporary masterpiece, this large-format print, sized at an impressive 30x41, is a testament to Fairey's impeccable craftsmanship and profound insight into social issues. A product of the year 2022, the AR-15 Lily, alongside its counterpart, the AK-47 Lotus, reflects Fairey's inspiration from the iconic Vietnam War protesters. These brave souls, in a symbolic gesture of peace, would insert flowers into the gun barrels of the National Guard, who were present to curtail their passionate calls for peace. Shepard Fairey, a renowned graffiti street artist, is known for intertwining pop culture, street art, and pressing social issues in his works, and this piece is no exception. His choice of a 4-color serigraph technique for this limited edition of 100 pieces exudes exclusivity and class. The print, meticulously crafted on Custom Cotton Coventry Rag Paper, evokes feelings of nostalgia and the age-old conflict between violence and peace. Fairey’s perspective, as he expresses, is deeply pacifistic. His work is not just an artistic expression but a call for diplomacy and harmony, both on international terrains and domestic fronts. While he does not challenge the Second Amendment, his emphasis is on reducing unnecessary deaths due to gun violence. In a world where the lines between art and activism often blur, Fairey's commitment to supporting causes shines through. A portion of the proceeds from this artwork, for instance, aids Brady United, an organization dedicated to preventing gun violence. The AR-15 Lily is not just a piece of art; it's a bold statement, a call for reflection, and a testament to Fairey’s unwavering commitment to promoting peace. "The AK-47 Lotus and AR-15 Lily large format serigraphs are inspired by Vietnam War protesters who would put flowers in the gun barrels of the National Guard who were brought in to suppress their protests for peace. I’m a pacifist, whether that means finding diplomatic solutions to prevent and avoid war internationally or finding diplomatic solutions to prevent and avoid gun violence at home. I’m not anti- Second Amendment, so trolls can calm down… I’m not interested in macho blathering, I just want fewer people to die unnecessarily. Brady United is doing good work preventing gun violence so they will receive a portion of proceeds from these two prints. Thanks for caring.⁠" -Shepard Fairey

    $4,583.00

  • Bronx Meets Queens Set Shoe Tossing Wood Silkscreen Print by L'Amour Supreme

    L'Amour Supreme Bronx Meets Queens Set Shoe Tossing Wood Silkscreen Print by L'Amour Supreme

    Bronx Meets Queens Set of 2 Original One of a Kind Mixed Media Spray Paint Air Brush Acrylic Painting Artwork on Wood Shoe Cut Out by Graffiti Artist L'mour Supreme. 2022 Signed One Pair (Two wooden shoes total) of customed Skewville Wooden shoes by Artist L’Amour Supreme. Each Shoe measures 11″ x 5.5″ x 0.5″. Bronx Meets Queens Set Shoe Tossing Wood Silkscreen Print by Skewville

    $518.00

  • While Supplies Last Large Format Serigraph Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY While Supplies Last Large Format Serigraph Print by Shepard Fairey- OBEY

    While Supplies Last Large Format Limited Edition Hand Pulled 4-Color Serigraph Print on Custom Cotton Coventry Rag Paper by Graffiti Street Artist Shepard Fairey. 2023 Signed & Numbered Limited Edition of 100 Artwork Size 45x26 Hand Deckled In the vibrant sphere of pop art, street art, and graffiti art, Shepard Fairey stands as a towering figure, renowned for his thought-provoking pieces that often transcend the canvas to make poignant societal statements. His creation, "While Supplies Last," is a testament to his artistic prowess and dedication to global causes. This large format artwork, meticulously crafted as a hand-pulled 4-color serigraph print, exemplifies the precise attention to detail and the depth of thought behind Fairey's creations. Crafted on custom cotton Coventry rag paper, the artwork exudes a tactile richness. The dimensions, 45x26, give the art piece a commanding presence, ensuring that its message is not just seen but felt. The edges, hand deckled, add to its authentic appeal. But what truly makes this piece resonate is its potent imagery: bold patterns, captivating floral motifs juxtaposed against a hauntingly beautiful face, and the unmistakable "WHILE SUPPLIES LAST!" emblem - all working in tandem to highlight the urgency of environmental concerns. Originating in 2023, the artwork's exclusivity is marked by its limited run of only 100 pieces, each of which is signed and numbered by Shepard Fairey himself. Adding to its authenticity, the Obey publishing chop is discreetly placed in the artwork's lower left corner. Importantly, Fairey's commitment to environmental conservation shines through, as proceeds from this masterpiece are dedicated to Greenpeace, ensuring that the art not only stirs the soul but also contributes tangibly to pressing global issues. In an era where art and activism intertwine, "While Supplies Last" stands as a beacon of hope and a call to action.

    $4,583.00

  • Protect The Blue Planet Silkscreen Print by Shepard Fairey- OBEY

    Shepard Fairey- OBEY Protect The Blue Planet Silkscreen Print by Shepard Fairey- OBEY

    Protect The Blue Planet Limited Edition Hand Pulled 2-Color Silkscreen Print on Thick Cream Speckle Tone Paper by Shepard Fairey Graffiti Street Artist Modern Pop Art. 2022 Signed & Numbered 18x24 inches Limited Edition of 450 "To celebrate Earth Month, in collaboration with PangeaSeed Foundation, I’m pleased to release, “Protect The Blue Planet” which features an endangered North Atlantic right whale emanating a mandala with the earth as its focal point. In several cultures, the mandala represents harmony, unity, and wholeness, all of which are important concepts when considering the interconnected nature of the planet’s ecosystems, people, and species. The mandala features floral ornaments symbolizing harmony in bloom, but also flames as a reminder of the perils of global warming. The “Protect the Blue Planet” and “One Ocean-One People” text within the artwork and the blue color palette serve to emphasize the crucial connection between healthy oceans and a healthy planet." – Shepard

    $518.00

  • Purple Nose Giclee Print by Mysterious Al

    Mysterious Al Purple Nose Giclee Print by Mysterious Al

    Purple Nose Limited Edition Giclee Print on 308gsm Hahnemuhle Cotton Paper by Modern Artist Mysterious Al. 2022 Signed & Numbered Limited Edition of 50 Artwork Size 23.62x23.62

    $270.00

Blue & Teal Color Graffiti Street Pop Artwork

Shades of Cool: The Significance of Blue in Street Pop Art and Graffiti Artwork

Blue's Visual Impact on Urban Artistry

Blue, a color that blankets the sky and seas, has found its way into the concrete nooks of urban landscapes, becoming a pivotal player in street pop art and graffiti artwork. This color, known for its calming presence, is anything but passive in the bustling streets where it often surfaces. Blue spans a spectrum from dawn's soft pastels to twilight's deep indigo. Each shade opens a new chapter in the narrative that artists weave into the urban fabric, turning walls into windows of expression. 

Blue in the Techniques of Street and Pop Art

From a technical perspective, blue offers an array of possibilities to the street artist. Its versatility in opacity and saturation makes it a reliable choice for backgrounds that require a sense of depth or for focal points that demand immediacy. Techniques like layering different blues can create a vibrant dynamism, while a single flat hue can be a bold monolith in the visual field. The application of blue in street pop art often employs gradients, blending the color from light to dark to mirror the sky—linking the urban to the natural.

Cultural Echoes and Emotional Resonance of Blue

Culturally, blue resonates profoundly and is often associated with peace, serenity, and stability. In the fast-paced, sometimes chaotic urban environment, blue can be a visual haven for the eyes, a moment of rest amidst the visual clamor. It also carries a weight of sadness and introspection in specific contexts, allowing artists to delve into deeper emotional territories. In street pop art and graffiti, blue becomes the canvas for exploring these diverse, dynamic landscapes, pulling passersby into a moment of reflection.

Compositional Harmony and Contrast with Blue

Regarding composition, blue's place in street pop and graffiti art is as fluid as the color itself. It can harmonize with cooler tones, creating a composed and cohesive piece, or stand in stark contrast to warm hues, making each color pop with increased vibrancy. The juxtaposition of blue against the oranges and reds of a city sunset can turn a wall into a living canvas, capturing the day's last light in a permanent glow state.

The Symbolic Utilization of Blue in Artistic Expression

Symbolically, blue carries various meanings that artists skillfully exploit in their work. In some cultures, blue is protective, warding off evil and bad luck. In the lexicon of street pop art, blue can serve this protective role, creating spaces of safety and beauty in otherwise overlooked parts of the city. It also stands as a symbol of high ideals, often used to depict themes of justice, truth, and freedom—themes that resonate strongly in the public spaces that street art occupies.

Future Perspectives: Blue in Street Pop and Graffiti Art Trends

Looking ahead, the role of blue in street pop art and graffiti is expanding. As public art becomes increasingly integrated with urban planning and design, blue will likely continue being a favored hue for its ability to merge seamlessly with the open sky and water that frame our cities. Technological advancements in pigments and application methods will also influence how blue is used, potentially leading to new shades and finishes that will enrich the artist's palette. Blue remains a color of choice for its deep ties to human emotion and intrinsic beauty in street pop art and graffiti. It has the power to transform the mundane into the extraordinary, to turn the walls into stories, and to color the city with the hues of dreams and reflection. As both an elemental force and a subtle whisper, blue's presence in the urban art world is a testament to its enduring appeal and infinite potential as a visual storytelling medium.
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